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#there’s more I know I’m just blanking
blimpintime · 1 day
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cursed : azriel x reader
in which azriel has a crush on a witch, and thinks she cursed him.
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warnings: none (unedited)
word count: 1.4k
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“She’s quite the character huh?” Cassian says to Azriel, staring at you. He grunts in response wondering why you are currently in a handstand competition with a couple of kids in the middle of town. Kind of in awe how your little black dress didn't fall down to your face with you being upside down, but that's a perk of being a witch, he thinks. 
As if you heard them talking about you, your gaze finds theirs. You grin and then lose balance and gracefully fall out of the handstand. It being the last day of summer did make it a cool one but still having been outside with a summer camp of kids you were quite dewy with sweat. Your face was flushed and damp as you made your way towards the two men. 
“Hi Cassian!” You say with a grin, you turn and look at Azriel, your smile falling into a smaller one. “Spymaster.” You nod. Cassian lets a chuckle slip through at Az’s blank face. You were always like this with him. He never fully understood why. You kept him at a distance always but managed to be involved in every one else’s business. He often thought it was because you could not stand him. And then he thought you were terrified of him, because let’s face it, that was more believable.
You were making small talk with Cassian when Azriel started to get lost in his mind thinking of you and how it seemed you teased him on occasion. With your little quips here and there. Constantly smelling like those fresh baked chocolate-chip muffins that were his guilty pleasure to eat when he got back from long missions
He noticed eventually that Cassian had walked away from you two when a group of kids started playing tag with him. He turned to look at you where you decided to sit on the grass, he made a quick decision to sit next to you. Both of you were silent, but for once it was comfortable.
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The path leading up to your small little house on the bank of the Sidra was always well lit at night. Glowing with purple and orange lanterns their reflection makes it seem brighter than it was that night. Your house was on the smaller side (still fairly large all considering.) But you loved to host seasonal parties due to them being in connection with your magic and since summer was ending and fall was starting, it was the perfect time to throw one of your celebrations. 
Currently the Inner Circle is in your living room drinking and eating food you have made for them. Your familiar, Silly the tabby cat, has made their home on Azriel’s lap. He doesn’t seem to mind though. Gently petting the cat's soft fur. You stare at them from the kitchen with a soft smile on your face. 
“You could just tell him you know.” Nesta says from behind you, scaring the absolute shit out of you. You place a hand over your chest and let out a deep breath. “Nesta, I’m going to put a bell on you.” She laughs lightly as you scrunch up your nose. 
“I am not joking though.” She says softly, and you look back at him now playing with Silly on the couch. “He can’t even stand to be in the same room as me for more than ten minutes. There is no way I could tell him how I feel.” She hums in response. 
“I think you’d be surprised.” And then she walks back out to sit with Cassian. You did deeply care about Azriel, borderline loved him. You felt connected to him in a way you couldn’t describe, just that your soul was at peace with him. Your magic proved that theory too. It sometimes appears to you in colorful hazes around people. 
Every color had a different meaning, the majority of the Inner Circle had a warm orange around them. Your magic had to be newer or just not have a written history because there is barely any research on what these colors mean.  However, you chalked it up to orange meaning some of the most important people in your life. Azriel though, he had a beautiful blue humming around him almost constantly for you, and you had no idea what that meant.
You must have been lost in thought for a while because the next person to scare you was Rhys with Nyx on his hip. He was building another plate for Feyre and Nyx to pick off of. 
“You okay?” He asked you softly. Nyx’s grubby hands reaching for the fresh food on the plate, you and Rhys both grin at that. You nod your head in response to his earlier question. 
“Maybe ask him to hang out with you?” He says, like it's that easy. You shake your head, “I don’t know about that.” 
“Well, it doesn’t hurt to try.” You watch him leave the kitchen and decide it's time to do the same. 
You follow Rhys back into your living space, where it's warm of laughter and love. You sit down on the only open seat, which happens to be on the couch next to Azriel. Silly runs over to your lap and demands petting. You look down at the orange cat with love and when you look back up you meet Azriel’s puzzled stare.
“What?” You ask him softly, nudging the cat off your lap gently. You turn to fully face him when he abruptly stands up. He grabs your arm and pulls you towards the outside. 
“We will be back.” He says gruffly towards everybody, dragging you along.
“Please for the love of Mother, take your time.” Cassian says with a cheeky grin, “We have bets placed.” to which earns him a vulgar gesture from both you and Azriel.
When you go outside he drags you closer to the river and further from the house. Probably to avoid prying ears and eyes, but with everyone’s magic you go ahead and place a sound proofing spell over the two of you.
“Is everything alright Azriel?” You ask him after a moment of silence. He turns back around to look at you with something close to… fear?  
“So, what is it?” You look at him deadpanned and tilt your head in confusion.
“What spell did you place on me? Why, when I go to sleep I think about how I hope you had a good day. When I wake up I wonder if you actually ate breakfast and not forgetting after you have your morning coffee. And tonight, I wonder where you go when this party is mainly in celebration for you and I am busy playing with your cat and not with you.” He gets out in one breath. I stare at him for a moment and when I open my mouth he interrupts me again,
“Why is it when you are near my hands shake less and my worries ease but when you are gone I crave your scent. What curse? What spell?” Azriel genuinely looks shaken for a moment, and for a second so do you. 
“I didn’t know you felt that way too, Azriel.” You say and approach him with a soft smile. When you guys finally make eye contact though something inside you both, snaps. Your eyes widen and so do his. Mate.
You let out a little giggle that eventually turns into a full laugh. “You thought I cursed you?” You say through giggles, “I thought you hated me Az.” 
“Ah, well that goes both ways.” He responded with a smile. You look at him in confusion. “I could never hate you.”
“You couldn’t stand to be near me.” He quips back.
“No. You couldn’t stand to be near me.” You say and jokingly sniff at him. He shakes his head and grins. “We are both stupid.” You nod your head in agreement. 
“A couple of stupid mates, huh.” You look up at him, now leaning shoulder to shoulder. 
“Yeah something like that.” And then he kisses you. 
Warm lips slotting over yours softly, you both start getting a little more heated with each other. Hands finding their way into your hair while yours go around his neck. His lips softly biting yours and then pulling away. You arch and reach up on your tiptoes in a feat of chasing his lips. He grins at you, puts his hands on your cheeks and kisses your nose. 
“Let’s go back inside.” He whispers and leans back, as if he’s afraid that this will all be a dream if one of you speaks too loudly.
“I am kicking everyone out the minute we get back inside.” You whisper back and kiss his collar bone. 
“That sounds great to me.” he says and with that you both walk back to your house holding hands. 
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a/n: so this was completely self indulgent, I wanted a cozy azriel fic!
please tell me what you think!
I don't own any characters that sarah j. mass created.
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00kittenz · 1 day
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── piece of cake ! ( lhs ) 🍰
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๑ You and Heeseung attempt to bake together as a fun, cutesy bonding moment— but things don’t end up going quite exactly as planned…
pair: bf!heeseung ㅊ gf!reader | warnings: fluff, smut, my very weird and bad sense of humor lol, #epic fails, hee is sooo babygirl in this, praise, lots of kissing, mwah mwah, soft dom!heeseung, fingering, piv, breeding kink, grrrrreer lovey dovey relationship :3 | words: 2.0k
this was supposed to be short n sweet but it got a bit longer than intended oop- i think this might be the cutest thing i wrote yet ahhh
✦ .  ⁺   . ✦ .  ⁺   . ✦
“ten..nine..eight..seven.. six,” you slowly count the minutes passing by from pure boredom, eyes squinting at the pink clock that sat on the milky colored walls of your kitchen.
you tapped your acrylics on the marble of your countertop, double checking all the ingredients you had set out for tonight’s adventure. you and your boyfriend, heeseung, decided to have a baking date tonight. it marked your one year anniversary yesterday, but even so, heeseung still wanted to celebrate for the entirety of the week. so today is essentially part two of your anniversary !
“comingg !” you sang, hearing sudden knocks from the front door, knowing that it was none other than your boyfriend. he’s the only one who knocks on your door like he’s making a beat. soon as you open the door you’re met with the most handsome face and the brightest smile, and although you were delighted to see him you couldn’t help but state the obvious.
“why’d you show up so late ??”
“blame jake and jungwon for that, just as i was about to leave they kept yapping my ears off about any and everything !” he attempts to defend himself, wiping the iffy look on your face with a sweet kiss.
“hmm.. really, you’re blaming other people now ? sounds more like an excuse to me,” you playfully combat, giggling against his broad chest once he caged you in his arms.
“psshhh, what excuse— you know how they are !”
“i’m just teasing babe,” you left his hold with a lingering smile, “i’ll forgive you this one time, but only because i missed you.” with that you walked over to the counter of all your supplies, pulling him along with you.
“well damn, you weren’t playing around. you’re super prepared baby.” heeseung rubbed the sides of your hips as he came up behind you, eyes glazing over the ingredients you had laid out all prettily, it seems you doubled up on everything in case you made any mistakes.
“mhm, i might’ve overdid it just a little bit.. but you can never have more than one thing !” you try to justify your overconsumption, you tend to go overboard when it comes to certain things.
while you were out food shopping, there were far too many different varieties of decorations, you can never decide on anything so you just went and bought a whole basket full. but you’re slightly regretting that choice now considering all the money you just spent…
“c’monnn, let’s just hurry !” you stop rambling and get back to business, feeling his kisses lace the crown of your head once you turn to face him. “i wanna make ittt.”
“make what ? our kids ?” “i’m ready whe—” he pauses once his eyes found yours, blankly looking at him. he knew that look was everything but blank. “okok sorry, let’s start..” he awkwardly brushes the conversation to the side, picking up a box of cake mix.
“i’m assuming we’re gonna make the cake on this box ?”
“yup ! a strawberry, triple layer cake.” you say excitedly, peeking at the box he was holding.
“i can’t wait anymore, i’m hungry, let’s gooo !” you express like a hyperactive child, unable to contain your excitement for the delicious dessert.
it was a great idea to actually wear aprons for this event. you initially had the idea set and stone because you wanted to look like a professional baker like on the tv shows. you had to fully commit to the bit, go big or go home ! but, you definitely needed it for more than just the look of it. you two made a mess.
“look, there’s frosting in your hair !” you laughed hysterically at your lover. god knows how the icing even got in his hair in the first place.. “you aren’t even the one frosting the cake, how the hell did it get there ?!” you hinted at the fact that the needy boy was holding you almost the entire time as you started frosting the first layer of the cake.
“i dunno, it’s your fault then, you’re the one doing it !” he spoke against your neck. shivering goosebumps danced across your skin at the feel.
“maybe if you weren’t breathing on my neck 24/7 then you would be the one icing !” you sassily retorted at his laziness, handing him a crate of strawberries. “here, cut these into slices.”
you could hear him groaning at the task you just gave him. “but baby, i wanna hold you still.. can we wait a little ?”
“hee, no, you’ve been holding me since you got here !” your hands lazed on your hips. “get to work, chop, chop !”
“ugh, okay..” he pouts, looking over at you with those precious bambi eyes that was almost about to make you fold in a second. he retrieved a small fruit from it’s catering before taking a knife to it's redness. “babbeeeeee...” he whined.
“no, heeseung.”
“fine, then can you at least hold me this time ?” he pleaded with you, his smile coming into spotlight once he felt your arms wrap around his fit shape. “thank you.” he mumbled continuing on his mission with the strawberries.
๑ ๑ ๑
“sooo, what do i do now ?” he asks, caressing your arms looking back at your watching figure.
“you place them NEATLY on the frosting.” you answered him, placing a kiss on his clothed back, praising him of his quick hands. “you’re doing a good job so far baby.”
“okie dokie.” a small smile hid the big grin that heeseung tried to contain at your praising words.
“good ! now take the frosting—” you left his figure, reaching for the tube of frosting and placing it in his hand. “and gently spread it across the strawberries.”
“go on, do it.” your brows knit together in confusion. why was he just standing there not doing anything ??
“uhh, are you gonna hold me ?” he cocks his head to side, giving you yet another look that you just can’t refuse.
“okay ! damn, so needy.” you shook your head, going back to the warmth of your insatiable boyfriend.
it’s been a while since your little strawberry arranging, now you’re just finishing off the cake with some decorations. considering how long it took you both, the cake ended up looking absolutely phenomenal, you could just picture the strawberries layered with the frosting in your head. you couldn’t wait to get it inside your tummy.
“okay, now add the strawberry on top !” you proudly announce after applying your colorful sprinkles around the rim on the cake.
heeseung, just as happy as you are bounces in place before placing the fruit gently on the glob of icing that sat in the middle of the delicious treat.
“FINALLY,” he shouted, he was ready to just eat it whole. “it’s so pretty !” the two of you share a high five. taking long looks at the cake in awe. mouths drooling for a bite but eyes savoring the look of the treat before the two of you ruin it. you made sure to snap a couple pictures of it to post on your story later.
“hmm.. should we eat it now or wait a bit ?” you ask with hesitance, although you were very much looking forward to devouring it, you still couldn’t bring yourself to actually cut it just yet.
“it looks really tasty, but.. i think i wanna eat something else.” he shamelessly admits, hoping that you’d catch his drift. and, you most certainly did…
๑ ๑ ๑
“hmph,—” your grasp on his wrist tightened at the pressure he was building between your legs. the way his fingers pumped through your folds, how his thumb gave attention to your pulsing clit. your mouth went permanently agape, losing yourself in the blissful feeling of his touch. “hee— yes ! fuck..”
heeseung watched as your teeth captured your bottom lip, the blood rushing around the bruised flesh.
he then captured each of your thighs, on his shoulder, both masses prettily caked on eachother squeezing your cunt between them; his fingers still stretching you out.
“you’re so fucking perfect baby,” he pampered your plushy thighs, kissing them all giddy-like, a mischievous grin on his face. “but you already know that, right ?”
you rapidly nodded, you didn’t wanna speak nor protest, it was like you didn’t know how to breath anymore, you felt so high and small under him, he was like a drug. and it left you with nothing but chilling goosebumps.
“go on, come,” “come so i can give you what you really want.” his pace quickened leaving you entirely unstable, you were shaking, whimpering, your dewy cunt was throbbing around him. “you want it don’t you?”
“yes..—” your voice was hoarse and forced, you’ve become a groaning, dripping mess for him and he adored every bit of it.
heeseung softly bit around your skin, leaving small reddish and purple love bites around your legs.
“oh! baby, i’m—” your orgasm cut you off, heeseung loved whenever you climaxed because of him. how lazy and defeated you look after, the way you gasp and cling for air. “coming..”
