#the historical setting and details and complexity of the plot is interesting

[aroaessidhe]

2024 reads / storygraph

Song of the Huntress

historical fantasy set in 8th century Britain

follows three characters:

a woman who has spent centuries leading the wild hunt & reaping souls after being tricked into it, who disguises herself as a human to enter the kingdom

the queen of Wessex who never lives up to the demands of the court, despite leading their people in battle - and after a battlefield defeat they turn against her

and her husband, the king, deals with magic and political upheaval as his brother tries to usurp him and conflict arises between new and old religions

bi woman MC, lesbian MC, ace man MC

[novlr]

My story has two time lines, 2010 and 2024 Should i make theses two alternate?

Some of the most effective stories I’ve read move seamlessly between different time periods, weaving together narratives that span years or even centuries. Dual timelines can be a powerful storytelling tool, adding depth and complexity to your narrative while allowing you to explore how the past influences the present.

However, managing multiple timelines requires careful planning and execution, and there isn’t a one-size-fits-all approach for how to do it. You know your plot better than anyone, so here are some guidelines that will hopefully help you choose which best works for the kind of story you want to tell.

Why use dual timelines?

Dual timelines can serve several important storytelling functions:

They reveal how past events shape present circumstances.

They build suspense by gradually unveiling historical mysteries.

They allow for rich character development across different periods by drawing parallels between them.

They provide opportunities to explore themes through different historical contexts.

They can create dramatic irony when readers know more than the characters.

They can foreshadow present events.

How to structure dual timelines

When it comes to structuring dual timelines, there is no single best approach. But what you do need is a solid foundation for both timelines, and to consider how frequently readers will cross between them. The structure you choose will depend on how closely your timelines are connected and how you want readers to experience the relationship between past and present.

Here are the main approaches writers typically use:

Alternating chapters

The most common approach is to alternate between timelines chapter by chapter. This creates a natural rhythm and helps readers track where they are in each narrative. It works particularly well when both timelines have equal weight in the story.

Longer sections

Some writers prefer to spend several chapters in one timeline before switching to the other. This approach can work well when one timeline needs more extended development or when you want to build more momentum before switching.

Scene by scene

For stories where the timelines are closely intertwined, you might switch between them more frequently, even within chapters. This requires careful handling to avoid confusing readers, but can create powerful connections between past and present events. And if you want to take this to an extreme, an example that tackles multiple timelines simultaneously is Ted Chiang’s Story of Your Life. I recommend it to every writer, because it’s a perfect example of how language and structure can be pushed to its limits in a way that can still be effective and engaging for readers.

Tips for writing dual timelines

Make each timeline distinct

Establish clear markers of time and place, like character and setting description unique to that timeline.

Create distinct character voices for each timeline. Language changes, even in a short space of time.

Use different sensory details to ground readers in each period.

Keep detailed notes about the chronology of events in both timelines to make your life easier as you’re drafting.

Keep readers oriented

Start each timeline shift with clear indicators of when and where we are.

Use chapter headers to identify the timeline.

Reference distinctive historical events or cultural touchstones, even if they are just specific to your characters.

Balance your timelines

Make sure both storylines are equally interesting.

Make each timeline feel necessary to the overall story.

Create meaningful connections between the dual timelines.

Maintain tension in both narratives by giving them their own arcs.

Connect your timelines

Establish clear thematic links between past and present events.

Use parallel events, situations, or themes to create a connection.

Show how actions in the past influence the present.

Make sure both timelines contribute to the story’s central conflict.

Common pitfalls to avoid

Losing momentum

Switching timelines can interrupt narrative flow. Make sure each switch serves the story and keeps your readers invested. End sections at natural turning points that make readers want to return to that timeline later.

Uneven development

One timeline often becomes more interesting than the other. Work to make both storylines equally fascinating and necessary to the overall narrative. If readers start skipping one timeline to get back to the other, you may need to strengthen the weaker narrative.

Confusing transitions

Readers should always know which timeline they’re in. Be consistent with your transition markers and make sure the first paragraph of each switch clearly establishes the timeline.

Weak connections

The timelines should feel meaningfully connected, not just parallel stories happening to different characters. Look for ways to make the connections between past and present feel essential to understanding the full story.

Questions to ask yourself:

When writing dual timelines, regularly check in with these questions:

Does each timeline serve a clear purpose in the overall story?

Are both narratives equally developed and involving?

Are the connections between timelines meaningful and clear?

Can readers easily track which timeline they’re in?

Does each timeline switch happen at a natural point in the story?

Are you maintaining tension in both narratives?

[keepingstabs]

𓈒ㅤ 𑁯ㅤ 🌿     hello!    i'm on the lookout for   new roleplay partners   to collaborate on rich,    detailed roleplay stories and   worldbuilding.    if you’re passionate about storytelling and love diving into character-driven plots,    let’s connect!

𓈒ㅤ 𑁯ㅤ 🌿     about me.

i prefer writing   literary threads   with in-depth character development and dynamic interactions.

my writing often leans toward   angst,    but i’m open to adding elements of fluff or other tones to balance the narrative.

i can write mxf,   mxm,   &   fxf.   i have no specific preference.

𓈒ㅤ 𑁯ㅤ 🌿     what i'm looking for.

partners who are   21+   (maturity is essential for the themes i enjoy exploring).

writers who can write on either   tumblr   or   discord.

someone who loves plotting something new,    and will not let me plot alone.   roleplaying is a two way street.   if i do all the yapping,   i lose interest easily.

𓈒ㅤ 𑁯ㅤ 🌿     fcs i write.

i primarily write   musicians,    k-pop idols,    and   k-actors,    with a focus on asian faceclaims   (not limited to east asians).

i do also have   western fcs   &   muses   and am always open to exploring and discovering new fcs that will fit the plot.

𓈒ㅤ 𑁯ㅤ 🌿     themes & genre.

i love writing angst,    diving into the complexities of relationships,    emotions,    and struggles.

open to   fandom-based plots   or universe adaptations.

interested in exploring a variety of genres,    including:

sci-fi:   futuristic worlds,    dystopian societies.

supernatural:   mythological beings,    paranormal elements,    curses,    or magic.

horror:   psychological tension,    dark mysteries,    survival scenarios.

royalty:   political intrigue,    forbidden romances,    historical or fantasy settings.

if this resonates with you,    feel free to   like this post   &   i'll message you.

[thewriteadviceforwriters]

How to Write A Victorian Era Fiction Novel

Step back in time and immerse yourself in the world of Victorian Era Fiction. With its unique social customs, political landscape, and fashion trends, the Victorian Era provides a fascinating backdrop for storytelling. But writing a compelling fiction novel set in this era requires a great deal of attention to detail and research. In this guide, I'll help you explore the key aspects of Victorian Era Fiction writing and provide a step-by-step process for crafting a novel that transports readers to this captivating time period.

Exploring the Fascinating World of Victorian Era Fiction

The Victorian Era is often romanticized in popular culture as a time of elegance, innovation, and progress. It was a period of intense change in politics, fashion, and morals, resulting in a complex society that ultimately makes for rich storytelling opportunities.

Discover the Allure of Victorian Era Fiction and what Draws Readers in

Victorian Era Fiction captures the uniqueness of a past era while also holding up a mirror to current societal issues. It allows us to explore the past while still being entertained by a well-crafted narrative. Readers are often drawn to this genre for its intriguing characters, turbulent plots, and lush imagery that transports them back in time.

Understand the Historical Context of the Era and How it Influences Storytelling

The Victorian Era was a time of industrialization, rapid urbanization, and intense social change. This turmoil can be seen in novels of the time, where authors often explored themes of class conflict, gender inequality, and societal unrest. Therefore, it's important to have a strong understanding of the historical context surrounding a novel, so that it can be effectively reflected in the storytelling.

