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#there is no such thing as problematic ship
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Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.
hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.
I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.
"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.
like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.
and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."
and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.
(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)
this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?
my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.
I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.
if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:
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boywithskull · 3 days
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I hate how fanbases are so averse to shipping non-canon ships nowadays. I personally don't like s0langelo very much. I don't have much of an issue with it, but I prefer Valdangelo and Jasico, and think they had more potential (since Leo and Jason were already main characters like Nico, and S0langelo was rushed). I like Percabeth in the books, but I also like Percico and Pipabeth and enjoy the fanfic and fanart for them. So it's so annoying when you look at any art for these on pinterest and it's just filled with comments saying "noooo!!!" "so gross!!!" "but solangelo and percabeth!!" "that better not be percy and nico :(" Just let people enjoy it! I'm well aware that Annabeth and Will are the canon love interests, but the PJO fandom is old, and it spans back to when fandom was a fun place for non-canon things and transformative works. Just because you don't like something doesn't mean you need to leave hate comments on someone's art, or come up with contrived reasons why the ship is "problematic." Please just let ppl enjoy things. You curate your own space. This used to just be the norm.
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darklinaforever · 1 day
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First picture :
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Second picture :
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The first person is aware that Lydia could remove the files from her mouth at any time? Literally, she takes them off on her own to talk when she gets tired of them! Beetlejuice is a very powerful fucking demon, if he wanted to completely silence Lydia he could and would have done so. However, he didn't do it. I'm tired of seeing people make this situation worse when in reality it's not as restrictive as it seems.
Same with the baby's delusion, which yes, is admittedly very disturbing at first and the only real reprehensible thing that Beetlejuice does to Lydia in this film in my opinion (because with the song that is played at their wedding ceremony and the how easily he lets Lydia send him away (I'm sure he wasn't really planning on marrying her this time). But then again, he didn't actually get Lydia pregnant ! And she didn't really give birth to his demonic child either ! And she seems to get over that weird, disgusting prank made by Beetlejuice pretty quickly.
Also, I don't know why but I never had the impression that Beetlejuice had traumatized Lydia in the first film as an attempt to affirm these people, particularly the second.
Literally, she doesn't seem to have any after-effects in the first film, and the sequel proves it even more. At what point in her scenes with Beetlejuice himself does Lydia seem to be truly afraid of him or particularly traumatized by him ? And I'm talking about the scenes where she is with him in the flesh. Because the moments when she thinks she's hallucinating his presence, it's logical that she panics. But no, she never seems terrified of Beetlejuice himself.
Not even at the famous wedding, contrary to what the second person says. This is bullshit.
The scenes where Beetlejuice makes declarations to Lydia like the serenade or the marriage, she doesn't seem disgusted (except when he throws his heart in her hands and that's somewhat normal) or terrified, or both.
She just has a face that generally says : Wtf ? Because the situation is WTF ! This wedding scene is not at all portrayed as creepy in the first place !
Frankly, it's bad form to say the opposite for me ! It’s deliberately turning a blind eye. Beetlejuice is a horror comedy, these scenes are above all funny with touches of bizarre and gothic !
The actors love their characters together, including Winona who totally ships them. To say that she played her character as being terrified of Beetlejuice is bullshit.
And even if his acting was out of step with the script, that's not the case. Because once again, Lydia is not traumatized by Beetlejuice even through writing.
Aside from the fact that Lydia doesn't want to say Beetlejuice's name to avoid screwing up her life again (and we understand), there is nothing that indicates a real fear of Beetlejuice, the individual, in her !
And no, Lydia does not have any trauma that caused her to hallucinate the Beetlejuice presence. We know it, we see it, Beetlejuice does this on his own, so when Lydia sees him it's real. These are not hallucinations resulting from trauma at all !
Yes, Beetlejuice is problematic, obviously he's a demon ! Yes, Beetlebabes also has problematic aspects, obviously since once again Beetlejuice is a demon !
(That's literally the whole appeal of this ship between these two... Nobody likes Beetlebabes because it's a healthy relationship !)
But I'm tired of people trying to make it worse than it is.
In this sequel, Beetlejuice literally saved Astrid, Lydia's daughter, and he also saved her from marrying a complete asshole !
Not only that, but the way he pursues Lydia, or courts her if you prefer, isn't really cringeworthy.
He helps her save her daughter. Saves her from a bad marriage. He plays the serenade. Gives her a hand kiss. Is ready to accept Astrid as his child. Offers her his beating heart (yuck), etc. Frankly, it's a good overall approach for me !
And even if it's frankly not cool to haunt her in recent years, the film suggests to us that it's really due to a connection between the two characters. So that balances it out a bit.
Frankly, the antis greatly exaggerate the issues of ship Beetlebabes and the character of Beetlejuice.
