#these were fun anon thank you

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[khaopybara]

Hi, first of all, I hope this ask finds you well 🤗

I wanted to ask, what is your top 10 favorite FirstKhao kisses? 🙃

anon, first of all, thank you for wanting to know but also, you're asking the worst person, because i'm so bad at picking favorites 🥲 excuse me because i was inspired hence the length of this answer. i was also trying my best to procrastinate instead of doing what i was supposed to do (study).

thankfully you didn't ask me to rank them, so in no particularly order of preference we have:

sandray's new year's peck

it's soft, it feels so domestic and sweet. it's just them being happy and content and hopeful for the future. it's great.

sandray's pool kiss

it's such a fucking statement (despite ray not realizing it). the way sand was all stiff when kissing boeing, but when he kisses ray he's immediately into his touch? and how he reaches out to touch ray? how his hand hovers over ray's throat? 10/10.

sandray's smoke kiss

what a phenomenal first kiss, we all have to agree. it's hot, it's gorgeous, and it show so much passion and desire from both parts, honestly. the whole sequence was breathtaking, and i love it. (the way sand pulls on ray's bottom lip and when he kisses ray's hip tattoo? absolute cinema.)

akkayan's "what is our relationship?" kiss

in specific this second kiss out of the three we've got back to back. it's just so cute the way akk keeps saying what aye doesn't want to hear just to get more kisses, and aye happily "punishes" him for it. the way they both smile before and into the kiss. it's for sure one of my all time overall favorite kisses.

sandray's angry kiss

completely different vibes from the previous one. i don't know, it just has such a good build-up. from the moment ray barged into that room i knew he wasn't leaving sand without either getting punched or getting railed. unfortunately, top got in the way for that second option to happen. it's the way ray just takes a breath between kisses and how disoriented sand looked when they were interrupted that does it for me.

sandray's end of the date kiss

it was the perfect end for the perfect day if bostonnick hadn't appeared. were they going to have sex in the balcony of sand's apartment? maybe. but it's not about that. their day together had been perfect. they woke up together, had breakfast together, went shopping together, went to a concert, ate, flirted, ray met sand's mom and sang for him. ray opened up about his mom. they were both on the way to let the other in and give each other a try, and then we know what happened.

akkayan's fantasy kiss

akk has a very vivid imagination. people have talked about this before. how it doesn't start with an actual kiss, but just a cheek kiss, and then it's akk imagining aye wanting him, actively pursuing him romantically, choosing him, kissing him. it's just gorgeous.

akkayan's first actual kiss

"i want to kiss you. can i kiss you?" "if you want me to stop, if you're not okay, tell me. i'll stop." IT'S BEAUTIFUL!!! i'm in awe every time i watch this scene. it's so gentle and tame, and at the same time, it's so heavy with meaning. the way they both feel the kiss? listen, i'm unwell.

sandray's 'sand almost got that d' kiss

no one can convince me sand didn't want to get fucked in that car, and i love how ravished he looks when they are interrupted (again) by mew. but this kiss is here specifically because of the this part where ray so skillfully closes the sunroof with one hand while still kissing sand. i love it. when it came out, i watched this part more times than i'd like to admit.

akkayan's bridge kiss

akkayan's kisses in our skyy 2 were works of art. i lost count of how many times i've watched this kiss in specific. now we know that most of the bridge scene was improvised, hence why akk/first looks amused by aye/khaotung's little pecks before their actual kiss, but it's undoubtedly one of their prettiest kisses. the location, and the sun behind akk's head, the domesticity and sweetness. it's just so so great, i really love it.

special mentions: weed cookie "kiss", cheek kiss after sex and cheek kiss after therapy, because i needed to include them too. they are that special to me.

[warpedwings]

Misha Collins - Sneakers, Part Four - In Shorts

Anon request, complete.

Part One Part Two Part Three

[ann-chovi]

might i suggest cuddles? im sorry i just think that silly train man and medic gal deserve lovins fr 🥹🥹🥹❤️

Anon, you're so right.

Have a couple of middle-aged sleepies having some well deserved snuggle snoozes~

[royboyfanpage]

Hello, please don't take this the wrong way but when I first started getting into comics I really disliked Ollie for how he treated/reacted to Roy and the whole drug thing but many years and more experience later (I know the characters a bit better now and stopped reading bad takes on tumblr) I'm realising that theres a lot more nuance and apparently they've got a really close relationship these days?? So I was just wondering if you might be able to explain that to me because I'd love to get into more arrow stuff (honestly mostly fanficton because lbr comics are crazy confusing and expensive) but I'm struggling to shake the assumptions I made about Ollies character when I was younger

Hi anon! Thank you soooo much for this ask, I've been looking forward to answering it for hours and now I finally have the time. Ollie's one of my favourite fictional archers, and I adore talking about him at any opportunity because he is SUCH a nuanced character. So here's-

Why Oliver Queen Doesn't Suck

Mandatory disclaimer that this is my own opinions, other people may have different interpretations which is totally fine! Ollie's been around for over 80 years, there's a lot of content to read and a lot of conflicting characterisations, so other people may see him differently than me. Also disclaimer that much of this was written from memory. I fact-checked the date of Nixon's declaration of the War on Drugs and the Denny O'Neil quote, but the rest of this was from memory. Apologies for any innaccuracies, both for comics and context.

Now that that's out of the way, lets talk Snowbirds.