Explore Popular Themes and Tropes in Victorian Era Fiction

Themes and tropes like romance, mystery, adventure, orphan narratives, the supernatural, and the gothic are prevalent in Victorian Era Fiction. Authors like Charles Dickens, the Bronte sisters, Arthur Conan Doyle, and Oscar Wilde all employed these popular motifs in their works. By incorporating some of these prevalent themes and tropes into your writing, you can create a compelling, Victorian-esque narrative that encapsulates the era's allure.

Step-by-Step Guide to Writing a Compelling Victorian Era Fiction Novel

If you are fascinated by the Victorian Era and would like to write a fiction novel set in this time period, here's a step-by-step guide to help you get started:

1. Begin with a solid story idea that can be transformed to fit the era

Start by developing a unique story idea that can be adapted to the Victorian Era. Consider how the story and characters can fit into this time period and what aspects of the era can be incorporated into the narrative. This will help you create a distinct and compelling story.

2. Craft a diverse cast of characters that reflect the social norms and customs of the time

The Victorian Era had strict social customs and norms that affected every aspect of life. Create characters that reflect these societal constraints and expectations. Explore how different genders, classes, and races interacted during this time period to develop diverse and authentic characters.

3. Use sensory details to create an immersive experience for readers and transport them to the era

Details about clothing, fashion, architecture, and language can help transport readers to the Victorian Era. Incorporate descriptive language and sensory details to create an immersive experience that will allow readers to see, smell, and hear the world of your story.

4. Layer multiple plotlines to create a complex and interesting story

The Victorian Era was a time of great change and upheaval, with many political, social, and economic events happening simultaneously. Consider weaving multiple plotlines into your narrative to create a complex and interesting story.

5. Incorporate historical events or lesser-known facts to create unexpected twists in the story

Research the era and incorporate historical events or lesser-known facts into your story. This will help create unexpected and surprising plot twists, while also giving readers a sense of the time period and its influence on the narrative.

6. Experiment with different story structures or narrative devices to keep the reader engaged

Experiment with different story structures or narrative devices to keep readers engaged. Consider using multiple points of view, non-linear timelines, or other creative techniques to make your story stand out.

Writing a compelling Victorian Era fiction novel requires research, creativity, and attention to detail. Following these steps can help you create an immersive and unforgettable story that captures the essence of the time period and leaves readers wanting more.

Researching Key Aspects of the Victorian Era to Enrich Your Fiction

If you want to write a compelling Victorian-era fiction novel, it is important to do thorough research about the time period to ensure your story is accurate and authentic. Here are some key aspects of the Victorian Era that you should consider incorporating into your research:

Investigate the political landscape and social customs of the era

The Victorian Era was a time of significant social, political, and economic change. From the reign of Queen Victoria to the period of industrialization, it is crucial to understand the issues and events that shaped the world during this time.

Examine fashion, architecture, and language used during the time period

The Victorian Era was famous for its distinct fashion style, from the upper-class women's corsets and hoop skirts to the working-class attire of the time. You should also research Victorian architecture, as this can heavily inspire the setting of your novel. Finally, understanding the language used during this time is also key, as it allows greater authenticity in your dialogues and narration.

Incorporate historically accurate events or figures into your story for added depth

History is full of exciting stories to draw inspiration from. Whether you want to incorporate real-life events or famous figures of the Victorian Era, doing so can add depth and color to your story. Through research, you can create a more rich and accurate version of Victorian England that would captivate your readers.

By taking the time to research key aspects of the Victorian Era, you can bring depth and authenticity to your fiction writing that will make your story come to life.

Creating Authentic Characters in Your Victorian Era Fiction Novel

One of the key factors in creating a compelling Victorian Era Fiction novel is the characters. Here are some tips and tricks to help you create authentic characters that reflect the time period:

Utilize Character Archetypes

During the Victorian Era, certain character archetypes were prevalent in literature. These include the noble hero, the damsel in distress, the villain, and the mentor. By using these archetypes, you can create characters that are believable and realistic for the era.

Consider Social Constraints and Expectations

The society of the Victorian Era was highly stratified, with strict expectations placed on individuals based on their gender, class, and race. When developing your characters, consider the constraints they would have faced based on their societal status.

Explore Interactions between Different Classes

One of the interesting aspects of the Victorian Era is the interaction between individuals of different classes. Use this dynamic to your advantage by creating characters from various social backgrounds and exploring how their interactions impacted their lives.

By incorporating these factors, you can create characters that are authentic to the time period and resonate with readers of Victorian Era Fiction.

Mastering the Art of Dialogue in Victorian Era Fiction Writing

One of the key elements of a successful Victorian Era fiction novel is the ability to master the art of dialogue. This is because speech patterns, honorifics, and language use during the era were vastly different from what we use today. Here are some tips to help you write authentic and engaging dialogue for your Victorian Era fiction novel:

Study the Language and Speech Patterns of the Era

Before writing dialogue, it's crucial to understand how people spoke during the Victorian Era. Reading books written during that time period, such as Charles Dickens' works, can give you a good idea of the vernacular and speech patterns used. Additionally, historical documents such as letters, diaries, and newspapers can offer unique insights into how people communicated with one another.

Utilize Proper Language and Honorifics to Reflect the Social Hierarchy

Addressing others using proper language and honorifics was particularly important during the Victorian Era, as it reflected the strict social hierarchy of the time. It's important to research and understand the different titles and forms of address used for different classes and professions, and to incorporate them into your dialogue to reflect the social structure of the era.

Consider the Impact of Vernacular or Slang on Different Characters from Varying Backgrounds

Vernacular and slang were commonly used during the Victorian Era, particularly among working-class characters. It's important to consider the use of dialects and slang words when crafting dialogue for characters from diverse backgrounds. However, it's also important to avoid caricaturing characters and being insensitive to different accents and dialects.

In conclusion, mastering the art of dialogue in Victorian Era fiction writing is crucial for creating an immersive and authentic reading experience. By studying the language and speech patterns of the era, utilizing proper language and honorifics, and considering the impact of vernacular or slang on different characters, you can craft engaging and believable dialogue that transports readers to the fascinating world of the Victorian Era.

Crafting Intriguing Plot Twists in Your Victorian Era Fiction Novel

One of the most crucial elements of a successful Victorian Era fiction novel is a compelling plot that keeps readers on the edge of their seats. Here are some tips to craft intriguing plot twists that will keep your readers engaged:

Layer Multiple Plotlines

One way to create a complex and interesting story is to layer multiple plotlines. For example, you could introduce a mystery or romance subplot that weaves throughout the main storyline. This will keep readers guessing and prevent the story from feeling one-dimensional.

Incorporate Historical Events or Lesser Known Facts

Another way to create unexpected twists in the story is to incorporate historical events or lesser-known facts. This not only adds depth and authenticity to the story but can also surprise readers who may be familiar with the era. For example, you could include a true crime event or a lesser-known social custom that adds intrigue to the plot.

Experiment with Different Story Structures or Narrative Devices

Finally, don't be afraid to experiment with different story structures or narrative devices. For example, you could use flashbacks or alternate narrators to reveal new information or perspectives on the story. This can keep the reader engaged and add complexity to the plot.

By incorporating these tips, you can create a Victorian Era fiction novel that will keep readers enthralled from beginning to end.

Editing and Polishing Your Victorian Era Fiction Novel: Tips and Tricks

After completing your draft, it's time to polish and edit your manuscript to perfection. Here are some tips and tricks to consider:

Take time away from the manuscript before editing:

Leaving your manuscript for a few days or even weeks before revisiting it can help you gain a fresh perspective. You'll be able to look at your work with a critical eye and spot any plot holes, inconsistencies, or areas that need improvement.

