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#the writers didn’t care about caliban
wouldntyou-liketoknow · 2 months
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Comparing Killers
I sent an ask to my buddy @insane4fandoms a few days ago, and in their reply, they mentioned potentially doing a character analysis for both MadPat and my very own fanmade cannibal EgoPat Caliban in the future.
(This stemmed from one of their latest drawings. Again, thanks so much for remembering my scrunglies, friendo ❤️)
SO, being the way I am, I took some random inspiration and now I'm going through with that exact analysis myself! Just following my instincts as a writer and all that stuff.
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MadPat:
Now, just to get this out of the way because I have a sneaking suspicion that someone’s gonna read this and automatically assume I’m being stuck-up: I really like Mad as a character. Matt has done an amazing job portraying him. . .though, Matt just has a knack for unhinged characters in general, lol.
And thanks to Matt's acting skills, Mad is an enjoyable villain. He’s cluster of chaotic problems shaped like a man in his thirties, and we all love him for it. (Honestly, I kinda see Mad’s behavior as similar to that of The Actor from all of Mark’s projects. Comedically evil with a tendency to throw tantrums when things don’t go his way.)
The FNAF Musicals have made many slight tweaks to the lore of the games to not completely plagiarize the story. So, of course, Mad is a slightly-tweaked version of William Afton: it’s made very clear that his crimes include murdering kids. On top of that, he has no problem playing long-cons with pizzeria employees before eventually killing them, too.
We’ve seen plenty of times that Mad is pretty much never afraid to get violent. Oh sure, he tries to put a mask on when he needs to, but it’s easy to see all his urges beneath that mask. (And again, much like Actor!Mark, Mad ain’t too shy about being callous and hostile to almost everyone around him.) He’s very quick to anger. To make things worse, he’s also quick to desperation.
While Mad is too smart for everyone else’s good, he’s still pretty damn impulsive/irresponsible. His crimes were all concentrated on the pizzeria; it didn’t take very long at all for the disappearances to pile up and gain unwanted attention. Now, a bunch of missing-person-cases are one thing, but leaving evidence is quite another.
Hell, in the beginning scene of Web of Lies, the wacko-in-a-bearsuit himself literally said, “Every INCH of this place is INCRIMINATING! Ten minutes of poking around this place and they’ll discover what I did. . !”
If Mad were to hear of Caliban's work, he'd probably be impressed at first and automatically assume that Caliban is just like him, just with more people-eating. However, if Mad were to actually meet Caliban and get a better read on his personality, Mad would likely end up insulting him one way or another. He'd see Caliban's professionalism as tedious.
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Caliban Crawford:
Though I've made it pretty obvious that he's my special boi, Caliban is an objectively bad person. He may be insane, but he’s not delusional enough to deny that. Whenever his and/or Murdock's targets happen to be alive when they’re dragged to his den, he can be very, VERY sadistic throughout the butchering process. (Especially if the target has done something to personally affect him, Azalea, or any of his other peers.)
Sure, he doesn’t complain about working with dead bodies, but having a live meal is quite a special occasion. In such cases, he enjoys watching the unfortunate soul in question squirm and listening to them scream/beg. Taunting, dragging things out, making morbid puns all over the place, the works.
Despite all this, I’ve specifically crafted Caliban to be an extremely morally-gray character. (To be honest, the only fanmade ego of mine who’s full-on evil is LeviathanPat.) He’s still able to be logical/rational when he needs to. He takes pride in his self-control; yes, he has cravings for human flesh, but he knows he can’t afford to just attack any person he sees whenever he gets hungry. He knows he has to be EXTREMELY CAREFUL in order to keep his business away from the authorities. So, he only eats those he and his peers (Murdock, Azalea, etc.) are hired/paid to bump off.
On top of that, Caliban still has some humanity left. While he’s obviously nowhere close to a perfect angel, he’s still able to form genuine relationships and treat those in his circle with kindness/respect. Get on his good side, and you'll have quite a strong ally.
Though his morals are limited, one of the biggest differences between him and Mad is the fact that Caliban would never, NEVER stoop so low as to harm a child. In fact, he tends to avoid children altogether due to his own childhood trauma. (Totally not me projecting because I grew up in a dysfunctional family with verbal/emotional/psychological abuse.)
Getting back to the juicy stuff: Caliban is smart and efficient with his work. He prides himself on not leaving any evidence behind. (Yes, he still makes occasional mistakes, but even then, the aforementioned evidence still comes in very tiny amounts.) That's why he and Murdock became friends and started working together in the first place: since Caliban divides up which parts can be cooked/eaten and which parts can be sold on the Black Market, it really is easy for targets to just seemingly vanish into thin air.
Though my stories involving Caliban probably show him acting calm (despite his pun-addiction, lol), please, PLEASE don't be fooled. He's got just as much unhinged energy as Mad. He just happens to hide it a bit more often. But he definitely has his chaotic moments; half of the time it's out of unhinged joy, and the other half of the time it's because an enemy pissed him off enough to get their skin privileges revoked. (Basically, it's not that much of a stretch to see Caliban as a combination of The Hermit and Mack.)
Now, if you've seen @insane4fandoms artwork of him, then it's pretty clear that some inspiration was taken from Hannibal Lecter. And while I definitely appreciate references like that. . .well, that inspiration is mainly just for Caliban's appearance. I've said before that Caliban is nowhere near as arrogant as Hannibal. Even so, if Caliban were to see/hear about all of Mad's shenanigans, he'd write Mad off as being sloppy and unimpressive. If he were to actually meet Mad, his opinion would just get worse; he'd see Mad as a fair bit annoying and bratty.
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@sammys-magical-au @b-is-in-the-closet @im-a-weird0 @themarpsimp @lexusinsannus @crazy-obsessed-enby @rozeliyawashereyall @gaymingintrovert @lampsforsocks @forestcouncil @x-hotrose-x @v1rus-seal
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nick--scratch · 4 years
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I know how it feels when your ship isn't endgame but please stop being so salty about other ships being endgame
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SPOILERS FOR CAOS PART 4
Chapter Thirty-Four: The Returned, episode reaction.
Sabrina looking at herself in the mirror hoping for a sign from Sabrina Morningstar makes me chuckle.
Would it kill Nick to put on a shirt? I'm getting tired of seeing him without a shirt so much.
Prudence is so sweet.
Hilda coming in to see Lilith and her holding a bundled up doll makes my heart hurt.
Lilith really did kill Adam. 😭
It's time for the Battle of the bands.
Oh my God oh my God oh my God oh my God IT'S BABY VINNIE TOM!!!!!!!!!
Sabrina asking the real questions.
Zelda not caring at all about how is back makes me sad because that shows just how much she missed him.
Marie is shookith.
Zelda is not pleased.
Excuse you Marie you're leaving your girlfriend? Rude.
Da f*** is that?
Harvey's not even questioning where the guitar came from?
I really hope that Tommy isn't coming back from the dead. Again.
Harvey's dad is weird.
The dude that wearing glasses that said that he doesn't want to be humiliated by Fright Club looks familiar, was he in Riverdale?
And the band just killed the other band, what is this, an episode from American Horror Story?
I'm getting bad vibes from that board game.
WELL IF IT ISN'T ME JERK HIMSELF, EDWARD SPELLMAN.
Shit, he doesn't remember he died, so Sabrina can't tell him she's his daughter.
Oh God she's haunted by her baby.
NO!
POOR LILITH!
Dorcas!!! Yay!
Uh oh, Hilda is meeting her in-law.
Awkward.
All of these bands dropping out in years past, that is not good.
Mr. Kindle was part of the band! And he looked like Harvey. 😂
Oh god, Lucifer. Again with the dead virgins.
R.I.P Peggy.
Satanic Panic burned to death. Damn.
Peggy's dad did it!
Hilda's mother in-law is embarrassing but should stop talking 'cause she's making my baby Hilda uncomfortable.
Well that escalated quickly.
Run Hilda.
Run.
Lazarus vs. Mambo Marie, woo!
Sabrina why are you showing a picture to Edward.
DO NOT BE A MORON.
Aw, baby Sabrina.
Sabrina, you're being a moron talking about how your mother died and that he has been dead for 16 years.
Ouch, Edward what the f*** you're calling your daughter an abomination. Oh right, daughter not by blood.
Did he seriously just call Diana a whore?
The fuck.
Ed just said Diana was a monster fucker, not nice, writer of this show, not nice at all.
RUN SABRINA!
Yay Aunt Zelda!
Agatha, stop singing about Lizzie Borden, and also by implication killing Dorcas.
Three blind mice.
I missed The Weird Sisters so much.
Oh lordy, Hilda's mother in-law is messed up.
YOU TELL HER HILDIE!
OH SABRINA! 😭
They put Kenny's mom in a cabinet?(or fridge?)
Either way I here for it.
He wants her dead again. 😂
Oh no, back to Lilith. 😭
FUCK YOU CALIBAN THIS IS ALL YOUR FAULT!
Lilith deserved better.
GIVE HER BACK HER BABY!
The cain pit!!! If only she had used it when they still had time.
Shit, Satanic Panic have Mr. Kinkle.
How awkward would it be if Robin was showering when Sabrina summons him?
Lucifer laughing about Satanic Panic makes me smile. But now I am sad because of how Sabrina can't seem to win in the dad department.
LILITH NO!
ZELDA STOP LILITH!
WAIT, LILITH GET LAZARUS TO BRING BABY ADAM BACK TO YOU!
PEGGY LOU, WOOHOO BRING HELL UPON THOSE MURDERERS!
Oh shit, Mr. Kinkle is in a cage.
Lucie you awful boatman, you! 😂
Luke Cook is a gem.😂
I thought Satanic Panic would be better then they are.🧐
Spot Elsbeth in the front of the crowd.
FRIGHT CLUB SLAY THAT SONG, AND JAZ AND ROSS, WOW.😍
Dark Mothers, cool.
LILITH!
DID YOU HEAR THAT? THAT WAS MY HEART CONSTRICTING AND BREAKING.
Is she gonna do what I think is is gonna do?🤔
YEAH! HE IS A BASTARD, LILITH!
Yeah, she didn't do it for you, Mambo Marie.
I'm not a fan of Dark Mothers.
PEGGY LOU IS HERE FOR BLOOD ANF SATANIC PANIC IS GONNA TURN TO ASHES!
Yay! She's got her revenge and gotten to have peace!
Sabrina really sad fuck you to her dad.
"Well done, false daughter." "Go to hell false father." I LOVE IT!
WAIT WHAT, MARIE WHAT DO YOY MEAN?
Poor Zelda.
Baron, you jackass how could you lie to Zelda all this time.
Zelda was a straight up savage and Baron deserved it.
Dorcas breaks my heart! 😭
DORCAS KISSED AGATHA!
WHAT DID SHE WHISPER!
Prudence 😭
AGATHA IS AGATHA AGAIN! DORCAS JUST HAD TO FORGIVE HER!
Agatha doesn't remember. 😭
Jaz looks so gorgeous. 😍
ROBIN IS STAYING WITH THEO!!!
Lilith no!
ADAM?
Zelda waved goodbye to Baron!
Vinnie gets to stay? YAYAYAYAYYAYAYAY!
AT LEAST HE DID THAT! YAY! ALMOST MAKES UP FOR THE HEARTACHE.
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namelessfrappe · 4 years
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Chilling? Adventures of Sabrina part 4✨
I know I’ve been gone for a while, but GIRL, if I came back it means that I really loved something so much I decided to share it with you, or I was disappointed enough to find my password somewhere on my messy desk.
Alright, alright.
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Chilling Adventures of Sabrina was one of my favorite series on Netflix. I loved it from the very first season. The characters, the plot, the music, the cast, I can say that I enjoyed this a lot. And I really don’t care about people who say “I can’t watch it because I loved the original Sabrina so much”. Like, it’s nothing like the original Sabrina and you can watch it as a separate thing.
Sadly, Netflix decided to cancel CAOS and give us the last 4th part.
I’m not going to make a whole ass thread about this series and especially the last part, which I mostly enjoyed, but I’ll point out some things that didn’t make sense at all and plot holes that weren’t explained (also at all).
What exactly killed Sabrina Morningstar? A few scratches on her face? Where is Salem from the alternate universe? If someone has the answers I would love you to share them with me
Why Nick brought Sabrina Spellman’s body if they weren’t going to use it anyway? I mean, couldn’t they transport her soul to her body or would it be too complicated or what?
Why they didn’t just simply let Robin go into the void? He has superpowers? Or at least I bet he can move faster than Harvey....
For like 2/3 parts we were told that it’s not easy to kill a witch, then boom, two at once
Why Zelda didn’t ask Mambo Marie for a favor? Like she said she would do anything for her.
Wasn’t it too easy to make Caliban just disappear? I mean, okay I like him way more than I should, but c’mon
Lilith forgetting about her baby in like 10 minutes
Who exactly was The Trinket Man? He just appeared from nowhere and what?
Why they decided to make Lucifer's character so stupid?
Dr. Cee appears for like 20 minutes of the whole part
Is it me or does it feel like writers wanted to give Ambrose and Prudence a second chance but didn’t have time?
Also, Nick committing suicide wasn’t a very good idea, please do not romanticize things like this
BUT I GUESS IT WAS A RUSHED ENDING AND NETFLIX DECIDED TO MAKE ANOTHER PART HE WOULD SPEND HIS LIFE TRYING TO BRING HER BACK.
All in all, I don’t blame the producers and writers because I think that they maybe needed to change some things? Didn’t have time to explain everything? I don’t know.
I’m gonna miss this show, it really woke up all the witchy feelings in me, if you know what I mean. Anyway, if anyone wants to save CAOS and renew it, I will support you no matter what.
All the love to all my witches and warlocks, NamelessFrappe.
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mithidria · 4 years
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So I watched caos at a friends request with extremely low expectations because riverdale production and I have thoughts
1- Ambrose absolutely the best character. No competition at all. I did like Prudence’s sarcasm and Agathas arc though.
2- For being made out to be some terrifying force, Lucifer was kind of just vibing. They built him up to be so terrible and then wrote him into a protective father
3- Sure the show is meant to focus on the Spellmans but seeing Sabrina Morningstar navigate Hells politics would’ve been way more interesting than whatever was going on topside at the time. Anytime they cut to hell something interesting was always happening and being interrupted.
4- Lucifer was so deeply involved with the covens and their powers the fact that Hecate as a character was nonexistent is kinda sad. I feel like Hecate realizing she has worshippers again would’ve been a good plot point
5- I could not bring myself to care about the pagan plot at all. It could’ve been a really complex narrative and interesting but it was overcrowded with the unholy regalia, pagans, and waning coven powers. If they’d had more time to flesh it out instead of just being oOo new people bad I probably would’ve liked it.
6- I don’t know why tv shows always throw in the time travel plot. 99% of the time it doesn’t even make sense. How would Sabrina have gotten free the first time and been able to initiate the time loop? I suppose she could’ve eventually been freed years after and gone back to free herself after discovering the spell to start the paradox. If that was the case the writers missed an excellent chance at character growth seeing as Sabrina usually runs to Ambrose to get research and she would’ve had to do it herself.
7- Caliban was the best love interest. He had good hair. I liked Harvey much better with Roz than with Sabrina. Nick was a decent love interest but I just like Caliban more. There was that swimmer guy too but I didn’t like him enough to remember his name.
8- The writers made a huge deal about Roz not being a witch just to turn around and make her a witch. I liked seeing Prudence make the new weird sisters and having Roz as a sentinel. That was all neat, but after spending so long making sure everyone knew Roz was most definitely not a witch they could’ve said she was destined to be a sentinel or something.
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azrielrose · 4 years
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overly long Chilling Adventures of Sabrina Pt 1-4 Spoilers below the cut:
Stream of consciousness time.   I liked this show, though it wandered a bit...too many cheerleading/singing scenes, thanks Glee, I guess.  Loved the aesthetic, some of the clothes I’ll remember forever.  Lilith was obviously a fav, freakin Michelle Gomez.  It was hard to watch her character fade a bit in 3 and into 4, so I was savagely glad she got her vengeance, AND all the power.  A lot of people are upset she ate Adam, but I feel it was in character, rather than let Lucifer raise her son the way you know he would’ve.  She’s understandable, she’s not Good.
Nick, I always liked him best for Sabrina, I was obviously excited in the most evil ways when they gave him SPN Sam’s storyline, sacrificing himself and getting stuck with/tortured by the devil...they even also heavily implied that he was raped by lucifer.  After, he suffers PTSD, abusing alcohol and drugs, becoming oversexed, self harming.  Sabrina’s kind of a dick about it, but I thought that was somewhat understandable.  She’s just a teen after all, it’s not weird for kids to wish the person in their lives with mental illness would just (suck it up/act normal) bounce back and not understand when they can’t.  But then the show validates her pov rather than correcting it.  She literally tells him off for making his ‘melodrama’ her problem, or something.  And that’s what seemingly snaps him out of it--we don’t see ptsd from him again.  That’s pretty fucked up.  I mean, if you’re going to write canonical rape/torture trauma for a character, you should have to follow it through at least somewhat responsibly, rather then send a message that a ptsd response is somehow self-indulgent and can be handled with will power or some shit.  (We SPN fans were blessed to have Jarpad, who protected this aspect of Sam’s trauma as best he could, sometimes with no help from the writers.)
As for Sabrina M, I thought it was stupid that she’s blinded to that clay kid’s true intentions.  She knew who and what he was the entire time she competed with him and was as vicious as she had to be to win.  If her Morningstar side was her ambitious, power hungry side who fought so hard to be Queen of Hell, where did it all go?  All the sudden she’s a starry eyed kid who believes in insta romance because he says the right words.  She already knew he’d lie and betray her in a second for the Crown.  That makes no sense.  Why did she need to be with him or anyone, to the point where she gets married at 16?  Where did all the early seasons Girl Power energy go?  
Funny, though, that they just pretended Lucifer wasn’t trying to make her his incest/child bride the season before.  S2 he was like ‘uh call me father but only in private’ and now he’s all ‘my daughter that I care so much for’.  Did they get a lot of shit over that, and decide to just pretend it away?  It’s a shame, because they had that storyline where she was Lucifer’s Sword, and merging witches and humans make more powerful witches and they just..........dropped it.  For this Morningstar Nuclear Family Plus Caliban the Husband shit.  That red wedding dress was killer tho omg.
Ugh.  Anything else that matters?  Zelda and Mambo were robbed for no reason, that was crap.  I love Zelda.  I LOVE Hilda.  I was so happy when they did the au ep with Hilda and Zelda from sitcom StTW, complete with puppet Salem.
Oh, and that ending, w the actual F?  He killed himself to be with her?  People are reacting like, wow, writers legit had a mentally ill teen character kill himself because he thought life wasn’t worth living without his gf, and posed it as a Happy Ending.  But it’s worse, because by then they were pretending he shook his mental illness off, or Love Cured It or some shit.  So, Romantic Love cures mental illness, but only as long as the SO is alive.  Yikes.
Also they stole the Void scene from that time Squidward went too far in the future.  That’s all I could see.  I guess it’s not terrible the show hasn’t been renewed.  Great characters, but the storylines didn’t know where to go anymore.
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luluwquidprocrow · 4 years
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love was made for me and you (and you)
originally posted: february 15th, 2019
word count: 22,821 words
rated: teen
beatrice baudelaire/bertrand baudelaire/lemony snicket, beatrice baudelaire/lemony snicket, beatrice baudelaire/bertrand baudelaire
violet baudelaire, klaus baudelaire, beatrice baudelaire, lemony snicket, bertrand baudelaire, kit snicket, the duchess of winnipeg, dewey denouement, olivia caliban, beatrice snicket
alternate universe – modern setting, alternate universe – everybody lives/nobody dies, alternate universe – parent trap fusion, family, romantic comedy, humor, with occasional required sad undertones, screenplay/script format, less of a fic and more of an outline but one hell of an outline, with enthusiastic swearing by yours truly, referenced but very background kit/dewey and duchess/olivia
Summary:
[so beatrice is nicholas, lemony is elizabeth, violet is annie, klaus is hallie, bertrand is the absolute worst at being meredith because he is a Genuinely Nice Person so honestly he’s really not meredith at all, and those parallels are all a little loose anyway because i moved places and conversations and character roles and basically everything around, everyone is just a mess. where is vfd????? i sure don't know.]
Notes:
back in march 2018, the good the iconic the legendary the CLASSIC ace attorney parent trap au came back on my dash and I decided to rewatch the parent trap a few days later, and as I was watching it, I thought, ‘i wonder how that would work with asoue, and lemony and beatrice, and of course with them getting together with bertrand,’ because I will of course ship the three of them together in any fic I can, but I told myself ‘girl, you cannot write this fic. you have too many other fics to write, you canNOT write this fic.’
I then told myself, ‘well, yeah, okay, but that doesn’t mean I can’t outline it.’
and then the outline spun wildly out of control, to the point where i was never going to write it as a full actual fic because it wasn't going to work like that anymore, but also to the point where it had a life of its own and was in my opinion somehow still worth reading like an actual fic. this is over 20k of a lemonberry ice parent trap au half-fic/half-outline/half-weird-script/wonderful mess of conversations and headcanons, and I genuinely hope my weirdly detailed ramblings (and unapologetic swearing) bring people as much unbridled joy as they bring me. I wrote this with the intention to have fun, and I hope!! you have fun too!!!
