#the playlist is mostly 'here's some 80s music' but there's a lot of 'the singer who fronted this band was gay' 'this band was openly gay'

[hyog-blog]

Xiao Zhan aka "Wide-Eyed, Illegally Cute"

(Chinese Idol Our Song, 2019)

I came for Xiao Zhan and stayed for Ayunga (turned out Liu Yuning was also in the package!)

YouTube brought me the 1st season of Our Song and it's been such a wild ride! First of all, Xiao Zhan is such a KITTEN *heart eyes* I still haven't watched the Untamed (don't throw anything at me please, ahah) because I'm relatively new to cdrama and I'm exploring some other rabbit holes for now, but I can say that his personality is golden. He's such a cutie pie! With a very lovely, beautiful, and straightforward voice. He paired up with a very cool and funny lady that's like his older sister and they had some outstanding performances together. BUT!

There is also this extremely handsome former ballet dancer/present musical singer Ayunga (he's from Inner Mongolia) who looks like an actor celebrity with an absolutely amazing opera-esque voice. The character is also there! The show is very humorous and lively, and the way everyone jokes around is absolutely precious (thanks for the eng subs to whoever translated it). Seriously, I would've watched it for all the cute bickering only, but the music was also there XD. Because of Ayunga's background, you will hear some musicals and some English songs as well (the 80s' hits medley was so much fun!).

Unsurprisingly, both young Chinese idols and established senior singers have amazing voices, so listening to the songs is pure delight, just melodically and musically, it's perfection even if you don't know the language. And all the bickering that's happening between the contestants is just too hilarious. Then there are other teams where you will find Liu Yuning and Zhou Shen, a guy with a very high soprano voice, so there's a lot of versatility. And everyone's personalities are very vibrant.

But I loved when Ayunga's group A competed with the group B whose leader was super short (and Ayunga is super tall) they had these cute and funny moments together (their hug was something straight out of a cdrama, with the hilarious height difference XD). When you become invested in the singers' personalities - it's such a joy to watch this show.

And not Liu Yuning asking "Xiao Zhan Lao Shi" what he has to say about his performance because "everyone wants to hear that" ahah XD The man is the king of fan service, for real))) Liu Yuning is amazing in this show as well, but it's from 2019 and it's good to see that he's come a long way, getting more acknowledged for his talents. He's beyond humble.

Anyway, here's a playlist of the show on YouTube, it has 8 out of 14 eps, mostly subbed, the rest needs to be fished out on Dailymotion. But it's worth it! You will laugh a lot and the music is beautiful, too.

[manuscriptsdontburn6]

Here are some thoughts on Lestat’s band! Playlist/song recs at the end.

TL/DR: Lestat could’ve been an early ‘70s glam rock star, and most of the music associated with him has connections to that era.

Descriptions of the band from the books:

“I could hear their whining electric guitars, their frantic singing. It was as good as the radio and stereo songs I heard, and it was more melodic than most. There was a romance to it in spite of its pounding drums. The electric piano sounded like a harpsichord.”

The Vampire Lestat, page 5

“Then came the piercing, twanging fury of the electrical guitar. The drums boomed into a marching cadence, and the grinding locomotive sound of the synthesizer crested, then broke into a bubbling caldron of noise in time with the march. It was time to begin the chant in the minor key, its puerile lyrics leaping over the accompaniment…”

The Vampire Lestat, page 537

I remember reading that Anne saw an Iron Maiden concert as research for writing The Vampire Lestat. She also cited Bon Jovi and the Doors as inspiration. I think in one of the @thecoveninarticulate podcasts, someone even talked about how TVL has a keyboardist but no bass player, which was a reference to the Doors. Also, the description of the keyboard sounding like a harpsichord is reminiscent of the Doors’s sound, which includes a lot of electric organ. So we’re not working with less commercial ‘80s goth music (which I like to think Armand and Daniel were into). TVL probably wouldn’t reach the insane level of commercial success that they do as an ‘80s goth band, as goth was very much confined to subcultural status at this time. The same goes for heavier/more underground metal subgenres. Over-the-top ‘80s rock and classic ‘60s rock are what we’re working with, based on the books.

The Doors are an interesting reference for TVL, since they’re out of the ‘80s time period. They experimented with lyrical and sonic darkness, and Jim Morrison is noted for the boundaries he pushed as a performer. They’re aesthetically associated with the underbelly of ‘60s L. A. Think Once Upon A Time…In Hollywood. Thus, Lestat’s music is meant to cut deeper than his ‘80s hair metal contemporaries, whose music was mostly just good fun.

I personally think it might have been appropriate for Lestat to emerge in the early-mid ‘70s as a sort of dark glam rock star, instead of in the ‘80s during the hair metal/goth era. Lestat’s experimentation with persona is VERY similar to what David Bowie did with Ziggy Stardust. Additionally, the band and singer sharing a name seems like a call back to o. g. Alice Cooper (no clue if Anne intended that or not, but it’s what I immediately thought of). This connects back to the Doors as well; Jim Morrison’s performance style formed the rock star archetype of the tragic figure battling internal demons, which glam rock dramatizes. The sound that woke Lestat up from his vampire nap (abrasive yet melodic and of course hard-rocking) had been developing for a long time before 1984. Plus, ‘70s glam rock was all about pushing the envelope on male gender presentation and sexuality. Marc Bolan (of T. Rex) and David Bowie both came out as bisexual during this time period, and male rock stars dressed more and more androgynously. It’s all very Lestat-core. I really have trouble believing he would have slept through Bowie, Bolan, Iggy, and Alice.

Whatever else we might have to say about AMC’s adaptation, I did enjoy that they played T. Rex during the scene where young Daniel and Louis (plus Armand) meet in the bar. It was perfect for a queer scene set in the ‘70s.

The Queen of the Damned movie from 2002 makes The Vampire Lestat into a nu-metal band. I’ve only seen clips of that movie on Youtube, and I felt like I got a good enough idea of what it’s like…but I have looked at the soundtrack. Its songs were written by Jonathan Davis of Korn and sung by the who’s-who of nu-metal, and ‘90s-2000s alt rock generally. Davis’s dark, sludgy sound seems a bit far from what the books describe and what Lestat’s own tastes probably would have been. Also, it’s important to note that some artists on the soundtrack have turned out to be egregiously horrible people, even by the standards of the very fucked up rock music world. We don’t need to give them attention by incorporating them into our worldbuilding.

That being said, there are a few elements of the overall Lestat nu metal vibe that I think work. Nu metal was a more commercialized version of goth and metal that was recognized more widely, which corresponds with TVL’s level of success in the books. I can also get behind the mall-goth aesthetic for band and their fans. Vampire kitsch, combined with real vampirism. It’s textbook camp. Also, songs about Lestat’s life are going to inevitably have disturbing lyrical content. Nu-metal explores this kind of subject matter more explicitly than many other subgenres.

A lot of the nu metal bands on the soundtrack took inspiration from the early ‘70s, evident in their androgyny, blurring of the line between persona and reality, and campiness. So, even in that intensely 2000s movie, the ‘70s influence remains.

Speaking of 2000s alt rock, I was of course excited to see Gerard Way dressed as Bela Lugosi on MCR’s most recent tour. Lestat also dressed as a stereotypical vampire, cape and all, for his (singular) show. Glam rock is an influence for MCR as well—Gerard Way talks about Bowie in interviews, etc. It’s awesome. That got me thinking—Lestat would have totally written intense and dramatic MCR-esque love songs for Louis.

I think it’s also worth mentioning the final scene of the 1994 adaptation. Lestat jumps into Daniel’s convertible with a leather jacket over his ruffled shirt, which is a look a LOT of androgynous rock stars wore. It’s giving Jimmy Page in a major way. Lestat switches the radio station to play “Sympathy for the Devil,” covered by Guns and Roses. The Stones were precursors to glam rock in their way. Guns and Roses came later but took a lot from early ‘70s glam as well. It’s safe to infer that Lestat’s already going into his rock star era at this point in the movie. This gives us an idea of his music taste and general attitude at this point in the narrative. He’s interested in the dark and glamorous aesthetic of rock music, as well as how its contemplations of evil intertwine with his.

We don’t know what AMC is going to do with Lestat’s rock star era yet. I’m interested to see what route they take.

Here are a few songs that fit with how I imagine TVL, based on all these considerations. It’s a bit of a strange combination because Lestat has been associated with different styles of music, but they all connect with glam rock one way or another. I’d love y’all’s thoughts as well, ofc!

Songs:

More—Sisters of Mercy

Andrew Eldritch, goth icon who denies his own gothness, decided to try being a straight-up rock star with the album Vision Thing, leaving behind the melancholic sound of the Sisters’ earlier work. This song has violin on it—perfect for Lestat. The lyrics are also in character for him: “I don’t know why you gotta be so undemanding/one thing I know/I want MORE,” “I need all the love that I can’t get to.”

Riders on the Storm—the Doors

Imagine it done by an ‘80s band. It works.

Ziggy Stardust—David Bowie

This is Bowie telling the story of his character Ziggy, like how Lestat talks about himself in his songs. Plus it’s very Lestat to describe yourself as having a “god-given ass.” Am I wrong? I’m not wrong.

Ballrooms of Mars—T. Rex

This is one of the best songs Marc Bolan ever wrote, in my opinion. Unlike most of his work, which is whimsical and nonsensical in the best way, the lyrics and descending chord progression create a more ominous and mournful atmosphere. The lyrics can easily be read as vampiric.

Runnin’ With the Devil—Van Halen

Tough Cookie would probably have an Eddie Van Halen-esque guitar tone, as TVL would want to sound very modern for their time period. Themes of, well, runnin’ with the devil. Confessing your own evilness to a rock audience.

Change in the House of Flies—Deftones

The one QOTD movie song I’m including. I think TVL’s songs would have a bit more dynamic variation than the Deftones, but the love/horror combo this song is about plays a big part in VC and in Lestat’s life. Plus, I can imagine it would be a good song to perform live, and, being glam-adjacent, that would be important for TVL.

Sympathy for the Devil—Guns and Roses

Good job, 1994 adaptation.

[shrunkupthejams]

tired rn but also really getting into the research mood w/ the little bits i've read about queer history lately and the gay 80s music playlist i've been listening to on repeat

[askdigimonfrontier]

You can listen the playlist here: Takuya | Kouji | Kouichi | Izumi | Junpei | Tomoki

Ok, this is going to be a...bit different. Because A) I already answered this like 2 years ago, but I didn't like the original answer and my perfectionist side was screaming. So, here we go again. B) this will be "headcanon format" because this is my only way to put my ideas in order. And C) I created the playlist to have some references of what I think they would like. Not everything is from the "favorite genres" but, it works.

I didn't want to limit this to "Kouji likes rock" bc 4 of them like Rock and all go in completely different directions. Even the twins, which in theory like the same genres, I think they go for REALLY different moods. So yeah, let's begin:

Izumi: Pop/Electropop. It can only be defined as "I was on Tumblr on 2012-2014 and it clearly influenced me more than I want to admit". Pure Heroin and Electra Hearts just destroy her. This with a mix of modern pop with this clear inspiration of the 70s and wants to make her dance. The music she avoids: This is too niche...but "Gregorians chants". His father was oddly obsessed with that kind of music when she was younger and she can't listen to it without screaming. Music that everyone is surprised he likes: 90s and early 00s rock, especially Green Day.

Kouichi: Alternative rock/ Modern rock. Kouichi is the kind of person who has a playlist for every situation. The ones he uses to focus on (usually have this singer with really intense voices and really messy guitars and drums) and the ones he uses, while he has to go somewhere, (more on the indie side, with crispy voices and a bit of this "90s dreamlike" feel) are the ones he likes the most. The music he avoids: Everything he feels like it's too repetitive and slow. Music that everyone is surprised he likes: To be specific, "Lullaby Song by Black Rebel Motorcycle Club". He has a playlist with songs with this similar "romantic and dreamlike" vibe to help him sleep.

Kouji: Alternative Rock/ Indie pop. Kouji's taste in music it's quite a surprise to everyone. In general, he goes more for more chill and dreamlike music, mostly with calm voices, and a lot of focus on guitars and a bit of instrumental. There is some experimental music here and there, but nothing too risky. The music he avoids DEATH METAL... And a lot of garage rock. Kouji is the kind of person who gets easily stressed with anything that feels too intense. Everyone is surprised he like music: Kouji is the kind of person who has music in many languages and probably knows most of the band's story, but not even he knows how he started to listen to them.

Junpei: Musicals and Glam rock/70s rock. Listen, I know it's canon that Junpei sings opera, but I'm 99% sure he did thanks to The Phantom of the Opera. Anybody can't convince me otherwise. There is this story-driven on musicals and Opera that Junpei enjoys. I think this is why he goes with the 70s and 80s music, everything is really extra. The music he avoids: Everything done by T. S. Eliot is something Junpei avoids like the plague. He is just TOO MUCH for him. Music that everyone is surprised he likes: I think nobody is exactly surprised, but there is some j-pop and k-pop here and there.

Tomoki: Pop/Electrodance/Videogames. Tomoki is a big ost nerd, especially video games ost. Is the kind of person who can't beat a boss without music. He goes more for the music that goes for a "traveling on this amazing world", with a bit mix of really chill and relaxing music. The music he avoids: Tomoki, like Kouji, avoids really intense with a lot of screams Music that everyone is surprised he likes: Not exactly a surprise, but Tomoki is the one who likes to share and discover what other people listen to.