It's like those who say he's a pedophile, when he only seeks to marry Lydia for convenience in the first film, not because he has feelings for her. Plus people seem to forget that Beetlejuice comes from an era where girls generally married at the age Lydia was in the first film...
But hey. Really thinking about these is a bit hard obviously for the antis.
And I'm not even going to bother talking about those (like this second person) who think Beetlejuice having a picture of Lydia from the first movie on his desk is creepy...
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parkersgnome · 1 day
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⭐️Mima Rants⭐️
I remember coming across slidshow on tik tok this about a year ago, and even *I* (as someone who used to be grossed out by proshipping) thought was ridiculous…
This is the title of this slideshow.
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Just a heads up guys, just like our ships, None of these stories are real.
And if they were based on actual events, wouldn’t it make more sense to make a video about that instead of making up shit that never happened?
But, Let’s go through each of these as if they were real stories, shall we?
First one
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“Caleb uses the internet to deal with his trauma”, Alright, I’m gonna stop you right there.
Isn’t “Staying off the internet is beneficial for your mental health” something we learned in, idk, fucking grade school? Cyber safety PSAs in middle school? Something that dozens of people have screeched from the top of their lungs since social media was invented?
Who the heck told him that being on the internet was going to help with his trauma and improve his mental health???
His feelings are valid, I get that. He has every right to be disturbed by Sage’s writings and fantasies. However, it seems that Sage isn't encouraging these actions in real life and keeps them strictly within fiction. As long as it’s in text or art, Sage has every right to express his fantasies.
Anyways, Caleb should seek a better therapist who can teach him better coping mechanisms like going out for walks, yoga, baking, or some other fourth thing instead of browsing social media where there’s a good chance he can run into something that makes him uncomfortable.
Next one…
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“Jackie is 10-”
Yeah no no no no no no.. no… NO.
10-years-old. That’s, like, what? 4th grade? Shouldn’t Jackie be watching cartoons, playing with toys, or better yet, playing outside? Why did her parents give her internet access? Why aren’t they monitoring what their elementary schooled daughter is watching online?
If Charlie was going out of her way to promote this to minors then I would say she’s in the wrong, but this story never implies whether her content was specifically targeted to and/or letting minors come on to her account.
I've never seen proshippers create accounts specifically targeting children. If Charlie makes it clear her content isn't for kids, then it's not her fault if some random little girl she doesn’t know ends up consuming it.
If Jackie ended up being groomed and assaulted by her brother, it is her parent’s fault for neglecting her online safety and allowing her to access adult-targeted content at an age when media literacy is at an all time low.
The last one
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“dEGenErates LiKE hiM ���” 💀💀
Once again, unless you can present to me a REAL LIFE incest/pedophilia case where proshipping was involved, this is not a valid argument that fiction affects reality.
Alas, we're treating these stories as if they were real. If Trey feels compelled to SA his sister after seeing writings or drawings of problematic ships, this suggests he’s likely an untreated mentally ill individual, especially since he can't differentiate fiction from reality.
What? If Trey played GTA V and started shooting and robbing a bank because he wanted to be like Trevor Phillips, should we consider banning violent video games?
As proshippers, we do not endorse real-life criminals and genuinely terrible people. The essence of proshipping is that all negative or degenerate actions should be confined to fiction. Understand?
End of discussion.
Anyway, as ridiculous as that slideshow was, please refrain from harassing or bothering the artist who made it. They have the same freedom of speech we do, and stooping to harassment and bullying wouldn't make us any better than antis who promote such behavior.
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horsedisk · 19 hours
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There are good faith people who say things like “the meaning of the word ‘proship’ is so muddled” and “no one can decide what proship means” but I need the internet to understand the word proship has only ever meant pro(for) ship(shipping).
Like…“for shipping.” As in, “in favor of shipping.” As in, “let people ship whatever they like.”
Over time the definition of proship has expanded to “let people enjoy whatever fiction they like” which means the same thing.
How much more clear cut can you get?
The anti campaign to rebrand pro(for) as pro(problematic), or to equate “proship” to “people who ship illegal things” (???) and “people who ship incest and pedophilia” ≠ the term “proship” is “muddled” or that proshippers can’t make up our minds. It just means antis have shoveled around enough horseshit to irradiate the term. How many of these “no one can give you a consistent definition” people actually mean “I don’t want to use this term because it will mark me as a chronically online loser at best or a child predator at worst?” Like, please realize that’s not OUR fault as proshippers. Proshippers didn’t spread the misinformation. We weren’t the ones who turned a stance as normal as “let people ship whatever they like” or “let people enjoy whatever fiction they like” into a social death knell. You’re allowed to not use the term of course, but like. Can you please not kick the people who do use the term while we’re down? We’ve only ever wanted to play with our dolls and pay our taxes and mind our own business.