I think you can get through this with a working knowledge of the parent trap movie (1998 version) but a thorough knowledge is also very good
title obviously corrupted from love by nat king cole
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lemony and beatrice, young and definitely foolish and definitely in love but totally not thinking this through, marry (fairly soon after college) and beatrice has twins, violet and klaus (violet is two minutes older, their birthday in this splits the difference between (what I personally image to be) their canon birthdays, so that’s, what, january 8th or something???? first I had it as the 3rd but nick and liz marry in the movie on january 8th and I was like ‘well that’s not too big a change to make in the name of a good reference’).
not long after, their marriage dissolves (for, well, pretty much canon reasons???? I mean like with less accusations of arson and criminal activity. lemony has Radical Commitment Issues and beatrice is Impulsive and Angry and Not Taking Anyone’s Shit and honestly how they made it through marriage and having kids with all those problems completely in tact and never doing anything about them is anyone’s guess, love is Occasionally Not Cool), they divorce, and lemony takes violet and beatrice takes klaus.
they both leave The City which I have always imagined as new york even though i’ve never spent a second there in my life, but anyway, beatrice does go to california (she likes the weather, but she does not end up in sanfran (danhan’s hometown) – the part of me simultaneously obsessed with a different fandom is screaming santa barbara!!!! but no i’m going to stick with the movie and say although she’s not in a vineyard she is in napa), the idea of lemony just being in england as like, a concept, and especially with a broken heart, is hilarious to me
kit: do I have to confiscate your copy of keats?
kit: do I?
kit: do I, lemony??????
beatrice raises klaus with the help of the duchess of winnipeg (and ramona’s delightfully sentimental and frankly adorable wife, olivia caliban, I will sail this ship single-handedly I guess) (what is ramona doing in california????? OH MAN DO I FINALLY GET TO BUST OUT THIS LINE I TOOK OUT OF THE BAYBEA FIC
ramona: have you seen winnipeg lately???
ramona: there’s not much for me to duchess over.
actually it’s probably that ramona’s mother is still alive in this (otherwise what would be the POINT of everybody lives/nobody dies modern au???? fucking fight me) and she takes care of winnipeg and ramona was like ‘…...canada’s not doing it for me’ and her mother was like ‘canada doesn’t do it much for anyone, dear.’ and ramona skedaddled to california with olivia, which worked out because they have banging careers as artists out in california.) (ramona paints (she likes watercolors and pastels), olivia actually writes historical fiction lesbian romance novels (where everyone also lives!!! she writes an on point jazz age novel only everyone lives and it’s great) (why historical fiction??? olivia is a sucker for romance and loves big sweeping romance epics….and ramona) (are her books just. period piece self-inserts with her and ramona??? well why the FUCK not), they are both………..really too good for this world.) (anyway bea has zero (0) family with which to raise klaus so ramona and olivia offer to help her out. out of the goodness of their hearts and long-standing friendship, not because they have any experience raising a child. they do not. have any experience.)
and lemony raises violet with the help of his sister. kit and dewey get together earlier, and have their daughter earlier (violet’s….five or six when she’s born?), and name her (obvs not beatrice) bernadette (I have Specific Reasons for naming her bernadette, however that is in my giant list of bernadette headcanons, which is a whole other Thing). beatrice is an actress (klaus can’t act for shit, sorry), lemony is a writer (violet doesn’t have a poetic bone in her body, sorry). (but violet can act and klaus is pretty good at putting words together.)
ELEVEN YEARS AGO BY, or, well, eleven and a half, I guess, eleven and a half delightful years filled with the following –
-lemony and beatrice fervently denying they ever married each other and trying to forget the other even exists, what do you mean you have photographic evidence, we were definitely not married
-ramona’s mother briefly going to california to tell three grown women how to change a diaper
-klaus, age one and a half, crawling up the staircase in their house all by himself to get to the library, beatrice promptly dies out of sheer terror
(true event. I did that.)
-violet getting ahold of a wrench at the same age and fixing one of the loose bars in her crib
(not a true event. I did not do that.)
-dewey and jacques, trying to fix the curtains in violet’s room, immediately and silently agreeing to never tell lemony they were The Worst Uncles In Existence for five seconds for accidentally dropping the wrench in violet’s crib
-beatrice training herself not to do a double-take every time she sees klaus with a book because he looks fleetingly like lemony, just for that second
-lemony lulling violet to sleep with a variety of accordion songs, violet’s favorite is his rendition of what he says is ‘a song about spending a day on the beach’ but is actually why I cry by the magnetic fields (particularly danhan’s rendition of it with ben gibbard.)
-hey I never said they were successful at forgetting each other, especially when the kids were kids
-a truly harrowing number of children’s birthday parties
-kit snicket, who firmly kept her maiden name, going through what she called ‘The Chillest Pregnancy In Existence, Look At Me, I’m Completely Fucking Calm’ in the middle of labor
-klaus going through a period where he only read poetry, which caused bea and ramona and olivia to speak in rhyme for a week
-violet insisting she could fix the toaster and promptly not fixing the toaster because nothing was wrong with the toaster (it just wasn’t plugged in.)
-beatrice appearing in a number of plays, klaus being enchanted when she’s in les mis and reading the book but, in fact, only finding the outrageously long sewer chapter interesting
-violet trying to write a poem for lemony for father’s day and rhyming ‘orange’ with ‘mortgage’
that summer, they both wind up sending violet and klaus to the same summer camp excursion, because what sort of comedy would this be without the wildest coincidence ever, honestly
kit drops violet off at the camp a la martin – will lemony get on a plane?? that is a resounding No (also he would have just cried the whole time. the whole time. the. whole. time.)
however lemony is the one who does the ‘fruits, vegetables’ thing, only before violet leaves, and he gives her a million hugs and honestly doesn’t want her to go to camp oh my god, it’s only because violet tells him he’s sort of squishing her that he stops hugging her, lemony is???? like the most concerned parent of all time
kit, meanwhile….
kit: I was going to give you a new dart set but I was informed that they would not let you through customs.
violet: uncle dewey told you, didn’t he.
kit: I married a real killjoy, violet.
I honestly cannot think of a scene for klaus to parallel hallie meeting glasses and tie dye girl while getting her duffel bag. I thought of putting the quagmires in this but I think that’s…...pushing the identical envelope a little here (would’ve been worth it though for the brief note I used to have here that was just isadora shouting ‘HOW DID THEY TAKE SO LONG TO REALIZE THEY WERE RELATED THEY LOOK EXACTLY ALIKE’)
i’m sure they hang out with like-minded people before running into each other, it’s a good camp and they literally never talk to those other characters again anyway, which is, a real shame
we can all at least rest assured that klaus gets to camp in once piece regardless and doesn’t have a conversation about darts and airport customs, anyway beatrice, ramona, and olivia each smuggle a deck of cards into his suitcase as a surprise and he has three card decks and impresses all the other kids in his cabin with a giant architecturally sound house of cards made to resemble thoreau’s cabin at walden pond
hey annie and hallie are both allergic to strawberries and KLAUS AND VIOLET ARE ALLERGIC TO PEPPERMINTS
before they meet there’s probably a moment like with marva sr and the strawberries (I just had a horrifying thought that JEROME is the camp counselor (esme is nowhere in this. olaf is nowhere in this.) and that’s…………..awful, but, as I was writing the following scene, you know who I wrote him more like?????? arthur fucking poe, what did I just fucking do, honestly poe is a WORSE choice but…...well
mr. poe: we have peppermint brownies today!
[I just saw someone on the food network make peppermint cheesecake brownies and I want them so bad]
klaus: oh, i’m allergic
mr. poe: oh, well, please live
mr. poe: I cannot perform cpr
klaus: …………………………………………………………….shouldn’t you maybe –
mr. poe: for your own personal safety and especially my own i’m going to have to ask you to step away from the brownies
[violet shows up on mr poe’s other side]
violet: oh! peppermint, i’m allergic
mr. poe: another – didn’t I just see you? how did your hair get longer that fast? that’s not an allergic reaction, is it?
violet: ……………………………………………………………...i don’t think that’s –
mr. poe: i’m going to eat this entire brownie pan to save lives, but also because I want these brownies
he came out more like show!poe instead of book!poe but, I do not care, no one cares about mr. poe.
SO, violet and klaus eventually do meet and have practically zero immediate animosity, also through fencing!!! lemony and bea are both canonically badass fencers but I stand by what I said in fight me, that lemony is the better fencer, and violet wins. klaus concedes his loss to a talented fencer. they take off their masks and are like WHOA WE LOOK REASONABLY SIMILAR
violet: I don’t know, I think your eyes might be little farther apart than mine.
klaus: oh, don’t worry, i’ll probably grow into them. it can take some time before people really grow into their faces.
however this does get them talking and they find out they have so much in common! they’re like, ‘you like books and only have one super weird parent??? what a coincidence!’
then they find out they both play cards. (this stays, cause poker games are gold and I am reasonably sure watching the parent trap so much as a kid was what instilled this love of ‘hilarious poker games’ in me because I used to jam them into my fanfics all the time.) (also explains why I only know two poker hands….)
they hold an (amicable!) poker game that night with all the campers, and they do like a round robin tournament sort of thing and swap tips all night until it’s just the two of them facing each other, and klaus wins. (lemony is Pretty Good at cards and definitely taught violet BUT you’re damn right bea taught her kid how to count cards. not that klaus wins through cheating, he also has a natural talent and bea’s impeccable poker face. klaus also hangs out with ramona, who has repeatedly kicked lemony’s ass at cards as well.)
since they still have to wind up in the isolation cabin (because how else are they going to secretly plan swapping identities with NO GODDAMN COUNSELOR noticing???), CARMELITA is at camp and busts them for the poker game. she got eliminated pretty early in the game and camped out outside the cabin the rest of the kids were in waiting until someone won and then got mr. poe.
mr poe: gambling is not for children! unless of course you have a verified accountant or, perhaps, an established banker who wanted to embark on a personal journey and decided to run a camp for small children but has always wanted to go back and manage money again because, you know, even after the two scandals, I was good at – but we don’t have time for this, violet, klaus, it’s very irresponsible to try and get adults going on a tangent to avoid your responsibilities.
violet and klaus: but we didn’t –
mr poe: i’m afraid that I have no other choice but to send you to the isolation cabin.
carmelita: cakesniffers in the isolation cabin!!! CAKESNIFFERS IN THE ISOLATION CABIN!!!!
oh……..that was painful.
AT LEAST THE CABIN IS LIKE A NICE GOOD CABIN AND NOT the orphan shack, also like how far into the woods is the isolation cabin???? do the marvas really just leave kids out there?????? come on, marvas…..
and so our heroes get stuck in a windy lil cabin out in the woods.
what do they do when they hang out there, since they have Zero Animosity???? talk about books. read books. klaus does sketches of various local leaves. violet rewires the lamps so they don’t flicker and rigs up the windows so they don’t bang open in the middle of the night. the only thing they argue about is how to make toast, which isn’t even IN the cabin (unless violet makes something into a toaster), whatever
does klaus have a stuffed animal like cuppy???? damn straight he does. because why the hell not. (some boys play with dolls? SOME BOYS HAVE STUFFED ANIMALS)
i’m being really basic here but it’s a teddy bear BUT bea made lil wire glasses for it because klaus got glasses when he was real little so she thought he’d feel better if his favorite stuffed animal also had glasses (bea wears glasses but she HATES wearing them although I think after klaus gets glasses she tries to wear them more because bea is supportive as hell) (she needs new glasses though like they’re still these big thick black frames from her goth phase and she hates them but she hates the idea of an eye doctor appointment more) (bold of me to assume bea has ever honestly stopped having a goth phase, though…)
oh gosh what is the bear’s name
what’s something like super nerdy but cute for a small book-loving child to have named a bear
oh no, he names it kenneth. bea reads baby klaus the wind in the willows and he names his bear kenneth and this is so cute. I can’t fucking handle this, oh my god
honestly I am one of those people who thinks oreos w/ peanut butter would be pretty disgusting. (I mean, without the cream in the middle, sure, that probably tastes good, but like, with the cream and the peanut butter???? no) their snack of choice is………….hey isn’t there a snack in penultimate peril at the picnic it’s mentioned they like
or is just because I have that particular book within three feet of me, i’m gonna check
okay, it does mention that klaus likes custard eclairs, violet makes a smoked fish sandwich and wants to try the chocolate spread. maybe they just like oreos, sans peanut butter. I like oreos. (also, you can’t stash eclairs in a suitcase.
olivia, staring at a series of freshly-baked custard eclairs and a collection of tupperware containers: ….do you think I made too much??
ramona: olivia, he’s – he’s just going to summer camp.)
ANYWAY, how do they realize they’re siblings???? like???? how do
do they have half pictures in this??????? I think that’s honestly going to be the easiest way
like, of course lemony and beatrice would have a wedding picture, and they are both absolutely extra and dramatic enough to have each other’s half
it probably is still a ‘sitting at a table, staring lovingly at each other’ sort of thing, lemony in a white suit and beatrice in a suitably extravagant but actually still somehow very low-key for her wedding dress (there’s a lot of tulle though, like………..layers of tulle………………………..), their color scheme flower-wise was red and white roses because like, what fucking else would they pick at that time (they are only JUST convinced by like, jacques, probably, to do red/white instead of red/black, beatrice personally wanted purple/black)
kit gave violet the picture of beatrice, because while she hasn’t spoken to beatrice since her brother’s divorce, she does think lemony and bea could stand to talk to each other
(although I headcanon kit as the kind of person to firmly forget about past romances and put them behind her THROUGH ANY MEANS NECESSARY this is not strict asoue canon, and she always liked beatrice, anyway. lemony and bea breaking up isn’t like kit and olaf breaking up, which, i’m not even gonna try and touch in this)
klaus found the picture of lemony when he was reading through anna karenina (beatrice forgot she put it in there when she let klaus read it) and figured immediately that it had to be his father, and he kept it (maybe he showed it to ramona, who was like, ‘yep, that was your father. goodness, I forgot how awful his hair looked back then.’)
they’re probably reading some book about geography (klaus is into geography at the time)
klaus: my mother says that for my birthday next year, she’ll take me on a trip to see the famous hinterlands sunset.
violet: my father’s shown me pictures, but he agrees that it’s a lot prettier in person, but he’s also not one for planes.
klaus: well, I don’t believe hinterlands are technically confined to one geographical area, i’m sure there’s more than just in california – here, i’m sure there must be more information in the index.
violet: when’s your birthday, klaus?
klaus: january 8th.
violet: !!!! that’s my birthday!
klaus: !!! that is an extraordinary coincidence.
I never said these kids were smart.
klaus: violet, what’s your father like?
violet: he’s kind of quiet, but he’s very kind. oh, I have a picture of him – well, sort of –
she pulls out from one of her own books a picture of lemony, from behind, sitting at his desk at his typewriter, absolutely no recognizable features present whatsoever
violet: he didn’t know aunt kit was taking the picture, otherwise he would’ve turned around.
violet: actually, even then he probably wouldn’t have? he insists he’s not very photogenic.
violet: what about your father?
klaus: i’ve never met him. he’s – my mother doesn’t talk about him much, but I got the impression that they divorced shortly after I was born.
violet: oh, gosh. i’m sorry, klaus.
violet: ….sometimes I think I get that impression too, about my parents.
klaus: i’m sorry too, violet.
and if this were a snicket novel, insert soft, gentle explanation about divorce and commiseration and finding kindred spirits in your friends and how sometimes love does not work out and the affects we don’t realize it has on the children who watch it happen or see the aftermath and are left with the gnawing wonder of what went wrong and how violet and klaus each wonder, a little, what the cause was, and it can be very lonely, at the end of the day, to know that even if you have one parent who loves you very much, there is someone out there who may not love you at all, and never got the chance to know you to love you, and an even deeper part of you that wonders – no matter how young you were – were you the cause of it?
violet: oh, but I – I have a picture of my mother, my aunt kit gave it to me – I have it in my suitcase
violet: /gets up to get the picture
klaus: I, I have a picture of my father, too, in fact I think it’s stuck in this book somewhere in the back, I didn’t want to forget it
and
as violet goes to sit back down with the picture of her mother, the half-picture of beatrice from her wedding day, klaus pulls out from the index the half-picture of lemony from his wedding day
and they are
STUNNED
to realize
this is, of course, the exact same picture.
there’s a lot of hugging and crying.
so they realize they’re siblings!!! and then decide try to figure out what the hell even happened with their parents, because now that they know they’re fucking related and still somehow wound up meeting each other they realize that there has to be some incredibly detailed story behind the reasoning for their parents splitting up and now they have not just proof but an actual opportunity to find out and maybe, just maybe, get their parents back together in the process!!! it worked once!!! it could work again, why not!!!!!
AND SO THEY DECIDE TO SWAP PLACES. (contrary to hallie having the idea, it occurs to them at the same time.)
meanwhile
for the past, say, YEAR, or so, bea has been seeing bertrand, a friend from her childhood (just narrowly managing to keep it from klaus BECAUSE it will involve A Conversation About Lemony and Commitment and Marriage and Things Not Working Out and Falling In Love With Someone Else and look bea is good at a lot of things but it’s a really heavy subject for her that even after eleven years she hasn’t quite figured out how to parse, so she’s really been putting off trying to explain all of that to klaus, in a case of her vastly underestimating her son [bea you see all the books he reads…….talk to your son]), and things are going well between them and they love each other a lot and!!! they decide to get married.
how do they meet up again??? bertrand winds up going to one of her plays completely on accident. he’s been on the other side of the country for years and years and he happens to go to napa and hears about this play happening and he’s like ‘well that sounds really neat!’ because bertrand had a short-lived theater career in high school and doesn’t act all that much anymore but appreciates a good play! who doesn’t appreciate a good play??
(bertrand played lieutenant frank cioffi in his senior year production of curtains to rave local newspaper reviews. bea, meanwhile, gave a stunning performance as carmen bernstein [esme wanted to be carmen so fucking bad and she’s never forgotten that bea got the role instead, and that would not even factor into this au even if esme WAS in this au] [esme was, instead, jessica cranshaw (if it was a small school she maybe doubled as bambi), ramona was niki harris, olivia played johnny harmon, olaf was…...daryl grady……..which pains me to write cause the guy I had a crush on in high school played daryl, josephine and ike played georgia hendricks and aaron fox, jacquelyn and gustav were head of stage crew, lemony supported them all from the audience – unless lemony was sasha????!!!!!!!! okay lemony was totally sasha.]) (wow I got unnecessarily invested in their high school drama club.) (IS THEODORA THE DRAMA ADVISOR?????? oh my god. oh my god she’d be so bad at it but so good. i’m dying.
theodora: snicket you need to FLOURISH your baton with MUCH MORE GUSTO
lemony: I am going to flourish this baton right up your –
bertrand: HE’S DECIDED AGAINST IT THANK YOU MISS MARKSON)
(hey you ever write a parallel that’s so good you hate it????? olivia is johnny. olaf is daryl.)
(I usually headcanon bertrand as two years older than bea and lemony but for the purposes of this au they’re all the same age – however bertrand joined drama club first, and I picture lemony as more of a band kid than a drama kid, they probably just pull him in for curtains.
was lemony drum major???? I want to say ‘hell no’ but I also want to say ‘most cryptic drum major ever, lead the most bizarre championship performance in the school’s history, somehow still won’) (I wonder what song it was to???? that right there is where my secondhand band knowledge conks out.) (but if I HAD to supply ‘bizarre, cryptic song for championships’ I would probably pick like, david lynch’s dark night of the soul or something, idk.) (but like, listen to it and just imagine it with marching band instruments……….i kind of like it. i’m kind of digging it.)
ANYWAY BERTRAND LOVES SEEING PLAYS and he goes to see it and he has NO IDEA bea is even in it and he’s like SUPER THROWN to see her but also???? really excited! it’s been eleven years!!! he can talk to her!!!! he finds her after the play and bea immediately drops whatever she was holding and is just like???? absolutely breathless to see him again (it’s been ELEVEN YEARS, cats. oh god no it’s been more like FIFTEEN YEARS since bertrand has seen bea cause they haven’t spoken since high school oh no that hurts even MORE). a giantass hug is involved. bea spins bertrand around. they make plans to see each other later. then they start hanging out, and they like, reconcile from their weird high school fallout and have a really neat relationship)
(so
the high school fallout
lemony and bea and bertrand were all delightful friends since they were kids (well, lemony and bea were, bertrand moved to town and joined their class when they were freshman in high school). they all had stupid crushes on each other, uggg. there was. an incident. at the end of their school escapades that resulted in a falling out with bertrand (maybe they had an idea of how they all felt and just couldn’t or weren’t ready to figure it out and it sort of. drove a wedge between them. not on purpose, it was just the way it happened to work out, with teenage emotions and refusing to talk about things and uncertainty. lemony+bea and bertrand went their separate ways after graduation, lemony and bea married right out of college, bertrand does his own thing, life goes on.) (maybe there was like some prom drama about who was gonna take who and who asked who first or something (at my junior prom, I was ready to kill the guy I asked who turned me down for that very reason). I mean that’s legit???? prom drama is incredibly legit. why is there so much drama at prom??????)
(honestly after going back and writing the production of curtains and remembering the (specifically romance-related) drama I witnessed happening among the drama club at my high school (I wasn’t in drama but I had a startling number of friends who were) i’m surprised they had the drama at prom and not in the middle of drama club, but i’m still going to stand by ‘prom drama.’)
(and I feel like it was prom drama of the type that’s like, low-key there and A Thing people think about but no one talks about or addresses so the whole night is real awkward and you worry something is gonna break out at any second but nothing does but you’re still obsessively on your toes about it. like, that simultaneously high-strung just-there high school romance drama angst that’s just this ever-present layer coloring everything that people say and do, hyped up specifically because it’s PROM. they probably all danced with each other and the dances were all cut short because of Feelings and Awkwardness and no one knew what to do, the whole damn night.)
and like, bertrand, going off to college and a little heartbroken but unwilling to try and do anything about it, is upset, but bertrand is also bertrand ‘sweetest man alive’ baudelaire, and honestly he wants them to be happy (bertrand is……..very non-confrontational……….and it is honestly his downfall, he likes to have fun and be nice and kind, and to acknowledge scary things is to actually deal with them and that scares bertrand so much, he buries a lot of things – so do bea and lemony, and in fact all of vfd, but in very different ways. bertrand has achieved a sort of Chill™ that bea and lemony just do not have) so he just goes on with his life, he does date other people but nothing ends in marriage, he becomes a librarian in maine and is actually only in california originally for a few months to help manage some of the collections at local libraries. then he runs into bea and he doesn’t like INTEND for a romance to happen (and neither does bea, which I also firmly stand behind for their canon romance too), he still planned to leave at the end of the few months, but it happens and bertrand feels a lot more secure in himself and his feelings about people than he did in high school and they really do love each other, a lot
oh he went to college for library science!!!! obviously lemony majored in lit and bea majored in theater and music)
(OH NO WAS BERTRAND AT THE WEDDING?????? oh no bertrand was not at the wedding. I mean he’s certainly invited but bertrand ‘sweetest man alive’ baudelaire is also bertrand ‘vaguely heartbroken, does not want to interfere, can actually honestly only take so much’ baudelaire and he says that he’ll be unable to make it. sigh. I want to say he sends a sweet wedding gift or even just flowers but man that makes me so sad to think about lemony and bea getting that on/around their wedding day and THEM being sad and i’m too sad now, bertrand does not send a gift. (he’s torn up about not sending a gift for some time. years later, walking through an antique shop, he is struck with the ‘Years Later But Still Feels Like It Just Happened And Oh Shit Why Did I Do That’ brand of Lingering Awful Anxiety™ about all that.)
