Oh, I didn’t know that.
I was listening to Gordon Lightfoot’s “The Wreck of the Edmund Fitzgerald” on youtube, and browsing the comments several people mentioned …
Okay. The song is about the real sinking of the freighter the Edmund Fitzgerald on Lake Superior in 1975. And there’s a line in the song:
“In the Maritime Sailor’s Cathedral,
The Church Bell chimed till it rang twenty nine times,
For each man on the Edmund Fitzgerald”
Which references something that the actual Maritime Church in Detroit did in honour of the ship’s crew. And I just found out in those youtube comments for his song that when Gordon Lightfoot died in May last year (2023), the Maritime Church rang those bells again, this time 30 times. Once for every man on the Edmund Fitzgerald, and once more for Gordon Lightfoot.
That’s … That is a memorial I would be proud to have earned. And proud to give. I do like that. A lot.
Apparently, the Split Rock Lighthouse on Lake Superior also lit its beacon in honour of him.
Sorry. I’m having … extremely maritime sort of feelings over here. Songs and memorials, bells and beacons, and the ways we carry memory forward. That’s … that’s a good memorial. I like that.
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This, by the way, is the opposite of the situation I posted about yesterday, which was a case of misidentification by accident. I don't like the idea of anyone suffering through a serious envenomation (although this seems to be a case of someone who is not an especially nice person), even if they did basically bring it on themselves. But it does highlight a really nasty streak of arrogance toward parts of nature that really deserve extra respect because of the dangers they pose. I am already not enamored of the practice of breeding and selling herps with all the carelessness of a carnival goldfish stand, but the "hey, look what I got!!!" braggadocio shown by some venomous reptile keepers is the end result of an attitude that these animals are just living, breathing collectibles to be traded and shown off.
When we approach the rest of nature with respect instead of commodification, it completely changes the bedrock upon which our interactions with other beings and our shared environment occurs. The good news is that we can change our approach for the better any time--and hopefully before we find ourselves in such dire straits as this guy.
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Distressing news in The Independent today:
“David Lynch has revealed he can no longer leave his house since being diagnosed with emphysema. The director of films including Eraserhead and Mulholland Drive, who created and starred in Twin Peaks, shared the revelation in a new interview about his career. Speaking to Sight & Sound magazine, Lynch, 78, said he was diagnosed with emphysema due to smoking throughout his life and said that, if he directs again, it will have to be remotely as he cannot “go out” due to fears he will get Covid. “I’ve gotten emphysema from smoking for so long and so I’m homebound whether I like it or not. It would be very bad for me to get sick, even with a cold,” he said, revealing that he “can only walk a short distance before” he’s “out of oxygen.” It’s because of this that Lynch says it is unlikely he will direct again, but if he does, he will be unable to do so in person. However, while saying “I would do it remotely if it comes to it”, he said: “I wouldn’t like that so much.””
For Lynch fans, this is obviously deeply saddening (and explains his low profile in recent years). If Inland Empire (2006) represents his last feature film and Twin Peaks: The Return (2017) his final artistic statement, Lynch’s career is ending on a creative high.
Update on this: Lynch has since posted this statement on Twitter. “Ladies and Gentlemen. Yes, I have emphysema from my many years of smoking. I have to say that I enjoyed smoking very much, and I do love tobacco - the smell of it, lighting cigarettes on fire, smoking them - but there is a price to pay for this enjoyment, and the price for me is emphysema. I have now quit smoking for over two years. Recently I had many tests, and the good news is that I am in excellent shape except for emphysema. I am filled with happiness, and I will never retire. I want you all to know that I really appreciate your concern. Love, David.” It’s worth bearing in mind Lynch is a multimedia artist so even if he never directs a film again (which let's face it, is likely) he'll still paint (for example), and he DID just release a fascinating new album called Cellophane Memories.
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Made smooth and slick of seas and strands
Tides that turn at your commands
A heartbeat held by heavy hands
More Kaijja character writing. Roughly 1200 words on the beginning of her romantic relationship with the flesh god.
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He does not mind solitude, but when you lack other obligations he does not mind your intrusion either. It is perhaps not usual, but it is natural to be fascinated with a god. You intrude often. You call it an extension of work, and the two of you do work through problems together. He was surprised, once upon a time, when he inflicted experience on you to demonstrate the severity of his edicts and you, not unshaken but still engaged, asked if he felt such detail in the experience of every person he faced. He had not been asked to use his power as a tool of empathy, not after imposing such suffering, not in centuries, but it is commonplace between you now. You wonder to what extent he can feel you enjoy it, even when it is excruciating. And the intellectual exercise is useful. Many times simulation of similar encounters has helped you watch for signs of tension, has made you more perceptive to the way your interlocutors conduct themselves and react to you. It is practical, and there is a quiet selfish pleasure in understanding the way he sees and feels the world.
