#the secret history discourse

[negrowhat]

We're talking about Narrative Tops who would LOVE to be Railed

@poetry-protest-pornography has decided to make top/bottom discourse a little less serious on this hellsite. Let me insert the disclaimer here:

(disclaimer: i generally hate top/bottom discourse, because it's so weirdly gendered and un-nuanced, but for the sake of this, we're going with narratively assigned sex roles)

And then let's talk about assigned BL Tops who would LOVE to be railed by their assigned BL Bottoms.

Bai Zong Yi from Kiseki: Dear to Me. No one is ever going to convince me that Zong Yi wouldn't be an absolute eager beaver to be underneath Ze Rui's fine ass. He's done his research. He knows how these things go and he loves to learn and Ze Rui is sort of a teacher. In my mind they be dipping and flipping each other.

Win from Between Us. If I'm not mistaken, in the source material Team was very much interested in topping Win. Also Win's character just seems like the top to be versatile and not just strictly a top. Maybe he wants to have his face buried in the pillows every now and again and he deserves to get his back blown out. He literally takes care of everyone else, someone should take care of him. Also...let's remember his horny response to Team slamming him into lockers in that one scene.

Xiang Hao Ting from History 3: Trapped. All I am going to say is that ONE scene where Hao Ting was straddling Xi Gu's lap and arching his back in the sluttiest way I've ever seen is definitely bottoming at some point. And I just know he would be LOUD! Literally think about Xi Gu having Hao Ting spread out more frequently then I would like.

Payu from Love in the Air. I've mentioned this in a character analysis, but in my mind, Rain is topping Payu at least once a month. Rain and Payu have that sort of dynamic where the power goes back and forth and I know there are times when Rain is allowed to screw Payu silly. I just know it. Also...Rain deserves an opportunity to smack on Payu's ass.

Nuea from Secret Crush on You. OK this one is canon and I'm just putting it on this list because not enough people talk about it. Nuea is such a stereotypical depiction of a top in dramas and I just love that he and Toh had conversations about switching it up. I love that Nuea also just let Toh know that if he wanted to top then he would have to be serious about it and actually put in that work and also be the one in control. Also Nuea has definitely expressed his interest in being taken by Toh (as long as he was serious about it). So this is real, it happened in the series and I just need for people to know that IdolFactory is doing good things.

This is only a few. I could keep going...but then again in my mind...all the couple are vers unless stated otherwise.

[slyrua]

The Secret History is just OHSHC but fucked up…

[barnbridges]

George Orwell on Julian Morrow, Richard Papen on Bunny Corcoran.

[dougielombax]

No country can refuse to face up to its failings and/or the ugly parts of its history.

To do so is to promote ignorance and revisionist thinking.

And doing so allows in turn for the creation of extremely dangerous movements and ideologies.

Which cannot be allowed to persist.

To do so invites tyranny and fascism. All for the sake of preserving pseudohistorical bullshit and fawning idolatry.

Atrocities in the service of lies, myths, half-truths and bullshit.

Bullshit and jingoistic narratives serving as beacons for a deluded clique of vulgar elitist morons and vainglorious idiots (bullies, warlords, demagogues, oligarchs, vulgar populists, and so on) what fancy themselves akin to heroes.

(Which they aren’t.)

Anyone who thinks otherwise is a liability and/or a dangerous idiot. At the very least.

And in turn should NOT be allowed to influence the study of history and/or the discourse surrounding of. (I’d even go further and have the fuckers kept FAR away from any sort of platform)

At the least.

End it.

Starting now.

Starting yesterday!

(This behaviour in turn is one reason I study history, to bring an end to this crap)

Refusal to do so is one factor (among MANY others) that can lead to the beginning of the death of a nation.

[randomnameless]

Can you imagine what the reaction would be from Edelgard fans if Wilhelm was ever made playable in Heroes, and instead of being against Serios or not trusting her, he is actually just her BFF who talks about her more then Cyril.

He also goes like, "What secret history about Serios are you talking about? dont talk shut about my bestie.

Willy in FEH?

Lol

More seriously,

Lower your expectations anon, after the nothingburger that was Altina's Supreme Alt, FEH made it clear that the Brave Supreme Leader FB and Hegemongard's FB were outliers - we won't ever get anything like this anymore, students will uwu about academy days and the friends they made for 10 months, Hanneman, Gilbert and Alois are old thus will never be released, and the rest is flanderized.

Assuming Willy is ever released though, I can see his lines purposedly avoiding mentionning Nabateans and being milquetoast "we must defeat Nemesis and bring peace to the land" x10.

Maybe his jp lines - heavily Pat'd - would have something like "Adrestia will unify Fodlan and make it a land for everyone regardless of their race" (Pat'd swap "race" by "background" like what happened in Engage!) which would destroy the "sekrit smokescreen theory*" to smithereens, but hey, we still have to this day people arguing Supreme Leader "You are a dragon you should not rule over humans" isn't biased against pointy ears so...

Ultimately, I think most people wouldn't care.

*That was already debunked in Nopes!

Willy being alive after the WoH and Lycaon's icing can't tell... Lycaon's successor that Seiros and her ilk control humanity, given that Cethleann and Cichol left, Macuil left and he goes to meet Indech in a remote location in the mountains...

But I guess Supreme Leader's words have more weight than what the game presents, or what Rhea'n'Seteth - who personally knew the dude - reveal about him. Sure, she's biased and all, but at the end of the WoC, the only Nabatean left to "act" in Fodlan was Seiros the Warrior - her brothers fucked off.

[spicymancer]

So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian

Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.

So to start. I am also Asian. Specifically Chinese American.

As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.

Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.

The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)

This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.

To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.

But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.

I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.

Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!

Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.