Read the manuscript out loud:

Reading your work out loud is an excellent way to catch any grammatical errors or awkward phrasing that may have slipped by during the writing process. It can also help you identify areas where dialogue sounds forced or unnatural.

Ensure consistency:

It's important to ensure that the tone and language consistency remain steady throughout the entirety of the manuscript. Pay attention to character development and ensure that all details, such as clothing or mannerisms, remain consistent throughout the story.

Work with beta readers or editors:

Having a fresh pair of eyes on your manuscript can help identify areas that need improvement. Consider working with beta readers or professional editors to gain a new perspective on your work and fine-tune your manuscript.

Take breaks:

Editing and polishing your work can be a tedious process. Take frequent breaks to avoid burnout and to maintain your focus and productivity.

Keep a style guide:

Keeping a style guide can help you maintain consistency and avoid errors in grammar, punctuation, and formatting. Use this guide both during the writing and editing process.

Final thoughts:

Editing and polishing your manuscript can make or break your novel. Take the time needed to ensure that your work is flawless and reflective of the fascinating world of Victorian Era Fiction.

Conclusion

In conclusion, writing a Victorian Era fiction novel can be an immersive and rewarding experience, as it requires a deep dive into the historical context of the era, and a keen understanding of Victorian sensibilities and societal customs. By following the steps and tips laid out in this guide, writers can create a compelling story that transports readers to a bygone era filled with intrigue, romance, and adventure. So why not take the plunge and embark on a journey into the fascinating world of Victorian Era fiction writing?

Copyright © 2023 by Ren T.

TheWriteAdviceForWriters 2023

[goldenniichor]

- Intro post! Hi all! I’ve recently been getting back into writing and I’d love to have more people to talk to about muses and to roleplay with!

I am 21+, open to writing in reblogs on tumblr or through discord, or places like Google docs! I primarily write ocs and have ocs of all genders, identities, sexualities, races, backgrounds, etc. I love unique, diverse and fleshed out characters! I love gritty universes, nuanced characters, complex dynamics- I put a lot of thought and effort into my muses and love to see people passionate about theirs too! I love historical rps- from 1800s to some casual 1980s vibes, WWI settings or medieval times- urban settings, high fantasy, dark academia, action, thriller/horrors, crime, supernatural, dystopias. I love fluff and romance just as much as I love darker topics and violence- most things are up my alley! I do muse some canon characters or have ocs set in specific fandoms, so I’m always open to chat about them! I love detailed replies but can't always do rapid fire- I have a job to work around and sometimes get overwhelmed with rapid fire (silly I know, sorry!) but I love ooc chat between replies! I love chatting about ocs and plotting or doing multiple threads! I mostly use realistic faceclaims as well. Feel free to message me and I can offer a link to short bios on my ocs for you to look over if you're interested in plotting, or send me an oc or idea you'd like to use and I'll tell you if any of mine might fit! Some fandoms of mine include: The Hunger Games (ocs only); Dune; Star Wars (ocs only); The Elder Scrolls (ocs only); Dragon Age; Baldur’s Gate; The Umbrella Academy; Severance; The Handmaid’s Tale (ocs); Cyberpunk 2077 (ocs); and more that I just can’t think or right now!

[kamreadsandrecs]

Title: Stars of Chaos/Sha Po Lang, Vol. 1

Author: priest

Genre/s: danmei, steampunk, historical, alternate history

Content/Trigger Warning/s: murder, violence, deafness, blindness

Summary (from publisher's website): The discovery of violet gold, a vital fuel for steam-powered machines, propelled the empire of Great Liang into an age of prosperity. But for Chang Geng, a young man raised on the impoverished northern border, the concerns of the empire are as distant as the stars above.

When raiders from the north attack Chang Geng’s small village, he discovers that the life he knows is a lie. His mother, his teacher, and even his godfather whom he trusted more than any other, Shen Shiliu, are not what they seem. As enemy nations close in, Chang Geng follows his godfather to the heart of the imperial capital, where a greater fate lies in store for him.

Buy Here: https://sevenseasentertainment.com/books/stars-of-chaos-sha-po-lang-novel-vol-1/

Spoiler-Free Review: Oh, but this was so GOOD! This book reads as a LOT more complex than what I remember of MDZS. For one, the worldbuilding is MUCH more thorough than the world of MDZS, which had enough details in it to build a sense of what it’s like in the reader’s head, but certainly not to the same detail as this book. While it’s set in a fictional China, this book goes beyond China’s borders to show its connection to fictional versions of Central Asia, Europe, and Japan.

And in line with that expansion of the world, the plot and the themes expand as well. While this volume contains elements of mystery and court intrigue, the main bulk of the plot (in this volume anyway) is centered on the resource called violet gold (which reads like a stand-in for crude oil) and the ways Great Liang has attempted to secure its supply of the resource. Those methods include soft and hard controls of the market, but notably, it includes colonial subjugation of a region where the resource is most abundant. That latter bit makes for some interesting thoughts if one is a reader for whom such a theme is of interest, especially given how one character in particular states that, if it were up to them, they would go on a colonial-expansionist project in order to ensure the safety and stability of Great Liang.

While all of those are weighty and complex topics, this series is still firmly in the danmei genre, as shown by the relationship between Gu Yun and Chang Geng, whose relationship is a bit more nuanced and complex in its portrayal than that between Lan Wangji and Wei Wuxian. There are plenty of silly moments, of course, and more than a few times I facepalmed (in a good way) at their dynamic, but while it’s clear that they are the main romantic couple of this series, their relationship is not as clear-cut as the main couple in MDSZ.

Overall, this was an excellent read: a step up in terms of style, narrative, and thematic concerns compared to MDZS, while still remaining within the ambit danmei as a genre. I am not entirely sure if this difference is a result of the authors’ specific skills and styles, or if it is a result of their respective translators, but regardless, this volume certainly shows that priest is entirely capable of doing some very good worldbuilding while weaving a complex plot, as well as working with equally complex themes. I will definitely be keeping an eye out for the next volume, as well as for priest’s other works, because I think that her writing might just be the kind I really enjoy.

Rating: five silk darts

[cultivating-wildflowers]

2024 Reading - August

There I was at the beginning of the month all worried about my potential page count for August, and then I went and read well beyond that. It's fine. I'm just a baby. The good news is that I seem to have caught my reading stride again--I actually wanted to spend my evenings reading a physical book, and didn't feel like reading was a slog. And even though I'm only halfway toward my original reading goal for the year, I've made good progress through my digital TBR.

Total books: 9  |  New reads: 8  |   2024 TBR completed: 1 (0 DNF) / 27/36 total   |   2024 Reading Goal: 53/100

July | September

potential reading list from August 1st

First of all, please admire this graph:

I haven't read this many pages in a month in like two years. (This does count pages and hours I read for books I ultimately DNF.)

Moving on.

#1 - The Unselected Journals of Emma M. Lion, Vol 1 by Beth Brower - 5/5 stars

A quick, charming read with surprising depth. I actually cried at one point. And I definitely want to read more. It’s a pity each volume is so small and that none are available through any library in the state.

Note from end-of-the-month Phoebe: I bought Volume 2. And another book by the same author.

#2 - Jonathan Strange & Mr Norrell by Susanna Clarke - 5/5 stars ('24 TBR)

Expertly crafted historical setting effortlessly blended with the dangerously fantastical. Rich, complex characters who are people of their time. A totally engrossing writing style with asides and footnotes and sharp dialogue that left me laughing with delight. So many tiny elements that combined to make up exactly the sort of story I crave. I wasn't expecting to be enthralled, but I was from the first page. Maybe it rewired my brain a little bit.