Takuya: Oh boy. Takuya's music taste can only be defined as "Energetic". The kind of music one would or dance like Spiderman in that scene. Takuya is the kind of person who every day is waking up early and does not stop moving until late at night. And he is always listening to something to not end up falling asleep and…yeah calm songs are not exactly the best for that. There is some rock and rap but rarely goes for anything too hard. The music he avoids: I think there is no exact music that he avoids? It's one of the groups with more musical range Music that everyone is surprised he likes. Weirdly enough, there are a lot of bands that Kouji and Takuya have in common (Gorillaz, Caravan Palace ). Most of the time, Kouji accidentally makes him interested in a new group.

[rodeoclones]

So, you want to listen to more country music but hate the bro/post 9/11 mainstream stuff on the radio. I’m relatively new to the genre, but I like deep diving and I thought I'd make a guide to get you started down your own country road.

(My general advice for getting into a new genre is to find the black and queer people making that music, it’s usually better.)

Of course you can start with the classic stuff made by Johnny Cash, Dolly Parton, Willie Nelson, Waylon Jennings, Conway Twitty, Patsy Cline, Hank Williams, John Prine, The Carter Family, Loretta Lynn, Merle Haggard etc. This is what a lot of people refer to as “good” country music. I like most of it, and the older people in your life will probably think you’re cool if you bust this out at the next barbecue. Basically search up country music playlists that focus on the 50s-80s and you’ll get this group plus even more.

If you’re looking for recent releases there are some pretty good playlists made by spotify that can be a jumping off point: Cosmic Country, Vintage Vibes, Hardly Strictly Bluegrass, Indigo, Country Soul, Queer as Folk, Orville Peck made i miss summertime. I’ll plug my own country road trip playlist as well (x)

Here’s my list of (mostly lesser known) modern country musicians I think are worth a check out: Yola, Amythyst Kiah, Charley Crockett, Sierra Ferrell, Willi Carlisle, Nick Shoulders, Orville Peck, Lisa LeBlanc, Katie Pruitt, Paul Cauthen, Sturgill Simpson, Kacey Musgraves, The Highwomen, Brandi Carlile, Teddy and the Rough Riders, Dale Hollow, Mya Byrne, Evil, Courtney Marie Andrews, Cactus Blossoms, Margo Price, Marlon Williams, Leslie Stevens, Cut Worms

If you are completely new to country but like alt rock or singer songwriter I would recommend trying out folk, americana, and other subgenres to find something in line with what you already vibe with.

Bonus! There is a yt channel called Western AF that posts live performances from tons of younger/new country artists

Anyway I hope this helps someone out on their journey! My lists are in no way meant to be exhaustive, just a jumping off point for your own exploration. Happy trails!

[randomvarious]

Today’s compilation:

Freestyle: 13 Original Jams from Toronto, Canada 1995 Freestyle

Y'know, I've always adored the sound of freestyle—a type of electro-rooted 80s dance and pop music that was big among both Latino and Italian communities and that has this sort of decade-defining synthy sound to it—but I've never really truly delved into it. I know some of the big hits, from the genre's first real triumph in Shannon's "Let the Music Play," to arguably its last in Rockell's "In a Dream," and I'm thinking I should make a little playlist out of the good tunes I do know, but when it really comes down to it, my knowledge of freestyle is pretty bare-bones and surface level at best.

Like, I knew freestyle flourished in places like NYC and Miami, but I really had no idea that it birthed a pretty popular scene up north of the border in Toronto too, which just so happens to be the focus of this compilation here. Unfortunately though, this particular CD isn't very good and I'm really hoping it's not actually serving up the best of what T.O. had to offer. A few songs are pretty dope and supply nice electro beats with those types of sweetly stabbing horn, string, bleepy, and crystalline lead synth melodies that make freestyle music so irresistibly good and fun, but for the most part, a lot of this collection sounds pretty amateurish; none of these singers seem to possess very talented voices at all and it takes a skilled amount of production to either mask or overcome that fact.

So, if anyone out there knows of any good Toronto freestyle, please point me in the right direction, because I am all ears!

Now, here’s a tremendous New York paisan named Bigtime Tommie who’s in his fucking element here, painting us an idyllic picture and reminiscing on his old school 80s glory days, where the freestyle was really pumpin' and bumpin'!

And here's that little freestyle playlist I wanted to make. It's called “Freestylin' Ladies Who Are Mostly from the 80s” and it has Shannon, Exposé, Taylor Dayne, Jocelyn Enriquez, Rockell, and a few hits from Lisa Lisa & Cult Jam on it. It’s short and sweet and probably a good entry point for any freestyle novice out there, although I imagine there’s gotta definitely be playlists that are better than this one 😅.

Highlights:

Vicki - "Don't Break My Heart" Freedom - "Summer Love" Vicki - "Be Mine"

[musicallisto]

Hiii you’re from Spain right? Could you recommend me some pop singers who sing in Castilian Spanish plsss?? <3

Hi to both of you! First of all, I'm super happy you're learning Spanish, and I wish you the best of luck in your learning journey!

Second, you came to the right person, lol. I have a spotify playlist with Hispanic songs that I update regularly and listen to very often! It has a lot of pop, reggaetón, rock, and some ballads, by both Spanish and Latin american artists, so you're sure to find something you like in there! And I'll continuously add more as I discover them.

As for specifically Spanish (from Spain) pop artists, here are a few that are making music right now and are pretty big names (at least from what I know?)

Rosalía. my favorites are Que no salga la luna, Malamente, Di Mi Nombre, Pienso en tu Mirá, A Ningún Hombre and Juro Que

Dvicio. my favorites are 5 Sentidos, Capítulos, Qué Tienes Tú, Valería, and Paraíso

Amaral. my favorites are Alerta, Biarritz, Las Puertas del Infierno, Marta Sebas Guille y los demás, and Estrella de Mar

Álvaro Soler. my favorites are Animal, La Cintura, Sofia and El Mismo Sol

Pablo Alborán. my favorites are Si hubieras querido, No vaya a ser, Tabú and Pasos de cero

Dani Martín (formerly in the band El Canto del Loco). my favorites are La mentira and Los Huesos (with the love of my life Juanes)

Blas Cantó (our beloved eurovision representative, ily Blas you're too good for Europe) my favorites are Él no soy yo and Voy a quedarme

Enrique Iglesias (of course). My favorites are Bailando, Duele El Corazón and El Baño

And here are a few random songs I haven't mentioned that I really really love, and that I think are culturally relevant/pretty well-known in the hispanic community (mostly Spanish bc that's what I know best but some latin american in there as well!):

Bésame Mucho

La Llorona (both songs are old Mexican songs so there's many different versions, but they're all so good)

Shakira ft. Alejandro Sanz - La Tortura

Shakira - Suerte

Shakira - Te Aviso, Te Anuncio (anything Shakira ever did tbh??)

Juanes - A Dios Le Pido

Juanes - La Camisa Negra (literally anything by Juanes)

Pimpinela - Olvídame y Pega La Vuelta

Tequila - Salta!!!

Radio Futura - Veneno en la Piel

Carlos Gardel - Volver

Jarabe de Palo - La Flaca

Joaquín Sabina - Peces de Ciudad (one of my favorite songs of all time)

Alaska Y Dinarama - Cómo pudiste hacerme esto a mí

Héroes del Silencio - Entre dos Tierras

Daddy Yankee - Gasolina

Chayanne - Torero

Mecano - Hijo de la Luna

Fito y Fitipaldis - Soldadito marinero

El Canto del Loco - Una Foto En Blanco Y Negro

Maldita Nerea - No Pide Tanto, Idiota

Lola Flores - A Tu Vera

Álex Y Christina - Chas! Y aparezco a tu lado

Taburete - Sirenas

If you like listening to the radio, you'll find a lot of Spanish /Hispanic pop on it, Los40 is my guilty pleasure when traveling to Spain and the only thing I listen to because it gives me vacation vibes.

If you're looking for older artists and bands, I'd definitely recommend checking out artists from La Movida (a cultural movement that happened in the 80s in Spain) like Alaska y Dinarama (my personal favorite lol I love Alaska she's so much fun), Héroes del Silencio, Hombres G, Jarabe de Palo, Mecano, and many others. That area of music is not as familiar so I can't give you a thorough list but that's a starting point at least!

And lastly, here's a link to a masterpost of Spanish songs I reblogged a while back - they're all super famous in Spain and you'll be sure to find something you like!

Hope this is helpful at all, and good luck on your Spanish learning journey!

[afrival]

Hetalia Characters and Their Music Tastes

I’ve been in the hetalia fandom for like a year now and I stg thinking abt what these bitches listen to NEVER gets old

no warnings

will feature mostly modern day music, like 1950s-2010s

I don’t know a lot of artists that don’t sing in English so there’s probably A LOT that I’m missing on here, not even including shit from like the 1800s

The Allies

Alfred:

Before He Cheats by Carrie Underwood, The Chain by Fleetwood Mac, Crazy In Love by Beyoncé

- Listens to basically everything, but particular fond of like 80s rock and early 2000s shit

- Likes country music bc ofc he does, a huge fan of Carrie Underwood, Sam Hunt, and The Band Perry

- Got his love of rock from England 💀 Especially during the like the 60s-80s when Queen, The Beatles, and Elton John really popular

- They really only bond over their love for this period of music lmao like they would absolutely go ape during karaoke

- He loves more mainstream artists like Beyoncé, Taylor Swift, Lady Gaga, all those iconic mfs

- Probably enjoys old wartime music just for nostalgias sake. Shit from the 40s and he listens to Civil War tunes (Union Dixie lmao)

- Definitely listens to musicals and forces Ivan to as well. His favorites are Hamilton, Hairspray, and Chess

- LOVES LOVES LOVES The Backstreet Bogs holy shit. This man had a whole phase where he dressed like they did. Don’t even dare play I Want It That Way because he WILL sing along

- Speaking of which he’s actually a really good singer, like he probably used to sing at clubs and shit back in the day

- It’s very specific but I imagine his voice to sound like Taron Egerton’s cover of “Crocodile Rock” by Elton John

Arthur:

Killer Queen by Queen, Set Fire to the Rain by Adele, Tiny Dancer by Elton John

- Old man who had a weird punk phase in the 90s. Definitely listens to The Beatles and Gorillaz

- Like I said, he and Alfred bond over Queen and Elton and Bon Jovi and FUCKING Michael Jackson

- Refuses to admit he really likes Elvis

- Oh boy. He had so much fun in like late 2000s and early 2010s— Panic at the Disco, MCR, Green Day, he absolutely got his ears pierced during this time

- Doesn’t listen to like current mainstream music that much he will sob to Adele and probably really likes the Cry Baby album by Melanie Martinez.

- Francis plays so much Lady Gaga in the car that at this point he really likes her music

- He likes Ed Sheeran I am so sorry </3 and he absolutely gets bullied for it

- He can sing too honestly? I know I just said he listens to Ed Sheeran but I honestly think he kinda sounds like him too just maybe a little deeper

- Listen to Galway Girl and you’ll get a basic idea of what I imagine he sounds like

Ivan:

Dance and Cry by Mother Mother, Baby One More Time by Britney Spears, смерти Больше нет by IC3PEAK

- THIS MANS MUSIC TASTE MAKES NO SENSE. It ranges from fucking Aerosmith to Ic3peak to Lady Gaga

- Literally has every Mother Mother album downloaded and probably on Vinyl bc he’s a fucking dweeb

- Also a huge musical stannie, loves Wicked and Hairspray

- He and Al will split the parts to sing along to in the car

- Alfred made him listen to Britney Spears ONCE in like the 90s and now he’s obsessed

- Speaking of the 90s he went absolutely fucking ape during this time. The USSR wasn’t very big on western music but when it fell there was a HUGE influx of it and suddenly like it was just his favorite thing ever

- Alfred also got him into Carrie Underwood, literally lost of his music taste comes from Alfred forcing him to listen to shit

- During the 70s/80s he got really into Fleetwood Mac and Aerosmith, maybe even a little bit of disco but not a lot

- Went to a club with Al a few times and he won’t ever forget dancing to Footloose by Kenny Loggins at like one in the morning and having the absolute time of his life, easily one of his favorite memories

- Like I get so soft thinking about him just letting loose and actually having fun, even though he was very stiff and shit during the 1900s

- He can’t sing LMAO but my friend and I said once that he could lowkey rap really well and now it’s all I think about

Francis:

From Eden by Hozier, La Vie En Rose by Edith Piaf, Primadona by Marina

- If you look up the gay agenda his playlist would just show up

- I mean seriously he has it all: Lana Del Rey, Taylor Swift, Beyoncé, Katy Perry, Lady Gaga, and Lorde

- HOWEVER she does really enjoy softer sounding music. Edith Piaf, Louis Armstrong, and Vera Lynn are favorites of his

- Listens to the Les Mis soundtrack like once a month

- REALLY REALLY loves Hozier, like a whole lot. He’s probably one of his favorite artists along with Sufjan Stevens

- Even more of his homo playlist includes Marina, Madonna and Troye Sivan

- Bullies Arthur for liking Ed Sheeran but he also really likes Ed Sheeran, just refuses to admit it

- Stromae ofc 🙄🤚 can’t just not include like the most popular French musician or whatever

- He can also sing but he sounds kinda raspy, it’s nice tho

Yao:

- I don’t think he listens to music LMAO, if he does it’s probably instrumental

The Axis

Ludwig:

Elastic Heart by Sia, From Now On from The Greatest Showman, Natural by Imagine Dragons

- Also doesn’t really listen to music but my friend said that when he does it ranges from classical to heavy metal

- For some reason I think he really likes Sia, he seems like a Sia kind of guy

- Doesn’t listen to Hozier but really loves Take Me to Church

- Most of his music listening comes from giving Feli the aux in the car

- The whore listens to Imagine Dragons like he fucking loves them

- When The Greatest Showman came out he had the soundtrack on repeat for a solid month, From Now Onis one of his favorite songs ever

- Cannot sing Jesus Christ do not let him near a mic

Feliciano:

Thank u, next by Ariana Grande, Break My Stride by Matthew Wilder, Bella Ciao by Manu Pillas

- Pop music! So much pop!