So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.

[mollbabe]

celebrating palestinian science

in the face of israels' targetting of scholars, scientists and intellectuals...

saw a tumblr post by @/anarchistfrogposting that got me heavythinking about the relevance of language and culture in chemistry and science, it's unfortunate english has been accepted as its' lingua franca and most other input is lost to the globalization of this change. formulae and structure are essential and in a subject so specific, the average chemist will need to memorize hundreds of chemistry-specific words, and it becomes a barrier past entry when direct translating gets murky. deconstructing the history of science will always lead to political waters as the politicization of science and populist anti-intellectualism ethos rooted itself since the beginning of the study and these implicit biases result in a lack of consensus amongst borders.

before wwi the geographical spread of language in science was much more diverse, a lot of french and german researchers were common in research publishing, but after the allies established new scientific institutions that excluded germans and the isolationist decades that followed suit, foreign-language education was reductionist and excised globally as a result of elitism, being a language considered spoken only 'by the educated'. english-language proficiency is undeniably a prerequisite when an inexaggerated count of 99% of natural science papers are published in english, starting since 2015. this is a /heavily/ debated and discoursed topic and is terribly intimidating to sink your teeth into because of globalization of english and the complexity of modern language but getting over this hurdle will blossom a culturally rich rabbit hole to go down and it is all super interesting. there is so much great palestinian scientific practices, not as in western scientists work imagined in palestinian hands, but palestinian-born theories and practices. i think it's really integral, to always, but especially during times like these to uplift the people of palestine and their beauty just as much as funnel hatred toward their oppressors and murderers.

==

[image ID: a lineup of various glass pots and vases, ranging in color and size, placed in front of a plain background. end]

this is a specific sort of glass called 'hebron glass' which is an extremely renowned palestinian practice and passed down traditionally through multiple families and businesses. dating back as far as the 100~s in BCE, their technique of glassblowing was far ahead of their time and not used commonly anywhere else until much further in BCE. the /exact/ practice of hebron glass is kept a family secret amongst palestinian businesses, but a metal tool called 'kammasha' is used to blow the glass. a palestinian artisan talks about the process in more length here, i would recommend doing extended reading directly from palestine:

the colors are so vibrant and beautiful, i am endlessly impressed by how elegant these pieces have been made since the middle ages. these pieces and techniques have inspired a lot of famous modern day forms of glassblowing and glass artistry, most notably the venetian glass of venice.

i include this under science as much as it is art because it often goes unseen how much temperature and calculation goes into this craft. its highly skilled and intense work to bend over the hot flames and handle the glass in such a vulnerable state that could easily shatter. the material is more than 1800F and the palestinian kammasha is very carefully timed.

==

[image ID: an online video call meeting titled 'School on Synchrotron Light Sources and their Applications' at the top. end]

what you're looking at right now is the SESAME initiative run by the international centre for theoretical physics. a famous alumnus of this school was sufyan tayeh, a palestinian scientist. he was a prominent researcher and mentor and advocate for international understanding through science, introducing: SESAME, an alternative vision for the future of peaceful coexistence and cooperation and offered a meeting point around the globe to speak the common language of science, making communication possible. sufyan tayeh was an inspiration and bridge builder for all of these young students and an entry point for future scientists. he was a winner of multiple awards for his contributions to science and was appointed chair man for UNESCO (united nations educational, scientific and cultural organization) and head of physical, astrophysical and space sciences in palestine. he was regarded as a leading researched in science and applied mathematics globally, and tragically was killed in the current genocide. this is one case of many, many palestinian researchers. the impact of their contributions are insurmountable and irreplaceable.

==

[image ID: a list documenting the 45 palestinian scholars killed by israel since october 7th: Sufian Tayeh, Mohammad Eid Shubair, Omar Ferwana, Taysir Ibrahim, Ibrahim Hamed, Naeim Baroud, Azou Afana, Mohammad Bakhit, Mahmoud Abu Daf, Salem Abu Mukhda, Mohammad Abu Asaad, Osama Al-Muzayni, Refaat Al-Areer, Wael Al-Zard, Ismail Abu Saada, Khaled Al-Ramlawi, Mohammad Al-Najjar, Saeed Al-Dahshan, Raed Qudura, Mohammad Abu Zour, Yousseff Jameh Salameh, Nidaa Afana, Moumen Shweidah, Saeed Al-Zabdeh, Saqid Nasaar, Ahmed Abu Saada, Mohammad Jameel Al-Zaaneen, Ismail Al-Ghamari, Razq Ali Arouq, Walid Al-Amoudi, Abdullah Al-Amoudi, Hassan Al-Radi, Mohammand Abu Amara, Mohammad Al-Louh, Khaled Al-Najjar, Sharif Al-Asli, Mohammad Hassouneh, Yassar Hdeib Ridwan, Jihad Al-Baz, Hazem Al-Jamali, Nasser Al-Yafaoui, and Jihad Al-Masri. end]

==

the fabric gauze was also invented in palestine. if you've ever stepped foot in a labratory, you will know what this is lol. used in surgery and in chemical labs for multiple functions: separating liquids and gases, strain acids from bases, filter substances at extreme temperatures, prevent contamination, and to treat water. it is also used to diffuse heat and help protect glassware, seriously, these guys influence in glassware was HUGE. i think glass would still be sand without palestinian input.

i've set this post just up as a basis summary of the sciences, i would love to give an add-on going more indepth into the scientific process of some examples i gave and also in the history of palestinian scholars listed above.. when i get the time! but i hope this was an apt introduction! may good things come in 2024. feel free to recommend things i should check out or correct. OH OH also there is a lot of palestinian sci-fi.. 'divine intervention' and 'the second war of the dog' are both good, iirc they won the international prize for arabic fiction. just random things i found while looking up things for this post haha but they're good