I will grant it's not for everyone, but it was PERFECT for me. Just don't ask me what the plot is.

Reasons you may not like it: 1) It's huge and a bit of a time investment. 2) It is largely character-driven and, while well-paced, doesn't have a lot of external pressure to keep the story exciting. 3) It's somewhat verbose, in a Tolkien sort of way. 4) Something of an open ending (which, weirdly, didn't bother me?). 5) As the magic tips from human to fairy, it develops a dark and occult flavor. This is nice for people who like their fairies to remain distinctly wicked within the narrative (rather than roguishly morally gray), but there are decidedly dark elements. I tried to watch the show a few years ago and didn't make it through the first episode, and as I recall it was because the fairies came off a tad too dark for me. Somehow it was better on the page.

#3 - Escape from Camp 14: One Man’s Remarkable Odyssey from North Korea to Freedom in the West by Blaine Harden - 4/5 stars

This is both the biography of a man who escaped the North Korean prison camp where he was born, and also a biography of North Korea itself over the past 50-odd years. Sparse and somewhat stilted, full of facts and figures, it reads more like an article than a story. I'll say it's an important story, despite the surrounding controversy, but the writing style didn't do it any favors.

Note regarding the peculiar controversy surrounding this book: A few years after the book was published, Shin Dong-hyuk contacted Harden and revised his story as told here. The base details remained the same, but timelines and locations had changed. Yeonmi Park faced the same controversy following the publication of her memoir of her childhood in North Korea (In Order to Live; which, weirdly, I read in August of last year), which to me says less about the veracity at the heart of both individuals' histories and more about how trauma, in particular that brought about by political violence, can impact emotions and memory. If you're interested in reading this book, definitely check out Harden's updated forward examining Shin's altered account. Harden himself repeatedly acknowledges Shin as "an unreliable narrator of his own life".

More like this: "In Order to Live" by Yeonmi Park with Maryanne Vollers; "A Long Way Gone" by Ishmael Beah; "Infidel" by Ayaan Hirsi Ali.

#4 - Time Travelling with a Hamster by Ross Welford - 4/5 stars (audio)

If you couldn't tell, I'm desperately trying to fill in some of the missing letters for my second year of a self-imposed alphabet titles challenge. This is my fifth attempt at a "T". Attempts three and four are below in the DNFs. I decided to bank on an extreme change of pace with this one.

A solid middle grade adventure, and one I'll definitely recommend in future. Fun and unpredictable and my head hurts, because time travel always does that to me. Ridiculously short chapters, for some reason.

More like this: A bit like "A Wrinkle in Time", a bit like "Meet the Robinsons" (the movie; haven't read the books).

#5 - The Empty Grave by Jonathan Stroud - 4/5 stars

I DNF'd this last year after trying and failing for a month to get into it. I had definitely been in the perfect mood when I started the series last year, but for some reason The Empty Grave gave me no end of trouble, and I gave it up about a quarter of the way through.

Not so this time. This time it took me all of four days to finish.

Thankfully this follows the tradition of refreshing the reader's memory of previous events in the series, because I'd forgotten some of the pertinent details. Either because of my foggy memory or because of something else in the story, the ending fell kind of flat for me, like it was missing an element to deliver a good emotional conclusion, or like it didn’t fully satisfy the stakes set up at the start of the book. I consider this series more young adult than middle grade, but the way it wrapped up definitely felt middle grade in style.

Still a solid ending for sure, just a little confusing.

#6 - A Swiftly Tilting Planet by Madeleine L'Engle - 5/5 stars (reread) - 50th read of the year!

Comfort book my belovéd.

#7 - The Swamp Fox: How Francis Marion Saved the American Revolution by John Oller - 4/5 stars (audio)

Francis Marion is one of my dad's favorite figures of the Revolutionary War, and man, I can see why.

The writing itself is somewhat dry, crammed full of names and dates technical details of battles; but Oller manages to weave a solid narrative as he combs through the legends surrounding Marion and picks out the facts.

More like this: "Lion of Liberty" by Harlow Giles Unger.

#8 - Heidi by Johanna Spyri - 4/5 stars (audio)

"Heidi" was one of the movies I watched on repeat as a kid. Not the Shirley Temple version, but the 1968 made-for-TV version that apparently took some liberties with the plot. (But according to Wikipedia, it's most memorable for interrupting a football game for its premier.)

The book is a cozy classic children's book, plain and simple. It feels a bit like The Secret Garden with an orphan coming to an unfamiliar place and thriving there (plus helping an invalid thrive as well); and a bit like L.M. Montgomery pushing all of us to get outside and breathe some fresh air.

#9 - The King of Elfland's Daughter by Lord Dunsany - 4/5 stars (audio)

Absolutely gorgeous.

You might like this is you like: The Ballad of the White Horse by G.K. Chesterton; or the narrative style of the legends told by characters in the Queen's Thief series.

Useless fun fact: Lord Dunsany's name was Edward John Moreton Drax Plunkett.

DNF

Hamnet by Maggie O'Farrell - Hilarious two-star reviews proved it's not something worth finishing and it doesn't deliver on the premise. (It's not even about Hamnet. It's a "re-imagining" of Anne/Agnes Hathaway-Shakespeare and guess what. She's a strong, wild woman who practices witchcraft in late 16th century England. Groundbreaking. I need to stop skimming summaries.)

The Hazel Wood by Melissa Albert - Got about a third of the way through this one before I realized...I just didn't care. The premise was good, and the delivery was kind of meh but not bad--which, considering how rarely I read newer YA these days, was actually a point in its favor. But then we got to the reveal and I went "Wait. That's it?" and lost interest. I don't think magical realism is for me. Also, it didn't affect my decision to stop reading, but I didn't like the audiobook narrator.

Tales from the Hinterland by Melissa Albert - A companion book to the Hazel Wood duology, presented as the book-within-a-book that the Hazel Wood revolves around. I read a couple of the stories out of curiosity, but the allure of that book-within-a-book is gone when it's told in the same voice as the actual story.

A Tree Grows in Brooklyn by Betty Smith - I...have no idea. What is this? I got a little over halfway through it before it got to be too much and I gave up. I liked the writing voice well enough but the story meandered along a plodding, darkly sentimental route and I got lost. And a little disgusted.

Bridge of Birds by Barry Hughart - I wanted to like it, but it was too bawdy for me.

The Outlaws of Sherwood by Robin McKinley - Robin is such a hit-or-miss author for me, and this one was a solid miss. The premise was too absurd for me to stick it out. I might have given it another chapter, but none of the characters were really grabbing me, and I wasn't fond of how McKinley chose to portray Marian.

Currently Reading:

The Disorderly Knights by Dorothy Dunnett - I swear I'll have finished this by the end of the year.

The Boys in the Boat by Daniel James Brown - I'll finish this one pretty quickly.

[darkandstormydolls]

Finally, I can post about a costuming project literally years in the making: my worldbuilding costumes!

I started this project a while ago, to combine two of my interests; costuming and worldbuilding/writing. I honestly have to say that I prefer worldbuilding to actually writing the story, and in one of my stories especially I’ve worked really hard on creating a complex high fantasy world with details and pieces of information that no one would ever really need. Of course, a part of this was figuring out clothes for all the different cultures of the world, and planning out how they were made, what textiles were available, how their clothes were made to work with the environment around them, how they reflect cultural norms, ect. And I decided that, if I’d done all this work to design the clothes, I might as well sew them to make sure that they worked and made sense the way they did in my head, right?

