#the innovator
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In honour of the seventh comic dropping I wanted to draw Dell and June and their horrible twins, May and August with little Marcie on the way 🥺🥺🥺🥺
#team fortress 2#tf2#tf2 comic#tf2 engineer#dell conagher#the 7th comic#tf2 oc#10th class oc#June Robinson#the innovator#oc x canon#[full of love] she got faaat 🥺🥺🥺❤️🥺❤️❤️🥺❤️🥺❤️❤️
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Lady Gaga accepting her Innovator Award at the 2025 iHeartRadio Music Awards in Los Angeles, California, on March 17th 2025
“On the one hand, I feel like I’ve been doing this forever. On the other hand, I know I’m just getting started. Even though the world might consider a woman in her late 30s old for a pop star — which is insane — I promise that I’m just getting warmed up.”
#lady gaga#mayhem era#2025#video#iHeartRadio Music Awards#iHeartRadio Music Awards 2025#iHeartRadio#ladygaga#gaga#lady-gaga#mother monster#mothermonster#iHeartAwards2025#Innovator Award#Innovator Award 2025#california#los angeles#gif#gaga gif#lady gaga gif
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ABACUSYNTH by ELIAS JARZOMBEK [2022]
Abacusynth is a synthesizer inspired by an abacus, the ancient counting tool used all around the world. Just like an abacus is used to learn the fundamentals of math, the Abacusynth can be used to explore the building blocks of audio synthesis.
#elias jarzombek#abacusynth#technology#instruments#synthesizer#innovation#abacus#contemporary art#music#video#u
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distinguished innovators competition
#jayvik#jayce arcane#viktor arcane#jayce x viktor#jayce talis#arcane#distinguished innovators competition#my take on what happened lol#both are a nervous wreck but they have different ways of showing it
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✈️♻️ An all-electric plane made its historic landing at JFK airport in New York! The 45-minute flight used only $8 worth of electricity!
#good news#climate#electric#climate change#greenhouse gas emissions#carbon emissions#emissions#electric vehicles#plane#energy#new york#innovation#innovative#climate innovation#hope#hopepunk#hopecore#environment#travel#aircraft
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I think a major point that the live action completely misses and honestly a lot of people haven’t brought up. Is that in the original Nani WANTS Lilo around. Yes because Liko needs her and no one else understands Lilo like she does. But also because Nani needs Lilo just as much as Lilo needs her. Lilo was just as much all Nani had left same as Lilo. And to just not acknowledge that. To pretend like Nani stayed with Liko just out of some grander sense of responsibility and it’s “what she’s supposed to do” is to throw away their sisterhood.
The whole live action is Lilo talking about how smart and kind and amazing Nani is and how she has all these dreams and how she was really good at all these things until Lilo. Not once does it seem like Nani is even interested in Lilo or her hobbies outside of her responsibly to look after her as her older sister. She doesn’t care that Lilo’s been kicked out of hula class even tho Lilo in the OG loves hula, she immediately wants to take stitch back to the pound and then goes on a whole tirade about how you can’t let Lilo “trick” you into doing all these things, she doesn’t care when Lilo tries to show her the Elvis CD trick, She not there surfing with Lilo cause it’s an enjoyable pastime and something she loves and wants to share with her sister she’s there because it’s her new job.
Through out the movie Nani is part of the people that make Lilo feel ostracized which is completely antithetical to the original movie where Nani is fighting so hard to make the world a place Lilo feels accepted in.
So no the movie didn’t need to be a one to one remake of the original but it shouldn’t be a completely different movie either because then what’s the fucking point!!!
In this version I’m not even convinced that Nani actually LIKES Lilo.
And honestly the film doesn’t try and convince you that she should. Lilo is indistinguishable from any other movie child that is either a bundle of destructive chaos or just a mini adult both played for jokes.