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merwgue · 11 hours
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Azriel & Rhysand: The Self-Hating Illyrians? Let’s Talk About That…
Alright, so let's dive into something that’s been bugging me for a while: the way Azriel and Rhysand talk about Illyrians—and how it mirrors their own insecurities and self-hatred toward their own race. Now, I know we all love our brooding shadowsinger and we tolerate (thats the nicest thing i can say okay???) Rhysand, but let’s call a spade a spade. These guys are racist to themselves, and it shows in how they talk about, treat, and rule Illyria.
First off, Azriel. The man has been through some serious trauma—no one is denying that. The abuse he faced as a child at the hands of his Illyrian family was horrific. But because of that, he carries this internalized hatred towards his own people. He sees Illyrians as “brutes,” and that’s not just a throwaway comment. It’s an insight into how he views himself as an Illyrian. He’s distanced himself from his race because it’s too painful for him to reconcile with what they represent to him—his own past, his pain, his trauma. Instead of embracing his heritage and trying to heal from it, he’s rejected it entirely, which is… problematic, to say the least.
Now, let’s talk about Rhysand. Yes, he’s half Illyrian, and yet, what does he do? He rules over Illyria like a colonizer. He’s constantly talking about how brutal and savage the Illyrians are, how they need to be “controlled” and “disciplined.” Sound familiar? Rhysand’s actions in Illyria are more about projecting his own insecurities about being half Illyrian than about actually ruling fairly. He’s ashamed of his heritage and so, instead of working with the Illyrians to improve things, he enforces harsh rule, stifling them instead of helping them grow.
What’s worse is that they both act like they’re doing Illyria a favor by stepping in and being these benevolent rulers. But honestly, what they’re doing is just mirroring their internalized racism. They can’t accept their own Illyrian roots, so they enforce those insecurities onto the people. Rhysand and Azriel might think they’re “better” because they’ve moved beyond the more traditional Illyrian ways, but really, they’re just turning their backs on their own heritage. And that’s not empowerment—that’s self-hatred.
Now, let’s touch on the Elriel shippers. First of all, ship whoever you want—I’m not here to police your ships. But what I am here to say is this: erasing Azriel’s Illyrian identity to fit into a certain romantic narrative is just wrong. Part of what makes Azriel, Azriel, is his struggle with his own identity. It’s his journey of trying to reconcile the trauma of his past with the culture he comes from. There’s depth there, and it’s a storyline that needs resolution, not erasure.
Some Elriel shippers think that in his potential book (if SJM ever gives it to them), Azriel should fully distance himself from Illyria, take off his tattoos, and basically reinvent himself into a whole new character. Excuse me, but what? That’s not character growth, that’s character erasure. The Illyrian tattoos are a symbol of his heritage, his connection to his people. Sure, he has a lot of complicated feelings about Illyria because of his past, but that doesn’t mean the answer is to remove all traces of it from his life.
You can’t just “remove” your culture. It’s something you’re born into, something that shapes you, whether you like it or not. It’s tied to your ancestors, your lineage. For Azriel to fully come to terms with who he is, he has to accept that, yes, he’s Illyrian. He can’t get over that by erasing it—he has to embrace it, faults and all, and move forward. That’s what real growth would look like.
By pushing for Azriel to cut ties with Illyria entirely, some of these shippers are promoting a racist narrative, whether they realize it or not. It’s saying that Azriel can only be worthy of love or redemption if he fully removes himself from the culture that raised him. And that’s just wrong. His identity crisis is not something that should be “fixed” by wiping the slate clean. It should be something he works through, learns from, and ultimately accepts as part of himself.
In fact, if we want real character development, Azriel’s arc should focus on him embracing his Illyrian heritage, understanding that while there are negative aspects of his past, that doesn’t define all of Illyria or his future. His story shouldn’t end with him running away from his culture, but with him reclaiming it on his own terms. The Illyrian culture, with all its flaws, is still his culture, and rejecting it completely would mean rejecting a core part of who he is. Instead of distancing himself further, Azriel needs to find a way to reconcile with the Illyrian identity, maybe even becoming a figure of change within his own race. Rather than mirroring the oppressive behavior of Rhysand, who seeks to control and stifle the Illyrians, Azriel could be the bridge that finally helps Illyria evolve into something better—something that preserves the strength of its people while discarding the more harmful traditions.
Imagine an arc where Azriel not only accepts his heritage but becomes a leader for Illyrian reform, where he champions education, equality, and opportunity for both the males and the females of his race. That would be growth. That would be healing. And let’s be honest, Azriel’s character needs that kind of closure after all the trauma he’s been through. But it has to come from a place of embracing who he is, not trying to erase it.
