#the three looks song

[scenearcee]

I’m literally that one song about the three looks (only three looks)

[detectivehole]

when the beat drops or whatever tf you call it in classical music in Danse Macabre Op.04 Camille Saint-Saëns (1875)

[lotus-pear]

soukoku shippers name ONE (1) song that ISNT partners in crime by set it off that accurately characterizes their dynamic challenge‼️‼️‼️ (IMPOSSIBLE)

[mx-misty-eyed]

“cant change what you’ve done start fresh next semester”

[kbsd]

you made me want you, and all the time you knew it

OR: buck just needed a little time

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[pancakehauses]

Next to Normal | Wyndham's Theatre | July, 2024 Jamie Parker as Dan Goodman Jack Wolfe as Gabe Goodman 📹: @mttztrading

Diana - Dan Diana - Gabe Diana - Natalie Dan - Gabe Dan - Natalie Gabe - Natalie

[omegalomania]

your art is being controlled by you

folie à deux is the fourth studio album by american rock band fall out boy, released on december 10, 2008. the french term folie à deux (literally, a "madness shared by two") is a rare psychiatric syndrome in which a symptom of psychosis - particularly a paranoid or delusional belief - is transmitted from one individual to another. stump is quick to point out that the "two" aren't pete or ashlee. or for that matter, pete and patrick: "there are lyrics on this record that go into certain things that i wasn't necessarily sure i wanted to admit. we haven't been that openly political as a band, but on this record, there are some lyrics that spelled it out. the irony is that people will probably mistake the title, folie à deux, as something about romantic relationships in some way. and it's our only record where that theme is not touched upon." - alternative press, 2008

a celebration of FIFTEEN YEARS OF FOLIE À DEUX, from @omegalomania, @heartbreakfeelsogood, @ofalltheginjoints, @kat-sribbles, @clandestine-rabbit, @sicklysweetholiday, @ybcpatrick, @patrickmstump, @vanweezer, and @andpierres!

[elderwisp]

[atdawn]

— i thought you were like an angel to me.

[carnivalcarriondiscarded]

yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3

[literallygeeway]

i have an unholy obsession with the second time gerard says 'just know that i will remember you' and the guitar goes all ch-ch-ch-ch during the word remember

[boywhoswaiting]

Two/Jamie - When we were young

[estrangedandwayward]

"Where is Abel, thy brother?"

"I know not, am I not my brother's keeper?"

[achingly-shy]

spotify wrapped 2023: #51 + teen wolf for anon

"or were you all in a dream amelie, amelie? i don't know" amelie — gracie abrams

[cupophrogs]

Did you bring anything(like a phone or something) or a reason to be in the factory before you got thrown into the metaphorical deep end of “Toy hell”

Also, what happened after you got pass Huggy

“And Huggy? Honestly, I tried to get back to the front entrance after he took his tumble to The Depths. But whaddaya know, the vent was closed! So, downstairs my grumpy ass went. Then I met Poppy. But I’m lucky enough to still have song downloaded on my Spotify, so we get to play music, albeit sparingly.”