- Loves Ariana Grande and Conan Gray

- Probably listens to A LOT of classical because of his time with Austria

- His music taste is kinda all over the fucking place and it’s mostly happy and peppy shit

- Weirdly tho he listens to GRLwood? Like it’ll just shhow up on shuffle and suddenly he’s an entire different person

- Will listen to absolutely everything just to find something that Ludwig likes, was so proud of himself when Ludwig really ended up loving The Greatest Showman

- Doesn’t sing but plays like 5 instruments. Violin and piano are his faves

Kiku:

It’s Been So Long by The Living Tombstone, Faded by Alan Walker, Ophelia by The Lumineers

- LISTEN. LISTEN. HE LOVES VIDEO GAME MUSIC AND FUCKING THE LIVING TOMBSTONE

- The fnaf songs are his guilty fucking pleasures, he fucking loves them

- Loves loves loves the Undertake Soundtrack

- Listens to a lot of anime openings 💀 Me too tbh they’re so good at for what

- Big fan of TheFatRat

- In general he enjoys techno shit? Idk what the word is but it’s a lot of instrumental

- Listens to regular music as well (The Lumineers especially)

- Likes listening to Elvis because it makes him happy to see Alfred having fun

- Feli also introduces him to a lot of music but he can never fucking remember the names of the songs or artists

- He hums a lot rather than sings, and it’s really soft and gentle

If anybody wants any more characters lmk bc I love coming up with these, also I do have playlists for these bitches 😎✌️ Spotify is in my linktree (bio)

[starrybluez]

Tagged about a week ago by @whats-her-name-virginia-plain & @duranarchy-in-the-uk - thank you 💜💙 and sorry I took so long in posting this! It brought back some great memories though!

Music Questions

1) what is the first song you remember hearing?

Many moons ago. Could have been “Twinkle Twinkle Little Star”? "Mary Had A Little Lamb?" Or maybe “Hey Jude” by the Beatles.

2) what is the first band you got into?

The Bangles & Exposé. And Madonna was my favorite artist. I think it was all about the girl power back then!

3) do you collect any physical music?

Lately no, but I still have a ton of CD’s and casettes (mostly mixed tapes).

4) what is your favourite piece of music memorabilia?

Probably some of my retro 60′s music magazines that I bought at the vintage hippie shops in New Hope, PA

5) the favourite concert you’ve been to?

I saw Paul McCartney in concert 3 times (was a Beatlemaniac for years). The first two times I think I got the cheapest seats where he was about a mile away. The last one I went to was back when I had a real job and could afford to sit maybe half a mile away. It was awesome.

Another favorite would be the B52′s with OMD as the openers. Saw them back in 2018. Nosebleed seats again, but the music was so good.

Oh! And Cyndi Lauper, The Go Go's, Duran Duran, Sean Lennon, David Byrne and the Tom Tom Club (not all at once ofc)! All from around the 2010's. I have a bestie who is always getting tickets for concerts so I've seen heaps of live acts.

I wish I could remember the Duran concert better, but it was 10 years ago and we were all the way in the back again. For Cyndi's concert though, my friend got us seats so close that we could see up her nose! There was a very funny moment where she exclaimed, "Man it's hot in here! Where's the A/C, man?!" And she dragged out a box fan on to the stage!

6) if you could see one artist who is no longer alive in concert, who would it be?

David Bowie!! Still kicking myself for not seeing him live.

7) have you met any musicians?

Gary Lightbody (lead singer from Snow Patrol) and a very quiet James McCartney (Paul’s son - he’s very shy).

8) what’s your go to album when you’re feeling sad?

Any classic McCartney album really. His voice can be a source of comfort & nostalgia.

9) what’s your go to album when you’re feeling happy?

Something I can sing or dance to, like my Duran albums.

10) one music documentary you love?

80's Duran in Sing Blue Silver and Three To Get Ready! Another favorite would be Wingspan w/McCartney & Wings, naturally

11) what is one concert dvd that you love?

The Prince's Trust Rock Gala 1986. Actually rented it on VHS back in the late 90's! My favorite performance from that would be Paul McCartney & Tina Turner singing "Get Back". So much hair, so much! Looked like a hair battle at one point. Tina is just amazing here, but I don't know when she hasn't been. That performance is also on YouTube. X

12) do you prefer listening to playlists or albums?

Albums mainly, because I can pick and choose which song I want to listen too. But since the newer cars don't have CD players (who's brilliant idea was that? 😐) I've been listening to my Spotify playlists. But that's been ok too because I can explore more tunes without having to buy them (for now at least).

13) do you listen to albums in order or on shuffle?

In order, but I skip around a lot.

14) what is your favourite deep cut song by your favourite artist?

Paul McCartney has so many deep cuts that he never released for years, but many of them started popping up on various sites online. A lot of the songs he didn't release himself are actually better than what he released I think. I can't really single one out. I'd say "Sunshine Sometime" and "Why So Blue" to name a few.

15) what is your favourite cd/cassette/vinyl you own in terms of its packaging?

Hmm maybe "The Beatles Anthology" or "Flaming Pie" by Paul McCartney. Anything with lyrics and lots of photos is good enough for me.

Since I was tagged days ago, I'm tagging anybody!

*pls don't reblog (it's long enough as it is!)

[soundsof71]

So, considering you are a passionate fan of music released in 1971, I feel justifiably obligated to ask you what you think of Buffy Sainte-Marie's 'She Used to Wanna Be a Ballerina' album. 😂 (Also, it would make me beyond happy if you could post more about Buffy, my friend! Thank you! ❣)

Buffy Sainte-Marie + Crazy Horse - what’s not to love? LOL I confess that it was the Crazy Horse connection that caught my attention first. I had a general idea who Buffy was, had seen her on TV a few times, but I was a big Crazy Horse fan. News that they were her backing band for this album was easily enough for me to scoop it up.

They weren’t doing anything much with Neil Young in 1971 (other than this album, on which Neil also appeared!), but they had released a tasty solo album in February 71, produced by Jack Nitzsche (who also produced this, and would later marry Buffy), and featuring Ry Cooder (also featured here, although did not marry Buffy). 

(btw, the first place that Buffy, Ry, and Jack worked together was on the Nic Roeg film Performance, starring Mick Jagger. People obviously remember Mick in that, but musically, Buffy was the best part!) 

She Used To Wanna... also features Jesse Ed Davis, a Native American guitarist and singer who was a frequent “usual suspect” at these sort of “sure, invite everyone!” jam albums of the era, and played a prominent role at 1971′s biggest concert (at least in the US), The Concert for Bangladesh on August 1.

(I know you know  RUMBLE: The Indians Who Rocked The World, the documentary about indigenous music’s influence on rock and roll, which has chapters on both Buffy and Jesse Ed. I just watched it again recently, and love it! A reminder of Buffy’s pivotal role in classic rock history. Not mentioned in the film: she relentlessly championed the work of her fellow Canadians Joni Mitchell and Leonard Cohen, helping them get their first record deals.)

I haven’t listened to She Used To Wanna Be A Ballerina for a while, so I definitely need to do that, along with posting more pictures of Buffy.  (I can’t believe I’ve only posted two!) 

But I’ll tell you what still stands out to me about that record years later. “Smack Water Jack” is an underrated track from Carole King’s Tapestry that got a ton of airplay at the time. Quincy Jones did an instrumental cover as the title track for his terrific 1971 album, too, but it has somehow faded to obscurity since then. Buffy takes a playful trifle, and turns it into a powerful fable of men of color who explode into violence in response to the violence visited upon them, and self-satisfaction of whites in authority who answer their demands for better living conditions by killing them on the spot. 

No need for a trial when you can murder them in the streets, right? “You can't talk to a man when he don't wanna understand / And he don't wanna understand” hits different when Buffy sings it, and in 2020 for that matter. 

It’s also just a terrific performance whose combination of soul and rock and roll and driving piano in a sort of Old West-sounding context would have made this sound right at home on a record like Elton John’s Tumbleweed Connection  or something by The Band. I’m limited to five video embeds per post so I can’t embed it here, so I'm linking instead: anyone who hasn’t heard this definitely needs to.

Her cover of Neil’s CSNY track “Helpless” has things I like even better than Neil’s original, including Merry Clayton standing in for CSN. Buffy’s version is more muscular (thanks again to Crazy Horse), and taps even more deeply into the isolation of the song that the star power of CSNY somewhat obscured. 

Buffy’s version also made a brief but memorable appearance in the 2018 film Hotel Artemis, starring Jodie Foster. A weird little movie that I loved maybe more than it deserved LOL but I recommend nonetheless:

I know that this album gets attention because of the unusual number of covers, including one by Leonard Cohen, and a cover of a cover that Leonard had made famous on top of that, called "Song of the French Partisan” (hers is the far superior version imo, a song of French resistance to Nazi occupation from the perspective of a woman hiding a resister), but there are a couple of standout originals too. 

I love the title of this record, and the title track is a delightful little stomper that playfully cautions against equating the intentions of grown women with the childhood fantasies they’ve grown out of. More Merry Clayton goodness here on backing vocals too. 

“Soldier Blue” is a powerful song first written for the 1970 film of the same name, billed at the time as “The most savage film in history” -- and maybe it was. It used the 1864 Sand Creek Massacre as a metaphor for Vietnam, and it's still shockingly brutal. It was the third-highest grossing movie in the UK in 1971, though, and the single became a top-10 hit for Buffy there. 

It didn’t do as well here, either the song or the movie. Perhaps not shockingly in retrospect, Soldier Blue was pulled from American theaters after a few days, the Vietnam metaphor not at all lost on the Nixon administration. 

As horrifying as it was, this is about when I was reading Bury My Heart At Wounded Knee (first published in 1970), and Soldier Blue resonated with me in a whole lot of ways. Here’s the song in the opening credits of the movie.

I was also really struck by “Moratorium”, which is the story of “Universal Soldier” (from her 1963 debut, but a bigger hit for Donovan in 1965), coming from the opposite direction. In the earlier song, she blamed war on the soldiers who think that fighting is honorable, but here, she has empathizes with the young men, boys really in many cases, who’ve been lied to by their countries, their parents, and even their friends. They’re not vainglorious. They’ve been duped by people they trusted. 

(I don't think she takes enough into account how many men sign up to fight because they want to embrace and celebrate their worst, most violent impulses, which was of course an undercurrent of “Universal Soldier”, but I appreciate her empathy here. More than one thing is true at a time.)

Buffy goes even farther, though, calling on soldiers to support and validate demands for peace as explicitly supporting them, summed up in the unforgettable cry, "Fuck the war and bring our brothers home!" 

1971 was the peak of antiwar demonstrations in the US, with the biggest crowds ever seen in this country until the 2017 Women’s March. The May 1971 demonstrations pretty much shut down Washington, culminating with Vietnam Veterans Against The War throwing back their medals on the steps of the US Capitol, incredibly powerful stuff to see on TV in my formative years, and Buffy was right there in it. Anti-war songs were a cottage industry for sure, but nobody was writing with the nuance and empathy that Buffy was.

Here’s a 1972 performance of “Moratorium”, Buffy and a piano, and more emotionally bare than that:

There’s obviously lots more to say about Buffy, far outside the realm of protest music that was actually just a small part of her musical palette -- her pioneering experiments with electronic music, her educational philanthropy starting in her 20s, Sesame Street, you name it. Her commercial peak was still in front of her, and while I can’t say that this is my favorite of her records, it does have some of my favorite songs of hers, and 1971 and She Used to Wanna Be A Ballerina is definitely where I went from knowing who Buffy Sainte-Marie was to being a fan. 

I'll also note as I do now and again that while this blog started as an offshoot of a book on 1971 that I’d started but abandoned, I mostly listen to music released now. That’s always been my policy, including in 1971. When 1972 rolled up, I was mostly listening to music from 1972, music from ‘80 in ‘80, ‘91 in ‘91, 2018 in 2018, etc., to name just a few other favorites. (Plus The Beatles, okay? LOL I still listen to The Beatles every day. No apologies.) Honestly? It took me until 2011, in my fifties, when a whole bunch of 40th anniversary editions of 1971 albums got released all at once that made me think, “Wait a minute, this was maybe THE pivotal year in classic rock history!” 

So yeah, the historian in me dug into 1971, but even though I happened to be alive and enthralled by music in that year, what I’m doing here has nothing to do with nostalgia, or any idea that that was the *best* year in music, even if for the narrow slice of music that is classic rock, yeah, it absolutely is. For soul/R&B too, and for the explosion of women artists outside the even narrower confines of pop as well. This is not subject to debate. No year like it, before or since. It's just that classic rock is a such a narrow slice, and I like my slices wide. LOL Which is also why my blog has less and less 1971 content as I go along. 