HE DOES NOT KNOW ABOUT THE DIVORCE until he meets up with bea and she tells him.
bertrand: so how’s lemony????
beatrice: ahahhahahhahahhahhahahhahhahhahhahhahahaaaa!!!!!!
beatrice: ahahaha
beatrice: ahaha.
beatrice: …….oh you genuinely do not know oh shit i’m sorry
(I wanted so badly to put in my ‘bertrand and olivia were good cute friends and actually are penpals and like lemony and ramona’s ongoing card game they have an ongoing checkers game’ headcanon but it just. won’t. fit. in. here. cause why wouldn’t olivia have told him about the divorce???? I mean it’s bea’s thing to tell, NOT olivia’s, but to occasionally write to bertrand for YEARS and never mention she and ramona live with bea?????? I think that’s a little much.)
(does bertrand ever try and convince bea to reconcile with lemony???? I feel like at this point in his life he WOULD but bea would have very early on and very firmly vetoed that. and bertrand wouldn’t necessarily be happy about it but respects her wishes. not because he wants bea all to himself. but because bertrand is also quite frankly still. a little nervous re: navigating relationships. like he’s for sure A LOT BETTER at it now but like!!!! especially with lemony like bertrand is TERRIFIED of seeing lemony again. he really is. I think he thinks lemony blames him for stuff even though lemony does not. and I don’t want it to seem like bertrand’s……….just sort of swooping in and taking bea and not letting her talk to lemony????? cause it’s not that, it’s not that at all
they do really love each other
and just because bertrand’s grown as a person doesn’t mean he’s PERFECT
and bea certainly Does Not want to talk to lemony
it’s just, nick never mentions to meredith that hallie’s a twin and meredith HATES hallie and annie anyway, but bertrand does not hate kids and I just wonder, has bea told him about violet???????? like why wouldn’t she????????
so I mean yeah they probably have talked about it, and probably still came to the same conclusion, bea Does Not want to talk to lemony either, just, not right now, and yeah bertrand isn’t delighted about it but he’s like ‘alright, okay.’ because he still understands her reasoning and for all his talk he really doesn’t want to talk to lemony either
but it’s, I think it’s a thing, in the back of their minds, a worry that hits them sometimes, have they done something wrong, trying to forget)
(and this is why planning takes so much time because I always have so many stupid questions about characters)
(when bea and lemony were young and in college and extraordinarily drunk they would come up with new titles for bertrand, because they forgot they were trying not to talk about him
beatrice: bertrand ‘best hair this side of the mississippi’ baudelaire
lemony: bertrand ‘smooth hands’ baudelaire
beatrice: bertrand –
beatrice: wait do you mean like, his legit hands or like what he DOES with his hands
lemony, trying very hard not to think about Doing Things with Hands: ……..both
lemony: I definitely mean both
beatrice: good, I agree
beatrice: bertrand ‘i WILL dance the charleston and no one will stop me and I do not care’ baudelaire
lemony: bertrand ‘softest reading voice’ baudelaire
lemony: no no, wait, bertrand ‘BEST reading voice’ baudelaire, remember when he read ee cummings
beatrice: bertrand ‘i read lord of the flies and cried at the end’ baudelaire
lemony: oh bea are you complimenting him or being mean
beatrice: lemony I read lord of the flies and threw it out the fucking window when that kid killed piggy
beatrice: that was a compliment)
(ee cummings is because I have a scene in another fic where bertrand reads ‘maggie and milly and molly and may’ to beatrice and lemony and gosh…..i hope I get to use it at some point, it was a beautiful scene)
(they probably stop talking about bertrand like, sophomore year of college, idk, it just gets too hard and they become really miserable drunk nineteen-year-olds about it, and that’s not cool) (AT LEAST THEY HAVE THE WHEREWITHAL TO DO THAT)
ANYWAY, back to violet and klaus, who are still at camp and have decided to switch places!
ultimately, violet (like hallie) is supposed to find out how bea and lemony got together, and klaus (like annie) is supposed to find out why they broke up
violet cuts her hair (she’s a little bummed because she likes her hair but at least it won’t get in her way when inventing) and pierces klaus’s ears (klaus is so UP FOR THIS he’s very excited, also he keeps himself calm during it by telling violet the history of ear piercing) (these kids are either canonically very good at rationalizing or it’s just me radically projecting again…..or both), klaus practices wandering around without glasses (he bumps into EVERYTHING), violet practices how to fucking wear glasses and not die (she falls over EVERYTHING), of course violet already has an appreciation for books but she has to get the definition thing down (and growing up with lemony ‘a phrase which here means’ snicket left her with a pretty unorthodox idea of word meanings sometimes
klaus: so an optimist is someone who sees a positive side in any situation, like –
violet: say, if their arm was bit off by an alligator, a pessimist would say, “ahh! my arm!” and an optimist would say, “well, this isn’t too bad, no one will wonder if i’m right or left handed now.”
klaus: ……….what sort of person is our father
violet: he’s very specific about words.)
klaus has to figure out?????? how to invent on the fly????? (he’s seen beatrice macgyver a million things together but he’s still not sure how she does it) and the two of them teach each other about their lives, beatrice and lemony, ramona and olivia and kit and dewey and bernadette
violet: bernadette is really delightful, but you need to watch out for her
klaus: well, she is six years old –
violet: no, I mean, she can appear at a moment’s notice, and I don’t know who taught her how to pick locks, because I certainly didn’t and father can’t pick locks, but she can do it in under seven seconds.
(jacques taught her how to pick locks (he also taught violet). I don’t know where vfd fits into all this or if it even does in this fanfic but like, just try and tell me these guys don’t still act like absurd spies in any universe anyway.) (also I think lockpicking is, in general, a handy life skill, even if you aren’t living the absurd spy life.)
klaus: mother is, um
klaus: a little embarrassing
violet: how so?
klaus: she once scaled a ten foot wall because I forgot my lunch.
(ramona: hey so why did becoming a parent rob you of your top-notch secrecy skills?
[not necessarily, though, I mean, she does a great job scaling the ten-foot wall in complete secrecy. bea just, has a lot of love for her son, and is VERY OBVIOUS ABOUT IT, is the thing]
beatrice: ramona have you SEEN my son
beatrice: I will take a BULLET for him
beatrice: preferably in a non-critical area so we can hang out afterwards.
beatrice: but if I have to embarrass the shit out of him to make sure he eats, I WILL)
violet: father is the same way, a little. he keeps crying on the first day of school and I don’t have the heart to break it to him that I might be too old for that.
klaus: mother calls encouraging phrases from the car, which I think she does to prevent me from walking into school too fast.
violet: you know, they really sound like they were made for each other.
(lemony and bea, like, separately, are such legit disaster parents and I love them, they love their kids so damn much.)
the last day of camp comes, and it is time for them to officially swap places – violet goes to beatrice, klaus goes to lemony!
klaus recites book themes to himself the whole plane ride to england to keep himself calm because he’s trying not to think about how worried and excited he is!!! he’s going to meet his father for the first time!! truth be told, he knows pretty much nothing about lemony, even after talking to violet!!! IT’S A LOT FOR ANY KID TO TAKE IN, to suddenly think ‘yeah this was a good plan – oh fuck’
anyway, he meets kit at the airport, because kit is there to pick up violet. (kit and violet do not have a secret handshake. they have, of course, dart-throwing contests. of course that doesn’t make sense in an airport, but whatever. that’s their thing.)
why does kit pick klaus up at the airport instead of lemony??? I mean kit is in martin’s role but she’s NOT martin, you know, she’s lemony’s sister and definitely does not wait on him, but she does drop violet off at camp anyway, although in the movie that’s to prevent elizabeth (and nick) from showing up until the kids switch for Maximum Emotional Impact, but like lemony is obviously not THAT fucking busy he can’t pick up his own daughter
I had the thought that like kit is maybe his manager (on the side, otherwise she has….god some other job)??? does that work for a writer???? i’m a writer and I don’t even know. whatever. and kit maybe scheduled a reading that day by accident months in advance and couldn’t change it, or it runs long, so she has to get violet (klaus) from the airport
(moxie is still his editor, only she lives way out of town and they send angry emails to each other all the time about his work)
also ties in with hallie’s scene where she looks at elizabeth’s vanity and says she’s super cool about the wedding dresses cause I love that scene a LOT and I want klaus to think his stupid dad’s cool!!!
kit: violet, I am all for the beginning of your teenage rebellion with this new hairstyle but I should inform you that your father may just die.
klaus: you think he won’t like it??
[read: YOU THINK HE WON’T LIKE ME]
kit: he’ll probably come around to it. he’s still at his reading, do you want to surprise him?
klaus: !!!!!!
klaus: yes!
the reading is huge. I have no damn idea what lemony writes in this au, definitely not danhan’s stuff cause it’s not his vibe, but he still writes the picture books (although there are YEARS between them irl he wrote the composer is dead and the dark for bernadette before she became, in her words, Too Old For That Sort of Thing although she still secretly really likes them and reads the dark every night before she goes to bed. bernadette, in contrast to babybea, is fucking terrified of the dark but tries to like rationalize it out by thinking through the science of light or something, and then by just rereading the dark), oh he probably like, okay so he can’t just write asoue but he probably writes some other great children’s book series with the same sort of writing style and moral discussion, and the picture books
and violet told klaus he wrote stuff and bea like…..knows he does and refuses to talk about it but reads ramona’s copies in the middle of the night (and then has to stop doing that cause it bums her out too much), but klaus has no idea about it or how good it is and he’s so impressed, sitting at the back of this giant giant theater, and klaus loves books, he loves them with all his heart, and to sit there and see his father, for the first time in his whole life, doing something that klaus thinks is so incredibly cool
klaus: wow.
okay, so, the damn relief and happiness on lemony’s face when he sees kit and klaus
has he been imagining terrible airplane accidents for the past week? weeks? MONTHS??? yes he has.
he sees them once he gets offstage and immediately runs at this child (or, at least, definitely fastwalks.) and sweeps klaus up into this giant giant hug
klaus is!!! overwhelmed by the amount of sheer unadulterated love in this hug oh no i’m crying
putting aside that he’s pretending to be violet, this is the first time he gets a hug from his father and even if lemony thinks he’s violet klaus is still the one getting the hug and it’s just, a lot, man, it’s a lot, that scene in the movie where elizabeth hugs hallie is exactly the vibe right here god it’s so fucking sweet
lemony: oh, goodness – what happened to your hair?
klaus: I – I cut it. do you –
lemony is in the process of remembering that scissors and haircuts exist, he’s a little blindsided here
lemony: no, no – haircuts are things that happen, at one time or another, to all of us.
lemony: i’m just so happy that you’re back.
he just. hugs klaus again. god I can’t handle how much lemony loves his kids. klaus is really emotional and I’M really emotional I have to move on
on the ride home (kit is still driving)
lemony: so how was it at camp?
klaus: /frantically thinking of how he’s going to pull off something violet would say now that he’s HERE and has to act like her and decides to just be honest and hope it comes out okay
klaus: I had a lot of fun; the outdoors are incredibly pulchritudinous.
lemony: /thoroughly convinced that the outdoors has finally instilled violet with a greater poetic sense
I NEVER SAID THEIR PARENTS WERE SMART EITHER
do you know how wild the plot of this movie really is, when you get down to it, parents not recognizing their kids wtf have I done
violet can act pretty passably as klaus, but klaus, even employing beatrice’s acting techniques, just can’t act. but the one who finds him out is bernadette, like half an hour after he gets home.
[you can tell what scenes originally started this outline because they’re actually written like scenes, this was one of them]
[bernadette stares at klaus with wide, curious eyes over the top of her book. “you’re not violet,” she says.
the bottom of klaus’s stomach drops clear out. “what?”
“violet doesn’t squint when she’s confused,” bernadette says. “she frowns and puts her hair up. and it’s something she’s used to doing, so even if her hair was cut, she’d still reach for a ribbon, out of habit. you’re klaus. shouldn’t you have glasses? mother says aunt beatrice wore glasses.”
“how – how did you know about me?”
bernadette rolls her eyes. “i know everything,” she says loftily, for a six year old. “i can read, after all.”]
bernadette is the best kid. so I love babybea so much but babybea in canon is like…..still very on point but very quiet about it, because she’s grown up with really so little interaction with people????? she’s like a really subdued kid because she’s had to be so independent and do so many things herself. and she’s got her firm, almost unshakable optimism. so bernadette is still very quick and clever but a LOT more precocious about it and pretty boisterous for six years old and just. even more like kit than babybea is. her optimism is a little more…..sharp in this. I don’t think she understands embarrassment, as a thing that people experience, because she sure doesn’t. she’s just like, ‘well why don’t you just try again??????’ and it’s so great to see that inherent commitment to existence in a six year old
(an important sidenote from my bernadette headcanon list, though, is that she really does just read everything. she reads cereal boxes and magazines and reports and all the papers on lemony’s desk and really just absolutely anything she can get her hands on, and she’s easily bored so she goes looking for stuff sometimes and she’s good at putting things together, so that’s how she knows about klaus.)
[“i’m not gonna tell anybody,” she says. “i wanna see what happens. uncle lemony’s kind of lonely, you know? and aunt beatrice – when they talk about her – always sounded really nice.”]
bernadette makes it her MISSION to help klaus act more like violet and cover for him as much as she can
bernadette: you need to walk different
bernadette: and hold yourself a little taller
bernadette: here, keep this wrench in your pocket, violet likes wrenches
bernadette: and this ribbon!!! she didn’t give you any????
bernadette: oh, make sure you stare off into the distance while eating and think about machines or something
klaus: how do you notice all these things???
bernadette: ?????? doesn’t everybody?????? she’s your sister, you two didn’t follow each other around to try and pin down how you act????
klaus: …..do you do that, bernadette
bernadette: regularly. I can impersonate anyone’s footsteps. except my mother’s, because I think she keeps wearing different shoes on purpose. i’ll show you sometime.
so, armed with This Random Wrench and a lot of acting details that he can’t process very well, klaus HANGS OUT WITH LEMONY
so klaus spends a lot of time in the library in lemony’s house (which also doubles as lemony’s office, it’s big enough that he and violet can take separate corners and know each other’s there but not run into each other if they don’t want to (especially good for klaus pretending to be violet because no one has to see him TOTALLY FAIL AT INVENTING)), and it has so many books and klaus is so thrilled
klaus has to try and bring up bea and find out how they met, only, DISCREETLY
[gosh this one is a lot harder without “so doesn’t designing all those wedding dresses make you think about getting married again?”, especially because the truly spectacular “f word” line doesn’t make sense with lemony but what can you do]
he probably goes up to lemony while lemony’s at his desk because klaus figures, the easiest way could be to relate to something on the desk
AS purposeful narrative coincidence LUCK WOULD HAVE IT lemony is looking for something in his desk and you know lemony keeps the most inconsequential things and has accidentally dug out his plaque for ‘one semester of cheerleader participation’
klaus, immediately thrown by this news: you were a cheerleader?
lemony: mm? oh, my, I forgot about that.
he smiles at the plaque and dusts it off and my heart is m e l t i n g
lemony: yes, in high school. I wasn’t the only boy on the team, as a matter of fact. a – a friend of mine did it with me.
klaus: why were you on the cheerleading squad?
lemony, trapped in this conversation now: well – your mother was on the soccer team. I was not what you would call athletically inclined at the time, so I joined to support her.
klaus: !!!!!!!
klaus: my – my mother?
this was a fact he did not know about beatrice, as a matter of fact
lemony, realizing that children are going to be curious about their parents and, well, okay, it’s been eleven years, I probably won’t see beatrice again (ahahahahaha.), and my child deserves to know: yes. she was very good at soccer, among other talents, although she didn’t last very long in her soccer career.
klaus: why not?
[if this man was PAYING ATTENTION he would have noticed for sure that klaus is much more straightforward than violet.]
lemony, remembering that time beatrice launched herself across the soccer field and accidentally tackled the assistant coach and dragged him through the mud: she and the coach disagreed on some of the physical aspects of the game.
klaus, dying to hear what lemony’s going to say: what was she like?
lemony, immediately remembering the details of their divorce but also a series of Shenanigans from their school days that he should never repeat to anyone, then resolving to be kind about it: very charming and resourceful.
lemony: she had a great deal of verve.
lemony: I see a lot of it in you.
klaus is touched, I’M touched, god fucking dammit
klaus resolves to leave it there and decides to dig around lemony’s desk later for other things about bea and lemony when lemony isn’t looking
which he promptly does, that night.
klaus sees his typewriter and pictures of kit and jacques and there’s probably one of ramona (in a drawer) (sorry, ramona.) and in a secret compartment in the desk is a pic of bea (maybe one of bertrand too?) (definitely one of bertrand too) and some letters from bea (klaus recognizes her handwriting)
(watch it be something like, some stupid candygram she sent him for valentine’s day that says dear lemony, [the content of this candygram has been censored by the school administration] love bea!!!!!) (bea gets detention for a week for the content of the candygram.) (the second candygram gets through but it’s only because bea writes it so thoroughly in code that the school administration, at a passing glance, cannot see how raunchy it is. but also very heartfelt. it is genuinely heartfelt.) (so of course he has some from bertrand too. because bertrand sent everyone a candygram. they’re all so friendly but so sweet and so cute and bertrand’s just breaking my heart in this whole fic I love him so much) (they’re stuff like, i’m so happy we’re friends! happy valentine’s day! i made sure this candygram doesn’t have anything that will conflict with your peanut allergy! like some fucking NERD and i’m SOBBING) (because you know bertrand was on student council and helped with the candygrams, bea and lemony were definitely not on student council)
(bea: what gets me is that they still sent it!! they censored my loving sonnet about your ass but they still sent it!!!!!!
bertrand: I guess nothing stops true love?
lemony: or, nothing stops beatrice mariner. [you’d have to kill me before I conceded to ‘beatrice kornbluth.’ anyway one of kornbluth’s pen names was mariner so that’s my compromise.])
klaus thinks the candygrams are so fucking embarrassing and also had no idea his mother was capable of such language but then again, no, she is, but he also thinks they’re charming and evidence that lemony still has feelings for beatrice, if he kept them!!
he’s, intrigued, a little concerned, but not very worried about this mysterious picture of a strange man and his own candygrams, although klaus concedes they too are very sweet.
MEANWHILE, back in california
bea is so so so so so excited to pick up klaus (not knowing it’s violet) from the airport, like she manages to sit still for most of the wait but in the last half hour she just sort of bounces around the airport and buys a series of irritating, tasteless teas (“fuck this tea is so bland yes i’m ordering another one, ramona, don’t judge me”) and reads the same newspaper over and over again and when the flight comes in she’s ECSTATIC, MY GIRL IS BOUNCING ALL OVER THE PLACE
she’s the kind of like……...vaguely silly but a little (a lot) overprotective (?) parent
like beatrice is the one SHOUTING AT THE TOP OF HER LUNGS WHEN SHE SEES HER KID CAUSE SHE’S SO THRILLED, she’s just very vocal about how much she loves….
[I actually rewrote some of bea in this (or, changed the amount of capitals I had her using) because, like, bea is delightful and charming and very smooth but she’s also got such passion for life, she loves to be delighted and she loves to laugh, and she’s so smooth and sarcastic but like!!!! I love beatrice when she’s having a good time, but I got worried that she was leaning too silly in this which. irritated me.
like, in canon I feel like she is incredibly mischievous but once she gets married and has kids, she’s still very on point and loves her kids very openly but she becomes a lot more straight-laced because she’s so intent to protect them, so much so that I think she loses a little of that mischievousness. but considering the fluctuating capacity of vfd vibes in this au, I think she is a little more…….loose in this. the other thing about bea is that her veneer of perfection is her best acting job of all time, and divorcing lemony and being a single mother and raising klaus puts a big dent in that and makes her even more determined to try and wring as much joy out of life as she can without letting people know how much she has to deal with]
violet, upon getting off the plane and seeing beatrice: oh.
beatrice: look at youuuuuuuuuu LOOK AT YOU!!! you’ve got everything??? all your limbs???? nothing broken????
she says all this while like running straight at violet and patting her down and then giving her the biggest hug of all time. violet is engulfed in this hug and!!! she thought her father gave tight hugs but this is something else
I think lemony puts a lot of warmth in his hugs but beatrice puts this endless amount of joy, along with love, into her hugs, and violet’s life up until this point has been very low-key and surrounded by adults who excel at deadpanning their dialogue so this is!!! very strange but very exciting!!! because violet herself also has this very bright enthusiasm that other people in her family don’t have the same way she does so as much as it’s so different to meet beatrice it’s really cool!!!!!
[for the record, bertrand’s hugs exude safety]
re: pierced ears
beatrice: oh, ramona and olivia are gonna be real upset.
beatrice: they definitely wanted to be involved in your first rebellious teenager act.
beatrice: then again, so did I??
violet: doesn’t that defeat the purpose of a rebellious act?
beatrice, going in for a side-hug: …...i missed that snark so much
does beatrice have a dog???? she’s really not a dog person. neither are ramona and olivia (dogs scare olivia. in fact, most things scare olivia. the toaster scares olivia. she’s so nervous and I love her.) (it’s less of a josephine fear and more of a ‘please leave me alone!!!’ sort of startled fear, is how I see it)
if there is a pet, ramona and olivia have a cat that olivia named annabelle, and she’s a sweet, all-white cat who loves cuddles. she does not even care that violet isn’t klaus. she’s just like, ‘this person has arms!! this person can cuddle.’ annabelle is the best, most chill cat. (although I headcanon that bea is allergic to cats – but that was just cause I was allergic to cats, and now that i’m not allergic to cats????? GUESS IT’S FREE REIN NOW) (anyway the cat is still ramona and olivia’s.)
so bea has to introduce klaus (violet!) to bertrand, and, oh, bea
she really has been putting this conversation off for quite some time, and she decides to just, go for it, as she’s driving violet home
beatrice: klaus, there’s, there’s someone i’d like you to meet
violet: who?
beatrice: an old friend of mine. we’ve been talking recently, and he means a great deal to me, and if you don’t like him, then that’ll be it, but – I really want him to be a part of our lives, klaus. I know it’s a big change, but I’d like you to give him a chance.
violet is REALLY, REALLY THROWN HERE because she and klaus are supposed to get their parents back together!!! this isn’t supposed to happen!!! this is supposed to be a happy ending without this NEW CHALLENGER (UNACCEPTED!!!!), how is she supposed to ask about lemony now???????
violet: oh, um
violet: well, I would like to meet him
she resolves to be HARD AND UNCOMPROMISING when she meets bertrand, but, well, then she meets bertrand fucking baudelaire. bertrand ‘sweetest man alive’ baudelaire. bertrand ‘just desperately wants to make a good impression on his fiance’s son’ baudelaire. god I love him. what a guy.
especially because bertrand really does just want to make a good impression, and he knows klaus is into geography right now so he brings this absolutely impressive atlas as a gift
not as an attempt to bribe klaus into liking him, but to show that he’s supportive of his interests!!!!
bertrand, sweetest man alive, shaking violet’s hand: i’m so excited to finally meet you!!
violet, blindsided by the sweetest man alive: oh, thank – thank you. it’s very nice to meet you too.
bertrand: I heard you were into geography, so I brought this atlas for you! I hope it’s alright.
violet, holding the biggest, heaviest atlas she’s ever seen in her life: oh. that’s very kind of you.
they spend some time looking through it because it has so many cool details
he stays for a while and then bows out gracefully because he cares so much, hello i’m dying, and then beatrice asks violet what she thought
violet: I –
violet: I liked him a lot.
beatrice: are you sure? because I swear, it’s fine, klaus, if you’re uncomfortable, it’s absolutely okay, it’s –
violet: no no! it’s fine!
