#they weren't plot or character relevant

[mayhaps-a-blog]

Clinging to those handful of episodes that give us montages of the Doctor standing on pretty space worlds with their companions to remind myself that their life isn't just an endless series of disasters and miseries and they do actually spend years and years just traveling the stars and having fun shenanigans offscreen, to get me through these last few episodes give my gender-neutral guy a break 😭

[raspberry-gloaming]

I very much doubt there's much chance of this, but is there anyone out there who is a fan of both Doctor Who (and especially/possibly the Gallifrey audios) and the Nevermoor series? As I have many au thoughts but no-one to share/discuss them with.

(if you are please message me)

[fromtheseventhhell]

Sansa stans desperately want ASOIAF to be like GoT and conveniently ignore every single obstacle GRRM placed against her inheriting Winterfell. Her marriage to Tyrion can only be annulled by either party going to the High Septon? Oh, it doesn't matter because they never consummated! Robb's will? Nonexistent! The fact that she's wanted for kingslaying? No biggie! Her not having a direwolf to ID her as a true Stark? Don't be silly! They can't fathom that GRRM put it all in there for a reason lol.

See, that's my issue with it. It would be one thing if they were coming up with theories on how these issues could be resolved but they just straight up expect all of the obstacles in Sansa's way to disappear. And then we're just supposed to accept it or it's considered Sansa hate. Pointing out she's married to Tyrion is misogynistic, Robb's will is actually just a big red-herring, the Vale is going to undoubtedly rally behind this wanted girl, etc. Like you said, George put all of that in the books for a reason but talking about any of it is basically taboo in this fandom. Somehow talking about how she's written is "putting her down". It's just really annoying that people want the story to match their preferences instead of looking at what's actually written.

[gothamcityneedsme]

finished my soul hackers 2 replay yyayyy. i bought the story dlc and i liked the sidequests, the superboss was kinda disappointing though, not for gameplay, they were incredibly difficult, but like. i expected at least a little lore or nana involvement in the end and there was neither which was sort of odd.

[decarbry]

Can we hear about Cosette? Seeing her makes me feel nostalgic! (I read warrior cats as a kid, and probably would have made a non-warrior cats universe OC if I realized I could do that)

AWW ABSOLUTELYYY I was not expecting an ask about my OC HAHA <3

So I made Cosette back around 2015 when I was active in a lot more RP groups and this one was basically Warrior cats but with big cat species and centered in/around Roman cities. You had your typical "clans" of wild cats and then one clan of city cats that were kept by the humans and trained to hunt the wild cats and capture them for use in fighting rings. Cosette was born to two of the more elite hunters in the city (Caelina, who was mine, and Scaeden, who belonged to staniqs on dA) and was raised with her brothers Helios, Icarus, Manes, Libero, and Regilius to capture the loose cats that had run away from where they belonged with the humans in the city.

She was named after a previous leader of the hunters who lost her position in disgrace, with the belief that she would reclaim the name and give it back its honor and pride. Cosette never really cared about any of that, or even being a hunter; she was a carefree spirit that just loved to play and make friends, and learned to fight well but rarely wanted to use it on any of the enemy cats.

So a big war broke out between the wild clans and the hunters (where before they were just attacking the wild clans here and there where opportunity arose) and one night a big battle occurred and her father was killed by one of the wild cats. Scaeden was a huge presence with the hunters (I can't remember if he was leader at the time or second in command?) and the death hit the family hard, so a big group that included Cosette, Caelina, Helios, and a handful of non-family but close friends snuck onto a ship in the middle of the battle to flee to Rome where they all became a small found-family of deserters hiding out away from everyone else. It essentially made them targets of the hunters in Rome, ironically. The young flourished while the adults kind of withered. Cosette's mother Caelina becomes terminally ill and is killed when she confronts the brother of the cat that killed Scaeden, the younger group of the found-family breaks apart when Cosette learns that one of them informed the hunters of their whereabouts, and that was about where the development of the story ended.

[saline-coelacanth]

What was Arin, Sora and Wyldfyre reaction to Oliver crystal king form? I can see Lloyd telling them to not be scared before giving Oliver tofu to calm him down

Ok, so first I feel the need to explain a bit of the timeline idea I had from rewatching part 1. So Oliver joins the team a little bit before they go to Imperium, and although he is initially told to stay at the monastery with Kai, he ignores that order and ends up following them anyway. He mainly ends up sticking with Lloyd for a bit until the part where Sora regroups with everyone and then she and Arin go off to save Riyu.