While my general policy is that my favorite year for music is THIS year, this particular year hasn’t left me as much energy as usual for listening to music. Some of it is These Trying Times™, some of it is my bipolarity and schizophrenia getting the better of me in waves, as is the way with these, uhm, things. (Keep taking those meds, kids!) I listen to music and post about the people making it as a creative act, not a passive or reflexive one, and I just haven’t felt as creative as usual.

(This is also has everything to do with why so many Asks have been piling up unanswered. I apologize if you’re one of the many kind and indulgent souls who’s gotten in touch, but I swear I’m gonna get to ‘em all!)

To get an idea of what I’m ACTUALLY passionate about right now, my “to be edited later” running list of 2020 favorites randomly added to a playlist as I encounter them, to be properly curated later, is at Spotify, cleverly entitled “2020″ -- 94% women, which is about right. LOL 

But since I do in fact listen to old stuff (by which I mean 2019 LOL), I made a list of mostly 2020 bangers from women rockers with some tasty treats from 2019 that I haven’t been able to let go of just yet, inspired by a post I saw at tumblr saying that punk music by women is just plain better (also beyond debate), called “Women Bangers: A Tumblr New Classics Jam”. I’ll be posting an essay with a YouTube playlist soon, because god forbid that I only talk briefly about anything LOL and most of these women need to be heard AND seen.

Like Buffy Sainte-Marie, whom you'll both see and hear more often on my blog soon. Thanks for the reminder! Always a pleasure to hear from you and be challenged by you. :-)

Peace, Tim 

[happymetalgirl]

Five* Outside albums of 2020

I do this little list every year of my favorite albums that fall mostly “outside” the metal sphere and weren’t so metal-adjacent that I reviewed them formally during the year. The past three times I have written this little piece, I have kept it to five, but *this year, I’ve just had a hard time narrowing it down, so I figured, why do that? Well, I could go through a few dozen albums or so that I fucked with this year outside the metal sphere, but I’m compromising with the addition of a new, quick (we’ll see) honorable mention section.

So, in the interest of keeping my verbose tendencies in check, I’ll cut this introduction off and get into the honorable mentions.

Honorable Mentions:

Anna von Hausswolff - All Thoughts Fly

I did review Anna von Hausswolff’s previous record, Dead Magic, back in 2018 as part of my bunch of metal albums reviews that year, because it was kind of tangentially metallic. It wasn’t a lot at a technical level, only a few metallic elements here no there, but it had a lot of harrowing qualities that I thought metal listeners might appreciate. For the Swedish singer and pipe-organist, that album really was the closest she ever came to metal’s territory, and I don’t think any flirting with the genre was intentional on her part. Most of what she does is haunting, neoclassical, organ-based music that’s usually not as wild as what Dead Magic was, and this year’s album is a real scale back to her roots and an appreciation for the pipe organ. While I do miss her bewitching vocals on this entirely instrumental album, All Thoughts Fly stands well on its own merits as both a solid tribute to von Hausswolff’s organ playing and as a beautiful, incredibly immersive ambient album that does so much with its relatively small palette. I’ve talked a few times on here about really shitty ambient music that’s approached with a clearly lazy attitude because of its supposed background role. Rather than being made to be ignored, All Thoughts Fly pulls you in and around in a swirl of lush sounds that aren’t too common in ambient music, and with a relatively minimal approach, relying on the naturally serene tambre of the instrument to fill the space with a lightening, floating ambience and well-structured movements to do the gentle moving. It’s a beautiful example of what an ambient album can achieve if it’s actually made with a lot of love and care.

Shabaka & The Ancestors - We Are Sent Here by History

Okay, that first one went pretty long. I’ll try to keep the rest of these here relatively short. Sons of Kemet band leader, Shabaka Hutchings, takes his other group on slightly less chaotic Afro-jazz odessey that what Sons of Kemet have been delivering us. While more contained on the surface within the genre’s usual light grey areas, Shabaka & The Ancestors move with freedom and flexibility on this album in a way that highlights the natural appeals of the Afro-jazz sound pallet through constantly engaging arrangements from masters of the craft.

Lady Gaga - Chromatica

I know we’re all well aware of Lady Gaga, but the pop icon has been relatively quietly been making the best music of her career since taking the edge rather than the center of the spotlight, from 2013’s diverse Artpop to 2016’s more bare-bones Joanne. And now, after her mellower, more traditional Americana-influenced album in 2016, Gaga cranks the volume and the fun way back up. Chromatica is a blast of an album whose wide span of dance pop albums influences new and old keeps it varied and lively all the way through. This album feels very much like it’s Gaga unleashed, just doing her thing and having a good time with a bunch of dance music styles that she’s always loved, and it’s impossible not to feel that enthusiasm secondhand, and groove the hell out along with it.

Black Thought - Streams of Thought, Vol. 3: Cane & Abel

Black Thought has had nothing to prove since the relative inactivity of The Roots this past decade, but he has sure been rapping as if he does have something to prove on his solo work. The Philadelphia rapper put out a couple of EPs back in 2018 that showcased his impressive modern lyricism and flow, and the third, LP-sized installment in the series is just another offering of further proof of the man’s lyrical chops. There’s a little bit of an understated delivery in the music overall, but Black Thought really lets his words speak for themselves more than his moderate bravado. It’s not super flashy because it doesn’t need to be.

Phoebe Bridgers - Punisher

Indie folk has always loved to soak in the puddles of personal sadness, but Californian singer Phoebe Bridgers takes the style to whole new depths of personally gripping, bordering on the outright emo, and that is by all means a compliment for rather than a shot at. The album’s candid journaling of Bridgers’ personal struggles is so tangible and so genuine that it would probably rival Connor Oberst’s best work with Bright Eyes. It is just a beautiful, yet tear-inducing album.

Alright, now on to the five “main” “non-metal” albums of the “list proper”.

Hexvessel - Kindred

Hexvessel are a Finnish six-piece whose sixth album of psychedelic folk here manages to touch on the same haunting, gothic tones that groups like Opeth and Gazpacho do at their most forest-y. Indeed, Kindred is an enchanting album, with sprawling styles and a full-bodied sonic pallet to keep it interesting the whole way through. And it’s as strong in its more bombastic song like that which opens the album as it is in its more stripped back acoustic tracks like that which closes it. Songs like “Magical and Damned” straight-up evoke Mount Eerie, while songs like “Kindred Moon” hearken to The Beatles at their most minimal and folky, and there’s plenty of spooky, mystical energy to go around. Definitely one of the best finds of the year for me.

The Strokes - The New Abnormal

Coming at the end of a seven-year gap between it and their previous album, 2013’s somewhat fan-polarizing Comedown Machine (which I liked a lot), The Strokes’ aptly named return is a return to the spotlight, but hardly to normalcy or the musical roots in garage rock that so many of the band’s fans have been sweating for. Twisting the electronic alternative rock of their Angles era into some odd, but mesmerizing forms, The New Abnormal is a subtly wild ride of an album through lots of melancholic overtones and undertones whose impact is made all the more potent by the occasional teasing of sorts with the few more traditionally rockin’ moments on here. It doesn’t take long to pull back the seemingly preppy synth rock or 80’s rock curtains to find the melancholy beneath “Brooklyn Bridge to Chorus” and “Bad Decisions”, respectively. But the band aren’t even that subtle with the immediate depression of just the straight-up guitar melodies on songs like “Selfless”, “Not the Same Anymore”, and the chill-inducing soar of “Ode to the Mets”. The album’s prize piece, though, has to be the utterly gorgeous and empathetic minimalist synth song, “At the Door”, whose simple melodies and bare delivery make for one of the most gently heart-piercing songs I know and of my favorite songs of the year and probably my favorite Strokes song ever, as hard as it is to listen to. Welcome back Julien and company.

Rina Sawayama - Sawayama

Quite possibly the best outright pop album I have heard in a long while, Sawayama sounds simultaneously fresh and vintage in the landscape it was born into, making use of a lot of early 2000’s pop rock instrumentation, even some heavy metal guitars here and there, but most importantly, a real sense of passion that seems to be flat-out absent from so much of the pop that I (usually inadvertently) hear. I don’t want to overstate the prominence of the metal elements, but the album does have a bubbling, infectious energy both vocally and instrumentally from front to back that the occasional bursts of heavy guitars between Sawayama’s charismatic, dance-inducing performances do provide a good snapshot of. Furthermore, there’s a rich diversity of song types across the album that dive into the pop sphere beyond the standard trend-hopping that dominates streaming playlists and make for a dynamic and fun, rather than disjointed, pop album. And that’s all only possible with the consistently tight compositions o the album. Indeed, this is one of the best pop albums I have ever heard, certainly in recent years.

clipping. - Visions of Bodies Being Burned

clipping. are the second artist to be on here two years in a row after last year’s spectacularly spooky There Existed an Addiction to Blood, and Denzel Curry’s one-two punch of TA13OO and Zuu in 2018 and 2019 respectively. There Existed an Addiction to Blood was a thrilling and fresh take on many tropes of horrorcore with the band’s already forward-thinking and creative noise-driven instrumental production guiding harrowing stories of femme fatales and street violence in a more modern setting that often flipped the script on victims and perpetrators, as well as settings themselves. Visions of Bodies Being Burned is quite literally a continuing sequel to that explosive album, also released in time for Halloween this year; the material was recorded in the same sessions as the previous album and in the same unique vein. Consequently, there’s not really a whole lot I can say about this album in contrast with the last without getting way too in-depth and spoiling the fun. Whereas MC Daveed Diggs’ hooks were one of the biggest strong points of last year’s album, the creatively noisy production is the big star on this album. The fans seem to be leaning a bit more toward this year’s release, but I think I’m still a little partial to There Existed an Addiction to Blood. Nevertheless, Visions of Bodies Being Burned is a blood-pumping follow-up not to be missed.

Mac Miller - Circles

The posthumous release from Pennsylvanian rapper Mac Miller captures the man at his most chill and contemplative. The album is more of a minimalist ambient singer-songwriter sort of album than hip hop and its serene atmosphere becomes kind of inadvertently tragic in the posthumous context, but it serves as a beautiful swan song for the creative rapper whose struggles with addiction sadly prevented him from being able to bask in the deserved wide appreciation of his sixth album. Circles is a soulful, bittersweet cap to Mac Miller’s legacy that I think anyone will be able to feel the love and raw humanness of.

[hanamuranobuyuki]

About the Amanda, Jyushi, Jiro, Love, Life series

Today I thought I would try to give a little bit of insight to the ongoing series right now. It’s surprisingly been a couple of months since I began this journey, and with how much I have planned to write for this, it will probably take a few more until I’ve written all that I have planned out. With the sheer length of these works it does take a long time, so I might have forgotten about a loooot of stuff, but I’ll try to list off the things I remember quq. If you’re interested in reading some of these backstories, you can after the line break^^

For those interested in reading the series as it gets updated, you can read it here! I hope you enjoy this!

To be completely honest, I should have been done with this little excursion after writing Amanda’s Journey to Bringing Jyushi Happiness. I thought that this much was enough, and I was having low confidence issues as to whether or not things were likable, if they were in character (or somewhat at the very least...) and the list could go on forever.

But ideas kept popping into my head and what was supposed to be disjointed scenes out of everyday life for Jiro and Jyushi as they manage a long distance relationship after only being together for a day turned into Closing the Distance Between Us..... quite comical if you ask me considering the word count just got longer from there *cries into the distance*

But to tell you the truth, I’m happy I continued this journey despite the challenges. I feel like the way I’m progressing through this is giving it a more complete story that embodies the “circle of life and love” I imagine thanks to Amanda’s existence. This is also the reason why I named the series the Amanda, Jyushi, Jiro, Love, Life series. It’s a circle of connections, founded by Amanda, and it branches off into love for Jyushi and Jiro, which betters their life and/or changes it drastically from what it could have been. So with that kinda pushed out of the way, lemme tell you about some good old background info.

1. Amanda’s Journey to Bringing Jyushi Happiness is not my first Jiroshi fic

... it’s just the first one I’ve completed. After being immersed in the Hypmi fanfic archives and devouring the sweetness that is Jiroshi I started thinking about things I could write. The first one came in the form of Jyushi wearing red lipstick, which to this day I don’t know if I’m making it fluff or more explicit but I was hooked on the idea and... stopped writing 500 words into the work. The second one came in the form of An Outrageous Circumstance. I wasn’t surprised about Buster Bros making an appearance in my strange dreams, but after reflecting on it I realized I could use this and switch Jyushi with me in the dream plot. I fortunately did manage to finish writing that, so if you’d like to read that, you can here.

Amanda’s Journey to Bringing Jyushi Happiness was born from the concept that Amanda has more of an importance to Jyushi’s life than ever imagined. I wondered, what would happen if Amanda had a soul and supported Jyushi? And from there this was born. Initially I was content with leaving it as it was since I didn’t know just how much power I could give Amanda, but they grew on me so much okay? I practically love Amanda as much as I do Jyushi and Saburo. I can’t produce them tho aha... having Amanda as a support person is one of the best things I could write for Jyushi. And I hope people can enjoy this as much as I have.

