#they get more numerous and more specific as the seasons go

[sharkneto]

if you had a chance to write for the umbrella academy, what’s something you would’ve added or removed or otherwise changed about show canon

Oh. What an ask! You know, I try to stay positive here on tunglr.com about the Umbrella Academy. I adore the show, love the characters, focus on the positive and things I like rather than the negative things I don't. That said, the show has issues, more and more as the seasons progress. I do have opinions. And you asked :)

Read more because this is going to get long.

Starting in S1, there's not much I'd change - S1 is really tight, it's really character focused and its dark themes covered by sibling absurdity is delicious. Only thing I can think of off the top of my head to change is

Five has the gun in the finale. There is no tension with Allison having the gun for if she's going to shoot Viktor or not - we all know she isn't. It also makes Five just running up and getting caught in the energy tentacles stupid because he's never fought like that the entire show, he's more strategic than that. So, Five has the gun, we know from the comics Viktor gets shot -- it makes Five not shooting him more impactful, differentiates Five from his comic counterpart, and in general is a richer character moment for all involved. The only downside to all of that is it sidelines Allison, but some finagling of setting up the situation can put her back in a meaningful position (someone wrote a fantastic reimagining of this scene that gave Five the gun that still kept Allison in a key position with a heartful roll in how it shakes out, probably a couple years ago now. If anyone remembers who wrote that or can link it to me, I'd love to reread it again).

That's really it for S1, off the top of my head, anyway. On to S2! -

Handler stays dead, AJ is the big bad. The only downside to this is that we don't get Kate Walsh back, because she is so much fun, but the Handler absolutely died at the end of S1 and they retconned her to not-die so she could be in S2 (...because Kate Walsh is such a delightful villain). But AJ should have had a bigger roll in S2. He's the head of the whole Commission! The Handler was but a cog in the machine - what does that look like! The Hargreeves suddenly have the entire might of the Commission after them instead of a rogue Handler (pin in that for Point 2). Also, his character design fucking slaps, I'm still obsessed with him. And now, I'm hearing you go: But Lila! And I answer you - AJ is her adopted father. That whole plotpoint stays the same but AJ instead of Handler for parental figure. Diego's reaction to his girlfriend's father being a fish sells that all on its own.

The Commission should not be a benevolent force, with just the Handler as a rogue, evil agent. S1 Commission is a morally dark gray force of bureaucracy hiding behind the uncanny, cheerful veneer of the 50s. Their chosen method for keeping history "on track" is just a fuckton of murder. They left a kid to rot in the apocalypse for four decades. They have an entire department dedicated to making sure disasters occur (through strategic murder). The Infinite Switchboard is also dumb and only exists for fast plot for Diego to figure out what's going on - S1 method for the Commission knowing when the timeline is getting fucked is agents on the ground who call it in (S1 Commission inefficiency, my fucking beloved.). In summary, no one at the Commission is a good person (looking at you Herb and Dot! You are not and should not be positioned as good people!), and making the Handler the ~only~ bad egg there and everyone else positioned as good and allies weakened them significantly as a villain.

Viktor! He shouldn't have had amnesia! Robbed him of character development in facing what he'd done, how his life had been a lie, and the complicated feelings left behind between him and his siblings over all of that. I get it was a comic thing, but they didn't do the comic reason (Shot In Head), and they've changed lots else from the comics, so this should have been another point the deviated from.

Raymond should have gotten to meet Five. I just think that would have been fun.

The song that plays in Viktor's violin mind palace when he's getting tortured should have been [Viktor's] Orchestra from the S1 OST and not that goddamn Bach Partita. They already had a very meaningful and beautiful violin piece composed by Mr. Russo, what are they doing bringing in this random Bach? Missed opportunity. My feelings on this are so strong that I am including it with the above impactful plot changes.

There's probably some smaller tweaks for S2 that I'm not thinking of now, but that covers the main changes and this is already getting long and we haven't even gotten to S3. Because, oh boy. S3.

I give S3 a lot of forgiveness for being made during the pandemic. I think a lot had to be adjusted for Covid restrictions (There was supposed to be a whole Japan trip thing! Which is why the Hotel is all Japanese themed. The trip got scrapped, the theme did not, so it just comes off as weird and orientalist), and they still managed to have really great character moments and developments. That said -

Too much happened in S3. They should have done Sparrows or the Hotel (which I like to call the HOb, and is the shorthand I'll be using from now on). Both with the Kugelblitz made this season insane.

Lila isn't pregnant. The show has a real hard time writing women who aren't mothers or dead and they were almost doing a good job with Lila until this, she almost escaped it. I'm going to be honest, my first thought when it was revealed that she was actually pregnant and it wasn't just Stanley shenanigans was "Oh, abortion". I don't think it makes sense for where she is to be having a kid, and it ties her down in a weird way for the final season. Instead of being about her figuring out her shit after finding out her mom killed her, had her real parents killed, and her life is all a bit of a lie, it's now about being pregnant and/or being a mother.

The HOb isn't some weird universe reset button. Why didn't they like Fucked Up Space Prison from the comics??? That's so much fun! I'd allow it to be paired up with the Sparrows if it's a fucked up space prison, they compliment each other then. It being a reset button that Reggie has known about this whole time and is the reason he collected the kids also doesn't make sense with him killing himself in S1 for the original plot of the show. They almost hit the vibe they could have had with it, with the hallways and floors swapping around. Play with that more, make time weirder, don't have cheap-horror samurai guardians. Forever mourning how much cooler and weirder the HOb could have been.

A lot of people complain that the Sparrows were so minor in the season. I am not one of those people - most of them were tertiary characters, and with all the other plot happening and the focus (rightly) on the Umbrellas, they featured exactly as much as they needed and should have (without changing the season to make them the main antagonists). My only change here is Sloane shouldn't know physics. Why does she know physics and why is she as good as Five, who has 30 years on her. There's no set up or indication she is a math person (she loves reading and travel!) until they have their Kugelblitz math discussion and then it's never alluded to again. Is this petty? Yes. Do I stand by it? Yes.

Ah, Five. Obviously, Five shouldn't be the founder of the Commission. That whole plot, while great for the Five and Lila Frenemy Trip, reeks of Cool Reveal We Thought Of To Be Cool. It doesn't have any real major impact on anything, and it makes no sense for Five as a character that he would have created the Commission and then sat alive in their basement by himself. The guy spent a lifetime alone and tore the universe apart to be with his family and they want me to believe he sets up his life to end by himself and away from his family after making evil corporate time cops? Yeah, alright, sure, mmm-hmm.

There should have been a conversation about what happened in the barn at the end of S2. That was huge - Five unlocked a whole new application of his powers and watched his whole family die again. With the rewind powers, they should have given an in-universe reason for why Five couldn't use them at any point and not just pretend they didn't exist anymore. The Kugelblitz is eating time, if it's eating time there is nothing for Five to rewind or jump back to - there. I did it. Just some sort of acknowledgement for why Five's plot-breaking powers aren't breaking the plot.

Five should have been friendlier and more trusting of Reggie, incorrectly viewing them as relative equals thanks to his age and experience. From Five's point of view, Reginald has always been right and Reginald did help him when he talked to him in the 60s. He's a dick and unpleasant, but so is Five. It was the perfect set up for some delicious betrayal and hard lessons for Five to understand their father the same way the rest of the Umbrellas do.

I'm going to be honest - there is probably plot things I would change for how Harlan slots in with the Kugelblitz, but S3 is my least rewatched season, and when I do rewatch it I usually do a Five Watch (just skip through and watch Five plot), so I do not remember it well enough to point out what I would change.

Final point I'm going to make - Allison. I genuinely loved where Allison went this season. The most controversial part of her plot, assaulting Luther, I thought made perfect sense and I have a lot of thoughts about where her mind was during all of that. But I do not think the writers understood just how fucked up her doing that was, and that scene should have had further fallout and more direct conversation about what happened. Give it more gravity and consequences, if only for Emmy's sake because it really felt like the writers dropped her in the deep end for the amount of hate Allison got for it.

There are probably more things, but it is getting late and this is getting long. I adore this show, but my god does it leave so much potential on the floor. Leaves us lots to write ourselves because of that, I suppose as a silver lining.

[salemoleander]

I am BARELY resisting going full red-strings-corkboard on this season. And by barely resisting I mean not resisting at all here is an extremely long list of the events those pins would be marking out.

BigB getting a Task that was a different color than everyone else's. It's not just a randomly assigned Hard Task, bc Scar rerolled for a Hard Task and his was also just a white envelope. It's fundamentally different.

That task taking BigB away from socialization, and seemingly being an incredibly time-consuming and dull request. Of profound disinterest to any watchers.

The phrasing of his Task!!

Dig a big hole. All the way down. At least 3x3. Make it your base if you want.

Everyone else's are direct and formal - the only one with more than one sentence was Skizz's, with the rule clarification of "One attempt only." Bigb's Task is four short abrupt sentences. It is also the only Task to contain extraneous information, 'Make it your base if you want.' The requirements (at least 3x3) feel like an afterthought to mimic the numerical/specific demands of the other tasks.

