like, hear me out. If no one helped Kino escape then he would still be there. And the ISB will be majorly interested in this prison break.
And since he and Cassian left the two people from the command center alive, they can also identify Kino as one of the leaders of the revolt. So the ISB is gonna interrogate him and it won't be pretty.
And after that? Well, it's the empire. They take pleasure in sadism and figuring out how they can ruin a person's life the most. So they won't just kill Kino. No, they will just transfer him to a different prison, give him 30 years or something as a sentence, the time doesn't really matter. The point is, they want to make clear that he will never ever have the chance to get out again. That he will die a prisoner.
Sorry but I'm just so emotionally affected by this because I loved Kino's arc, how he overcame his incredible fear and led the men to freedom, knowing he won't have a part of it. One of the bravest characters and one of the best arcs in the show
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Being a creative with adhd is so weird because you want to make things so badly but your brain is just refusing to, so you’re just stuck there replaying the exact scene or piece of dialogue or drawing or cinematic shot in your mind while not actually being able to do anything. But at the same time the adhd is actively giving you unique creative experiences and ideas and it feels like a fundamental part of you as an artist. It’s such an interesting dichotomy of feeling the thing that you want to make so strongly and wanting nothing more than to just pour it all out but also being completely unable to do it, and that coming from the same source. But then also you have to live through said dichotomy and it just becomes completely and overwhelmingly exhausting.
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Who’s the fire lit for?
In Part 45 we are introduced to Malam, a mysterious character who seems to enact justice for children who die unjustly.
He approaches Arthur, and seems surprised when he discovers that he is the one who lit the fire, as he expected a child to have done so.
I don’t think Malam’s expectations are completely unfounded, as it is not really present Arthur who lit the fire... but the child that went to the Boys' Brigade who did:
I think that Arthur unknowingly lit the fire both for Faroe and himself (or more correctly, his past child self). Malam was not called in by the fire to bring justice to just Faroe, but also to Arthur.
Arthur had been forced to metaphorically kill his child-self and his innocence and forced to grow up too quickly for his own good. His childhood had been cut short so suddenly and brutally by his parent’s death, a grief too big and complicated for a young child to understand and work through.
Even now, on the inside, Arthur is still that wounded and timid child. He is still carrying that pain with him. However, the hostility he had to live throughout his life only granted him more wounds and bruises. The soft, childlike and gentle parts of himself were hardened under layers and layers of scar tissue. Arthur had to learn pretty quickly that it was never safe enough for him to be kind and patient with himself. He was never given the time to process his traumas. No one taught him or showed him the love and care he so desperately needed and cried for so long for.
The hurt was drowned by more hurt and it was never tended to, never really cared for. But it never really disappeared or healed. It always stayed deep within him.
But now (finally), for the first time, Arthur’s most devastating traumas (the loss of his daughter, and the loss of his own innocence) have been recognised.
His childhood cry has been finally answered.
The kid Arthur was can finally rest now that Malam stopped by his fire.
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Obsessed with authors like Naomi Novik whose books always seem to say “no, fuck that, there is another way than cruelty, and we do have a choice to be decent, and not choosing it isn’t a burden but a cop out.”
Authors like Neil Gaiman whose books seem to say “we are all simply human, and that is so valuable. This world is worth more because we are in it, when we choose to notice and care”
Authors like Brandon Sanderson whose books say “We are all a little broken, and there is strength in not turning away from us, and there is pain in healing but there is also strength and hope.”
Seriously, these folks do more for my faith and hope in this life than any religion ever has. I don’t have the words to describe it yet but just. Warm cup of apple cider held close to the chest on cold autumn night?? That’s the best I got
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Rosie at the flak house is like... he's compartmentalising... he's holding it together, but he's scared that if he stops, actually stops, he won't be able to get in the saddle again. That if he actually thinks about Munster, then he won't be able to stop thinking about it.
It's Rosie keeping to himself almost the entire time he's there, watching from afar - watching his men laugh together and cry alone - but just that, watching, and never with them. It's Rosie not sleeping, it's Rosie and this underlying sense of dread of how the hell he's going to get back in the plane.
Then - it's Rosie's conversation with the doctor. Rosie's the drummer, and yes, he has to keep his own beat, but he has to keep everyone else's beat too. If Rosie's rhythm is disrupted, then his crew's rhythm is disrupted. And it's only then, that pushes Rosie to pull up a chair and sit with and comfort his crew at the flak house.
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