2. The soulmates concept is mostly forgotten about 90% of the time for me.

Whenever I write more installments I forget that this is kind of a soulmates au, based on the fact that Amanda can see the fated linkage between Jyushi and Jiro. I always imagine this is kinda like a semi rewrite of canon world but at the same time it’s like it’s own little world quq. But whenever I have to stop and think about how much fluff I need to add and just sequential things like that... the soulmates concept come out. I guess I do have to thank myself for actually remembering about it every once in awhile XD

But I will mention that this fate concept will come out more in some of the newer installments. I have prewritten something a little more into the future that heavily talks about the fated pair deal. I hope you’ll look forward to it!

2.1. Why is Jiro the only one that has a fated string?

I wrote this specifically in Amanda’s point of view. If anyone had a fated string, Amanda would believe this person to be Jyushi’s fated partner, because their duty is to look over Jyushi and make sure he receives the happiness he deserves. Amanda cannot see the fated strings of anyone else in the world, because Jyushi is all Amanda truly cares about. Think of it as a special gift Amanda was gifted by the gods for their journey to giving Jyushi his happiness.

From here, I don’t know what else might be important, but I’ll list off some other things that might’ve been written in notes and other things like that.

3. Jyushi has “graduated” high school.

Jyushi’s school circumstances are kinda strange now that I think about it. THINKING ABOUT IT LOGICALLY, Jyushi should be a third year in high school at his age of 18 (or at least... I thought so lmao). Instead, I’ve given him a job and a life outside of school lol. So I’ll just say Jyushi got into school a little earlier than he should have thanks to his parent’s frequent travels abroad. He was raised by his grandmother most of the time, whenever his parents couldn’t stay in Japan. Around middle school, Jyushi transferred to a middle school that was closer to his grandmother’s residence, rather than feed into the middle school his elementary school was joined with, so then the commute from his grandmother’s residence wouldn’t be as problematic.

Amanda was born around this time, and they got to witness the extremely difficult times Jyushi faced. When Jyushi’s grandmother passes, Jyushi moves in with his aunt and uncle who lived in the next town over. Feeling bad about being a nuisance when they were planning on having a family, Jyushi finds a high school with a boarding plan so he doesn’t have to inconvenience them any more than he did. Along with these plans Jyushi also found part time jobs that were allowed in accordance to the school rules. This is where he finds his passion with making music, which is more than just listening to it and singing in general.

Jyushi was fortunate enough that he had his own dorm. Most of that reason came in the form of his “eccentric personality” which came out a lot whenever he was nervous. He had classmates who talked to him, but he didn’t really have friends. With that said and done, Jyushi quietly progressed through school and quietly graduated around his 18th birthday. He was already set with a job though, with the label he is currently under giving him a contract whilst in his third year of high school. The company officially advertises Argo Kishii Gakudan, and Jyushi becomes the lead singer who produces everything on his own. They gain popularity almost instantly thanks to the copious amount of lives they have done.

Technically, Argo Kishii Gakudan was already a couple years old however. They were made up of Jyushi’s upperclassmen that recognized his talent for music, Takeru, Jun, and Keisuke. You will see more of them in Side N. But because they were so small, and had to pay for all their bookings and everything on their own, going out to share their music, even when they were a hit in their frequent live houses, was nearly impossible. Thanks to the backing of their label, Argo Kishii Gakudan was able to perform around the country and do tours. The fateful one that brings Jiro and Jyushi together is their first one to Ikebukuro.

Jyushi in the current day doesn’t have many opportunities to see his mother and father. They’re successful in their own respective companies, and it shows in the way they send copious amounts of money to Jyushi whenever they can’t meet. Jyushi never has used it though, instead saving it and using only his own earnings from his contract and his previous part time jobs.

Sooo that’s my sorry attempt to document the reason why Jyushi doesn’t attend school lmao. And maybe a little insight on Argo Kishii Gakudan lol.

4. Room settings are soooo difficult to envision, especially whenever they’re different from whatever it is you’re looking at

When I started writing Side: I, and even before when I was writing the ending of Closing the Distance Between Us, I didn’t have the image of Jiro’s room to refer to. How I imagined his room was somewhat drastically different, and thanks to that, I ended up not really giving much of a description to those fics. As of today though, I wrote some hefty descriptions of Jyushi’s room because it’s building up on the imagery I had, in combination to Jyushi’s room in ARB.

You’ll get to read it in the next fic I post from this series. Hope you look forward to it!!

5. Music kinda defines a lot of my inspirations to adding to this series

I listen to music all the time while I’m writing. As a result, there are times I get sidetracked based on songs that come to the shuffle. When I wrote Amanda’s Journey to Bringing Jyushi Happiness and Closing the Distance Between Us, I shuffled a lot of the Hypmi music into my playlist, with a focus on Moonlight Shadow XD. But then I started writing Side: I, and then I came across a really inspirational song when I watched a Men’s Rhythmic Gymnastics routine. While I don’t really associate with the story this song was for, I love this song enough I played it on repeat for like. 80% of that fic entirely.

There’s a couple lines where Jiro thinks about how some romantic music would be playing in the background if it was a drama of some sorts, and this song was a tribute to the fact I was listening to one song... almost entirely. Please listen to it here.

For Side: I-02, another song was put on replay for a little while as well. I made mention of it in the upload post I did for that fic, but I’ll list it here as well.

I hope you’ll give these tracks a listen one day!

7. Some references kinda inside the fics.

I guess I’ll wrap up this mini list of nonsense by mentioning some things I’ve added into these fics based on inspiration from other things or just in random I guess.

Amanda’s Journey to Bringing Jyushi Happiness: I didn’t know how a love at first sight type of story with soulmates au would work out when I wrote it. I was inspired to write the arcade portion of the date because 1. I wanted to write a kiss segment. And 2. I thought arcade dates would be enjoyable XD.

Closing the Distance Between Us: I never expected this would be in sequential order, like I think I mentioned earlier. I intended on this being more like texting and messaging moments between the two while coping with their long distance relationship. Because of this... I... I don’t really know. I didn’t have an excuse to write this XD I just loved the two and my inspiration was the fuel that was this series? Ahahaha XD

You, Me, and Summer: Side I: a lot of romantic feels fueled this fic, among other things. I was inspired to write a whole lot on Jyushi’s hair routine bc of the tsunami season voice lines on ARB. When I did write this, I was also watching a sports anime called Bakuten. It is a Men’s rhythmic gymnastics anime, and it was what I mentioned when Jyushi watches the anime with Ichiro. The game that they all play is the Game of Life, more or less. I played a few games from the game boy edition just to get a grasp on the game ahaha. But the reason why I added this game was because the ARB event that ran me over with Jiro and Jyushi SSRs. They were event scout SSRs... and the fact that I was drowning in Jiroshi feels only to have MORE thanks to official content even if they weren’t in the same team just made me internally scream and dance all night long.

These two... destroyed my account in more ways than one. I’m now technically a Jiro and Jyushi stan rather than a Saburo and Jyushi stan bc Saburo or Ichiro on that matter never come home. But thanks to this I had to play enough to rank on two accounts. Thus... the one month delay.

Side I-02: because of this event, I decided that they should okay their own human sized Life game. I had to give tribute to the event that wrecked me aha. When I was writing this, I drew something on the side as well. . . And while I’m not sure I like it anymore, I thought I’d share it as well.

One hour of watching the sun rise and not being able to sleep led me to drawing this prototype on a whim. And because I’m a fan of drawing Jyushi’s wardrobe... I thought it would be fun ahaha XD I am a newbie still when it comes to digitally drawing but I am happy at how this turned out!

Finally, I will make mention of the haunted house. While hopping through logs on pixiv, I came across some log that showed how Jiro and Jyushi are scared of scary things, but Jyushi is like a sobbing mess and Jiro is just flat out scared. And later, I heard Jiro react negatively to a horror movie in ARB. When I heard this, I couldn’t resist the temptation! And since technically, Jiro and Jyushi don’t know more about each other than you would think, I thought it was a good opportunity to get them to know something else about them.

Sooo... I think that’s all I can think of right now! I hope you enjoyed learning about some of these small tidbits I could remember when I started working on this series. There’s a lot more to this you can look forward to, and I hope you look forward to it!

I will also apologize in advance for the sheer amount of mistakes there may be. I am my own beta, and I’m usually finishing these up at 5am like clockwork XD whenever I hit a slump in my writing, or miraculously reach the end of this series, I will make sure to clean them up I swear TTuTT thank you for understanding QuQ

If you have any questions, you can ask me here! I’ll try to get to them as quickly as possible. Thank you for taking the time to read this!

[galaxae]

3, 7 and 18 for as many as you can answer; btw do you still have an ocs page? like with introductions and all that

wow this took forever oops!

tysm for the ask!! i’ve been meaning to make a carrd or something with oc intros, but i have so goddamn many ocs and so little time now that i’m in college and all that. and i have the code saved from my old pages before i remade, but those are kind of outdated and incomplete

that being said i’m probably gonna end up making that carrd regardless of how busy i am cause special interest indulgence and all that, so i’ll post about it when i do

anyway! i’m putting the actual oc answers under a readmore because i’m gonna try to do all the ocs i listed and it’ll be kinda long lol

3. What does your oc’s voice sound like? (Or, if you have one, what’s their voiceclaim?) Can they sing, whistle, or roll their rs? Do they have any speech impediments or notable dialects/accents?

how does one even describe voices... ok here goes

avani: she’s my character for a ttrpg campaign, so her voice sounds basically like mine (which might not help much cause you don’t know how i talk lol), but when i’m talking as her i pitch my voice up a bit and make it a bit more nasally. she’s not much of a singer, nor can she whistle, but she can roll her r’s pretty well. also, since she’s autistic and hard of hearing, her tone of voice often comes off the "wrong” way

farhan: he’s another ttrpg character i play lol, or at least he will be next semester, so his voice is again kind of like mine. but when i talk as him i pitch my voice down and it’s a bit hoarse. ig his voice would also be more “masculine” than mine but whatever. he can sing and whistle but has a pretty small vocal range (since he’s, like, 13 right now and will be 16 when i rp him next semester)

carter: i imagine his voice as low and on the quiet and raspy end, with a tiny bit of a lisp. he’s way too insecure to try to sing or even whistle or anything like that, though if he practiced at it he’d probably get pretty good

calira: she’s mute so n/a i guess. but she talks pretty formally in her dialect of elvish sign language, which is definitely unusual

sam: they have kind of a low voice that’s also raspy, but with quite a bit of pep and variation in their tone. they can even sing pretty well and they like to whistle constantly while working. that creates some kind of whiplash cause sam comes off as a typical edgy teen a lot of the time

jizoriel: high-pitched with lots of voice cracks, peak pretentious preteen/early teen jerkass. he can’t really sing or do anything similar, nor does he want to very much

victoria: so quiet and raspy that you can barely make out that it’s low and has a soothing and pleasant tone to it. she can sing well, or at least she could once upon a time

rowan: just! the happiest and most cheerful voice you can imagine! so much love behind how she talks! her voice fills up her whole head and the whole room!! and she whistles sometimes while she walks

ace: defies any masculine or feminine labels, smooth and cool in theory but they stutter quite a bit

charity: gruff but with a hint of cheer and clarity behind it that comes out when she’s startled. she loves to sing but can’t whistle and can’t roll her r’s either

jamal: i actually have a voiceclaim for him! it’s this (the voice that sings from 1:51 to 1:58)

kimberly: her voice is a bit high and a bit... idk how to say it exactly... i guess shrill would be the word?

fabián: his voice seems higher-pitched than it actually is cause he talks higher when he’s anxious, and he’s always anxious. it’s a bit hard to describe his voice otherwise tbh. i can hear it in my head but i can’t quite put it to paper oops. oh yeah also he has a great singing voice but never uses it sooo

7. What song reminds you of this oc? Does this match up with the type of music your oc likes to listen to?

this question opens up a wormhole cause i have playlists for many of these guys but instead i’ll just provide one (1) song for each and vaguely describe their music taste, how does that sound

avani: honestly “mr. capgras encounters a secondhand vanity” by will wood is a “her” song to me. her music taste leans a lot more toward older music though (like some classics from the 70s and 80s and such)

farhan: he’s still very new so i haven’t really found a song for him yet. but i know he absolutely loves peppy and energetic pop music and also sappy gay love songs

carter: (slaps my hand away when i try to type another will wood song) “fantasy island” by the shins always launches me into daydreams about him. which kinda roughly aligns with his music taste, he listens to a lot of those “mainstream indie” artists. he’d also listen to will wood because he’s gay and mentally ill <3

calira: one of my favorite songs on her playlist is “maximillian von spee” by dirt poor robins. but the music she listens to is basically all invigorating church-loving stuff with medieval-era instruments lmao

sam: “sometimes” by nick lutsko is an absolute bop and very much a sam song. sam actually doesn’t go out of their way to listen to music though, but when they do they listen to either the most soothing and relaxing stuff or to the angriest metal emo music. no in between

jizoriel: i’ll go the less emo angle here and say a song that reminds me of him is “upside down” by jack johnson. jizoriel’s music taste is like. old choir music and shit plus incomprehensible magical music that doesn’t even sound like music. if he was from earth he’d like my chemical romance

victoria and rowan: i’m grouping these two together here because a song that reminds me very strongly of both of them/their relationship is “human” by dodie. which actually fits very well into both of their music tastes!