Evo symbol on the face of the Secret Keeper statue.

The fact that there's a statue at all; the fact that there is a physical representation of what is assigning tasks that everyone must complete, when previously everything was always handled via commands and unseen RNG.

Grian talking to the statue, and (bc of his Actual Role as game organizer) acting as a mediator for the impartial decisions handed down, speaking for it.

Grian making one last bad joke and saying he doesn't know if it counted or not- depends on whether we the audience laughed.

Grian asking for task recommendations from the audience. The watchers are making the tasks. The Watchers are making the tasks.

Again I could be off-base, and I'm not usually even that smitten with bringing in Evo lore. I don't want a Big Bad really...but. It feels like something very unusual and intentional and cool is happening in this series. And I'd guess we'll know if theres something going on once we have more than one data point.

My largely unfounded suspicion is that there is another being (maybe Listeners, maybe something else) trying to reach out to the Players via decoy Tasks, and BigB was the first recipient. Get them alone, make them of disinterest to the watchers, and tell them something we don't get to know.

Because that's the really, really fucking cool part (if my wacky theory is remotely right): We're the bad guys. We're the ones giving out tasks - hell, we're the ones actively brainstorming harder and crueller tasks in Grian's comments!

If they actually made a story where the Players have to keep secrets from us I will be delighted. Bc that is the same genius bullshit that made Evo Watcher lore so fun

[anthurak]

Something I’ve always found rather curious about the Adventure Time fandom, specifically Bubbline shippers, is that nobody seems to talk about how the show slipped in what might be the most angsty, hardcore and emotionally raw Bubbline stories disguised as a wacky Rashomon-style recap in the episode Ketchup.

Like it’s pretty clear that Marceline is doing the whole ‘Lollipop Girl and Rockstar Girl’ puppet-show because she doesn’t want to traumatize BMO with what happened while they, Finn and Jake were gone, and also because she herself doesn’t want to revisit those memories directly.

But when we start reading between the lines and recognize that Marceline’s embellishments are really more to tone DOWN events, I think we get a very stark and raw depiction of what Marceline was doing when Patience set off Ooo’s elemental apocalypse.

Just to kick things off, how much does anyone want to bet that this joke translates to ‘Marceline and Bubblegum had a fight and Marcy was giving Bonnie some space… and because of that, Marceline wasn’t there to protect Bonnie when she was kidnapped by Patience.’?

Kinda adds another layer to Marcy’s whole ‘I was so afraid something bad would happen to you’ breakdown in Come Along With Me, doesn’t it?

Next we have ‘Rockstar Girl smacking off the potato-heads growing on her’ which pretty easily translates to; ‘while everyone else was getting overrun by the elements, Marceline was able to fight off the elemental contamination for possibly entire days while she tried to find a way to help Bubblegum’. And given what we see with Finn and Jake only able to resist the contamination for maybe a few hours at a time, and how willpower was one of the only things that could hold it off, that says a LOT about just how DESPERATE Marcy was to help Bonnie. I mean, you want a really hardcore and messed up image? Imagine if Marceline was actively cutting or RIPPING off the contaminated parts of herself to keep it from spreading and regrowing those parts with her vampiric regeneration?

Then we have ‘Rockstar Girl went after the Blue Tranch’, which I can only imagine translates to ‘Marceline going on a GOLB-DAMMNED WARPATH to hunt down Patience St. Pim’. And let’s remember that A. Patience was currently a super-charged Elemental and B. Marceline would still be fighting off elemental contamination herself, whether the Candification from Bubblegum, the Ice-ification from Patience, or even both.

I mean, when we think about it; ‘Rockstar Girl played some really loud music that the Blue Tranch didn’t like’ quite possibly translates to the most insane battle of the entire show. Like on one side we’ve got Patience St. Pim, seasoned Elemental who could already make Ice King look like an amateur, super-charged with elemental energy making her probably the most powerful Ice Elemental in thousands if not millions of years. And on the other side, we’ve got Marceline, consumed and possibly more than half-crazed with rage, fear and desperation to help Bonnie, going ALL-OUT with her numerous vampire powers, possibly some of her demonic powers, all while fighting off the encroaching elemental contamination.

And if ‘The Blue Tranch begged Rockstar Girl to stop and go away’ is anything to go by, I think we can assume that Marcy utterly WRECKED Patience’s SHIT. As in, Patience may well have ended this fight with an axe in her gut, a claw choking the life out her and Marceline threatening to devour her very SOUL if she didn’t tell her how to help Bonnie.

(Here’s another fun thought: Something that notably separates Patience from the other current elementals of Ooo is that whereas Princess Bubblegum, Flame Princess and Slime Princess are all physical manifestations OF their elements (Gum, Fire and Slime, respectively), while Patience is human. Yet when we see her during the arc, she seems to have lost her human body and assumed fully elemental form as well. Now we could of course assume that this is simply due to the elemental overcharge just like the others. Buuuuttt… what if Patience was FORCED to assume this new form because her human body could no longer SURVIVE after the utter THRASHING she received from Marceline?)

Finally, we of course have the end. Something which seems all too easy to imagine even with Marceline’s toning down of events:

Marcy rushing back to the Candy Kingdom as fast as she can. Even though she’s exhausted from her fight with Patience and the days spent fighting off the elemental contamination. To the point where now she can only barely hold it off and maintain her sanity. Perhaps she wonders if this is what it was like for Simon during their time together…

Even though she knows speeding back this fast is only draining her strength faster, but that doesn’t matter to her. Because what matters right now is the trinket, potion, or something or other clutched in her hand that Patience gave her. Something that Marcy can’t be sure will even work. But she hopes it will. That’s the only thing keeping her going, the only thing holding her together at this point.

A blind, desperate HOPE that this will save Bonnie…

When she finally returns to what was once the Candy Kingdom, Marceline finds the massive tower of gum. Perhaps like Finn and Jake later on, Marceline at first isn’t sure what she’s looking at and thinks Bonnie is at the top. So she flies right to the top in a burst of speed that drains her already dwindling strength even further.

And there Marcy finds Bonnie. Or rather, what Bonnie has BECOME. Perhaps she doesn’t even remember Marcy.

Perhaps for Marcy, this is like losing Simon all over again. Except instead of the father who raised and cared for her over ten years, it’s a woman that Marcy has loved for the better part of a millennium. A woman she was only just able to start loving again after so long. But now, just like Simon… she’s gone.

And this realization does what all the elemental power of Ooo could not.

It breaks Marceline.

Just like that, Marceline doesn’t even try to use the ‘antidote’ Patience gave her. Instead, perhaps Marcy gives Bonnie one last kiss and just… accepts the madness.

Because now, at least they can be together.

[creatingblackcharacters]

"Defying the Default"- Skin Tones and the Presence of Black Characters

Okay, this one is going to be half lesson and half a thought experiment- it may get a bit frustrating, as conversations like this often do- but remember, discomfort is not always a bad thing! So I ask that you walk with me for this one.

It’s also interesting, because I’m going to direct this towards everyone (readers included!), but specifically towards my fanfic writers of media with no visual medium, as I’ve noticed this pattern there, and it makes up a good amount of creators on this site. Okay? Okay.

Behold! Many shades of brown!

I had to wade through a lot of colorism for this, and even this link is subtly racist in its introduction- the idea that brown is ‘unexciting’ 🙄.

Anyway, you know where I’m going with this:

"Chocolate and Coffee"

Even the link above pulled this! Writers who use this... they’re not ‘wrong’ per se but… often uninspired. It feels... Lazy. When you can tell an author has put no thought into the brown of choice, it makes Black readers feel like you believe these are the only shades of brown- that that’s all we look like. Even chocolate is more diverse (white, milk, dark, marbled, cookies and cream?) Coffee can come in numerous shades as well (light, medium, dark roast? Type of bean?)

My first direction to help with this: make it a point to know what shade that character is (whether canonically, or if you're the original creator, look at a reference and write it down) and find a name! Be consistent! Find similar browns to one another. If the canon Black character's skin color is done poorly, find something similar and use that! (I'll get more into this in the next lesson!)

Our skin colors may modify as we age, it changes over the seasons/presence in the sun, and some people even have vitiligo! But we're not gonna be “dark roast coffee” one morning and “light milk chocolate” suddenly. We're not chameleons lmao.

And you know what? That shade you choose might very well be 'coffee'! But it's not going to be because you didn't look and assumed we're all some random brown! That’s the intent showing! If we can find endless ways to describe the beauty of white/pale skin, we absolutely can for brown! Be willing to unpack why you may not believe brown to be capable of beauty, and work through unlearning that- it will show in your writing! One way is by pausing with yourself, and recognizing when you had a biased thought. Even by this, you’re learning!

Here’s where I want us to get into the thought experiment:

I want you to think about the description of characters in stories (as a whole). Challenge yourself- in the fics and stories you read, how often is anyone blatantly labeled 'White'? Read a story or fic; how long can you imagine them as not-White before it's ever clarified? Because not even 'pale' automatically implies a White person!

You know how I’ve mentioned before that 'Black people are not a monolith'? I can find you at least some examples of Black people fitting some of the common descriptions of white characters.