So, I did just that! I’ve been working on this intermittently, between other sewing projects and dependent on when I was feeling it, what I had planned and designed, and when I could get the things I needed or knew what I needed to know. I’ve learned so much over the course of this project, and my skill level and confidence in my costuming abilities has changed tremendously from my first costume of this project (fae) to my last (vampire). Additionally, while I may not yet have an actual plot that uses this world (I’ve done a couple little one-off things, plus it serves as the distant past for my more modern fantasy story Fires of Gor’thall and I’ve pulled a lot from it for other worlds for other stories, but no one big major story), this project has been endlessly helpful for figuring out how things work and how to describe them, as well as the fact that just having these costumes has been great. Sometimes, when I’m struggling with inspiration, I’ll just dress up in clothes from my world, and sometimes it helps

The guidelines I set for myself for this project were essentially “as accurate as reasonably practical”. I’ve used my sewing machine, but limited it to either cases where a straight running or backstitch would be used (ie construction seams) and hems (I did handsew a few hems on my vampire clothes, but not all of them), with the one exception of the sleeve embroidery on the blouse for my elven clothes, since my own embroidery ability is rather lacking and since it was white on white there was no need for the color mixes done in other embroidery. Seams were all finished in a historical method (binding or felling, mostly), and eyelets were sewn by hand. I did my best to keep the fabrics used as accurate as possible, although I did used polyfelt rather than wool felt in my demon clothes (wool is expensive. I was lucky enough to get the material for the vampire clothes at craft supplies exchanges and yard sales, but not so much with the felt) and some of the “linen” I used in my daemon clothes was actually a mock-linen cotton-Lycra blend that acts much like actual linen. I also sewed just about everything with polyester thread and most of the trims are either polyester ribbon, or, in the case of the ones that I wove, made with mostly acrylic and cotton yarn rather than linen and wool

A note on terminology: I know this is a fantasy world, and as such, there is no such thing as “historical accuracy”, but I will be sometimes using words like “historical” or “period” to refer to things, meant in the context of “accurate to this world”, because these are the terms I am used to using from dress history and historical costuming

The outfits will all have their own posts, talking about the making of them, the styles, the reasoning behind why I made the clothes the way I did, and other information about the clothes themselves and my worldbuilding about them

Linked below, in order of when I made them:

Fae

Elven (I have no idea why this got marked as mature, I’m working on it, please trust me it really isn’t)

Demon

Daemon

Vampire (this one’s going to take a while to get pictures of I won’t be able to wear it until like October)

[dark-roleplay-finder]

{🥀🕊️} tldr about me; 24f she/her, novella multi-page writer, fantasy / zombie apocalypse / historical fiction, mxm & mxf and doubles-friendly, nsfw and dead dove friendly but will discuss limits and triggers, eastern time zone, plotting and worldbuilding heavy, discord pinterest and spotify are my best friends!

tldr looking for; heavily literate 18+ long-term rp partner, a lover of fantasy (fae, demons, dragons, chosen ones and dark lords, etc) or open to supernatural historical fiction or dark zombie-centric apocalyptic threads. replies preferably at minimum once a week, and please no ghosting–i am very understanding of real life and burnout so if we need breaks thats okay! discord + pinterest friendly, and must vibe ooc! romance is required, as well as being okay with lgbtq+ characters, dark themes, and nsfw content.

read below for more details if this sounds like your cup of tea~

hi friends, i’m 24f she/her, looking for someone similar in age (18+ required, absolutely no minors, preferably 20+) who loves fantasy, monsters, romance, and loooong lengthy replies. i’ve been writing for the past 15+ years with dreams of one day being published, and have been roleplaying for the past 10+ years, though i’ve been on an extended hiatus. i’m recently quit my job (living in EST) so my schedule is pretty open to start writing together! Even though i have a lot of new free time, i do have a partner and responsibilities, and am also aware of burnout, real life, and mental health so never be afraid to pull the breaks for a few days, weeks, or months if we need to but please communicate that. i almost exclusively write medieval high fantasy, but also enjoy historical fiction (absolutely nothing modern ie. 1930's onward) and lately have been into zombie apocalypses as i’m rewatching twd. i only work with originals, ocxoc, but am open to playing with a canon universe as long as we make it our own! i’m mainly looking for mxm and mxf romance since that’s what i have the most experience with, but i am lgbtq+ friendly. i prefer a partner who is open to writing a wide range of characters, not just female ocs or “submissive” types, just to ensure we keep the threads fresh for both of us. i’m more than happy to double and work on multiple threads as well. i like a heavy emphasis on troubled characters with real flaws, trauma, and their subsequent development, exploring interesting relationship dynamics both healthy and toxic, and extensive worldbuilding + magic systems. customized discord servers, fanart, headcanons, drawn maps of our worlds, couples playlists, pinterest boards–you name it, i love it and am here for it.

concepts in mind; while i don’t have any set plots, characters, or worlds (i generally enjoy figuring this out organically with my partner) there are some things that i like to write and cliches i love to see. Anything with fae, monsters, demons and witches, interesting takes on vampires + werewolves, i’m here for! i love fairytale retellings and mythology, and playing with religious motifs and inspiration (think paradise lost). themes of rebellion, war-torn kingdoms, corrupt monarchies, prophecies, racing against the clock to defeat eldritch world-ending monsters, dark overlords, magic always has a price, everyone is living on borrowed time just to name a few. when it comes to romance tropes, you can never go wrong with enemies to lovers, soulmates, forbidden romance, arranged/forced marriage, hidden identity, the hero falls for the villain. i foam at the mouth for soft ocs that snap and go feral, not a god’s chosen but a god’s cursed, the found family out of a band of ragtag misfits, complex villains who are actual people, i could literally go on for hours.

other tidbits; i don’t write canon characters or with fandoms, but i do enjoy my fair share of shows, books, and video games! i'm open to taking inspiration from any of them, so i’ll list a few if it helps give a better idea of what i’m into and possible interests we might share–

shows/movies: game of thrones + house of the dragon, outlander, the walking dead, pride and prejudice, stranger things, lotr, twilight

books: a court of thorns and roses + throne of glass, six of crows + shadow and bone, the night circus, and many more

games: animal crossing, legend of zelda, the sims, dragon age, stardew valley, the last of us

contact; if you are interested in any of this, like this post and i'll message you or comment with your discord username and i'll add you

Like this post and the asker will reach out!

[findyourrp]

{🥀🕊️} tldr about me; 24f she/her, novella multi-page writer, fantasy / zombie apocalypse / historical fiction, mxm & mxf and doubles-friendly, nsfw and dead dove friendly but will discuss limits and triggers, eastern time zone, plotting and worldbuilding heavy, discord pinterest and spotify are my best friends.

tldr looking for; heavily literate 18+ long-term rp partner, a lover of fantasy (fae, demons, dragons, chosen ones and dark lords, etc) or open to supernatural historical fiction or dark zombie-centric apocalyptic threads. replies preferably at minimum once a week, and please no ghosting–i am very understanding of real life and burnout so if we need breaks thats okay! discord + pinterest friendly, and must vibe ooc! romance is required, as well as being okay with lgbtq+ characters, dark themes, and nsfw content.