ace: again, going the less edgy angle here, “auntie earth” by walter mitty and his makeshift orchestra. but ace mostly listens to uh, classical flute music and flute covers

charity: absolutely “dance and cry” by mother mother, that’s pretty much her theme song. it’s among her favorite songs in canon too

jamal: “tire swing” by los elk, since his arc is about letting go of childhood and all that jazz. he’s more inclined to listen to fun. and other pop artists and rappers and such. he likes janelle monae

kimberly: “best tears” by the happy fits for sure. in terms of her music taste though, her taste is pretty similar to jamal’s. they bond over being janelle monae fans

fabián: by god does “heal” by so much light fit him. his taste is that he rotates through three (3) specific obscure indie artists lmao, so theoretically i guess that specific song is included in there

18. How does your oc see themself? How does this compare to the way other ocs see them?

i am gonna do my best to keep these short cause this is a loaded question for all of them hoo boy

avani: how she sees herself: honestly the worst person alive. unless she spends every moment of her time trying to make up for what she’s done, she’s worthless, and she doesn’t deserve to love herself in any capacity how others see her: her brother (farhan) really looks up to her! most of the time. the superhero team she’s on (other people’s ocs) all think she’s generally smart and capable enough, and her boyfriend in particular thinks she’s incredible

farhan: how he sees himself: as of right now? a misunderstood emo middle schooler who’s still kind of cool i guess how others see him: his sister (avani) thinks he’s quite an impressive and charismatic young man

carter:  how he sees himself: 1/10 awkward and annoying how others see him: carter reminds calira too much of her old self, so she love-hates him. sam thinks he’s weak and cowardly but admires his kindness. and jizoriel clings to him as a caring father figure and loves carter’s passion for natural studies

calira: how she sees herself: it goes back and forth between “i’m the greatest chosen one ever im such a strong warrior” and “wow i’m literal trash why did the gods pick me for this” how others see her: carter is a bit intimidated by her but appreciates her attempts to vibe with him, sam thinks she’s an annoying pretentious self-important bitch (but their opinion softens over time), and jizoriel sees right through her facade and feels comfortable around her because of it

sam:  how they see themself: evil and in need of redemption, kind of similar to avani ig but with 10x more confidence in their skills and also much more violent how others see them: carter knows theyre doing their best even if theyre kind of an asshole, calira is a fan of their strength and determination, and jizoriel Hates Their Guts (at first) because they baby him too much

jizoriel: how he sees himself: a fucking fraud of a prince. all he has going for him is his abilities as a mage, but even then those are shaky how others see him: carter knows he’s very insecure and wants to comfort him, calira admires his magical prowess and noble air, and sam thinks he’s a snarky little pretentious douchebag but also he reminds them of their late brother and they want to protect him at all costs

victoria: how she sees herself: basically dead. only good for interacting with ghosts. not worthy of the human world or of friendship how others see her: she reminds rowan of her old self. rowan sees a glimmer of love and hope in her and wants to bring it out

rowan: how she sees herself: a fucking mess but she’s trying her best and that’s what counts! how others see her: victoria very much appreciates her cheerful air even if she doesn’t act like it

ace: how they see themself: way too weird to be human, way too weak not to be. their self-image changes constantly. theyre very confused about everything please help how others see them: charity is literally dating them lol she thinks theyre the cutest person alive, jamal appreciates how hard they try as a friend, kimberly thinks theyre an alien invader whom she can study and use to get further in life, and fabián knows more about ace than anyone else and loves them for it

charity: how she sees herself: a Teenager who’s struggling. she desperately wants to be young without the burden of her trauma but whether she thinks of herself as emo and sad and angry or not depends a lot on her mood how others see her: ace adores everything about her, jamal loves how cool and fun and sociable she can be, kimberly is annoyed with her rebelliousness, and fabián worries very much for her well-being and can’t shake the image of her as helpless (oops that’s gonna cause some drama)

jamal: how he sees himself: just a chill guy trying to get by. unremarkable. how others see him: ace is grateful for how forgiving he can be but is still terrified of him being angry over [spoilers], charity loves how sociable and fun he is and how protective he can be of his friends, kimberly secretly envies his carefree nature, and fabián sees him as a solid acquaintance to whom he did not give a good first impression

kimberly: how she sees herself: not good! if she can’t grow up fast and do science well then she’s useless how others see her: ace wants to be friends with her but doesn’t know how to do that, charity is annoyed by her rule-bound-ness, jamal thinks she’s cool but should unwind a little, and fabián resents her at first but would still like to play chess with her sometime

fabián: how he sees himself: he has a moral responsibility to help people Or Else. way too anxious and stuck up but he doesn’t know how to change that how others see him: ace fuckin Loves this guy, charity loves him too but she gets pissed when he tries to help her with anything, jamal genuinely thinks he’s a great guy and wants to get to know him better, and kimberly is actually impressed by him and envies his apparent confidence and charisma

ok ok that’s it i promise. sorry this is so long and tysm for reading if you made it this far!! feel free to ask more oc questions literally whenever, that goes for anyone reading this <3

[ofcdove]

                                      𝒾𝓃𝓉𝓇𝑜𝒹𝓊𝒸𝒾𝓃𝑔… 𝕕𝕠𝕧𝕖 𝕕𝕒𝕣𝕝𝕚𝕟𝕘 

          normani. cis-female. she/her.  ／  dove darling just pulled up blasting pressing me by rico nasty — that song is so them ! you know, for a twenty three year old actress/musician, i’ve heard they’re really stubborn, but that they make up for it by being so vivacious . if i had to choose three things to describe them, i’d probably say early 2000s r&b playlists, princess cut diamonds, and shiny lipgloss over perfectly lined lips . here’s to hoping they don’t cause too much trouble ! 

           sup it’s raq and im a failure at  life.  this  is  dove  she’s  my  new  boo  I  hope  y’all  stan  her  like  i do i’ll be poppin into yo dms for plots but like, pls don’t hate me if im slow cause im just... slow skjaf also if you don’t have a plot with my other muse noel  here’s a link to his info and we can discuss both while we’re at it ! thank u for dealing with me 

                                [ 𝕓𝕒𝕤𝕚𝕔𝕤 ― ❝ THAT NATURAL BEAUTY ,  BEAUTY ❞  ]

full  name:  dove  dahlia  darling     

age:  twenty-three years old

date  of  birth:  august  8th

star  sign:  leo

nicknames:  dee,  birdie,  mostly  goes  by  darling  as  a  stage  name 

place  of  birth:   calabasas  ,  california  

currently  living  in:  los angeles , california

voiceclaim:  normani  /  doja  cat 

sexual orientation:  pansexual

TL;DR :   lowkey,  as  soft  as  her  name  implies.  such  an   angel ..... if  you  don’t  know  her  all  that  well. lives  for  her  squeaky  clean  perception  and  would  never  tarnish  that.  to  the  media ,  she’s   quirky,  saccharine,  and  really  down  to earth.  a  sweet  face  with  a  love  of  music.  not  that’s  all  untrue  but -- she  has  a  tendency  to  flake  if  you  aren’t  perfect  her  image.  basically  queen  of  pr  relationships  eye... skgaj  her  career  is   priority  over  most  things.  a  girl  with  big  dreams  from  a  veryy  young  age  who  had  a  little  luck  (  a  lot  of  luck  lowkey )  an  alot  of  work  to  get  where  she  is.  (  she’s...  a  piece  of  work. ) 

                         [ 𝕓𝕒𝕔𝕜𝕘𝕣𝕠𝕦𝕟𝕕  ― ❝ WHAT A TIME TO BE ALIVE  ❞ ]  

 folks *claps* lets get started. you’re gonna see alot of  name alliteration just.. deal with it  i like it 

born  august  8th  to  desdemona  and  d’andre  darling ,  dove  darling  is  the  youngest  of  all  four   the  darling .  desdemona  and  d’andre   are  some  of  hollywood’s  favorite  socialites -- both  of  them  coming  from  blue  blooded  hilton-esque /  kardashian   families.  everyone  knows  they’re  wealthy  but  like  why? idk  either  it’s  just  some  good  old  money  that  allowed  the  darlings  to  pursue  things  like  activism,  modeling,  and   writing in  more  recent  generations.  needless  to  say,  dove  twas  thriving  as  a  child.  pretty  spoiled.  really  wouldn’t  ever  need  to  work  a  day  in  her  life  if  she  didn’t  want  to . 

she  went  to  the  best  private  schools  in  calabasas   and  spent  the  majority  of  her  childhood  playing  dress up  in  her  mother’s  expensive  clothing  and  jewelry  collections.  

though ,  at  the  age  of  7  she  hung  around  her  grandmother  more  frequently.    more  colloquially  known  as  just  dallas  --  dallas  darling  was  a  famous  singer  in  the late  70s  to  early  80s.  diana  ross vibes .  with  spending  more  time  with  dallas,  dove  grew  to  love  singing  and  (  probably  more  than  anything  )  preforming. 

it  was  from  the  age  of  8  on  that  dove  wanted  to  be  a  big  time  singer   just  like  her  grandmother  when  she  got  older. 

and  boy ,  did  this  girl  dedicate  her  life  to  this  dream.  her  parents  put  her  in  singing  lessons  and  she ‘d  put  on  little  shows  for  everyone  in  her  family -- perfecting  her  act. 

by  13  she  would  be  signed  to  her  first  record  label . 

didn’t  go  well....  really  the  label  was  as  alot  of  music  labels  are  to  child  stars -- terrible.  she’s  had  a  handful  of  really  bad  experiences  that  she  thought  she could  fight  through  if  it  meant  getting  her  dreams.   just  wanted  to  push  her  as  “the  new  dallas”  and  (  while  she  looks  up  to  her  grandmother )  dove  wanted  to  be  her  own. so  she  never  released  anything,  they  ended  up  dropping  her  within  a  few  weeks. still  persistent  dove  started  uploading  onto  youtube  some  covers  and  a  handful  of  original  songs . never  went  to  college,  literally  spent  her  late  teens  just  in  her  childhood  bedroom  (  which,  idk  is  probably  the  size  of  an  average  apartment  on  it’s  own  side  of  the  house cause  hc  she  probably  had a  long - term  partner  during  this  time  so  wc)  trying  to  make  something  that  people  would  like . 

moo being  the one  that  blew  up  years  later  and  became  a  meme  finally  skyrocketting  her  out  of  her  grandmother’s  shadow. 

at  the  moment  she has  released  2  lps  which  i’ll get  around  to  releasing  but  bigger  hits  include  motivation,  moo,  go  to  town ,  and  tia  tamara .  

        [ 𝕡𝕖𝕣𝕤𝕠𝕟𝕒𝕝𝕚𝕥𝕪 ― ❝   A LONG TIME SINCE YOU FELL IN LOVE  ❞ ]  

 ugh,  a  diva.  period. 

but  possibly  in  the  best  way?  i  wouldn’t  say  she’s  a  throw  a  tantrum  for  not  getting  her  way  kind  of  girl  ,  cause  she’ll  just  go  get  it  herself.  a  go  getter. 

will  drop  you  (  with  or  without  reason  or  warning ) and  pretend  you  don’t  exist  for  the  rest  of  her  life.  she’s  just  got  a  tendency  to  stop  caring  about  people  if  she  feels  unimportant  to  them.   

as  down  to  earth  as  a  rich  girl  from  calabasas  can  be. sgkjad 

but  she  loves  a  good  meme, she’s  got  a  good  sense  of  humor  tbh 

a  leo  .  just... periodt. 

definitely  the  girl  to  buy  all  of  her  friends  way  too  expensive  gifts  because  she has........ no  concept  of  why  people  save  money eye skfgjdsa

still  working  out  the  nooks  and  crannies  but  that’s  a  general ........  vibe. 

           [ 𝕨𝕒𝕟𝕥𝕖𝕕 𝕔𝕠𝕟𝕟𝕖𝕔𝕥𝕚𝕠𝕟𝕤 ― ❝ LET ME BE YOUR MOTIVATION ❞ ]

alright  exes?  good  time.  best  friends  are  great  i’d  lowkey  love  to  see  a  healthy  lil  squad  she’s  apart  of .  friends  ppl  ship  her  with  and  she  just... lets  it  happen  bc  clout .  collaborators.  exes  she  broke  up  with  because  of  their  public  perception. siblings  if  y’all  feeling  like  bringing  an  aj  saudin or  something.  would  love  to  see another  darling.  uhh  crushes?  first  loves ?  anything  my  guys. 

[johannesviii]

Top 10 Personal Favorite Hit Songs from 2017

Not a very good year for hit songs. Still better than the next one, though.

And a very satisfying #1 that launched an entire infodump about a specific band. I’m not even sorry.

Disclaimers:

Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.

Of course there will be stuff in French. We suck. I know. It’s my list. Deal with it.

My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.

I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.

2017 might not sound super distant, but it’s already distant enough to analyse what started to happen to me that year with some clarity. This is when I started to lose some of my energy and motivation. A lot, in fact. Everything suddenly felt exhausting and this whole “what’s even the point of anything” mentality started to fall on my shoulders. And you know what, at first, while making these recaps, I had no idea what started it all. Was it that super rare infection I caught in early 2018 and almost made me lose a part of a finger? Was it both my grandfathers dying in mid 2018? Was it the general state of the world? But no, I did some digging and noticed this general exhaustion actually started right during summer 2017 and I was like what the f█ck happened in summer 2017? That summer was fine?