In order to discuss Snowbirds Don't Fly, one of the most important things to factor in is context. I understand it can be difficult to see through the historical lense of a time period in which the majority of people on this website, myself included, were not even born let alone reading comic books. However, it's still crucially vital to discuss what was going on in the real world at the time of its publication in order to engage in a rich discussion of the comic. Snowbirds was published the year that the War on Drugs officially began following Nixon's declaration of drugs as "public enemy number one" on June 17th 1971, just under two months before the release of Snowbirds part 1 in August of that year. At the time, drug addiction was very much seen as a moral failing, and the war on drugs focused heavily on the incarceration of drug users (particularly ones that the US Government wanted an excuse to lock away such as people of colour and pacifists against the war in Vietnam, but that's not relevant to Snowbirds.) While Snowbirds was absolutely not a perfect comic, it was created to show a more humanising side of addicts than the usual demonisation seen on the news. In the words of writer Denny O'Neil, “we chose Roy [...] to show that addiction was not limited to 'bad' or 'misguided' kids.” It was created to show that addiction was not a moral failing, and that anyone could fall into it due to circumstances, even someone we've already accepted as 'one of the good guys' for the past 30 years. Roy was used as the symbol of a good kid who made a bad mistake in order to humanise real young people who'd gone through similar circumstances. And where there's a kid, there's a parent, which is where Ollie came in.

Now, I very strongly believe that Ollie was not written to be the bad guy of Snowbirds. Not only was he also an established 'good guy', but he was a symbolic stand-in for much of America at that time, including the people who would be reading it. And, while Green Arrow is very much a character who brings with him a lot of strong political takes, villainising their readerbase would be a step too far. Ollie was a stand-in for the concerned and ill-informed parent, a character who's consumed all the anti-addict propaganda being spread at the time and internalised it. That's why the fact that it was his own ward struggling with addiction was so poignant to the story. Ollie was forced to re-evaluate his worldview after seeing someone who he knows isn't what the media says addicts are struggling with addiction. Snowbirds has such an interesting character arc for Ollie, seeing him struggle to combine the ideas of what he's heard and what he's actively seeing in his mind.

Now, the most infamous part of Snowbirds is, obviously, the slap. Full disclaimer, I am not saying that Ollie is in the right for that. He was 100% undeniably in the wrong for how he responded to Roy's addiction. However, I think a key component of comic books that people tend to ignore is the component of marketing. The writers wanted this comic to sell. It was a very important story for the time, and with the amount of comics being released it was crucial to them that people actually found the comic and read it, especially since it was one of the first comics released outside of the strict rules of the Comics Code. And what would catch readers' eyes more than seeing a superhero hitting his sidekick whilst said sidekick is surrounded by drugs? I'm not trying to discredit the panel, it was obviously a very significant part of the story, but there were external factors at play too.

A lot of the development of Roy and Ollie's relationship is seen in comics released post-Snowbirds, but even in the comic itself there's clear development, particularly at the end. Snowbirds Don't Fly is a character arc for Ollie of him adjusting his worldview in order to grow and better himself after recognising his own biases. And people tend to forget that Snowbirds ends with Roy hitting Ollie back, and what does Ollie do? He listens. He lets Roy get his frustrations out, and listens to Roy's perspective, and he's proud of him by the end of it, proud of the young man he is.

Okay, now that we've gotten Snowbirds out of the way, let's talk about-

Post-Snowbirds

There's a common misconception that Roy and Ollie having a close relationship is a recent development, which just isn't true. While it could've absolutely been explored in more detail, it's clear that Roy and Ollie reconciled post-Snowbirds. The earliest example that comes to mind is 1993's Green Arrow vol 2 #75, wherein Ollie and Roy refer to each other as father and son.

Keep in mind that this was written by Grell who is, at least in my opinion, one of the best references for Ollie. While they did have some issues in the later issues of the run preceding Ollie's death (the causes of the conflict I'm unsure of, they were on rocky terms during Connor's introduction but I don't know why, if anyone has context for that please let me know but that could've just been a choice Dixon made), it's clear to see that Snowbirds was not something that permenantly damaged their relationship. Ollie put in the effort following his actions, to better himself both as a father and as a person, and Roy recognised that and forgave him. Parent/child relationships are hard anyway, let alone under the circumstances Roy and Ollie are under as heroes, and the fact that Ollie actually recognised his own flaws is far more than many parents do.

If we go later, we can see Roy talking fondly about Ollie whilst Ollie was dead in Titans (1999), fondly recalling memories with him from his youth, as well as keeping a photograph of him on his wall.

While Roy does recognise that things with Ollie weren't always perfect, he does also acknowledge the good times between him and Ollie, and it's clear from the way he speaks that he holds a lot of love for him.

Later still, when Ollie returns from the dead, the duo reunite with fondness

One thing particularly that stands out to me is that, at this point, Ollie was missing many of his memories and Snowbirds was still fresh in his mind, with him bringing up Roy's addiction multiple times throughout Quiver as if it happened within at most the span of two years. Despite this, he still embraces Roy and treats him with love, making it clear that Ollie loved Roy even near to the Snowbirds era. There are more instances I could go into in Green Arrow (2001), but I'm running out of free time, so I'd highly recommend reading it :)

Aaaand later still, Ollie openly admits to having fucked up with Roy during Snowbirds.