[read: IT’S NOT FINE]
violet: I have this….atlas, now.
beatrice: you could kill a man with that.
violet: probably! I probably could.
beatrice: ….so it’s okay?
violet: ….it’s okay, mother.
[read: IT’S NOT OKAY BUT WHAT ELSE CAN SHE SAY HERE] [hey you know when you take out how much of an awful person meredith is you are left with a lot less humor in this situation.]
beatrice: I don’t know what I did to deserve a child like you, klaus.
cue good, squishy hug.
[personally I cannot fathom marrying someone else and having twins and raising one of them and not trying to have a relationship with your other child because you didn’t want to work things out with first spouse, but I never said I myself was smart either, in what I chose to write (I NEVER SAID I TOOK THE EASY WAY OUT)
anyway, I do think when bea says that, she thinks about it for a second
that (as far as she knows) this is klaus, she’s known him his whole life, and she had so little time with violet and maybe she would be sweet and clever too and she doesn’t know
she doesn’t know!!!!!!!
and it tears her apart for a split second that she doesn’t have everything and before she can let it eat her alive she shoves it down and forgets about it like she does with everything else and just, moves on] [time is a scary thing – if this much time has passed, what can you do? do they care? is it easier to do nothing or does that hurt more? does it even matter when both parents know their kids don’t know about their sibling or their other parent (or as far as they know at this moment)??? does that possibly make it even a little easier????] [anyway.]
because of bertrand – or, not necessarily bertrand, but more, ‘wedding shenanigans,’ but also, yeah, bertrand – violet also spends comparatively little time with beatrice
she wants to dislike him on principle, but can’t because he’s just???? so nice!!!! he talks seriously to her about her parents and about her (well, klaus) and really wants to get to know her (well, klaus) violet is begrudgingly impressed. violet thinks klaus would be really impressed too. but she’s real worried about what means for lemony and beatrice
especially since they did this not only to get their parents back together but to spend time with the opposite parent, like!!! violet has spent practically zero (0) time with bea to get to know her!!!!
so she holds off for a little bit and just genuinely hopes bertrand will somehow be less nice
this is hard, when bertrand helps bea make dinner ever night (klaus was VERY EXPLICIT that beatrice allows NO ONE in the kitchen when she’s cooking so there’s that) and he talks so damn OPENLY to violet about being a presence in her life
bertrand: klaus, I hope you don’t think i’m intruding in your life.
violet: I understand where you’re coming from when you say that but remarriage is in fact a part of life that occurs with some frequency.
[not only death and taxes, but haircuts and remarriage….]
violet: mother said you were an old friend, though?
bertrand: yes, we went to school together.
violet: if you don’t think it’s too rude of a question
violet: you strike me as the type of person who would have had a high school sweetheart and I am perhaps a little concerned that you didn’t marry my mother earlier.
inside, violet is cringing but it’s a very klaus line.
bertrand: !
bertrand: oh, well, we didn’t date each other in high school.
violet: ! you didn’t?
bertrand: no, there was –
bertrand has been. avoiding these feelings for some time. but he’s so struck by them that he has NO poker face in this situation
bertrand: – it just didn’t work out at the time, that’s all.
but fuck violet is absolutely stunned by that look on his face
she’s never seen someone look so heartbroken before and she is, concerned, but that’s mostly ignored in favor of the sheer stress of the situation
and violet does actually get kind of angry!! about bertrand being such a good person!! she starts to get really frustrated!!! like I picture this happening over, maybe a week
she hates that she can’t tie her hair back and her thoughts are all jumbled and that she has to wear glasses and she misses her dad and she loves beatrice a lot but NOTHING IS WORKING OUT LIKE SHE WANTED IT TO
and she has to wear klaus’s glasses and keeps taking them off when she’s sure no one’s looking to rub her eyes man I want to give this kid a hug
but she also wants to make her mom happy!!! fuck this is a mess
violet: he’s been – a lot kinder than I thought he would be.
beatrice: yeah, he has that effect on people.
beatrice: when we were in high school, we called him “bertrand ‘sweetest man alive’ baudelaire.”
beatrice is viscerally reminded of Being Drunk In College and tries to shrug it off
however, violet, growing up with two detail-oriented snickets, does not miss a single thing
violet: we?
beatrice: oh, you know – nicknames, nicknames stick, klaus, everybody calls everybody things!!
violet: it just sounded as if you were….
violet: /casts around for the correct grammatical term, she’s committed, but comes up with nothing because hell even I don’t know, apologies to my grammar professor from college
violet: ….using ‘we’ to mean just you and someone else and not necessarily lots of people.
beatrice is actually vaguely suspicious to hear Less Technical Grammar but chalks it up to the situation
beatrice: well, I mean, we had friends, of course – ramona and olivia!! that’s!! that’s who i’m talking about!! that’s all!!
violet remembers that ramona gave klaus his half of the wedding picture, and klaus told her what ramona said, that ramona didn’t like lemony’s hair at the time, and violet’s done the math, she knows how old lemony and bea are and that she and klaus were born not long after they left college, and with this sudden but persistent reluctance to talk about An Additional Person from high school from both bea and bertrand, violet is terribly suspicious that there could, in fact, be much more to this than she initially thought
beatrice: don’t forget, we start looking at hotels for wedding reception venues this week, okay?
violet: okay.
so, that night, violet, now alerted to the possibility that there could be a connection between bertrand and her father, and also DESPERATELY HOPING THERE IS ANYWAY BECAUSE THAT WOULD CAUSE HER SO MUCH LESS STRESS, goes digging
she grew up with bernadette for the past six years (and has also seen lemony create giant information webs to map out books), VIOLET KNOWS HOW TO GET INFORMATION AND PUT IT TOGETHER
she starts looking for yearbooks – they all went to the same school, for years, they have to be somewhere, but violet can’t find anything in the library, or ramona’s studio, or olivia’s office, or beatrice’s hiding place (the kitchen), and then looks through their desks for papers or plaques or photographs or anything that could give her a hint (nope)
if there is one thing she’s learned from bernadette, but also her father, it’s that the best place to hide something is usually in plain sight, which leads violet back to the library, pulling out boring-looking books to see if anything is stored behind them or in them (still nope)
this leads to violet CLIMBING THE BOOKCASES to reach the top shelf because adults are taller than her and put things on high shelves
and lo and behold, there it is, the senior year yearbook.
violet has a HEART-STOPPING MOMENT in the downward climb (which she’s doing one-handed anyway) where she almost steps on annabelle who she hadn’t realized was sleeping on a shelf and violet is TERRIFIED but annabelle, chillest cat in the world™, just yawns at her and picks a different shelf
annabelle is no sammy.
so, curled up in a library chair, violet finds not only pictures of beatrice and bertrand and lemony in the yearbook, but also a giant section of papers that fold out from the back cover where apparently lemony had more than the average length of a yearbook comment to say to her
violet, vaguely skimming this hardcore romantic comment, incredibly used to her father’s verbosity: yes that sounds about right.
and she finds a (significantly smaller but still lengthy and painfully heartfelt) signature from bertrand nearby, that definitely reads as a guy in love
but she’s still not sure how they feel about each other now, like a few yearbook signatures are no indication of how a person feels over eleven years later, so she’s still nervous about this and decides to sleep on it
this takes the whole night, violet is exhausted in the morning
now re: chessy unpacking hallie’s (annie’s) suitcase in the movie, it’s not that ramona did the same, but when doing the laundry earlier she did notice this weird amount of ribbons stuck in the lint filter/in pockets/pant legs/sleeves
and she barely even thinks anything of it at first and asks olivia and olivia has no clue and she’s not asking beatrice because beatrice has so much on her mind and ramona’s like ‘….hmmm,’ and goes to talk to klaus (violet)
ramona: hey klaus, I keep finding ribbons everywhere and I just wondered –
violet, in the process of running her hand through her hair cause she’s tired and processing a lot and misses being able to tie it: /JUMPS
violet: oh
violet: bookmarks, i’ve been using them as bookmarks
[actually violet has a million ribbons because lemony never wanted her to be without one, and it was so natural for violet to bring them with her she just legit forgot she wasn’t supposed to have them, like hallie with cuppy]
ramona, vaguely concerned: ….yeah, your mother used to do that
ramona: anything wrong with your hair?
violet: oh, no, not at all!
ramona: everything….going okay?
violet: yes, absolutely!
[the thing about violet acting as klaus though is that she can get like his speech patterns down but her own natural cheeriness still shows through in the places where klaus is in general quieter]
this is gonna get discussed right after this but ramona knows violet ties her hair up to focus because lemony told her in a letter, years ago
so ramona frowns and walks over to her and ties her bangs back with one of the ribbons, and violet just so visibly relaxes
ramona, incredibly emotional: oh
ramona: violet?
violet: ….yes.
ramona: so I can’t necessarily abide by breaking up a marriage but HECK YEAH i’m down for helping you reunite them. beatrice got me in the divorce and it’s very irritating just writing to lemony, which he actually hasn’t done for a while, now that I think about it.
violet: why don’t you just visit him? i’m sure he’d love to see you.
ramona: he makes me send the letters to a post office box. I do not know that man’s address.
violet: ……...that sounds about right.
(bea still does not find out until the hotel shenanigans, though.)
(I love ‘beatrice got me in the divorce’ like that’s fucking hilarious, cause I picture ramona as lemony and bea’s best friend so when they aren’t together it’s like…...well, what happens to ramona???? WHO DOES RAMONA HANG OUT WITH?? WHO GETS CUSTODY OF RAMONA)
(but also like, wtf lemony and ramona write to each other and bea never finds out???? I mean ramona was their best friend so like yes I think they do keep in contact but then does ramona never tell lemony about klaus????? and for them to write to each other and ramona to get these letters and BEA IS IN THE SAME HOUSE??????? I can’t tell if this is just angsty or poor thinking through on my part
but like ramona has to know for the reveal scene here to work out right, otherwise she’d never guess specifically violet
unless I rewrite the scene, but? nope. i’m committed to this ribbon reveal. I like it a lot. fuck it.
THIS WAS WHY I TOOK OUT BERTRAND AND OLIVIA AS CUTE PEN PALS auuuuuggggggg
I don’t know I mean. it is weird and stretching this (already shenanigans-filled) fic a little but. I don’t think it’s the WORST illogical thing I can stick in here. and they are friends, they can write to each other, just, yeah, probably not a lot and they actually probably don’t talk about the kids a lot, cause then lemony would know about both kids and since r wouldn’t tell bea she was writing to lemony bea wouldn’t know anything at all about violet and THAT’S what’s not good (although r telling lemony about klaus is cute i’m gonna have to nix it here. no can do.), so yeah r probs never brings up klaus and lemony rarely brings up violet, he probably only mentions the ribbon thing back when she was really really young because of how much it reminded him of bea and lemony was One Sad Man in his twenties trying to cope with the emotional reality of raising a child that reminded him of his wife and needed to tell someone
that is a lot of weight on ramona though and she doesn’t say anything but lemony apologizes for bringing it up in the next letter anyway and actually after that they probably talk a lot less cause it’s hard on both of them)
(writing is hard! writing is hard.)
ramona: so what’s your plan now?
violet: first, I have to make a phone call.
VIOLET CALLS KLAUS, keeping in mind the concept of time zones a little bit better than hallie and annie
violet: so, it turns out that mother is engaged????
klaus: engaged????? to who?????
violet: this man named bertrand, and, honestly, klaus, he’s such a nice person, he brought me, well he brought you, an atlas –
klaus: oh. that is very nice.
violet: it’s the sort of atlas you could probably use to incapacitate a reasonably-sized adult.
klaus: wow.
violet: and mother said that apparently she knew him when she was younger, and they get along so well, but –
klaus, remembering the picture he found with the extra candygrams: wait
klaus: is he sort of tall, and thin, and blonde
klaus: and sort of, idly optimistic
violet: yes! although I would say more….calmly steadfast
klaus: hmmm
klaus, trying to describe bertrand’s facial expression in this picture: disarmingly kind?
violet: humorously honest?
klaus: I think father has a picture of him in his desk!
violet: !!!!
[myth: confirmed!]
klaus: and some notes from high school from mother and him!
violet: !!! klaus, based on some other things i’ve found, I think all of them might have had feelings for each other.
klaus: !! that makes a considerable amount of sense here. if they all still do, that could make this much easier.
violet: but we won’t know for sure unless –
bernadette: who are you two talking about???
klaus: BERNADETTE
violet: bernadette, are you on the extension again
bernadette: well why wouldn’t I be?
bernadette: it sounds like you guys are talking about bertrand.
violet: how do you know who bertrand is?
bernadette: dad talks about him all the time???
bernadette: well, not when uncle lemony’s around
bernadette: he sent dad that book of poetry that mom immediately burned
bernadette: the elephant guy?
violet: …….oh, now that you mention it! that’s right!
klaus: wait why did your mother burn the book
violet: aunt kit has very little patience for certain poetry.
klaus: she doesn’t like john godfrey saxe??
violet: it’s a big deal, it’s best not to get into it.
violet: look, I think what we need to do is get everyone together and sort this all out.
violet: we’re scouting hotels this week for the reception, you can come here and meet up with us at one of them!
MEANWHILE, kit finds bernadette on the extension, for an honestly longer than usual length of time (bernadette does eavesdrop regularly), and also klaus on the phone in general (and violet rarely uses the phone, like, as a phone. usually she’s taking the phone apart), and really, nothing gets past kit fucking snicket. (you know kit denouement does have a great fucking ring to it, but as I said before, just try and tell me she didn’t insist on keeping her maiden name when she got married.)
so she goes and finds klaus and hears the end of the above conversation and is like ‘oh shit, they totally switched on lemony and bea, what badass kids’
[what if she tries to corner bernadette first
kit: bernadette, I didn’t know you knew anyone to call on the phone.
bernadette, without missing a fucking beat: I called the international operator to ask about time zones, but she caught me up in a conversation about soap operas and whether or not their use of sudden death is considered theatrically cathartic or not.
bernadette: I told her it happens way too often for it to be cathartic.
kit is too impressed to counter her. kit loves her daughter so fucking much.]
so then she sort of shows up in klaus’s doorway when he goes to leave the room after the phone call, arms crossed over her chest
kit: is there something you’d like to talk about?
kit can be outrageously intimidating but kit is also, actually, a pretty good parent
kit, significantly more gently: just between you and me, klaus.
klaus: …..maybe.
kit: come on, let’s go for a walk. you can tell me all about it.
klaus: it’s a long story.
kit: well, good, I like long stories.
klaus: are you going to tell father?
kit: don’t you think you should tell him?
klaus: do you think he’ll be upset?
kit: oh, not at all. more with himself than you, anyway. once, violet was responsible for wiping out the electricity of the whole city, and he gave her two slices of cake for dessert and said he should’ve bought more books on electrical wiring.
lemony is appropriately concerned and horrified and thrilled to see his son, like, oh my god, but the moment is taken over by the urgency of the situation because klaus says he has something to tell all of them that cannot wait
[forgive me for not writing that one out.]
klaus: so it seems like mother is getting married
lemony: oh
lemony: well
lemony: like haircuts, marriage – marriage comes to all of us, at some point –
klaus: to bertrand?
kit, lemony, and dewey: /STUNNED, DEAD SILENCE
kit: oh my.
dewey: what are the odds?
lemony: I think I can die now. I believe i’m ready.
bernadette: why don’t you just go see them and work this all out???
lemony: bernadette, I don’t know if life works like that.
bernadette: uncle lemony, you’re going to ruin all my bright-eyed optimism.
dewey: sometimes I think I didn’t have anything to do with you at all, bernadette. I think you just sprang, fully-formed, from your mother’s head.
kit: don’t be vulgar, dewey. ….thank you, though.
kit: but really I don’t see any other way to sort this out than by going to see beatrice and bertrand.
[this was one of the very first conversations I wrote for this and I am still very attached to it, even though I find dewey so hard to write, I haven’t yet figured out how I think he functions with these guys, especially kit, which I should maybe have done sooner but, what can you do.]
[also I feel like it just makes more sense in this for them to KNOW bea is engaged]
[I’m putting this in here because honestly……….in the movie once elizabeth realizes the switch she does not spend nearly enough time hugging hallie constantly or getting to know her, I get that seeing your ex-husband for the first time in eleven years is A Lot but YOUR DAUGHTER WHO YOU HAVEN’T SEEN IN ELEVEN YEARS AS WELL IS RIGHT FUCKING THERE] [also makes up for not writing klaus revealing himself as klaus, i’m so sorry.]
lemony: klaus?
klaus: ?
lemony: I – please don’t think that I didn’t love you. because I do, and I have thought about you every second of every day, I promise you. and there are many things that I should have done as your father, and many things that I cannot make up to you, but I want you to know that whatever happens with this, I have always loved you. and I am sorry.
so i’ve always pictured that klaus (besides looking reasonably like bea anyway, in any universe) gets angry like she does, and bea gets that sort of like, quiet cool hatred that turns into full-blown shouting really quickly and she will pull no punches and just fucking give it to you!!!!! and klaus has some sort of version of that and like look I put a lot of thought into ‘adult problems fucking over small children as those adults fervently avoid those problems’ when I wrote babybea so like
man, of course klaus can be angry at his parents for like???? never trying to work things out???? this is the first time in almost ten years he’s seen his father and his sister and he has an aunt and an uncle (and another uncle he hasn’t even seen!) and a cousin he never knew about because of lemony and bea being stubborn and stupid and recklessly young!!!!! I think violet is honestly less mad about it (well, she gets a little mad about it later on, but like, being raised by lemony, she has this weird way of trying to rationalize things while feeling really guilty about it, but that’s scenes away from right here – or she just? maybe internalizes it more.) but klaus is like, he’s not totally angry but like, as himself, face to face with lemony, lemony talking to him like a parent and about klaus and not about bea or violet or shenanigans or anything, like, yeah, he’s a little angry that it’s just….taken this long and that lemony and bea are so stupid
klaus is an angry crier. and an angry hugger. so that’s what he does.
like it’s hard to suddenly have a relationship with a family member whose never….been that to you before or made themselves available like that or just generally been there at all, and as much as I want them all having a good time, bea and lemony have some shit to work out with their kids
THEY HAVE A GOOD HUG, IS THE POINT
and I want to say that like they spend some time together after this and…….yeah they probs do it’s just gonna be weird re: the previous paragraph so…….maybe they just sit around and read and occasionally point things out to each other, that sounds chill and legit, doesn’t ask a lot of either of them
SO, that brings us to, later that night, when lemony can Officially Panic
kit: so
kit: you seem a little tense, brother mine.
lemony: I am NOT going to break up a marriage between two loving people who care about each other and happen to have incredibly pleasant facial features and are two people I myself still care about a great deal despite not having seen either of them for a lengthy amount of time
lemony: we’re only going to switch the children back, and I will talk to beatrice, about something, and I don’t have to say anything at all to bertrand, and that’s going to be it. that’s all. nothing beyond that.
kit: that would be a more powerful statement if you weren’t packing every single fancy tie you own.
lemony: really.
lemony: we’re not going to think any more into this.
lemony: that’s all we’re going to do.
lemony: which tie should I wear?
kit: well, definitely don’t pick one of the ones you’re strangling in a death grip.
(hey, where is jacques in this??????????? wish I knew)
(he’s probably regularly out of town, maybe he happens to call home and bernadette is the one to pick up the phone and she’s like “we’re going to see aunt beatrice, I think we’ll be back in a week or something?” and then immediately hangs up because dewey calls her for something, and jacques is left, miles and miles away, standing in a phone booth and wondering if, perhaps, he should maybe visit his siblings more often so they don’t go tearing off to california
jacques: kit what the hell is going on
kit: what, didn’t bernadette tell you?
lemony: ask him what tie I should wear
kit: we’re embarking on the adventure of a lifetime, jacques, it’s your own fault that you decided to go out of town this weekend, I really don’t know what to tell you
lemony: ask him what tie I should wear
kit: /sighs
kit: what tie should your brother wear
jacques: the one with the single blue stripe, it brings out his eyes, what are you two doing
kit: really, jacques, you need to pay more attention
kit: lemony, he says the one with the blue stripe
lemony: oh, good. tell him he’s a lifesaver.
kit: lemony says you’re a lifesaver, although I have yet to see real proof of this, however I will consider changing my mind if you happen to bring me a souvenir. please remember that I could use a new set of nice, engraved fountain pens. also our plane is leaving soon and we need to pack, so bye, loser
jacques: ………………….
jacques: what did I do to deserve this)
(jacques, in any universe, is eternally pained by his siblings)
this being a rehearsal dinner brings it very close to, you know, an actual wedding date, and the thing is, I have planned a completely different wedding-related fic, weddings are EXPENSIVE AND, YOU KNOW, TIME-CONSUMING, PLANNED IN ADVANCE, ALL THAT SHIT
but the whole reason there’s a wedding in the parent trap in general is because, if meredith and nick are just dating, there’s no commitment, marriage means COMMITMENT and A TIME CONSTRAINT and meredith wants his fucking money
so yeah bea and bertrand ARE engaged and planning to get married and plans have happened but the idea of this being so close to the rehearsal dinner makes me sad about all those ‘yeah i’m gonna have to cancel’ phone calls someone is gonna have to make, which is, well, pretty silly, but still, I Hate feeling uncomfortable esp when reading things like that (or even just, thinking of them in advance)
and that is why they are scouting hotels for the reception. (don’t ask me where the denouement is. I do not know.)
so bea + co get to the hotel first, and the only people who know lemony + co will be there are violet and ramona
ramona, hanging back to talk to violet while bea and bertrand and olivia (she has a good eye for decorating.) go ahead: do you know what you’re going to do?
violet: well, I thought maybe we would just
violet: all bump into each other?
violet: and go from there??
ramona thinks that’s an exceptionally courageous take on this and that, yep that girl sure is bea’s daughter
[yeah bea still has NO IDEA ANY OF THIS IS HAPPENING ramona is A+ at keeping secrets
meanwhile, sometime later-
olivia: you didn’t tell me?????
ramona: olivia, I love you dearly but you can’t keep a secret to save your life
[oh, yikes, re: legit asoue canon]
olivia: ……..okay, you have a point.]
it is at this moment that lemony + co arrive, and bertrand, who had backtracked for a moment because he realized he dropped a pen, immediately runs into dewey, who had stopped near the door to examine the hotel brochures and ambiance in more detail (you can take the boy out of the hotel but you can’t take the hotel out of the boy)
[based on penultimate peril, I always thought bertrand and dewey were very good friends and had bonded over absurd poetry, and, of course, based on kit burning the poetry book, are still in contact – there’s much less of a sense of forced distance between bertrand and dewey, because dewey’s just lemony’s brother-in-law and bertrand was friends with dewey first so they’re still good friends but like most adults they have a hard time committing to keeping in contact regularly especially with the distance and haven’t physically seen each other for some time]
so they bump into each other –
bertrand: dewey!!
bertrand: it’s been ages, what are you doing here, how are you!!!