And then it clicked. I know exactly what kickstarted my spiral into about 18 months of depression, and it’s got nothing to do with health or family. It’s something that shouldn’t have affected my life in any way, and that I kinda tried to ignore at the time, and some of you might even find me overdramatic or cringy for letting it affect my life. But yeah, as I’ve realised while making these lists, Linkin Park was actually a super important part of my life, so it makes perfect sense: what started it all was Chester Bennington killing himself. Clearly, someone who had contributed so much to convince me that life was worth living and who suddenly decided it wasn’t worth it, that had a huge impact on me, whether I wanted it or not.

Aaaand now I’m crying again. Great.

Anyway. Uh. Important albums that year! Yeah so uh. Depeche Mode made Spirit and it wasn’t good, and so I kinda lost faith they would ever make a great album again, but I did realise one of my teenage dreams and saw them in concert in the Stade de France in July 2017 (it was huge. Going home after that felt like waking up from some sort of hypnotic trance. They even played Walking In My Shoes, one of my absolute favorite songs from them, along with a video featuring a trans person going to work and I started to bawl my eyes out in the middle of the f█cking crowd). Nine Inch Nails also made Add Violence and continued to be super good, and Indochine made 13, and while it wasn’t nearly as good as Black City Parade, it was also better than La République des Météors, so I was pretty happy about that. EDIT: Forgot about Under Your Spell by The Birthday Massacre, which blew my goddamn mind, but still not as much as the next album I'm gonna talk about.

But the defining album of the year, to me, was Mike Oldfield making a sequel to my favorite album from him, with Return to Ommadawn. Of course it’s not as good as Ommadawn. But still. If Ommadawn felt like discovering a new strange country full of weird folklore and forests and mysterious buildings, Return to Ommadawn feels like going back there half a century later and seeing things in ruins and wounded people, but still trying to seek beauty and joy in a partly destroyed landscape. It makes perfect sense considering the circumstances that surround the making of this thing, and it was the only way to make a good sequel to such a legendary album.

Unelligible songs that piss me off... uh, actually there’s only Cut to the Feeling by Carly Rae Jepsen. Why wasn’t it a huge hit. Come to think of it, why hasn’t any Carly Rae song been a huge hit since Good Times. This feels unfair.

Time for some honorable mentions, then.

Feels and also Slide (Calvin Harris and a lot of other people) - Got nothing to say about either of these songs, but they’re both pretty good.

Katchi (Ofenbach) - Nice little earworm.

No Roots (Alice Merton) - Super surprised this was a hit. Good.

OK (Robin Schulz ft James Blunt) - That’s a James Blunt song in the year of our lord 2017 and it sounds actually good??

What About Us (Pink) - Really caught my attention and made me wonder if I should listen to Pink again after a long streak of mediocre Pink songs.

Congratulations (Post Malone) - I find the song mostly boring but the guest verse ending with “uh, Malone... I gotta play on my phone...” is the stuff of legends and that got a chuckle out of me every time I heard it.

Glorious (Macklemore) - I’m glad this was a hit here but at the same time it’s not my favorite song from him. The music video is adorable, though.

Fly (Odyssey) - Nothing to say about that one.

XO Tour Life (Lil Uzi Vert) - The fact that I was regularly humming this is either a sign of quality or yet another sign I was depressed as shit.

Devil in Me (Purple Disco Machine) - What a great artist name.

Symphony (Clean Bandit) - Nothing to say here either, just good sound all around.

Attention (Charlie Puth) - 2017: The Year Charlie Puth Made A Great Song.

All Stars (Martin Solveig & Alma) - The last cut. It was on the list at some point. I really like it a lot, though.

And now, the list. The stuff I genuinely love starts at #6 and things that are still on my mp3 player to this day start at #4.

10 - Chained to the Rhythm (Katy Perry)

US: #73 / FR: #10

I just love the concept of a Katy Perry song about how Katy Perry songs are happy nonsense distracting you from actual issues. What can I say, I’m a sucker for meta stuff.

9 - Water Under The Bridge (Adele)

US: #88 / FR: Not on the list

An Adele song projecting actual positive energy!? That automatically goes on the list.

8 - Praying (Kesha)

US: #67 / FR: Not on the list

You know I mostly dislike slow emotional songs regardless of how good they actually are. I will, however, make an exception for this one even though I very rarely listen to it considering how emotionally taxing it is. That’s definitely a fantastic song, though.

7 - Viens On S’aime (Slimane)

US: Not on the list / FR: #53

“Listen, we love each other, f█ck it, f█ck their words and their decorum, listen, we love each other, f█ck it, f█ck their ideas and what they’re saying”. Well said, dude, well said.

6 - There’s Nothing Holding Me Back (Shawn Mendes)

US: #23 / FR: #91

That’s a very good song for running and that is becoming increasingly rarer, so I’ll take what I can get.

5 - Paris (The Chainsmokers)

US: #42 / FR: Not on the list (that’s irony for you)

Unlike Closer this is an unrelatable song about rich young people that can afford to live in Paris just “to get away from [their] parents” but honestly that’s the only negative thing I have to say against it. It sounds fantastic.

4 - Castle On The Hill (Ed Sheeran)

US: #40 / FR: #50

We’ve now entered the realm of songs that are still on my mp3 player to this day. This is the only Ed Sheeran song I’ve ever liked, and I love it. It sounds like a lost U2 song. Maybe from a strange dimension where U2 became more fragile and emotional instead of more pretentious.

I have no idea why this guy keeps making such boring stuff when he’s got that kind of song in him. I have no clue.

3 - Something Just Like This (Coldplay & The Chainsmokers)

US: #5 / FR: #19

Hey so Coldplay is still on my lists, apparently. It’s a bit too slow, some lyrics about superheros don’t make much sense, and the drop isn’t super good, but my god, that guitar near the end makes everything worth it. Just amazing colors and textures all around.

It’s not even my favorite song on that EP! I think Miracles (Someone Special) is even better, but eh, this one is a close second.

2 - 24k Magic (Bruno Mars)

US: #16 / FR: Not on the list (#13 in 2016 but I put it on the 2017 list instead)

Am I the only one to like this more than Uptown Funk? It’s so much fun to sing along to it. And unlike Uptown Funk, it’s making me feel nostalgic for an era I actually (vaguely) knew, the super colorful and ridiculous early 90s. My s.o loves it too and when it comes up on the radio or on our playlists you can bet we’re both going PUT YOUR. PINKY. RINGS UP. TO THE. MOOOOOOOON like two idiots.

This is the song I could have put on the previous list but elected to put on this list instead since it was elligible for both years, by the way! Since 2017 was less good than 2016, I thought it would be more interesting to save such a great song for later.

It would have topped the list too, if it wasn’t for something I didn’t expect to be elligible before reading the French year-end list.

Strap yourselves in, because I had no real opportunity to talk about this band at length in the posts made for the years when it was the most relevant in my life, so this is going to be quite long.

1 - La Vie Est Belle (Indochine)

US: Not on the list / FR: #44

As you already know if you remember some of my previous lists, Indochine is a band I started to love right in the middle of the absolute worst years of my life. These guys had been around since the 80s as a super successful new wave band, then became very unpopular and went underground for about twelve years in the entire 90s, then one of them died, then every member except the singer basically rotated, and then they suddenly re-emerged in 2002-2003 with Paradize, a monster of an album, full of energy, sinister themes and weird provocative songs, and an entire generation of angsty teenagers (me included as you can guess) embraced it wholeheartedly.

And all of a sudden Indochine was the favorite French mainstream band of local young punk/goths! So many kids with the Indochine logo in highschool. Nowadays the band is mocked and well-loved in equal doses by just about everyone, but I suspect it’s just because we’ve all grown up.

Placebo, Linkin Park and Indochine were the bands that ruled my entire world in 2003/2004. My mother hated all three of them, because of course she did, but especially Indochine, because according to her it was partly their fault if I was gender non-conforming. See, she used to say, they had put all kinds of bad ideas in my head and now I was all messed up.

...Holy shit, that’s a lot of blame to put on a ridiculous new wave band who’s first hit song from 1983 is just a long nonsensical list of shitty old Bob Morane pulp novels.

But here’s the problem. Even if Indochine kept having hit song after hit song, those were never the best songs on their albums. Here I am, 31, making these top ten lists since last December, and becoming more and more frustrated to see none of my favorite modern Indochine songs are elligible. My favorite Paradize singles were Mao Boy, Popstitute and especially Marilyn (god, this song rocked my entire year alongside Placebo’s The Bitter End. 2003 was such a fantastic year for dark energetic hit songs)? Too bad, the biggest hits were J’ai demandé à la lune and Le Grand Secret. Alice & June had four fantastic singles? Too bad, none of them is elligible! Same thing for the entirety of Black City Parade. Oh, but that song I hate from La Republique des Météors is elligible, I guess!

So we’re in summer 2017, and my life is completely different now, and Indochine releases La Vie Est Belle (I’m linking the album version and not the music video because it has some violent themes in it). I’m in my car doing some errands and the local radio goes “hey new song from Indochine” and I’m like “oh shit, gotta hear this” and then two minutes later “oh wow, that is super good. Won’t be a hit though”.

And yet, it was a hit! It became huge, even! And at that point I was already loving that song even though I thought it was just a super good but tragic love song about a significant other dying too young.

And then, about a month later, the wordplay of the first line finally hit me with the force of a semitruck. It’s not a love song. It’s a song about the singer’s dead twin. Who died in 1999.

It’s such a devastating, beautiful song, and yet it’s full of energy. I. adore. it. It’s exactly the kind of song you need to continue to fight and to live and to help other people in this day and age. “Life is beautiful and cruel, it looks like us sometimes” indeed. And it’s one of the best on the album, too!

So yes, 15 years after I first fell in love with this band and after they helped me during super dark times, finally, I can put one of their songs at the top of one of these lists, hands down, no debate whatsoever.

That probably sounds ridiculous but it’s genuinely making me feel extremely emotional.

Next up: I thought music sucked that year because I was depressed but I relistened to it and no it wasn’t just me

[grimelords]

There is no limit to how many good songs exist! There are just so many!

My June playlist is finished, and on time too! Please enjoy all manner of bangers from Dave Brubeck, Nelly Furtado and everyone in between.

listen here

Night And Day - Hot Chip: I’ve started a band with some friends and my friend Tiana (who has requested a special shoutout in this playlist and is currently receiving it!) suggested this as a song for us to learn and she was extremely right to do it! It’s extremely funky and probably the most i’ve ever liked Hot Chip because they’ve finally allowed themselves to be emotional and feel the most important emotion of all: horniness.

Infinity Guitars - Sleigh Bells: The other day a friend of mine said ‘hey whatever happened to Sleigh Bells?’ and guess what: they have five albums and continue to release new music as recently as last year. They seem to steadfastly refuse to advance their sound and you’ve got to give them props for that. When nobody else sounds anything like you the smartest thing you can do is double down on your own weird thing. I’ve always loved this song and am totally enamoured by whatever mixing trick it is that enables this song to start loud as fuck and somehow finish even louder no matter what volume you play it at.

Hurricane - Bob Dylan: I haven’t watched the Rolling Thunder Revue thing on Netflix yet but I’m excited to because this is a good Dylan era and I’m always down for more footage of the world’s freak Bobby D acting like a maniac. This song is a good example of how have no control over how music is consumed once you release it because this is ostensibly a serious and angry protest song about a great injustice but my greatest memory of it is for at least a month when I was in boarding school a guy in my dorm would play it every morning super loud and we would all yell the words along as we were getting dressed. Having a great time being fifteen and yelling happily about a miscarriage of justice.

Grindin' - Clipse: I started putting together a playlist of songs with super minimal or no pitched instrumentation that almost totally rely on the percussion and the vocals to carry it. Basically the Pharrell special because he did it on this and Drop It Like It’s Hot and I’m sure more songs of his I haven’t heard yet. But also songs like Lipgloss by Lil Mama, Fix Up Look Sharp by Dizzee Rascal, Tipsy By J-Kwon (almost if it didn’t have the baseline) and The Whisper Song by The Ying Yang Twins. There’s heaps more I’m sure. It was a real minimal style for a little while in the mid 2000s and I think it’s great. It gives you so much space in the mix and it’s a great lesson: if the beat is hot enough and you’ve got enough charisma to carry the vocal you don’t need anything else at all.

Rock Lobster - The B-52's: Did you know the guitar in this is tuned CFFFFF? Did you know this song is nearly 7 minutes long? Did you know The B-52s had a hit with this and then didn’t have another hit until Love Shack fully ten years later? Truly everything about this song is insane.

Johnny Irony - Bad//Dreems: I think ‘are you bleeding?’ is my favourite bit of pre-song hot mic dialogue i’ve ever heard. I love the energy of this song, and what a fun throwback it is to I guess reference Lead Belly’s ancient song about doing cocaine Take A Whiff On Me for a new modern twist on a song about doing cocaine.

Girls On Film - Duran Duran: Have you ever noticed how the bass in this song is absolutely popping off? It rocks. I listened to just the isolated bass track on youtube the other day and it’s my new favourite song. I’m having a big moment with this early eighties art-funk thing where someone figured out you could put huge funky basslines into rock music and completely changed the game.  

Love - Lana Del Rey: I figured out this month that my vocal range seems to be just Lana Del Rey but an octave lower which is absolutely great news for anyone that wants to hear me sing this song in a cowboy voice in my car.

Want You In My Room - Carly Rae Jepsen: I am absolutely in love with this song and also absolutely furious at it. Absolutely in love with the way it’s written like a duet with herself, trading lines and overlapping and harmonising. The big ascending guitar line that leads into the chorus. I love how horny the lyrics are, I love the very 80s robot voice in the chorus who also wants to fuck. It’s just phenomenal, which brings me to the the think that makes me so furious: this song just fades out? After the second chorus just as the saxophone comes in? Just as it’s getting good???