Mirjat tells you it is unusual for Iokhar's Advocate to be his friend, or even to like the man, and you understand that but you do not relate. He is beautiful when he attempts to be terrifying, he is rational when he cannot intimidate, he is deeply intensely perceptive, and in his own stoic way he is oddly soft. Perhaps kind is a better word. He cares much more deeply than he shows. There is a selfish little thrill in that as well, knowing that you have brought out in him qualities most others never see. Knowing that you surprise him, a man who can feel everything but your thoughts just standing across from you. You accomplish a great deal in your tenure, but it is this that most often produces that quiet sense of pride.
He shows you change. In theory this is to make a point, but the point is unnecessary. You are not asking about something of immediate importance. It is after hours and you are asking about a story, about old scripture, from a primary source. This is not uncommon, and alongside speaking in words he chooses to sate a curiosity he knows you will have. When he has pulled you back together into the right shape you grin up at him. He studies you, near expressionless, and says "This is inappropriate." It is the strangest declaration of love you will ever receive, and you see it for what it is immediately. It should shock you, but somehow it does not. You agree. The evening ends with a veneer of stoic professionalism.
You will talk about it the next day. You will talk about it for the next week. You will see a degree of begrudging openness from him that you will not realize has been kept from you until you see it for the first time. You seek counsel, as is the responsible thing to do, but find that there is very little doubt as to the choice you will make. Mirjat appeals to your career, to the work that you've done, to the work that you might still do, and you find the arguments that have driven you all your life unconvincing.
You split your evenings between discussions with Iokhar and your own private consideration. You know the thrill of new intimacy will cloud your judgment, and he does too, but you both recognize that no matter what decision the two of you make your relationship will change. The idea of a purely professional relationship absent discussions of philosophy, history, art and other work feels galling, having experienced a relationship that is mutually irreplaceable. Later the idea of being irreplaceable to him will raise warmth in your chest and bring a smile to your face, but in that week while you assess it is simply a fact to be weighed. You are problem solving. Your feelings are data, but you do not have time to feel them fully. Only that they tell you what you want. You will resign with two weeks left in the season and half a term unfinished. It will take you most of the remaining two weeks working with your Clericy to choose Devadas as a successor, swear him in as Kalidas, and get him up to speed.
You already spend a great deal of time working during the on season, but for the better part of two weeks private time is practically nonexistent. This is a major adjustment, expected by no one, and by the time Iokhar leaves Kalidas must be prepared to represent him fully in the Council of Advocates. Anything you knew, anything you were working on, must be written down in such detail that it can be picked up where you left off. While you will join the Clericy of Iokhar, thus becoming available as a resource, it will take another month for the Clericy of the Petitioner Saints to determine this is the appropriate course of action and you must prepare for the contingency in which your full abdication from governance is determined necessary. It is not until the final night that you and your god finally have proper time together again. You sit quietly for much of it. He holds you and seems unpracticed, which to be fair you are as well. A decade is not a short time. A century and a half is longer. Yet, for all that, the mere ten months in front of you suddenly seems very long indeed.
"I would hear your voice when I am gone," he tells you, and it is less vulnerability than simple truth.
"I'd love to hear yours too," you say with irony, "but I suppose one of us will have to wait."
"I will not shirk my duties," he says, "But--"
"I would not ask you to." He pauses and then drops the apology. "Come back next season with stories for me." You smile as if this is a usual farewell, a friendship set aside to be picked up where it left off upon his return.
Very calmly, he takes your hand in his and matches his gaze to yours. For the first time you can feel the sensation of his own body mapped to yours, and you feel his quiet simmering hunger for you, individual fibers of his being humming beneath his skin for touch that a human lover could never even pretend. You feel it in the strands of your own muscles, suddenly yearning to rise up from beneath your skin and embrace the man in front of you. It is nearly overwhelming. Your breath catches and you do not dare break his gaze for fear it might stop. His voice is a low rumble in his chest. "I will."
It is a greater promise than you asked for. It will stick with you during the long months of his absence, haunting your prayers and quiet moments and intruding on your activities unprompted.
Upon his return, he will admit that this was the point.
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