"Brunette with brown eyes"

(Fun fact: I actually learned back in my Masters program that genetically no one has ‘black’ hair- our eyes are processing it as black, but it’s really just dark brown due to eumelanin. Regardless, if you stand us in the direct sunlight, you will see that our hair is usually just dark brown!)

"Red hair with pale skin"

“‘tanned’ skin with hazel/green eyes”

“blond hair" (period!)

Now, I’m not saying that blond haired Black people or Black folk with albinism are overly representative of my people. What I AM saying is that it needs to not be taken for granted that a reader is automatically assuming a character is White in your piece of fiction- I can assume your character looks like anything if it's not stated! Especially if the OG source is a book or a podcast! We’re just used to assigning these features- and characters- as white until ‘proven not’! The default!

I am guilty of this too! Even still, I reread many of my works and go ‘ah, I didn’t clarify.’ And I have to work on doing better at it. This is having intent for your Black characters, but really, it’s having intent for all of them!

(This doesn't mean going “the Black man said,” the way sometimes people say “the Chinese said” (which…. Tbh we should all stop doing that anyway, it's weird and racist))

My Next Challenge:

Some people may disagree, but- Ahem:

Say BLACK!

Breathe lmao! Take the time to recognize that it's OKAY to introduce a character as Black, to say Black, it's fine! Obviously be sensitive about it, don't shove it in there to “win your diversity points”, but like… People are Black. It's not a bad word. What matters is the context in which you used it!

You don't even have to say it every single time. Really just the first, introductory sentence will do. For example:

“[Character A], a bright, young, Black girl with knotless braids to her mid back, glittering hair clips matching her bright green t-shirt, and a brilliant smile that shined against her bistre skin.”

I recognize that some might argue that by saying “bistre”, you don't need to say Black. But 1) you don't have to be Black to be brown or dark skinned, and 2) There's a social stigma behind even saying Black- of discussing race in general, because it leads to discomfort. Race (as a sociological construct) exists. When we say nothing about it, allowing Whiteness to be the default, we're still emphasizing race, however silently! If you're already doing it... Why not mention it? 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️

(here's a good clip of Ijeoma Oluo discussing the difficulty of discussing race; while I highly recommend the whole thing, the relevant clip is 4:25-5:39)

Maybe they're in the Black student organization in a lead position, maybe they're in a Black main cast of a play- it's okay to have those things in the story to help develop the idea that your Black character is actively Black! Just do your research to make sure you’re not leaning into stereotypes!

“There’s no races in my fantasy/future world!”

That’s fair! But I want to give you an example of how people will still project these identities onto your characters anyway:

No one has an explicitly stated 'race' in Avatar: The Last Airbender (afaik); they’re all divided by element culture. YET, many people were offended that a mixed-Korean actress was cast in her role in the live action- they ‘just didn’t see it’, because subconsciously they'd imagined her ‘face claims’ as WHITE, despite it never once being mentioned in the canon! (there’s also a firm sexualization and east Asian fetishization argument to be made about it, but that’s not within the scope of this particular conversation.)

Point is, if you are including humanoid characters in your fantasy stories, fine. You don't need to say ‘Black’ outright. But, that just means that you’re going to have to be even more detailed in your description. Because if I were watching a TV show and a Black actor shows up as an elf… I know what features I’m seeing! Entire protests have occurred over the casting of Black actors in a role ‘meant for a white person’; so... everyone sees it!

Conclusion

This is another reason why intention in character design and writing is important! Context clues and socialization help me understand who your character is. If it works like this for white characters, it can work like that for everyone else! You just have to know enough about me to write it in (and that's where the social and societal bias lie, because how much do you really know about me?)

A way to better understand this is reading books by Black authors (for fantasy, I would highly recommend Raybearer by Jordan Ifueko and Children of Blood and Bone by Tomi Adeyemi) as well as Black literary classics! Finding and reading Black fic authors in fandoms with Black characters! By learning how we describe ourselves and our skin colors, you’ll learn and practice how to appropriately describe us!

Now I can't make you do any of this! But I do want you all- writers especially- to start noticing our bias, how we may default to the experience of whiteness- and how that affects the way we write. When we have Black characters, and really any character of color, we need to start paying attention to how often their features, culture, and activities are emphasized, even for what we may consider to be 'background' details. That’s how we normalize creation and understanding, and become better at writing!

It’s just something to practice; remember, it’s the thought that counts, but the action that delivers!

In addition, if you are interested in a simple read into why approaching race is so uncomfortable as a whole, I've attached Robin DiAngelo's book here! Thank you to the PDF guru @toiletpotato for the link!

[outsideratheart]

A Return Worth Celebrating (Fridolina Rolfo x reader)

A/N: Here’s a little something to celebrate Frido’s return to team training!

Monday’s had the reputation of being terrible but not this Monday. No, today was a good day. Today was the day that Fridolina Rolfö, your girlfriend, returned to team training. 

“You ready?” You ask as you walk out onto the field together. 

“As I’ll ever be” the blonde wore a smile on her face but you knew deep down that she was nervous. The two of you had spent the night previous cuddled in bed discussing what the blonde was feeling and why she was feeling it. 

Before you reach the group you wrap your arm around her waist, pulling her close as you place a gentle kiss on her hairline. 

“You’ve got this. You are strong and you are powerful” 

“What? I’m not beautiful today?” Fridolina knows the mantra well, you had made her say it to herself whenever she was having a bad day. 

“You, Miss Rolfö, will always be beautiful in my eyes. Now let’s get going. I’ve haven’t been late once this season and I won’t have you tarnishing my impeccable record” you jog off towards your team mates. 

“Right because I’m the bad influence out the two of us” the swede says sarcastically. Everyone knew it was you who corrupted her. 

The session goes better than Frido expected. Her passes were accurate, her movement fluid and much to her surprise her fitness wasn’t far off from where it was before. It did come as a shock to find your cubby empty as she entered the locker room. She assumed you had gone for a shower until she saw a note sitting in her locker. 

I had to go. See you at home. 

I love you, always. 

Y/N. 

“What no celebrations for your return?” Ingrid asks. 

“Looks like she had a meeting or something. We discussed our schedules on Friday and she didn’t mention anything. It must be something last minute” Frido defended your actions even if they had hurt her. 

She had been so excited to be back on the pitch for numerous reasons but being able to play with you again was top of that list. You seemed so happy for her this morning and she automatically assumed you would do something together to celebrate. 

Little did she know you did have plans to celebrate. Your celebrations were a little bit more intimate than what was planned with the team. 

As on queue, Frido walks into your shared apartment just as you finish setting the table. 

When the blonde walked through the hallway she smelt home, more specifically a home cooked meal. Then, as she turned the corner, she saw you standing next to the candle light table. 

“Baby, i’m so proud of you” 

She was rendered speechless. 

“Say something, please” you ask politely. 

She says nothing. She lets her actions do the talking and you don’t complain at all. You loved moments like this when it was just the two of you. When you could express your love with kisses and other displays of affection. 

“Is that my —“

“Kött” you pull away from her hold to read the name of the meal of your hand “Köttbullar” 

Frido pulled your hand towards her to see if you had really written down the name of the meal. Lo and behold, you had. 

“I think I did it right. I was this close” you pinch your thumb and index thumb very close together “to going to Ikea and buying some” 

You follow to the take and pull the chair out for her. 

“For you, m’lady” 

“Why thank you” she kisses your cheek as a show of appreciation. 

You watch nervously as she takes a bite of the meatball. It mimicked the nervous energy you feel as you watch a team mate take a penalty. She takes her time and it feels like she chews it 100 times before giving any indication of whether it’s good or not. 

“5 stars” Frido does a little happy dance in her seat “who knew this is what you were preparing for when you ate my Mamma’s Köttbullar by the bucket full” 

“It was all apart of my master plan” you raise your eyebrows playfully. 

“Is that right? What else does this master plan entail?” Frido asks curiously. 

“Stick around and you’ll find out” 

You had a lot planned for you and Fridolina. Some things had been ticked off, some were in motion and others were due in the future. 

[somehow-a-human]

Whose POV is it anyway?

An Introduction

DO NOT ASK NEIL ABOUT FAN THEORY

Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.

If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.

I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!

This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?

It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.

I am also a sucker for a good multiple timeline theory but that isn't this post.

Lens Filters

As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.

Bronze Glimmer Glass

BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.

Black Diffusion FX

BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.

Catch-22 & Herzog

The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?

That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.

Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?

Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.

While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.

Crowley's Hair

Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.

S2 Promo Posters

Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.

I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Whose POV is it Anyway - a Conclusion

[ratgrinders]

**spoilers for latest episode of junior year**

guys, what if the bad kids are in the astral plane right now?

so at the end of last episode they all end up in some weird, greyscale version of fig's room inside riz's briefcase, right? now, i know this is relying on meta knowledge a bit, but i know that brennan most likely didn't prepare this exact scenario for the event the bad kids all jump inside the briefcase, considering how luck-based that entire scenario was and how impulsive riz's initial decision was to save fig with the briefcase. as a dm you're probably just going to find the best place possible to insert your prepared encounter.