He admits his failings, and demonstrates that he's got Roy's best interests at heart. He's not being selfish, he's letting Roy have his moment in his initiation as Red Arrow and staying in the background because he believes that's what's best for Roy. And-

He openly states that he loves Roy.

There's more in the current continuity I could reference, but I don't have the time to go through them right now and I'm definitely more familiar with content pre-52 (particularly 1994-2004 is the ten years I'd say I know the best), so hopefully this is enough.

Roy and Ollie's relationship isn't perfect. It has clear ups and downs, which is what makes them so interesting! Oliver Queen is a very loving, yet very flawed man, and to go either way of "evil abuser" or "perfect father" discredits who he is.

Anyway, your faves don't have to be unproblematic to love them. Ollie has a really compelling character arc during and after Snowbirds, and I like him a lot :)

For further reading, check out my masterlist on my pinned post, particularly Oliver Queen's B- Parenting, Snowbirds (1), and Snowbirds (2)

[ekingston]

Apart from show canon, at which point did u think it was too late for lena's immediate forgiveness to kara's identity reveal

oh boy. anon, here is where i come clean about my shoddy recollection of canon’s chronology. i’ve done so many fragmented rewatches and skipping back and forth—there’s a reason i rarely dabble with canon-adjacent stuff! and that even when i do, i create worlds where Lena figures it out herself! 

second road bump to answering this question is that i have a LOT of feelings about how things played out on the show, and most of them are incongruent with the tone of sgcw. i understand their narrative reasons for keeping the secret from Lena for so long! but the execution is so, so terrible! ignoring large swathes of canon and replacing them with my own is the only way i’m able to enjoy at least the last tiny handful of seasons!

here is where i spend an hour procrastinating from my WIPs, while not successfully answering your question at all:

to be perfectly clear: i adore most parts of canon Kara. and i think i may be hard on her in ways i wouldn't be if i didn’t relate to her so much. i think her backstory is extremely compelling and i admire her ability to hold on to her kindness and hope and joy even after losing everything that was important to her, even when she’s tired and lonely and mad. 

BUT. a healthy Lena—one who we were made to believe was finally freeing herself from Lex and Lillian, rising above the coping mechanisms she’d developed as an unwanted and emotionally neglected child? i don’t think that Lena would (should?) have forgiven canon Kara at all.

after the rift, canon Kara flitted between telling Lena she’d lied to her ‘to protect you’ to ‘one person who sees me only as Kara’ to ‘your last name’ to ‘didn’t want to lose you’ until she literally told Lena she was on her own, and she’d treat her like any other villain until Lena repented, even rejecting her apology at first, as if Kara’s own decisions had played no part in Lena’s downward spiral at all.

the Kara Lena would have forgiven is the much more cohesive and coherent Kara brought to us by our talented fix-it writers: a Kara who is willing to let herself be vulnerable and to second-guess her motivations, one who is able to put together a proper apology and actually listen to Lena's own. 

but, okay, lets table all of that. this is me trying really, really hard to entertain canon:

Kara and Lena’s friendship became painfully lopsided by season 3. i think that was, if i recall correctly, when the super-friends decided to trust Lena enough to regularly ask her for assistance—but not enough to let her be part of their in-group; it’s where they left Lena in the dark about the fact that her best friend had come close to plunging to her death right in front of Lena's eyes, and was actively still fighting for her life; where they tricked Lena into having an extremely personal conversation with J’onn, while he was wearing Kara’s features, only to make belly-laughing fun of her about it later. 

and even then, honestly, it might already have been too late. what about the aftermath of Jack’s death? was that season 2? Jack was Lena’s ex-everything, someone who genuinely loved her, who saw her through the fallout of Lex’s arrest. he was one of her last remaining friends, and Lena pressed the button to let him die in order to save Supergirl’s life. how would Lena knowing that Kara went through that with her, knowing Lena had chosen to save the life of her favorite person in addition to National City’s hero, have changed the way she felt about that horrible situation? that’s where that extremely wonderful heart-to-heart on the L-Corp couch happened, right? Kara swore she’d always be Lena’s friend—while keeping silent about the fact that she was there when Jack drew his last breath, that she had witnessed their final moments.

so—i really can’t tell you anon, i’m so sorry. the 100th episode already fabricated reasons why Kara couldn’t possibly come clean to Lena back when she made the conscious decision to be her friend (and not in a ‘keep your enemies close’ kind of way!), and i’m beginning to think that was the only moment Kara could have told Lena that would have kept her conscience completely clear. Kara should have made it part of her decision—either she was going to be Lena’s friend and give her the same trust Lena was giving her, or she would keep things professional, and keep her identity a secret from her. 

Kara tried to do both, and if i really think about it, i don’t believe that was ever fair.

[twentyfivemiceinatrenchcoat]

People acting surprised when a morally grey character is actually morally grey 😲

THIS ….. i feel like a LOT of people consume media under the assumption that morally gray characters are characters who always perfectly tiptoe the line between black and white, and not…… characters who do horrible horrible things but still treat one single person with all the care in the world. or characters who are on the ’good’ side of the story and do good things while also being fully willing to cross any line they’re told to cross. and etc. morally gray characters are complex and can be anywhere on the morality spectrum except right at the very end of either side. they’re not a perfect shade of gray, they just aren’t completely black or completely white. sigh…….

