There should be a website for aspecs that's a bit like doesthedogdie.com where it warns if a movie has sex scenes, romantic subplots, or amatonormative tropes.
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I’ve made a billion fucking drafts and can’t find the words to talk about cellbit and bagi from today. how the fuck do you explain the intricacies between a brother who has lived a life that has sharpened him to cut what he touches, and a sister who had to live with his absence? a man who has to see the childhood he never got to have whenever he looks at the woman he now knows is his twin? said twin who cannot understand why her brother would be anything but glad they are reunited? how do you get across that tangled mess of emotions cellbit had to get him to burn his old pet worm? the paradox of longing for what could have been while desperate to get rid of any reminder, with a healthy dose of paranoia that anything could be a federation bug. or the pure devotion bagi has to decide to stick with her brother even though he is not close to the same as he was when he went missing? the unfairness of it all, of cellbit being taken and made into a killer before he turned 14, of bagi looking for him at the detriment of her own safety and self, of ripped up childhoods and everything that could have been? the fact that the first thing cellbit asks is what he could have done to deserve it? the disgust he holds for himself for what he’s done, and the anger he has for the federation that’s taken everything from him, and the resentment he has towards bagi no matter how unfair it is because she never had to go through what he did? how after bagi swore to help him burn the federation down, cellbit went to bad instead, because bad was there and fought alongside him, and he trusts bad because he’s seen him at his worst, and all he feels like doing is his worst right now? the two of them so similar still because they’re consumed by their need for revenge, while bagi just wants to leave the island? how the fuck can you summarize all this and the emotions that accompany it?
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Staging concept: Ophelia carries around a book that she uses to press different flowers and plants. At one point we see her actually pressing one of the flowers Hamlet's given her before, and we get the impression that she wouldn't part with this book for the world. During the "Get thee to a nunnery" scene, Hamlet rips the book out of her hands, and she goes diving after it to make sure he didn't damage it. And during her final "mad scene", she starts tearing out the relevant pages (rosemary, pansies, fennel, columbines, etc.) to give to everyone present. Laertes is the only one to get the significance of his sister giving away parts of her prized possession, and it adds an extra layer to his grief.
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So I see folks pointing out that Louis' circle A tattoo is more likely an aesthetic choice than an announcement of a political commitment to anarchism, and saying basically that that maybe makes him a bit of a poser and I mean- I GUESS. But I don't like to look at things that way and I don't think it's useful. As I see it the subversive sexiness of the symbols of resistance have ALWAYS been gateways for people who are drawn to the struggle in vague ways and that's GOOD. Aligning yourself with those values is good no matter the reason, in my book, especially given the wretched options available out there, but also the journey doesn't necessarily stop there. Gatekeeping queerness victimizes people who are just trying things out and starting to discover that it may run deeper than just trying on a new look who should instead be welcomed and helped along their path, and I fail to see how gatekeeping political affiliations is any different (plus how counterproductive to actual movement building is that?)
ANYWAY. What I really want to say about Louis is that while I KNOW that Louis is probably not secretly a theory reading anti-state communalist anarchist, I think that actually Louis' optimism and idealism (and his unwavering commitment to allying himself with the working class and embracing those roots) are a perfect fit for the philosophy and always have been. I know that anarchism is mostly understood as being about throwing molotov cocktails and fighting the state (and the allure of its symbols are that they signify this, a terrific aesthetic for him to choose to sign on with in my book), but that's honestly largely cartoonish stereotyping that comes directly from anti-anarchist state propaganda. That resistance is necessary in this hellscape of oppression we live in and is super important, but in its heart anarchism is only about the state in that the state and capitalism currently stands in the way of its goals. The whole point of anarchism is that it's NOT about the state! It's about being able to imagine something better than a state, it's about how we live and about how we SHOULD live, it's about HOPE and picturing something utopian and something free of the ways capitalism pits us against one another! What could be more Louis than that?
"I need you and you need me and I love that" is as beautiful a way of talking about the cornerstone of anarchism that is mutual aid as any long winded essay I've read (even if what he meant was contextually different), and I think when he talks again and again about how special the space fans have made around him is he is expressing an intuitive understanding of the importance of autonomous zones, places and moments outside of the shitty life imposed on us by the system (also a huge part of anarchist thought). Maybe I'm just being an optimist but I think that Louis DOES understand that caring for people and wanting self-determination and freedom for all and allying himself with the working class involves a certain amount of resistance to and positioning yourself in opposition to the state. Thinking the symbols of smashing that state are cool isn't meaningless; it's a CHOICE. There are other cool symbols out there and I just happen to think that feeling a resonance with certain ones is something in and of itself, even if at this moment he does not choose to start a fight with the media about it all.