This is another point where Oliver is told to do one thing and then he ignores those orders to do his own thing as Lloyd tells him to stick with him and the others, but Oliver gets worried about Sora and Arin's safety and decides to go after them. He gets chased by some of the Imperium soldiers and this is when he goes into Outburst/Crystal King/Whatever I end up calling this form. Pretty much, he gets tired of these soldiers getting in his way so he goes a bit apeshit and just starts destroying anyone in his path. He eventually does arrive to help out Arin and Sora and they are both pretty terrified when they see him.

For added context, Arin grew up in Ninjago. He knows about the Crystal King and he knows all the stuff the Crystal King did. So, he is rightfully freaked out to see Oliver busting into the room, beating up bad guys relentlessly while looking EXACTLY like how he did when he was the Crystal King.

Sora doesn't have as much knowledge about the whole Crystal King stuff other than things Arin probably told her, but Oliver is still very intimidating. It doesn't help that she's dealing with the whiplash from first meeting him and realizing, "Oh, he's kind of just a goofball. A little weird, yeah, but he seems harmless." And then she sees him being a genuine threat to the enemies, she sees him fighting Ras and holding his own, and also seeing Arin's reaction to this whole thing would definitely make her freaked out.

Now eventually, Oliver does calm down and turns back to normal when he sees how freaked out his new friends are of him. He panics a little bit and tries to explain everything, but it's a stressful situation and they don't really have time since they need to get Riyu to safety and get back to the others, so they just put a pin in that for now.

After things calm down, Oliver pulls Arin and Sora to the side to explain some things and also to ask them not to tell Lloyd or the others about what happened because he's scared of what they'd think if they knew how ruthless he was against Imperium. They promise not to say anything and are pretty supportive of Oliver since they realize that he really does care about them and has a good heart.

And for a little bit of added context, Lloyd and the others haven't seen Oliver for a really long time. And even before the merge, he had been doing a great job at keeping his cool and trying to be good to make up for everything he did as the Crystal King, and the fight at Imperium was the first time Oliver had snapped like that in a long time while the ninja were around (or in this case, just Arin and Sora). He probably had some outbursts while on his own, but again, the ninja weren't there to see it. After Crystalized, Oliver puts a lot of pressure on himself to be good and to not fall into his evil nature, so even though he was ultimately using this other form for good, he's still scared that the others, especially Lloyd might not see it that way. Because his Outbursts, even when he was a little kid, has always been a bit of that evil nature coming out and making him violent.

Yeah that was a long explanation but TLDR, Arin and Sora were pretty freaked out, at this point in time Wyldfyre hasn't seen him in that form yet (and also pretty much just met him), and Lloyd and the other ninja don't even know about him being able to do that yet so they wouldn't have any reason to talk to Arin, Sora or Wyldfyre about it as of now

[niuxita21]

Sorry. I got carried away with the gay stereotypes. I too have a lot to learn. And I went a bit too far sending Elena to kidnap you. I’m sorry. Ana, you and I are a team and complement each other perfectly. And you’ve taught me a lot about the business world, but I know other things as well that I can teach you.

Bonus: Ana’s reaction to Mariana saying she could teach her other things... 

[helpful-writing-tips]

If your plot feels flat, STUDY it! Your story might be lacking:

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic Relevance- Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

credit:@cedar-west

[sparrowlucero]

ik you were joking but I would be genuinely interested to hear about the flux cowriting credits strife if you feel like going into detail on it

So I have a big conspiracy theory about season 13 of Doctor Who ("Flux"), namely that there's a lost episode was scripted and even possibly filmed in near entirety, but ended up being cut and cannibalized in post production due to behind the scenes issues, and the fandom has yet to pick up on it.

For anyone who doesn't watch the show: Flux is a miniseries of Doctor Who; a full season was not commissioned because it was produced during Covid. The most important stuff about it for the purposes of this post are:

It's 6 episodes long (¹). The episodes are all directly continuous and could not be shuffled around. (I should clarify here that, no, the showrunner can't simply choose on a whim to make 10 episodes, or only make 4; they had to stick to 6, as that was the amount they were picked up and scheduled for)

The showrunner, Chris Chibnall , wrote every episode apart from episode 4 (Village of the Angels) which he has a co-writing credit on.