“dont worry, i know.” he joked, grabbing your waist, pulling you back up onto your ass. “well kitchen sex is now off the bucket list..” he licked the sides of his fingers, eyeing you directly.
you were mesmerized by him, he had you right where he wanted you. “but i’m not done yet, fortunately enough for you. baby girl.”
๑ ๑ ๑
“babe, you’re fucking swallowing me.” heeseung groaned, pulling at the waistband of your skirt in a tight manner. “pussy still hungry for me ?”
“please..” you whined at the friction of his manhood colliding with yours. like a match made in heaven. “i want it..”
he wasted no time in fastening himself further inside you, he wanted you no more than you wanted him. he needed you the most right now. not only has he been craving to be with you all day, but this whole week meant everything to him. heeseung feels more than lucky to have you, he wants to cherish this anniversary as if it’s a once in lifetime experience.
his large hand pressed on your lower back with every stroke he landed in you. you felt every curve and inch of his length, how it made you see stars the minute his tip kissed your G. “fuck..” he landed a sharp slap onto your ass.
you couldn’t help but grind yourself against him. there was a tense burning sensation sprawling throughout your entire body. it only made you urge for more, like nothing was enough, even though you were in utter utopia. you were a mewling, shrieking mess.
“heeseung ! ugh, please ruin me..hmm please..” your arm reached back grasping at his thighs.
“you’re driving me fucking crazy, y’know ?” he airly chuckled, throwing he head back. the feel of your slick creating sticky vines across his skin whenever he’d pull out. the sound of it, the look of it. all of it turning him on even more.
your back arched at the thought of maxing out around his thick shaft. the praise you’ll get since you’ve done so well for him.
“i love you..” you mumbled bittersweet nothings one after another.
“shit, loosen the fuck up.” his hands entangled your sweaty hair, gripping it in a careful but semi aggressive manner. “oh fuck- i’m gonna come.” he began to thrust into your messy cunt relentlessly, pounding you into oblivion.
“hee— mm’nside please.. !” you slurred, drool heaping out the corner of your mouth.
“inside ? huh? you want my babies, princess?” “you do, don't you? want me to fill your fucking pussy with my seed.” heeseung chuckled at your pleading and begging for his cum. he was tired and worn out as hell, but soo turned on by you, by the thought of you bearing his children.
“ngh~ yes, yes hee!”
“happy anniversary, baby.” his length pumped into you filling you up, not an empty fucking crevice in your soppy cunt. like the frosting to a cake.
“mm, thank you .. baby.. ”
forget all that romeo and juliet cliché love shit, you two were better than that, at least you thought so. you two were...
y/n and heeseung ??
that had a ring to it.. most definitely.
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ヾ(・ᆺ・✿)ノ゙
guys why do i feel like my smut has been worse HELP- idk, could just be me overthinking again butttt i hope some of you liked it hehehe ;D <3
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ilovescarymen · 2 days
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talk to me: Spencer Reid
You’d never been one for vulnerability. It probably had something to do with how you grew up, an emotionally unavailable mother and a mentally absent father- you were always berated when you cried or showed you were upset so as you got older , you stopped.
You had a boyfriend who made you think you could be soft and vulnerable infront of him but, he ended up using it against you in an argument, after that you swore to never be vulnerable again.
You became a blank canvas that was impossible to read, a smile always plastered on your face, a fake bubbly personality to cover the pain beneath the surface. You’d only cry in the comfort of a bathroom or your home and then smile around others. It always worked. No one ever questioned it, untill now.
Your boyfriend, Spencer Reid is a profiler for the fbi’s behavioral analysis unit. He study’s human behavior for a living, which means he sees right through your little facade.
He never addressed it because he thought that maybe vulnerability would come with time. Maybe you’d stop crying in the bathroom or the shower and instead cry in his arms.
But when he arrives home from a case and you’re not at the door , bouncing around and ecstatic to see him he knows something’s up, he peeks around the corner to your bedroom and sees his sweet girl, crying and hiccuping.
You notice him and quickly wipe your tears , perking up, your stand up off the bed and run to your boyfriend’s arms.
“Hi Spence! Sorry I’m running a bit late on dinner! I’ll go get it started!” You quickly spew out, as you make an attempt to walk away your pulled back by your boyfriend, he gently places his hands on the side of your face and scans your face, before making eye contact with you.
“Honey, slow down, what’s wrong?” He asks genuine concern in his voice
“Nothing! Why would something be wrong Spence?” You put a smile on your face and look up at your boyfriend, his eyebrows are furrowed together and a frown is all over his face.
“Sweetheart, you do know that I study human behavior every day right? I know you’re lying to me, please just talk to me baby. I love you and I care and I want you to feel better”
You shake your head “nothings wrong I’m okay” you release yourself from his grasp and slip past him to the kitchen, you open the fridge and scan it “I have pasta sauce! I can make you-“ you let out a squeak as Spencer picks you up and carries you over to the couch, he sits you in his lap facing him and holds you in place.
“I have let you do this long enough. I let you isolate yourself and pretend you’re okay when you’re not but no more. I want you to come to me, I want to cheer you up honey, I will never judge you, you know that right? I’ll never make you feel stupid for feeling your feelings. I love you I want you to talk to me”
Your lip starts to tremble and tears start falling down your face “she’s- she’s so mean Spence” you hiccup, he pulls you to his chest and hugs you, his arms wrapping around your waist
“Who is? Honey who’s mean?”
“My mother” you sob out, Spencer doesn’t know the horrors of your childhood. All he knows is you grew up in Texas and you left because you wanted a change in scenery, what he doesn’t know is that you actually left for your own safety. Your mother had lost it and you left to avoid another one of her beatings.
“Oh honey” he coos, he kisses the side of your head and rubs your back gently, whispering little “it’s okay”’s and “let it all out”’s in your ear. When your crying calmed down you sat up, looking Spencer in his eyes.
“M’ sorry, I know you got home from a case and this is probably the last thing you wanted to deal with” you breath out as you wipe your eyes
“Hey hey, Nuh uh. Don’t ever apologize for feeling your feelings, I’m more than happy to do this. To be here for you always. I love you, sweetheart “
“I love you too Spence “
“Now, tell me why we hate your mother”
And you did, you told him everything, and when tears fell Spence gently caressed your back and listened intently, showing you that it was okay.
This is what love is.
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sweetmarmalade · 2 days
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Prompt line, "I could show you incredible things" From Blank Space, 1989
Gojo sits beside you, his posture relaxed yet brimming with his usual self-assuredness. The two of you are surrounded by the quiet hum of the night, perched on a park bench beneath a sky scattered with stars. He leans back, tilting his head to gaze at the endless expanse above, a smirk tugging at his lips.
“I could show you incredible things,” he murmurs, his voice low and smooth. He glances at you from the corner of his eye, the faintest glimmer of amusement in his expression. There’s something magnetic about the way he says it—like a dare wrapped in a promise.
You fold your arms, pretending not to be swayed by his words. “Oh? Like what?”
His grin widens. “Places where time feels irrelevant, dimensions that defy logic… or, you know, we could just get ice cream.”
You can’t help but laugh at that, the sound bubbling out before you can stop it. He always does this—teases, pulls you in, and then surprises you with something simple. But as the laughter fades, he reaches out, fingers gently brushing yours. The touch is soft, tentative, unlike the usual confident Satoru you're used to.
“I’m serious, though,” he says, his tone a little quieter now. “There’s so much more I want to show you. Things beyond what most people can even imagine.”
For a moment, the world feels like it narrows down to just the two of you. His eyes, impossibly blue and filled with the weight of things he’s seen, lock onto yours. You know he’s not exaggerating—he truly could take you to places no one else could.
You lean in slightly, a smile tugging at your lips. “Then show me, Satoru.”
And just like that, his smirk returns, a flash of excitement in his eyes as he intertwines his fingers with yours. “Hold on tight.”
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changingplumbob · 2 days
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Foster Household: Chapter 9, Part 7
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CW: Mental Health Struggles - Guide to content warnings
The last thing Carson felt like doing on a warm morning was dressing up and getting the ferry to Copperdale, but he had no choice. That’s where the high school was, even if it was covered in several inches of snow. He quickly headed inside to the library to double check his homework. Confident he hadn’t missed anything he decided to go find some friends.
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Darwin was in his usual spot, asking the milling students for some homework he could copy. Study was not his priority.
Darwin: Carson! My best buddy. How about that math homework? Can I check your answers
Carson: Math home- we didn’t have math homework
Darwin: You sure? I got a text from Anya reminding me but then I changed topics
Carson: She’s not even in our year Darwin. And isn’t she like best friends with Artemisia?
Darwin: Oh yeah. She must have taken her phone and sent me a bogus text, she takes me flirting with her friend personally for some reason
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Nanami: So I’m thinking we should shift you more to the middle and then while you’ve got the flyer-
Onyx: We’ll have more room for tumbling up the left side, got it
Ariadne: Hey Onyx
Onyx: Hmm? Oh hey Ariadne. Have you met Nanami? She’s in cheer with me
Ariadne: I don’t think so. I was actually hoping I could speak with you for a minute
Onyx: Yeah sure. Catch you in math Nanami?
Nanami: Math. The best class for doodling routines in
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Onyx: You all good Ariadne
Ariadne: Yeah thanks. I, um... how close are you and Carson
Onyx: Me and Carson? Oh we go way back, best friends since forever
Ariadne: Are you and he... like together?
Onyx: What? No, no. We just grew up together in scouts and stuff, our dads are best friends
Ariadne: So he... he’s not dating anyone?
Onyx: *smiling* Tell you what, he’s over there by the mural project if you wanted to check with him
Ariadne: Oh no, I mean I didn’t-
Onyx: Bye now
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Carson stared at the wall. What to paint, what to paint, what to paint? He was deep in thought when he heard Ariadne talking and had to stop himself kicking over a paint can accidentally.
Carson: Sorry what?
Ariadne: Oh, ah... I just asked if you’re... painting anyone-thing at the moment
Carson: I’m trying to paint but *sighs* I don’t know how mum does it. I love art but a blank canvas and I just falter. Maybe I didn’t inherit the right genes
Ariadne: I know what you mean. My grandmother... well she did a lot and I’m not sure I can do any of it half as well
Carson: I’m sure you can, you're brilliant
Carson was busy staring at the mural but that made Ariadne smile.
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Ariadne: It’s so much colder here than Sulani, how do you stand the change everyday
Carson: *shrugs* I get by. I mean I have been in snow when we lived in willow creek. Are you cold?
Ariadne: Yeah... a little bit
Carson: You should tell your dads. I’m sure they’d wrap you in furs before you could blink
Ariadne: Oh I like my animals alive thanks. Listen, could we- I wanted to ask...
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The bell rung loudly and a startled Carson began to pack up, terrified of being late. If he was late his grade would go down. Or he’d get detention. And if he got detention once he was bound to keep getting it and then he’d be kicked out of school. His parents would probably die from embarrassment. Wait, Ariadne had been saying something...
Carson: Sorry, you were going to ask something?
Ariadne: Nevermind, I better get to class
Carson tucked the paints away and watched her walk off. He liked that they were both wearing green today. It was matching in a way. Not that she was likely to want to match with him. Especially if he got kicked out of school. He ran the rest of the way to class one she was out of view.
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Mrs T: Hurry up, everyone sit down. Who can tell me what we did in our last math class
Darwin: Sleep
Mrs T: We all know you did Darwin, we heard you snoring
The class giggled and Darwin tried to look put out but Carson knew he loved being the centre of attention.
Carson: We were talking about how to find x if there’s more than one
Mrs T: Very good Carson. Now, who can tell me our first step to solve the written equation
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Carson: Nice job on that last question Paola, it threw me for a loop
Paola: Thanks! I was practising all weekend, no way am I flunking exams this week
Onyx came over and pulled Carson aside.
Onyx: What do you think you’re doing
Carson: Talking to our friend?
Onyx: Dude did Ariadne not talk to you? I think she’s interested. Last thing you want her to see is you talking to someone attractive. Oh quick, look like you’re talking to me so I can watch Zharfina
Carson: Does she... have binoculars?
Onyx: Isn’t it adorable
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After eating Carson went to work on the mural again. Every so often he checked behind him to see who was around. He hoped Ariadne would come over and talk again, he was a doofus for not giving her more attention earlier. When she did come in she made a beeline for the food and Carson was sad to see that Artemisia was there talking to her. Stupid. Artemisia was probably busy telling her that Carson was seeing half a dozen girls, or gave terrible hugs, or-
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Carson got so worked up at himself he had to leave the mural to chill out upstairs before class. As it was he almost stabbed his book with his pencil several times during science class. Thank goodness he had an appointment with Chad after school.
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ordinaryschmuck · 19 hours
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Why I Love The Owl House: Part 5-The Themes
Prev Part
Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
And we’re just two parts away from me never talking about The Owl House again! In previous parts, we’ve talked about the characters, their relationships, and the narrative threads that are closely tied to them. For this part, we’re now discussing the show’s themes and messages. And I’ll level with you all: I’m admittedly...faulty at this part of media analysis. Anything regarding the discussion of a theme or message that a story tries to tell is something I struggle to do right. I regrettably either come across a theme through luck or piggybacking off of what others have said and throwing my two cents in. When it comes to putting it in my own words, I just…have issues in describing what the theme is. Hell, this whole part was the hardest to write because I often drew a blank of what to discuss or how to dig into it further. A part of me, deep down, KNOWS what a story is trying to say but I, a lot of the time, struggle finding the right words to best convey it.
Yeah, isn’t that rich? An English Major with a limited vocabulary and an ineptitude towards analysis. My life sucks sometimes…
With that said, there are some things that I’ve noticed about The Owl House and what it’s trying to tell to kids and maybe a few adults. A lot of its messages are definitely simple to older audiences, but with the things it has to say to kids it makes The Owl House something important to watch if they’re to shape the future. And no, I’m not talking about those lessons told at the end of each episode, but overall themes that occur through the course of the series. As far as I can tell, The Owl House has about…thirteen things to say about life, love, the trials of growing up, and how to deal with people. Plus, much like the narratives, it’s all tied closely to the characters and their personal journeys. Does the show say everything it needs to say well? Or is this another case of “If the show had more time it’d be better” and all that yada-yada? Well, let’s find out together as we count off the things that The Owl House has to say. Starting with a point the series makes exponentially clear:
(Also, prepare thyself. This one is twenty-five pages)
Honesty is the best policy 
I don’t know if you noticed, but these characters tend to lie. A LOT. And we’ve already gone into great detail with how often Luz lies in previous parts. Whether it's to her mom, her girlfriend, or friend group, Luz tends to keep some dark truths from the people she cares about. It’s partially selfish, but it comes from not wanting them to worry about her when they’re the ones currently going through it. It’s part of Luz’s bigger flaw of caring more for others than she does for herself (Which we’ll get to later), but the point remains constant that if she told the truth sooner, she’d have saved a lot of pain and heartache for herself and others. Same goes for other characters who lie for similar reasons but with greater consequences.