Now, coming back to Rhysand for a second—his treatment of Illyria is a whole other can of worms. It’s easy to label him as a progressive leader because of how he treats some of his people (read: his Inner Circle), but his actions toward the Illyrians tell a different story. Rhysand rules Illyria through fear and force, much like the High Lords he claims to be better than. He keeps the Illyrians in line with brute power, allowing their wings to be clipped, their women to be oppressed, and their men to be locked into a cycle of violent traditions. And let’s not forget, he’s never really done anything to truly help the Illyrians rise above their current state. Instead, he’s more focused on maintaining control over them, making sure they don’t challenge his authority.
Rhysand’s rule in Illyria is a dictatorship, no matter how you spin it. He pretends to be “freeing” people, but what he’s actually doing is ensuring they stay under his thumb. And Azriel, who has internalized so much hatred for his own race, is complicit in this. He doesn’t push for change or reform because he’s too caught up in his own disdain for his heritage. In a way, Rhysand and Azriel’s attitudes toward Illyria are two sides of the same coin. Rhysand rules it with an iron fist, and Azriel, with his internalized racism, sees that as justified.
Let’s also not forget the dynamic between Rhysand and Azriel within the Inner Circle itself. The Night Court, while seemingly “progressive,” is built on a hierarchy that’s not so different from the oppression they claim to fight. Rhysand keeps a tight leash on his friends, and Azriel, with all his inner conflict and loyalty, falls in line. His insecurities about his heritage make him more susceptible to Rhysand’s control because, in a way, Azriel believes he’s lesser. He believes he’s damaged because of his past, and that allows Rhysand to subtly manipulate him, never pushing him to embrace his Illyrian roots, because that would threaten the order Rhysand has established.
Which brings us back to the issue with the fandom. There are fans out there who, for some reason, want Azriel to completely erase his Illyrian identity, thinking it’s part of his “growth.” But how is denying where you come from, and what shaped you, growth?
The idea that Azriel could just “remove” the Illyrian part of himself and somehow become a better character is incredibly damaging. It promotes the idea that you can (and should) sever ties with your roots if they’re painful or complicated. But that’s not how real people heal, and it’s not how characters should evolve either. If anything, Azriel should be diving deeper into his Illyrian heritage, understanding that while there’s darkness there, there’s also strength and resilience—and that’s something to be proud of, not ashamed of.
In the end, what Azriel needs isn’t to “get over” being Illyrian. He needs to accept it, embrace it, and find a way to redefine what it means to him. And Rhysand, for all his posturing as a forward-thinking High Lord, needs to stop ruling Illyria with fear and suppression, and instead, actually help his people rise up. Otherwise, they’re both just perpetuating a cycle of self-hatred and control that benefits no one, least of all themselves.
Ty @shadowqueenjude for the idea pookster
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peculiarbeauty · 1 day
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kinda psa but
been kind of nervous about giving my thoughts on this but there has been a few people who attempted to follow me that i would feel safer with if i didn't see pairings they wrote that are um. a little pro shippy ? i'm uncomfortable with the romanticizing of characters that are incestual , abusive , or overall just deemed hugely problematic. for example , belle does not like gaston. i would never make the excuse that she somehow could COME AROUND to liking him to romantically ship with a gaston writer. belle is abused by gaston. he hopes to control her and is incredibly problematic with how he wishes to possess her. he is jealous , vindictive , narcissistic , and even when she makes her feelings clear that it is held with someone else .. he wants to kill the person who is in his way of being with her.
also obviously i do not write snow white but i HAVE wrote her and this was prevalent on my blog when i did. snow is canonically 14 years old. things outside of giddy laughter and childish cutesy banter that go into inappropriate territories i do not believe should somehow be JUSTIFIED. i'm uncomfortable with that just as i am uncomfortable with people writing pairings that are problematic under the guise that it's essentially okay that this happened. so anyway ?? even if i might LIKE your portrayal , if you tend to gravitate towards pairings that are very very problematic and attempt to justify that .. i just cannot in good faith support following.
i want to treat this as a place where we can all write our barbie doll characters and live in our fictional worlds and stuff but then also .. i don't want to sweep aside my own feelings on the matter. and tbh i'm also not saying you can't love a villain's arc because i LOVE a ton villain arcs. so yeah !! here's to setting my own boundaries on the matter.
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starrysnowdrop · 1 day
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Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?
Ohhh now this is a good one, as this is something that I’ve been told, that I have inspired others to “overcome their fears” of shipping based on certain stigmas in the FFXIV fandom, so let’s get into it shall we? Oh and I will apologize in advance, as this WILL get long.
The Stigmas
Hali x Aymeric
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So for Hali x Aymeric, the obvious stigma is that Hali is a lalafell, and Aymeric is not. Though I’ve seen lately that this stigma has waned a bit, especially here on Tumblr where people who infantilize lalas don’t seem to last long, but keep in mind that there is still plenty of lala infantilism on the bird app and other places like Reddit and in game.