[thebeesareback]

I just finished the audio book for Donna Tartt's novel The Secret History, so naturally I had to have a lil scroll to see what everyone thought on Tumblr. To add to the discourse: (spoilers, obviously)

Also trigger warning: incest, abuse, murder, alcoholism

Why is Tumblr so in love with Henry Winter?! He murders the farmer, Bunny, and possibly tries to kill Charles. He's manipulative and may well try to make Richard take the fall (har har) for Bunny's death. In the garden scene, he admits to being a psychopath/sociopath. Oh, and he's unbelievably pretentious

Also, why are there so many cute pictures of the twins hanging out? Their relationship was strained, incestuous, co-dependent, abusive. The whole uwu thing baffles me

Richard has a very obvious foot fetish and nobody is talking about it

The novel is quite funny, and I wish more people picked up on that. Most of the humour comes from Francis - the pinz nez stays ON during sex; no, Bunny's parents weren't very upset when one of their grandchildren ruined Francis' scarf, they were preoccupied by their missing son; and there's a throwaway line where the art students eat sushi with paintbrushes instead of chopsticks. I also liked when the twins panicked after Bunny's murder and decided to start repotting tulips

The farmer is referred to by name twice. Once in a newspaper, once by Bunny. Strange to think that he's the person in the squad who might actually have a conscience. Incidentally, Milo, the golden retriever who finds Bunny's body, has his name mentioned more frequently.

Richard is a smelly, badly dressed misanthrope. As is Henry, and Charles towards the end. Francis, Camilla and Hampden itself provide the (admittedly gorgeous) dark academia aesthetic, but if you want to end that dream, remember how terrible everything would have smelled. I guess the difference between appearance and reality is a pretty big theme

Julian is very creepy, obviously, but I was surprised that he wasn't more involved in the plot. He seems like exactly the sort of person to start a cult. I'd also like to know if he and Henry were in a sexual relationship, because we see them kiss once and then it's never mentioned again

Foreshadowing is done EXCELLENTLY through the book. There were a few characters who were described as ghostly at the start, and I THINK they're the ones who survive. Also, Tartt loves her pathetic fallacy (not phallusy).

Time is very strange. If you bothered to plot out all of the events, I don't think it quite makes sense. Term starts in September, say Richard joins Julian's classes in early October? That means all the picnics, the Sunday walks with Bunny, the trips to Francis' house, all happen over about five weeks, leading to the 12th November when Charles, Henry and Francis kill the farmer. Unreliable narrator, I guess

A lot of things about Richard's character make more sense when you realise the abuse he grew up experiencing and witnessing. Poor Ms Papen. Odd that Richard's parents don't visit him when he's in hospital

Funny that everyone is surprised when the twins' incest comes out. Like, they had an orgy at the start of the baccanal. Call me a prude, but I wouldn't attend an orgy with a family member

I would go for girls' night with Judy Poovey

Also, the book was published in 1992. Does anyone know when Prince Charles and Camila Parker Bowles went public with their relationship? Seems like an unbelievable coincidence otherwise

If anyone has an actual criteria for identifying alcohol abuse/alcoholism, please lmk if any of the main six characters AREN'T alcoholics. I'm pretty sure I got liver cirrhosis and lung cancer just from reading this book

[makanidotdot]

How I would have done Teldrassil

There was some Sylv discourse today on twitter, which I totally missed and Nobbel deleted whatever tweet he made so idek what it was about lol, BUT I read some "how it should have been" tweets and I wanted to write down how I would have done Teldrassil:

So, Azeroth just got stabbed and everyone is trying crazy experiments with the newly discovered Azerite. Kaldorei druids end up making some azerite infused super-life substance that has pretty great healing properties, but by accident, they discover it has the opposite effect on undead. It vaporizes undeath. Maybe someone had an undead battle pet out and it touched the goo and it died like a cartoon in roger rabbit.

Anyway, the worst thing to happen to Azeroth in recent history WAS undead and having a potential weapon against that is super good, but there's the whole political problem of ~oops~ we have something that can instantly vaporize a particular enemy race… a race that's not insanely well liked even by their allies... a race that can only keep 'living' by preying on the dead of everybody else, and makes anywhere they live spooky and rotting and gross to everyone but them… anyway we won't keep this secret forever, but, in the middle of this whole azerite-rush, we'll just wait until tensions are not QUITE so high, then bring this all to light in a peaceful and honest way and both factions will have control of supply and security etc., and use it only for the good healing properties, or against any new undead threats, and definitely not against Forsaken.

But ofc, Horde spies end up discovering the existence of this Undead-Away and tell the Warchief.

A good Warchief would handle this by demanding it all fully be turned over to both factions, they would acknowledge the benefit of having that kind of power, studying the tech, but also acknowledge the extreme danger to an integral part of the Horde, and take extra steps to ensure their safety and reiterate the Forsaken's value to the Horde.

Warchief Sylvanas, however, would need to ensure Undead-Away was destroyed, and kill anyone who knew how to make it, at any cost. That type of unique threat to the Forsaken could not be allowed to exist. She would claim the Night Elves had been creating a weapon unbeknownst even to their allies (technically true), and were therefore preparing to be aggressive (a lie). She would omit the fact this weapon only affects undead, maybe even orchestrate an incident that made it seem like it affected the living too, with the help of her alchemists. Even if it came to light that this weapon only really affected undead, the idea of deceitful Night Elf weaponry would still have been planted, that particular knowledge would come too late to really matter.