Going from least hurtful to most, let’s start with Eda, the one who lies in two different ways. The most obvious lies come with her pain, primarily the curse. She initially chose to keep her mouth shut about it, hoping that it’ll never turn into a big deal or a problem. If you’ve been paying attention to her character’s journey, you can tell how wrong that assumption was. When keeping it a secret from the rest of her family, the Owl Beast came out at the worst possible time, making Dell disabled and Gwen desperate to get the beast out of her precious daughter. By underplaying how bad it is to Raine, it makes Raine think their relationship isn’t serious enough so they break it off. She didn’t even tell Luz and King until they met the Owl Beast themselves and tried to survive it. Eda had King in her home for eight years and this was the first time he’s ever known ANYTHING about the Owl Beast. And even then, she still hides that it’s getting worse by the day, giving King and Luz an IDEA of what Eda’s going through but withholding the part that could upset them. Just telling them about the curse is arguably Eda at her most honest about what’s wrong with her, and she still doesn’t want to reveal everything. It’s part of this underlying problem where Eda’s unwilling to reveal the pain inside herself because, well, she’s the big bad Owl Lady. The most powerful witch on the Boiling Isles. And with a title like that, she doesn’t want anyone to know that she’s fragile. She tried being fragile once in the beginning of “Keeping Up A-Fear-Ances,” detailing what the curse does to her, and it made her mother go a little overboard in wanting to help her precious daughter. Needless to say, she’s not willing to go through that again, especially since Luz and Raine proves her point by putting themselves in danger when knowing how much Eda hurts. When Luz learns about how bad the curse got, she practically threw herself into the arms of the Emperor to find this specific thing that could help. And with Raine, while Eda opened up more about the curse and how it affected her magic, she still remains tight lipped about another thing: Her kids. She never brought them up, hiding her turmoil about them leaving her for good and was lucky enough that Raine found out soon enough so that SHE won’t abandon Luz and King when they still need her. It’s fortunate that Raine found out by accident, but UNFORTUNATE that it led to them getting captured to save Eda so she could talk things out with her kids. In Eda’s eyes, vulnerability means that you need to be helped or protected, with the ones you love paying the price more. She hates that feeling and despises it even more when people she loves get in danger because of it. Eda eventually finds her way out of this mindset thanks to the love King and Luz share with her and how Hooty and Dell prove that facing pain head on is the only way to heal from it. It was a slow process, but one that eventually led to her opening up more, even allowing herself to cry when she would usually hide her pain with a smile or push it down for the sake of a brave face. She becomes honest with her own pain, with her curse, and how much she truly cares about her loved ones. However, that’s more of a general lie with Eda. There’s one specific lie that she told that went on for way too long.
Lying to King about being a King of Demons seemed harmless at first. Eda was just messing around with what she thought was a pet. Only for that pet to prove he’s more intelligent than she thought and, as a result, more delusional. King took being the King of Demons as part of his whole identity, with every action he made trying to live out that fantasy. By the time Eda revealed the truth, it’s like telling a child that there’s no such thing as Santa Claus, the Easter Bunny, AND the Tooth Fairy all at once. Only the effects would be ten times worse because it would destroy all of King’s sense of self AND give him questions that Eda wouldn’t have any answers to. Eda knew this inevitability would come any day now, so she put it off as long as she could, initially hoping that King would outgrow this fantasy himself so she won’t have to rip off this particular bandaid. Only to be backed into a corner because King and the others almost got killed in trying to prove that King’s really, well, a king. This time, telling a lie actually put someone in danger, so Eda tried the truth for a change and, well…it crushed him. More accurately, it shattered King’s core identity and sense of what's real and what isn't. Eda saw this, immediately felt guilty for holding it in for too long, but never comes to regret this decision. It’s something she KNEW needed to be done from the start and accepts the “consequences” of what comes from this lie. I put “consequences” in quotes because aside from a lot of tears being shed, this was the first step to King growing up and he would come to appreciate the honesty (even though he had a long, emotionally draining road ahead). Eda telling the truth WAS for the better, even if she should have told it long ago. But, all things considered, the lie wasn’t THAT bad of one. It was done to keep King happy and let him have some childhood innocence for a while…As for the lie AMITY told?
All Amity had to tell Willow was that her parents are forcing them apart because Willow’s family isn’t rich enough. That’s all. It wouldn’t have been great, but it would at least be the truth and Willow could have understood…Maybe. Well, there’s a slight possibility that Willow would have tried talking things out with Amity’s parents or continue to be friends despite them, not caring what they’ll do to her. Amity, not wanting to take that chance, decided it’d be best to make herself look like the bad guy. So, she lied that she doesn’t want to be friends with Willow because her magic is weak, thus distancing herself from her first real friend. Was it an extreme decision that crushed Willow’s heart and left her unsure if she’s capable of doing anything right? Yes. But to be fair…Amity said that lie when she was probably seven years old. I’d like to see what morally correct decision you made at seven.
But the first lie isn’t the worst part about Amity’s decision. In actuality, it’s how she decided to keep the lie going for years until Luz showed up and intervened. In Amity’s “defense,” which is really a frail excuse, she didn’t have any choice but to keep up the act. She already said it, it did its job, and now she has to commit to her lie or risk putting Willow in the warpath of her parents. Amity says it herself that she’s not brave enough to fight them for Willow, so she instead puts on a mask that makes her appear to be a mean girl and further separates herself from her now ex-friend. This led to Amity disrespecting Willow and belittling her because it’s better to have Willow hate Amity instead of let Odalia follow through on her threats. It wasn’t until Luz showed up and started improving Amity’s life that she realized that being nice FEELS nice. Is that an oversimplification? You better believe it is, but I talked about these three characters and this aspect of Amity and Willow’s relationship three parts in a row so LET ME SIMPLIFY! Anywho, it is good that Amity told the truth and it’s even better that she apologized, but it doesn’t change how the initial lie made things worse. In an attempt to protect Willow from Amity’s parents, she left Willow to face bullies and judgmental peers without anyone to comfort her or be in her corner. At least, not until she met Gus and then later Luz. It was almost a well-intentioned lie like Eda’s with King, but while Eda put off the truth to protect King’s innocence, Amity destroyed WILLOW’S with a single lie. By the time the truth came out, it finally STARTED the healing process. It didn’t fully heal Willow, but it STARTED to, with her admitting that making things right with Amity is what jump started her having more confidence. Confidence that she’d have since the beginning if Amity wasn’t the one to crush it by saying Willow being weak is the reason they can’t be friends anymore. Amity had her reasons, and I went over them thoroughly enough in previous parts (Go read THOSE), but it doesn’t change that Amity caused a lot of damage to Willow by lying about why they can’t be friends. On the bright side, while she did keep it going for too long, she at least made things right in about a couple years down the line. It’s not like she kept this one lie going for a dozen years until adulthood and letting things get so worse that it was almost too late to fix things. That would be AWFUL…Anyways, let’s talk about Lilith.
Lilith proves that a lie of omission still counts as a lie. For YEARS she kept in the secret of cursing Eda and for YEARS let Eda’s life get worse because of it. I’ll get to how thoroughly screwed up things got with Eda in a minute, but to keep things brief: Things would not have been as bad if Lilith fessed up sooner. There might have been a lot of yelling, a bruised nose, and Eda proclaiming she has no sister sooner, but time tends to heal all wounds. And they would have had more time to heal if Lilith spit the truth out at fourteen. She would have more time to fix things and prove that she can help Eda, just like how Amity started fixing things with Willow once revealing who was the REAL weak one in the relationship. Now, these are two VASTLY different scenarios and Eda would most certainly have been out for blood immediately, but I’m certain that if the rage settled they could have worked things out and Lilith might have helped Eda with the curse sooner. And, heck, if you go back FURTHER, there’s a chance that honesty could have stopped the curse altogether. If Lilith was honest about her own inadequacy and confessed to Eda about how she’s POSITIVE that her sister would win, Eda would have just shrugged and given the Emperor’s Coven position to Lilith no problem. Granted, joining that coven would have been its own can of worms, but it would have certainly saved Eda a lot of emotional and physical pain. Unfortunately, problems with showing weakness apparently run in the family and Lilith didn’t want to admit that she wasn’t stronger than her sister. She needed to PROVE it…by cheating and completely derailing Eda’s life in the most outrageous fashion. And Lilith would learn years later that the truth really does set one free. But again, I’ll get to that in a minute…
We all have our reasons for being dishonest. They’re selfish reasons in hindsight, but we still have them. Sometimes it’s to stop others from worrying about us, other times it's to hide something we’re ashamed of, and most of the time we just want to stall a bad reaction that we KNOW is inevitable. What we need to learn is that the truth ALWAYS comes out eventually, whether it's through us or through others. We can try to deny the truth, bury it, and hope that it never gets out, but it always does. And what The Owl House tells us is that it’s a GOOD THING for the truth to be out there, especially for loved ones. There might be secrets we HAVE to keep to ourselves, but if you can’t be honest with the people you love, then they can’t effectively help you nor can you help them. It’s always important to be as honest as you can be, because the more you put off the truth the worse the consequences will be. Because you never know how bad one action can snowball into something worse. Which brings me to another theme in the series…
Your actions can have unintended consequences
There are two characters this applies to: Luz and Lilith. You can…probably see where this is headed.
Luz and Lilith tend to make mistakes in the series, Luz more so than Lilith. Granted, Luz’s mistakes mostly stem from her character flaw of not thinking things through, mixed with some impatience and being afraid of confrontation. In other words: She’s a teenager. Dumb teens are going to do some dumb things, and while Luz is smarter than people will give her credit for, she’s still the kid who angered a Slitherbeast by stealing Amity’s wand when Eda’s lessons seemed like they were going nowhere. And that’s just a MINOR thing in Luz’s adventures. We already went over the domino effect last time and how Luz texting ONE LIE to Camila ended up putting her in a more stressful position than how telling the truth outright would have. There are also the many times Luz almost got herself killed, sometimes due to overconfidence or being too emotionally driven to take down someone threatening the people she loves. Most notable examples of that second one definitely comes from being hyper focused on fighting Lilith and Belos in “Young Blood, Old Souls,” which led to the destruction of the portal door and Luz struggling to get back home. Or how Luz thought she could take Belos head on again in "King's Tide," nearly getting petrified in the process if not for smooth talk and tricking him with an invisible branding glove. As for her near death experiences caused by overconfidence, well, let’s see: You have her going on that fake quest for Adeghast, pretending to be an abomination, fighting Grom, challenging Boscha to a grudgby match (That might as well count), and trying to steal the healing hat. And that’s just the stuff that happens in Season One, with some of it carrying over to MORE consequences aside from just almost dying. The wacky adventures in Hexside made Odalia think she has a case to get Luz, Willow, and Gus expelled. And when getting caught by stealing the hat and Lilith consequently using her as bait, it leads to Eda’s curse getting irrevocably worse and Luz being forced to destroy the portal during her attempt to save Eda from Belos. A part of growing up is learning that if you don’t think far enough ahead, you could cause disastrous consequences. Thankfully, for each mistake Luz makes, she is often quick to correct it when the problem arises at any time. Plus, after so many near-death experiences, it eventually molded Luz into becoming the kind of person who doesn't wants lasting consequences over something stupid she did, trying to be more careful in her approach to something. Because Lilith proves just how disastrous it can be to yourself and others if you don't think about the consequences.
The thing is, Lilith PARTIALLY knew the repercussions that came from cursing Eda. Simply put, Eda would have lost the duel and not join the Emperor’s coven. It was a selfish plan made by selfish desires, but Lilith believed she had things all figured out and that things SURELY wouldn’t snowball from there. Turns out, she didn’t think ahead enough (Yeah, big shock). Because everything that went wrong with Eda’s life is all Lilith’s fault. The Owl Beast attacking their dad? Eda running away from their mom? The distance Eda has with her whole family? Eda breaking up with Raine? It all circles back to the curse that Lilith put on her. Now, Eda owns partial blame as some of these were caused by HER actions that no one forced her to make. Yet the curse didn’t help much, especially as it got worse the older Eda got with her magic fading away with the curse’s effects. Lilith excuses this by saying she didn’t expect the curse to last more than a day, as if that actually means anything. Look, I get that she was young and very stupid, with her hyperfixation on joining the Emperor’s Coven blinding Lilith from what was right and wrong. But she still kept that secret for YEARS, not wanting to reveal it until she got a cure for Eda, only to make things worse not just because the curse got stronger and the distance with Eda and Lilith became greater. It’s because., by the time Lilith DOES spit out the truth, Eda’s already at her lowest point with the curse and is furious at Lilith for kidnapping Luz. Just like how Camila would have been LESS upset if Luz told the truth sooner, Eda would be significantly less blood thirsty if Lilith came out and admitted her guilt from the start. I said it with the honest theme: Time heals all wounds, and Luz and Camila prove that forgiveness CAN come if someone proves they’re sorry enough and had more time to reflect on their actions. Lilith was just afraid of that inevitable confrontation that she kept her mouth shut for YEARS to avoid it. She was too scared of facing her own consequences, and it’s why it’s a smart decision to let Lilith decide to SHARE the curse. It finally allows Lilith to understand what she put Eda through and express her apologies far better. It finally hammers into her mind what she did was wrong and how she can take the steps to improve things…We barely see any of this, but at least she’s NOW experiencing consequences for herself instead of letting someone else’s life get worse.
The Owl House does a great job of showing that anything we do, no matter how big or small, can always cause big problems for ourselves and others. There’s no changing that, and what matters most is how we react. If we wait too long, things can only get worse and it’s for the best to fix things as quickly as possible instead of pushing aside the inevitable. And be careful of what you do because you never know when one stupid idea could lead to something even worse for your future. However, while The Owl House does show how our actions have negative consequences, it is smart enough to say that the opposite is true. You see…
Your existence changes lives in unexpected ways
Whenever we do something bad, the domino effect it causes could lead to disastrous outcomes that we could never prepare for, but that doesn’t mean our existence is nothing but accidentally causing harm to ourselves and others. Existence is actually about changing the lives of people around us, a lot of the time for the better. And there’s no character that perfectly proves this more than Luz Noceda, who is the very reason that most people in the Isles is living their best lives.