(More subjectively but perhaps relevant) The season is largely considered to be kind of a structural mess and (less subjectively) there appears to some abnormal and consistent production issues (²)

So the first thing I need to evidence here is that Chris Chibnall, aforementioned showrunner and writer of the entire season, was late. Like, really late.

Word of mouth gossip had been circulating for a while that there was some sort of on-set problem involving filming having to be paused because he was still finishing scripts: (³)

This would later be confirmed at a Gallifrey One panel (⁴) with Matt Strevens, the executive producer, who suggests that filming stopped to allow Chris Chibnall to finish scripts; he further implies that large swathes of episode 5/Block 2 weren't written until Episode 4/Block 1 (in which Kevin McNally debuts) was filming:

So with that context, let's talk about that Episode 4, "Village of the Angels", the only episode not attributed solely to Chris Chibnall. Co written by Maxine Alderton.

The filming pics reveal an interesting bit of trivia for Village: namely, the clapperboards show that the story was actually filmed as episode 5, not 4:

As the above tweet suggests, this doesn't make much sense. The miniseries is, again, a single continuous plot. It's not like they flipped Village and the current episode 5, Survivors of the Flux; the latter explicitly takes place chronologically after it. And yet, Village having been intended as the penultimate episode 5 is further evidenced by the original trailer for it, in which a character states that the story takes place on the 28th of November. This line is dubbed over in the final episode and subsequent trailers to instead say the 21st:

Why is this line important enough to dub? Because that's meant to line up with the air date of the episode. Episode 4 aired on the 21st and 5 on the 28th. But something happened in post production, and now it's episode 4 on the 21st instead (⁵):

So if none of these episodes were moved around but it does seem like Village was meant to be episode 5, where and what is the original episode 4?

I have a theory.

Flux has a recurring subplot involving two side characters, a married couple (Bel and Vinder) who have been separated by the titular disaster and are traveling the universe to reunite with each other. This story is told through segments sprinkled throughout the episodes. These have a different writing style (including a diary-esque narration only present in these scenes) and an internally consistent visual style that looks somewhat different to the other parts of the season.

Village of the Angels, for instance, is a moody, dark episode set in a village in the 1960s:

However, Bel and Vinder's segments in the episode have a somewhat different look:

On top of this, they never intersect with the episode's A plot (literally or in any clear thematic way), and the majority of these segments piece together into one single scene that seems to have been cut up.

So, what I think is that the bel and vinder scenes across the middle of the season were originally a single full story, an episode 4 that took a breather from the main plot and characters to follow the lives of these two side characters; the differing visual and writing style is due to it originally having been filmed separately and with a somewhat different artistic intent. I believe Chris Chibnall's cowriting credit on Angels exists because these specific scenes are from a script he wrote, but that otherwise the Angel script can be credited solely to Maxine Alderton by normal cowriting standards.

"But wait," you might say, "I thought there were already 6 episodes that are all plot relevant? If no episodes existing right now can be cut, how could this 7th episode exist?"

Remember this tidbit:

The adventures in question comprise a large amount of the next episode (Episode 5: Survivors of the Flux), nearly 20 minutes of a 50ish minute runtime (and frankly, much of the rest of the episode is somewhat fluffy build up that feels like it's taking advantage of an extended runtime). A version without this added plot would, in my opinion, only warrant one final episode rather than two.

I think the showrunner, still scrambling to finish scripts as the episodes were being filmed, and making a snap decision to include a new major subplot (⁶), wrote a finale script so long and with so many plot threads that the only way to keep all this material of was to split it into two episodes, 5 and 6. And because they only could only make 6, he had to get rid of one of the previous 5 episodes - the already scripted and filmed ones - to make room for this new episode 5. A tough order when it's a plot-heavy miniseries... if not for episode 4 being a standalone divergence from the main plot about the lives of two side characters, one that could, in theory, be cut up and dispersed throughout the season without continuity issues for the main story.