HOWEVER. the astral plane has been built up as a significant location throughout the season, what with it being heavily implied that cassandra being in the synod in the astral sea is what allowed the dead god to get a foothold into her that otherwise would not be possible. plus, the numerous mentions of gods dying and moving to the astral plane (specifically, i think yes! was stated to be on the astral plane after it died?)

and riz's briefcase is a modified bag of holding, a 5e item that has a direct connection to the astral plane, specifically:

"If the bag is overloaded, pierced, or torn, it ruptures and is destroyed, and its contents are scattered in the Astral Plane."

all i know is, at the end of that sequence and the bad kids are done falling there's no mention of the numerous papers riz has stored in his briefcase, which had all been scattering around them before. that sounds to me like the bag of holding was ruptured (possibly from the inside?) and all of its contents shunted elsewhere.

also, if a god was suddenly brought back from the dead (or at least, something significant occurring by adaine uttering its name) then i would imagine there's the possibility that would have significant repercussions on the astral plane where the god currently dwells, and this may be why riz's briefcase suddenly starts freaking out and vibrating afterwards. we also see certain elements of cassandra like her mirrors and baron, with baron specifically being inside the bag of holding. if cassandra is in the same place/plane as this dead god, being dead after being killed by them, then she may have an easier time getting her powers to work in areas that are closer to the astral plane.

brennan ends the episode saying "it is as silent as a graveyard". what could be a more apt description for the astral plane other than a giant graveyard?

[follows-the-bees]

Captain Frenchie!

I started writing a few observations in this post about small moments leading to Frenchie being captain. But it's time to do a whole thread!

Season One

We see Frenchie take a leadership role as early as episode two. He brings up the hostages and prompts Stede about doing something with them.

This is also the first example of Frenchie trying to raise the mood of the ship.

Of course the biggest one in this season is everything around the French dinner party. Frenchie is the one who finds the letter and presents it to the captains. Invited along by Ed, the two of them connect (leading the way to Frenchie being chosen to stay on the ship and also to be Ed's first mate.)

We see Frenchie's smarts and skills with the pyramid scheme and then utilizing his newfound deal with Abshir to get the information needed about the party-goers for Stede's passive aggression game. The only real background we have about Frenchie is that he worked in service. We also see his hospitality when he gives all of their money from the pyramid scheme to Abshir and Co.

The second half of the season has more little moments: Frenchie trying to get rid of the journal to protect Stede, not confessing to the piracy on board, etc. Go Frenchie!

Season Two

Frenchie's made first mate and this continues throughout the entire season. Fang has been with Ed for twenty years and he could have easily been given the rolle, but that's not what happens. Ed and Frenchie connected previously and when Frenchie is given this role, we still see Ed try to connect to him, but still doesn't let him see him too vulnerable: during the impossible birds speech Ed never turns around to let Frenchie see his tears.

When all the crew is reunited and standing around with blankets and soup. Stede is trying to get an answer of what happened with Ed, and all of them are evading the question. Stede can choose to ask any of them — Jim, Black Pete, Fang, and to a lesser degree Archie or Izzy — this question, but he specifically calls out Frenchie.

Frenchie leads or is a major part of four different crew talks this season.

First in Red Flags, they talk about Ed "getting better."

Then when the crew get back together in 2x4, while they all have their weapons drawn on each other, Frenchie brings up their arms and legs being tired, that along with Olu mentioning there might be a middle ground makes the crew put down their weapons and start talking to each other.

When Ed is voted off the ship at the beginning of 2x4, Frenchie is the one who delivers the news of how the crew voted.

Fourth, while the crew is talking in 2x6 about being bored, it is Frenchie who suggests that they throw a party. Another incident of Frenchie trying to raise the mood of the ship. He (and Jim) are the ones who go to the captains with the idea.

Last but not least, the numerous various moments in the finale.

While everyone else is getting dressed for the fuckery, Frenchie is on the steps, gun out Charlie Angels style, serving as lookout. He's on guard duty while everyone else is vulnerable.

During the big run across the beach to the dinghys, Frenchie spends the entire time looking around, making sure everyone is there. He goes back and help Ed carry the injured Izzy.

Go Frenchie part two!

Last but not least, Frenchie also directs part of the crew during this stage of the fuckery.

Overall, Frenchie is a smart, resourceful, and caring person and I love him and think he'll do amazingly at being Captain!

(I might be missing some moments but these were the ones that stood out.)

[blugerine]

I’m just now realizing the geniusness of the dance scene in season 2 and how taking a “comedy” show seriously reveals so many new things about it.

NOTE: I have no idea if Neil Gaiman wrote this scene with the intention of it being interpreted in this way, but I really think it sheds so much light on why Aziraphale and Crowley’s relationship seems like it went nowhere but downhill ever since season 1.

I feel like because New Omens is marketed as a “comedy show”, viewers usually go in with the intention not to take things too seriously (except for the more emotional beats that are signaled by somber music and intense acting *cough cough*), but as a result of that, we (or at least, I did) missed out on seeing some scenes differently because we originally wrote it off as “just a silly bit”. I definitely did that during the scene where Crowley performs the “apology dance” in front of Aziraphale because he left him alone to take care of Gabriel. I kept thinking about that scene over and over again in my head because it always seemed much more intentionally childish to me than any other goofy scene we see the husbands get up to in season 2 and even in season 1, and I just realized now a reason why that might be the case.

When Crowley comes back to the shop and has to apologize to Aziraphale, the first words that come out of his mouth are “I’m back”, and both him and Aziraphale know those words aren’t enough for Aziraphale to take him back, so what’s the next best thing? The apology dance! When Crowley initially resists the idea of performing the apology dance, Aziraphale reminds him that he’s done the apology dance numerous times in the past, listing all the specific years over the centuries to really get his point across until Crowley relents. After Crowley begrudgingly finishes the silly dance, the audience share a good laugh, Aziraphale is content enough to accept him back, and the fight they just had all seems so “stupid” now in comparison to the bigger fish they have to fry.

Now, what’s the problem in this scene? Or rather, why is this scene such a big deal in regards to why they broke up at the end of season 2? That’s because it’s, again, another example of how they always DANCE (quite literally) around the actual problems in their relationship that result in them constantly breaking up. And this has been happening for CENTURIES, time and time again, they always default to pushing their problems under the rug, letting bygones be bygones. They believe they’re forgiving and forgetting, but as Aziraphale keeps recounting all the years he’s done the apology dance, it’s very clear that they’ve actually never forgotten any of those previous instances of frustration and words of venom they’ve hurled at each other. Instead, they’ve opted to pretend they’re over it, onto “bigger and better” things to do as a distraction. The only time they start conveniently bringing up past wounds is when they have YET ANOTHER breakup scene.

The dance is performed so childishly because of the childish way they deal with the problems that arise in their relationship. Despite knowing very intricately about the infinite vastness of the universe, of mankind’s greatest strengths and weaknesses, they were not made to view themselves as having human emotions, and they were not trained to make compromises that did not threaten their very existence. Crowley and Aziraphale both started as angels, and Crowley wanted God to compromise with him about keeping the universe around for more years than She had planned. But God doesn’t take suggestions, so Crowley’s angelic status was quite literally burned from him as he was sent down to Hell, which traumatized him greatly, and made Aziraphale exist in fear of the divine punishment that came to those who disobeyed God.

As such, Aziraphale and Crowley have so little understanding of how to compromise in a healthy manner, because the first time one of them tried to do it, it ended terribly for both of them, and they subconsciously vowed never to do it again. That’s why, when one of them wants to apologize, it’s almost like a child’s idea of what one is. There’s no addressing of why Crowley’s so desperate to abandon everything and run away, or why Aziraphale is so adamant on staying, even when it clearly hurts him to do so. There’s NO reasoning or compromise. There’s NO talk other than “I was wrong, you were right”. It’s either your side or my side, or we never see each other again.

Aziracrow represents a very realistic on-and-off relationship, where two broken and codependent individuals cannot compromise for fear of divine punishment or even just fear of losing the one that means the most to them. And their little dance? It’s just one of the many times they’ve tried to ignore their very real and important relationship (and character) issues, and it just continues to rot away their relationship time and time again. It’s like putting a bandaid over an infection, but they’re both immortal and everything’s working against them to actually work on healing that infection from the inside out.

So yeah, the dance scene is fucking brilliant because no one saw that coming until you actually finish season 2 and think back on it. Again, maybe I’m just being delusional reading into a scene that wasn’t a big deal, but if Neil did write it with this intention, then I think the way he disguises meaningful insights into broken relationships, tortured characters, and religious trauma through the use of comedy to be really. fucking genius.

And really sad.

I think I might cry a bit after this actually.

(Also, hello, I still have no idea how to use tumblr 💀)

Edit: Just made a couple clarifications here and there! Also, thank you so much for all the positive reception 😭!!! Reading all your reblogged tags gives me so much serotonin agsjdgs it feels so nice being in this fandom so far ❤️

[imfineitsfineeverythingsfine]

Communication and a Question for the Fandom

I started this off thinking I would end up with one conclusion and I actually found myself changing it by the end. I’ve read a lot frustration with the ineffable husbands and their lack of communication. “You don’t ever talk to each other" and "You never say what you’re really thinking.”