read below for more details if this sounds like your cup of tea~

hi friends, i’m 24f she/her, looking for someone similar in age (18+ required, absolutely no minors, preferably 20+) who loves fantasy, monsters, romance, and loooong lengthy replies. i’ve been writing for the past 15+ years with dreams of one day being published, and have been roleplaying for the past 10+ years, though i’ve been on an extended hiatus. i’m recently quit my job (living in EST) so my schedule is pretty open to start writing together! Even though i have a lot of new free time, i do have a partner and responsibilities, and am also aware of burnout, real life, and mental health so never be afraid to pull the breaks for a few days, weeks, or months if we need to but please communicate that. i almost exclusively write medieval high fantasy, but also enjoy historical fiction (absolutely nothing modern ie. 1930's onward) and lately have been into zombie apocalypses as i’m rewatching twd. i only work with originals, ocxoc, but am open to playing with a canon universe as long as we make it our own! i’m mainly looking for mxm and mxf romance since that’s what i have the most experience with, but i am lgbtq+ friendly. i prefer a partner who is open to writing a wide range of characters, not just female ocs or “submissive” types, just to ensure we keep the threads fresh for both of us. i’m more than happy to double and work on multiple threads as well. i like a heavy emphasis on troubled characters with real flaws, trauma, and their subsequent development, exploring interesting relationship dynamics both healthy and toxic, and extensive worldbuilding + magic systems. customized discord servers, fanart, headcanons, drawn maps of our worlds, couples playlists, pinterest boards–you name it, i love it and am here for it.

concepts in mind; while i don’t have any set plots, characters, or worlds (i generally enjoy figuring this out organically with my partner) there are some things that i like to write and cliches i love to see. Anything with fae, monsters, demons and witches, interesting takes on vampires + werewolves, i’m here for! i love fairytale retellings and mythology, and playing with religious motifs and inspiration (think paradise lost). themes of rebellion, war-torn kingdoms, corrupt monarchies, prophecies, racing against the clock to defeat eldritch world-ending monsters, dark overlords, magic always has a price, everyone is living on borrowed time just to name a few. when it comes to romance tropes, you can never go wrong with enemies to lovers, soulmates, forbidden romance, arranged/forced marriage, hidden identity, the hero falls for the villain. i foam at the mouth for soft ocs that snap and go feral, not a god’s chosen but a god’s cursed, the found family out of a band of ragtag misfits, complex villains who are actual people, i could literally go on for hours.

other tidbits; i do not write canon characters or with fandoms, but i do enjoy my fair share of shows, books, and video games! i'm open to taking inspiration from any of them, so i’ll list a few if it helps give a better idea of what i’m into and possible interests we might share–

shows/movies: game of thrones + house of the dragon, outlander, the walking dead, pride and prejudice, stranger things, lotr, twilight

books: a court of thorns and roses + throne of glass, six of crows + shadow and bone, the night circus, and many more

games: animal crossing, legend of zelda, the sims, dragon age, stardew valley, the last of us

contact; if you are interested in any of this, like this post and i'll message you or comment with your discord username and i'll add you

.

[yutamahidayati]

Rising Feather Episode 11 - 12 ENG SUB

Attention all drama enthusiasts! Brace yourselves as the much-anticipated Rising Feather Episode 11 - 12 with English subtitles has been unleashed into the streaming sphere. In here, we take pride in being the trailblazers, delivering the freshest episodes straight to your screens. This latest installment is ripe with intrigue, emotion, and unmissable plot twists. Make sure to bookmark our platform for instant access to all the newest episodes, and stay tuned via our Facebook page for real-time updates on your favorite dramas. Indulge in this engrossing episode and immerse yourself in the captivating world of drama. Don't miss out – it's time to delve into the magic of Rising Feather Episode 11 - 12!

Rising Feather Episode 11 - 12

Watch on Website : Watch Rising Feather Episode 11 - 12 Eng Sub Full Episode (Free) Watch on FB Groups : fb.com/groups/englishsubsasiandramaclub (Join) Watch on Telegram : @englishsubsasiandramaclub (Join)

Details Drama: Rising Feather Country: China Episodes: 30 Aired: Dec 6, 2023 - Dec 21, 2023 Aired On: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday Original Network: Youku Duration: 15 min. Content Rating: Not Yet Rated Rising Feather: Native Title: 青雀成凰 Also Known As: Qing Que Cheng Huang Genres: Historical, Romance Tags: Short Length Series, Web Series Statistics: Score: 7.1 (scored by 26 users) Ranked: #57382 Popularity: #11019 Watchers: 523 Rising Feather Episode 11 - 12 Eng Sub (Full Episode) Rising Feather also know as Qing Que Cheng Huang, 青雀成凰 the third installment of the renowned drama series, Rising Feather unfolds with an amalgamation of wit, humor, and emotional depth. As the story continues, viewers are drawn deeper into the lives of its vibrant characters, experiencing a roller-coaster of laughter and heartfelt moments. Set against the backdrop of Princess Qing Que, the orphaned daughter of prince Huai, grew up in Mu Wang's mansion, where she always received harsh treatment from the princess Mu Qing Cheng. While trying to escape from there, she meets Yun Huan. After saving each other, they promise to spend their life together. However, though Qing Que gave him all her heart, Yun Huan rewarded her with a fatal blow. Qing Que, who had escaped death, then reincarnated as Que Er, wandering in a dangerous relationship between Mu Wang and Yun Huan, playing tricks on people's hearts every step of the way., Episode 11 - 12 brings to the forefront the complexities and bonds between the central characters. The episode weaves a narrative that effortlessly oscillates between comedic interludes and touching revelations. Episode 11 - 12 , the characters who are full of charm and uniqueness are each involved in unexpected situations. Funny conflicts and hilarious moments present a series of scenes that invite laughter while conveying touching messages. This episode not only displays fresh humor, but also displays interesting character development. From light scenes to emotional moments, every aspect of this story is designed to appeal to the audience. The actors in the Rising Feather series deliver extraordinary performances, making every scene full of warmth and undeniable quality. While inserting a deep moral message, this series succeeds in expressing joy, silliness and immersive emotional depth. With a smart and interesting point of view, Episode 11 - 12 of the Rising Feather drama series promises exciting entertainment for loyal fans and viewers who have just joined this exciting adventure. From the cuteness to the depth of the story, every moment in this episode encapsulates the essence of what makes the Rising Feather drama series so interesting. Certainly, every viewer will be carried away by the storyline which is full of joy and warmth, making this episode an unforgettable experience. The production values ​​are commendable, as evidenced by the smooth cinematography that is able to capture the essence of every scene produced by Youku and the cast Li Jiu Lin, Xiao Yu, Terry Guo, Liu Yuan Yuan, Wang Lu, Xie Zi Chen. Overall, Episode 11 - 12 of Rising Feather encapsulates the series' signature blend of humor and depth. It not only entertains but also resonates emotionally, leaving a lasting impact on the audience. As the narrative progresses, viewers eagerly anticipate the subsequent episodes to witness the further evolution of the storyline and characters.

[keepingstabs]

𓈒ㅤ 𑁯ㅤ 🌿     hello!    i'm on the lookout for   new roleplay partners   to collaborate on rich,    detailed roleplay stories and   worldbuilding.    if you’re passionate about storytelling and love diving into character-driven plots,    let’s connect!

𓈒ㅤ 𑁯ㅤ 🌿     about me.

i prefer writing   literary threads   with in-depth character development and dynamic interactions.

my writing often leans toward   angst,    but i’m open to adding elements of fluff or other tones to balance the narrative.

i can write mxf,   mxm,   &   fxf.   i have no specific preference.

𓈒ㅤ 𑁯ㅤ 🌿     what i'm looking for.

partners who are   21+   (maturity is essential for the themes i enjoy exploring).

writers who can write on either   tumblr   or   discord.

someone who loves plotting something new,    and will not let me plot alone.   roleplaying is a two way street.   if i do all the yapping,   i lose interest easily.

𓈒ㅤ 𑁯ㅤ 🌿     fcs i write.

i primarily write   musicians,    k-pop idols,    and   k-actors,    with a focus on asian faceclaims   (not limited to east asians).

i do also have   western fcs   &   muses   and am always open to exploring and discovering new fcs that will fit the plot.