For my main ship, that is really the only thing that I see that makes the ship “problematic” to some in the fandom; some people still see lalafells as “child-coded”, despite lalafells being a fantasy race of little people, no different to gnomes, hobbits, dwarves, etc. in other fantasy media, and despite the in game world treating lalafellin adults the same as any other race.
Yume x Zenos
(Yume’s blog: @firelightmuse)
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So for Yume x Zenos, but also to a lesser extent Urania (Hali’s Azem) x Hermes, and my other secret ship that I haven’t revealed yet because it’s still in development, these ships fall into the category of being “problematic” because they are Hero x Villain ships at their core, and because Zenos, Hermes, and the secret ship partner are all major antagonists in the story, they have many haters.
Now there isn’t anything wrong with not liking certain characters, as I truly think we all have certain characters that we just don’t vibe with for one reason or another. But there is a problem, however, when people go after villain shippers just because they happen to not like those characters.
Just like with the Lala infantilism problem, villain ships get a lot of hate in the fandom, but for different reasons. I would guess that the main reason is the haters assume that villain shippers either don’t see that the villains have done bad things and/or try to minimize or excuse the villains’ bad behavior. Now I won’t say that there aren’t a few people out there who will truly excuse a villain’s bad behavior and try to make them out to not be as bad of a person as they are written in canon. But I really do think that there’s not as many of them as the haters are likely to believe.
Remember: just because someone is a fan of a villain doesn’t mean they agree with their actions, and a writer is NOT the same as their character. For example, Yume may minimize and/or downright ignore all of the pain and suffering Zenos has inflicted upon not only her, but innumerable others, doesn’t mean that I as Yume’s writer share the same views. I actually consider Yume to ride the thin line between anti-hero and villain herself, just so y’all know.
How to Overcome the Stigmas
So now that the individual stigmas of each of my ships have been outlined, how did I overcome the stigmas? And how difficult was it for me to do?
Well, if you’ve followed me for several years already, you might’ve seen that Hali, my lala WoL, is not the first WoL I have written. That honor goes to Yume, who is a Raen Au Ra and she doesn’t come with the same stigma that Hali does as a lalafell. So I had the privilege for several years of being able to write Yume without the infantilism that Hali would have to fight against in the fandom. But those years gave me enough courage in my own writing to create Hali and to fend off the stigma of lala x non-lala shipping and my own insecurities surrounding it.
Though it was difficult, and it took me a long time to do so, I eventually realized that I was happier and way more fulfilled when I wrote what I wanted to and not what I thought my followers or my friends or anyone else wanted. Trust me, I tried more “popular” and less “problematic” ships before, and even though they were nice at the time, I ultimately dropped them because I realized that I didn’t feel fulfilled, and that I was scared to write for more “problematic” ships because I feared the backlash.
One HUGE thing that I highly recommend is to find yourself a good support system to surround yourself with. Whether that be reaching out to your mutuals here on Tumblr or joining discord servers with like minded individuals, having people there who can help you through your journey in shipping will help greatly! Trust me, I wouldn’t be where I am today without my support system to be there for me when I’m having a bout of anxiety and/or insecurity with my writing.
Another thing that I highly recommend you do is to Unfollow, Hide, and/or Block haters liberally!! Please, it’s for your own mental health and wellbeing to do so! If you’re wanting to ship your lala oc for example, never hesitate to block the lala haters out there! No good will come from seeing the hate all over your feed, because it will just bring you down.
That’s about all I have for now. If you have any other questions on this subject, please do not hesitate to send me a message, DM, or ask!! I am always happy to help with any questions or advice when it comes to shipping! Thank you so much @mimble-sparklepudding for the ask, and thank you all for reading this very long winded answer!! 💖
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l0stfoster · 1 day
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What's your opinion on Cursed Tulsa OC's?
Answering this real quick bc I just got the notification for it but I am SO open for OC's!! The AU in itself is a creative medium, I'd love to see how you guys would find a way to merge any Outsiders OCs you have into the mix! Hell, I did the same thing when posting about Sam. I like to imagine OCs would simply pop up in the background as extras; it also opens up the chance to experiment with the types of curses that populate Tulsa!