“She also caused Belos to—”
SHE IS THE VERY REASON THAT THEY’RE LIVING THEIR BEST LIVES! Nearly every person she's come into contact with is better than they were before meeting Luz because she has this tendency to make life better through mere existence. Sometimes it’s unintentional, with Vee being the first person Luz helped. When Vee saw Luz in the Demon Realm, she saw that there was a chance to escape Belos and took it with no regrets…That is, until Luz showed up again, but it all worked out for the best. Vee got a home she felt safe in, friends to spend her life with, and a family that treats her as one of their own because Luz unintentionally gave her an out. And when Luz officially met Vee, she did everything to secure her future sister a safe space to live in. As for other characters Luz more DIRECTLY changed for the better, Eda and King are the first in that regard. They were looking for someone to steal something for them, only for Luz to bring them together as a family. She became the daughter that Eda never had but likely wished she did as Luz is just as chaotic as Eda was but with more of a good heart. Luz gave Eda someone to care for, someone to FIGHT for, as she proves that having someone in your life is a lot better than living alone as a criminal with her son being misconstrued as a pet. With Luz around, Eda allowed herself to love again, letting other people back in because she needs to when taking care of this fun, energetic girl that practically crashed into her life. And with King, Luz gave him someone that is almost ALWAYS on his side, being protective and caring towards this cute little guy who never had a friend before. Luz was the first person he’s consistently interacted with that’s anywhere CLOSE to King’s age, and she was there to offer warmth and snuggles, endless support in finding the truth about his people, and inspiration on how to handle someone like The Collector. With Luz’s help, King went from a greedy demon hungry for power that will never be his, to a sweet boy who learned that all he ever needed was the found family around him. Luz met two misfits who often fought but cared for each other, and brought them to become even closer as a family. A family that would be nothing without her, with the same going for Luz’s friends.
Luz formed her very own squad of pals, all of them coming together because she was there to make them close. Willow and Gus were already buddies when they met Luz, but she was still there to make things better between Willow and Amity and, through inadvertently meddling in Hunter’s life, made him and Gus the best of bros. The most unlikely of friendships, one rekindled while the other forged through adventure, all happened because Luz showed up and improved all their lives. I already THOROUGHLY went over how she was able to change Amity’s life for the better, so…go read that. As for Willow, Luz acted as a cheerleader that often pushed her first best friend to do something that was stupid and reckless but ultimately for the best. Whether it’s pretending to be an abomination or playing grudgby against a team’s captain, Luz nudging Willow towards adventures allowed her to find her true magical strength, face her bullies, and become a confident witch that Amity would relearn to respect and for Hunter to love. With Gus, while neither are as close to each other as they are with Willow, Luz still helped him get something he always wanted: More friends. Before Luz or Willow, Gus was looking for someone to like and respect him instead of using him as a way to get something they want. Then here comes Luz to not just be another friend but unintentionally give Gus the chance to make more of his own. She gave him glyphs to help impress Glandis kids, only to grow closer to Matt when someone like Bria started showing her true colors. And, again, meddling in Hunter’s life led to him and Gus going on an adventure that brought them together as bros. Now, how did meddling lead to that? Well, aside from giving Hunter his first social interaction with someone close to his age, accidentally giving him an emotional support bird, and being the first crack in the wall around his heart, Luz also took Hunter into the Emperor’s mind and completely shattered his worldview. By the time Gus found Hunter, the poor boy was shattered and desperate for comfort, even if he didn’t want to admit it. Gus was just the one there to pick up the pieces with Hunter paying him back when it was Gus’ turn to need help. Luz created this friend group where the kids all care and help one another and gives them the opportunities to grow and better themselves for the company they want to keep. These four wouldn’t be as close as they are without Luz. Willow, Gus, and Amity might not even have the CHANCE to meet Hunter or know who he is if not for Luz intervening and helping him out of Belos’ hold.
“But she still help free The Collector–”
Oh, you mean the child who was falsely imprisoned and needed to learn how to play nicely and safely with others? The same child who wouldn’t have been better if not for Luz teaching him the value of a mortal life? THAT Collector? Because you’re right. It is good that Luz helped free them, even if accidentally.
“But she still helped Belos–”
OKAY! Okay. I get it. You have this weird obsession with Luz accidentally helping Belos and believing that everything wrong with the Isles is because of her, regardless if it was an accident or not. Good for you and go f**k yourself. But let’s not forget that Luz is the reason why Belos’ regime toppled. Heck, she was doing that before she knew Belos was a problem. In Hexside, they limit students to stick to learning one magic track before graduating and picking one coven. It’s a blatant display of preparing them for the inevitable, only for Luz to come in and allow Principal Bump to realize maybe it’s worth letting kids sign up for multiple magic tracks before making a final decision. The results make the adults remember how much they miss their covenless days and a character like Jerbo being inspired to change the system when he grows up. Luz already started the gears turning to tear down the systems Belos built ALL IN her first day at Hexside no less. By the time she does meet Belos and see how clearly evil he is, Luz still goes about trying to ruin every part of his plan. Luz slows down his plans to flee the Isles after committing genocide by blowing up the portal door, she saves the palismen Belos would have used to extend his worthless life, and goes so far to help Lilith and Hunter, his most loyal soldiers, turn their backs on him. Luz was cleaning up the “mess” she made for helping Belos long before she knew she was “responsible,” which she wasn’t. Belos knew this, and it’s exactly why he revealed that Luz helped him with his plans, even though he could have tricked anybody. He used this ploy to trip Luz up, only for it to make her more determined to stop him…until the guilt became too much to bare at one point, but that’s where her friends, the support group that SHE cultivated because of HER actions, came in to encourage Luz and tell her nothing is her fault. And when Luz came back…she died. But the Titan, the GOD of this universe, took note of Luz’s actions and all that she did to give King a good life as a shining light of kindness and would then give Luz the powers she needed to come back, rip Belos out of the Titan’s heart, and let him melt away in the boiling rain. You can claim all you want that Belos’ rule is all because of Luz, but Luz still ruined all of his plans and stopped him for good, doing it intentionally and unintentionally. Meaning that everything she “caused” was being fixed by her own existence.
…Okay, might have went on a bit of a rant there, But I can’t help it! You see, I made a post THREE YEARS ago, listing the ways Luz improved lives and how that wouldn’t have happened if she never came to the Isles. And one person, on THREE SEPARATE OCCASIONS, replied to that post and mentioned how those problems wouldn’t have existed if Luz never came at all. And it just feels like it devalues Luz’s accomplishments, the good that she did, and takes away some of the blame from Belos. Luz didn’t force him to use coven sigils or steal palisman or even commit genocide. That was all him and if it wasn’t Luz it would’ve been someone else he tricked to get what he wanted. We don’t blame Hitler’s dictatorship on the guy who stopped him from stepping into traffic before having the chance to DO all those bad things, and we definitely don’t blame the fourteen year old who couldn’t tell that the spineless, shaggy human would become the most dangerous person on the Isles. Because if you want to go so far back as to blame Luz, then you can blame Eda too. After all, she’s the one who told Luz about the time pools, she’s the one who allowed Luz to stay, and she’s even the one who’s responsible for Luz coming to the Isles in the first place! Yet you don’t see people blaming HER for all the world’s problems, do you? No, you f**king DON'T…Though, now that I think about it, if we could transition to this finger pointing and unnecessary blaming, there are some positive things Eda’s existence brought out into the world.
Real quick: I’m not saying that everything good that happened to the Isles and Luz’s friends is because of Eda. Only a lunatic would go that far. What Eda DOES get credit for is how she gave her kids a better life. Luz was from a world where most kids never got her or her weird interests and actions. She was a social outcast looking to be understood and Eda gave her that chance of understanding. She brought Luz into a magical world, protecting her from its darker edges, giving her a chance to explore, and letting her find her people. Eda found a kid who was alone in her own world and brought her to one that would eventually greet her with open arms. Things weren’t perfect at first, as Luz almost died three times within her first week, but with Eda’s guidance and care, she gave Luz a place she could call a second home and two people she could call an extension to her family. Speaking of family, Eda is the reason why King has one. She saw a little creature that lived in the cave of a dangerous monster, took him home with her, and that creature grew up to be her pseudo son. She treated him as a pet at first, thinking nothing of it, but as she grew to realize his intelligence and childlike behavior, she started treating him more like a son. Plus it’s a good thing that she got King out of that spire. He would have grown up alone as the last of his species with no one but the mute Jean-Luc as company. By taking him with her, Eda gave King a warm home, good food, and, eventually, Luz. All that is before King legally made himself a Clawthorne, making his family larger and causing Eda to cry tears of joy because she grew to love the little. She grew to love BOTH her kids as she wouldn’t be the same without them just like how they wouldn’t be the same without her. Eda didn’t think much when taking these two in, she was only being charitable. Still, regardless of intention, Eda managed to improve the lives of two innocent kids that needed more love in their life.
Life is a chaotic thing, giving us consequences to our negative actions but also rewards ourselves and others through the mere act of existing. Sometimes we’re rewarded and other times the people we love are. In either case, we can never truly know how much a simple action can affect someone’s life, whether or not we intend to do so. If Luz is any indication, as well as Eda to a lesser extent, then the show is trying to tell us that your life might seem small and your choices smaller, but you’d be surprised by how big of an impact you can leave on the world just by being yourself. It’s a beautiful sentiment that the show stands by, being one of several ways it tries to tell people that they matter. Especially with this next theme.
There’s nothing wrong with who you are
In case you’re wondering, no, this isn’t about how the show normalizes sexualities, genders, different races, and overall equality. Though, real quick, that IS a valid and important aspect of the series that not enough people took into account, meaning that we SHOULD spread that message more so that it can stick. However, for this theme, it’s more than just about representation and letting many different kinds of people feel seen as individuals. It’s more about the image issues that a few different characters have.
Starting with the most obvious, we have Willow, The Owl House’s shy girl. The poor girl starts off so unsure of herself because she’s not as good as others in one specific kind of magic even though it’s obvious to everyone in the room what Willow’s real talent is. It doesn’t help that most of her classmates judge and make fun of Willow for her “weakness,” with the time she had on the show being spent proving to herself and others that she isn’t weak. It’s why when Willow DOES mess up or feels unable to help that it causes her to break down and think that maybe she is just “Half-A-Witch Willow” like all of her bullies say. Thankfully, she has her support system to be there for her, Luz and Gus constantly acting as cheerleaders to raise Willow’s spirits and Hunter sharing how much he admires her strength and kindness. Interestingly enough, he also has the same confidence issues as Willow, having no natural magic and always pushing himself twice as hard to be seen as an equal among his peers, who are some of the best witches in the Isles. They’re also GROWN witches who had more time to mature their magical capabilities, but nonetheless, it made Hunter constantly feel like he wasn’t good enough either. It’s what makes him and Willow having each other in their corner kind of beautiful. Most of the people they see everyday look down on them, with Willow and Hunter not doing themselves any favors. But together, they can remind each other that they ARE worth more than anyone bargained for. Though, they don’t JUST have each other. Again, Willow has her cheerleaders and Hunter eventually has Flapjack pulling him in the right direction. To be honest, I’ve said all that I’ve needed to say with these two, how they grew, and how they affected each other. Or rather how Willow affected Hunter, as it’s still mostly one-sided. If you want to find out why, just go back and read parts one and two, it clears things up better. For now, I’ll say that these two definitely had their fair share of confidence issues, with Willow’s being obvious from the start while Hunter’s became more apparent the more his heart opened up. When you’re surrounded by people you think are “better” than you, it’s easy to feel like you matter less despite your own talents. But in some cases, a lot like Hunter, people are better at hiding it.
Take a look at Eda. With the amount of confidence that she has and the ego she flaunts, you wouldn’t guess she has image issues. But then you look at the curse and it all becomes clear. Eda’s regrets, nightmares, and worries proves that she does care about how others see her and react to her bad side. It’s not as prevalent or as evident as Willow or Hunter’s issues but it’s still there, with things getting worse when the curse took away Eda’s magic. She’s no longer the most powerful witch on the Isles, losing all the fear and respect she’s garnished and is now forced to relearn to be powerful in different ways. She bounces back but not without a lot of frustration, more towards herself if anything else. Eda hates the fact that she’s “weak” now and was desperate to get herself back to the top as quickly as possible. It’s not until she learned that her curse can become a strength instead of a weakness did Eda really begin to feel better about herself. I mean, I’d probably feel better about myself too if I could suddenly transform into a hot harpy. She certainly isn’t complaining, and good for her. She proves that you can always get over your issues, no matter how long it takes. For Eda, it might’ve taken her late thirties or…early forties? Regardless of how old Eda is, it definitely took a long time to get better and, even then, she still has The Collector's manufactured nightmare about people seeing her as a monster, which clearly got to her. The unfortunate truth is that it takes time to heal and you won’t be completely cured. There are times you will have good days or bad days, with Eda representing that through her false, and sometimes honest, bravado that tends to hide how messed up her issues really are. It’s good to show kids how slow that progress can be, even if it’s handled in a way that’s not as noticeable. However, while one’s issues can take time to fix, others’ tend to get worse with more time and, of course, more trauma.
Luz definitely had her issues, even before the whole Belos thing. She hoped being a “chosen one” would help her fit in, was worried about being seen as fragile, and became concerned about tanking her reputation on the first day of going to Hexside. Luz may be a proud nerd at heart, but she’s also one who cares about how others see her, whether it’d be her classmates or the people close to her. It comes with spending years of others signaling Luz out as “the weird girl,” with the Boiling Isles giving her a fresh start. Luz can be whatever she wants, even the hero of her own story…only to feel worse about herself once growing some attachments. Every time she accidentally caused troubles for other people, it caused Luz to sometimes believe she was a burden and needed to fix any problem she indirectly caused. Just look at how Luz reacted to accidentally making Amity lose her job. After getting it back for her, Luz was ready to accept that Amity would never want to see her again, despite Amity sharing the blame for it. Because Luz, at her core, is a good person, and it hurts her deep down when she sometimes hurts the people she loves in this world that she feels more at home in. It’s why Belos telling Luz that she helped him with his genocide affects her so much. It’s not true, everyone in the show knows it’s not true, and even members of the fandom who aren’t idiots know that Belos is full of crap. His actions are still his own and what Luz did is nothing wrong compared to his horrible deeds. Yet it still gets to Luz because it takes all of her issues of feeling like a burden turned up to the highest degree because she blames herself for the Day of Unity happening and all the craziness that comes from it. It hurts her so much that she forgets one important detail: She’s just a kid. Her mistakes are common, but nothing to beat herself up over. She’s still growing and learning to be better, not having the mental or emotional maturity to know better than to trust a shaggy man that claims to be on her side. As long as Luz makes it clear that she regrets what she did wrong and learned from it, which she always does, there’s no one with a rational mind that will blame her. It’s why it hurts that Luz doesn’t think she deserves it. Even though everybody constantly reminds Luz that life is better because she’s in it, it’s still something hard for her to accept. The times she accidentally caused trouble back home likely attributed this behavior, having only Camila in Luz’s corner as everyone else was busy calling her a freak or a problem child. Sometimes when you’re told your whole life that you’re a problem, it’s hard to stop seeing yourself as one. That’s Luz to a T, and it’s not until she found people that understood her and how she’s neither a problem nor a screw up did Luz slowly start to believe it, even though part of her can’t help but go back to the guilt she felt about things she didn’t mean to do.