Now, that may be true. But also, throughout both seasons, we have seen repeatedly how they have been under surveillance too. 

Not just visual

But audio as well… Sign in Hell: Be Careful What You Say. But there’s more to the sign itself. I just can’t make it out. It’s not a sign that’s featured in the extras either, which is also interesting. 

What I could find though, in the The Devil in the Details X-Ray video was a little more of the sign, but I still can’t make out what the rest of it says:

Which brings in my Question for the Fandom. If anyone else is able to make out rest of this, I’d be interested. (This was around the 2:05 timestamp)

Moving on, that’s not the only *Clue* about their surveillance either. We know about Hell using electronics as a means of communication. They just cut in to whatever happens to be playing at the time, right? Radio, tv, Saturday Morning Funtime… so it would make sense that they’d use it to listen too. Is the Bookshop any safer, being an embassy for Heaven and all?

And it’s hard to pinpoint exactly how either side is listening in. We all remember this interaction but really… played as a joke but what if it wasn’t? Or maybe they just hadn’t figured out the specifics yet at that point.

Maybe there are certain “trigger words.” We see the reactions when Crowley is called “nice.” 

Crowley tells Aziraphale to “shut up” numerous times. We hear both them say “don’t say that” a lot. 

But also…

Closed captioning capitalized it just like that. Interesting. (If you haven’t watched the show with cc on, I recommend it)

What does this all mean? They just don’t talk to each other? Well, no. Not necessarily. We’ve also seen them find ways around directly speaking too.

Writing it down. (Which was promptly burned)

Aziraphale mouthing “Trust Me” during the bullet catch. Could they have had other short hands or code words? Emergency contingency plans? I personally imagine so. Side note: could they have also been using alcohol (laudanum) as cover for plausible deniability? 

“Safe spaces”? The backroom in the Bookshop that they kept going to for private conversations. We know they had alternative rendezvous locations in the first season too – the old bandstand, the number 19 bus, and the British Museum café. 

The Final Fifteen. I don’t want to take away from the emotion of the scene and I think Season 3 (come on Prime!) give us the rest of the story. I have faith in Neil Gaiman (pun sort of intended). But I will propose that the kiss may have been not only Crowley’s plead but also a misdirect or signal or other way to communicate between the two that we have yet to understand. In the end, Aziraphale was able to get the Metatron to break and divulge that the next step of the Great Plan was the Second Coming…before even leaving Earth…which was pretty impressive in itself. Was Aziraphale then able to relay anything to Crowley before the elevator? Sendarya’s video here does a great job with that very question (and others).

Most experts agree that 70-93% of communication is nonverbal and when communicating emotions, applying the 7-38-55 rule. Meaning only 7% through spoken word, 38% tone of voice, and 55% through body language. So maybe they’re not doing so bad after all. Those are just my thoughts and we’ll just have to wait and see and hope.

[helenakwayne]

And Then There Were Three

Thoughts on Bridgerton S3 Kanthony – spoilers abound (Alt. Title: Read Me Rant)

It was never my intention to watch Bridgerton. When season 2 came out, some of my best friends told me I needed to watch season 2, specifically. So, I did, starting from season 1, because context is important to me. I watched season 1. It was all right. I watched season 2. I had a new ship. I love Kate and Anthony, and if I’m entirely honest, I may love her quite a bit more than I love him. But I do love them together. I do think they work better as a unit than apart.

As every Kanthony shipper knows, Season 2 was unsatisfying. We felt precious screentime that should have gone to our leads was wasted somewhere else—something about rubies and American mines. It differed from the book, but we have made peace with it. We have two stories with the same, if slightly different, characters—more to love, right? But if there is something we’re all terribly happy about, it is the leads we got. Jonny Bailey and Simone Ashley have chemistry up to their yang; they make that enemies-to-lovers plotline sing, and they act out the hell out of their characters. They have both stated on numerous occasions how much they love their respective characters, and they do make them come alive in a beautiful way. Our complaints about season 2 mainly were about timing—did we have to make it all the way to a doomed wedding in episode 6? By then, Si and Daff were getting it on, leaving time to resolve everything else while we were barely reaching peak angst. We had no onscreen courtship. No onscreen wedding. No onscreen honeymoon. No onscreen Kate becoming the kickass viscountess she will prove to be (but I’m getting ahead of myself). No onscreen Anthony letting go of his psychological burdens. But our leads were together, so… yey?

Bridgerton as a show is not without its MANY problems, but I choose to watch it despite those problems. I won’t dive too much into those. What is troubling, however, is when they seem to waste outstanding opportunities that require minimal effort because of what looks like mere incompetence.

So, season 3 Kanthony… By some miracle, both Simone Ashley and Jonathan Bailey can come back for a few episodes. Jonny, we learn, made an almost superhuman effort to make it happen. Simone may have passed on a role to be there. They are fan favourites. They are the heads of the household, after which the show itself is named. They are excellent actors with a lot of chemistry. Episode 1, you establish they’re happy newlyweds, recently in from an extended honeymoon (and no, I do not think they went to India—not enough time); Kate’s adapting to her new role, but they both want more time to themselves, so, extended honeymoon. Ok, we can live with that. Is it frustrating that they only have about five minutes of screen time? Sure, but we can stomach it. Those were a lovely 5 minutes. They are happy and in love; they have a purpose and a somewhat logical explanation to exit the screen for a while. We can move on. We sit tight until Part 2 of Season 3 is released. We are told Kate will be pregnant! And… nothing else. So, we wait. And here they come. She is pregnant! She’s looking a bit nauseous from the ride, bless her, but Anthony is as besotted as ever, thinking naughty thoughts about his insanely hot pregnant wife and ready to shout his praises to high heaven. And that is awesome! As shippers, we are so happy for them. Look at them in bed! Aren’t they precious? Sure, their four-legged son is cockblocking Ant, and Kate is preoccupied about when to release the news, but they are the sweetest, hottest couple. Let us bask. Let us rejoice in the new Viscountess Bridgerton, running that household, caring for Greg and Eloise, crushing that party. She’s good at it, and she KNOWS it. She gloats, and she deserves it. You go, Kathani! You were born for this! And then, they have the sweetest, most perfect moment in which she tells Anthony they should announce baby Edmund is coming (because this needs to be Neddy, guys). He’s perfect in his speech, and she loves him, and he loves her. They tell the matriarchs, showing their excitement in different but complementary ways. And we love them. So. Much. So… where do they go? Where are they? Did they … poof away? We don’t know! One minute Kate was being the perfectest new viscountess, organising, hosting, wife-ing, mothering, sistering, being the meanest, toughest bitch in the ton, and then… where’s my Kate, you monsters? Anthony is wherever she is, surely, but wasn’t he perpetually busy? Wasn’t “dutiful” his primary descriptor? Remember all that paperwork he was supposed to be completing after the original honeymoon? Remember all that work he did on seasons 1 and 2? Remember all the planning and the family overseeing? Is he doing that? Where? Is Kate there, too? Well, we’ll never know. Let’s skip to episode 7, shall we? Because we must. This is Kanthony-focused, after all…

Episode 7 is a doozy because there’s so much… nothing for us. Do they look amazing? Sure. Look at visibly pregnant Kate. My brain immediately goes into protecting the Queen mode. But where is Anthony? Look, guys, I adore besotted, Kate-obsessed Anthony as much as the next shipper, but we love that Anthony because we know there’s so much more to him. We adore him because of how he grows for her. But this guy? He’s not exactly growing because he has no plotline other than being Kate’s husband and the father of her child. And if you’re here for just that, then all power to you. I am happy for you. Have at it. But that isn’t me. I need more. I need to see him trying to be who he has always been—the dutiful son, the protective brother, the respected viscount—while he is also Kate’s loving husband and Neddy’s amazing dad. The one-dimensionality of Anthony is killing me. Because we do get slightly more of that with Kate. The convo with Colin was her using all of her powers to save her new family once again. We saw a glimpse of Viscountess Bridgerton-Sharma being perfection in episode 5. But then it was taken away! It makes no sense for her to be seen running the household if she is there intermittently. Seriously, where were they? Was there an agreement that Violet would run Bridgerton House while Kate was away? Can you… I don’t know… tell us? But to add insult to injury, the things they wrote in. Ant saying he loves weddings? Kate saying theirs was perfect? You know what would have been perfect? WATCHING IT ON SCREEN. And as great as it was to know that Eddie did not marry the prince, but some dude in India who makes her oh so happy (good for you, girlie), Anthony goes on to propose leaving for India right now? NOW? With Kate visibly pregnant? With Frannie's impending wedding? Is this proof of a doppelganger? Has Newton cockblocked him to stupidity? Is this what happens when he ain’t allowed to munch to his heart’s delight? Seriously, what sort of OOC nonsense is this? And guys… gals… pals… I LOVE Kathani Sharma-Bridgerton being from India. I would commission an entire show about her life. I want to know everything about her background—from birth mom to Papa Sharma’s death to their coming to London. I want it all. Educate me! BUT THIS MAKES NO SENSE, ANTHONY! And finally… finally… as lovely as the nose-boop was, people, THAT MAY VERY WELL BE THEIR LAST SCENE ON THE SHOW. THAT WAS THE PARTING SHOT. THAT WAS IT. THE LAST DIALOGUE. And I cannot. The waste. The absolute waste. The awful writing. The missed chances.