𓈒ㅤ 𑁯ㅤ 🌿     themes & genre.

i love writing angst,    diving into the complexities of relationships,    emotions,    and struggles.

open to   fandom-based plots   or universe adaptations.

interested in exploring a variety of genres,    including:

sci-fi:   futuristic worlds,    dystopian societies.

supernatural:   mythological beings,    paranormal elements,    curses,    or magic.

horror:   psychological tension,    dark mysteries,    survival scenarios.

royalty:   political intrigue,    forbidden romances,    historical or fantasy settings.

if this resonates with you,    feel free to   like this post   &   i'll message you.

[thewriteadviceforwriters]

How to Write a Historical Mystery Novel | Short Guide

Historical mystery novels are a popular genre that combines the intrigue of a mystery with the rich backdrop of a historical setting. If you're interested in writing a historical mystery novel, there are several key elements that you should keep in mind. In this blog post, I'll help you explore some tips and tricks for crafting a compelling historical mystery novel.

Research

The first step in writing a historical mystery novel is to do your research. This means studying the time period and setting in which your novel takes place. You'll need to understand the social customs, political structures, and cultural norms of that time.

You should also research real-life historical events and figures that you can incorporate into your story. This will help to give your novel a sense of authenticity and depth.

Character Development

Your characters are the heart of your historical mystery novel. They should be complex, multi-dimensional, and relatable. One way to achieve this is to give them flaws and weaknesses, just like any other character. Perhaps they struggle with a personal issue or have a tendency to make impulsive decisions.

At the same time, your characters should also have strengths and admirable qualities. They may be brave, intelligent, or compassionate. Think about what makes your characters unique and what sets them apart from other characters in literature.

Plot

The plot of your historical mystery novel should be engaging and suspenseful. It should keep your readers guessing until the very end. One way to achieve this is to incorporate real-life historical events or figures into your plot. This can add a layer of intrigue and depth to your story.

You should also think about the pacing of your novel. It should be fast-paced enough to keep your readers engaged, but not so fast that they can't keep up with the plot.

Setting

The setting of your historical mystery novel is just as important as the plot and characters. It should be richly detailed and immersive, so that your readers feel like they are transported to another time and place.

Think about the sights, sounds, and smells of the time period. What did the streets look like? What did people wear? What did they eat? By incorporating these details into your setting, you can create a vivid and realistic backdrop for your story.

Clues and Red Herrings

One of the key elements of a mystery novel is the clues and red herrings. Clues are the pieces of information that lead your characters (and your readers) closer to solving the mystery. Red herrings, on the other hand, are false clues that lead your characters (and your readers) astray.

Think about how you can incorporate clues and red herrings into your story. They should be subtle enough that they don't give away the ending, but clear enough that your readers can follow along.

Conclusion

Writing a historical mystery novel can be a challenging but rewarding experience. By doing your research, developing complex characters, crafting an engaging plot, creating a rich setting, and incorporating clues and red herrings, you can create a novel that keeps your readers on the edge of their seats. With these tips and tricks in mind, you'll be well on your way to writing a historical mystery novel that is both entertaining and informative.

Copyright © 2023 by Ren T.

TheWriteAdviceForWriters 2023

[guipingy]

The Duchess (2008)

Every girl fantasizes about being a princess and living in a castle, and so do I. So I am very obsessed with European palace movies. Appreciate the magnificent costumes and elegant manners of these nobles.

The Duchess, directed by Saul Dibb and released in 2008, is a historical drama that delves into the life of Georgiana Cavendish, Duchess of Devonshire. This movie stars Keira Knightley and is adapted from Amanda Foreman's biography 'Georgiana, Duchess of Devonshire'. So, the prototype of the movie is characters that truly exist in history. This has sparked a stronger interest in me. So, I am talking about Georgiana Cavendish, The Duchess of Devonshire was studied. Georgiana Cavendish (June 7, 1757- March 30, 1806) was an English nobleman. She was born into the Spencer family, which is Princess Diana's family. She married into the Cavendish family and was the first wife of the fifth Duke of Devonshire, William Cavendish, as well as the mother of the sixth Duke of Devonshire.

Georgiana is a fashion icon who leads the trend with her carefully designed hairstyles and clothing, often becoming the object of public fascination. In addition to her status as a socialite, she actively participated in politics, supported the Whig Party, and ran for candidates such as Charles James Fox. Female participation in politics was very rare at the time, perhaps due to her status and unique personal charm that allowed her to enter politics. Her personal life is turbulent and unstable. Her marriage was tense, and she faced challenges such as gambling debts and a complex relationship with Mrs. Elizabeth Foster, who became her husband's mistress. Georgiana also had an affair with Charles Gray, which forced her to give up a child. It is worth noting that these plots are also described in the movie. So the movie to some extent restores history.

The Duchess is set in the late 18th century and features Georgiana as the protagonist. She married the fifth Duke of Devonshire, William Cavendish. This marriage was arranged for political and economic interests, and soon exposed the Duke's emotional detachment and infidelity, especially his extramarital affair with Lady Elizabeth Foster, a close friend of Georgiana. This left Georgiana heartbroken, so she focused her energy on other things and became an outstanding political hostess and fashion icon. At the same time, she had a relationship with politician Charles Gray and gave birth to a child. However, due to the Duke's power, she had to give up this child. This reflects the extreme inequality between men and women in that era, where men were allowed to engage in extramarital affairs while women were not.

After its release, 'The Duchess' received mixed reviews. Critics praised the visual brilliance of the film and Knightley's performance, but also pointed out the lack of narrative depth. Roger Ebert believed that the work was perfectly framed, dressed, and adorned with wigs and feathers, highlighting its aesthetic achievements.

And this film also won the Academy Award and the British Academy Film Award for Best Costume Design, so its performance in visual storytelling is very outstanding.

This movie mainly depicts Georgiana's personal struggles, including her unhappy marriage and social expectations. But in my research, I found that Georgiana was actually a good friend of Queen Marie Antoinette of France. This queen is also known for her fashion influence

The Duchess is renowned for her meticulous attention to the details of the times. The filming locations for the movie include Kadelston Hall and the Royal Crescent in Bath. This makes the story background of the movie appear more authentic.

And the cinematographer Gyula Pados perfectly presented the distorted images in this period drama, without any mistakes. He cleverly interwoven the dim sunlight and candlelight that came in through the mesh curtains, creating a cold and damp indoor atmosphere. Very impressive, with a strong sense of painting. Reminiscent of portrait paintings from the 18th century. This method gives the movie a sense of realism, immersing the audience in the historical context.

The Duchess follows many conventions of the theatrical genre during this period, including depictions of aristocratic life, lavish court attire, and luxurious scenery. At this point, it is conventional. However, it also emphasizes the protagonist's political initiative and the limitations imposed by her gender and social status. For example, themes such as emotional abuse, infidelity, and the complexity of marriage. This section is unconventional. So this movie combines conventional and unconventional elements.

Overall, this movie is worth watching. Because its setting is very magnificent and depicts the challenges faced by women in a patriarchal society in Europe, as well as the sacrifices made in pursuing personal and political achievements. Even if she is as noble as a Duchess, she cannot escape the oppression of patriarchal society. She cannot choose her own love, nor can she live freely. This is a constraint on women, and it is worth reflecting on.

[kamreadsandrecs]

Title: The Essex Serpent

Author: Sarah Perry

Genre/s: historical

Content/Trigger Warnings: emotional and physical abuse, implied death by drowning, implied death in childbirth, implied sexual harassment

Summary (from author's website): London, 1893. When Cora Seaborne's controlling husband dies, she steps into her new life as a widow with as much relief as sadness. Along with her son Francis - a curious, obsessive boy - she leaves town for Essex, in the hope that fresh air and open space will provide refuge. 