(Some notes and clarifications under the cut)

(1) some sources initially reported the episode count as 8; this wasn't inaccurate - the 2022 new years/easter special were part of the episode order. Flux itself was always meant to be 6 episodes long. (2) A few of the production issues include: - episodes filming without a second draft:

- the fx team that had been on the show since 2005 abruptly leaving midseason (because they "didn't feel like part of the team anymore") and returning as soon as the creative team changed, including the head of the studio implying they weren't properly credited (mild vfx body horror warning in link):

- people working on additional projects such as books not receiving clear information on the characters they were assigned to write:

- and likely a director who was put on hold due to a script being rewritten:

Among other things I can't directly cite at the moment, including vfx artists having to do whole episodes solo in crunch time and writers not being told their work was massively overhauled until it aired due to major changes being extremely late in production.

While I don't wish to pontificate too much here and many of these things are pretty normal by themselves, I do think it could paint a picture of a production where an episode well into filming may genuinely be cut on a whim and without consideration for the crew, artists, etc. working on the show. (3) This reddit post comes from a leaker who was known to be consistently accurate. (4) Gallifrey One does not allow filming of panels. I know Kevin's livetweets of panels to be accurate. (5) It's very, very unlikely the entire season was moved back a week, as the premier is a Halloween special that was certainly always intended to air on Oct. 31st. (6) I don't wish to insinuate Chris Chibnall is, throughout his career, an inherently poor showrunner, but I do think that maybe his jump from police procedural - a genre that doesn't involve quite as much concept art, vfx work, marketing, convention panels, set building, episodic storytelling, and keeping in touch with expanded universe producers - to flagship science fiction adventure show may have contributed to some of these issues, especially when he was already in the mindset that things could be changed on a whim (perhaps not such a major issue when it's broadchurch and no new sets need be built)

(source) Basically I don't really think this is "the showrunner's fault" or anything; more that a perfect storm of a showrunner who was habitually late on scripts, used to writing lowkey cop dramas, covid, an entirely serialized season, etc. may have led to these issues

[fixyourwritinghabits]

Listen, I know we all have stuff to do and summer is coming up and aaaaaaaargh, but in the name of Optimus Prime I'm begging y'all to shed the habit of using descriptors like 'the shorter one' or 'the blond one' instead of using proper names.

This is a very common trope in fanfiction, and I get it, it gets so boring to write the character names over and over again. I also know it will be so hard to unlearn, don't ask me about the pain and suffering I have endured. But you have to break yourself out of this habit, because all it's doing is making your stories harder to follow and losing your readers.

Let's say you're writing an Avengers fanfic, and you've got Captain America, Iron Man, and Thor in the room together. The following scene might go a little something like this:

"We must stop Unicron," the blond one said, flexing his muscles.

"Indeed," the dark-haired one replied. "If only he weren't so handsome for a metal monster."

"Thou is speaking nonsense," the bearded man said, subtly flexing his biceps harder. "Also, who is speaking right now?"

(Yes, I did write Unicron instead of Ultron like I'm pretending not to be a nerd, shut up.)

The actual dialogue tag indicators above are nonsense, pure gibberish, and those exaggerated for effect, wouldn't it just be easier to follow if you just used names? Also, sometimes Tony's goatee is more beard-like so it's even less helpful in figuring out who's talking. Depends on what era of comics you're reading.

ANYWAY, Who is doing what is one of the most important things you need to convey. In a busy dialogue scene, in a high action scene, especially in a romance scene between two people of the same gender, clarity is key. It feels boring to write, I know. It will be a better scene in the end.

So when should you use character descriptors in your writing?

When you need to reiterate an important character feature that is either relevant to how the main character views them or how they view themselves. Example: Her brother, the soldier, the Hobbit, etc.

When you need to reiterate an important character feature to the plot. Example: The god of thunder, the stowaway, the white witch, etc.

When you have a minor character who is better defined by their job or role than there name. Example: The second mate, the boatswain, the cook, etc.

When appropriate to the scene. This one is harder to define, but if you have a quiet moment where the main character reflects on the scoundrel he has a crush on, long paragraphs of just using the name Alex might be better peppered descriptors of his personality or notable features, or - depending on your character - 'that cocky asshole.'

When shouldn't you use character descriptors? When they are boring, unhelpful, and not distinctive. Referring constantly to someone as "the taller man" or "the blonde" will come back to haunt your ass years down the road, believe me. Break free from this prison before you snap awake at 3am, haunted by the one stupid scene you can never unwrite.