[dewey denouement, much in the way that olivia caliban can’t keep a fucking secret, cannot fucking lie.]
dewey: oh, um
dewey: you know
dewey: hotel conference!!
dewey: kit wanted to travel!!!!
dewey: we’re traveling FOR a hotel conference!!!
dewey: WHAT DO YOU THINK OF THESE CURTAINS, BERTRAND
bertrand: ……..dewey, you’ve never been very good at lying.
dewey: no, no I really haven’t.
dewey: forgive me for everything, bertrand.
bertrand: you might have to be a little more specific.
beatrice: bertrand, have you – dewey??
dewey: oh no
beatrice, remembering dewey and kit are married, suddenly battling sheer terror the likes of which she has never experienced: how….how are you
dewey: I could be better. I could definitely be better.
beatrice: is kit here?
bertrand: I believe they’re here to look at the curtains.
dewey: we’re definitely here to look at curtains.
beatrice: ….they don’t have curtains in england
dewey, grasping at straws: not….like these….?
MEANWHILE back at the ranch, lemony backtracks outside because he dropped a pen, narrowly missing three adults awkwardly talking about curtains
olivia: beatrice, we’ll be late for the wine tasting if we don’t go soon.
beatrice: oh – well, dewey, it was….nice to see you
dewey: please, go enjoy your wine.
bertrand: /waves good-bye!!!!
klaus and bernadette, hiding behind a nearby ficus, because bernadette thinks fast and has her own specific idea about how this should go and it doesn’t involve her relatives meeting again because of her father talking about curtains: wow.
violet: /narrowly avoids getting swept up into the wine tasting, darts for the elevator to try and locate klaus + co
MEANWHILE back at the ranch, upstairs, in their hotel room
lemony: why did I think I could do this
lemony: how do I approach a couple here to scout locations for a wedding reception?
kit: ….you approach them
dewey: don’t talk about curtains, maybe.
lemony: i’m not – dewey, what do curtains have to do with this?
dewey: trust me, just don’t talk about them.
there is a knock at the door. lemony has seen death. this is it, for him.
anyway, it’s violet.
klaus: violet!
violet: klaus!
awkward sibling hug sincere sibling hug!!
violet: klaus, please take your glasses back.
klaus: oh, thank you. my spare pair just doesn’t feel the same as these.
lemony: violet!
now, seeing the two of them together, he can absolutely tell the difference between them. ain’t that just the way.
lemony hugs his daughter like she’s going to disappear right out of his arms and then hugs klaus for good measure and he has to try and ignore the true roller coaster of emotions that puts him through and then tries to look very stern.
lemony: i’m not disappointed in the two of you but I cannot believe you switched on your mother and me. that was very….
lemony is not good at being angry at his children, he has no real concept of it.
lemony: ….clever. it was very clever.
violet and klaus are very proud but find it in themselves to try and look a little chagrined. they don’t do it very well.
violet: father, you really need to talk to mother.
klaus: and bertrand.
lemony: both of you know about bertrand??
klaus: you and mother are very transparent about him.
MEANWHILE back at the ranch, at the wine tasting
ramona: what do you think?
beatrice and bertrand, equally lost in thought about the presence of dewey, the implied presence of kit, and the possibility of the presence of lemony: hm??
bertrand: oh, yes
beatrice: wine
beatrice: /downs entire glass
beatrice: /sets down glass
beatrice: not that one.
bertrand, who has been holding the same glass for the past twenty minutes and has no idea which wine that even was: definitely not.
MEANWHILE back. at. the. ranch.
lemony’s children have such boundless courage (I have hurt myself so many times while writing this fanfic with the occasional too-on-point line and this in particular wounds me these kids are so strong and so important and won’t take no for an answer compared to their parents and get the chance to get their parents to FIX THINGS and oh no i’m gonna cry) and have dragged him downstairs to the lobby, with the INTENTION of having him run into bea and bertrand
lemony: this is not going to work out –
violet: nonsense!
klaus: it’s going to work perfectly.
meanwhile, bea and bertrand leave the wine tasting
bertrand: ….did we come to a conclusion, about the wine?
beatrice: no, I don’t think so.
bertrand stops by the bathroom to wash his hands for something to do as he’s consumed with thoughts (not about wine), beatrice is in a daze as she goes through the lobby, violet notices her but sees she’s not with bertrand and decides she has to stall
violet, rushing over, purposely trying to block beatrice’s view with varying success: mother, how was the wine tasting?
beatrice: oh, it was –
did you remember violet gave klaus his glasses back?
beatrice: klaus, what happened to your –
and, well.
beatrice looks at her so hard and processes kit and dewey being here and then it fucking hits her like (forgive me. forgive me so hard.) a harpoon to the chest
beatrice: ….violet?
violet: yes.
beatrice: but – how –
klaus, appearing next to her: it’s a truly fascinating chain of events we’d like to tell you, but –
hey! beatrice is stunned and horrified! and grabs her daughter into a hug, knowing now that it’s her daughter and has been this whole time and!!!! she feels so awful with herself for not noticing but is also trying to not make a big deal out of it and startle violet by sobbing uncontrollably on her shoulder but beatrice is simultaneously devastated and filled with so much love and she’s for sure going to break apart now
beatrice: and klaus –
she’s hugging them both now, it’s very good.
beatrice, in tears: you two are lucky you’re so cute
violet: mother, there’s someone we’d very much like you to talk to.
beatrice knows somewhere in the back of her mind that it’s lemony but is also not even thinking of lemony because, her children
klaus: /tries to wave lemony over
lemony: /trying and failing to hide behind a ficus, have you seen a ficus, have you seen lemony
violet: /ALSO WAVING
beatrice can’t miss that for the world.
beatrice, while turning around: what are you two –
imagine, if you will, lemony snicket trying to hide behind a potted ficus that hits about mid-chest.
also imagine, if you will, two people who divorced over eleven years ago, still have too many feelings about each other, split up their children for their stupidity, have been trying to avoid the knowledge that both of them are there for the past hour, and are now confronted with the reality of their lives right in front of them
…….besides the ficus.
lemony, stepping out from behind the ficus: hello, bea.
this is a headcanon i’ve long held, since I first started writing asoue fanfic, but, bertrand and lemony say ‘bea’ differently, especially in canon, like particularly in canon, so it’s like less so here but lemony still says her name with so much love, and bertrand says it with love too but lemony has known beatrice for so so long and here they are after years apart and here he is saying her name again, and he never ever ever expected to say it like that again, he never even DREAMED of saying it to her again, but it’s real
beatrice: lemony snicket.
violet: as nice as this is for us –
klaus: – we’re going to allow you three the time you need to discuss assorted events.
at this moment (of course), bertrand reemerges.
bertrand: bea, I –
he sees violet and klaus rushing off, looking delighted, and bea and lemony standing there still trying to process words, and then there’s bertrand, frantically thinking ‘abort mission, ABORT MISSION’
because. the way they turn and look at him, in tandem, like they did all the time in high school, immediately makes bertrand feel like they’re there, back in high school, back at prom, here’s the two absolute loves of his life standing in front of him and bertrand is filled with delight but also fear because, here it is, they all have to deal with it now
(all of them are thinking that, the three of them, standing there, there is not a single trace of jealously but instead there is so much love and regret and it’s, heart-wrenching)
and here is where he loses all his Chill™.
bertrand: you know what, i’m gonna – go –
bertrand: /trips over a chair
lemony: oh –
beatrice: bertrand!
bertrand: totally fine, still alive, i’m – they have such a nice gift shop, you know, i’m – i’ll be there
bertrand: /high-tails it practically out of existence
beatrice and lemony: ….
lemony: he – he still has a very nice running form.
beatrice: yeah, I think so.
lemony: well, bea
lemony: or does everyone call you beatrice now?
beatrice: no, no, bea – bea is fine. bertrand still calls me bea.
[beatrice starts to laugh. “it’s – man, it’s funny, isn’t it?”
lemony smiles at her. “what is?”
“i’m going to marry your high school crush,” beatrice giggles, “who’s still – still in love with you.” she stops. “you know, that’s actually really not as funny as it sounded in my head,” she says, frowning.]
they have dinner!!! and talk. about. stuff. do violet and klaus recreate the night lemony and bea met or the wedding or something????? idk honestly. like at least they didn’t get married UPON MEETING I MEAN LIKE COME ON (although somehow that is very them, but, come on, this backstory is good and solid and I love characters that grow)
maybe they just pool their allowances and give their parents a banging night out (which is pretty much just. dinner.)
beatrice: I see that cut on your forehead healed up nice
lemony: yes, anna karenina left very little lasting damage –
both: – except to anna karenina.
they pause, and then just, fucking burst out laughing, this is a horrible old joke for them that they made up when they were in school because anna karenina was the biggest book either of them owned (neither of them were particularly interested in war and peace) but was somehow sort of light and if you dropped it it really didn’t do much damage, which they thought was funny re: the size of the book and the subject matter
beatrice throws it at lemony during the fight that ends with their divorce and it’s the first time it actually hurts something
lemony: so, how is bertrand
lemony: I don’t think i’ve seen him since – well, since before the twins were born.
beatrice: oh, he’s – he’s doing really, really well. he’s a librarian, and – we keep joking about how many more books klaus and I will be able to read. lemony, he’s got the magazine editions of hammett –
lemony: w h a t
lemony: does he even have the –
beatrice: yep. he has the unfinished story. i’ve seen it.
lemony: I knew I liked that man for a reason
THERE IS SUCH A WEIGHTY PAUSE.
lemony: that is, hammett, obviously. I mean, the continental op is one of the quintessential fictional detectives, and hammett’s novels –
beatrice: you did like him, didn’t you
beatrice: when we were in school, you looked at him the same way you looked at me.
lemony: oh, no
lemony: I looked at you with a rapt adoration and I looked at bertrand like he was a puzzle I couldn’t solve. I have that on good authority from my sister.
beatrice: oh, right, right.
lemony: ….but I did, didn’t I. I did like him very much.
lemony: I don’t think anyone disliked him.
beatrice: that wasn’t quite what I asked, lemony.
lemony: ….what do you want me to say, bea? that I saw him there, with you, and couldn’t even find it in me to be jealous because the sight of you two together made me so unbelievably happy that I forgot how to breathe? that I – that I wondered, for a moment, if, twelve years later, we could – if I –
lemony: ….i don’t believe this conversation is supposed to be about bertrand.
beatrice: …….no, I – I suppose not.
lemony: that day, when you asked me to leave –
beatrice: you mean when I shouted at you to leave.
lemony: I was trying to be kind.
beatrice: lemony, I for sure shouted at you.
lemony: no, bea, I – I thought things would be better if I left. if you didn’t have to put up with me, because you clearly didn’t want to. and I didn’t make it easy for you, back then. there were many things I overlooked about both of us, things I hid from both of us, things I should have talked about with you. and I didn’t.
beatrice: ….oh.
lemony: I thought that loving the person that I wanted you to be was enough for the person that I wanted to be. obviously, it wasn’t, because you asked me to leave and I left. I never even looked back.
beatrice: ….lemony, I don’t think anything would’ve been enough for either of us. I asked a lot of you, too. I didn’t want you to see anything bad about me, and you didn’t, but the longer we were like that, the more I just – the more I really hated you for it. you just saw what you wanted to. and, well, what I wanted you to. I think I kind of hated me, too.
beatrice: sometimes, I think, what would’ve happened if we’d stayed together and I don’t know if I like that either. not that it was – okay, what we did. because it wasn’t. and we might’ve changed or we might’ve fucked up even worse, I don’t know, and i’ll never know.
beatrice: but lemony, seeing her now, I regret every single second I haven’t spent with her because of it.
lemony: I know.
beatrice, who’s a little angry cause she hates when lemony says that to her and her temper gets away from her: do you?
lemony, who’s just regretting all his life choices and knows he fully deserves beatrice’s ire: ….i’ve missed so much of his life.
beatrice, voice breaking: ….yeah.
man, these are some really miserable parents.
beatrice: we should – I don’t know, you know, what we’re gonna do, with – us – but we should – they, they should see each other. we can’t do that to them again.
lemony: I agree.
beatrice: you know, we have some pretty clever kids. I would never – okay, maybe, but I don’t know – have had the balls to switch places with someone on the other side of the world.
lemony: we do, don’t we?
lemony: I know we didn’t do a great deal right, but, maybe we did, with them.
beatrice: ….yeah, maybe we did.
beatrice: not every day two people have kids like ours.
lemony: …….can I be honest with you, bea?
beatrice: …okay.
lemony: i’m glad they switched places. i’m – i’m glad I got to see you. and bertrand. and you.
beatrice: i’m glad you came, lemony.
[all these conversations starring two people steadfastly trying to avoid that they are still in love with each other but also trying to really acknowledging they have Real Problems, brought to you by one (1) woman struggling to get two characters to talk about their problems but also the idea of introducing a third person into their already rocky relationship, don’t mind me just casually dying over here, this was harder than I thought]
beatrice, feeling the weight of this conversation and knowing they done fucked up in the past but also desperately wishing she and lemony could go back to where they were before only better and just trying to figure out where they’re gonna go from here, girl’s doing her best here, and you know what, so am i: so, um
beatrice: fuck, marry, kill
beatrice: continental op, nick charles, sam spade.
lemony, going through incredibly similar emotions: ….
lemony: do you want me to give my virtue to one man and then marry another
beatrice: why do you always take this game so literally
beatrie: I am banging nick charles, but I am marrying the continental op for job stability, and I am killing sam spade where he stands
lemony: bea, no, you can’t just kill sam spade like that
lemony: how about, I take the continental op to dinner, I have a pleasant night with nick charles –
beatrice: I like that we’d both fuck william powell.
lemony: we’ve both seen william powell. no one wouldn’t.
lemony: but sam spade, though, I don’t think it’s so clear cut as all that –
they’ve really!! grown a lot!! they’re really trying to talk this out!!! a little, at least!!! be adults!!!! talk like they didn’t eleven years ago!!!!!! they’re so stupid and they’re trying so hard!!!! my kids………….
this is definitely not the only conversation they’re gonna have about this, like it’s Good that they’ve said this but there’s. a lot more they need to talk about and will probably talk about, just not right now
anyway, LATER –
the continuing saga of two people Not Talking and then Talking About Certain Things and then Inadvertently Talking About The Things They Didn’t Want To And Not Quite Realizing It
lemony: at the hotel
lemony: you, ah, said something about bertrand
beatrice: !!!!
beatrice: ooo, we are talking about him, hmm?
lemony: bea.
beatrice: fine, fine. yes, that he’s still in love with you.
lemony: is he really?
beatrice: I think he is.
beatrice: you still didn’t really answer me before, when I asked if you still felt the same about him.
lemony: ….does it matter, if you’re going to marry him?
beatrice: of course it matters! i’m not – i’m not marrying bertrand to, prove a point or anything, or – say I like him better than you, I – i’m marrying him because I, I love him, but I don’t – that’s not all there is to this.
beatrice: I mean, we didn’t get divorced because of bertrand, that was all on us, but – seeing both of you, sometimes I feel like – maybe – we – maybe we could’ve made it work. not if we had bertrand, but with him. now.
beatrice: and, and that’s a lot, to ask you – I know – it’s a lot to ask both of us, especially after everything, but – do you?
lemony: ….bea.
beatrice: lemony.
lemony: ….i feel that, in the interest of the past eleven years, we should perhaps talk to him before I make a concrete decision about that personal feeling.
beatrice: well, that’s – that’s a wise choice.
they are, quiet, for a while
it’s a lot to think about, you know?? there’s a lot to this
lemony: …….but I think I do.
beatrice: you think you do?
lemony: I think I do.
beatrice: I think I do, too.
there is a little more silence because they’re like ‘!!!!! well that’s SOMETHING REALLY BIG TO THINK ABOUT’ especially because they haven’t like totally committed back to a relationship with each other and there is!! still!!! so!! much!!!! but, they’re thinking about it now, and they’re, sort of floaty-happy because it’s like, wow, wow, this is a possibility, they can
maybe
push it, a little, and see what happens, maybe maybe
lemony: well, you should, you are marrying him.
beatrice: shhh, you are ruining the rhythm.
lemony: I think –
beatrice: you think?
lemony: it’s been known to happen.
beatrice: mmm, I don’t think so
[it’s hard to tell because there’s generally very little concept of outside action/feelings when getting down scenes this way but these few lines are supposed to be v cute and soft and just the tiniest bit flirty]
lemony: trust me, I have had many a thought.
beatrice: well, I think –
lemony: you think, now, do you
beatrice: I do indeed, lemony snicket.
[god. lemony wants to kiss her so fucking bad. beatrice wants to keep teasing him until he does kiss her. they’re very close. he just. smooths her hair behind her ear and takes a step back.]
lemony: I think we should talk to bertrand.
beatrice: yeah. we should. we should probably do that.
MEANWHILE.
I want bertrand to bond with these kids with all my heart so that’s what fucking happens while bea and lemony are dealing with their problems
they play a rousing game of scrabble. it’s usually a game I give the snicket siblings because of their vicious playing styles (which is just based on me and my brother playing scrabble) BUT I love scrabble a lot and I think it’s super cute if bertrand hangs out with violet and klaus and they play board games, it’s distressingly endearing to me, violet trying to sneak in names of inventors on the board and klaus being insistent on following the rules of the game and bertrand trying to come up with a sufficient compromise
bertrand: okay, so, last names are allowed, but only if you can also include the first initial, initialisms by themselves are not allowed, and foreign words and phrases are on a case-by-case basis, providing I can translate it and you’re not trying to put down something inappropriate.
klaus: what about scientific names?? can I put down binomial nomenclature
violet: hey how do you spell binomial
klaus: b-i-n-o-m-i-a-l
violet: oh, how neat.
violet: /puts it down on the scrabble board
klaus: ….
violet: :)
bertrand: it looks like you can put down binomial nomenclature.
bertrand: but yes, I will allow actual nomenclature, klaus.
klaus is deathly quiet for the next few turns until he manages to put down nomenclature. (which I think is achievable, with enough luck.)
klaus: actual. nomenclature.
violet: so that’s how it’s gonna be, huh
bertrand: okay, references to previous conversations are no longer allowed, let’s try this again
eventually they stop playing the damn game and come up with their own wildly specific set of rules for playing scrabble, and bea and lemony come back to a lot of paper and a lot of scrabble tiles and violet and klaus sitting on either side of bertrand on the couch, helping him write this rule list
and bea and lemony want to comment about how they’re not even playing scrabble, but watching bertrand interact with their kids and be so soft and patient with them is the most distressingly heartwarming thing they’ve seen in a long time
they both have the immediate thought of ‘holy fuck I wanna kiss that man,’ which is followed by ‘holy f u c k maybe a relationship between all of us could work’
lemony: bertrand.
bertrand: ?
lemony: could we talk?
there is no camping trip! instead we got NEARBY HOTEL SHENANIGANS and THREE PEOPLE ON A DATE AT A LOCAL FAIR, TRYING TO FEEL THINGS OUT
imagine your average carnival-fair sort of thing with Rides and Games and Absurd Amounts of Cotton Candy and That Super Salty But Still Real Good Popcorn
bertrand and lemony arrive first and bea specifically gets there late so bertrand and lemony can actually talk, because honestly this is the only time I can see in all this that these two would be able to talk to each other uninterrupted
and they all know they’re there for the weirdest date ever but bertrand still feels the need to clear the air
bertrand: lemony, I don’t want you to think that I was waiting your marriage out or anything, I didn’t even know you two weren’t together until last year, and I didn’t even intend to see bea, it just happened on accident –
lemony: bertrand, it’s fine.
lemony: beatrice and I aren’t married anymore, you don’t have to explain anything.
bertrand: ….sometimes I feel like i’ve wanted to explain everything to you, for the past fifteen years.
[bertrand ‘breaking my fucking heart again’ baudelaire…….]
bertrand: that’s – silly, isn’t it.
lemony: no. I don’t think so.
bertrand: I never got the chance to say it. well, actually I don’t think I ever let myself say it, because I had plenty of chances! especially at prom, I could’ve changed everything! but you and bea were so – I wanted you two more than anything else in the whole entire world, but I didn’t want to hurt you two or what we had. I think I did, though.
bertrand: and, and I really shouldn’t blame myself or anyone for these stupid mistakes that happened when we were just kids, because we were just kids!
bertrand: I mean, we’re right here, right now, and i’m – i’m really looking forward to this, lemony.