On arrival, rumours reach them that the mythical Essex Serpent, once said to roam the marshes claiming lives, has returned to the coastal parish of Aldwinter. Cora, a keen amateur naturalist with no patience for superstition, is enthralled, convinced that what the local people think is a magical beast may be a yet-undiscovered species. As she sets out on its trail, she is introduced to William Ransome, Aldwinter's vicar, who is also deeply suspicious of the rumours, but thinks they are a distraction from true faith. 

As he tries to calm his parishioners, Will and Cora strike up an intense relationship, and although they agree on absolutely nothing, they find themselves at once drawn together and torn apart, affecting each other in ways that surprise them both.

The Essex Serpent is a celebration of love, and the many different shapes it can take.

Buy Here: https://bookshop.org/p/books/the-essex-serpent-sarah-perry/7213198

Spoiler-Free Review: On the surface, this book is a beautifully deep and detailed historical novel, with all the right period details. It’s also a bit of a mystery/horror novel, with all those tiny nods to the (historical) legend of the Essex Serpent and the touches of folk horror in how the people of Aldwinter talk about it and deal with it.

But at its core, it's all about the characters, who are all quite complex and layered in their portrayals. None of them fits into any sort of stereotype one might find of them in Victorian novels: Cora isn’t necessarily the typical widow (merry or otherwise), William isn’t the typical parson, Martha isn’t the typical lady’s companion, etc. Each character has an idea of what the other characters are like before meeting them, then another idea of what they’re like after meeting them. That idea changes throughout the course of the novel as the plot plays out - a plot that is largely driven by the way the characters interact with each other. There’s a kind of ripple effect: one character takes some kind of action (or doesn’t), and the effects of their action or inaction affects the other characters, to a greater or lesser degree. This is what makes the characters - and the novel - enjoyable to read.

This dynamic is clearest with Cora and William. Initially they have some negative ideas about what the other is like, but when they finally meet each other in person those ideas change, and become more positive. But as the novel goes on, it becomes clear that though they get along and agree on a lot of things, there’s also plenty of things they DON’T agree on - but that just makes them more interesting to each other, more enjoyable to be around. This creates an interesting push-and-pull between them, that ripples out onto the other characters. Those characters, in turn, react to that dynamic, and their reactions spark similar reactions in other characters, including Cora and William.

Of course, none of these dynamics would be interesting if the characters themselves weren’t interesting on their own. As I mentioned earlier, none of the characters are stereotypes, but some are, I think, a bit more interesting than others - largely because of how they shine a light on aspects of British Victorian history that might not always be made obvious in other media based on the time period. The most obvious example here is Martha: her socialist politics provide a refreshing contrast to the politics of the other characters, but her sapphic-coded relationship with Cora, and her more complicated, politically-slanted relationship with Spencer, also add angles and layers to her that are not always visible in media and literature about the Victorian period.

But where does this leave the Essex Serpent itself, and its story? While it’s still a presence in the novel, and is the reason why all the characters come together in the first place, it’s really more of a symbol than any kind of actual threat. In that sense it can be viewed in many different ways, but the one I lean more towards is that it is a symbol of making assumptions, and disillusionment: two things all the characters undergo, for better and for worse.

So overall, while some readers might come to this novel expecting something in the horror or gothic vein (like I did, initially), they’ll quickly come to learn that this really is a story about the characters in it, and how they interact with and react to each other, than about any supposed monster lurking in the river. While this might be disappointing to some readers who were looking for a scarier read, others might find themselves unexpectedly delighted by the novel’s character-heavy focus and the author’s wonderful prose.

Rating: five blue stones

[bluelikesapphire]

I have been doing @batmanisagatewaydrug Book Bingo and I got a lot more done than in two weeks than I thought

(Some thoughts and details under the cut)

Literary fiction: Convenience Store Woman by Sayaka Murata

I do not have a lot to say about this one tbh. I enjoyed the dry directness of the writing. However I heard from a few people that this book was just so odd and I was missing that a bit. This isn't really the books fault, but I was expecting it to be weirder. I might read Earthlings and see how I feel about that one

Fantasy: The Alchemasters Apprentice by Walter Moers

Funny, fast paced fantasy. It never quite came together for me like The City of Dreaming Books, but I do love the bit, that Moers is just translating for a fictional author every single time. I know that is also what Lord of the Rings does, however Moers also imagines whole literary genres that the book you are reading is a part of. (I guess that is also what I enjoyed in City of Dreaming Books)

Published before 1950: The Jewish War by Lion Feuchtwanger

I love this book. It is one of the books that got me from reading middle grade to adult books as a teenager (so a reread) and it is still great. It's like the platonic ideal of an historic novel to me. It makes me interested in the time period it's set in, there are strong characters, and it has compelling themes. The back and forth between the protagonist Josephus and his frenemy Justus is such an amazing through line, even if it is a bit on the nose at times. The variety of characters, all representing varying degrees of assimilation into an imperial culture. I will be reading the second book this year as well and I can't wait

Manga: Dungeon Meshi by Ryoko Kui

I like the anime and as expected I like the manga. Fun times

Memoir: In the Dream House by Carmen Maria Machado

Probably the best book I have read so far. Maybe the best book I will read all year. I was expecting to be wrecked emotionally by the retelling of an abusive relationship (and I was) and then I get hit with this amazing writing style. The way the short chapters give you fractions in a variety of styles, while still working together to form this fully coloured mosaic. Every bit ties into further thoughts and explorations. I think I will buy a copy of this book to reread in a few years

Set in a Country...: The Lion Women of Tehran by Marjan Kamali

This books works well for me on an emotional level, but I am not as convinced about the writing as a craft. A lot of the scenes are vivid, and you really get a sense for the characters attachments. There is some nice symmetry connecting different parts. They tend to be cheesy, but I found them to be sweet.

Now to the disappointing parts: Some of the dialogue and interactions are stiff. They are very obviously trying to move the plot along to the desired point or give the reader a little additional information about Iranian culture and politics. This connects to my second issue. The book is very obviously for people, with little knowledge about Iran. This isn't necessarily bad, but I don't like this feeling of being pandered to. It is not trying to challenge the Western/American reader too much, so Iran gets boiled down to a few dishes and some major political events. Lastly, I was really hoping Homa would get more depth. We get a few chapters from her point of view and in theory she is interesting, but overall we get very little from her. Now, none of the characters are particularly complex, but as she is deuteragonist, I expected a bit more. For Ellie we get doubts and insecurities she picked up in her life, but Homa only struggles with things that happen to her. In a similar vein, poverty gets touched on and we are supposed to feel compassion, but the majority of the book takes place in the world of the affluent. I still enjoyed the book and I would recommend it, but only if you want to read something that might make you emotional, without any intellectual challenge.

Romance: Half a Soul by Olivia Atwater

A bit like Lion Women, I liked the book on an emotional level, but had issues with almost everything else. The interactions between the protagonist and the love interest were so fun. Sadly the basic premise is botched by the language used. I am not expecting absolute Regency accurate language, but here it was working against the characterization of our protagonist and the people around her. She is supposed to be considered rude, because she says whatever comes to her mind, meanwhile her aunt and various other ladies insult people to their face, slam doors and slap people and that's fine? It's lacking all the subtle wit that makes me love books like Jane Eyre or Emma. Also in one scene the love interest says he offered a sizeable dowry to the protagonist's guardian to ask for her hand in marriage and that's just baffling. Literally the opposite of how it works. The whole dowry business is a plot point in pretty much every Austen novel. Takeaway: Maybe read more romance, but not in a Regency setting

(Also if you are reading this please, please look up the original cover and then the German version. Why did this and why?)