[sunriseseance]

Hi, I’m so sorry this ask is long and probably messy but I saw you talking about Allison and Klaus and I’ve been thinking about them a lot so here’s something:

I’ve seen a lot of people hating on Allison at the end of season 3 for making a deal with Reginald and “getting Luther and Klaus killed” when she clearly didn’t know that was gonna happen and there’s no way she would agree to do that.

Like they specifically have a problem with her making a deal with Reggie but, what do they think Klaus was doing? Do they think he was too stupid or too naive to make a deal? Is it not a deal if they don’t shake hands? Because I think Klaus was playing his own game and they just fell for the “I’m hanging out with dad because he’s nice now” act.

Reginald tried to use both of them to get the others on board with his plan but that didn’t work because, despite everything, they still respected their siblings decisions. Allison could have rumored everyone and be done, but instead she committed the crime of… actually talking to them and maybe putting on a fake smile? Klaus could’ve been very manipulative and insistent, enough that Lila told him to back off.

In the end, Luther got killed because they weren’t willing to go that far and Reginald had to find another way.

Yep yep yep. I think you are 100% correct. Allison clearly did not know what she was agreeing to, and she risked everything she could to undo the harm.

People have been falling for Klaus's shtick since the first week after season 1 came out. He says he is just a carefree silly who doesn't know better and can't do anything and the fandom says "yep!" or "I can't believe the writers would do this to him" instead of looking at the incongruencies as deliberate choices for them to examine. This is regrettably not new.

I think it is worth SERIOUSLY questioning why people are so charitable with Klaus and assume the absolute worst possible of Allison. Because you have hit the nail on the head. They are extremely similar characters, who have almost 100% the exact same flaws, and yet one is the fandom darling and the other's tag is about 80% people talking about how much they hate her.

[batsplat]

Thank you so much for ur work for this community 😭

thank you!! so, listen, I need to get some casey, jorge and valentino images out into the world

this is from the 2007 qatar post-qualifying press conference. obviously it's not just the three of them given colin edwards is like. right in the middle. (and *checks notes* gábor talmácsi is also there.) but still a photo of historical significance... casey's first ever race with the ducati (which he very much wins), plus valentino with his then-current teammate edwards and then-future teammate jorge... it's a bit unclear when jorge was actually signed - lin jarvis implies it was in 2006 but if that's the case, edwards seemed to be under the impression for a little too long that he wasn't going to lose that seat. anyways! look at wee nineteen year old jorge lorenzo, look at his utter absence of anything approaching a smile... look at him

misano 2007 post-qualifying press conference and a very powerful photo imo... some nicely contrasting vibes here, good composition... jorge had already been announced as valentino's teammate, and the title is already more or less in casey's pocket (even more so after casey won here and valentino had a mechanical dnf lol - they'd basically brought the race back to the calendar for valentino so this was. not ideal! incidentally still the last race with an entirely non-european podium.)

not much from 2008 tbh. casey and vale took turns to flop in the first bit of the season and then jorge started crashing his brains out. anyway these are from indianapolis, at a time when jorge was just about in the process of getting his act together while casey had crashed in his last three races (including laguna where he picks up the bike to finish p2). quite fond of this race actually, bit of a mess due to the weather and ends up getting red-flagged

first race of 2009.... casey's scheduled annual qatar win. decent shout for his most boring one of the lot, sorry king

pre-event presser before mugello, where valentino had won seven consecutive times headed into the 2009 race. if I'm valentino I low-key never show my face again after the le mans catastrophe but whatever it's fine

the le mans fiasco in question

anyway mugello is another wet-ish race that valentino ended up playing too conservatively because of the le mans horror show. so casey wins! also jorge beats valentino! old man's washed! just about scams his way onto the podium

italian press weren't particularly kind to valentino for having the audacity to lose mugello. they said it was over... he was finished... imagine only winning a race seven times in a row. was he even trying any more? loser

valentino bounced back at catalunya 2009 in highly dramatic fashion (y'know, it's the one with the last corner overtake). moment of deep historical significance in which jorge pulls valentino down from the podium to give him a hug

first race where casey was really struggling with his mystery illness... idk if I were valentino or jorge I'd maybe check if the third guy on the podium isn't about to drop dead but. well. professional athletes, never really been known for their empathy. they did clap along with the journalists in the post-race press conference when the moderator thanked casey for actually making it to the presser, so that's something?

we all have our struggles

the very next race. immaculate vibes imo. the 2009 title fight going into assen had all three of them tied on 106 points... #heritage

anyway the race itself is pretty boring (as unfortunately are many of the races that year), but it's valentino's 100th win so good on him ig. he got out a special banner with photos of all his wins, which would've been an absolute pain to lug around if he'd not immediately won the next race after his 99th

cute. unfortunately, this is now very much mystery illness period for casey... heroic effort to get himself to the podium but not much more was possible at the time

laguna 2009 post-quali presser. jorge is sitting for the photo, because even though he'd bagged pole, he had a massive highside right at the end of qualifying... hurt both his ankles and his shoulder. he'd also had a horrendous highside right at the start of laguna '08, did a good job to banish his gremlins in order to win at the circuit in 2010

qatar 2010... can't have been after the race because casey crashed :/ valentino grabbed the win, before immediately injuring his shoulder in a motocross accident. all went downhill from there, really. damn the eruption of eyjafjallajökull we were robbed

laguna 2010 podium, most memorable as 'that time when they accidentally played the italian anthem rather than the spanish one and valentino thinks it's extremely funny' (clip here). extremely poor quality photo shows casey found it funny too. very #them thing to happen to them. valentino buddy the cap's supposed to remain off for the duration of the anthem

this is very much post-leg break btw, still pretty cordial with each other given some of the stuff they'd been saying about each other to the press during that period lol (not casey/jorge, they were basically fine by this point)

presser right after jorge and valentino's little motegi misadventure... gifs from the presser. valentino's smirk vs casey's grin while jorge is being interrogated, I think about you often...

