soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
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so, i hit 1k sometime in the beginning of June ✨🥳. Which means my incessant yapping about absolutely nothing on every post I make and multiple months-long unannounced hiatuses didn't scare all of you off yet, so thanks for that y'all.
No, but for real tho, I genuinely want to express my gratitude to each and every one of you for putting up with me and all my BS, so my 1k+ gift exclusively consists of hairs requested by YOU! Which is totally about giving back to the community that has supported me and NOT just an excuse to dump all the requests that have been sitting here piling up for months.
there are only 7 hairs in the preview image but a bunch of these are from sets, so all-in-all you're getting 17 female hairs!
INFORMATION:
None of this is my original work! All mesh credit goes to @sheabuttyr, @ebonixsims, @daylifesims, @simstrouble!
Set contains 17 hairs for for Teen ➤ Elder Females
due to how the meshes where made the Poloma Passion Twists and Monae Beads don't have root/tip controls so they’re only 2 channels the rest are 4 like normal.
credits, preview pictures, links to originals, poly counts and individual download links for every hair is under the cut.
polycounts are ALL over the place. Lowest hair is +10k, Highest one is +32k. Please reference the list under the cut before downloading!
Files comes in two flavors: Merged and Unmerged
Both types contain the exact same type of stuff (package file and preview images) except version one is one big merged file and the version has individual files.
[DOWNLOAD MERGED]
[DOWNLOAD UNMERGED]
[PICK AND CHOOSE]
Tagging list: @pis3update, @naturalhair-sims3, @xto3conversionsfinds, @kpccfinds
@simstrouble Adeline Braids//22.2k poly// requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr: London Locs // 16.2k Poly //requested by @thesirensims
[DOWNLOAD]
@daylifesims: Honey Sun Clover Dreadlocks v1// 10.8K Poly //requested by anon
[DOWNLOAD]
@daylifesims: Honey Sun Clover Dreadlocks v2// 10.9K Poly // Under hats // fully recolorable// 1 channel// requested by anon
[DOWNLOAD]
@ebonixsims: Monae Beadset V1//32.7K Poly! // Under hats // Recolorable beads 4 channels//no tips or root controls due to mesh//requested by anon
[DOWNLOAD]
@ebonixsims: Monae Beadset V2//30.5K Poly! // Under hats // Recolorable// 4 channels//no tips or root controls due to mesh//requested by anon
[DOWNLOAD]
@daylifesims :Honey Sun Alfalfa Braids v1// 10.1K Poly // Under hats // fully recolorable// 1 channel// requested by anon
[DOWNLOAD]
@daylifesims :Honey Sun Alfalfa Braids v2// 10.1K Poly // Under hats // fully recolorable// 1 channel// requested by anon
[DOWNLOAD]
@sheabuttyr: Daija Dreads V1 // 28.6k Poly //requested by anon.
[DOWNLOAD]
@sheabuttyr: Daija Dreads V2 // 30.8k Poly! //requested by anon
[DOWNLOAD]
@sheabuttyr: Paloma Passion Twist V1// 25k Poly//requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V2// 25k Poly//requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V3// 25k Poly//requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V4// 25k Poly//requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V5// 25kPoly //requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V6// 25kPoly //requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V7// 25kPoly //requested by @paigeywaigeyy
[DOWNLOAD]
@sheabuttyr:Paloma Passion Twist V8/ /25kPoly //requested by @paigeywaigeyy
[DOWNLOAD]
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I love libraries.
I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.
Then it hits me. And I check the publishing date.
This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.
Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.
Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.
Excuse me while I go weep.
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Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)
Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.
And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.
Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.
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