[demilypyro]

Your streams and posts have inspired me to play through dark souls 3 again! Anyway whats your ranking of all the level up maidens in the souls games. Counting melina too of course

The Unnamed Firekeeper (Dark Souls 3)

Melina (Elden Ring)

The Emerald Herald/Shanalotte (Dark Souls 2)

The Firekeeper/Anastacia of Astora (Dark Souls 1)

Irina of Carim (Dark Souls 3)

The Doll (Bloodborne)

The Maiden in Black (Demon's Souls)

The DS3 Firekeeper wins mostly because she's very charming and she has a small amount of agency in the plot. If you give her the Firekeeper's Eyes from the hidden Untended Graves area, she becomes open to the idea of betraying her religion (epic) and snuffing out the fire entirely, and I'm always down to blaspheme with my wife. Having a firekeeper be materially relevant to one of the endings is a lot of fun, and I'm always happy to go back Firelink and see her again. I love emoting near her.

I quite like Melina. I'm pretty sure she has some of the most dialogue of any level-up girl in the series, and she has some actual agency in the plot. Unfortunately, most of that dialogue is just lore dumping, and you never really get a sense of what her deal is. She's one of few characters in Elden Ring I never fully figured out the lore of? She's Marika's daughter, I think? And she wants to do... stuff? For reasons? And unlike best girl Ranni, she never really has a cute, disarming moment where the mask slips and she's really straight with you. I dunno she's good but she could've been better.

Shanalotte from DS2 is somewhat similar to Melina, in that she has a goal of her own that she manipulates the player into completing. However this twist is pretty out of nowhere and is ultimately pretty inconsequential, because what she wants you to do is... kill bosses? And killing bosses was always the goal anyway so it's not like we weren't gonna do that without her tricking us into it. I dunno, she cute.

Whether the Firekeeper from DS1 even counts for this list is debatable, since you can level up at any bonfire, and there's even multiple firekeepers. But when she dies you can't level up at Firelink Shrine anymore, so I guess that sort of counts? Idk. She's alright. I always let her die but then go kill Lautrec and give her soul back so she can speak. She's very adorable.

Irina really is just here on a technicality. Her ability to level you up is more like an easter egg reward for getting the good ending to her questline. She's mostly just a miracle trainer. I like her though so she goes on the list. It's my house.

The Doll from Bloodborne is decently charming but there's really nothing going on behind the eyes with her. While she questions if her feelings for you are genuine or artificial, nothing ever really comes of this one way or the other, so she falls kind of flat for me. She does win some points for responding to emotes though. Idk Maria better.

Finally you can tell the Maiden in Black is sort of the prototype for all the level-up ladies to follow. A lady, chained to the hub area by duty, who can't see and has bare feet? Miyazaki really showed his whole ass right from the get-go. There's really not that much to her beyond that though. She alright.

[staraxiaa]

sunflowers, the afterword:

author's corner/first thoughts.

okay. so. i am insane. i am a god. i just wrote 18k words for a fic that i thought of, planned, and created fully in less than two days, bc someone said i like to make ppl suffer and yes i do. but then i was like, i am GOING to write fluff and i took it personally. to that one reader, thank you!! anyways. i wrote this with the intent of using the prompt "you wanna kiss me so bad it makes you look stupid" and barely even ended up using it. i don't know whether to laugh or cry. i hope it doesn't flop but also it's okay if it does bc i literally spent almost 48 hours brainrotting and word vomiting like it's out of my brain now and this feels glorious. it was random unfiltered thoughts and grinding away at 3am until i am empty. no thoughts left in my head. can you see? i could eat the world raw, the itch has been scratched. the sheer amount of motivation i had w this fic is never happening again. cheers! will update as i think of things! sorry to anyone who ends up reading this fully. i have been unreasonably fixated and have brainrotted over this for two hours, inclusive of sleeptime. while sleeping. i kid you not. i would wake up and something would click and i would hop over to the laptop and fucking grind away i am so sick of myself