this was casey's fourth consecutive phillip island win (of six total)... isn't that just like. an incredibly cool circuit to be goated at. does mean the fight for the victory was generally quite boring - though the battles behind casey weren't always exactly thrilling either, so you can blame that on the era too. 2008 and 2010 has decent action behind casey, 2009 is the closest casey was pushed for the win and 2011 at least has a bit of weather-related jeopardy

valencia 2010, photos taken before unfortunate events

last shared podium!! le mans 2012, a fun wet race that featured the final proper casey/vale duel at the race after casey's retirement announcement so has real sentimental value... congrats to valentino for not collecting casey this time. presser clip where he shows he's also pretty glad about how he (just about) managed this

[ruelpsen]

I’m the anon who suggested thinking about your crush sitting on you and now I have a new thought. Edible gas bubbles. Like at a dinner party you see a big bowl of multi-coloured circles that look like dense large boba balls. You take a couple not really thinking about it. Then about 40 seconds later your stomach feels weird. You pat your belly gently and immediately release a large belch. Then another. And another. You ask about them and everyone gets giggly.

I'd look to L/ondo for an explanation. He'd smile, those pretty fangs and pretty eyes sparkling as he gazes at me with arousal. I belch again and he wraps an arm around me, drawing me in close. I stand next to him, blushing sheepishly as I try and fail to stifle another belch. The other C/entauri around us giggle at me in my embarrassment.

"There's no need to be shy, darling," he'd say. "What was it I told you to do at this party? To let l-"

I cut him off with yet another loud, rumbling belch. I moan from how good it feels, only to clasp my hands over my mouth the second I remember we're not alone. The other partygoers laugh heartily.

"As I was saying, I told you to let loose, to enjoy yourself. And I mean for you to enjoy yourself in every possible way."

With his free hand, he reaches over to the table with the bowl and grabs a pair of the colorful balls, handing one of them to me before popping the second in his own mouth, quickly chewing and swallowing.

"In our language, they're called tuchanta. Edible balls of gas, meant to-"

He pauses for a moment and presses a fist to his mouth, somewhat suppressing a deep, rich belch.

"Gods, that felt good," he sighs to himself. "That expulsion is precisely their purpose. To free up room so we may continue to indulge to our hearts' content!" He gestures to the one in my hand. "Come, dear, eat up for me," he says directly to me, his voice sultry and sweet. "Perhaps, sometimes, we indulge in them solely for the sensation and the pleasure it brings..."

With that encouragement, I pop it into my mouth and chew it. It's sweet, fruity, and leaves me hungry for more. I swallow and look up to L/ondo, blushing less from embarrassment and more from arousal. He pats his stomach and allows a rumbling belch to slip out. He follows it up with a wink, as I feel the members on his side against me begin to stir thanks to his own arousal. I bite my tongue to stop myself from moaning again, both as a result of his belching and arousal and because of how bloated I'm beginning to feel again. L/ondo senses this and puts his free hand on my stomach, forcing out of me an explosively impressive belch. The other C/entauri hoot and holler in an encouraging response, clearly enjoying how appropriately burpy I am.

"Fuck," I gasp breathlessly. L/ondo himself belches again, and I can't help myself any longer. In front of everyone, I pull him into a passionate kiss, feeling him stiffen further as I belch against his lips. There's cheering and whistling for us now, and L/ondo belches against me in turn. He breaks away but keeps my face close to his, whispering so no one else will hear him...

"I know how hungry you are, darling. Now go and eat to your heart's content for me. When you'd like to retire to my quarters, come find me. But make sure you bring some tuchanta with you, enough for the both of us."

With that, he pulls me to his side again and addresses our fellow partiers. "Everyone, keep an eye on my dear little love here! Clearly he knows how to belch like a C/entauri-" he pats my belly to get me to belch again for effect- "but let's show him how to eat like one too. Make sure he gets nice and full for me, yes?"

Three more of those tasty balls are pressed into my hands, along with some sort of tasty-looking pastry. Oh gods, this night is only just beginning...

[juustozzi]

what do you think about the go raimon team finding out tenma listens to rock and metal music (tenma liking rock and metal + him knowing how to play the bass is a personal headcanon of mine)

oooh that's a headcanon I might steal for mysef too- really like the unexpected music taste based on his overall demeanor :D

I think the team would be pretty surprised, but some of them would get interested and dip in too, like shinsuke and hayami probably? but learning he can play would be pretty impressive to everyone!

(imagine that the vid has a muffled effect like the music is playing from the headphones)

[detroitbecomeonline]

hankcon fucks so hard why did we hate it so much

I'm glad you got over your hate anon! I personally don't hate things because I'm perfect

[sharkneto]

if you had a chance to write for the umbrella academy, what’s something you would’ve added or removed or otherwise changed about show canon

Oh. What an ask! You know, I try to stay positive here on tunglr.com about the Umbrella Academy. I adore the show, love the characters, focus on the positive and things I like rather than the negative things I don't. That said, the show has issues, more and more as the seasons progress. I do have opinions. And you asked :)

Read more because this is going to get long.