Teldrassil must be attacked and temporarily controlled in order to purge this substance too dangerous for either faction to control. "USE IT ON THE ALLIANCE" some more bloosthirsty members of the Horde would say. No, no, Sylvanas would say, that would be dishonorable :). For the good of Azeroth, such a weapon must be destroyed. Sylvanas has turned a new leaf after all, she's not blighting anymore, she's interested in stability as Warchief. Both factions should be kept in check.

So, the plan would be to surprise attack Teldrassil, occupy it, purge the city of all the Undead-Away, and then... leave. They would make their intentions clear to the Alliance (after they had started the attack, of course) and actually, pretty true to their word, they would let anyone who wanted to leave the tree go peacefully. Obvs any nobody-druid who knew how to recreate the weapon would wind up dead, and any too-important druid would have to risk escalating the conflict by calling out Sylvanas's lies. But for the most part, there would be no excessive death caused by the Horde forces, Sylvanas would even make a point of publicly punishing any Horde for unapproved violence.

Sylvanas wouldn't need or want a greater conflict than necessary, so there would be none, unless the Alliance wanted to return to all out war against the Horde over what would ultimately amount to just be humiliation.

Because a pre-BFA, pre-Jailer, pre-shit Sylvanas's end goal was this: Don't die. She tried dying before, and she went to Hell, so her goal now is Never Die Again. Never Dying would be achieved by ensuring the Forsaken are a strong race with a secure future. For that, she needs a balance of Forsaken power, but also healthy and happy living races that keep reproducing, so that they keep dying, so that Forsaken can keep reproducing.

But, at some point during the occupation, Teldrassil burns. And we don't know why. Maybe some Horde did it to be mean. Maybe it was an accident as some Night Elves fought back righteously against the occupying Horde. Maybe some kind of magic + Undead-Away is insanely flammable. We never learn the truth, and if we did, it doesn't matter. The Alliance blames the Horde, and the Horde blames the Alliance.

The leaders of the Alliance heroically and epically rescue most of the citizens still in the city, with Tyrande and Malfurion leading the effort. The Horde occupying the city are not quite as lucky, but they're soldiers. So a lot of them are tryhards and have gliders so they can just jump off the tree :). And some Alliance and Horde still die horribly in flames.

Night Elves lose their home, and Sylvanas prepares for the Alliance's retaliation. It wasn't her goal, but it's something she can work with. The Horde and the Forsaken will not fall, and the banger ass BFA trailer actually makes sense and isn't false advertising.

[casscainmainly]

An Analysis of Duke Thomas in Wayne Family Adventures

I've been seeing a lot of posts and comments recently concerning Duke Thomas in WFA. I know WFA discourse has been done to death, but these comments were about how they'd only read WFA, felt Duke lacked a personality, his powers weren't distinctive, etc. Out of the main WFA characters, I think Duke has the least-read comics and the least understood canon history. This post is going to dissect WFA!Duke, compare it with canon!Duke, and address whether WFA is a fair representation of Duke or not.

This is not a WFA hate post. A lot of comics readers love WFA and vice versa, and I'm not going to dictate what people should like or dislike. Check out this post I made yesterday about the origins of WFA, which really aren't ill-intentioned. However, judging by the comments/posts I've seen, a lot of people don't know the difference between WFA!Duke and canon!Duke. This post exists to clarify those discrepancies and hopefully encourage more people to read Duke's comics.

The Positives

Let's cover the pros of WFA!Duke first! The sheer fact that he's one of the main characters and present throughout is amazing, allowing more people to learn and get interested in Duke. Since he doesn't have his own ongoing, WFA is about the only place to get consistent Duke content.

Plus look at how cute he is:

His presence also means we get fun interactions with other characters that Duke doesn't get to interact with in canon, such as Steph and Dick. As a diehard Duke-is-Dick's-successor believer, I appreciate any page-time they get together, even if it's not substantial.

Also, WFA season 3 confirmed that Duke can turn invisible without his suit, which is just fun!

Framing

Duke is introduced in the very first episode, and in some ways is the framing device for the entire webtoon. He is "Gotham's Newest Vigilante," learning about the family and the manor.

Many episodes of WFA have Duke asking a question that the others respond to. You can see this in Episode 2 ("The Last Cookie," he asks about their tradition), Episode 7 ("Vigilante Bingo"), Episode 30 ("Driving Lessons"), Episode 39 ("Secret Identity"), all the way to one of the latest minisodes (Mini Episode 3 - Super Friends).

This framing is not completely incorrect, since Duke is the newest addition to the family. The problem with this framing, though, is that Duke's personality and problems are never the focus - in these episodes we learn a lot about the other Batfam, and nothing about Duke.

Take "Vigilante Bingo". We learn so much canon stuff about Dick, Jay, Tim, and Cass, including who's died/come back (Cass and Tim chime in here, which is not very well known in fanon). However, because Duke is the one asking the question, he doesn't get to participate in the answers. This framing makes WFA-only readers learn shockingly little about Duke's prior activities, and they only cover his backstory in episode 76.

Personality

Because of his perpetual outsider status, WFA!Duke's most prominent traits are confusion, timidity, and insecurity.

(I found all these by literally clicking on any thumbnail with Duke in it. He exhibits confusion/timidity/insecurity all the time).

The first two traits - confusion and timidity - is completely antithetical to Duke in canon. Just compare these panels from We Are Robin #6 to a panel from WFA:

Canon!Duke gets shot and thinks to himself: "how baller is that?!". WFA!Duke hears about a booby-trapped lawn and makes that face. This reaction is basically the opposite of the way WAR!Duke would react. I have legitimately no clue how anyone could read We Are Robin or The Cursed Wheel and come away with Duke being timid.

More examples of how canon!Duke acts when confronted with dangerous situations, just for fun:

From We Are Robin #2, we have Duke mouthing off to people he's just met; from Robin War, we have the iconic jumping-out-of-cop-car scene; from Robin War again, we have Duke standing up for one more battle against Damian with absolutely no hesitation.