We all have our reasons for self-doubt and sometimes self-hatred. It can stem from how others see us, how we see ourselves, or sometimes how we BELIEVE others see ourselves. And it can be an issue that could unfortunately last decades, where we get better but not completely healed of what hurts us. The only way to help ease that pain is remembering, simply put, there’s nothing wrong with who we are. Are there times when people SHOULD improve themselves? Absolutely. But if you’re anything like Willow, Hunter, Eda, and Luz, you should know that there’s not much you need to improve aside from your attitude. You’ll make mistakes, you’ll go back to how you feel, and you will find it hard to get over this problem you’re dealing with. But with the people you love cheering you on and reminding you that you ARE loved in this world, then that’s already the first step you need. And if you think you’re not someone worth the effort as there are more people suffering harder than you, just remember…
Your pain matters too
Sometimes, the nicest kinds of people tend to think that the problems of others outweigh anything that they’re going through. Especially those who lived most of their lives being told that they matter less than anyone else. And…you can already tell which two characters this theme applies to.
Luz and Willow are both victims of caring too much. You wouldn’t think that’s an issue, but it very much becomes one when helping others stop you from helping yourself. Luz is a more popular example of this as she will frequently throw herself into danger just to help the people she loves. She’ll even treat helping someone as a distraction to her problems like helping Eda reunite with Raine and getting Kikimora out of the Emperor’s Coven to forget Luz’s promise to her mom. Or using Amity’s desire to join the Bonesborough Brawl as a way not to think about her dad. Luz constantly decides helping people is more important than anything she could be going through, with Willow being in a similar yet less intense boat. “For the Future” proves this, with Willow hyper focusing on making Hunter happy and suppressing her own stress and anxieties of her fathers as she did so. It’s exactly what Luz does throughout the series, just as a one-time occurrence that Willow learns from quickly. Her caring for others more than herself fits her good-natured attitude, but after her talk with Hunter and Gus it’s likely Willow won’t return to this behavior again…Which in turn presents a problem with Luz and this theme.
That moment between Gus, Hunter, and Willow in “For the Future” is great, but it feels like LUZ needed a moment like that with the people she loves. She KIND OF gets it with Amity in “Reaching Out,” but not to the same extent Willow got with her boys. Amity just boxed Luz into a corner and forced her to spit out what’s bothering her, with the truth and how Amity reacted to it making Luz think she can be a little honest with her feelings. Only for her to go right back to distracting herself so she doesn’t confront her emotions in the very next episode, with Eda helping out by telling Luz the story of how she first met Raine. Meanwhile, Gus and Hunter told Willow that they appreciate her and everything she’s done for them, but tell her it’s okay to feel sad and to let it all out. And…Well, since there was only one episode left after that moment and all of it was dedicated to fighting the bad guys and giving our characters happy endings, all we can do is assume that Willow DID learn from her adventure in “For the Future” and grew from it. Even though Luz sort of gets that same lesson, there’s never this explicit case that she’s growing from it. If you dig deep enough in how she slowly admits what’s wrong or how she’s willing to vocalize her journal entry about what’s bothering her, then you can see that Luz learns a little. But when she’s the character that constantly puts others' needs above her own, especially for mistakes she didn’t intend, then it feels weird that she doesn’t get the same thing Willow got. If anything, it makes what Willow went through feels more like a lesson of the week than an application of this underlying theme within the series. It’s still a valid lesson to teach, but if this was something both Luz AND Willow needed to learn then Willow needed more moments in the spotlight of putting others' needs in front of her own and Luz needed more of a scene like Willow’s to better herself. It’s still fine as is, it just could have been better.
Still, it’s an overall good theme to teach kids. The Owl House is clearly telling them to be kind to others, primarily through its main character being the purest one of the bunch. But as good and important it is to spread the message of kindness, it’s equally essential to let them know it’s okay to focus on themselves sometimes too. You’re not going to properly help anyone if YOU’RE not feeling good yourself. Whether you just need to cry it out or talk it out with someone you love, it’s important to think of yourself from time to time. It’s not selfish to care about your own well-being and you won’t be a bad person for taking a day to just…decompress. You can do much worse than make yourself happy. As for those who HAVE done worse, well, there’s a theme meant for them.
People can always improve
The Owl House is one of those shows that spreads the message of turning enemies into friends instead of leaving them as, er, enemies. And if it’s enough to piss off Lily Orchard (Don’t bother with her), then you KNOW the show is doing something right. But in fairness, the show makes it clear that this decision is best reserved for those who are explicitly complex. Just look at Amity, Lilith, Hunter, and The Collector, characters we would have never expected to be reformed by their first appearances. Amity started out as generic prissy mean girl #115, Lilith was a snooty witch with a stick up her bum, Hunter was a charismatic fighter who threatened the lives of “criminals,” and The Collector was a god-like being who seemed to take joy in wiping out an entire race of people. Not great setups for characters you eventually want us to find redemption. Thankfully, The Owl House is a smartly written show and knows that you got to show layers to a person and why they’re like a certain way.
Amity and Hunter are by far the best examples of this. Every episode they’re in shows a new layer to them and the lives they live. To keep things brief (because I’ve talked enough about them already), they’re both kids who grew up with parental figures that made them believe that you have to always do what you’re told to justify your existence. Odalia and Belos both proved that there will be major punishments for when Amity and Hunter fail, motivating them to do their best for the wrong reasons. And doing their best often meant putting others down or doing something without knowing better because…what else could you do? Run away? Fight back? Stand up for yourself? Yeah, easier said than done. Hunter is proof that it’s not that simple, with Belos physically mistreating Hunter whenever he spoke up or how Belos WILL send his guards out to hunt Hunter down. Not everyone can be like Amity who has a parent that EVENTUALLY cares enough to kick the more abusive parent out. Sometimes, when you’re on your own with no real support group, it causes you to do as you're told without learning until later that it was the wrong choice. Amity and Hunter both show that, and it isn’t until meeting their friends that things start to change for the better for them. And they sure did change, with Amity and Hunter always getting a little bit better, even if their living conditions made it a bit difficult to do so. Plus, they’re kids. Kids are allowed to grow and change, especially if they’re always learning from their mistakes before doing something TRULY unforgivable. Unlike…other characters that I’m not a fan of in a different show I tried so hard to love. And when it comes to fictional storytelling, especially ones aimed for kids, I usually try not to avoid the “They’re just kids” argument because…yeah, obviously they’re just kids. That doesn’t change how well the writers handle their redemption, because if I’m left questioning if this character is MEANT to be redeemed, something screwy is going on here. With The Owl House, the writers consistently remind you that these characters are young and naive, with that knowledge playing into Amity and Hunter’s redemptions as it makes it an easier pill to swallow. And it doesn’t work JUST for these two.
The Collector being a kid is the central point to their redemption. He literally doesn't know better and–I’ve also gone over this a lot too, I know. But the point keeps being valid every time you look at The Collector’s actions. Even with the way they put Luz, Eda, and King into playing his weird games, The Collector still sits down and mopes because they all kept winning. It’s very much the same as a sad, lonely child who doesn’t like losing or people having more fun than them. All The Collector wanted was to play and have fun, but was punished for it because his siblings abused The Collector’s naïveté and made it look THEY were responsible for the other Titans…going extinct. And being falsely imprisoned for thousands of years tends to leave one a little agitated, as well as overly excited to be free and let loose. He didn’t do better because they never KNEW better, with Luz understanding that after just ONE real conversation with the kid. She was as freaked out as anyone else when first meeting The Collector, but, just like with Hunter and Amity, the more Luz got to know him the better she understood why The Collector acts the way they do. Everyone has reasons for their actions, some of them more justified than others. And even for the unjustifiable, it’s not too late to turn things around.
Lilith’s redemption still has some issues. Again, I VERY MUCH went over that enough. Yet it again comes with the best intentions of proving that you’re never too old to change. Lilith cursing Eda was wrong. VERY wrong. But she at least admitted to it and put the work into making up with her sister, already off to a great start by sharing the curse with Eda. Sure, Lilith still felt aggravation towards Eda and would occasionally act a LITTLE stuck upish, but the more Lilith stuck around the more it’s revealed how desperate she is for approval. Even a quick bit of Lilith making a little ice sculpture of Luz as a teacher giving Lilith a gold star speaks VOLUMES of her need for authority figures to give Lilith approval. Even if said authority figure is a fourteen year old who just knows more about glyph magic than Lilith. It also helped that Lilith had Hooty there, bringing out her best and bringing some levity in her life. It makes her from thinking that she’s at the lowest point of her life to realizing that life just got started for her and that she CAN make improvements, have better connections with the people, and can be a kinder person instead of a cold, stick in the mud. And with each episode we see her in Season Two, Lilith DID get better as a character and as a person, finding her true self and proving that you don’t NEED to be dragged through the coals forever to better yourself…Even if a sick part of me kind of wishes she was. I just feel like everyone forgave Lilith a little too fast, and while improving herself is fine, forgiveness is a completely different thing. But I also went over THAT enough, so I’ll just stick with the fact that while Lilith’s redemption is the most flawed here, it still does the job to prove that people are never just one thing forever.
People can change, and a lot of the time it’s for the better. They might have done things they’re not proud of or learn to regret, but everyone has a reason for it. Whether it’s how they’re raised to act, how their goals blind their morals, and quite literally didn’t know better. For these people, it’s always best to give them a second and maybe even third chance, especially if they have a clear desire to change. Some certain cynical sycophants will sometimes say that a character shouldn’t be redeemed because they don’t deserve it, but that’s not really how redemption works. It’s not about DESERVING redemption but proving you’re capable of it. When a show paints how a character is always bad and needs to change yet consistently goes back and forth on them being better or worse without much apparent growth, then that’s where it becomes a problem within the story. But if the show reveals layers to a character, proving that they’re flawed but good deep down and allowing that character to better themselves throughout the story, then it’s writing the message correctly. There are cases where there’s a good person deep down a LOT of hot garbage, with a lot of morally dark actions burying them deeper, but that doesn’t mean we shouldn’t forget that bright light of a human being that still wants to do good and trying desperately to claw their way out of their own pile. It’s…a complicated metaphor, but people are just the same as that: Complicated. We can grow and be better, it just takes time and love to do so. Although, to teach a message like that to kids, it is important to make one thing clear…
Some people don’t deserve redemption/forgiveness
This is the most ESSENTIAL distinction to make when writing a show about bringing the best out of others and getting them to change and redeem themselves. Yes, there are people capable of being good but there are still people out there who are too far gone to change or refuse to see how they’re a problem on all accounts. You can reason all you want with them or try your hardest to bring them out into the light, but no matter what you do, they’ll still refuse to accept that they’re the problem.
Kikimora is a perfect starting example of this. “Follies At the Coven Day Parade” was our first and…honestly, It’s our ONLY insight into there being more to Kikimora than a psycho who’s very okay with child murder. Luz catches Kiki getting stressed over not being able to see her family due to her duties being more important. The Owl House has done more with less when it comes to trying to hook viewers into sympathizing with characters worthy of redemption. I mean, just look at what they eventually try with Boscha. Besides, you don’t need a BIG reason to help someone into the light. As long as it seems like there’s a GLIMMER of a hope, then that can be enough to make it justified to help them. It’s only dependent on how quickly that glimmer gets stomped out that you realize mistakes were made in helping someone. To Kikimora’s credit, it seemed at first she was grateful for Luz and the others to help her be free of the Emperor’s Coven, even if a little annoyed by their flawed plan and ridiculous antics. It’s not until Terra (We’ll get to you in a sec) mentioned a promotion did Kikimora’s true colors show. When it seems like she’s at her lowest, Kikimora is willing to find an out so she doesn’t get disposed of like your average Golden Guard (Which she might have always known about?). But when it seems like she has a chance to be on top? Well, then Kiki will say her family could rot for all she cares if it means she’ll be seen as the best of the best. It’s that desire to inflate her already big ego, mixed with the insane drive to do so, that proves how Kikimora isn’t one to change because she has no desire to. Her only desire is to look out for herself and do what’s best for her, but to a selfish degree that often leads to others getting hurt. To Kikimora, the only problems that she needs to take care of are those who try to prevent her goals of reaching to the top. And she’s not the only one.
It still amazes me how Amity desperately tried to convince Odalia not to assist a genocide. I said it before, and I’ll say it one more time: This was Amity’s last attempt at proving that her mother isn’t evil. And we all know how well that turned out. The reason that it amazes me that Amity even TRIED because…there hasn’t been an ounce of kindness that Odalia showed to anyone. With Alador, there’s at least SOMETHING, whereas the nicest thing Odalia did was compliment on Alador’s work. Still, even then, it isn’t much given that she didn’t really know how much Alador would appreciate the compliment. So if Odalia never acted good, why bother reaching out? Well, as I’ve said several times before, it’s hard for a child to accept that their parent has ZERO good inside them. Amity wanted to see for herself, once and for all, if there’s really NOTHING good in Odalia and the answer…was exactly what she needed to hear. Even if it’s baffling that Amity tried to reach out, it’s still good that she did. It’s always important to at least TRY instead of giving up on someone outright. Amity more than anyone knows that not everyone is completely bad, so it’s great that she and kids watching understand that sometimes what you see really is what you get. A better example of this is Terra.