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I think my only criterion for OCs within the AU is that you don't break away from characters' canon plotlines or their relationships, and don't make them weirdly overpowered. I don't think I need to specify that problematic shit is a no-go. For example, an OC can't interrupt something like Two's jumping or Dally's near-death experience, nor can they do something like impact the familial relationships characters (like Ace, Two, n Dally) have. A curse-related example is that an OC can't be a witch unless they're related to Paul, due to his bloodline being directly tied to the curse's creation. Soc OCs are sort of difficult to go about since they aren't supposed to have curses, but if you'd like to give them one, just keep that and power balance in mind. Things like omnipotence or reality-bending are also off the table due to generally being very overpowered, apologies </3. I'd love to see you guys experiment, though! There might be a few things that don't work with what's currently set in stone (ie; something like a centaur curse wouldn't exist) so don't be afraid to ask if you aren't sure!! Shipping OCs with Canon is where stuff gets a little,, messy. Since a lot of the plot does include focusing on pairings (such as QPR Johnny & Pony, or Darry x Paul) I don't really know how someone could go about doing that while keeping it canon to the AU's plot. I'd definitely recommend waiting to character-ship until I can get our sexualities/relationships listing posted since that'll provide some clarity to what the writers and I think, even though I like to leave stuff up to interpretation. You can draw ship art of your OC's with them if you'd like, but there's a lot of grey area at this time. TLDR: OC's are welcome and, to an extent, canon in the plotline as background and world fillers. I'd love to see how you guys merge your characters in, but avoid OC x Canon for now.
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roblogging · 3 days
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i've had a LOT of people message me about the reboot video and the other discussions that i've had recently about jkr, about fandom, about being trans in fandom.
and i just remembered about this draft from before i even posted that video, and i think it sums up how i feel pretty well.
as a fandom, i think we need to clarify again what reclaiming a space means.
because it is not removing ourselves from the artist, especially not one as problematic as jk rowling. it is impossible for us to separate from her views as they are the forefront of her person and are heavily embedded into her works. to separate entirely is not possible, and to strive to do so is, in my opinion, optimistically ignorant.
we cannot separate art from artist when confronted with two-dimensional female characters that we have to bulk out through fandom. we cannot separate art from artist when gender norms are prevalent in the works (see here: rita and umbridge - villain women - being described as masculine). we cannot separate art from artist when queerness is attacked in her works (see here, less vividly: harry being treated awfully at a primary school called. stone. wall. (arguably a reach, i agree)). we cannot separate art from artist when names likes cho chang and kingsley shacklebolt are a thing. we cannot separate art from artist when, in books published during the irish troubles, the one irish character's entire personality is blowing stuff up.
the nazi imagery (see also: jkr denying the holocaust), the antisemitism, the oppression of women, racism.
her entire transphobic platform that has now gone on to harm cis women (which, by the way, trans people have been screaming for years that transphobia harms cis women, and we weren't listened to. see again: rita and umbridge. if you are not feminine and pretty, you are bad).
we cannot separate art from artist and we shouldn't.
reclaiming a space means that those marginalised communities? every single one of them? every single person who was harmed by her works and her subsequent platform? they can find a space in fandom.
they can find works that represent them, works that rectify the harmful stereotypes in her books, works that are inclusive and safe that still allow us to engage with the world that we love.
they can be safe.
you can engage with fandom however you want. whatever ships, headcanons, stories, ANYTHING. you can engage with it however you want.
as long as your wants do not harm others.
and even then, we cannot stop you from doing that. all we do is ask that you acknowledge that this is not reclaiming.
you cannot reclaim a space that causes harm by causing harm, no matter how indirect.
we cannot separate art from artist, no matter how badly we want to.
we can 'separate' our works from her views, absolutely. we can say that these works do not align with her views and alleviate the harm caused by what she wrote, i agree.
but that is all.
her merchandise, her parks, her books, her films, her reboots. everything with her name on and her bank account attached?
we cannot reclaim those. we cannot separate those.
and i will not pretend to be perfect. i will not pretend that i don't have merchandise, or even that i haven't considered purchasing more. i was literally contemplating going to see cursed child a few months ago, arguing with myself to try and justify why that would be a once in a lifetime experience for me.
but so was starting hormones. so was getting my top surgery approved. so was coming out and subsequently moving out of an abusive home. so was changing my name. so was living.
going to see cursed child would have been a once in a lifetime experience for me, yes. but at the cost of funding a woman who does not want me to have the same lifetime as cis people. at the cost of providing money to a woman that does. not. want. me. alive.
and it's so easy to say that one person doesn't make a difference, and i agree! i have literally said this before!
which is why i have used the collective we throughout this post.
but i also think, it's worth acknowledging that one person can make a difference. and that one person is jkr.
it is not reclaiming a space to simply say that you do not stand with her.
it is not reclaiming a space to exist as something jkr hates - i am not reclaiming this space by existing in it as a trans man. my existence is not a form of protest.
boycotting is.
it is not reclaiming a space to say "fuck jkr" and then profit her.
it is reclaiming a space when your actions reflect your words.
and that is the bare minimum.
we cannot change the source text or the views that went into them. we cannot change jkr's personal views or the way that she chooses to use her money.
we cannot use the term "reclaiming the space" to feel better about our actions, and to avoid accountability. not when funding her account.
and i don't want to hold people to account. that's not my goal; never has been, and never will be. i am not typing this to cause further harm, or to point fingers, or anything like that.