Duke in canon is headstrong, stubborn to a fault, outspoken, and brave. These qualities just don't come through in WFA.

Insecurity

The third component of WFA!Duke's personality, insecurity, is the only one with some canon basis. Check out this panel from Batman & The Signal #1:

Here, he's struggling with his place in the family, something WFA!Duke also deals with in Episode 75 + 76 ("Worthy"). But I think WFA misconstrued where this insecurity comes from.

Duke's problem is not that he's a meta, it's that he's a meta with "powers no one understands yet". A "walking detective case," so to speak. His insecurity stems from his lack of understanding around his powers, because at this point he doesn't know about Gnomon. WFA somehow turns this into a problem with the powers itself:

This is simply not supported in canon. Duke has no problems using his powers; even in Batman & The Signal, the peak of his canon insecurities, he literally says "go, go ghost vision" (god I love him). Moreover, his powers come from his mom. Saying that Duke feels he needs to prove he's worthy "in spite of" his powers is a complete misreading of Duke's canon feelings. Which leads to my next point:

Family

"Worthy" positions Duke's powers in opposition to Bruce's approval, and though the episode ends with Duke accepting himself, it's clear throughout WFA that his biggest parental figure/source of approval is Bruce.

WFA!Duke talks and thinks about Bruce more than he does his mom and dad, which is genuinely mind-boggling. Canon!Duke talks about his parents basically every single page. It's one of the most consistent aspects of his character!

From We Are Robin #2, Batman & The Signal #1, The Cursed Wheel Part 1, and Batman: Urban Legends #19. Duke's parents are only mentioned in "Worthy" as part of his traumatic backstory, but Duke's parents aren't backstory - they're alive. By neglecting the importance of Duke's parents, WFA is ignoring a fundamental aspect of Duke's character and making him seem like just another orphan.

This panel from Episode 118 is hilarious in the context of canon!Duke waffling on about his parents 24/7. But the erasure of Duke's parents is symptomatic of another problem with WFA.

Supporting Cast

Duke's first multi-parter is Episodes 8/9/10, "Crush". In this episode, Duke asks a girl out, and then she breaks up with him.

First of all, compared to other two-parters (all of Cass', Dick's "Big Brother", Steph's "Belonging", hell even Tim's "Better and Brighter"), this two-parter is incredibly detached from Duke's character. All you learn is that he gets crushes and doesn't like break-ups, which isn't character-specific at all.

Secondly, using an OC as Duke's girlfriend is so bizarre given Duke has 1 canon love interest. Here, I googled it:

Imagine the story we could've gotten with Izzy instead; with them having canon history, this two-parter would've been a lot more impactful, and introduce We Are Robin characters to a WFA audience. I'd also like to point out the difference in how these relationships begin:

Another example of WFA introducing timidity into a scenario where canonically, Duke played it extremely cool (from We Are Robin #9).

WFA uses none of Duke's supporting cast. To be fair, Duke's supporting cast isn't well known, but isn't WFA a perfect low-stakes place to spotlight unknown characters? Harper gets appearances, and she's been neglected by canon for ages. Tim gets to have Bernard, Jason gets literally all of his Outlaws, and there's even a KonCass cameo!

There's a reason why the top comment on every single one of the Crushed eps doesn't even mention Duke.

Shouldn't Duke-centric episodes have comments about Duke? The story is so vague and widely applicable that there's nothing about Duke to comment on, so the spotlight is shifted onto the other Batfam members. If the story had included Duke's supporting cast, think about how much more we could've learned about Duke himself.

Side note: why on Earth is Luke Fox Duke's go-to mentor? They have next to no canon interactions, and while having a Black mentor is something Duke probably needs, he already has one. Batman and The Outsiders sets up the Duke and Black Lightning relationship really nicely. Not to mention in "Worthy," Duke's problem is about having powers, which makes Luke Fox's inclusion (as a non-meta) baffling. Black Lightning would've been perfect!

Conclusion + Wishlist

This is the top comment on Episode 76. I think I've demonstrated how untrue this is, because WFA!Duke doesn't even touch the worst of canon!Duke. WFA!Duke has next to no defining characteristics, which contributes to him being the 'boring' or 'sane' one. To any WFA-only readers, please don't think this is representative of Duke as a whole; reading even just the first issue of We Are Robin shows how interesting and full of personality he really is.

It's disappointing because WFA is a lot of people's only exposure to the Batfam, and portraying Duke like this has only caused them to misinterpret his character. However, there has been improvement - they're beginning to mention his backstory a lot more, which means they've read some of his comics. I still believe they can turn it around!

Here's some improvements they could make, along with some things I want expanded upon:

Stop using Duke as the outsider/newbie character. It's been over 100 eps, he doesn't need that anymore!

Mention his supporting cast, or at the very least mention his parents more

Expand on his canon relationships with Damian, Cass, and Jason, they deserve to be close!

Use his detective abilities/affinity for puzzles

Mention his dislike of heights

Involve him in more shenanigans

I don't have FastPass but please bring Duke back into the fold of S3!!

[barnbridges]

oh, so... stigmata

the wounds on charles' back can be qualified as stigmata-esque. while it's more popular to associate stigmata with hands, the orthodox and catholic churches do also include whatever wounds jesus had from carrying the cross on his back as stigmata.

francis is named for one of the few "undisputed" stigmatics (francis of assisi), catholic saint. the imagery of that he slashed his wrists during his attempt and cannot use his thumb are meant to evoke stigmata, in my reading of it at least.

