Poetry comes from pain, this is something we all know. Don’t tell me there are lots of poems about beautiful things and love, because the only people who really turn those things into pure magic on paper are the ones who were aching before they found them. Poetry comes from being submerged, the shuddering gasp as you break the surface. Maybe you go under again, maybe you don’t. Who knows how long you’ll be lost before you can write again. Some people spend their whole lives down there, surfacing like whales. I’m sure Charles Bukowski was a whale.
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love her. love her. love her.
you are waiting in between-
ans Meer
to the sea.
i learned how to speak seven languages by the time i was young. they were not what i thought they should be.
in each one, the word for world had no other meaning.
der Welt, mein Herz is a terrible terrible place.
is this why we flee? на море to the ocean, to the sea?
when i said language, i did not mean русская or deutsch or română; i meant a different sort of words.
how to show fear and regret and to speak angrily, with no remorse.
crying long hours, how you say, like the rainstorm.
there is no native language for grief because we are all fluent speakers.
there is a grammar for happiness that must be learned.
when i was smaller then, not of body but mind, i asked how you knew it was really the sea.
how it was not simply the red overwhelming everything else you saw.
i do not think i was really asking about the sea.
even know i do not know if the sea is what i mean when i say it is what we are all seeking.
weltzsmurch we are all world weary.
perhaps the sea is red because everything else is blue.
and the question still remains- if i say happiness in one language will you understand the meaning in another?
please understand i mean no harm.
für mein love, my love, my love, the sea my love, my dragoste my love, to see my love my love my love, is red.
in a place between words we cannot communicate and somehow we are all waiting in between.
спасибо, there is a way to reach the ocean from here.
is there an ocean everywhere around us.
in my mind the sea is red and my mind the sea.
a language of neutral patterns, waves, timing and frequency.
i cannot seem to rid myself of the sea and the sea cannot rid myself of me.
from speaking in a manner of many words i have only learned this:
the word for world is weary of being used in such a small manner.
and we have yet to set out on our own infinite sea, the red one we wade through.
of cut down trees and men. in every language the word for hatred is spelled like knife in back, in throat, in heart you do not have.
hatred is the killing of something not your own.
a small body rests am Meer too tired to know the consequence.
we are the word for emptiness and conscience.
we the only word that matters.
the sea is red at our feet.
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Writing Prompts: One Week Until Halloween!
1. “I don’t like horror stories.”
2. Two of the eyes in the paint shop mural keep looking at you.
3. A fifty foot high statue built out of human long bones.
4. Clockwork ghost.
5. The werewolf who plays piano at the vampire bar.
6. Sign language translation provided by a pair of severed hands.
7. A hidden drawer filled with eight-fingered gloves.
8. The clown’s new knife speaks to her at night.
9. Zombie showdown at the high school.
10. “I don’t think that’s a costume...”
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I have cracked off, spilled out, chest
thudding on rocks, thigh(s)craping down the sides of trees. I am holding a hand the size
of a fat raspberry, and it belongs to a boy who needs me
but I am full of h o l e s a n d
I can’t keep him warm full full full full FULL of so, just so many holes. I think if I died, I’d still be tired.
Bone tired.
dry-heaving,
can’t feel from your elbows down tired.
it’s like looking at the sun when I hold him; staring at proof of your worst fear, but loving it so much that it splinters bone.
here is birth, life. grown inside me, and one day I am going to die.
-lynnea // mother who is sad
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That strip of smoke coloured sky up there is the heaven of these people.
-Jacob Riis
and the heaven of these people
is the heaven of those people
from a different skyline.
we look at the same gods with different eyes.
that smoke-coloured, bare strip of sometimes light is beautiful
when it is the only thing to look up to.
when they dream,
they dream of a sky painted
like the sunset they know and the sunset they don’t,
red-orange-blue with a grey haze on the horizon.
when these people think of heaven
they do not dream. they are tired.
instead: heaven is the moment
between breaths. heaven is
the uninterrupted night of sleep.
heaven is eight hours instead of twelve.
heaven is all hands unhurt,
all eyes not blind,
a body on this earth
that can contain their souls.
heaven is their souls unbound
in the closest thing they know to joy.
joy is the little kindness, the way
the light shines down.
heaven is the light.
that sky up there is not a strip
it is the whole sky, it is the might
of all the heavens
all these heavenly bodies
resting on the earth weighed down
by all the dirt and fear
they are the light
trapped between the lines,
they are looking at a different sky
and seeing the same gods. they are
learning heaven with their eyes open.
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I am sleeping with the bathroom tiles
and you are calling it adultery
with the kind of conviction
that can only be mustered
by someone with purple
and green stains on their knuckles.
The coffee table is in pieces on the floor
so I pull shards of glass from my feet
and apologise for the blood
that goes crawling
through the carpet.
The honey you keep tucked
under your tongue
has turned sour.
When you leave me,
I dream of bathing
in pools of nectar.
//LOVE PAST ITS BEST BEFORE//
-KD
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(i. …and then there were none)
You ask him why, and he smiles helplessly at his hands.
“Well,” he says, “we all know how it ends but it’s my job to pretend, isn’t it?”
(ii. bloodlust)
He punches the other guy right in his charming-handsome-perfect face, hard enough that there is a crack and red, and you see in her face that this has won him no favors. But his hand trembles before it punches again and you see in his wretched face that this (helpless) has nothing to do with her.
(iii. Expired honey)
You see them together at her kitchen table. His words and smile are still sweet, but she turns away with a pretty-plain frown and does not look again. The warm sunlight feels stale. You shut the pages to drag out this last moment before the end (we all know how it ends), for his sake.
(iv. nebraska)
He looks right at you, with a pained smile. “I’m leaving,” he says, but the hand holding his pack trembles and you both know he cannot.
(v. Love letter to the void)
Dearest, his letter begins, and the ink pools black and pure and his hand is true, but you watch the dark shadow of his face and you (helpless) cannot breathe. He does not smile.
(vi. black magic)
When you close the book, you cry. You try to start at the beginning but this (every) time he never, never smiles.
He does not look at you.
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