[lemony, much like me, is momentarily dazzled by how fucking genuine bertrand is]
lemony: so am I.
lemony: ….i kept those candygrams you sent me when we were all in high school because they were remarkably sweet and I treasure them dearly
bertrand: !!
lemony is so nervous and I love him and you know when you get nervous and you just sort of spill weird secrets to people, especially when it’s the person you like???? that’s that
they look at each other for a moment and then start laughing and it’s the kind that starts kind of soft and then they’re just rampantly giggling and being dorks and I love them both so damn much okay
and because they haven’t regularly seen each other in you know fifteen years they spend some time. talking about their lives. there’s a lot of things they don’t know about each other!
lemony and bertrand like make a vague show of trying to win bea some prize and they suck and they stand to the side and talk while bea wins herself a prize and she runs back over to them and just looks so proud of herself, winning this…….thing (it’s very much “i don’t know if it’s a duck or a panda, but I want one.”)
lemony: is it a…….hmmm
bertrand: ….those are cat ears, right
beatrice: what, no, they’re wolf ears
lemony: it has webbed feet, though
bertrand: it’s a platypus! oh, no, not with all those feathers.
lemony: it could easily be a duck, I suppose
beatrice: BUT THE EARS
bertrand: a penguin!
lemony: a grackle
bertrand: a goose!
beatrice: THE E A R S
lemony and bertrand share an obnoxious amount of cotton candy, and honestly it’s the date they all should’ve had in high school, a date that would’ve changed everything, and man, they’re having so much fun and maybe they could do this, lemony has never been so happy and bertrand is just this ball of delight and, it’s really beautiful, and beatrice is for sure thinking that and she’s having such a good time and she’s so happy
but then
she thinks, what if it DIDN’T change everything, what if they all got together in high school and tried to make it work and really fucked each other over, would they have been able to do it?? what really would’ve happened??? and they’re adults now, they’re better people but they have so much more to think about, there is so much more at stake now and beatrice is fucking terrified about what could happen, all of a sudden
and she’s been terrified for years about all the terrible things that could happen to klaus or her or ramona and olivia and even their stupid cat and she’s still trying to hide it so well and she does, she’s happy and creates such a good life for her son but she is so scared and she can’t keep running from it anymore by being impulsive or silly or shouting all the time, she has to face the reality of the situation that she really has to think this one through, what all three of them are going to do about this
she and lemony still have so many problems, and they both know that, they all know that!!! they aren’t going to solve them right away!!! and with bertrand there, maybe it’ll be harder!! maybe it won’t be easier!!! not that bertrand immediately makes things easier, in any universe!!! but especially here!!! you know!!! what if they don’t talk about anything because he’s there??? what if they avoid talking about everything so much in trying to be happy that they irreparably fuck them all over??? it’s been so long since all three of them were together, what if they can’t do this!! what if their kids don’t like them together, what if none of them can get along??? suddenly there are a lot more variables to this, and seeing it happen, bea is struck by everything they’re going to have to fix and all the ways it could go wrong and it’s not good
beatrice: …..what are we doing?
beatrice: and – and what if it doesn’t work out, this time?? what if we all try this and we can’t do it??
bertrand: do you think that little of yourself?
beatrice: no.
beatrice: i’m thinking about, what if I break my kid’s hearts, even worse than I already have? I can’t do that, not to them.
and, they get it. they love each other so much but this story isn’t about just the three of them anymore.
bertrand and bea decide not to get married. and even though they all know they still love each other, lemony and bea have violet and klaus to think of, so they all decide it would be for the best to go their separate ways.
violet and klaus are not happy, by any means. they are not happy to pack up all their stuff and know that nothing is going to work out, and it hurts, a lot, man
klaus, picking up his books: I really respect our parents and their chosen additional life partner but don’t you think they can be a little…..
violet, jamming her toolkit into a suitcase: stupid?
klaus: I was going to say stubborn
klaus: but stupid works too.
so they all say good-bye :( lemony, violet, kit and dewey and bernadette go home. (bernadette’s real upset no one got back together. she hides it well but she just sort of crams herself into her seat on the plane on the trip home and is just super bummed. I love this lil kid.) (I fondly remember when this outline was nowhere near over 20k and was just a short little thing and bernadette’s scenes just monopolized it….)
the thing I love about bea raising klaus is that, and I also feel this for canon too, klaus gets so so much of bea’s anger and short temper
like violet is a lot more calmer in the take no shit category but klaus will, like his mother, flip a table
klaus: mother, that was the most foolish thing you’ve ever done and you know it
beatrice: !
beatrice: don’t you – don’t you use that tone with me, klaus
beatrice: I am your mother
klaus: and you’re just going to let my father and my sister walk away from us???
beatrice: I – it’s more complicated than that!
klaus: how??
beatrice: klaus, would you want me to risk this, everything we have, on the off chance that your father and I could maybe sort out our differences?
klaus: you didn’t seem to have that many differences!
beatrice: there’s a lot of things you don’t know, klaus!
klaus: then tell me! you’re the one who’s always telling me I can do anything, and I just think it seems pretty rich of you to decide that that doesn’t apply to you, or that I don’t get to know everything about the people who are supposed to be my family!
klaus has a point, here, and beatrice realizes that, so she decides IN THAT INSTANT that, okay. fine. it’s time to do something about this and she can do something about this.
SO SHE GOES TO BERTRAND
bertrand: bea, what –
beatrice: I can’t – look, I can’t do this to my kids either, okay, I can’t keep them apart anymore, what – why did I think that was such a good idea in the first place??? so I wouldn’t see lemony?? so I wouldn’t work things out between us, because we were fucking kids when we were together and, and I sacrificed my relationship with my daughter because I was so petty and selfish, and i’m doing it again, bertrand!! i’m letting myself do it again after everything we all talked about because i’m so fucking scared but I – I can’t do this to myself, you know? I want – I want things to work out this time. with all of us. I want to make it work and i’m going to make it work and i’m going to go get my daughter and lemony, and I want you to come with us, if you want to come with us.
klaus, leaning out of the car window and shouting at beatrice and bertrand, who are standing on the steps of bertrand’s place: if I may interject, the plane we intend to catch does leave in half an hour, so you two should maybe hurry up a little
klaus: not to ruin your moment or anything!
bertrand, desperately: I want things to work out, bea, I do. but what if you were right and we can’t –
beatrice: i’m right about a lot of things, bertrand baudelaire, and i’m right about this.
bertrand, nodding and trying not to smile too much: ….okay. okay.
MEANWHILE
violet: ….are you mad at me?
lemony: what – violet, I could never be mad at you.
violet: but I – I went behind your back, and I tricked both of you, and I wasn’t even thinking about what you wanted, it – it was just what I wanted, and that wasn’t okay, I shouldn’t have interfered with you and mother at all, I feel so awful –
lemony: none of what happened was your fault, violet. not at all. it was mine. i’m sorry that I kept so much from you. it was incredibly unfair to you, and to klaus. I should have told you a long time ago.
violet: I never got to ask before, but why did you and mother get divorced?
lemony: ….we were very young, and very impulsive. and, also, incredibly scared. that’s not a good combination when you’re trying to make a life with someone.
violet: you two seemed to get along a little better, now.
lemony: well, eleven years is a lot of time. you get older, and you realize the mistakes you made in your youth could’ve been dealt with a lot more easily than you previously thought. you realize you were….
violet: stubborn?
lemony: stupid.
violet: what made it not work out, this time?
lemony: you also realize there are more important things to think about than yourself and what you want.
violet: !
violet: father, I didn’t want you to –
lemony: it wasn’t your call to make, violet.
violet: but it was yours about whether or not I get to see my brother? you were only thinking about what you wanted, too!
lemony: ….
violet: ….that was rude of me, i’m sorry.
lemony: no – don’t apologize, violet. please.
violet, still very angry but also just sad and concerned about how lemony has, in the intervening time between these two conversations, said very little: I thought bertrand was nice.
lemony: bertrand – bertrand is very nice.
so they get back home.
lemony: what would you like for dinner?
violet: I don’t think i’m all that hungry, father.
lemony: no, neither am I.
and lemony just sort of, wanders into the library with his hands in his pockets, because he’s somehow more miserable than he’s been in quite some time, and he’s expecting to just sit around and stare at his typewriter and not get anything done for the rest of the night or really for the foreseeable future, and the library is filled with so many books and so much stuff but it feels so empty to him now, and lemony himself feels empty and horrible about everything and he just stares at the floor without really seeing anything at all
AND THEN
klaus, sitting in one of the library chairs: father, did you know that the concorde gets you here in half the time?
[I just kept the line. I thought long and hard and could not for the life of me think of any other jazzy lil line.] [although yes sadly the concorde no longer exists]
[hey, if lemony and violet are here, and kit and dewey and bernadette were with them on the plane, who’s driving the bus who let bea and bertrand in the house???? cause in the movie it’s gotta be the grandfather
jacques, who had stopped at lemony’s house hoping that he could catch them before the flight but obviously not catching them, who stayed to water the plants: /exiting the house
beatrice, careening out of a taxi: JACQUES HOLD THE DOOR
jacques: !!!! beatrice?? what are you –
bertrand: we’ll have to tell you later, there’s no time!
jacques: bertrand????
klaus really only has time to wave.
all three of them: /BOLT PAST JACQUES INTO THE HOUSE AND SLAM THE DOOR SHUT, leaving jacques out there in the street
jacques: ……….]
anyway
lemony, STUNNED: klaus?
violet, dashing into the room because she heard her brother: klaus!
klaus: ideally we would’ve figured this out before you left, but when you did, we were not completely happy about it.
lemony, still trying to collect himself: you –
and there’s bea and bertrand, standing there, real as anything! really there!! in his library!!
and lemony walks towards them, because this isn’t a matter of, chasing anyone, it’s all of them coming together like this
beatrice: this is gonna work. the three of us, this is gonna work.
beatrice: what do you think?
and the thing. about lemony. is that what he wants more than anything else in this whole fucking world. is a family. particularly in canon, being separated from (reasonably dead) parents and growing apart from his siblings and losing those connections to people, he so desperately wants something that’s his and his own and that he can keep stable by himself
and I think he still feels that way even in whatever fucking world of an au this is, and of course he wants to be with bea and bertrand and to have klaus and violet because he loves them but he is also massively craving that stability of having his own family and like really having it this time, not fucking it up because he’s young and stupid and just as impulsive as bea
THE POINT IS THIS IS A LOT FOR HIM, OKAY, THIS MEANS SO MUCH, to get this!! second chance at all the things he totally fucked up before, PLUS the loves of his life!!!!
and like!!! there’s bertrand. there’s bertrand!!! standing there and reaching out to take lemony’s hand and lemony takes bea’s and bea takes bertrand’s other one and. the road they had to take to get here wasn’t. the best. all the time. they all made mistakes. some. worse than others. and this isn’t the end, right here, there’s still gonna be things they have to work out. and it’s gonna be okay because there’s beatrice and bertrand and lemony. they’re in the same room and no one’s scared.
lemony: yes.
beatrice: yes???
bertrand: yes?
lemony: yes.
there’s a lot of good hugging, people are kissed, comments are made about chapstick flavors, lots of laughter, violet and klaus are tearing up and thrilled beyond belief, everything is beautiful!!!!!
klaus: I can’t believe –
violet: – we actually did it!
and, of course, beatrice was right. about everything.
the following amount of time is filled with –
-lots of arguments.
-mostly between bea and lemony.
-although bertrand has his fair share of arguments with both of them.
-violet and klaus don’t speak to each other for two weeks under the pretense of disagreeing about a book’s theme but really because they’re not sure how to act around each other now that they’re both there, they’ve lived their whole lives as only children and this is what they wanted but it’s also something they didn’t think about having to adjust to
-there’s also this immediate reluctance to listen to anything bea and lemony tell them because they have to get used to parents now, too
-parents who aren’t currently super functioning as parents
-there’s a lot of second-guessing people’s intentions
-why did you say that?? the hell does that eyebrow mean???? you picked that song for a REASON and fuck you for that!!!! you don’t trust me to drive, do you???? I KNOW HOW TO MAKE A SANDWICH FOR MY CHILD THANK YOU VERY MUCH
-that sort of thing.
-in varying shades of seriousness.
-i know it sounds mostly like just bea screaming there but trust me the sentiment is shared by all of them in various ways and actions
-they don’t do it in front of violet and klaus though
-NO ONE KNOWS WHERE THEY’RE SUPPOSED TO LIVE NOW, do they stay in england or all go to california??? do they go somewhere else???????? what even (I don’t even know)
-(they probably do stay in england though. that’s what I was picturing while writing this.)
-violet and klaus do adjust to no longer being only children and realizing they have someone their age to rely on now who understands them
-they make blanket forts where violet designs these stands that will hold books up and periodically turn the page so they can lay on their backs and read and not worry about moving
-klaus reads up on inventors so he and violet can talk about them
-they argue with bea and lemony a little about weird things because violet and klaus are trying to figure out where they are with their parents now and how they’re supposed to act and bea and lemony are trying to figure out how to coordinate parenting while wanting to kill each other
-they institute family game night and try to best each other in cards or scrabble because they can handle that
-bertrand, of course, is in a very awkward position at this time
-like he’s around but he can’t take sides because that’s Weird and he’s not that kind of person anyway, and he wants to be there but he doesn’t quite know as what
-like, he was gonna marry bea!! and now he’s not. and he loves lemony!!! but he can’t do anything about it because bea and lemony have problems to work out!!! and bertrand loves both of them!! and they love him!!! they know they do!! he knows they do!!!!! but everything is very uncomfortable!!!
-like, bertrand needs to be on equal footing in this relationship too!
-he hangs out with dewey a lot and they become Poetry Buds again
-he participates in family game night
-bea and lemony are worried that bertrand is only going to see himself as like a peacemaker between them when he isn’t because he never has been and realizing that bertrand is a huge official permanent part of their lives now is a big thing for them
-hi, my name’s lulu and writing the navigation of relationships is hard!!!! it’s so fucking hard
-the three of them watch movies wednesday nights – bertrand picks the movies and he picks these really sweet romantic ones (cause that’s just the kind of movies he likes!!!) and it’s unbearably great
-they mean to watch the thin man movies (the ones with nick charles aka william powell aka the guy lemony and bea would both fuck if they had had the opportunity) over a series of weeks but wind up marathoning all six of them one night (and it takes all night)
-none of them can function the next day
-bertrand: I get it. i’d do it with nick charles, too.
-beatrice sings herself hoarse during a play rehearsal and can’t talk for a week
-she can’t sleep one night and lemony finds her in the kitchen and makes them both tea and they salute each other with the mugs
-bertrand takes up writing limericks and leaves them around the house and lemony finds one in the shower and slips from laughing so hard
-bertrand, in the hospital: I could’ve killed you with poetry
lemony: I mean, all things considered, it’s not the worst way to go. it’s better than next to a pile of books I was meaning to read, which I always thought to be much more likely. slipping in the shower because of a charming limerick about shoes? it’s not all that bad.
bertrand: I don’t know whether to take the compliment or be worried about how you’ve considered how you’re likely to die. please don’t die.
-beatrice shows up at the hospital and throws the stuffed animal from carnival night at lemony
lemony: oh, you didn’t have to give me your….ah….
bertrand: ….moose? have we guessed moose?
beatrice: the ears……….
-things get, better
-they take turns picking up the kids from school
-some kid: gee violet how come your mom lets you have two dads
violet: just lucky, I guess
-lemony helps beatrice rehearse her lines and they straight-up make out for an hour instead
-lemony and bertrand make dessert once a week and routinely end up covered in flour
-there is a household debate on ‘what species is the stuffed animal’ and ‘what are we going to name it,’ moderated by kit
-violet puts on a one-woman play that she and klaus wrote about hedy lamarr for her school’s talent show and receives a standing ovation
-lemony and bea and bertrand are in the front row and beatrice is full-on sobbing during the standing ovation
-they get bertrand a new record player for his birthday and all three of them dance to his records the whole night
-yes they ARE all falling in love with each other all over again it is very important to me that they’re all on the same page when they do that
-violet and klaus make bertrand a ‘best additional parent’ mug because they don’t quite know what to call him (they haven’t figured it out yet), like violet makes him a fucking mug in her glassblowing class (you ever seen someone glassblow a mug??? it’s great.) and klaus does this beautiful calligraphy label for it
-bertrand cries immediately, for the next hour of his life, and just carries it around because he doesn’t know where to put it
-beatrice: aww, that was so sweet of you two, to make – does that say ‘additional parent’
lemony: I believe it says ‘additional parent.’
violet: we did also consider ‘greatest poet’ but that had less of the feeling we wanted.
klaus: we do realize that ‘best’ is truly an unquantifiable concept, because there’s no one out there ranking parents, but we thought it was the most fitting.
it’s after that that they all decide to get married.
later on, sunny is born!! and she’s very upset she missed out on all these shenanigans.
[jacques comes back to find so many people in his brother’s house.
kit: well jacques, you really should be home more
lemony: yes, find a nice person
lemony: …...or two
kit: settle down, stop looking so surprised.
lemony: kit your daughter just leapt off the bookshelf and tackled my husband
kit: and am I surprised? no.]
[also jacques does not buy his sister a nice new set of engraved fountain pens.
kit: so did you get me a souvenir or not, jacques
jacques: souvenir? I thought you said
kit: JACQUES WE ARE ADULTS DON’T YOU DARE BEETHOVEN ME
jacques: edward lear
jacques: here’s this book of delightful nonsense poetry.
kit: how could you]
[while bea is pregnant with sunny –
bertrand: what about sunny?
lemony: bertrand baudelaire.
lemony: you come into my house.
lemony: you marry my wife.
beatrice, across the room: I married both of you???
lemony: and you have the audacity.
lemony: to suggest we name our daughter after our high school drama teacher.
bertrand: okay but your reaction isn’t necessarily a no]
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magaprima · 4 years
Text
Part 2 Episode 6 Analysis (4/4) i.e the horrendous final Lilith scene of the episode that causes me so much pain it’s took me ages to get around to writing about it
The scene literally starts with her vomiting, and we get the vibe that she has been vomiting for a while and this is coming to the end of it. There’s no score initially, meaning all we hear is her retching, and the lack of score just makes the scene feel as raw as Lilith’s emotions, and it’s only when she starts expressing her feelings aloud for us that the music properly cuts in.
But the fact is we have seen Lilith ‘feast on male flesh’ twice in the series already and we’ve also see her proclaim it proudly and use it as a threat (towards Blackwood). This is not something Lilith dislikes doing, and the fact she does it infrequently and refers to it as ‘feasting’ suggests she views a male flesh buffet as being a treat, it’s something she indulges in, it’s not her regular run-of-the-mill meal. And, though I hate to say it, before she knew the steak was made of Adam, she stated how delicious it was, enough for her to think Adam was an very talented chef for serving that meal. She liked the taste, Lilith truly enjoys this particular feast. The fact that she is now vomiting it all back up, that the thing she openly admitted tasted delicious is now so vile to her she is bringing it all back up, really tells you all you need to know not just about how intensely she felt about Adam, but also about how horrific this punishment was for her. The Dark Lord hasn’t just made her suffer, he hasn’t just upset, he hasn’t just broken her heart, he has made her physically sick. And that is something visceral, guttural and primal in it’s emotion.  
It’s just so heartbreaking to watch that moment, the way she throws up, and when she’s done, collapsing into her own hand. She looks absolutely brokenhearted and in that moment where she’s leaning on the toilet, crying while she covers her eyes with her hand, she looks so small, so hurt, so fragile and so utterly human. She looks so human in that moment. She could easily be the real Mary Wardwell right there if you’d just tuned in. She felt a positive human emotion in her relationship with Adam and now she is feeling a negative human emotion in her loss of him; she is feeling pure, unadulterated grief, and you can just see it’s that kind of grief where you keep going over in your head what you could have done differently to avoid it. This was not a natural death, obviously, and we also know Lilith haa the power to bring back the dead (as she did Mary), the fact she can’t with Adam suggests the Dark Lord’s killing of him, taking of his soul, perhaps, has put him far beyond her reach, meaning it’s a complete death for her. This is not a death that can be undone or fixed, it’s not even a death where she can see the soul herself, it is a permanent, complete death, done with, and it’s that that she’s grieving for as well, I think; the absoluteness of it.
She is genuinely crying here. It’s like a human cry. And I say that specifically, because up till now, we’ve mostly only ever seen Lilith behave outside of the normal human realm of emotion. She reacts differently to things (like how she’s bewildered by Adam’s kindness or how she showed no sympathy for Daniel Webster’s grief; it’s all typically different to how humans react to certain things) but here she is reacting just as any human would. She is crying, she is grieving, she is in physical pain from that grief at a loss of someone she loved; there is nothing more human than that. I mean, you would never see Lucifer have this emotion, or the Plague Kings, or even Caliban etc. But you could see Zelda reacting this way, Hilda, Sabrina etc, because they’re human (well witch-human, which is slightly different if the 13 month of pregnancy is any indication. But the point still stands). 
“I don’t understand...I don’t understand...” When she’s muttering this and trying to find a reason why Adam died, that desperation to find logic and reason in a tragedy is also so tremendously human. I think, honestly, this i why this scene hurts so much; it’s not just the loss and suffering and grief, it’s the fact we’re seeing Lilith be entirely without defence, we’re seeing the human part of her entirely, without cover. 
“How did the Dark Lord discover us?”
Discover us. She is referred to her and Adam as an us. There’s something so tragically romantic and affectionate in that. It’s not ‘how did he discover my mortal play thing?’ it’s not ‘how did he discover adam?’ it’s not even ‘how did he discover i didn’t kill him?’, it’s ‘how did he discover us?’. She is identifying her and Adam as unit, an official couple. It wasn’t Adam that was discovered, it was the both of them. They were happy, they were leaving for Tibet and they were discovered. Even though he’s dead, she’s still speaking about him through couple-language and that’s just heartbreaking. Added to the way she holds the ring and repeats that it should have hidden him....she calls herself a grieving widow in the next episode, and you can’t deny this is exactly how she sounds in this moment. The fact she’s wearing black like a funeral outfit only adds to the effect.
The only moment her sadness disappears from her expression is when she realises what happened and she looks at Stolas. And you can see how it doesn’t take her long to get to that conclusion and you know how certain she is that she’s right, and it’s the kind of certainty that comes from knowing betrayal. Lilith has known disloyalty and betrayal so much that she knows she’s right when she looks to her familiar as the culprit. 
And it’s while she’s confronting Stolas that we cut to a bird’s eye view shot (interesting pun of a choice, perhaps) and we see how Lilith is sat. She is just on the floor, in the corner, with her legs just out. There’s none of her usual grace, elegance, sensuality, sexuality, none of it. We’ve only ever seen Lilith sit the same way she stands and walks; with purpose, everything in place, utter sensual perfection, always on, never wavering....but here there’s none of that, all of that glamorous air she maintains is gone. She is utterly vulnerable and broken on the floor, with no care for how she looks. Again, it emphasises that look of humanity in her. 
“You’ve been reporting back to the Dark Lord ever since he brought you back to life, haven’t you?”
This is a really horrible thing for Lilith to realise. Her familiar, the one she has called her trusted companion, who has been with her since the very beginning and (according to the passion play) even before she met the Dark Lord himself, has chosen the Dark Lord over her. He decided loyalty to him was more important than Lilith’s happiness. It’s the ultimate betrayal; she knows Lucifer pulls some serious shit, but Stolas is meant to be someone she can rely on, someone who is loyal to her no matter what (familiars are bound to their witches, after all) and yet he is the one who brought about this utter heartbreak. And, by the way he stands on the ledge and replies to her, we presume he feels justified in his actions, that he wasn’t forthcoming with any apology. She has discovered that not only does the Dark Lord not care what she wants and decides things for her, but so does her familiar. Even her own familiar doesn’t honour her or her wishes. This is her oldest friend, they’ve been through highs and lows together, they’ve presumably fallen out and made up (I sometimes wonder if killing him has been as much a pattern as Zelda killing Hilda was) and yet when the cards were down, he chose her abuser over her, and prompted the killing of the person she loved....and then doesn’t even have remorse over it. 