[racefortheironthrone]

Maybe this is too broad, but wondering if there's a better term than "conspiracy theorist" to describe some large figures in the ongoing national discourse? Not that "fluoride in the drinking crowd" were serious thinkers or total harmless, but am I alone is finding "conspiracy theory" too quaint and mild to describe how mainstream rather fringe these things are and also how totally evidence-free and something just plain dumb they can also be?

I don’t think conspiracy theories have ever been quaint and mild.

Think about the history of antisemitism from medieval blood libels to 19th century theories of Jewish financial cabals to the “Protocols of the Elders of Zion” dreamed up by Tsarist agents-provocateur that took the theory global and spawned untold numbers of imitators, to Hitler’s invention of “Judeo-Bolshevism” that married traditional antisemitism to anti-Communism and nationalist populism. Conspiracy theories one and all, but fully capable of spawning pogroms and fascist dictatorships.

Likewise, we think of Anti-Masonic or Illuminati conspiracy theories as self-evidently ridiculous and harmless, but we forget that they were used by cultural conservatives in church and state to wage culture wars on the Enlightenment, liberalism, secularism, democracy, every revolution from America to France to 1848 and beyond, feminism and almost every social movement of the 18th and 19th century. People died or were surveilled or were sent to prison, political parties were formed or banned, and conservatism itself was founded in the name of “poisoning the minds of the lower orders” to inoculate them from the influence of secret societies.

As Dan Olsen has shown, even seemingly benign conspiracy theories like the JFK assassination cover-up or the Moon landing was faked or the earth is flat can hide much more malign motivations, just waiting for the opportunity to radicalize and proselytize:

[merp-blerp]

Honestly, the beardings don't bother me much ever. I don't know if it's just because I'm new or what, but they kind of just roll off my back. I guess I've just... cemented it in my head that it's just a business thing, likely, and that Taylor doesn't have to come out ever if that's what she wants (I believe she wants to come out). More bearding moments will come up, that's expected, but that doesn't mean they're suddenly the truth. I personally don't think they are. TK kissing Taylor with a camera shoved in their faces doesn't sway me, it makes me more confident that it's fake because love's not for show to Taylor. Ms. "I would die for you in secret", Ms. "They got no idea about me and you", Ms "older guys, just playthings for me to use" etc. At most, it felt it's most upsetting for me when she changed the Karma lyrics—that was a bit much. But TK yapping about how "happy" he is with her for some reason doesn't get to me. Is that weird? Should it? Joe and Taylor were "happy" too before they "broke up". I mean, Karlie's seemingly pretending to be married with kids to a guy, that's arguably worse (I believe Kar's kids are indeed real and hers, don't get started on assumptions with me, hetlors).

What gets me are hetlor and actual pieces against gaylor. The backlash to the New York Times article legitimately saddened me. To see so many people, especially queer people, ignore/forget/be unaware of the queer history of speculating on others sexuality was really rough; especially when it's still a thing! I see femme sapphics online talk about wanting to express queerness without telling people their sexuality so that other queers can spot them all the time! News flash: that requires speculation, that thing that's apparently so disgusting! And to see the conversation of it be so trivialized as "Don't out people!" or "Don't be gross!" when strangers can't out strangers through speculation and there's nothing gross about queerness. Especially with how mainstream the discourse became—it was upsetting to not be able to get away from it.

BTW, I understand it gets really annoying to see bearding. You're fully valid if it makes you upset, I'm just saying my feelings.

[sunflowerofchaos]

Okay enough time has passed for me to throw my two cents into the Bridgerton discourse. Many are displeased with the season and part 2 specifically. I have been trying to piece together what my issues were with it and I hope that someone can find this and maybe find something that clicks as to why the season may have been disappointing.

I am a big polin stan. In fact I started watching for and because of them. Totally believed in the supremacy of their story because of their adorable friendship and the long build up ever since the pilot.

I loved part one. That will be controversial but I truly did. Was the pacing a bit off? Yes it was!

But did it give us the romcom atmosphere, the yearning, the love? Yes definitely! I'll even argue that part one, the going from "friendship to love" is done more beautifully in the show than in the book. People said one kiss is all it takes for Colin but that's really not true in the show. If you take account of the history we have because of season 1 and 2 it doesn't feel that way.

And the funny thing is that despite part one having a bunch of side plots, it worked. It was walking on the edge of being too much but it didn't cross the line.

Not yet anyways... so here are my 6 big errors of part 2

Like everyone I was way too hyped after the carriage scene, which leads to..

Error number 1: The break after the carriage scene set the bar too high. The long break filled with press and interviews further hyping up part 2 after that high consequently did damage to the reception of part 2. I believe that almost anything after the carriage would appear as a let down due to the wait. That's kind of unfair to the show I know, but it also makes sense as we, the audience would have abnormally high expectations that are difficult to please.

Part 2 is flawed and there is no arguing that. The beginning of it felt like a let down due to the split right after the carriage scene aka the climax of part 1 (pun intended) but fine objectively speaking episode 5 and 6 are nice. But then comes error number 2, the fact that we have 2 episodes where their love is clouded by the secret of lady whistledown. I feel like that was problematic to the pacing of part 2 (which is a problem in itself). The tension in episode 5 was necessary but also so much. So much that Colin literally questions her feelings. Then episode 6 instead of lifting that cloud sooner, continues to sour the polin scenes until the very end of the episode. The reveal should have been earlier in episode 6, so they have time to properly heal and be happy. (Seperate errors that I will adress)

Error number 3 is how the wedding fell under the dark cloud of the angst. I was wishing it would be the happy wedding of bridgerton and it was happier than Daphne's or Anthony's (not that we saw the real one) but the queen disrupting the wedding felt like another punch. One more time we were close to seeing their happiness but couldn't. (Something we barely get to see at all)

Then error number 4 (my personal enemy). The pacing of the conflict and healing. The way Colin was hurting was amazingly portrayed by Luke and I even understand how Colin wanted to hurt Pen with the entrapment comment and unlike many I won't hate him for it at all. But one thing where the writing really failed me is how polin shared a number of scenes that could've had a bigger role in their healing but ultimately didn't. I will list the scenes and how EVERYTIME we think they are a step closer to healing, they go back to square one and how that effects the scene where they eventually do "heal".