Starting in S1, there's not much I'd change - S1 is really tight, it's really character focused and its dark themes covered by sibling absurdity is delicious. Only thing I can think of off the top of my head to change is

Five has the gun in the finale. There is no tension with Allison having the gun for if she's going to shoot Viktor or not - we all know she isn't. It also makes Five just running up and getting caught in the energy tentacles stupid because he's never fought like that the entire show, he's more strategic than that. So, Five has the gun, we know from the comics Viktor gets shot -- it makes Five not shooting him more impactful, differentiates Five from his comic counterpart, and in general is a richer character moment for all involved. The only downside to all of that is it sidelines Allison, but some finagling of setting up the situation can put her back in a meaningful position (someone wrote a fantastic reimagining of this scene that gave Five the gun that still kept Allison in a key position with a heartful roll in how it shakes out, probably a couple years ago now. If anyone remembers who wrote that or can link it to me, I'd love to reread it again).

That's really it for S1, off the top of my head, anyway. On to S2! -

Handler stays dead, AJ is the big bad. The only downside to this is that we don't get Kate Walsh back, because she is so much fun, but the Handler absolutely died at the end of S1 and they retconned her to not-die so she could be in S2 (...because Kate Walsh is such a delightful villain). But AJ should have had a bigger roll in S2. He's the head of the whole Commission! The Handler was but a cog in the machine - what does that look like! The Hargreeves suddenly have the entire might of the Commission after them instead of a rogue Handler (pin in that for Point 2). Also, his character design fucking slaps, I'm still obsessed with him. And now, I'm hearing you go: But Lila! And I answer you - AJ is her adopted father. That whole plotpoint stays the same but AJ instead of Handler for parental figure. Diego's reaction to his girlfriend's father being a fish sells that all on its own.

The Commission should not be a benevolent force, with just the Handler as a rogue, evil agent. S1 Commission is a morally dark gray force of bureaucracy hiding behind the uncanny, cheerful veneer of the 50s. Their chosen method for keeping history "on track" is just a fuckton of murder. They left a kid to rot in the apocalypse for four decades. They have an entire department dedicated to making sure disasters occur (through strategic murder). The Infinite Switchboard is also dumb and only exists for fast plot for Diego to figure out what's going on - S1 method for the Commission knowing when the timeline is getting fucked is agents on the ground who call it in (S1 Commission inefficiency, my fucking beloved.). In summary, no one at the Commission is a good person (looking at you Herb and Dot! You are not and should not be positioned as good people!), and making the Handler the ~only~ bad egg there and everyone else positioned as good and allies weakened them significantly as a villain.

Viktor! He shouldn't have had amnesia! Robbed him of character development in facing what he'd done, how his life had been a lie, and the complicated feelings left behind between him and his siblings over all of that. I get it was a comic thing, but they didn't do the comic reason (Shot In Head), and they've changed lots else from the comics, so this should have been another point the deviated from.

Raymond should have gotten to meet Five. I just think that would have been fun.

The song that plays in Viktor's violin mind palace when he's getting tortured should have been [Viktor's] Orchestra from the S1 OST and not that goddamn Bach Partita. They already had a very meaningful and beautiful violin piece composed by Mr. Russo, what are they doing bringing in this random Bach? Missed opportunity. My feelings on this are so strong that I am including it with the above impactful plot changes.

There's probably some smaller tweaks for S2 that I'm not thinking of now, but that covers the main changes and this is already getting long and we haven't even gotten to S3. Because, oh boy. S3.

I give S3 a lot of forgiveness for being made during the pandemic. I think a lot had to be adjusted for Covid restrictions (There was supposed to be a whole Japan trip thing! Which is why the Hotel is all Japanese themed. The trip got scrapped, the theme did not, so it just comes off as weird and orientalist), and they still managed to have really great character moments and developments. That said -

Too much happened in S3. They should have done Sparrows or the Hotel (which I like to call the HOb, and is the shorthand I'll be using from now on). Both with the Kugelblitz made this season insane.

Lila isn't pregnant. The show has a real hard time writing women who aren't mothers or dead and they were almost doing a good job with Lila until this, she almost escaped it. I'm going to be honest, my first thought when it was revealed that she was actually pregnant and it wasn't just Stanley shenanigans was "Oh, abortion". I don't think it makes sense for where she is to be having a kid, and it ties her down in a weird way for the final season. Instead of being about her figuring out her shit after finding out her mom killed her, had her real parents killed, and her life is all a bit of a lie, it's now about being pregnant and/or being a mother.

The HOb isn't some weird universe reset button. Why didn't they like Fucked Up Space Prison from the comics??? That's so much fun! I'd allow it to be paired up with the Sparrows if it's a fucked up space prison, they compliment each other then. It being a reset button that Reggie has known about this whole time and is the reason he collected the kids also doesn't make sense with him killing himself in S1 for the original plot of the show. They almost hit the vibe they could have had with it, with the hallways and floors swapping around. Play with that more, make time weirder, don't have cheap-horror samurai guardians. Forever mourning how much cooler and weirder the HOb could have been.