i am typing this to clarify what i mean when i say reclaiming a space, and ask that those who disagree do not enter the space i have forged for myself here.
to ask that those who put once in a lifetime experiences over me living a full lifetime do not enter my life. here for a good time, not a long time, right?
i am not in this space to explain why jkr is a bad person. i am not in this space as a form of protest. i am not in this space to explain to people that their actions have consequences - that's for teachers in nursery to explain.
i am in this space because it's fun.
and i feel annoying talking about it. i feel like i'm annoying people by bringing this up time and time again, but, to be honest, i hope that they feel the discomfort. i hope that they do get annoyed, and i hope that they recognise that any annoyance they feel about me speaking up about transness in the marauders/hp fandom does not come anywhere close to the annoyance i feel watching these videos.
because i shouldn't feel the need to take a step back from engaging interactively in fandom.
i shouldn't need to cater my online experience in a fandom that claims to be all inclusive, to get rid of people that aren't?
and these conversations are uncomfortable and, yes, to the people that it addresses, they likely are annoying.
but it makes my space feel safer. it makes me feel safer. it's allowed me to talk to now over 100 trans people in this fandom about their experiences, and made me feel less alone in this.
so yeah, i feel annoying. but i won't apologise for making my space feel safer, and i certainly won't do so to people that have shown inconsistent/no regard to the safety of these marginalised communities.
this is me ✨reclaiming my space✨ if you will
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aborddelimpala · 9 months
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hey really don't know what is mean proship. can you explain to me? thx 😊🙏
Sure thing hun' 😊
Being "proship" means I accept any pairing in fiction. I don't care what people ship and if a ship irks me or makes me uncomfortable, I just stay away from it.
I think shipping is fun and if you enjoy two characters being together together, go for it. Who am I to tell you you shouldn't ship it ?????
Ship and let ship 😉
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follow up to the Batman post. I genuinely do have trouble distinguishing between reality and fiction and I have “problematic” kinks that I totally would do irl(cannibalism). should I or should I not have these problematic ships and kinks, seeing as I’m a bit of an outlier?
oh dude "should I have these kinks?" is like. that's not even a question, okay? that's like asking "should I have these hands?" it's way too late, you've already got them. "should" doesn't even have anything to do with it. an actual relevant question is "what am I going to do with these kinks or these hands?" and if you sincerely think that the answer might be that you're going to hurt someone in ways that fall outside the purview of consensual sex then yeah, it's probably best to seek some outside help. the problem isn't the kink; again, there are tons of people with #problematic kinks who go their entire lives without hurting anybody. the issue isn't having a kink it's hurting people. which, again, are two different things, thoughts and actions are different things. there is no meaningful conversation to be had around "should I have xyz thoughts" because that's thoughts and if you get mad at yourself for having thoughts you are going to live a miserable life. but there is a correct answer to "should I actually for real cannibalize people" which is. no.
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ecoterrorist-katara · 3 months
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Ka/taang: friends-to-lovers or the Friend Zone?
It’s almost axiomatic, in any ATLA shipping discussion, that Ka/taang is the friends-to-lovers ship while Zutara is the enemies-to-lovers ship, and that differences in shipping tastes can be boiled down to whether you prefer FTL or ETL.
My first ship was Percabeth. My biggest ship was Klaine. It took me until Mockingjay to let go of my Gale-and-Katniss-are-childhood-friends rose-tinted goggles and start liking Everlark. I started dabbling in ETL because of Zutara, but I’m incredibly picky about it (do not ask me how many Dramione fanfics made me irrationally, disproportionately mad).
All this to say: as a longtime friends-to-lovers enthusiast, I should theoretically love Ka/taang. But…
My difficulty with Ka/taang as a friends-to-lovers ship boils down to this: Aang and Katara’s friendship was always narratively framed as insufficient, because Aang liked her from the start and always wanted a romantic relationship. And imo that dynamic really colours their entire friendship.
I like to think Aang would’ve been a ride-or-die friend — the type to give up the Avatar State to rescue her, the type to commit ecoterrorism and help her get arrested, the type to make her a flower necklace to cheer her up — even if he didn’t have a crush on her, but I will never know that. We never got to see the pure friendship part of friends-to-lovers, because the spectre of the romantic relationship was always there. Before the last five minutes of the show, Katara’s feelings for Aang range from “plausibly interested” (The Headband, Cave of Two Lovers) to “doesn’t hate it” (Day of the Black Sun, The Fortuneteller) to “no” (Ember Island Players). Yet Katara’s eventual capitulation to reciprocation of Aang’s feelings was always depicted as inevitable, starting from s1 when the prisoners during Avatar Day reassured him that she’d “come around” because he’s a catch. It’s as if friendship, even one full of devotion and mutual love like the one they share, is not enough.