#I’m tired of live action being treated as the mature relatsic final evolution of animation#like animation is for babies so here’s a realistic take on the story#honestly they should hire more tv directors for their remakes if they wish to continue#atleast they know how to innovate while still staying in line with the actual fucking style and story of the property#god I honestly would have respected them more if they just fully commited to making the story told from Nani’s perspective#like just an actually new take on the movie a reverse malecificent if you will#a lion king 1/2 even#we still get a more “mature story about Nani’s struggles trying to raise Lilo occasionally interrupted by alien shenanigans#which is what this movie essentially was but atleast this take actually has the balls to be into own story#but it would have been marketed that way as not about lilo and stitch but a story about Nani let people know what they are getting into#like even if it was bad I would have at least respected them a little bit#but instead we get this garbage and it’s defenders go figure#throwing thoughts to the void#lilo and nani#lilo and stitch live action#lilo pelekai#lilo and stitch 2025#lilo and stitch#nani pelekai#anti lilo and stitch 2025
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Endangered Species Highlight: The Water Cone Wizard
(inspired by this post)
#wizard#digital art#This is a bit more of 'my take on the concept' than fan art of the OG post but here me out...Tiny Water Cone Wizards.#They are similar to a hermit crab and have to swap out hats as they grow larger.#They are a eusocial species with a queen who both delivers more cones and also gives birth to more wizards.#So remember! Next time you see a tower of water cones; Do not disturb them! That is a nest and she is trying to nurse her young!#Thank you again to stackedbirds for sending me incredible wizard posts.#While their discarded hats may seem like a good one-time-use recepticle for water - please recycle them!#Wizard Juveniles rely on the discarded cones as part of their development!#The office wizard ecosystem is a very delicate balance and we are losing so many species each year to invasive innovations.#(Thank you again to Stackedbirds for fueling my love for wizardposts!)
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Art by Syd Mead. If I understand the source correctly, this one’s called "Innovations," and is a surrealist city aerial view done for U.S. Steel in 1968.
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true as fuck whenever people portray krusie like two straight bros constantly playing gay chicken even while neither of them are straight. why should straight guys get to corner the bromance market.
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Innovator.
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part 1 of IDK where I draw DJ in the silly outfits I put them in on roblox.....
#would you guys be mad at me if I leaned more into the disco aspect of his character than the space aspect be honest#cuz the relevance disco as a genre has to her is actually so brilliant if you think about it#just indulge me for a second ok. put one of those songs on (preferably the first 2)#and ponder with me the cultural relevance that disco had for the queer community (especially the black queer community)#and think about his nostalgic factors in his entire character presentation#the music of course but the aesthetic of his district and the theming of that#now think about how disco was probably such a big part of his belonging in his youth (on top of the space themes of course#since the two are so intertwined)#and how in a way he's living vicariously through that while innovating on his own musical skill (EDM/house)#theres more but anyway#just a taste of my brilliant mind of course#nsr#no straight roads#my art#fanart#no straight roads fanart#nsr fanart#no straight roads art#dj subatomic supernova#nsr art#nsr djss#djss#>Vinyl_City_Records#>Vinyl_City_Records_REF
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Lady Gaga accepting her Innovator Award at the 2025 iHeartRadio Music Awards in Los Angeles, California, on March 17th 2025
“I wouldn’t be here without my inspirations: David Bowie, Grace Jones, Carole King, Elton John, Lady Starlight, Madonna, Stevie Wonder, Duke Ellington, Cher, and of course, my dear friend, Tony Bennett who taught me to embrace the classics but never be bound by them.
Thank you to my Little Monsters. Thank you for always seeing me so clearly from The Fame to Mayhem. Because you saw me, I learned to see myself.
To the LGBTQ+ community, you taught me bravery before the world was able to listen. You have changed the world for the better, and your courage fuels mine every single day.”
#lady gaga#mayhem era#2025#video#iHeartRadio Music Awards#iHeartRadio Music Awards 2025#iHeartRadio#ladygaga#gaga#lady-gaga#mother monster#mothermonster#iHeartAwards2025#Innovator Award#Innovator Award 2025#california#los angeles#gif#gaga gif#lady gaga gif#lgbt#lgbt+#lgbtq#lgbtq+#lgbtqia#lgbtqia+#queer#transgender#trans#bisexual
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"Vase" (1990), Brierley Hill ➤ Clear glass unzips reality
#gray#contemporary design#1990s#white#sculpture#brierley hill#england#conceptual art#glass art#1990#innovative design
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Sol of Innovation.
Innovator Yi's statue is a little different from his canon counterpart's. I wanted to capture that ego in what he would want from it.
i like to imagine the one inside his sector's walls being covered in mutation goo-- and alongside the camera in the right eye. he can always see what's happening regardless if he's near a screen with the left.
bonus doodles below the cut.
featuring dwbi yi @doodledrawsthings and 'wimpyi' @sero-toni
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How lock-in hurts design
Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!
If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.
Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.
This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.
Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:
https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/
But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.
Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.
Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:
https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/
This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!
But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.
That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:
https://pluralistic.net/2023/02/19/twiddler/
When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:
https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/
But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:
https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones
Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":
https://locusmag.com/2020/09/cory-doctorow-ip/
This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.
An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.
Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.
Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":
https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html
Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:
https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/
But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.
The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):
https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/
Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:
https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model
Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:
https://www.wired.com/2010/06/iphone-4-holding-it-wrong/
Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."
Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.
Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.
I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited
Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
#pluralistic#desire paths#design#drm#everything not mandatory is prohibited#apps#ip#innovation#user innovation#technological self-determination#john deere#twitter#felony contempt of business model
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