Many would tell me to count my blessings, and I do. I will. I thank the people who made the clipped versions of seasons 2 and 3 so I can watch just my Kanthony without the extra plot. I appreciate the happy ending. And there are amazing fic writers who give me stories that are so much more fun, satisfying, exciting and fulfilling than this shoddy attempt at using two of the best talents in the business right now. Yey, baby Neddy! Yey, Viscountess Bridgerton-Sharma! Yey besotted Kate and Anthony! But, gods above… this SHOULD have been so much more.

[zyonsay]

Wildfire, Chapter Two MV1

Fem aligned people may read but not f3tishize my work!!

Summary: You almost scored a win, but Max wouldn't let that happen. The McLaren boys want to take your mind off of things!

Warnings: Swearing, Max is a bit of an asshole,Reader has anger issues, Slight Violence, Alcohol, Ki ki ki rah sweat sweat

Now playing: 'Monaco' by Bad Bunny

AN: This was a STRAIN! School is beating my ass recently and it's really difficult for me to get anything done BUT i really want to write this fic!

(Here is the previous chapter)

(Here is the next chapter)

The race season was in full swing, and you’d been doing well. Max had, as per usual, always taken the victory, but most of the time you were on the podium next to him. You were a great new asset to Red bull, and many of the fans seemed to like you. You started discovering more and more memes about you on Instagram and Twitter that would make you chuckle. (Or X? Man idk)

People saw you as a two-sided coin, since your charismatic, silly moments were accompanied by boiling, blood red rage when something messes up the race. Numerous fans compared you to Max when he first entered F1, calling you a “Smaller version of Mad Max.”

You guys’ interactions felt like witnessing two proud stags smash their antlers against each other. No full-on fights have ensued yet, but the tense feeling between you two can be felt by everyone from miles away. It was like the calm before a storm, electric energy surging through the air, waiting to strike when things get any more heated.

Your sassy, provocative nature could bring his blood to a boil easily, often causing him to glare at you from far away or leave some snarky remarks while passing by. This dynamic wasn’t optimal for Redbull, having two drivers who clash off the grid might also clash on the grid. As long as the situation wouldn’t get worse, they’d let you two entertain the fans bit more, but Christian kept a close eye on both you and Max.

Usually your bickering was harmless,

But today you could’ve strangled him right then and there in the paddock after the race. Luckily Horner got a hold of you and dragged you away, you felt like an angry dog being put on a chain outside the house by its owner.

What happened a few minutes before angered you deeply. Max profoundly refused to let you pass him, even if you had to brake to not crash into the rear end of his car. You could’ve had the first place if it weren’t for him blocking your way. Saying you were enraged was a pathetic understatement. You were steaming with rage and wanted to smash his head against a wall.

You, Lando and Oscar were strolling towards an Ice cream truck that Oscar had found on google maps. The race weekend was over but many of the drivers decided to stay a bit longer in the beautiful city. Tough it was extremely hot, which was the reason why Oscar and Lando wanted to go for Ice cream, what they didn’t tell you tough is that they wanted to distract you from your conflict with Max.

After paying for your Ice cream, you three made your way to a bench, sitting down and enjoying your refreshments. You chose pistachio ice cream, savoring the sweet, nutty taste. “Have y’all heard about the party tonight?” Lando glanced at the buildings nearby, enjoying the fancy exterior, thinking about snapping a pic for his .jpg account. “I mean, we all know that there will be one, but I didn’t catch any specifics.” Lando now looked at you and Oscar. “Danny told me about it, it’s in the grand Casino at eleven O’ Clock. I really want to go, but I wanted to drag you both with me. Are y’all coming?” He mustered up his best puppy eyes and began pouting. A hearty laugh escaped you, almost causing you to drop your ice cream. “Sure dude! I can’t wait to have some fun.” Oscar grinned, agreeing with what you said. You guys spent some more time shopping and checking out some must-see sights of the city. Lando bought Oscar a little Koala plushie with sunglasses calling it "Oscahs Doppelgänger.” You really liked hanging out with the two McLaren boys, spending time with them meant lots of joking and messing around.

“Hurry the fuck up Y/N, its almost eleven!” Landos voice rang over his obnoxious banging on the door. You rolled your eyes and checked your outfit one more time in the mirror before heading out. You were greeted with a friendly smile from Oscar and Lando who looks like he’ll bounce around the walls like a gummy ball. He could’ve well exploded on the spot with excitement. He and Piastri were both a tiny bit older than you, but Lando was still a kid at heart.

Lando, Oscar and you walked through the city, heading straight for the big, fancy Casino. Even from far away you spotted a familiar, smiley face. “Oi! Danny!” You waved at him, gaining his attention. He was smiling broadly as usual, walking up to your little group. “Hey guys! Looks like Lando managed to drag you along, eh?” He was obviously wearing one of his flash banging party shirts, it wouldn’t be Daniel Ricciardo if he wasn’t wearing something obnoxious, right?

The four of you chitchatted for a while, when Oscar asked: “Were you waiting for someone?” Daniel looked down at his wristwatch; it was already five past eleven. “I was actually. Me and Max wanted to meet up at eleven. Don’t know where he is, maybe he already went inside.” He shrugged, glancing you way as he noticed you tensing up at the sound of the Dutchman’s name. You definitely haven’t forgotten the race earlier that day. The guys stayed quiet for a few moments as the chilly night air blew around your legs, contrasting with the warm weather during the day. Lando was the first to break the silence. “Can we finally go in?”

Once you entered the gigantic building, colorful lights and the smell of overly expensive alcohol flooded your senses. A few familiar faces were dancing, drinking, and laughing, but there were also many you didn’t know. Daniel led the group towards the bar, buying you all a round of shots. “Gotta start the night the right way!”, he laughed before downing the burning liquid. The vodka fueled the sparks in your guts and turned them into a fire. You were going to have fun tonight.

Suddenly a loud voice appeared behind you. “Hey Danny!” You froze for a second before turning around and facing the man you’ve been wanting to murder since this morning. “Oi, Max! Thought I’d never see you!” Daniel abandoned the bar stool to pat Max on the back. Oscar, who was sitting next to you, turned in your direction and whispered. “We don’t have to hang around with him. Let’s just leave- “, you interrupted him, “No. Its ok.” You were too busy glaring at Max to notice Oscars worried expression, not that he thought you’d attack Verstappen out of nowhere, but he was concerned that a teasing comment from Max was enough for you to snap. As he later would find out, it was.

Max didn’t pay any attention to you, obviously not feeling as irritated as you were. The casino was warm from the sheer number of people inside, the loud music mixed with laughing and chatting. Daniel was going on about some experience he had the day before while exploring the city. You were halfheartedly listening to your friends rambling while you were observing your friends’ mimics. Your eyes landed on your fellow Redbull driver. He was listening carefully, asking a question every now and then. He then glanced at you quickly, catching you looking at him. Max then quickly looked away again.

After a while, Lando pulled you away from the bar and towards the dance floor. He was definitely drunk by now and was all giggly and happy. “C’monnnn, dance with me!”, Lando slurred.

It must’ve already been a few hours since you arrived at the Casino, but time flew by so fast. Oscar stated that he was getting tired and wanted to go home in the next hour or so, while Lando was as lively as ever and could go the whole night. You agreed with Oscar though, since you were tired and had an appointed Press conference for tomorrow. Daniel and Max wanted to stay a little longer but agreed to accompany you outside to say goodbye. Once outside, a cold shiver ran down your spine. The city was illuminated by bright lights and a howling wind was brushing through its streets. Daniel stopped, facing the rest of the group.

“We definitely gotta go out together more often!” Lando nodded enthusiastically, glancing your way as if inviting you to go out with him more often.

“Yeah, once Y/N doesn’t hold a grudge against me, I saw those glares.” Max laughed, but you couldn’t help but judgingly glance at him. His face was red and his posture a bit wobbly.

“You’re the one complaining about me during Interviews.” The venom in your voice was very apparent, you made no effort to hide your disdain. Max looked hesitant for a second before his expression hardened. Daniel seemed to feel awkward, not exactly knowing how to deal with you two firecrackers. Max focused his eyes on your face, not wincing under your glare. “And you were the one crying around about me winning this morning?”, he laughed again, seeking eye contact with the others as if to justify his words. The McLarens Aussie next to you looked deeply worried, as If he already suspected what happened next.

The blood in your veins began boiling, you could literally feel it. A heavy push from your side caused Max to stumble back. “Don’t fucking go there you dick. You just couldn’t handle me winning, right?” Your fellow Redbull driver was now shaken awake, glaring at you with a bitter look on his face. “Don’t get mad at me because you lost, fucking Dickhead.”

