#the storytelling is just too good.

[prozac-shaped-urn]

*screams in arospec*

been watching a LOT of the charismatic voice on the tube and wondering whyyyyy EVERY. FUCKING. SONG. IS. ABOUT. FALLING. IN. OR. OUT. OF. LOVE.

WHY

LITERALLY WHY

IRRITATES THE SHIT OUT OF ME

NOT EVERYTHING IS ABOUT ROMANCE

can we just ~not~ make all art about romantic love?? can we stop with the literature and paintings and music and film etc alllllll revolving around two (or more) people falling in love? why is that a requirement for a piece of art in any form to be considered Good Art?

why.

wHy

goddamn i'm fired up about this FUCK

[turtleblogatlast]

AU where Leo is trapped in the Prison Dimension for months instead of minutes and the only way he gets by with his sanity intact is through recording himself talking to his wrist comm.

When they finally manage to get Leo back and make him rest up to heal, Donnie can’t help but listen to the recordings left behind.

He’s not sure what exactly he’s expecting, only that his subconscious is screaming at him that it has to be heartbreaking, that it has to be torturous.

Instead, what Donnie is subject to is a full thousand hours’ worth of Jupiter Jim and Lou Jitsu crossover fanfiction. More than one part in the series. Spanning well over a million words.

(The worst part is that it’s actually good.)

[nelkcats]

Ghost on your screen

Danny decided to become a Streamer after taking his "Eldritch" look, honestly he didn't even know he had more than two forms but apparently being a ghost comes with a lot of surprises.

He named his channel "Ghost on your screen" and dedicated to telling horror stories. The stories were told on what was supposed to be a black background, but the more you looked at the screen the more you noticed there was something present watching you.

Danny was obviously taking advantage of his new abilities by camouflaging himself in the worst way possible, but it was fun to see the live reactions on his chat and the video reactions when someone decided to show his channel to a friend.

Jason enjoyed listening to the stories, he even showed Tim the channel on one of the days where he was sleep deprived, that video ended up in the family chat.

The problem was that Bruce became paranoid and was about to investigate the "dangerous entity", Jason was upset, he didn't know if Ghost was an effect or not but he wouldn't let B ruin his weekly entertainment.

[canisalbus]

Look, I know it's supposed to end badly. But I need to admit that in my head, they declared a mutual "fuck this shit" to the world and society. Packed all the stuff they could one late night and escaped to a remote open plain in the middle of some thick woods where they spent the rest of their lives healing and living freely in nature.

I've been having a lot of intense feelings about them as well. The tragical elements are so baked in to their story and setting, it's hard to imagine a happy ending for them. But every now and then I find myself thinking of scenarios and AUs where they both live and grow old together. For coping purposes, I suppose.

[clarisse-doodles]

Cass + ballet 🩰 (ft. supportive siblings and good dad Bruce)

I love the idea of Cass enjoying dance. It's an outlet that allows her to express herself without words, and I think she would enjoy the highly technical aspect of ballet combined with its storytelling and emotional side. and as a former dancer I always have fun imagining my fav characters do ballet :)

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[wyvernquill]

Today I offer you the following headcanon/scenario: Hob dislikes Shakespeare and criticises him, but not because he's jealous of Dream walking off with him in 1589... no, it's because he genuinely thinks the man was a talentless hack.

Let me elaborate.

Hob does like Shakespeare's plays, and grudgingly admits they're the work of a "half-decent playwright", judging from the 1789 scene. He does appreciate the craftsmanship.

The only trouble: Hob is of the opinion that it's not technically Will's work at all. It's His Stranger who had... well, some hand, at least, in the creation of those masterpieces, and Hob hates that Shakespeare gets the sole credit.

(Now, to be clear, I do think that all Dream did was lend Shakespeare support and inspiration and the power to put his own dreams and imaginations into words. It's absolutely still William Shakespeare's work at the core, and Dream's involvement is hardly much more than in any other story ever written - but Hob doesn't know exactly how this works, does he?)

Imagine his frustration. Imagine people praising Shakespeare as a genius in front of him, and Hob bursting to say "actually, he was total shite until he sold his soul or something to the maybe-devil in exchange for talent". He thinks he's the only human in the world who knows The Truth About Will Shaxberd, and it drives him mad that any attempt to explain it would make him sound like some conspiracy nut.

It's the sort of thing that could drive a man to irrationally hate a playwright and his ill-gotten gains, it really could.

(Which is highly hypocritical of him, seeing as he himself enjoys the boon of that very same maybe-devil - well, his sister’s, actually, not that Hob knows that - but it's aBOUT THE PRINCIPLE OF THE THING-)

And that's how Hob ends up as his university's #1 Shakespeare Hater.

.

And perhaps, Dream eventually explains to him who he is and how his boons work, and Hob suddenly realises he has to revise his entire spiteful opinion of William Shakespeare, who may have had a certain spark of talent of his own, after all...

And then, groping desperately for some reason to cling on to his increasingly irrational dislike of the man, Hob recalls how Will stole his date back in 1589, and breathes a sigh of relief at the realisation that he can carry on hating Shakespeare just as much as before, only now for a different reason.