It’s another loss and I think that shows when she screams and causes him to burn to ash (which, side not, is an extreme display of power. So much so that in the Part 2 trailer, they edited that moment to mislead us into thinking Sabrina made it happen as they say ‘she keeps getting stronger’ so even the writers and editors know that that is as bad ass as it’s gotten so far in the show. That moment does remind us just how freaking awesomely powerful Lilith is) and she cries again. No, actually, it’s more a wail. Because in that moment of destroying Stolas permanently, with no chance of resurrection, it’s confirmation that she has lost both Adam and Stolas in one foul swoop. It’s two deaths (though Stolas’ is more death by betrayal than by his literal death). She thought she was surrounded by people who cared about her, she probably felt her life was very full and supportive, and now suddenly there’s nothing; she’s lost the person she loved and she’s lost her oldest friend, all in the space of an hour basically. 
And then after that expulsion of loud, raw grief, Lilith turns to her natural instinct; plotting. She rallies herself, she takes strength in a plan, and I think it’s so interesting that her plan isn’t ‘kill the Dark Lord’ it isn’t even ‘Lead a coup’, it’s a plan to make him feel the pain she feels, because to Lilith, right now, that’s the worst thing you can have happen to you. She is feeling such grief and agony she can’t imagine anything worse to suffer, to feel what she’s feeling would be worse for the Dark Lord than death (though as I said above, I doubt Lucifer can feel this sort of raw emotion, as he was never human). 
“But the Dark Lord doesn’t know all. He’s not omniscient. He’s not omnipotent. Which means...he won’t see what’s coming next”
Our first hint/foreshadowy reminder that Lilith knows the Dark Lord’s weaknesses. Everyone else in the show refers to him as their God, they speak of him as knowing everything, that he’s everywhere, that he answers everyone, that you can’t hide from him etc. But we see hear that Lilith knows better, that Lilith knows he can’t see everything and that he can only be in one place at a time. She has been with him since his fall and she knows both his weaknesses and limitations. She’s able to plan around that. 
When she decides to wear Adam’s ring, not only is this her making a conscious decision not to forget him but to keep him in her mind (and her heart?), but you also see her consciously decide which finger to put it on. She could have put it on her right hand, or on her middle finger of her left hand, but she actively picks the ring finger of her left hand. The wedding finger. Lilith knows what this means, and as I said, she calls herself a widow in the next episode, and here Lilith is consciously, purposefully and willingly choosing that designation for herself. This ties into what I need to write about on a bigger post, about how she was created in the Garden and her core being in those early days, has an effect on her choices and reactions even today, because she was a wife in the very beginning, that’s how she started out, so there’s a sense of coming full circle on her own terms here, that in the Garden she was forced to be a wife, but here she’s choosing to be one, because this Adam earned it, he earned her love and mutual respect, while the first Adam didn’t. 
“He took away the one thing I loved. Now I’ll do the same to him”
The fact there is no denial here, no room for interpretation, this is full, out-and-out confirmation that she had fallen in love with Adam, which is not only impressive considering her general disdain and dislike towards mortal men, but it also shows Lilith has a huge capacity for emotion and affection and love, reminding us that she’s not simply a demoness, but something much more complicated and nuanced, and it also shows us that she’s not closed off. People can win her over, she isn’t closed in her heart or her mind, she does listen, she does consider, she’s not static in the way she is, and she can grow and change and experience new things. And I think this moment is one where she changed irrevocably, the Lilith we see from this moment on is not the same Lilith we’ve seen since Part 1. And you do see, in future episodes, how she reacts differently to situations to how she did in the beginning (for example, when Sabrina fails to tell her Lucifer is free and says ‘I had other things on her mind’ Lilith does not get hateful, she doesn’t even attack Sabrina for it, and then when Zelda turns her away, Lilith does nothing more than insult her, whereas she would have once actively plotted her downfall and/or murder). 
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bi-baudelaires · 4 years
Note
Asoue for the tv show ask!
Hi thank you for asking!! Also I got your other ask, sorry I had to do something just after I saw this and I’m very slow at answering these things that’s why it took so long, but thank you for sending it anyway! (btw I have watched some b99, but I don’t remember enough of it to really answer these questions about it, sorry <3)
Favourite character: Violet Baudelaire💜🌸 my determined daughter I love her
Least favourite character: He’s a great villain and not unfun to watch, but Olaf is the fucking worst and he keeps ruining my children’s lives get a job already
Top 5 favourite ships from the show (canon or non-canon): Violet x Quigley, Isadora x Violet, Duncan x Klaus, and I like the potential in Jerome x Charles and the unseen beauty of Beatrice x Bertrand
Character I find most attractive: Probably Morena Baccarin as Beatrice Baudelaire, she’s just.. radiant
Character I would marry: Dewey maybe... but he’s with Kit and dead and so is Kit
Character I would be best friends with: I’d think out of the kids I’d get along best with Klaus :)
Random thought: Kit in s3 was just. new Jacqueline
Unpopular opinion: I think the show is good and I like season 3 I care way more for the kid characters than the adults
Most badass character: I kind of unironically wanna say Sunny? she scaled an elevator shaft with her teeth and was on the run for murder before the age of 2. Violet is close second though
Canon otp: I don’t really have one? the ship I like most for the kids is Quiglet, I think they’re really cute, so I’d say that comes closest
Non-canon otp: the Unfortunate Generation x catching a break
Character I feel the writers screwed up in one way or another: if we’re talking adaptation-wise, Jacques and Kit Snicket are obvious ones- they were not done right. Olivia Caliban and Ishmael too were really unnecessarily changed and I think the latter especially really didn’t serve the story
Favourite friendship: I love the friendship between the Quagmires and Baudelaires!! what friends are for bitches!!
Character I want to adopt or be adopted by: I wanna adopt all of the orphaned kids, and I wanna be adopted by uncle Monty :) he was a good guardian
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writemoment · 5 years
Text
The Feeling Of Comfort
Writer: Ellie-Mae (Pen Name)
Part: 1/1
Summary: With all the misfortune in the lives of the Baudelaires, could they perhaps stumble upon the first comfort since this series of unfortunate events? What more could happen when unexpected feelings arise from a book-smarts boy in glasses?
Pairing: Klaus Baudelaire x Reader
Warnings/Rated: Light fluff in unfortunate circumstances
Word Count: 1,920
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To say the Baudelaire children, now orphans, have had a difficult time since their parents perished in a fire, along with their home and everything in it, would be a dramatic understatement. However, to say the Baudelaires are in the midst of a series of unfortunate events would be more appropriate to help you understand a fragment of the unmentionable horrors they've experienced.
From the moment they were delivered the tragic news of their parents passing to the very act of being delivered to one of the most despicable beings alive; Violet, Sunny and Klaus have experienced little to-no comfort in their lives.
Little did they know that while they sat outside vice principal Nero's office at Prufrock Preparatory School, a girl their age roamed the halls, soon to change their streak of uncomfortable disappointment.
Y/n was a very nice person, though she preferred to keep to herself most of the day. Having been sent to Prufrock after her mother passed, she felt her father has long forgotten her as he was unable to stop mourning.
That fact alone brought great sadness to Y/n that could be seen on occasion when her eyes glossed over, but she believed in moving forward as to not dwell on what could not be undone.
With books tucked snugly against her chest, she made her way through the halls toward the library to trade out the hardbacks she carried. As Y/n grew near, she heard light chatter coming from the entrance. Once in view, she saw the delightful Miss Olivia Caliban speaking with three students she did not recognize.
"Hello, Y/n!" Olivia greeted with a wide smile stretching her face. After greeting her back, she was kindly introduced to the three new students.
"I'm Violet Baudelaire," said the girl with long brown hair, "and these are my siblings Sunny and Klaus." Sunny was an adorable toddler, babbling something of a greeting and Klaus wad a handsome young man with glasses resting on his pleasant features.
Y/n was slightly taken aback by her thoughts but recovered quickly. "Lovely to make your acquaintance, Baudelaires." Though she tried hard to bury the butterflies in her stomach - a phrase in which meant she felt nervous at her unexpected feelings toward Klaus Baudelaire - Y/n felt her face flush as she shook their hands.
Y/n wasn't one to get easily flustered, so she was unsure how to go about the situation. I guess we'll never know for sure since their time was interrupted by Carmelita's tapping and frilly, energetic appearance. "Time to go, cake-sniffers."
They all went their separate ways after a vocal goodbye and a slight wave. As Y/n walked away, Violet smiled to herself as she saw Klaus look back to watch the girl disappear.
"She was nice." Violet declared after settling into the orphan shack. Sunny smiled up at her two siblings, acting as a part of the conversation.
"Yes, she was." Klaus agreed. He thought back on their encounter and how calm he had felt in the presence of Y/n. A calm, in which, he hadn't felt in an awfully long while.
As the Baudelaires laid down for the night, thoughts of curious awe kept intruding Klaus' mind as he was eager to know more about the girl with the books. The very idea surprised him, fore he had not expected such emotions to greet him - especially not at Prufrock Prep. This he could not understand, which frustrated Klaus. He was used to having vast knowledge and thrived on understanding.
Somewhere in the grounds of the school, Y/n sat staring at an open book, not grasping any of the information because she, too, had her mind on something else far more fascinating.
***
The next morning was filled with anxieties for the Baudelaire orphans as each of them were separated before being thrusted into new and peculiar environments.
The education offered at Prufrock Prep was one that didn't make sense at all to the three siblings. By the time lunch arrived, they were all tired and filled with confusion. Surely nothing would go right in their lives, it seemed.
Y/n sat at her usual spot, occasionally nibbling on her lunch, with her attention drawn into a novel. Though she was alone most of the time, she didn't feel alone when she read.
I don't think I can adequately describe the relief that flooded the faces of the Baudelaires at the familiar sight of Y/n. After their day of desperate attempts at finding any sort of sense, they knew that they would find a warm and friendly greeting from their new-found acquaintance.
Having sensed someone looking at her, Y/n glanced up to see the three standing with thoughtful smiles. "Afternoon, Baudelaires! Would you care to join me?"
"Please." Answered Klaus, his voice alone bringing a shy smile to the young woman's face. They all took a seat beside Y/n, plopping down with an audible exhaustion.
"Tough day, I assume?" Y/n's voice is soft and empathetic as she invites the siblings to share.
The moment Violet opened her mouth to speak, two more figures appeared and halted her speech. Y/n vaguely recognized them as the previously new students but didn't know them well.
"Isadora, Duncan- it's so nice to see you again." Violet says happily. Klaus and Sunny beam at them as well, clearly having met them.
"The same to you, Baudelaires. Mind if we join you?" Duncan asks, sitting across from the occupants. "Hello," they greet, "we're Duncan and Isadora Quagmire."
Y/n introduces herself before Violet returns to her words about the day. She listens closely as they explain the nonsense of class and the outrageousness of having toddler Sunny work in an office. As if she detected stress, Carmelita prances over to ridicule the table.
After effectively irritating the group, she leaves with more pep in her step and an annoying laugh. "You guys are orphans as well?" Violet asks, curiosity evident.
Nodding, Duncan replies, "Our parents perished in a house fire."
"Along with our brother Quigley. We were triplets." Isadora says sadly.
"Our parents perished in a fire, too." Klaus tells them.
They begin speaking of other things as Y/n feels misplaced, returning to her lunch. Klaus immediately took note of this and he blocked out talk of the orphan shack as he stared at Y/n.
Her bottom lip was pulled between her teeth as she aimlessly fiddled with her food, the conversation of lost patents ruining her appetite. "Are you alright, Y/n?" Klaus asks, feeling the change of mood.
Y/n looked up and met his concerned brown eyes. With a tight-lipped smile, she nodded. Klaus was not convinced and rightfully so- Y/n was not alright because she, too, did not have parents. Even then, she did not share this with her new found friends.
They both were snapped back to the conversation when violet's voice rang, "Everyone empty their pockets, please."
And so they did.
Paperclips, lint and miscellaneous items were scattered atop the table. All of it completely underwhelming until Klaus and Isadora pulled out matching brass cylinders. They clicked together like missing pieces because that's exactly what they were.
"We should talk."
Everyone agreed with Klaus. Well, except Y/n who was extremely lost. Deciding this was her cue to leave, Y/n gathered her things before standing up. As she was walking away, she felt a gentle grip on her wrist. Klaus now stood beside her with his brows furrowed.
"Why are you leaving?"
They were out of ear-shot from the table. "It seems that something personal is going on and I wanted to give you space." Y/n's words brought warmth to Klaus' chest and his touch sent tingles through her arm. No one has shown any concern for the Baudelaires feelings since the beginning of this whole ordeal and have since forgotten what it felt like to be around someone considerate. It brought the feeling of comfort in which Klaus hadn't realized he craved like a person dying of thirst.
"You don't have to leave," Klaus offered but he felt her mind had already been made up.
Y/n smiled at him softly before saying, "I'll be in the library if you need me. Best of luck to you, Baudelaires and Quagmires."
Klaus watched her walk away and he longed to follow her, to talk with her. However, there were more pressing matters to attend to with the Quagmires and the completed spyglass. He returned to the table and tried to focus despite the rapid beats in his chest.
***
Y/n spent a lot of her time reading in the library but, today, she couldn't seem to focus. Her mind brought flashes of her childhood up. She smiled sadly as she remembered her mothers laugh, matched with her fathers smile. When her mother passed, she hadn't realized she would lose her father too.
Silent tears rolled down her cheeks and she loathed the puffy feeling her eyes felt. "Y/n?" Startled, she whipped her head around to see Klaus Baudelaire standing behind her, eyes wide. "What's wrong?"
Her fingers fumbled to swipe the wet streaks from her skin, embarrassed at being caught so vulnerable. Klaus steps in front of her before lowering himself to eye-level.
"Have you ever been haunted by a ghost with a beating heart?" Y/n asks, opening up for the first time in a long while.
Klaus knows that she's not asking a literal question, so he shakes his head before waiting for her to continue. Y/n scans Klaus' face and sees his undivided attention as he waits patiently. For some reason, unbeknownst to her, she feels she can trust him and talk to him with ease.
"My mother passed away a year ago," she takes a deep breath, "It was sudden and completely unexpected... My father and I were in mourning but I kept trying to move forward like my mother would want. My father did not."
Klaus frowned as he listened, her words struck the familiar sadness inside him. "He couldn't even stand to look at me. Soon after, he could no longer take care of me. He sent me here and I haven't heard from him since." Y/n's voice was angry, but mostly heartbroken.
"I didn't want to tell you because I didn't want you to feel like I was comparing." Y/n admitted, feeling silly and small for her emotional spew.
Truth be told, Klaus was absolutely smitten with the intelligent and uncertain girl that sat before him. He felt a surge of emotion toward Y/n as she searched his features with kind, frightened eyes. "I'm sorry, Y/n. I can't imagine how you must feel. Please know that there would never be judgement from us when you have something to say."
In that moment, Klaus Baudelaire and Y/n didn't have to worry about the tragedies that would arise that afternoon when called to assembly. They were unaware that Count Olaf was creeping on the grounds of Prufrock Prep or that Y/n would be taken by him along with the Quagmires in mere days. All that mattered was the feeling of comfort they both shared as their hands connected in the quiet of that library.
Klaus Baudelaire had faced many terrifying situations over the past weeks, but nothing scared him more than the thought of losing Y/n along with those he cared about most.
Masterlist Here
A/N: I'm back! I'm sorry for being MIA for so long, it's been hectic. I've missed you all and look forward to writing again. Hope you enjoyed this oneshot! Requests are open! - Ellie-Mae
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tomhortons · 8 years
Text
Calogan fic by Lou
Anon requested me to post my Caliban x Logan fic, so here it is! (DISCLAIMER: I am not an experienced writer in any sense, so this is why it is trash :’D also keep in mind that i wrote this before i saw the film so it may be inaccurate)
CONTAINS PROFANITY!
“Didn't you buy any Aloe Vera?” Caliban groaned, rubbing his temples frustratedly. “My face is killing me.”
Logan shrugged and went on unpacking the groceries. Surely it wasn't his job to tend to someone who should have known his limits in the sun.
“Quiet, just help me put these away.” Logan grumbled, clearly tired from a hard day at work. “It wasn't my fault that you forgot to wear your hat yesterday.”
“Well, you were gone for longer than you said you would be.” said Caliban sharply. “Charles nearly had another seizure, if it wasn't for me intervening. I had no time, I had to rush out without gearing up.”
Caliban then put his hand over Logan's and stared hard at him with his giant, blue eyes.
“Where did you go, Logan?” he said.
“I got held up.” mumbled Logan, looking away. “Traffic jam. End of story, leave me alone.”
Caliban looked down, sadly. It seemed like he would never get Logan's approval, or attention. He felt useless. Slowly, he trudged himself back to his dark, empty room.
He sat down on his rickety bed and looked over his hands. The skin was red and burnt, and was still painful to the touch.
“I wish I wasn't like this.” Caliban whispered to himself, wiping away a stray tear.
A while later, he heard a knock on his door.
“Come in,” Caliban sniffed. Logan then stepped in, looking a tad guilty.
“Look, Cali. I -” he started.
“Did you just fucking call me 'Cali'?” Caliban blurt out incredulously.
“Whatever,” continued Logan. “Look, I'm sorry. You're just trying to help, and I never realize, or appreciate it. So, thanks.”
He turned to leave, but suddenly Caliban sprung up from the bed and gave him a giant hug. And for once, Logan didn't struggle, or even complain. Slowly, he wrapped his arms around Caliban's waist, taking care not to accidentally pop his claws.
“It's just us, I guess.” Caliban said shakily, obviously trying not to cry. “Just you and me and Charles. All alone.”
“We have each other, that's enough right now.” whispered Logan.
Finally, Logan and Caliban broke apart from their embrace and looked at each other, a respect forming between them.
“So, now can you tell me what happened to you?” asked Caliban.
Logan sighed, and pulled up his shirt sheepishly. Two large wounds were running down his torso, that still looked fresh and painful.
“Oh, my fucking god, Logan!” cried Caliban. “Why didn't you tell me? I could have helped you.”
“I'm not worth helping.” said Logan, looking down again. “I'm just an old man waiting to die.”
Caliban grabbed Logan's face and pulled it in close to his. He fixed him with a trusting and serious stare.
“That may be, but you're the only person I have right now. I'm not letting you die on me.” he said softly.
A few minutes later, Caliban and Logan were in the large room in the center of their makeshift house, tending to each other's wounds. Caliban stitched up and cleaned Logan's wounds, while Logan cleaned and soothed Caliban's burns with some cream.
The two seemed more at home with each other for once, letting down both of their guards and even having normal conversation. Logan talked about his day and Caliban talked about his day, both laughing at how absurd the situations were.
Logan was just about to put a band-aid on Caliban's cheek, but not before giving an affectionate peck onto the wound. Caliban's whole face flushed pink, and looked as though he was about to faint.
“You're worth helping too, you know.” Logan said, smiling slightly.
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SPOILERS FOR CAOS PART 4.
Chapter Thirty-One: The Weird, episode reaction.
Ah, so Judith and Judas are still there. Neat.
HA! YOU'RE TOO WEAK FAUSTUS! ROASTED!
Jeez Mary, let me guess, you'll be the trojan horse?
Or not.
Spellman Sisters Mortuary is doing really well this year.
A growing boyfriend needs lots of water, good to know.
Oh my god, Zelda has never not had her sister there to take care of her!😂
Zelda, you're a witch, you could light you're cigarette with magic.
Hilda is living life and doing great.
Awwwwwww, Zelda looks so lost. I want to hug her.
MELVIN SHUT UP WITH YOUR VALID QUESTIONS, MY BABE AMBROSE IS DOING HIS BEST!
Mambo Marie, if that even is her real name, is definitely up to something and tho I am interested to know what it is, I am not pleased because Zelda deserves happiness for once.
The teacher reminds me of a mouse. I think it's the haircut.
THE WEIRD IS A SEA CREATURE!
Lucas Hunt. Suspicious.
It's not Harvey.
WHY ARE YOU HERE, MAMBO MARIE! God, you can't just go into people's houses.
I mean you can, but you shouldn't.
OOOOOO, Roz is a muggle-born witch. Or a half-blood.
Okay that is so freaking creepy with that lighting.
Mambo Marie is up to no good.
They are in fact very cunning women, indeed.
What would Sabrina and Lucas's ship name be? Spellhunt? Brincas?
Talking about having extensional crisis at 16/17 and then Lucas saying he had one at 8, is relatable af.
Just keep swimming, just keep swimming, swimming, swimming.
That is such a creepy dream.
And it gets even creeper.
Caliban you jerk.
LILITH NO!
ZELDA LET HER IN, DON'T TURN AWAY THE MADAM SPELLM- I MEAN LILITH
Zelda looks offended that Lilith is preggers.
YAY ZELDA LET THE SHIPPERS REJOICE
Zelda is going to save Lilith! I mean the coven is going to save Lilith...
No I don't.
I'M SCREAMING TOO.
Oh god, is this going to be like twilight? I don't want to suffer through another birth scene like Renesmee's. 😳
ZELDA AND LILITH ARE TOUCHING!
SCREAMING CIRCLE, SIGN ME UP.
I'm cackling thinking of them shooting this scene.
BABY
ZELDA AND LILITH FANFIC WRITERS PLEASE WRITE A FIC WHERE THEY RAISE THEIR SON AND MOVE TO EUROPE.
Sabrina didn't know about Lilith and the Witches sharing her pain.
Is that kissing scene really necessary?
Eek.
F YOU MARY.
That is disturbing.
Annnnnnd I'm just going to fast forward through that scene of Sabrina getting surgery by Ambrose. Because I have medical vtsd and I don't want to add this weird thing onto it.
And it didn't work.
Show me Lilith's baby! I want to swoon too!
Ambrose there is 24 minutes and 46 seconds left in the episode something horrible is going to go wrong I just feel it. DO NOT DISSECT IT.
Caliban, I very much would like to throw you into the fiery pit, myself.
For one moment I literally thought that the statue dedicated to Hecate was of broccoli.
Prudence not remembering Roz. 😂
I want Prudence to eat her words about Roz being mortal.
I'm laughing with Marie. IN YOUR FACE PRUDENCE!
Nooooooo the kings are coming for Lilith's child.
Good looking Zelda's eyes after Lilith mentioned the baby she just delivered, I can't- !
OOOOOO power posing on the steps of the academy!
Every time they mentioned the babe I just keep thinking of the song Magic dance.
This is freaking awesome!
They ripped him apart with the pain of childbirth! 😂
Hilda just about skipped into the room to visit Lilith and her baby. 😂
Adam!
She's so proud of him biting her. XD
Lucas, if I were you I highly recommend you- yeah, you know what? Just run don't come back to greendale just run.