Exhibit A: The modiste scene. Beautiful confrontation and it really set up the possibility of them talking through it more but then it ends abruptly with Colin shutting down (however I'm inclined to give this one some saving grace because at least they talk)

Exhibit B: The wedding. Colin once again gives us hope that perhaps they're closer to making up but when Colin walked away with Pen and they had a second confrontation where she states that she is lady whistledown, I expected Colin to at least accept that statement and not revert back to being in denial about it afterwards and shutting down again. This could've been the scene where Colin starts to accept them as one. (Not to take away from the letters scene but it would have been a great foundation for it)

Exhibit C: The bedroom scene. Ah my personal nominee. This scene could've been so much more and no I don't mean a sexy scene. This scene could've been thee scene where they talk. It would've felt more powerful to have the talk that they have in Bridgerton house in their bedroom instead. I can't stress how it would've fit perfectly and been book compliant. If they had utilized this scene better, then polin being at Fran's wedding the next day would've have felt more emotional and helped convince us of them gradually solving the conflict. Netflix, that wouldn't even take from your running time. Pen could've confronted him there as she did in the book. Colin could've faced his jealousy right then and there instead of having Cressida point it out for him and still not facing it.

Exhibit D: Bridgerton house. Yes they do talk here and you can see that scene as the one where they settle things prior to the ball, BUT one it is too close to the end and it feels cut short which frankly doesn't seem enough for the viewers to believe that they now have joined hands. This scene was personally not enough for me. I think if you expand the conversation it would be much better or again if you put this dialogue in the bedroom scene it would have been powerful and helped the pacing as the bedroom scene was in the first half of the finale and this one way too close to the ball.

You'll see that every scene post reveal is following the same frustrating pattern of them brushing over the problem. You in turn get your hopes up for it to develop further into forgiveness, then voila Colin shuts down and goes back to square one. That was extremely frustrating for me as a viewer as it happened multiple times, especially since it seems ridiculous to leave the conflict in the air till the last 10 minutes when they have had several opportunities to solve it sooner. Colin's peace at the end comes too suddenly as those previous scenes don't see him gradually make peace with the matter but always shutting down and running. Those scenes could have been used to show the steps of him gradually getting over it, forgiving her and facing himself.

Error number 5. The side plots and overall pacing.. As I said part 1 walked the fine line but part 2 crossed it. What do you mean that we get more scenes of secondary characters than polin getting over their conflict and having some time to see their happiness. That messes with the pacing, making part 2 seem to want to cram up as much plot as possible. You have Francesca's love match, Benedict's exploration, Eloise's general conflict and dynamic with Cressida, Cressida's own story, Violet's arc, lady Danbury and her brother's conflict, the Mondrichs arc, the solicitor, queen etc...

This season was simply TOO ambitious for its own good. It tried to do too much. Suddenly it didn't feel like polin season but rather the season to set everything up for the next season and that really hurts as a polin fan.

Finally error number six which is by far the most famous error. The lack of happy polin. As I explained episode 5 and 6 while showed some happiness it didn't feel real because of the secret constantly hanging around. They were happy but you as a viewer might have felt more worried and had a more bittersweet feeling. Especially when you see Colin get more and more anxious and insecure during those episodes. Then episode 7 and 8 sees them miserable most of the time. That sucks even though it is necessary it still sucks. Sucks because after all that put together we don't get to see it pay off. 4 episodes of angst and they give you one scene that suddenly heals it, 10 seconds sexy scene and an epilogue scene where they suddenly have a baby. It is simply not enough to balance out the dark vibe of the entirety of part 2. That is why thousands of people are hanging onto the petition to release the deleted scenes. So we can finally see the pay off of the angst and can properly balance out the emotions that came with it and move on.

Not to mention the absolutely wasted confession of Colin Bridgerton.. when he said I love you at the end of episode 8 I was already thinking "with everything that you are, everything you have been and everything you hope to be????!!!" But then he didn't say it and I was confused as to why they would possibly not use THEE love confession??? Since that's Bridgertons thing??? Having incredible confessions... And it's not like it didn't fit in fact it would have fit so well. At this point if you squint you might imagine hearing luke continuing the line for God's sake. That remains a mystery that makes no sense to me.

So by now I don't think anyone got that far and I can't complain because I wrote this for me. To structure my thoughts and make peace with it. And so to sum up these errors: the split, the structure of episode 5/6, the wedding sadness, the way the conflict/healing was handled, the pacing with the side plots and the lack of happiness to counteract the angst. I will revisit part 1 happily and just stop after the mirror lol. I will look forward to seeing polin happy in 2 years I guess.. and I do believe that when season 4 comes out and they're happy and are hanging around we will accept season 3 way more and come to hopefully love it.

[rmstitanics]

* GENERAL OBSERVATIONS, PART FOUR.

ASTEROIDS

Determine the sign, planetary ruler, and the house that ASTEROID SHAKESPEARE (2985) is in to figure out which genres of Shakespeare plays you might enjoy the most!

╰► Example: My own Shakespeare asteroid is in 5H Pisces, and Pisces is ruled by Neptune. The 5th house is associated with romance, while Neptune governs illusions, mysticism, secrets, prophets, and deceptive idealism. So I would probably enjoy his romances and comedies such as Much Ado About Nothing, Twelfth Night, and A Midsummer Night’s Dream.