unwritten scenes, headcanons

you guys are 20. you haven't started dating yet. you're a doctor. you guys are yelling at each other. you say 'you want to kiss me so bad it makes you look stupid.' katsuki's so angry that he does. ⇁ this was the original ending btw but i thought this one kinda fit better he brings you sunflowers sometime. real ones. he's sneezing all the while. you take one look at him and you die of laughter. he's still sneezing. you tell him: you know i actually didn't even care about them until i found out you were allergic. ⇁ if i could write nsfw i would do it here like dude do u see the vision omfg a whole side plot where he's like what the fuck do you mean you weren't dating deku. you're like. what the fuck. are u stupid. someplace where you actually address how you treat midoriya, his lack of a quirk, and how you stood by and watched it all happen ua sports festival. you kick everyone's ass. #you have been trained by eraserhead and you are super duper cool i also don't remember if i included this, but: your mother asks you after the first evening. "you're not really friends are you." you say: "nope!" and it is the happiest she has ever seen you. the ua boys try to flirt with you and get hurt really stupidly a lot on purpose. you wonder why they've stopped showing up. it's bc katsuki gives them a whole earful. and you're like bitch what the fuck im a doctor and and hes just tsundere about it first kiss scene instead of the ending where he's like you care and you're like of course i do??? what the fuck?? are u stupid?? you guys start yelling at each other and you're both acting like ur 2. he calls you stupid and blind. you call him ugly. he's so mad he literally just lurches forward and kisses you. it's awkward and messy and you guys are so mad at each other. you literally headbutt him in the face. ah young love. ⇁ this was another alternative ending more exploration behind reader's character, her insecurities, and about some of the stuff i info dumped before the start of the katsuki povs? i feel like i didn't handle that as well as i could have, but i also didn't want to go on 10 billion tangents for things that had very little relevance to the story. i also think the transition to the last scene was a little abrupt, but tbh at that point i was just so ready to call it like. i just didn't see the point. i think it would have made for a more natural reading experience, so here's the tea: he's proud of u but u guys are angsty and ignore each other until after training camp. [more brainrot pining moments]. if i had to write the above scene, i think i'd do something along the lines of: you're first aid relief at the sports festival, not actively participating. dunno if you'd be nearly as badass, though. you definitely get pissed when they muzzle katsuki and probably get rly mad but ofc u cant show it. so u just unmuzzle him and walk away and hes staring after u. this is ur ??? elsa arc? i dont remember the disney princess. the training camp is torture. aizawa makes u run with them. you tell him straight up that u hate his guts. he grins like that is the best thing anyone has told him in his life. katsuki definitely blows up some earth monsters for u. but while ur not looking. he's angsty like that. the bath scene? oh lord u just know he blows mineta up. maybe he lowk fucks it up too and you have to heal it! the potential HAHAHA. i dont know how you end up getting kidnapped, but id probably just bullshit a reason like ur the #1 healer in the world hurr durr and afo wants u! idgaf if the plot makes sense or not this is entirely secondary to my scheming. katsuki just about loses it when he hears you're one of the targets -> how you get kidnapped? idk. you're not a remedial student, so you're probably participating in the game (odd number of ppl right). unsure of how i'd handle the news of your kidnapping: just know katsuki loses it again. for like the 5th time. yipppeeeeee

character notes, thoughts

your quirk is literally just you take people's injuries into your own body and heal it yourself. you're superhuman. i put 2 thoughts into this: 1) you're a healer and 2) i like cool characters. congratulations. you have now been born. i don't even remember if i kept the shouto scene. but anyways i think my bias was showing. just had to throw him in there. also the kuroo mention. sorry i'm totally normal and i mean it ⇁ btw i love you all (everyone who likes/interacts with my fics) but i joke to my friends everytime someone interacts w my first bakugo/midoriya ones from lacuna bc guys!!! my shoto fic is RIGHT THERE!!! the baby that launched the entire collection. please show him some love this reader is probably one of the favorite ones i have written, more of an oc at this point i think, and i wasn't expecting her to grow on me so much. but lowk i love her and am so proud of the way i wrote her growth!! i do feel like i wrote her very soft, but i hope her flaws were made very clear⏤ she is meant to be a sort of unreliable narrator, so she also is overly critical of her own, but there were several things that were not addressed as i was writing, particularly concerning midoriya. (quirk, the bullying, bystander's guilt.) however, i think that including them would have made me go off on a tangent, and detract more from the main point of the story i also do think i wrote katsuki a little ooc, if only because i didn't see the point of including what's already there in canon. sorry. my brainrot did not extend that far, and by the end of this, i was literally ready to drop. his perspective isn't meant to be all-encompassing (in the story, it may seem like it purely bc of how i paced it) but those are meant to be like. random thoughts that appear in several scenes. reader does not have bakugo living rent free in her head 24/7, and neither does he. they're just stupid and pining and i just wrote all the moments in my head where they do.