Am I the only one that finds this scene in biolab kind of triggering?
Oh my dirty, dirty mind.
My mom never let me and my siblings watch SpongeBob when we are kids because she thought it would rot our brains. Maybe Sabrina should just try that.
Oh, casually singing the song 16 going on 17.
Can someone get her a tissue please?
Nicki singing to her!
He's not over her, not at all.
She really does not look 16 anymore, could pass for 18 though.
That was kind of adorable though how she just starts singing that she's 16 going on 17.
Oh Lucas you've transferred to Riverdale? Poor soul.
Finally, Sabrina, you don't need a man!
The new Weird Sisters.
My heart aches a bit for Prudence because she lost both of her sisters.
Of course The Perverse is his favorite.
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souridealist · 6 years
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Hello, Yuletide writer! First of all, I’m sorry it took so long to get this letter up, and I am genuinely touched you didn’t just say “to hell with it, this disorganized motherfucker is getting whatever she gets.” (And then I posted it half-written by accident, good Lord, why am I like this).
General Likes and Dislikes:
I DNW’d suicide and deportation, due to personal experience with both. I would lump POV character suicidal ideation under the heading of suicide, but ‘tactical’ suicides (eg: captured spy with an arsenic pill) don’t upset me at all. For example, I have a couple of canons that could allow for “Okay, my grand plan is that I die a little bit and then come back!” and others which could allow for situations where death is preferable to capture, and you can feel free to explore either. It’s specifically mundane, depression-based suicide depictions that I need to avoid. 
Deportation I would prefer you interpret a little more broadly. Acknowledging canon events are fine, but I’d rather the story not focus intensely on characters being forced to leave their families, their homes, their lives. (For reference if useful, I discovered this is a hard fictional limit while watching episode 1x08 of The Good Place.)
Other than that: I’ve requested all the canons here because I enjoy them, so canon-subversion fic is not really what I’m looking for here. I’m okay with dark, grim stories, but I’d prefer they not be hopeless ones. I like stories that are honest about characters’ flaws without condemning them.
I... hope that nails down some of the more nebulous points, in some way!
On to general likes: I’m really into things like epistolary fic, mixed media, in-universe documents, outsider POV, Rashomon stories, anything like that. I have no strong feelings on first/second/third-person or on past versus present tense, so run wild there. 
As a general rule, I’m going to be entirely happy to see non-nominated / non-requested characters make cameos or indeed take a central role in the fic, as long as the characters I did request are central as well. 
I’m a deeply polyamorous shipper at heart, and that informs a lot of these requests, but most of the relationships I ship are relationships where I just plain enjoy all their interactions, so gen works. I am also perfectly comfortable receiving smut for Yuletide, including for the teenage ships. One of my absolute favorite things is smut that uses sex to explore the characters and their relationship; relatedly, I like awkward human details more than idealized sex. (I don’t feel a need to get into things like historically-accurate lamb intestine condoms unless you really want to, though.) 
The only specifically-sexual DNWs I’d add are scat play, A/B/O, and parental incest, though I’d be frankly surprised to see the last come up with these canons. (Watersports are okay, since I know they’re often grouped with scat play without distinction.) 
Now, by canon! (Which may contain spoilers for their original canons). Also, as a note, I have more to say about some canons than others, but it’s not a measure of enthusiasm; I just don’t want to delay this letter any longer.
Summerlong - Peter S. Beagle
I loved this book’s lyricism, its sense of atmosphere and place, the wonder and beauty that ran through it all. And I loved how old the story felt, how timeless, and how nobody in it was young. Most of all, I was intrigued by the interplay between Lily and Lyonesse. A lot of it was sketched offscreen, related second-hand and in negative space, but there was still a sense of something layered and deep. I’d love to see it pulled into focus, whether in the form of missing scenes or post-canon stories.
Standout moments in my memory: when you forget that Persephone loves you. The dinner-party scene.
(Though I liked the book, I was very much disappointed that Abe and Lyonesse slept together. As I said, I’d be glad to see that played out with Lily instead, if you chose.)
Girl Genius
I am here for camp and shenanigans and gears on things and unabashed technobabble and the sheer glorious enthusiasm that spills out of every page. I love the canon’s sense of zany mayhem and bodice-ripper pulp novels and the way they’re willing to touch on very dark, sad, brutal things without ever losing its energy and color. I wouldn’t want to see them stripped down and rendered ordinary, but if you can get that sense of brilliant experimental chaos in a coffeeshop AU or a college, knock yourself out.
My other favorite thing about the comic is how it revels in Agatha being someone spectacular and extraordinary. We’re not here to watch our protagonist struggle and suffer, we’re here to watch her struggle and triumph. It’s great.
I’m also very, very much here for Tarvek/Agatha/Gil OT3, and this is one where it has to be an OT3 for me to like the ship; as far as I’m concerned, they all three need each other and care for each other. None of it’s going to work with only two; someone would be missing, no matter who it was. If you don’t want to write that kind of story, I’d much rather get straight gen than a story that picks a “team” in a love triangle. 
(As a note, I do prefer a three-sided true triangle to an open V, but I’m definitely okay with an open V as long as Gil and Tarvek are grumpily-fond metamours). 
One of the darker threads in the comic is the way all three of them have a very painful, bloody legacy; they have all been very isolated growing up; they have all three been failed and used and betrayed by their parents. It’s a heavy thing, and there’s absolutely no need, but if you go into it, I’m interested.
Bonus points: outrageous inventions, Jaegers being Extremely Helpful About The Romance, Castle Heterodyne being Extremely Helpful about anything. Bonus bonus points: if you happen to have read the novelizations, there’s some fascinating shit in the footnotes and epigraphs. If I’d wanted anything specifically novel-related I would have nominated the novelizations as a distinct fandom, but if you want to throw in some Easter eggs or if something novel-specific always struck you as a good starting point, I’d be delighted.
Standout scenes: The entire Hogfarb’s Resplendent Immolation arc; “We could have used him as a hostage! A bargaining chip! We could have... we could have... we could have kept him safe.” / “I’m sorry.” 
Clocktaur War - T. Kingfisher
These books are such a brutally detailed portrait of such flawed, tragic people who have done, and do, truly terrible things -- and yet the story is never anything but compassionate, never writes them with anything but tenderness and love. That’s what I love about it; hence the very specific DNW of villainizing anyone. 
I love all three of the characters nominated, but I admit that what fascinated me most was the relationship between Brenner and Slate, though Caliban/Slate was both excellent and made a great deal more sense as a long-term romance. I requested Caliban rather than just the two of them because I also very much enjoyed Caliban’s perspective on that dynamic, and on the ways that his presence changed it.
Having said that, you probably won’t be surprised to hear that I ship Caliban/Slate/Brenner (as a V, mainly, though the possibility of emotionally-fraught life-affirming let’s-do-this-instead-of-thinking-about-how-scared-we-are threesomes did cross my mind frequently during the wait between books).  I did spend a certain amount of time wailing that I wanted Slate and Caliban to get a nice little cabin, where Slate forges things and Caliban tries to ignore it, and every couple of month Brenner drops by and they all three fall in bed together and it’s kind of surreal for all of them but also a vital touchstone for all of them and NOBODY IS DEAD, but I also knew from midway through the first book that Brenner was going to die; I mostly have my peace with it. 
That said: I am on board for canon divergence, and not only on that one point. There’s so much going on in the story, and in the story’s world; it’s rife with what-ifs. I wouldn’t, however, want to see the characters pulled into any less flawed world than theirs.
Standout scenes: “I can make you die slow;” the scene where Brenner is prepared to strangle Slate to prevent her allergies inadvertently betraying them all; the very quick dispatch of robbers in Chapter Five of The Wonder Engine; “He had not quite realized that he would crawl on his knees to any god that would take him.”
The Innsmouth Legacy - Ruthanna Emrys
What I love about this one is everything it has to say about being an outsider, a monster in the world, and all the ways that that does not make one monstrous. The way it takes the empty vastness of the cosmos and turns it into a source of faith and strength, this too shall pass, and, more, the way it creates justification for kindness. That drew me too, so deeply; all the ways it is about love and community in the face of emptiness.
I need to confess that I don’t know the Cthulhu mythos that well, beyond these books. However, if you’re a huge mythos aficiondo and were all excited to include a bunch of details, I’ll probably need an index but I will be thrilled to know they’re there, because I still love that kind of thing. 
I requested Aphra and Audrey as my favorites -  in particular, I loved Audrey’s drive and determination, how quickly she clutched on to magic with both hands and would not let go, next to Aphra’s slowly opening heart. However, I do love pretty much the whole of Aphra’s spreading odd family, so if you want to write a more ensemble piece, absolutely feel free. In particular I loved the confluence, the idea of these people, all unexpected, finding such a view of each other’s souls, and coming back to find it was impossible not to care for each other deeply, now. Or, in other words, the soulbonding is both group and canonical. 
Note that although I’m interested in the soulbond elements of the confluence and have at least a passing interest Aphra/Audrey, I’m not asking for any shipfic that suggests their connection is deeper within the confluence. Just different. 
While I’m on the topic of shipfic, there’s a lot to possibly unpack with the legacy of Innsmouth and the question of having children to carry that legacy on, in a story where Aphra falls in love with a woman. Should that be an idea that bites you, I’m intrigued! 
Regarding the deportation DNW vis-a-vis the destruction of Innsmouth, anything on par with canon is fine.
I feel like talking about standout scenes would be redundant at this point (CONFLUENCE), but I also need to give out a shoutout to all the many and varied beach scenes in Winter Tide.
Although I haven’t read Deep Roots yet, I intend to, and even if I haven’t read it by Christmas, I spoil myself for things constantly, so incorporate it as much as you please without fear. 
Magnus Chase and the Gods of Asgard
This broader franchise is a huge part of my childhood, going back all the way to the first couple of Percy Jackson books, and the Norse were a delightful pick-up to the cast. Alex and Magnus charmed me immediately, weak as I still am to Rick Riordan’s bickering love interests, and Alex is such a wonderfully shitheaded highlighter pack of a person, while Magnus is so wonderfully caring, and so utterly, continuously stunned by her. (Every other chapter. “A minor physical detail of Alex looked really nice. I have no idea why I noted that.” BOY, YOU ARE SMITTEN WITH HIM.) 
Blitz and Hearthstone, meanwhile, struck me as absolutely married, the whole time; I loved their caring and their protectiveness and their trust, even when under stress. And I, er, have a history with dwarf/elf ships, to whit, that I am weak. And Blitzen kept on referring to Hearthstone as “my elf,” and frankly, at that point, it’s time to make an honest elf out of him.
However, if you don’t want to write shipfic, I also love the humor and the heart of these books, in addition to being an outrageous mythology nerd, so I will still be delighted to read gen adventure fic, or Shenanigans up at Hotel Valhalla, or just a thousand words (or ten thousand words) of the characters sitting around and snarking at each other. 
Standout scenes: the pottery studio sequence; Alex telling Magnus “your fly is down” in ASL in the middle of an important bluff; Alex and Magnus talking about books and Alex commenting on The Left Hand of Darkness. 
And thus, the letter is officially done! The mods reached out to remind me, so I tried to go into some detail, but please, especially after all this wait, I hope you don’t feel any obligation to my nonsense. Write the story that’s yours, that makes you happy, and I will enjoy it. Good luck, and thank you for writing for me. 
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englishmansdcc · 8 years
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We love the fact that An Englishman In San Diego is an open, fair space for fans and enthusiasts to share their fandoms – you can get in touch if there’s something that you want to write about and get out into the world.
One of those that had something to share is good friend of the site, J.C. (@StrayShotFirst), who wanted to talk about his thoughts on the latest installment of 20th Century Fox‘s X-MEN franchise, LOGAN – if you are one of the very few that hasn’t thrown your shekels into the cap for this box office busting film, maybe J.C. can convince you to check out the film before it eventually abandons the big screen…
J.C: I spent my Sunday night and about eight pounds watching Hugh Jackman‘s latest and last rendition of X-MEN‘s Wolverine, and I have to say I was not disappointed by how I spent my money and time.
I was pleasantly surprised by this movie – I haven’t been a fan of the character of Wolverine since I watched the animated yellow suited anti-hero as a kid, finding the following film adaptation personally quite dull, as an adult. Indestructible and, in some versions of the comic, able to regenerate from a single drop of blood, his conflict lacked any real risk or tension for me. It’s the classic Superman effect, and it forces writers do engage ‘deux ex machina’ in reserve to keep things interesting.
(For my anti-hero, I’m more of a PUNISHER fan normally, especially Jon Bernthal‘s performance in session two of DAREDEVIL. Okay, sure, we can be pretty positive that he’s going to end up coming out on top in the end, but the guy gets messed up on the way. No shrugging of shotgun blasts for Frank Castle, just pure old fashioned grit through the blood sweat and bullet holes. I digress, though.)
Any-hoo, having now successfully annoyed the Wolverine fanboys, let me tell you why I think LOGAN was a fantastic movie and, if you haven’t seen it at the cinema already, you probably should do.
Firstly, Hugh Jackman‘s take as “Old Man Logan” was an exceptional example of character acting. For all of the character flaws, Jackman has always been a perfect fit to play Wolverine, even in those films I didn’t put much stock into. However, what you see in LOGAN is more than just Hugh Jackman playing a stock grouchy anti-hero. From the very first scene, he practically radiates the feeling of been old, beaten and worn out in every nuance. For me, this was one of the highpoints of the film’s appeal.
Gone is the mutant with the unbreakable bones, adamantium claws and healing factor who can cut effortlessly through an army of machine-gun toting, faceless minions; in his place is an man whose every step out of the bed – or, in a hungover state, wherever he ends up laying his head – feels like an endeavor. Jackman’s Logan here is someone who can barely take a beating, getting punched, knifed, stabbed and shot, yet still somehow drags on through sheer stubbornness. I felt tired and weary just watching him – in today’s charged landscape of people feeling they just have to keep lowing on, Logan became a hell of a lot more relatable than his previous incarnations than just an unstoppable killing machine.
This sense of an broken-down hero, hiding on the outskirts of civilization, also makes the subsequent fight scenes all the more engaging – suddenly every unblocked blow counts, every wound taking a bit more out of him, every un-dodged shot is potentially going to lay him out on his back, maybe this time for good. Now, THAT makes for some exciting action sequences!
“Hang on, though,” I hear you say. “Fast-paced action sequences and unstoppable killing machines are why I love the WOLVERINE films, do you mean there is nothing in this for me?” Whoa, there! Steady on, don’t worry, LOGAN has something for you as well.
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For you, enter the mysterious young mutant Laura, superbly played by Dafne Keen. Laura arrives on the scene within the first act, and her character more than fulfills the unspoken requirement of Wolverine films to have an often unestimated badass. Not only does she deliver some amazingly satisfying action sequences but the contrast of the scenes of her child-like innocence will tug on your heartstrings. If that still doesn’t work for you, and it’s Jackman you need to see kicking ass well, they still find a few ways to get that in there too.
Alongside Hugh Jackman and Dafne, SIR PATRICK STEWART plays an interesting and previously unexplored version of Charles Xavier. I won’t talk too much about his take in fear of spoiling the film, but Hugh Jackman isn’t the only one who does his aging character justice and all the Earl Gray in the world won’t stave off the rigours of advancing years. Xavier provides not only the expertly timed comic relief but also his fair share of tear-jerking moments.
So, you’ve heard me praise the heroes – villains in films and especially comic book movies often make the film, as much if not more so, than the heroes. Boyd Holbrook as Pierce, a sardonic rogue hunting our protagonists, and RICHARD GRANT as Dr. Rice, the evil scientist with the eerily calm nature. Both play their roles well, Pierce especially finding the right balance between being someone you’d quite like to get their comeuppance but still want to get plenty of screen time.
I’ve talked a lot about the characters and not much about the plot itself – that’s because the plot in this film isn’t necessarily groundbreaking, you won’t find some big twist or a radical story arc here. It’s a classic road movie, visiting some everyday locations and characters, still compelling because all the  characters encountered are interesting and relatable. We care what is going to happen to them, and for that reason, we are willing to watch them travel along a very simple plot that leads to a satisfying and moving ending. Director James Mangold‘s pacing, while just a beat too slow, I felt worked well with the old and worn out tone of the film.
LOGAN is a rarity in the modern era of action films full of motion blur and 2d characters and outlandish over the top plots where everything is at stake, so nothing is. It’s a simple story, with heart, and characters that you can root for and against, and for those reasons alone I think it’s worth your time.
LOGAN is directed by James Mangold and written by Michael Green and David James Kelly. It will be produced by Lauren Shuler Donner and distributed by 20th Century Fox. Set in the future of 2024, Logan and Professor Charles Xavier must cope with the loss of the X-Men when a corporation lead by Nathaniel Essex is destroying the world leaving it to destruction, with Logan’s healing abilities slowly fading away and Xavier’s Alzheimer’s forcing him to forget. Logan must defeat Nathaniel Essex with the help of a young girl named Laura Kinney, a female clone of Wolverine. Stars Hugh Jackman  (Logan), PATRICK STEWART (Proffesor X), Sienna Novikov (Laura Kinney), Boyd Holbrook (Pierce), STEPHEN MERCHANT (Caliban), and RICHARD E. GRANT (Dr. Zander Rice). The film’s release date is March 2017.
Spoiler-Free Review: LOGAN (@wolverinemovie), by J.C. (@StrayShotFirst) @Mang0ld @20CenturyFoxUK We love the fact that An Englishman In San Diego is an open, fair space for fans and enthusiasts to share their fandoms - …
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magaprima · 5 years
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Okay, so the pregnancy storyline. I’m not as mad about this as some people seem to be. 
Firstly, for those saying it’s absurd because Michelle is 53; Lilith is thousands of years old, and Lady Blackwood had twins while she was in her 200s, and witches carry babies for 13 months, so clearly the menopause and fertility don’t have the same rules. 
Secondly, for those saying Lilith has had Lucifer’s children before; no, she’s mothered demons before. Lots of mythologies name anything from Samael to Asmodeus to even Adam himself as the Father of some of Lilith’s demons. And then there will be other ways she will have Mothered them. So we can presume from that basis that the children aren’t Lucifer’s, only hers, birthed at Lucifer’s behest, because he wanted Hell filled with his demons, but he didn’t want any to have claim as his heir. 
And now, for why I’m not angry over the storyline. 
I know a lot of people condemn CAOS for it using storylines that perhaps are patriarchal or misogynistic, but I find, often, even within that narrative, it’s either used to make commentary or to subvert it. Because like in RP writing bad things doesn’t mean you condone the bad things. And I have found CAOS to more often be commentary (like Blackwood, Zelda, the way the male bias works in the Churches of Darkness, internalised misogyny in the way women can attack women within the coven etc) than ‘oh this is what we want to happen’ as often the women in question eventually overcome these issues. 
So, back to the pregnancy.
Women have been forced to use pregnancy to keep themselves in positions of power since time began. I’m not saying it’s right, far from it, but it is a fact, and Lilith knows this. Lilith has said in previous season ‘Self-preservation. it’s the only thing that matters’ and ‘I’ll survive either way’ alongside other things that all say Lilith’s primary concern is always to survive, and she’ll do it by any means. She obviously learned this when she was alone in the wastelands after the Garden. 
So, Lilith knows she either gets killed by Lucifer or she finds a way to stop him. She’s not powerful enough to go head on, no one is, she can keep him at bay for a short time at most as she did in the Part 2 finale.  But carrying his child not only means he can’t hurt her yet (earning her that ‘stay of execution’) but also she makes herself ‘worthy’ in his eyes. Carrying his heir makes her valuable. This is very, very wrong, but it has been the unfortunate, incredibly unfair way for women for centuries, and it has worked for women for centuries, so Lilith makes it work for her. Because self-preservation. So despite the horrid situation she is in, I don’t think this is out of character. 
She might dislike Blackwood, but the sex was consensual, but it was also a business fuck. This is not the first business fuck in the world and it is not the last, lots of people have business fucks. I’m not saying it’s great or that it’s okay Lilith had to do that (actually just to be clear I am not saying it’s okay for Lilith to have to do ANY of this. What I am saying is it’s an age-old survival technique, and it’s not out of character for Lilith to do this to survive).
And it has worked. Lilith hasn’t been killed and she has kept herself in power. No one else was defending her, no one else came to her rescue; Zelda turned her away, Mary was manipulated by Lucifer into giving ‘Adam’ up, and Sabrina didn’t even think to warn Lilith or think she needed protecting. No one is helping Lilith so she has been forced to save herself, and that has meant desperate and unsavoury measures. 
Lilith’s pattern of story is survival and how often she has been turned away, from the very Beginning no one has supported her, and so now she has had to get pregnant simply for someone to care enough not to kill her, and even then it’s care for the child she’s carrying and not for her. Her entire worth is based on the fact she can give him a male heir, and that is so Henry VIII and it’s terrible as a fact of life, but Lilith has taken the power for herself. She did this behind his back, she has stopped him from killing her (he planned to torture and kill her but instead she’s stood by the throne physically unharmed and definitely alive) and she has kept her place of power, and with her connection to Sabrina, and Sabrina becoming the actual ruler of Hell, Lilith’s position is even more secure. She’s played the ultimate hand. It’s a very unsavoury hand, but it is a hand, and it’s worked.
And you can see how confident she is in how much it worked.
When we’re back at court, and the demons challenge Lucifer, Lilith is the one stood at the side of the throne, and when Caliban comes forward Lilith openly says ‘Oh this should be good’ while she leans on the throne. She is in full power there. She is comfortable, in control, secure. All the demons who tried to dethrone her, who are trying to dethrone Sabrina, who have called her whore and concubine, are being dismissed or having their necks broken and having to bow and respect, while Lilith is stood beside Lucifer, carrying his heir. She is stood in a place of power, the ruler has changed three times in a short period, but Lilith has consistently been in a place of power.
She has succeeded and survived as she always does. And I choose to take this as the show making commentary on the way women have been forced to prove their worth by fertility and literally stay alive that way (Henry’s 6 wives for example. Their ability to provide an heir literally dictated whether they lived or died). It’s not right, it’s not fair, but it happens. Often. And it still happens today. 
Do I find it tragic Lilith had to resort to this? Yes. Do I hate that Lilith can’t just be Queen in her own right and the writers refused to do that? Yes. Do I wish Lilith could just fucking rule like the badass she is without having to resort to all these things? Yes I do. Do I fear what they will use this storyline for? Yes. 
But I do like that this bonds Sabrina and Lilith via blood, and I am also choosing to be optimistic about where this storyline will go, because we all thought Lilith would be the villain in Part 3 and she wasn’t so I’m not gonna judge Season 2 until we’ve seen the second part.  It ain’t over til the fat lady sings. 
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