(Not that saying "I hate Shakespeare because he stole my boyfriend" will make him sound any less like a nutter than insisting his talent came from magical intervention... but, well, it's a step in the right direction, isn’t it.)

[allgremlinart]

yeah I know this piece of media has a ton of themes and motifs but like. is it entertaining and coherent ? because if it fails to be engaging or coherent I cant actually consider it the triumph you say it is, but, well. I AM on the themes and motifs website, so please start writing my obituary

[kicktwine]

the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore

[shannonallaround]

After pondering on it for several days, I have officially decided I did not like the direction of KFP4 and have banished it from my brain. It is no longer canon. KFP4? What's that? Don't know what you're talking about.

[earthtooz]

i don’t think i can ever genuinely express how meaningful ‘everything everywhere all at once’ sweeping the oscars meant to the asian community. but since i don’t want to be too emotional on main bc this entire day has kept me on the edge of my seat like no other, i just want to say one thing that might make the movie a little sweeter:

the english subtitles of the iconic taxes and laundry line that waymond delivers say ‘in another life, i would have really liked just doing laundry and taxes with you’

BUT, in mandarin, what the raw line is: ‘in another life, i still would have chosen to be with you doing laundry and taxes’.

and i think that piece of dialogue truly is so special because waymond would still CHOOSE this supposed ‘miserable’ life of running a laundromat so long as he was still with evelyn and UGH I’M- IF ONLY THIS WAS TRANSLATED PROPERLY BC IT HURTS ME THIS LINE HURRRRRTS ME 😭😭

[vapaus-ystavyys-tasaarvo]

You know, about the digressions in Les Mis:

I know they can be intimidating and I fully admit that I skipped a lot of them on my first read too (basically I gave up when I got to Waterloo and after that I just started skipping pretty much all of them). And to be fair you won't always get much out of them if you don't have the context, which — if you're not familiar with French history — you probably won't.

But what's great is reading them with people in the fandom who have already done the research and can break down their meaning and significance and point out all the fun references and jokes and explain the context!

Because Les Mis is very much a novel with a message, and much of that message is found in the digressions. Also they're just more fun to read when you realise that Hugo was basically blogging about history, current events and politics, and he's a witty and idiosyncratic commentator, whether you agree with him on everything or not.

Les Mis is his blog and Les Mis Letters is giving you the RSS feed equivalent.

Also you will learn so much about French history and the history of Romanticism and the history of sanitation and... a lot of things frankly. It's perfect entertainment for nerds

[leotanaka]

jughead almost immediately removing himself from the musical aka the narrative the moment that someone else (kevin & clay) starts writing their own version of it and in turn, his removal from controlling the narrative ends up allowing the characters to take back control of their own narrative because when jughead writes and rewrites the story, it ends up trapping the characters deeper inside the narrative and the cycles they are desperate to escape until they are repeating the same behaviours over and over again but when kevin & clay write and rewrite the story, it ends up giving the characters back their agency because they're trying to help them which then allows them to break free from the narrative and walk away.

[kuruk]

oh my god I know like it sounds weird to say this when it's just avatar but the original show has aang go back to the southern air temple to show katara and sokka his home only to find evidence of the genocide of his people and the loss of his loved ones and it's quiet until you see his grief and his rage but you just see the aftermath a hundred years later and the netflix adaptation makes it feel like they wanted it to be a cool action movie with an epic scene showing the fighting and running of the airbenders like that side by side with aang running away and it's like ??? okay it's "darker" congratulations I can see that's what the goal is based on the differences in firebending and early on screen deaths go and focus on every bit of violence for the audience's lazy sadistic pleasure instead of any of the characters personal narratives especially the women that can all be taken right out + the discovery of different places all over the world in the earth kingdom and outside of it. put everything in omashu so they don't get to meet people and see the diversity of the world and each town and SEE what life is like for them under war and have these experiences with all these people build up to something bigger at the end

[strawberry-carpcake]

I hate that the atla remake toned down Sokkas sexism for the sake of not being offensive bc honestly I think it’s MORE offensive that it’s not included bc they are basically saying that it’s not important enough to teach those lessons and it’s negative to prevent toxic masculinity 🫶 As a girl I loved seeing the sexism in atla, I loved the lesson that it taught and I loved that all the girls were capable and strong but some of them were STILL FEMININE (cough cough Katara. The new show ruined that too)

While I’m talking about Katara, they ruined her too, not just Sokka. Where’s her rage? Her hurt? Her anger? Let her be angry. She’s 14 fighting in a war, she’s supposed to be mad. I loved her anger it was real and gave her flaws and depth. And also she’s supposed to be motherly. What’s bad about that? There’s nothing sexist about that? Some girls DO want to be that way? Also, it’s supposed to show how she was forced to take the role of her mother as a CHILD bc of the fire nation. It shows the negative effects of war and the loss of innocence, it was so important why is that gone???

[willowcrowned]

“Making anyone over the age of 8 watch tcw should be forbidden” okay, but why?

because it’s bad in the way only bad kids shows can be. and then it’s also bad in fifteen other ways