[2sun2fortune]

kanthony cut of bridgerton season 2

includes all kate scenes, anthony scenes, kate And anthony scenes plus any adjacent scenes of side characters that provide context to their story. with the side plots that weren't relevant to them edited out. full season folder. ep links below the cut

episode 1 Capital R Rake

episode 2 Off To The Races

episode 3 A Bee in Your Bonnet

episode 4 Victory

episode 5 An Unthinkable Fate

episode 6 The Choice

episode 7 Harmony

episode 8 The Viscount Who Loved Me

[endiness]

okay, i have gone through probably 50+ s2 interviews of hc researching this so far and i have to say that at this point i really don't see how he wasn't deliberately trying to manipulate the fanbase and the media against the writers and the show to get them onto his side. (and also, like, a very specific, extremely toxic section of the fandom at that.) (it's the sexist incel gamerbros. i'm talking about them.)

"I wanted to represent as much of a book-accurate Geralt as possible and a lot of the fans did as well, and so I campaigned really hard to make sure that he was more verbose, he sounded more intellectual, his choice of words was more thought out and that his approach to Cirilla and everyone else wasn’t antagonistic. Because it initially came across as he was just grumpy all the time with everyone and everything and I really wanted to show this three-dimensional character […] It’s gonna be tough to do the stuff which is as brilliant as Sapkowski’s writing, but it’s something I’m always gonna campaign for and it’s hopefully fit into the vision of the show."

there are so many interviews (ie virtually every interview out of 50+ with the exception of maybe, like, 3) where hc says the exact same thing about how he just cares so much about book accuracy, specifically where geralt's characterization is concerned, and that he really started to push for a more book accurate geralt in s2 and wanted him to be more verbose and intelligent and show that he isn't just a one dimensional character who just grunts and says hmm all the time like in s1 — and at no point does he ever take any responsibility for how that was due to his acting choices in the first place because he would cut his lines.

he also just straight up lies about the situation because the writers originally wrote geralt as being more verbose and book accurate in s1 but then changed the way they were writing him due to the acting choices he made. and yet he acts like that was never the case and that geralt was never originally written that way and he pushes this idea that a book accurate geralt went against lauren's vision. even though, once again, that was the original vision and it only changed due to him.

and on the extremely rare occasion (i'm talking, like, maybe 2 con panels here) that he ever takes any kind of responsibility for his role in all of that, he still waffles about and tries to present this image that he wasn't really cutting that many lines and they weren't really that important anyway and it didn't really matter:

"I didn't even cut that much. Just little bits when someone says how they feel, I thought if Geralt says nothing, and maybe the well-known grunts or hmms and sometimes the occasional f-word, people can take from that what they will."

even though that can't be true as confirmed by joey:

"Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

and even hc himself confirms this and what joey said in a s1 interview:

"All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

i also have to point out that hc directly links his push for a more book accurate geralt to reading comments on reddit as i think that's very relevant to what section of the fandom exactly that he's pandering to and why he's been so vocal about it while lying about the role he played in everything and what actually happened:

"I’m on all the Reddit forums. I’m reading all the reviews. I’m literally trying to get everyone’s information. Some of it is not useful, and other criticisms are incredibly useful. I take it all in, and I look forward to bringing it even closer and closer to Sapkowski’s writing. I think any of those criticisms, they often lie in things like I was saying—we don’t have the advantage of a long involved conversation or dialogue with Geralt, so they are criticisms which I think I was prepared for. So for me, it’s about seeing that, understanding it, and working out how I can do my job better within the framework provided, [how to] appease and make those people feel comfortable that I do actually understand this character—and love this character just as much as they do."