A lot of people complain that the Sparrows were so minor in the season. I am not one of those people - most of them were tertiary characters, and with all the other plot happening and the focus (rightly) on the Umbrellas, they featured exactly as much as they needed and should have (without changing the season to make them the main antagonists). My only change here is Sloane shouldn't know physics. Why does she know physics and why is she as good as Five, who has 30 years on her. There's no set up or indication she is a math person (she loves reading and travel!) until they have their Kugelblitz math discussion and then it's never alluded to again. Is this petty? Yes. Do I stand by it? Yes.

Ah, Five. Obviously, Five shouldn't be the founder of the Commission. That whole plot, while great for the Five and Lila Frenemy Trip, reeks of Cool Reveal We Thought Of To Be Cool. It doesn't have any real major impact on anything, and it makes no sense for Five as a character that he would have created the Commission and then sat alive in their basement by himself. The guy spent a lifetime alone and tore the universe apart to be with his family and they want me to believe he sets up his life to end by himself and away from his family after making evil corporate time cops? Yeah, alright, sure, mmm-hmm.

There should have been a conversation about what happened in the barn at the end of S2. That was huge - Five unlocked a whole new application of his powers and watched his whole family die again. With the rewind powers, they should have given an in-universe reason for why Five couldn't use them at any point and not just pretend they didn't exist anymore. The Kugelblitz is eating time, if it's eating time there is nothing for Five to rewind or jump back to - there. I did it. Just some sort of acknowledgement for why Five's plot-breaking powers aren't breaking the plot.

Five should have been friendlier and more trusting of Reggie, incorrectly viewing them as relative equals thanks to his age and experience. From Five's point of view, Reginald has always been right and Reginald did help him when he talked to him in the 60s. He's a dick and unpleasant, but so is Five. It was the perfect set up for some delicious betrayal and hard lessons for Five to understand their father the same way the rest of the Umbrellas do.

I'm going to be honest - there is probably plot things I would change for how Harlan slots in with the Kugelblitz, but S3 is my least rewatched season, and when I do rewatch it I usually do a Five Watch (just skip through and watch Five plot), so I do not remember it well enough to point out what I would change.

Final point I'm going to make - Allison. I genuinely loved where Allison went this season. The most controversial part of her plot, assaulting Luther, I thought made perfect sense and I have a lot of thoughts about where her mind was during all of that. But I do not think the writers understood just how fucked up her doing that was, and that scene should have had further fallout and more direct conversation about what happened. Give it more gravity and consequences, if only for Emmy's sake because it really felt like the writers dropped her in the deep end for the amount of hate Allison got for it.

There are probably more things, but it is getting late and this is getting long. I adore this show, but my god does it leave so much potential on the floor. Leaves us lots to write ourselves because of that, I suppose as a silver lining.

[thetarttfuldickhead]

what if, one match while jamie's being a prick, winding up the opposing team like only he can, one of the guys on the opposite team takes their frustrations with him too far and takes a swing at him, making contact with his face before anyone can stop him. jamie goes down, and some of the richmond boys are pulling the other guy away while some stay behind to check on him. I'd imagine jamie would get taken off the pitch to get checked out, since it's a hit to the head. what do you think roy's and keeley's reactions would be?

When it happens, it happens quickly.

It's the third game of the season, and Jamie’s in rare form. Has been ever since training resumed after the summer break, really, somehow bringing his very best great teammate game and his prince prick of all pricks game to every match. Once he’d needed a signal; these days he just knows when it’s time to pass the ball and when it’s time to bear down on the goal like fucking Nemesis.

Like something’s settled in him, slid into place.

It’s fucking gorgerous to watch, Roy thinks, nodding approvingly as Jamie slides the ball back to Sam with a deft twist of his ankle.

Unsurprisingly, today’s opponents do not agree. It’s an even game, 2-2 with only ten minutes left to go, and when United takes the ball off of Bumbercatch and initiates their own attack (fortunately ending in the ball going over the sidelines and a thrown-in for Richmond) that’s when Jamie decides it’s time to kick things up a notch and go full prick. Roy watches him jog up to United’s Westerly (whom he has been more or less been running circles around the entire match) and mutter something to him, grinning in that way that used to drive Roy up the fucking wall (still does on occasion), and Westerly—

—fucking swings at him, and before Roy can fully process what is happening Jamie’s down on the grass and players from all over the pitch is running over to hold Westerly back and hold Isaac back as he charges at Westerly and the sound of the whistle is shrill over the roars from the stands and there’s the red card and Sam and Dani are both kneeling by Jamie’s side as the rest of the two teams are either getting all up in each others faces or trying to pull each other away and Jamie is not getting up and—

Roy doesn’t realize that he’s moving before a firm hand on his arm holds him back. “Can’t go on the pitch, Coach,” Beard cautions. “Medic will check on him.”

Truthfully, Roy isn’t fully sure if he was moving to check on Jamie or to punch Westerly in the balls, but Beard’s calm voice cut through the red mist somewhat. He takes a deep breath, calling on the exercises Dr. Fieldstone has had him practising for the better part of the summer. They don’t help much, perhaps, but they do help.

The medical staff is already making their way over to Jamie and thank fucking God he’s rolling over on his back and seems to try to sit up only Sam’s holding him down. Looks like there’s blood on his face but if he’s moving then he’s not fucking dead, is he, or paralyzed and Roy doesn’t need to throw his career away to run over there and break Westerly’s fucking neck even though he can already imagine how fucking satisfying the sound of it snapping would be and—

Roy closes his eyes. Breathe in. Hold. Breathe out. Hold.