You were SO ready to ruin his stupid face with a good punch.

…but before you could actually get violent a certain Honey badger stepped in. “Lads, calm your tits! I think it’s best if we all go to our hotel rooms now.” Oscar was holding you back, worrying what would happen if he’d let go of the raging man in his arms. The other McLaren boy was standing next to you guys, unsure what to do. Daniel gave Max a heavy pat on the shoulder and gave him a serious look. “Let’s go get some sleep, buddy.” Max’s eyes never left yours, like a hunter stalking its prey.

But you won’t budge under him.

[anthurak]

I’ve been thinking recently about how a key aspect of Steven Universe is that Steven is placed in the narrative position of what might normally be filled by a standard fantasy-hero-shounen-protagonist-guy, while EVERYTHING about Steven as a character is all about going in basically the exact OPPOSITE direction of that archetype. To the point where the one time he actually TRIES acting like some typical shounen-protag to solve his problems in Future, it’s presented as this gross, twisted perversion of his character that goes horribly, HORRIBLY wrong. Basically, the show makes it clear that Steven trying to act like your standard ‘cool, badass anime hero guy’ is very much a BAD and WRONG thing. Like in anime terms, Steven is essentially a Magical Girl placed in a position that was meant for a Shounen Hero. Or in a more specific reference building off of the show’s numerous references to Dragon Ball Z, Steven essentially represents a take on Gohan who’s kindness and pacifism are ultimately allowed to be presented and emphasized as a strength rather than a weakness.

Yet the flipside of all this is that even in their few appearances, has anyone else noticed that Stevonnie shows quite a few of these ‘cool, badass anime hero guy’ traits? They have a cool sword, they race cars, they fight space battles in a starfighter, they get badass fight scenes like getting to 1v1 Jasper and get to say cool one-liners. And the funny thing is, NONE of these are ever presented as somehow ‘wrong’ for the character. Heck, going off of the same references to Dragon Ball Z, Stevonnie has a bunch of design similarities to Future Trunks of all characters, one of THE iconic ‘cool, badass anime hero guys’.

And I think that’s really interesting.

Like in-universe, it says some interesting things about how Fusion works. That Steven himself trying to act like a cool, badass anime hero guy is a BAD thing because it leads him to start rejecting many of the core aspects of who he is as a person, namely his kindness and empathy.

Whereas Stevonnie is their OWN person, distinct from Steven and can exhibit these traits just fine because they clearly got them from Connie. They clearly haven’t abandoned or rejected any of the core aspects of Steven such as his kindness and empathy, they just ALSO have all this other stuff from Connie as well and can exhibit these traits without actually losing anything. They are after all, everything from Steven and Connie and more.

And narratively, I think it makes for a fun inversion. Steven represents this big subversive take on the typical fantasy hero archetype by being this young BOY with a big, heroic destiny who is defined by his kindness, empathy, emotions, a general disdain for solving problems through fighting and generally rejecting the typical ‘cool, badass, anime hero guy’ traits.

So it’s actually rather fitting that it is the non-binary, intersex, very-much-NOT-cisgender-male, fusion Stevonnie who ends up getting to do more traditional ‘cool, badass, anime hero guy’ stuff. Who in turn got much of those traits NOT from Steven, but from his best-friend/partner/girlfriend Connie.

And I just think that’s pretty cool, you know? Particularly when imagining a permafused Stevonnie. Like I think its fun to imagine an alternate take on the later seasons of the show, or just post-series, with a permafused Stevonnie doing more traditional anime-protagonist stuff that would otherwise feel out of place with Steven, but doesn’t feel out of place with them.

For example, Steven never went through any kind of big ‘training arc’ like so many anime heroes because that just doesn’t fit who he is. Steven is not a ‘fighter’, he always tries to talk things out before things turn to combat. So it makes sense that he wouldn’t directly pursue training to become a better fighter on his own.

But Connie DID. And of course that wasn’t presented in and of itself a bad thing. Which as an aside, is interesting for Steven as his joining was more to support Connie rather being presented as something he needed to do himself.

And speaking of fighting, this is another place where the differences between Steven and Connie make Stevonnie in turn all the more INTERESTING. Because whereas Steven isn’t a fighter, Connie very much IS. The symbolic sword to Steven’s shield.

Now where this gets interesting is that in practice, Connie generally follows Steven’s lead. We see a number of instances wherein Connie likely wants to or even is full-on about to launch into a fight, but backs down because Steven wants to talk things out. Connie may be a fighter, but she also generally defers to Steven.

But what happens when these two aspects are coexisting in the same person? What happens when Connie’s preference towards fighting isn’t deferring to Steven’s preference towards non-violence, but is rather exhibited right alongside it? And because of that is seen by Stevonnie as a much more valid option?

What does Stevonnie’s response to conflict look like when they’re much more of a fighter like Connie, while still retaining Steven’s intrinsic kindness and empathy?

Personally, I imagine Stevonnie actually being a fair bit like Ruby Rose, ie; someone who often tries to talk things out, while also not hesitating to jump into a fight if people aren’t willing to negotiate. Perhaps even reading the situation/people enough to get a preemptive strike off.

And all that is just one aspect of what I think makes Stevonnie so compelling as a character.

[thisisnotthenerd]

Notes on the Bylaws of the Aguefort Adventuring Academy

We've had some revelations in this episode, so I thought it might be a good time to go back to my Musings on the Greater Solisian School District.

Before this season, we had learned a few things about the Aguefort Adventuring Academy's Bylaws from Fantasy High, Fantasy High: Sophomore Year and the Seven that are ambiguously canon:

Adventuring Parties are established on the first day of freshman year so that the party can graduate together and begin working as an adventuring party. The party is expected to participate in activities together such that they might go forth and be violent lunatics enforcing their will upon the world.

There are a variety of reasons one might leave an adventuring party--the one that applied to the members of the Seven was severe injury, incapacitation, or capture to the point of losing more than a semester of school. By technicality, the Bad Kids circumvent this by virtue of going to jail as a group for ~2 months towards the end of their freshman year--not enough to cause them to repeat the semester or break the party.

The Crowning of a Prom King & Queen was prohibited due to the prophesized return of Kalvaxus, Emperor of the Red Waste, given that Kalvaxus was in fact working as the Vice Principal in the form of a dragonborn named Goldenhoard.

Arthur Aguefort keeps numerous magical artifacts in his office and in various locations around the school, this includes objects like Watches and Wards, an abjurative ward that can only be affected by Arthur Aguefort and the Elven Oracle [Adaine Abernant], the Crown of the Nightmare King, and the Bylaws of the Greater Solisian School District.

Presumably, beginning in sophomore year, an adventuring party attending the Aguefort Adventuring Academy must complete a quest that accounts for 60% of their grade for that year. It is unclear whether this rule is universal or whether it applies to specific parties who have direct involvement in larger quests, i.e. the Bad Kids tracking down the Crown of the Nightmare King, the Seven Maidens going to the Red Waste to eliminate the remainder of the Cult of Kalvaxus. This ties into a later application of the bylaws regarding the Last Stand Exam.

Parties can have members in different grades, however, graduation and further work can cause the disbandment of the party.

To acquire a GED diploma from the Solisian School District, an adventurer/adventuring party must get the signature of the Superintendent of Schools of the Solisian School District and complete a class A, B, or C quest [reference my previous meta for more discussion of this]

Now, at the halfway mark of Junior Year, we have some more bylaws and school rules to consider.

Administrative

In the absence of the Principal of the Aguefort Adventuring Academy [Arthur Aguefort] the Vice Principal [Gilear Faeth] is the Acting Principal of the school and carries out all administrative decisions thereof.

In the absence of both the Principal [Arthur Aguefort] and the Vice Principal [Gilear Faeth], administration of the School falls to the Principal's appointed emergency staff: Principal [Interim Emergency Backup Principal Grix] and Vice Principal [Jace Stardiamond]

The bylaws of the Aguefort Adventuring Academy in particular are based on a combination of written and oral proclamations from Arthur Aguefort; thus some bylaws may be contradictory in their application, given the man's proclivity for bits and exaggerated speech.

The election of a student body president typically occurs around the end of a given school year, with students in their junior year competing to be president in their senior year. There is no indicated option for a vice presidential position, though there are other administrative positions such as treasurer.

Thus, when all options for administrative staff have been exhausted e.g. all appointed candidates have passed or are absent, the role of principal falls to the student body president, who presides over the Academy as a democratically-run educational institution.

Academic

Generally, students are expected to progress in the class in which they first joined the Adventuring Academy. While leveling can differ based on extracurricular achievement as well as background, the existing hypothesis places students in tier 2-3 starting in Junior Year*. Currently the Bad Kids are exceeding the hypothesized levels, but given their extracurricular achievements in adventuring, this is to be expected.

To Multi-class and effectively take both classes in which the student has interest, they are able to utilize the MCAT, upon given the consent of the class instructors for both courses. Reference previous meta for more information on the MCAT.

Measures of success in each class varies significantly; a wizard is not graded on the same curve as a sorcerer. One of the more extreme examples of this is the conditional pass of the rogue class; upon finding the rogue teacher, the student passes the year and no longer has to attend class.