No one really tried with Terra. Specifically, no one in the CAST tried with her. The most people did was try to reign Terra in and tell her NOT to kill children and that didn’t really change anything. The fact that Terra RELUCTANTLY agreed just proves how deranged she is and how no sane person would want to change her. The writers knew this as even they didn’t try giving Terra that many layers outside of a crazy person who liked torturing the youths. And given that this is a series that loves showing how most of its characters are layered with a few of them deserving redemption, it’s perfectly fine to show one that’s one-dimensional and bloodthirsty. It helps sell the fact that not EVERYONE is redeemable, like having Season One Boscha act as a one-dimensional bully to make Amity’s redemption more digestible. You got to show a bigger bully to prove how the other isn’t so bad, and that’s what makes Terra so important. She’s the bigger bully, and her actions prove that while SOME people are capable of change, others like Terra are more than fine with who they are. And I’ll give Terra this, at least she’s sociopathic enough to understand she’s the bad guy and LOVES that about herself. Unlike others who genuinely believe what they’re doing is for the greater good.
Belos is the best example of how some people will just NEVER change. It’s never too late for one to redeem themselves in some way, but Belos has been living among witches and demons for CENTURIES. He had hundreds of years to see that there’s nothing wrong with who they are and take note that they’re kind people just living life and not really hurting anybody. Instead, he focused on the bad parts. The witches who made him dance for his book. Lilith, who punched him in the nose. And, of course, the witch who stole his brother away. These all circle around in his brain for as long as he lived, ignoring the TRUTH behind these responses. The Fang brothers and Lilith only treated Belos that way because he killed the Fangs’ brother and put Luz and Lilith in danger for his own reward. As for Evelyn, she didn’t STEAL Caleb away, he willingly followed her to a new world. Yet Belos refused to see anyone else’s point of view and that witches were ALWAYS the problem. Never him, and not anyone else. So he dedicated his entire life to fulfilling his plan, mutilating himself and becoming less human by the day, all so he could wipe out witches and demons from existence. He justified it because of his idea of the greater good, believing he was some tragic hero pushing himself to do what’s best for humanity. In reality, he was just a sad old man who never took the time to ask “What if I’m wrong?” And if he DID ask that, well, he likely suppressed that thought deep, deep, DEEP down inside himself so he wouldn’t have to think it again. Belos was a monster that would never change because he didn’t think he needed to despite having all the time, all the chances, to see that he could be wrong only to deny and refuse any other possible answer. Not even Luz, who forgave most of her enemies, wasn’t even willing to give Belos a chance, appealing only to his ego instead of his humanity as she knew full well he wouldn’t listen. The only person who really tried with Belos was The Collector, a child who learned the concept of kindness and forgiveness for the first time in their life and didn’t know better. If that doesn’t say a lot about Belos, I don’t know what does.
It’s always important to preach the message of helping people better themselves. There are good people in this world and it’s admirable to help those who want to be good but need to learn or relearn how. However, not EVERYONE is going to be like that. One way or another, they don’t see themselves as someone who needs to change. They either think there’s nothing wrong with them or believe that the rest of the world should change itself first. You can TRY to reach out to them and maybe you’ll succeed in some way with a few of these people. Just don’t feel too disappointed when it turns out that some people are too broken to fix. In that regard, there’s not much you could do to help them and you’ll often find yourself fighting against them. And you might want to make sure none of those people get too big of a dangerous job, because you’re not going to like what they’re capable of. You’ll see why in this next theme.
The ones who make the rules are sometimes the most dangerous
Not ALL the time, mind you. There are SOME nice people running things…probably. But not EVERY person should be in charge. There are those who abuse the system for the chance of lifting themselves up higher or hurting those whose only crime is existence. They have their “reasoning,” but it always boils down to excuses in some ways. It’s always based on “How they’re raised” or “It’s based on what their religion says.” While that explains their actions, never does it justify anything they’ve done as it’s a weak shield against the arguments about their moral character. Your upbringing and religion doesn’t stop you from coming across as a turd nugget, and if you’re wondering who I’m calling out with this, it’s the kind of people that Belos represents.
The absolute tragedy is that there are people in real life who are a lot like Belos. It’s just that he’s exaggerated for a storytelling effect and to keep things simple for the kiddos. Regardless of that, he still acts like those you’d see and hate. He’s a maniacal, manipulative leader who made the ranks through lies, smooth talk, and telling people what they want to hear. Because when you act like you know better than others, and do so with enough confidence, you’d be surprised with how easily people will be convinced to follow someone who speaks nothing but nonsense. And nonsense really is the name of Belos’ game, as he manipulated a group of people’s sacred beliefs and formed a religious oligarchy just so he could kill those he was manipulating in the first place. As far as my admittedly limited political knowledge goes, there hasn’t been a person that’s gone THAT far, as most of them actually believe the crap they’re saying. It’s just Belos who manipulates beliefs to get his way. The Witches consider the Titan their god? Then he’ll use that god to make them think he’s unhappy with how witches use magic. It’s similar to how people use the “It’s not what God would want” when making their stance on other people’s rights, except it’s not THEIR god that Belos believes in. He’s a puritan who thinks that all these sins he’s committing to the people of the Isles is worth it because it’s what HIS god wants. And for the record, I don’t think that there’s anything wrong with believing in God or any god for that matter. But if you really believe that God would want you to kill others to appease him when his teachings boil down to love and forgiveness, then I don’t think you’re worshiping God the right way. That’s something Belos doesn’t realize, as he would twist his own soul into a pretzel for the sake of his “holy mission.” Yet that mission was nothing more than a shield to hide behind his discrimination. Much like other “leaders” in the world.
Am I projecting how I see certain scumbags on social media onto Belos? Most definitely, but I feel like Dana Terrace is most certainly doing the same thing. Look at any conservative online and tell me that they don’t have similar mindsets to Belos. Because to me, they definitely do, and it’s the way Belos transformed the Isles that makes me worry about those real life dingles. Especially with how REAL the Isles feel in that regard. Oh, things seem fine. In fact, things are relatively normal with people living their lives without any real negatives. That is, as long as you join a coven, otherwise you’ll be marked for death if you break the one important rule. Everything seems to be alright for everyone who stays in line and follows the rules, much like real life society. We can live normally and be at peace as long as we ignore the problems that exist, do as we’re told, and never CONSIDER straying from the path. And that acceptance of how things are is exactly what the bad guys in charge use to get what they want. They spread their message to those who WANT to listen and are fine with what’s being preached, all while painting those who say otherwise as the purest of evil. When, nine times out of ten, it’s usually the person preaching that crap who turns out to be the real scumbag. They don’t want you to think differently or question why things are the way they are, either because they don’t want their own place in the world to be challenged or, like Belos, they actually believe that people who are “other” are actually evil. It’s why he gave these people, who were initially content with their lives, a system that seemed to encourage in-fighting, proving that you’re the best at a specific skill, and letting others climb to be the most powerful in the world for the sake of their god. Belos devised a way for witches to basically fight each OTHER, temporarily playing the long game so he can stall until finding a way to kill them all at once when his time was starting to run out.
I wouldn’t say that the show is ENTIRELY anti-government. If it was, the ending wouldn’t have implied that Raine and Darius have basically started their own. To me, the show is more likely saying that you need to be careful in who you put your faith in to lead you. Not EVERY politician is evil, but none of them are saints either. A lot of them have ulterior motives for letting them lead, with a person like Belos showing just why we should be wary of who to trust. Belos may be an exaggerated worst case scenario, but one that’s very much possible if we don’t prepare well enough to stop those just like him. As for who’s who, well, that’s up to your own beliefs and research to find out. Just remember that even though someone is in charge, that doesn’t mean they have your best intentions in mind. Though, keep in mind, this is mostly about the people in politics. There are authority figures you should be wary of, but most of the ones who know you personally are trying to keep you safe. It’s the ones that have known you for years. Ones who want to make sure you’re having the best life. And while they’re not always right, there are some out there who want to do right by you. And what authority figures are those? Why, your parents of course!
…Look, I wrote myself into a corner and I needed a good transition into the next theme. I know parents are nowhere NEAR the same government officials or those who uphold the law, but they at least uphold the law in YOUR house. Though, some of them aren’t perfect at it.
Parenting isn’t easy
There are a LOT of parents that do their best in this show. The only real exception is Odalia because…she’s Odalia. It’s the rest that shows they’re doing all they can to give their children a better life. Willow’s dads are willing to give up their jobs to continue Willow’s education when she’s expelled, Perry wants to support Gus’ talents, and, hell, even one of Boscha’s moms seems desperate to be a part of her daughter’s life by asking to join in on the Moonlight Conjuring. There are some decent parents in this show, but not a lot of them tend to get credit for their efforts. Mainly because, in some cases, their efforts aren’t good enough to those who’ve had…similar experiences that turned out for the worst. Those types of people tend to not feel good when a show says, “Give your parents the benefit of the doubt.” You can…already tell where this is going, and I want those fans to know that their emotions are valid and, if I were in their shoes, I would feel the same way. However, I think there’s some value in how The Owl House tries pointing out a parent’s love is the most essential part done right, even if some parents tend to fumble at first.
Starting with the most forgiving, we have…Camila.
“LE GASP!”
DO NOT get me wrong: Camila is still the best parent in the show and one of the best cartoon moms of all time…That doesn’t mean she hasn’t made any mistakes. In fact, Camila acknowledging her mistakes is part of what makes her one of the best parents. She was a single mother trying her best to raise Luz right, but got lost along the way due to how OTHERS perceived Luz, not so much how CAMILA saw her. She loved Luz’s wackiness and oddities, it’s what made Luz…Luz. Camila was just worried because not everyone would feel the same way, and that would mean Luz would not fit in with…anyone. And with everybody judging Luz and even judging CAMILA, it left her feeling pressured to make a change to fix the situation. Her fault was that Camila decided on sending Luz away to a camp in an effort to help her daughter, only for that to make Luz feel like SHE’S the problem. It’s not what Camila intended, but it’s how her actions came across, and it immediately left some bad tastes in some fans’ mouths. Some of it was very unwarranted as too many jumped on the hate wagon by calling Camila a bad mom who doesn’t love her daughter despite a fair amount of evidence pointing to the contrary. Still, when she does things like send Luz away or unintentionally guilt Luz into thinking she can never return to the Isles, some fans can’t help but see their own dismissive or possessive parents, even if Camila isn’t meant to be like that. She’s a mother trying her best and made a few mistakes along the way. She at least learned from her mistakes, managed to be better, and was given more depth for why she acted this way. And her character was certainly more well-received than other problematic parents doing their best.
If you couldn’t guess already, Gwen and Alador are the other two. I’ve said ALL that I’ve needed to say about them, there’s no need to stretch it out further, and so I’ll just speed by them. Firstly, they’re both characters where you understand the intention the writers were going for. They’re meant to be parents who genuinely love their kids but went about supporting or helping them the wrong way. Gwen was a mother who wanted to cure her daughter’s curse at all costs due to the pain it caused Eda and the rest of the family. She just ignored Eda’s feelings about the matter, not being satisfied unless the curse is gone FOREVER. And all that ignoring led to Eda distancing herself from Gwen because of all the intense and ineffective treatments, with an extra side-effect of Gwen ignoring Lilith because her problems weren’t as “important” as the one she caused. Though, that last bit might have been a thing long before the curse. At least, that’s what’s implied. Her actions were less than ideal, and to some fans, it would take more than a single “I’m sorry” to make things right. Unfortunately for Gwen, she never really got a chance to prove she’s forever changed like Camila did. Outside of redeeming herself at the end of her introductory episode. The next time we see her, she drops the news to Eda that Dell is about to visit, giving Eda no time to mentally or emotionally prepare herself for her father’s arrival. It was done with the best of intentions and Eda would have refused until the day she died anyways, but it’s still the same as Gwen showing up unannounced with a new and “totally legitimate” cure. Camila at least put in an effort to be okay with the Isles, even if some aspects freak her outyears after her first visit. But that’s the benefit of being a character who was allowed to grow and change because the writers found a way to include her in the main story. Gwen didn’t have that luxury, with the show barely having enough time to fit her in at all. I feel like the reason for that was because the writers didn’t have plans for Gwen outside of her introduction, so they just hoped that what she did in that episode would be enough. And…it is for a mostly one-off character, but it causes SOME reservations with fans due to the years of damage and neglect Gwen partook in. I would still personally say that what she does is enough, but I’m a person who didn’t have a mother problem like Gwen, and the fans who did are likely going to respectfully disagree with me. Though, I feel like I can confidently say that Gwen’s mistakes are an easier pill to swallow than Alador’s.
Alador is very much not an improvement as he constantly stayed out of Odalia’s way and did what she said to make her happy so she wouldn’t do anything WORSE to the kids. Even though what she already did wasn’t all that great to begin with, Alador kept telling himself that Odalia will somehow be even worse if she doesn’t get her way. He tried to SUBTLY steer Odalia off course, but still did next to nothing to really stop anything she’s done. He does when she finally goes too far, but to some fans’ eyes it’s too late. Now the question is: Is Alador stopping Odalia from assisting a genocide and promising to do better ENOUGH to accept? And to some fans…the answer is no. It’s a good start, but it’s hard for some people to accept an apology that seems to come too late. It’s even harder to accept because the show’s about over and there’s next to no time for Alador to improve himself as a good parent. I get that he WANTS to, but wanting to be a better parent and actually being one are two different things. Trust me. The epilogue hints that he did well enough for Amity to still be happy to see him, it’s just that we don’t get to see that change for ourselves, thus making it a harder pill to swallow that he’s really a good parent.
It is a good thing for kids shows to say that parents are doing their very best. I’m willing to say that there’s a VAST majority of parents who actually love their kids, even if they sometimes make decisions that could unintentionally upset the child at first. It’s nice to tell kids that their parents still love them, and it gives the parents watching The Owl House a chance to see some of their mistakes be painted negatively and it’s not too late to change. However, there are still teens and young adults who DIDN’T have the best parents growing up, and they’re going to be slightly willing to resent some attempts to make imperfect parents better. It at least works with Camila, with only those who disagree being fans who hyper-focused on her worst attributes and ignored her most nurturing moments for the sake of just…hating her, I guess. Ever since “Thanks to Them,” the hate train for Camila has LONG since left the station with barely any passengers on it anymore, and it’s all because of Season Three having her confront her mistakes and improve on herself. We don’t get that with Alador and Gwen, so saying that they’re parents doing their best doesn’t really cut it because we never got the chance to see what their “best” ever was. Both have their moments that make me appreciate the effort, but they’re a case of the intention being better than the execution, making this a lesson that needed better planning for its other parents. Though, in fairness, the lack of proper preparation for making imperfect yet loving BIOLOGICAL parents MIGHT have something to do with The Owl House LOVING the Found Family trope…
Family is more than blood
Ah, the found family trope. Something that’s genuinely wholesome every time it’s used. Whether it’s outcasts and weirdos finding acceptance through each other or poor sad sacs finally experiencing love for the first time with someone who isn’t a blood relative. The Owl House loves this trope, especially with its main trio. I’ve said…pretty much all I need to say about these three and how important their love for each other is. Their bond is at the core of what makes the show so compelling, and seeing them be happy together is what makes watching The Owl House great. On top of that, it also does a job of showing that you don’t need to be a child’s birth parent to be a GOOD parent.