Football is a contact sport. Getting knocked down is all part of the game. Emotions run high during a match, all that adrenaline, and fuck knows Roy’s been fouled more times than he can count. He knows, too, that Jamie can take a hit as well as anyone – but that wasn’t just rough play gone a little too far, that was a deliberate fucking punch to the face and this isn’t fucking ice hockey, is it, that shit is not fucking on.

Even so, Roy’s surprised to realize how angry he is. After all, he’s punched Jamie in the face himself, and that wasn’t even half a year ago.

That was different, somehow. For one, Jamie didn’t need to be led of the pitch and sat down on the grass just a couple of meters away from Roy as Nate tells Roberts to get warm and is it really déjà vu if you know for a fact just what the situation reminds you off?

His phone buzzes. He pulls it out, mostly for a distraction while the medical staff try to stop the nosebleed and check Jamie for concussion.

A text from Keeley. Is he okay???

Before he has time to even begin typing an answer, she’s calling him, and he can’t not answer, can he? Not when he understands how worried she must be, stuck far above it all in the VIP box.

“Hey.”

“Is he all right?” She sounds breathless, tense.

He wonders if that ought to make him jealous. It doesn’t; if anything, it feels good that they’re in this together, just like it had back in Manchester when they conspired (badly) to bring Jamie out of his funk.

“I don’t know. I mean, he’s not fucking dead.” It comes out harsh, but he trusts that Keeley knows him well enough to know why.

“Are they not telling you what’s going on? You’re the fucking coach!” Harsh, but he knows Keeley well enough to know why.

“Have to let the medical staff do their job first. They’re still checking him out, can’t fucking crowd them.”

Jamie’s still sitting up, at least, and while he looks a little dazed he seems responsive enough to the medics’ questions. One of them glances over their shoulder at Roy, which Roy takes as an invitation to move over.

“Hang on,” he mutters into the phone before turning to the medic. “Well?”

“The nose isn’t broken,” she tells him. “We can’t rule out concussion yet, though, so he’s not going back out there. Besides, he’s still bleeding.”

Jamie looks like he maybe wants to argue but thinks better of it. Roy doesn’t know if that has anything to do with the quelling look he gives the younger man. I’m fine with him playing hurt, he’d told Ted not long ago, but Beard had had a point then, hadn’t he? And Dr. Fieldstone, too, when she’s gently but persistenly questioned how well pushing himself to just keep going through any and all pain had actually worked out for him.

“Yeah, okay,” Roy says, acknowledging the medic’s verdict with a jerk of his head. He glances over at Nate, who nods and motions for Roberts to go on.

Then Roy turns back to Jamie, only to find Jamie looking up at him, his face and shirt a mess of blood and dirty smudges.

“How are you feeling?” Roy asks. “Keeley wants to know too,” he adds, holding up his phone to demonstrate.

Jamie smiles a little at that, and Roy feels something in his chest loosen. “I’ll be fine, Coach, Keeley,” Jamie assures him – them. His voice is almost completely steady.

Roy nods sharply. “Yeah, you will.” He reaches down to squeeze Jamie’s shoulder, once. “Great playing out there today. It’s no wonder that fucking arsehole punched you, because there’s no other way he could ever have put a fucking stop to you, yeah?”

He’s rewarded with another smile, slightly bigger this time, and then the medical staff move to take Jamie away and Roy is walking back to the other coaches, speaking into his phone: “He’ll be all right. Might have a concussion, though.”

Keeley lets out a long sigh, almost like a sob. Roy can hear her tell Rebecca that Jamie’s going to be fine, and then she’s back in his ear, fear giving way to both fury and relief: “I’m still taking my stiletto heel to that fucking wanker Westerly if I ever get the chance. Do you think we should go to his place after the game, or should we bring him to mine? Jamie, I mean, not the wanker.” When Roy doesn’t immediately answer, she adds, “We have to watch over him, right? Make sure he doesn’t fall asleep or play video games or something?”

“Don’t think you actually have to do that,” Roy says, but before she can protest, he adds: “But yeah, of course we’ll fucking watch over him.”

Of course they fucking would.

[ask-the-totally-real-peppino]

Hi just wanted to say I love the way you draw Brick so much. I wish she was real so I could give her a big hug, you draw her so cute! (I love the way you draw everyone actually!)

(Hehe, thank you! Drawing big fluffy chonkers is my speciality, so of course I had to draw Brick that way~

I wish she was real too, the world would be so much better with giant rat pals, but alas... For now, you can have a doodle hug~)

[baronessblixen]

can you do « fox mulder the mosquito fighter » for the made up title pleaseee

So "Fox Mulder, the mosquito fighter" is about Mulder and Scully working a case and staying at a motel. One day, after a long day of investigation, they return to their rooms and Mulder realizes that he's left the lights on - which would be okay if the window wasn't broken. There are several mosquitos in the room and he tries to kill them with a book. That noise, of course, worries Scully, whose room is right next to his.

She asks him what he's doing, and he explains the situation to her. Scully is like, "Fox Mulder, mosquito fighter. Do you think this will take a while? I'd like to sleep." And he just gives her a look. Scully keeps watching him, trying to suppress a giggle when he keeps missing the insects.

Eventually, she takes pity on him and asks him if he wants to stay in her room. If he behaves, she will even share her bed with him. Mulder tries once more to slay a mosquito, then gives up and follows Scully into her room.