In my natal chart, ASTEROID WASHINGTONIA (886) CONJUNCTS SUN. This asteroid was named after George Washington, and the Sun represents our Ego + Core Identity. Guess whose first ever fixation as a historian was the American Revolution? ✨Me✨.

Look for ASTEROID KLIO (84) in your chart to determine what types of history you should study! For example, I have 11H Klio in Virgo, which is ruled by Mercury. So this means that when it comes to history, I might be drawn to studying the friendship dynamics that existed between historical figures (shoutout to Abraham Lincoln and William Henry Seward as well as Ulysses S. Grant and William Tecumseh Sherman my BELOVEDS) as well as public discourses and social movements of a given time period.

PLANETS

9H VENUS placements might be more comfortable with befriending strangers on the internet + having online relationships than they are with developing their in-person connections.

While working on my Famous Individuals With Your Moon Sign post, I noticed that a LOT of authors have ARIES MOONS. This absolutely checks out because Aries Moons tend to be assertive individuals who become pioneers in their fields of interest, which many of these authors were.

If you have difficulty relating to your SUN SIGN or BIG THREE placements, check the aspects in your chart and spend some time researching them! HARD ASPECTS to your personal planets may be the culprits responsible for this.

VENUS rules over the 5H of creativity, so check the house that your Venus placement is in to determine your most prominent sources of creative exploration!

╰► Example: Taylor Swift has Aquarius Venus in the 1H. Her music is often inspired by 1H themes of exploring her core identity, and it is known to have Aquarian undertones of progressivism and rebelliousness. When I saw this placement in her chart, I immediately thought of her songs “The Man” and “Who’s Afraid of Little Old Me?”.

╰► Example: William Shakespeare had Gemini Venus in the 12H. His works are widely known for their explorations of hidden enemies, endings, spirituality, mental health, and loss — and with his Venus being in Gemini, it’s clear that he had a lot to say about these topics.

Because the MOON rules over the 4H of home and roots, the house that your moon sign is in can show you where you might feel most at home. For example, I have my moon in the 9th house of higher education, and I’ve always felt the most at home in academic settings.

12H JUPITER placements might do well pursuing an occult career field, such as becoming a professional astrologer, tarot reader, palm reader, or even a past life regression hypnotist.

Going through a period of writer’s or artist’s block? Check to see if your TRANSIT SATURN is in the 5H or if Transit Saturn is aspecting the 5H!

TRANSIT MARS in the 9H is a time of yearning for academic recognition and success. If you have this placement and are currently a student, take advantage of opportunities for class participation, extra credit, study abroad, and extracurricular activities!

ASPECTS

MIDHEAVEN OPPOSITION URANUS natives loathe adhering to social norms and are prone to having unpopular opinions that, if expressed, would drastically alter their social status.

MOON OPPOSITION MARS can indicate strong willed and incredibly assertive personality types that, if caution is not taken, may be viewed by others as “bossy”. They’re the type of folks who like to take the reins and lead the group during a group project.

SUN CONJUNCT URANUS people strike me as the type who enjoys researching conspiracy theories, especially if their Sun sign is Scorpio or Gemini.

MERCURY-URANUS as well as MERCURY-VENUS are the types of people who could be uniquely prone to social media / screen time addiction.

VENUS TRINE SATURN natives are sensitive to rejection, and when rejected, might carry it as a deep wound for a long time.

MERCURY CONJUNCT PLUTO individuals have the potential to be excellent speechwriters, poets, songwriters, and journalists.

[lushthemagicdragon]

OK OMFD pals. I come to you now with a brief queer history lesson, that absolutely has nothing at all to do with Izzy Hands, I mean...

So in the 1960s, Susan Sontag wrote an essay on Camp as an aesthetic sensibility. Beforehand, camp had been this mode of expression that, while not purely invented by or strictly unique to queer folks, had become (much like polari) something of a secret language between queers. In many ways, camp was performed as a survival mechanism, a way of reclaiming insults and derision. If the general population was going to call gay men fairies and pouffes, then turn lemons into lemonade. Live that fabulously and make fun of the weaponizers in the process.

This is an extremely brief and oversimplified explanation of early camp, but what's important is that after Sontag, this was fashionable and exciting, and the straights all knew about it now.

As this discourse developed, in the 70s and 80s (with some bleed in either direction) we saw huge boom of masculinist queers, exemplified by the leather community. A lot of these masculinists were also, in some ways, assimilationists. A lot of these masculinists (though of course not all) started to reject camp and chafe at camp being seen as synonymous with queer expression because they were Manly Men and wanted to be taken seriously, not seen as effeminate weaklings. They felt that camp was setting them back.

Which is of course hugely ironic given that Leather Culture are EXTREMELY camp, as it is masculinity to such a performative extreme that calls into question so many normative ideas but I GUESS SURE, whatever. (Not all leather queers were anti camp to be clear but there's overlap)

So the assimilationist masculinists thought that being associated with camp hurt their cause at being taken seriously. And actively tried to make camp a thing of the past not to be taken seriously. But here's the thing about camp...Camp is all about flourishing in the margins and undercutting the overly serious. Camp takes not being taken seriously very seriously. The assimilationists would not have a platform to stand on if camp hadn't helped keep the heart beating. Camp kept us alive. Camp kept us loving ourselves when the world wanted otherwise.

Camp is funny, glamorous, overtly silly, playful, ironic with a razor sharp edge, and camp loves so deeply.

And so anyway, Izzy Hands the serious masculinist finding the open arms of camp waiting for him in his time of need?? I'll just be over here crying about how well David Jenkins knows his history.