Eda’s a surrogate mother to Luz and an adopted mother to King. Neither of them are her flesh and blood, but she will ALWAYS treat them as such. At least, she eventually does. Initially, Eda kept pushing the label of Luz being her APPRENTICE before sticking with calling Luz her “kid” and would treat King more as a pet before seeing him as a son. It’s partly Eda not wanting to accept that she likes having people in her life, and partly because the writers were not a hundred percent sure about character dynamics until almost halfway through the second season. Regardless, by the time everything is all figured out and accepted, Eda basically starts to become mom of the year. She prioritizes Luz and King’s safety above anything else, takes time out of her day to get those kids the things they need on the day-to-day, and will get extra murdery when someone so much as THINKS about hurting her babies. It gets to the point where if the pressure of her kids being in danger becomes too much, it’ll cause Eda to break, making her one of the few cartoon parents who absolutely refuses to let her children get mixed up in the danger. The parental figures of shows like these tend to accept that it’s something the kid HAS to do or begrudgingly goes along with it because…it makes the plot easier. Even the parental figures who tell their kids to be cautious when approaching danger tend to still bring their kids into said danger. With Eda, she’s the rare case where I’ve seen a mother actually cry from stress over worrying about her children, which proves how strong her love is for Luz and King. You don’t need to be a biological mother to love your kids, and Eda proves it. As well as a certain someone else.
I do want to gush about how Camila is the mother Vee never had, taking the poor little snake in when she had nowhere else to go. The problem is that there’s not really a greater focus on it, but, at the same time, there doesn’t need to be. We understand everything from something as simple as Camila running to hug Vee when she reveals her new form. At first, Camila may have been put off by the SURPRISE of Vee, mainly because the reveal of a snake demon pretending to be her daughter was a bit too much for her. But after calming down and seeing Vee for what she is (Which is a scared teenager with boatloads of trauma), Camila agrees to let Vee stay with her because the girl has nowhere else to go. That very act shows off Camila’s kindness, sure, but the little bits we get in “Thanks to Them” shows that this is more than a woman offering a teen a place to stay out of the goodness of her heart. There’s that first hug I’ve mentioned, sure, but we also have Vee learning Spanish fluently and a picture of Camila proudly teaching Vee how to make empanadas. It makes it seem like there’s a genuine effort to make Vee a permanent member of the family, with Camila not seeming to be against it. And her final hug to Vee at the end of the special cements that she’s more than happy to have Vee in her life, which is further confirmed in the pictures we see in “Watching and Dreaming.” Vee became a permanent part of the Noceda family, joining in on family outings and graduating with Vee in pure glee. She hasn’t been with them long, but Camila and Luz love Vee like a mother and sister would, being something that’s so genuinely heartwarming to think about despite how little we see in the show…It also feels more earned when compared to Hunter and Darius.
I still appreciate what was MEANT to be done with Hunter and Darius, don’t get me wrong. It’s sweet to give Hunter a father figure and someone to consider family outside of Belos because…it’s Belos. Hunter deserves SOMEONE to love and guide him outside of Flapjack, and Darius is revealed to be someone that was strict but understanding about Hunter being a teenager. Plus, with the information that he was close with Hunter's predecessor, and the knowledge of what happened to previous Golden Guards, you can take this as Darius wanting to keep his friend’s memory alive through Hunter. The potential of what they could be is there and what we see is still good. I really do enjoy that Darius seems ready to take Hunter in after Hunter was ready to accept that he has no one, even taking interest in Hunter’s love of wolves the second he talks about them. It’s certainly charming…but we also barely see any of it. More than that, we’ve hardly seen it built up. I know the same applies to Vee and Camila, but here’s what they have that Darius and Hunter don’t: Time and close proximity. Even when they’re off screen together, they’re still together and you can imagine the bonding they MUST be going through, even if they’re off-screen. You can’t live in the same house with somebody and NOT form some kind of connection with them. For Hunter and Darius, while they MIGHT live in the same castle, but they’re often both busy with duties and responsibilities to even TALK to each other. At least, that’s what we can assume from these two. Camila and Vee seem significantly less busy with one another, so it’s easy to imagine that they have all the time in the world to chat and bond. Hunter is rarely in the same room as Darius unless in uniform. I get that Darius cares for the boy, what with how overprotective he got and ready to rain hell once learning that Hunter’s in Belos’ mind too. But that’s the only real big showcase of their bond between “Any Sport in a Storm” and “Watching and Dreaming” that so much as hints to their relationship. It’s a decent attempt, but it’s another one of those things where I wonder if it’d turn out better if we had more time.
Regardless, it’s still an effective theme. Only a third of the found families here were allowed to have a lot of attention on them, but Camila and Darius were still allowed a chance to prove their loving parents despite not having a lot of time to show it. Familial love isn’t JUST defined by the blood one shares. It’s something experienced the exact same way through adoption or considering someone to be close enough where they might as well be family. Blood’s not all that binds us, and it’s sweet for the show to say that, not only for the kids looking for a new home but also for ones looking for an out from a hostile environment. They WILL get a better life with people who will love them regardless of being related or not. And it’s not just a familial bond you’ll get from people out in the world. Because while you might currently feel alone without anyone there to understand or love you, just know this:
You’ll find your people
This one…really applies to a lot of the characters in the series. One way or another, they each experience a state of loneliness at some point, having no one in their life for a period of time to then having the closest companions and romantic partners that make things…better. These are characters that likely thought they’d never find anyone, but they’ve either now have one person or a group of people that make them feel seen and heard as an individual. And I could go on entire essays about these characters…but this whole sticking thing has gone on long enough, so we’ll lightning round these examples.
Luz was your average nerd that no one understood, with her antics being too weird for anyone to even want to associate themselves with her. That is, until she found herself in a land that’s weirder than her, yet ironically remaining a social outcast due to her being the only human. Yet she still manage to befriend almost every person she met, with all of them showing up to celebrate her birthday. It made Luz go from the loneliest girl in her grade to basically the leader of her own squad of losers and town sweetheart to the lives she saved.
After losing a friendship with Amity, Willow spent a lot of her time all alone and struggling to catch up with others, bullies in particular calling her half-a-witch. But we already established where this led her. She got two personal cheerleaders and a boyfriend that all express how amazing and talented Willow is, having blossomed into the badass she is now. She even repaired things with Amity, making a friendship that’s stronger than it was before.
Older kids used Gus for his intelligence and didn’t respect him for his age. Now he’s the personal cheerleader of a whole group of friends who have his back and value both his input and needs.
Amity may have had “friends” like Boscha and the whole mean girl clique, but it never felt real to her. She was surrounded by people, but never felt more alone until meeting Luz and understanding what real love and friendship felt like. It made Amity want to be better as a person, giving her a chance to rekindle a friendship with Willow and making things better than they’ve ever been.
Hunter had NO friends his age, only having a bird as a companion that he had to keep secret from his controlling, bloodthirsty uncle. It wasn’t until the bird kept pulling Hunter in the right direction did he manage to become friends with a girl who acted like an annoying sister, a new best bro, and a crush turned girlfriend, all inspiring him to stand up Belos and be his own person. And also Amity was there.
Vee had next to NO ONE in her life, and she was a monster in the Boiling Isles that was hunted down by Belos. By coming to the Human Realm, not only did she find peace, but she also found a family, made easy friends, and became part of a group that likely makes her feel a sense of belonging she never experienced before. And you know what? Good for her.
Throughout Hexside, all Eda had was Lilith, which implied that not a lot of students were a fan of her chaos. That is, until she met Raine and finally had someone who both understood her as well as wanting to join the fun.
Speaking of Raine, they were a top student for sure but one that was looked down upon/underestimated due to being a bard witch. Eda was the one who saw their potential and talents, being an easy first friend and eventual girlfriend who brought more excitement to Raine’s life.
It is HEAVILY implied that Camila was a closeted nerd who never had anyone that understood her until meeting Manny. Those two geeks assuredly bonded over their shared interest in Cosmic Frontier, making Camila feel loved and understood by a man that I REALLY wish we got to see in canon. Just one flashback or SOMETHING!
Lilith likely didn’t have any friends in Hexside, though it’s possibly by choice. She focussed more on studying and being better than her sister, with that mindset carrying over to the Emperor’s Coven as she won’t give up unless EVERYONE recognized her for her talents. Friendship took second place to those needs, and, for all we know, means that Hooty is her very first real friend. And that’s sad because…it’s Hooty, but at the same time it makes their friendship all the more beautiful with how much Hooty makes Lilith happy in a time when she felt like there was no one who’d face her let alone like her company.
And finally we have The Collector, who was alone for EONS, wanting to just play games and make friends. The only snag was that he was too powerful and needed a guide, with King stepping up as the role of The Collector’s (forced) best friend. And while the job wasn’t the BEST position, King grew fond of The Collector, making them feel fuller as a person.
Like I said, a LOT of characters felt alone for so long. The good news is that they eventually found those who made life better just through their company alone. And that’s good to teach–GREAT, even. Because it doesn’t matter how long it takes for those who feel so alone. Whether you’re a teenager or even an adult, you’ll find people in your life who will effortlessly make you happy. You just gotta let them in when they find you and allow them to make life better. For some of you, it might be hard to let friends into your life because you feel too damaged beyond repair. And for that, there’s another thing to remember…
Love heals all wounds 
On top of being lonely, a lot of characters tend to be…emotionally broken. At the very least, a lot of them needed a hug more than anything ele. At most, they need a whole new life with people that actually understand the importance of love and kindness. And I…pretty much just speedran my way through most of those characters, as well as thoroughly going over the two biggest examples in this show throughout every part of this dang review series. Amity and Hunter are their best selves now because of the new friends that they made and the families they formed. Most of their baggage, bad behaviors, and worst memories are darn near forgotten due to those in their lives making things better. I’d just be repeating myself to an excessive degree if I went further with these two. They’re the best examples for sure, explicitly showing how much a person can become better off with someone showing them what love feels like. The same goes with, like I said, a LOT of characters on the show. Luz was in a depressive state, one that made her question whether or not people would be better off without her, and was only healed through reassurance and reconfirmation that people loved her and are happy BECAUSE she was in their lives. Eda was a person that pushed away everyone in her life, from families to romantic partners, until she had two kids in her life that gave it meaning and encouraged her to reconnect with those she left behind. And do I even need to explain Vee? The connections we make with people is only important because of the love we share with one another, in a variety of ways. Romantic, platonic, even familial, a person saying “I care” can do wonders to a person’s psyche in ways you don’t even know.I should know. I speak from experience as a person who often felt like no one cares about him or his existence. It means WONDERS whenever I hear someone say they value having me around. Reassurance that you’ll find your people is one thing, but being reminded that the love you get from them is as essential just feels…so right. Because, yeah, of course relationships and love go hand in hand. It’s part of why The Owl House is such a delight to see and why this next and final theme hits so hard. And while I say final theme…it’s really one of the first things the show ever had to say.
“Us weirdos gotta stick together”
On top of being lonely and desiring love, The Owl House is a show of outcasts. As Luz puts it best, they don’t fit in anywhere so they just fit in together. Our main trio, of course, are the primary examples of this. King’s the last of his species with delusions of grandeur that makes him difficult to socialize, Eda’s a criminal wanted by the Emperor for not joining a coven, and Luz was the weird girl in school that became too much to handle. The three of them never really fit in anywhere so they found unity through each other. They’re the only ones who really knew and understood each other better than most people and would go through so much if it meant making one another happy. They were weird, but that’s what kept them united as people who can be their true selves while being…mostly unjudged. There is some teasing and some questionable looks, but it often comes from a place of love as these three would do a lot to make each other feel loved. And it’s not just with their group. 
Luz took Eda’s words to heart, setting out to form a weird little group of her own. She went out to make friends who were social outcasts as well. You have Willow, the powerful girl who couldn’t get good enough with one type of magic, getting ridiculed by both peers and faculty. And Gus, a magical prodigy who is OBSESSED with humans. Both of them get along great with Luz, appreciating her siliness and joining in because it was fun for them. What’s even better is that they’re not the only weird bunch in school. The Detention Track kids also came together, due to a shared “oddity” of wanting to learn more magic by combining different kinds of spells. They went about things the wrong way and were definitely a little too chaotic, but that’s just what kept them all so close together. And “Any Sport in the Storm” showed them making new friends outside of their group, more so with Viney as the episode mostly hints that the same applies to Jerbo and Barcus. Speaking of Viney, though, she managed to become close with Gus, Willow, and surprisingly Skara, all of them sharing an understanding of being underestimated in one way or another. Weirdness tends to attract more weirdness, with The Owl House saying it’s a good thing. It furthers the theme about how you will find your people, with these little groups proving that you’re never too weird for EVERYONE. And, even further, your weirdness can inspire others to let out their inner weirdos. Amity was allowed to be a more of an open nerd, sharing her love of Azura with Luz, and Hunter was allowed to take interests and show off how he enjoys something without worrying about how others judged him. In fact, NONE of these characters worried about how they were judged as people because of the company they keep. Most of them may have been a little odd, but they all felt seen, heard, and appreciated for who they were. But that remains a final question: Who WERE they?
What does the show mean with the word “Weirdo?” What are “weirdos” meant to represent? There’s the obvious answer in saying that it’s meant to be more literal, saying that the show is speaking to anybody that’s more or less odd or goes against the grain, in a way. Although, even then, what does that mean? What counts as weird? Is it weird to be a fan of something you love? Is it weird to be unpopular or to not shine as brighter as others? Is it weird to…love someone…who happens to be the same gender…?
Maybe I’m overreaching, but this is where my mind goes when the show says “weirdos.” It’s a very vague term that can apply to a lot of people who don’t feel like they fit in for a variety of reasons. Stuff like loving a certain thing or loving a certain someone COULD fit into that and it makes the message of sticking together all the more important. Because it’s true, weirdos should stick together. Whether you like it or not, we’re all in the same boat. People will look down at us as if we commit the worst crimes, when all we did was act as our unique selves. We didn’t hurt anybody, we never PLANNED to hurt anybody. We just want to be allowed to exist, and it’s perfectly fine to find unity through that desire of existence. No matter how you’re seen as weird, from who or what you love, to the way that you act, and the way that you talk, you’re allowed to be who you are. We don’t like being judged, so we shouldn’t judge others who just want the same things we do. So unite, because us weirdos have got to stick together.