Pass-Fail and Conditional Examinations

If a member of an adventuring party leaves for any given reason: irreconcilable differences, severe injury/incapacitation, capture or other forms of imprisonment, death, etc., the entire party is shifted to pass-fail for the entire year, and is thus prohibited from extracurricular activities.

If the faculty member/instructor of a particular class passes away during the school year, the entire class is shifted into pass-fail. This can have further effects on the adventuring parties of those students, since they are shifted into pass-fail along with their allies in the given class. The most recent example of this is the death of Yolanda Badgood and the shift of the Cleric class to pass-fail.

If a student, for whatever reason, has had difficulty throughout the year with academic success, especially due to systemic barriers, they may be eligible for a exam called the Last Stand, which is taken later in the year, and replaces the student's transcript. This exam can be taken as a party, or individually, depending on the students' needs.

*Tier 1 = Levels 1-5, Tier 2 = Levels 6-10, Tier 3 = Levels 11-15, Tier 4 = Levels 16-20

[mikewheelerlikesboys]

Will Byers has to have powers.

TW: slight mention of SA and grooming, not graphic

This post is going to be a little scrambled, I have a hard time construing my thoughts especially when they’re sort of intricate and long ones so just bear with me.

Will has to have powers, because what other reason would Henry have to kidnap and possess him? Brenner stated that he doesn’t just kill, he consumes, or absorbs. Henry told El he was trying to absorb her powers in Season 3.

We know it was Henry who kidnapped Will and not a Demogorgon because of 2 things

Telekinesis was used to unlock the door, which Demogorgons do not have, nor do they need for this specific act as we’ve seen them bust doors down numerous times.

Will was still alive, Demogorgons are shown to try to kill anyone they come in contact with, immediately, unless being controlled by the hive mind. Will simply would not have been able to survive one alone at his age. It wasn’t luck that he lived so long, it was a plan. He was being kept alive.

So going off of that, what possible reason could Henry have to kidnap a young boy and essentially hold him hostage?

The implications of Henry being a predator and the underlying themes of SA involving him with Will and also El is a whole other thing to get into, I do believe he’s somewhat of a metaphor for SA, given the vines when Will was found and “I felt it everywhere” paired with the scene of the shadow Monster possessing being very violating and him essentially grooming El, but they obviously need a more basic explanation for these things that the general public will understand and be able to swallow more, which is why we have the supernatural plot.

The only logical explanation for him kidnapping Will, holding him hostage, and keeping him alive, is that he was trying to either absorb Wills powers, or keep Will there with him to “join him” like he wanted to do with El.

This obviously doesn’t work because everyone and their mom goes straight to bat for Will and pries him from Henry’s grasp, so then in season 2, he tries a new way of consuming Will, becoming Will. Taking over his mind.

My theory is that by doing this, he was again trying to absorb Wills powers, I’m not exactly sure how yet, but to me it seems to be the only logical explanation for the possession. Henry only started using Will as a spy, or spying back, after he got hurt and realized Will was spying on him first, otherwise I don’t think he would’ve allowed Will to give so much information to everyone and make the drawings of the vines. So the original reason for possession was not to spy.

Then we have Will losing his memory, this shows that Henry is consuming him, he’s consuming his memories in a way, making Will essentially just an empty shell or vessel. It’s unclear if Will remembers the events of when he was possessed, or even if he remembers Bob much afterward. I believe the incident is only brought up 1 time in season 3 (I could be wrong though, please let me know if I am) when Will is talking about how Joyce got it out of him and then El closed the gate. So it’s obvious he knows he was possessed, but it’s unclear whether he remembers the things that happened while he was possessed or not. He also never mentions Bob after his death, we see the drawing on the fridge, but Will never mentions him. We know that in the hospital he forgot who Bob was, so there’s a very real possibility that Henry completely consumed the memories Will had with Bob, causing him to still not remember much of him once the possession is over. This would further prove that Henry was trying to absorb things from Will.

If he can consume memories, through possession, why not powers? He has no reason to want Wills memories after all, that wouldn’t benefit him. But if Will has powers, that would.

It’s only after everyone saved Will AGAIN, that he moves back onto trying to take Els powers in season 3.

So yeah, essentially what I’m yapping about is that if Will doesn’t have powers, there would be no reason for Henry to target him at all, which we know he did from the very beginning and into and throughout season 2, so Will HAS to have some sort of special powers, there’s not really any question about it in my mind, just like Byler it’s the only logical way the story can go.

[komohine]

How are sheith shippers fetishizing gay men. Are you delusional? Misinformed? Lacking IQ?

Keith is not Asian btw, While we're at it, please prove to me all the damage sheith has done to the gay Asian male community.

Ok considering i have sheith shippers/defenders dni in my intro post and I really dont feel like wasting my time today ill try to keep it short and wont be responding to shit like this down the line. Next time save your breath though. Because idk if you knew this but dni stands for Do Not Interact. You are interacting. Stop that.

1) they’re brothers. Sure it’s revealed much later in the seasons, but the point is they have an incredibly strong familial relationship. If you started off shipping sheith when they weren’t explicitly defined as brothers, fine. But after their familial relationship is revealed the choice to continue shipping those two specifically comes off as strange as hell. Even stranger when you consider the multiple other available male characters that are not only more age appropriate but also dont have a familial relationship with them lmao. Also Shiro canonically gets married to a man. So the choice to continue shipping sheith has to go beyond just wanting to guys to kiss. The next common denominator? They’re both asian, so I must conclude that the need to ship them comes from that. The next next common denominator is that they’re related and some of you just have a thing for incest. But i still have faith in humanity so i wont accuse you of that even though i occasionally feel the urge to. I refuse to take “but but they have the most in show relationship development” as a reason because that just means you’re too fucking lazy to think of your own scenarios. Which is not true, because the amount of devious ass sheith shit I unfortunately stumble across means your collective neurons are actively firing away. Just for the wrong thing. You guys really saw the only real developed relationship (i use this word generally and not strictly romantically) between two guys in the show and decided that it must have romantic undertones. Beyond how its harmful to irl men and deters them from emotional maturity out of fear that any non toxic relationship between two men is automatically seen as romantic by some people, it’s just fundamentally mid yaoi because you guys cant fathom that 1) romance isn’t a core part of the show beyond allurance 2) that two guys can talk to eachother while smiling without wanting to fuck. Yall are in the same league as those guys who are addicted to step sister p0rn.

1.5) bcs i know someones gonna ask “why do you think sheith is incest”, its because shiro fulfills the kinship role of “sibling” for keith, or even “parent”. From here-on out simplified as “guardian”. Within anthropology there are numerous kinship systems which determine which family member is called what. Ex. In the hawaiian system, every male family member is called “father” and every female “mother”. No matter if they birthed you or not. In the linear (also known as esk/mo but that’s a word with heavy history) system, your parents are “mom/dad”, siblings are defined as “brother/sister”, and everyone else is “aunt/uncle” or “cousin”. This is the system commonly used in the west. Kinship systems define a lot of things, from inheritance to respect hierarchies. Another key thing they determine is incest taboo. The range of which this taboo applies differs depending on culture, which is why you’ll hear of two people, for example, cousins getting married. In the west that’s considered taboo, but it may not be in another culture. Kinship and its taboos also apply to non blood related relationships. Hence adoptive siblings, etc. And keith quite explicitly refers to shiro as his brother. Given the context of those scenes, it can be deduced that it’s not said in a way that is 1) casual, as the lingo would more likely be “sup bro” or the tone of voice would be significantly more casual, 2) indicative of anything other than a familial relationship, for if keith considered him a brother in arms he would’ve said something more along the lines up “on your feet, brother”. Keith saying “you’re like my brother” AND THEN DOUBLING DOWN TO “You’re my brother,” said in such a sincere tone of voice leaves little to be debated.

Tldr: Shiro fulfills a guardian kinship role for Keith and thus the incest taboo applies to him.

1.6) also like? It’d be weird either way. Going by their canon age diff (season 1, 25-18 = SEVEN YEARS), and considering shiro met keith in middle school, and going by the oldest middle school age (15) bcs im feeling generous, shiro wouldve still been 22. If they just met once and never again till seasom 1, fine. Ship sheith however you want. But the fact is they met and then they formed a bond when shiro was significantly older and in a position of power over keith. Shiro was a mentor and guardian to keith whether you like it or not, and he stayed that way from when keith was young and impressionable until he was an adult. Yk what thats called? Raising a child. Imagine shipping that. Crazy. Imagine a 9 year old being raised by a 17 year old babysitter bcs of his absent parents. Suddenly when the 9 year old turns 18 he starts dating his babysitter. Thats freaky as hell, and i only increased the age gap by 2 years. Literally nothing else changed.

2) now why would they include a non aapi character in the mash up? Also, his source character from the og voltron is named “Keith Akira Kogane”. What non asian person is named that?

3) also the fact you need me to show you damage.. same vibe as “wdym he’s stalking you he’s just being friendly!! Show me how his so called stalking has put your life in danger”. Like imagine needing actual damage before even considering something bad.