And that’s just totally antithetical to what I love about a friends-to-lovers dynamic. I love romances where characters value each other outside of attraction, when they see each other for who they are (this goes double for pretty characters like Katara, whose complexity and imperfections are just as important as her beauty and her care for others). I love the idiots in love sub-trope, where they’re obviously into each other, yet do a bunch of mental gymnastics to remain in comfortable denial (we got a little bit of this earlier in the series, but by s3 we were firmly in Aang-pines-and-Katara-deflects territory). In every friends-to-lovers story I’m simply obsessed with the confess-and-kiss scene, but the version we got in ATLA was ruined by the lack of reciprocation, twice.
Over time, because Aang was written as so insistent about his affections, Ka/taang went from a friends-to-lovers story to a Nice Guy Friend Zone “why doesn’t she like me” story. I mentioned Everlark earlier: I got the same ick for Gale in Mockingjay as I did for Aang in s3, where the woman is not interested yet he still badgers her about it. (And considering Gale is canonically hot, I don’t think the relative attractiveness of Aang is the issue here). But Gale’s insistence was presented as his problem, his lack of empathy, his self-righteousness; Aang’s insistence was just a part of his quest to get the girl.
A lot of people say Zutara is a female fantasy, whether they mean it in a positive or pejorative way. Nobody says the same about Ka/taang, even though women definitely have friends-to-lovers fantasies too. A good friends-to-lovers story reminds me of all the times when I was an idiot before getting together with a friend I was actually head-over-heels for. Ka/taang reminds me of all the times when I was not interested in a friend and they didn’t respect my preference. Friends-to-lovers is a delicate balance, maintained only by unerring mutual respect and unconditional care for each other, and it can veer into Nice Guyism if the writers aren’t thoughtful about why this dynamic is so appealing. Which is exactly what happened with Ka/taang.
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sallufix · 2 months
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doodle request: alastor & velvette hanging out? :)
They have such different styles and opinions it's hilarious... Alastor would try to be respectful and gentlemanly of course but Vel is well... respectless, and I love that contrast lmao
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Okay literally no one asked but as a former Hobbit movie hater who has since experienced character growth, I feel compelled to share my thoughts on the movies on my gay little blog.
Listen. There are legit reasons to be critical of these movies. They were made on a rushed timeline, at time where CGI overuse was the thing and there are definitely unnecessary moments. But despite those issues, these movies still have a lot of heart and character and some really wonderful acting! To compare them to LOTR, is unfair I think because LOTR was such an unimaginable success and I truly believe no other movie franchise can do what those movies did. To expect the Hobbit movies to be the same caliber considering the behind the scenes drama and massive difference in timeline is just not it.
Truly I think that the Hobbit could have been much more than it was and it’s sad to see the amazing moments and realize that we could have had movies that were maybe closer to the level of LOTR, but that doesn’t take away from all of the great things that the movies gave us! Despite what he may be like irl, Martin Freeman was a great young Bilbo, Richard Armitage was insanely good as Thorin (despite the change in age) and the other dwarf actors brought a great sense of loyalty, brotherhood and shared loss to their roles. The music is still dope as hell and there are some beautiful shots despite all the CGI.
This is way too long and I’ve not said anything that hasn’t been said before but honestly, I’m so glad that I stopped hating on these movies and have seen the special things about them. Nothing will ever compare to LOTR, but that doesn’t make these movies bad. They’re fun, they’re emotional, they have great characterization and it’s super valid to enjoy them.
Final gay thoughts because I’m obligated, but I struggle with people who argue against Bagginshield with the whole “why does everyone have to make everything gay?” thing. Because Hollywood is so deeply homophobic that we see so little genuine queer representation, so forgive us for enjoying the chemistry we find and making it our own since our society gives us breadcrumbs. If you’re not into Bagginshield, totally legit and fine, but don’t hate on other people (especially queer people) trying to find some romantic love in media that we enjoy. Also no one can convince me that Richard Armitage wasn’t at least somewhat intentionally putting his queer energy into this role, I will die on this hill.
Anyway, TL;DR there’s no shame in liking or loving the Hobbit movies despite their faults and there are lots of things to appreciate and enjoy and I for one, am glad to leave my LOTR purist hater days behind me
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emahriel · 10 months
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as my good friend and i like to remind each other:
don't yuck people's yum. if you do so, at least keep it in the dms. no point in making people feel absolutely miserable for liking a certain thing, for having an oc you don't like - whatever it is. people constantly hating just for the sake of hating truly sour the fandom experience on social medias. there's a problem if the only way you feel better is by making others feel like crap.
and you, who shares the things you love online, who creates original characters and talks about their ships - know that you will never be able to please everyone and that's okay. don't let it stop you from sharing what you love, if it brings you happiness then keep doing it. you don't owe anyone anything, if what you like somehow upsets people, they can very easily just block you and move on. it's really that simple!
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