Genevieve (Unfinished) - Jai Paul: It's just unbelievable how good this sounds. The bass sound. The way the whole mix seems to float around. The cuts to silence that feel like someone took a razor randomly to the master. It all culminates in this frenetic nervous energy that feels like the song could just fall apart and stop at any point. And it does! It just fades to silence and then comes back in as a totally different song near the end before fading away again.

Elephant Talk - King Crimson: King Crimson is on Spotify now and I’m comically striking them off my list of Bands I Have A Grudge Against For Not Being On Spotify. It’s always kind of surprised me that for someone who loved The Mars Volta as much as I did I never really had a big King Crimson phase. I always liked them fine, and I love this song, but I never really sat down and gave them a proper listen. Maybe now they’re on streaming that’s all about to change and my girlfriend will have to suffer accordingly.

Kids In The Dark - Bat For Lashes: Very excited for Bat For Lashes next album if this is an indication of the direction. She's always had a very hazy 80s feeling, so purposefully leaning into it is only going to be great.

CHORDS For Organ - Ellen Arkbro: My favourite lady is back with 15 minutes of rock solid chords. Something I've been thinking recently in regards to Ellen Arkbro and Holly Herndon is people who make pretentious art unpretentiously, truly believing in their process and outcomes but very aware  of and fine with the fact that it's silly, useless or unlistenable to anyone who's not interested. Ellen Arkbro posted a photo of an organ on instagram the other day and wrote "turned out this was one of the biggest instruments in berlin and it was also connected up to two other organs in the same space. Despite that I ended up playing an extremely quiet version of my music. I don't really know how that happened. I will play a louder version in st giles cripple gate in london this saturday if you're around" She posts like Courtney Barnett about her experimental organ drone music, I just love it. As for the music itself I don't really know how to explain this other than if you let it it can be extremely overwhelming. It's also the closest I've come musically to Malevich's Black Square and how I feel about that, which is hard to explain properly other that to say I love it.

SWIM - Holly Herndon: I'm obsessed with this Holly Herndon album. It's just amazing though I think the marketing and a lot of the writing about it is sort of.. misleading? There's a lot of emphasis being put on the machine learning and AI aspects of it, which as undoubtedly good and cool as they are, are sort of overshadowing what's so good about this in a simple way which is that it's just choral music for the future. It feels like it reaches so far back and so far forward at the same time it's incredible.

Too Real/Television Screens - Fontaines D.C.: I really had to stop myself from putting the whole Fontaines DC album on here because quite literally every single song on this is amazing. Just when you think guitar music is well and truly dead it pulls you back in!! Also the way he says 'aaa' at the start of Too Real just absolutely kills me.

Dangerous Match Ten - Scientist: I forget where I read it but some bass player was saying she learned to play by listening to Scientist albums, and so that made me listen to Scientist for the first time and go on a long dub trail and have a very good and dangerous day where I thought “..what if I become a dub guy?”. It’s very good. I don’t know anything about dub really, we don’t really have the jamaican population here for it to have any cultural currency like it does in america and the UK so my biggest exposure is the Dub radio station from GTA III and San Andreas which I’m now learning was mostly made up of Scientist songs anyway. Anyway dub is good, please keep an eye one me and watch as this playlist evolves into me becoming an evangelical dub guy over the next few months and start calling everyone m’brethren in a racist way.

Lipitor - Longmont Potion Castle: Lipitor. This is unfortunately unavailable on Australian spotify which is a crime but if you're from anywhere else please enjoy.

A Lot’s Gonna Change/ Andromeda - Weyes Blood: I am having such a time with this Weyes Blood album. Yesterday I spent all day playing A Lot’s Gonna Change over and over and over and today I spent all day listening to Andromeda over and over and learning how to play it. I suspect this will happen to me with the entire album, it has a complete hold over me.

I’ve listened to Weyes Blood before and she’s never really grabbed me and so it took a lot of people rhapsodising about this one to get me to give it a go and I’m so glad I finally did. This album really took me by surprise, and looking back now I love the development of her sound: from her original spacy noisy thing to the bonafide soft rock of Front Row Seat To Earth to this - an expensive sounding 70s singer songwriter pop album of absolutely devastating beauty and inventiveness.

Wasting My Young Years - London Grammar: I think what's so interesting about this song is that it sounds like an acoustic cover of a trance song. I don't really know how to explain it better than that. The way the deceptively fast four on the floor drums come in, the sort of adult-contemporary The XX instrumentation, the whole structure of it, it feels like a BBC Live Lounge cover of some forgotten rave classic. I love it regardless but it's an odd song as well.

Left Hand - Beast Coast: Beast Coast is lames and I didn't make it more that halfway through the album. On the fourth song there's a verse where one of these guys is doing that rap thing of talking way to graphically about eating pussy. He says lick lick lick it's gross. Anyway this song rocks though. The beat is that perfect mix of hard as hell and a little bit spooky and I love any song where one million guys do like four lines each.

Hung Up - Madonna: In the wake of not listening to Madame X I've been reflecting on how it's been 15 years since Madonna's last true banger, Hung Up, and in my opinion she's a legend forever for this song alone. Do you remember the Madonna x Gorillaz performance at the 2006 Grammys? Where she walked BEHIND the hologram? She still has so much to teach us. 

Never Fight A Man With A Perm - IDLES: I love just how purely sweaty man muscle this song is. 'concrete to leather' are you kidding me?? That's the coolest shit I've ever heard. 'You look like you're from Love Island' also quite good.

Speakers Going Hammer - Soulja Boy: I was listening to this the other day and had to keep stopping and rewinding because of how advanced the flow is when he says 'Style swift hot like it's July 10th/Fly chick in my whip with nice tits/Her boyfriend paid for it, I didn't" he's like five minutes in front of the beat and combined with the internal assonance it just sounds sick as hell.

African Woman - Ebo Taylor: Man goes ham on toy piano must see

(I’m Not Your) Stepping Stone - The Monkees: My friend Tiana (who I've mentioned twice now!) came to band practice and said she saw The Monkees last night. I thought no, that's impossible. The Monkees are all long dead, forgotten legends from a forgotten age. BUT I was wrong! Michael Nesmith and Micky Dolenz, the surviving Monkees tour to this day! And she introduced me to this great song which we learned for the band! Monkees forever!

Whoo! Alright! Yeah! .. Uh Huh - The Rapture: Somehow as time goes on this song becomes more and more important to me and more and more groovy.I used to think life’s a bitter pill but it’s a grand old time. Now that’s wisdom.

World Of Stone/Loinclothing - Hunters And Collectors: I've been getting very heavily into early Hunters And Collectors over the last couple of months.  I think I put Loinclothing on last months playlist as well but fuck it, it's great. It's so primal and raw it feels like the first caveman who learned to talk fronting a band of cavemen who sing songs about caveman issues and passion. I love the incredibly wide open sound the drums and bass have and the fidgety guitar combined with the unhinged vocals creates this really unique ambience of menace and power without ever getting particularly busy and losing the spaciousness. Feels like yelling about monkeys on a wide open desert plain.

Coisa No. 10 - Marcello Gonçalves and Anat Cohen: I found this song ages ago on ABC Jazz I think, and I absolutely love the intricacies of it. It twists and folds in on itself over and over and over without ever losing the groove or relaxing into anything easy. There's so much tension in it even though the melody and groove are so fun, it's a great mix. I also found out it's from an album that's a tribute to someone I'd never heard of before named Moacir Santos, so I got the great joy of discovering his music via this song as well.

Monologue/Nana - Moacir Santos: Moacis Santos, as I understand it, was one of Henry Mancini's film composition assistants and also the guy that taught all the Boss Nova geniuses like Sergio Mendes. I love this Monologue where he tells the story of a mystical vision that inspired this song, which you assume being inspired by a vision would be of mythical importance and weight and but instead sounds like the theme to a cartoon about a grandma who has superpowers.

Weird People - Little Mix: I need more info about the identity of the robot voice in this song. What is his relationship to the singer. He starts off antagonistic: “get off the wall” then commenting on what happened to her: “fell off the wall” then just echoing her: “on the other side” then becoming her “i’m living my life”. It’s complicated and hard to explain but I believe the robot voice in this song is god. Anyway this song is a masterpiece. It’s an incredibly goofy and great piece of 80s revival that imagines a glorious alternate future where Oh Yeah by Yello is the template for all pop music.

3 Legged Dog - Marisa Anderson: Marisa Anderson used to write songs with words here and there among her instrumentals but it seems that over the last couple of albums she’s decided to stick to instrumentals only which I think is a shame. She’s obviously brilliant at it but I’d hate to be missing out on beautiful little slices like this. I love how small time this song is, it feels like a song you’d sing to yourself more than a song for anyone else.

Nighttime Suite - Adam Gnade & Demetrius Francisco Antuña: Adam Gnade is a guy I’ve been following for about ten years now who seems determined to stay obscure. He self-releases all his stuff in limited editions or on cassettes, some of my favourite things he’s ever done don’t seem to be available anywhere digitally any more (if they ever were). I remember years ago he seemed hard up for cash and he ran a deal on his website called a ‘lifetime subscription’ where if you sent him I think $100 he would send you everything he’s ever done AND would continue to send you everything he made in the future for the rest of his life. It was absolutely great, I would get CD-Rs and tapes and zines and things delivered randomly to my mailbox every so often for a couple of years and they were all fantastic. I guess at some point my lifetime subscription lapsed because he’s released a bunch of stuff I haven’t heard or read but that’s ok, you shouldn’t be able to buy someone’s eternal soul for $100.

Adam Gnade has developed his own style of folk music where he just recites a sort of prose poetry over music and it’s incredible. In the hands of anyone else it could feel overly pretentious, and he pretty often rides that line. He’s reaching for a sort of poet laureate of Americana ideal but very often he actually grabs it. His writing is great and magnifies the minor details of normal life into larger symptoms of the American mindset, like depression-era songs of marginalised and exploited people individualised and updated for the modern era. Most of the time he backs himself on a lazily strummed guitar or banjo and his music sounds like sitting on the front step or laying down in the tall grass, but for this song he’s teamed up with Demetrius Francisco Antuña for some real Godspeed feeling dark soundscapes and it’s really something.

We Are The Same - Lurch And Chief: I think it's a damn shame that Lurch And Chief broke up before they even put an album out because this song is a damn classic and I have begun praying every day for the return of Lurch and/or Chief. I love a big voice and there's two distinctly huge voices in this song fighting for position.

983/Near DT, MI - Black Midi: Fucking hell I love this Black Midi album. I'm so, so glad it exists. It feels like the next generation of the Slint Hella, Tera Melos etc lineage of math rock and I simply can't get enough of it. Pump it directly into my veins I'm obsessed with it.

Take Control - Amerie: I just screamed out loud in my car hearing this song for the first time because it samples Jimmy, Renda Se by Tom Zé one of my absolute favourite songs ever. And samples it amazingly, totally transforms it into something new while keeping the spirit of the original. Do you ever feel like a song was just made for you personally? It’s a very kind thing of my vlogger wife Amerie to do for me but I guess that’s just how she is. Also, thanks to Spotify’s new feature where you can see the actual credits for songs I got to find out that Hall And Oates are credited on this because it basically interpolates the the whole verse melody from You Make My Dreams Come True which I didn’t even realise until I looked up why they were credited.

Unsquare Dance - Dave Brubeck: Dave Brubeck's brain is huge. I can't belive it's possible to make 7/4 this funky. How come nobody else ever ripped off this rhythm? It deserves to be a whole genre. I also totally love the piano solo near the end where it turns into like a funky 7/4 stride and then abruply ends with a shave and haircut like it's 1925.

Suddenly - French Vanilla: Get a load of this fucking slice of dance punk that Discover Weekly served me up. I haven't even listened ot the album yet because I just love this song so much I'm stuck on it. Singing "I like the nightlife! I'm in the spotlight!" like you're being hunted with a knife? Incredible. The impromptue glossolalia about halfway through? Incredible. Everything about the saxophone? Incredible

Maneater - Nelly Furtado: There's nothing deft or subtle about Timbaland. Everything he does is just so heavy handed and thick. The drums in this are so straightforward and they sound like garbage cans.. Nothing ever plays at he same time as anything else . It's like a gorilla learned to play and it's absolutely fucking sick. And then the whole rest of the song! His insanely thick buzzy synth lines against the big beautifully stack clean harmonies

I, The Witchfinder - Electric Wizard: I've been getting back into Skyrim because I have a little worm living in my brain and I've discovered a good trick is to turn off the game music and turn on Electric Wizard instead. It increases the ambience because it feels like if you did an x-ray of the Dragonborn's head this is all that would be in there. It's just stoner metal in there and no other thoughts.

Music Sounds Better With You - Stardust: Can you believe how lucky we are to live in a world where the greatest song ever written is finally available on spotify? You can just listen to this any time of the night or day and immediately improve your life.

Don’t Chew - Spilled Oats: Here’s a very good and underexplored idea: what if guitar music but it sounds like chopped and screwed? Absolutely dynamite.

 As an extra bonus treat here the absolute best ever chopped and screwed channel I’ve found on youtube, please explore Scobed & Robed: https://www.youtube.com/user/scottalexanderburton

listen here