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I think labor is one area (of many) where if you're involved in the politics, the "there's no difference between the political parties so don't bother voting!" line just absolutely falls apart. Like . . . Democrats aren't super invested in labor, but Republicans are actively trying to dismantle unions at a federal level. Most of the mechanics I know lean heavily conservative, but almost every single labor leader I've met has been staunchly, if reluctantly, Democrat. My local trades newsletter is constantly begging people to vote Democrat. My local union is constantly telling its members that it's not that the union is partisan in who it supports; we just keep happening to support Democrats because they at least nominally support labor whereas Republicans are openly trying to fuck us over on every conceivable level.
I went to a tradewomen convention the other day and like half the speaking time was devoted to reiterating the importance of voting. Every speaker was like "please, it has been SO MUCH fucking easier and we have made SO MANY strides since 2020 and it is almost entirely thanks to the Biden administration. Please, please, please do not fuck this up for labor and organizing in 2024."
And it's not because they're neoliberal shills who don't want progress - it's because they've BEEN out there doing the work and they know first-hand what the difference is between a Republican and a Democratic administration. So if you claim to support unions - well, this is what union leaders are asking you to do.
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Saw a post the other day asking how P03 is able to see; my best guess is something like this.
I actually inspected P03′s 3D model for this which I don’t usually do (and then I proceeded to draw it off-model anyway. Whoops) but even outside of its hypothetical camera-vision, there’s a few other things of note:
P03 seems to have a lot of large vents (or at least things that look like some sort of ventilation/cooling). Two major ones on the chest, three on the top of the head (with potentially another on the side of its head), and one on the underside of its base (though that one might be for the hologram projection it uses to float). My best guess is that it’s because his factory is built right by the water where there would be a TON of moisture in the air. For that reason, some of them have got to be exhausts to make sure all of the air circulating in his torso is dry. That or he just overheats extremely easily I guess, but I’m leaning towards the humidity explanation (or it could be a combination of the two).
Its “eyes” are somewhere on the front of its face; whether it sees through a camera or just through the eyes on the screen via video game magic is up for debate, but it turns to face the player when they stand up so its vision probably isn’t on the sides of its head or something.
Similarly, P03 has some sort of sensitivity to touch (he reacts to Leshy’s hands gripping his monitor before Leshy says anything). I don’t think any “touch sensors” would be externally visible though.
Presumably (based on the ending to Act 3) P03′s head isn’t just a monitor, there’s vital systems in there as well (otherwise tearing its head off wouldn’t do anything to disrupt its upload/its ability to function). My best guess is that his power supply is in his chest so it would be the equivalent of just... unplugging your computer while it’s trying to preform updates.
The wire it uses to connect to the modules to update cards in Act 3 seems to come from either its neck or its torso, but in act 2 it’s very visibly on the side of the head. Granted the act 2 sprites are all pretty different from the Scrybes’ 3D models so that’s not an outlier.
The range of motion in P03′s arm seems pretty similar to a human arm; he has a ball-and-socket joint on the shoulder and a hinge joint on his elbow plus separate segments for the “wrist” and “hand”. The only thing it probably can’t do is twist its forearm.
I don’t have any idea what either of the cranks do. The head crank moves when it changes its expression so it might have something to do with its display, but the arm crank is only shown doing anything on the G0lly Uberbot hologram. My best guess is that P03 used to have a lot more built-in functions but ended up removing them in order to operate faster so a lot of the buttons and switches on it are just vestigial leftovers. (The idea of the arm crank being able to function as a hand-crank motor in a pinch is really funny though. Spin it a few times when P03 is out of power and you can generate just enough battery for it to tell you to fuck off then go back into sleep mode again).
I have no idea how the levitation works either. It’s cool and that’s why it works. No need to get more complicated than that.
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Being into only one Slenderverse thing & seeing something from one you’ve never gotten interested in is like passing by another class in elementary school & getting a glimpse into what lesson they’re currently having
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