And that…is that. That’s all the things I figured that The Owl House tried to say to the kids. I may not have gotten EVERYTHING, but these are what stood out to me and they’re the lessons that I love most to have come from the show. If there’s any theme you want discussed, then by all means share. Tell everyone how there’s more to this series that makes it stand out from all the other kids shows with a point. And, more importantly, how it does it well. Because at the end of the day, while the messages can be a little muddled, I wouldn’t say that The Owl House has anything bad to say. At all. Its heart is always in the right place, and that’s what I personally admire most about this series.
Speaking of admiration, I’m running out of things to talk about why I love this show. So, tune in next time for the FINAL PART as I discuss more of what does and doesn’t work with this series as I finally conclude why I love it so much. It’s…likely going to be emotional, so see you then.
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Storm
Ivy and Claudine Feelings fic. Might add Ivy & Diego interaction later but I’m posting it now.
The rain drums against the roof and windows incessantly.
Sometimes, rain drops fall into the room through a crack of a window Ivy didn’t bother to close. She’s never did close that window, she isn’t sure it could even be closed anymore, but she doesn’t mind. She doesn’t mind the rain or the wind, she barely even shivers anymore as another gust of wind breezes through the room and rattles the ancient windows and doors.
The house is complaining about the storm, as it always does. When she was little, Ivy actually imagined it gossiping about the weather, in posh English accent. So horrible today, isn’t it?
She doesn’t do that anymore. Now, she sits curled up with a book that’d make an Auradonian princess choke on her own spit, and clinks ice in her glass.
…Yes,it is slightly too cold for ice, but Ivy wants her whiskey on rocks, you know?
Besides, she likes how the glass burns at her fingertips, ever so contrasting to the alcohol itself.
She flips the page and sighs as she realises she hasn’t the faintest idea what she just read. Really, this thing can get so boring in some passages – she’ll need to get a new one from Dulcia.
She sighs again and stares at the blank wall instead, contemplating her life choices or whatever.
A movement catches her eye. Tight, jerky movement where nothing should be moving but the wind, where her girlfriend is supposed to be asleep.
She’s not asleep, she’s sitting up with her knees brought up to her chest, having drawn up her hands to her ears just now, and Ivy really should have noticed sooner.
She stares at the girl, sucking at her cheek as she tries to find words of comfort that she can actually say – not that she cares for the Isle societal norms all that much, but she <i>is</i> a Villain.
Claudine catches her staring.
„Ivy–“ she breathes out, lowering her hands to her lap – back to her crucifix.
„Ivy,“ she says again before abruptly clambering from the bed.
„What’s it, sweetheart?“ Ivy asks and lowers her feet to the floor just as the girl comes to a halt before her and sits on her heels in front of the loveseat. From here close, Ivy can see the tears shining in her eyes – if she had a heart, it’d break a little.
„He is mad at me,“ Claudine whispers, confesses, as she takes Ivy’s hand into hers, holding on desperately. Ivy lets her.
„Who is mad at you, love?“
„He,“ Claudine says with as much emphasis as she can, „He sends storms to punish sinners and purge the earth of those unworthy of His love. He is mad at me, Ivy.“
Now, Ivy is starting to understand – well, more than anything, she’s understanding how much she’d love to kill dear old Judge Frollo, if he wasn’t already dead.
She’d make him suffer, for what he did to her.
But for the moment, she rises and takes Claudine with her, drawing her into a hug. Ivy can feel her trembling still, as she mutters: „Are you afraid of the storm, sweet thing?“
Claudine just nods mutely into her shoulder.
Ivy hums, just to fill the silence, and strokes her hair. Then she pulls away – just for a moment, just to grab her book again, for she never did put down her glass – and says: „Can you carry this for me? We’re gonna go somewhere where we can’t hear the storm.“
She waits for an answer, as patiently as she can, and Claudine takes the book, which is as good as it’s gonna get. Ivy kisses her cheek and leaves a mark, which she doesn’t care about, and offers her her arm as she leads the way through the labyrinth that is Hell Hall.
She navigates the dark halls she grew up in with ease, though, until they walk to a salon near the heart of the Vila. Much too close to her Auntie, in normal circumstances, but the storm doesn’t reach here.
Ivy stands down her glass now, and flickers her lighter few times before she lights the oil lamp by the sofa and the warm light shines around the room. She sinks into the pillows and waves Claudine over,  pulls her down, as she girl seems unwilling to do anything on her own accord.
„No one is mad at you, I promise,“ says Ivy, because it seems like the right thing to say.
She doesn’t know if she’s lying.
„I promise,“ she repeats anyway.
„But how can you know?“ whispers Claudine so quietly that Ivy can hear because she’s oh-so-close.
„I’m not mad at you,“ she says, as if that explained everything, which, really, it should.
„No one’s mad at you, you’re far too precious for that.“
She pulls away Claudine’s head a bit, just enough to kiss by the corner of her eye.
She can taste the salt of her tears.
„You think?“ Claudine breathes out. She’s not trembling anymore, not so tense, no. She’s almost relaxed in Ivy’s arms.
„Yeah.“
She lets her lie down, curled up next to her, and hopefully fall asleep now.
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mordenandmerry · 9 months
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If I had a nickel for every time I was obsessed with a show/book/podcast with lots of eye imagery, I’d have SO MANY FUCKING NICKELS.
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shout out to all the fictional characters who experienced comphet their entire lives and then fell in love with their same-sex best friend and it gave them an existential crisis and/or became their entire personality
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retroautomaton · 1 year
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🍯🍨📘
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monitorkernelaccess · 8 months
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does anyone remember when team salvato had that “for fans by fans” fanart merch contest, but like it had a backstory that monika “wasn’t allowed to participate” cause “she always wins and it would be unfair :(” but like all images of her and mentions of her name were glitched out, and in the background of the promo art there was a piece of paper with her poem “Hole in Wall” mostly erased (and not even in her font asset, just in the neutral/MC handwriting font) so all signs pointed to monika’s file being deleted
but then literally none of that was ever directly acknowledged in the posts or the merch for the contest, or in ddlc+ lore, or on other posts from team salvato’s twitter or monika’s twitter account? so, though it probably wasn’t intended to be lore to begin with, we never got any context for it, even within the constraints of the “backstory” for this specific contest?
…no? just me? ok.
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jamietwat · 29 days
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This is how easily distracted my writing focus has been in the last twelve hours
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goldenhypen · 7 months
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i cannot even comprehend what just happened someone help me i didn’t realize i was crying until the video was over but omg it was a whole mv omg i’m so proud of him i’m in loveee w his voice omg at the very first moment i already had goosebumps over my whole body also him saying “i don’t think im okay” broke my heart in ways i didn’t know it could. ik it’s just a song but him singing it like that made it feel so real. him singing this whole song broke my heart. he better actually be okay cuz if not i will personally fly over to whoever or whatever is preventing him from happiness and take matters into my own hands 😠 k but omg jake is smth else man he’s had sm potential from the v beginning and these days he’s finally rlly shining and it makes me so happy to see omg ok this cover has given me sm to think about yall pls stream it. stream it for jake. he’s worked so hard. ugh this was actually a masterpiece. tell me he’s okay tho 😭 WAIT ALSO JAKE HIGH NOTES i almost forgot to say- that was insane pls when do we ever get jake high notes???? heavenly. hea👏🏻ven👏🏻ly👏🏻 he was insane for this. truly insane. i didn’t even know it was possible to fall even deeper in love w this man but he proved me wrong yet again. so proud of him for this.
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starbuck · 8 months
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seeing films live has really impressed upon me how strongly laughter functions as a response to intense discomfort for many people. it’s really interesting!
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cream-and-tea · 9 months
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nightmare, secret, and wound for the character(s) you think have the most interesting answers!!!
~Morri (@memento-morri-writes)
Not Nice ask game here! (all of these questions are pallasbait so i’m going to get that out of my system and answer all three for them lol)
nightmare: What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?
pallas has a pretty messy relationship with the concept of sleeping in the same way that they have a pretty messy relationship with most Basic Human Needs, so they really only sleep when they absolutely cannot stay awake any longer. but if i’m being honest they’ve repressed everything they could have nightmares about SO hard that they don’t really have bad dreams and if they do they don’t remember them when they wake up. they do have one extended nightmare sequence in the book as i’ve planned it but that happens when they’re actively bleeding out + their entire worldview is crumbling, so it’s really a way to show the way all of their Repression Level 5000 Mental Blocks have started to break down lol
secret: What's one secret your OC never wants anyone to know about them?
this is kinda hard to answer because pallas hate hate haaaaates being Perceived in any meaningful capacity, so their view of what counts as “secret” is massively skewed lol. if they had their way no one would be able to access any information about them without going through a fifty step vetting process and a blood oath binding them to never repeat any of it (which isn’t to far off from what they actually do tbh).
apart from one Super Huge Spoiler Thing i think the thing that pallas wouldn’t want ANYONE to know is that they aren’t anywhere NEAR as secure in themself/their position as everyone thinks. they put a lot of effort into coming across as Cool and Detached and Cruel, so to have anyone see past that would be absolutely devastating. because if someone could look and see how much what pallas does is eating them alive they might try to question it and bring them out of it and force them to—GOD forbid—self reflect for once. they’ll take hatred and fear over pity any day.
wound: How does your OC handle being wounded? Are their wounds mostly physical? Mental? Emotional? What's the worst wound your OC has ever experienced?
heyyyyy character i have with the highest pain tolerance!!!! super powerful bloodflesh magic + incredibly taxing training (to put it mildly) + intense healing factor + functional immortality will do that to you!! due to uhhhhh All Of That pallas’s general response to being wounded is to walk that shit off unless it’s directly preventing them from completing their mission, which is a pretty high threshold. you know that they’re my specialist little guy because they’re constantly being battered physically mentally AND emotionally through the whole story. just put through the absolute ringer. it’s actually kind of hard to choose a worst one bc of that, but i’m gonna say that worst emotional/mental wound happened a year before the start of the book when their best friend nina Died supersuper hard and worst physical wound happens in book two when [REDACTED] [REDCATED]’s them ❤️
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ducktracy · 2 years
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how do you start a storyboard? what’s the difference between thumbnail sketches and rough sketches? i wanna learn, but i’m so lost
GOOD QUESTION I AM HAPPY YOU ASKED!! as with all of my explanations, this’ll be long winded but i hope it helps!
so YES! thumbnails are usually first! it depends on how you’re approaching the board. are you working off of a script/written list of ideas? are you just starting completely blank?
i usually try to start with some form of writing down, just because i’m flighty and don’t want to miss any potential ideas in the rush of the process. i’m going to use a personal board i started for fun as an example (and as an incentive to pick it back up, because it said i last opened the file in August, so…)
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usually if i’m doing a personal board, i’ll have an outline written of the basic actions i want. nothing too thorough, just “so and so does this” “action for this panel” “so and so does that” etc. this one is timed to music, which is a special case—i REALLY didn’t want to lose the ideas i had, and trying to recite those and keep the beat of the music at the same time got overwhelming and i didn’t think a sheet of thumbnail drawings would help maintain the authenticity in time, if that makes sense. so what i did was type very vague descriptions in each panel, with the panels timed to the music so i knew what to fill in later. i’ve rehearsed the actions enough in my head that i have an idea of what i want, so when i see “camera pans past Porky” i immediately know we’re going to follow Daffy out, i can see Porky encircling him as he catches up in perspective with the camera (enter foreground, exit foreground, Daffy tracks him the whole time while he walks), etc etc I CAN SEE IT. so i have a jumping off point for my thumbs
there were some actions more reliant on the music than usual, so i scribbled them out as crudely and quickly as possible to not only not lose the idea, but see if it works. the water splashes are “animated” in comparison to everything else, but that was mainly to see how the execution would work—is the overlap cluttered or natural? will i have enough time for each beat? i can already tell that i want to move the splashes back as the camera catches up so it doesn’t tangent off screen. that’ll be all fixed later during clean-up—right now i’m just focused on getting the ideas down and sketching out what i have a clearest idea of first. that’s also why there’s a jump of white before Porky and Daffy themselves—i know i’m going to have Daffy come up to Porky from behind, but not exactly sure how i want to stage it yet. fly down in a down shot? follow Daffy from an eye level view? those aren’t pressing matters right now, and i feel i’ll get more clarity with that later once i carve everything out. as such, i just skip it and go to what i have in mind. that’s also why Porky is missing for the last few frames; i needed to envision Daffy’s acting more and see if the staging allowed room for his broad actions. i’ll squeeze Porky in later. BUT. to answer your question more directly, thumbs are usually the blueprint of the blueprint. they’re meant to be crude, ugly, scribbly, NOT DETAILED. they’re meant purely to convey ideas and thoughts, which will be expanded upon later with the roughs. some people like to draw thumbs directly into their boards—i like to open a program like MS Paint (or even just the margins in SBPro) that is as simple as possible so i can focus purely on what i need to. much of it is acting, but sometimes staging is a priority, which i’ll indicate in a box. it is never perfect/completely accurate, but that’s again what the roughs are for. here are a few examples of how i thumbnail—there isn’t a right or wrong way to do it! i just like to have it all in one place so i can check back periodically, i get cold feet if i put my thumbnails directly in every panel. feels like jumping in too quick, i like to work my way up from there
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and let me be clear that you can go straight to clean up if you’re comfortable! i know and work with people who go straight from thumbs to clean, and i envy them GREATLY. i’ll sometimes have two different versions of a rough if i’m having trouble getting an idea across—i need to ruminate with the drawings a bit more and generally feel more at ease through the general progression, but it’s all a matter of how you work
and really, it’s just clean up from there! cleaning up the characters, backgrounds, adding inbetweens if necessary for the demands of the board… and after i’m done cleaning, i’ll take care of any housekeeping such as adding white mattes to the characters so they don’t blend in with the BG and checking to make sure the sizes are consistent with each other. (i really only do the latter for professional work, as my personal storyboards are a bit looser and a little more lax) this is a bit of a crude explanation because storyboarding is so subjective of a practice and everyone does it differently. ideally, initial thumbnail drawings would just BE the storyboards, with all the fancy clean up left to layout! but that’s another story… and one that’s futile to bring up seeing as these are for personal use anyway HAHA. but i just like to work my way up and sort of see where the storyboard and the characters take me
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