"As a source for information, it's really helpful for me to see what everyone's saying, what everyone's thinking, and to see how much my thinking falls in line with whichever side of that spectrum it is and whether I'm doing the wrong thing, for example, by campaigning hard for the book Geralt to exist or whether I'm doing the right thing."

and just another important thing to point out imo: virtually the only times hc ever takes any responsibility in any capacity whatsoever for his own role in the show not adhering to the books (which even then he barely does and it's still always with a lot of excuses), it's only ever at con panels — which are far less likely to get picked up by news outlets and seen by a broader audience — and not in formal interview settings. (except for, i think, one interview he gave early on when s2 first went on hiatus. but even then, it still has the same problems that the con panels have where he comes up with a lot of excuses that don't match what happened.)

then there's an interview hc gave where he went on about how he added some book dialogue into a scene and he made it out to be like it was some kind of rebellion against the writers and he didn't consult them as he was just going to do what he wanted, consequences be damned:

"I did not feel like having long discussion about whether I could add this bit somewhere. So I just did it, said the words in front of the camera, and was ready to face the consequences."

and meanwhile what actually happened was that lauren eventually let hc have free reign and rewrite a scene that he was unhappy with. which, y'know. kinda fucking weird to present what happened in the way he did.

and then there's him pushing this narrative that the female characters — namely yennefer and ciri — were given more depth and focus than geralt and the male characters as if that came at their expense and all of which is somehow due to lauren's women-centric vision of the show as if that's somehow opposed to how the books themselves are:

"On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher."

"In Season 1, there wasn't really much of an opportunity for expansive dialogue which Geralt is known for — in the books, he's often known to monologue — because we had two original origin stories which were the center point of the show."

"Lauren’s vision was more of an ensemble piece than the first Witcher books. It’s driven a lot more by the characters of Yennefer and Cirilla."

"I wanted to make sure we really explored as much as showrunner's vision could allow. She has her own plan, so I’ve got to toe that line between book Geralt and Lauren’s vision."

"I wanted to try and bring as much of the book’s Geralt into Season 2 as possible, and as much as the vision, the plot and storylines would allow. The toughest part for me was finding that balance between the showrunners’ vision and my love for the books, and trying to bring that Geralt to the showrunners’ vision."

"It’s important for me to have the character be three-dimensional and it’s tricky to do, as I was saying earlier, because there’s a certain vision and there’s a certain set, storyline and plot. And so, it was about me trying to find Geralt’s place within that."

"There’s only so much space to provide the same character from the books within the showrunner’s vision. But, I did my best to provide a bit more of a three-dimensional character with a bit more emotionality."

"It's important to me that the men in the story are three dimensional as well."

like, first off — and not to continually reiterate this but — that's not true. in s1, geralt was originally written as being just as verbose and intellectual as he was in the books and that only changed due to hc cutting his lines and we know that joey often had to take his lines, too. so there was, in fact, always plenty of time for geralt to be book accurate and for yennefer and ciri to have their own focus. these things were never mutually exclusive and it's definitely some kinda take to imply otherwise.

secondly, while it is true that geralt is the main character of the short stories, ciri is the main character of the main series starting from blood of elves, the book that s2 adapted. and despite claims otherwise, her pov has always had the most focus — yes, even more than geralt (sans baptism of fire, obvs.) and it's not like ciri is the only female pov, either, or that there aren't other important female characters that make up the series. there's yennefer, triss, milva, philippa, fringilla, nimue, condwiramurs, kenna — and that's just off the top of my head. there are plenty more where that came from. women and their stories have always played a central role in the books. nothing about that goes against them or is unique to lauren's vision.

and just with boe in particular, like. triss's pov is either focused on more than geralt's or at least about as much as his depending on how you want to break things down. and with dandelion following very close behind them, too! like, ciri may be the main character of the main series and geralt may be the main character of the short stories and their povs are the most focused on overall, but the books are still very much an ensemble piece made up of a collage of many, many povs to paint a full picture of the universe. and, yeah, the women make up a huge part of that. so the show focusing on ciri and yennefer and the women — and, yes, the men as well because it does actually do that! — is um, still book accurate. so y'know, why the fuck is he presenting this idea that's somehow not the case.

in general, hc emphasizes in a lot of interviews how much he fought for "male characters to be three dimensional." which yeah, given the context of everything else, is some suspicious kinda phrasing because it gives this undertone that the show wasn't writing three dimensional male characters in the first place as opposed to the women and that it's only due to his efforts that anything changed.

also, i have to highlight this quote of him talking about the three dimensionality of men because ~curious that he omits women from the list of people real menTM can be loving and caring toward:

"I believe that real men are very sensitive. They are very capable of doing things which can be violent, if possible, or necessary. But at the same time, they are incredibly capable of love and caring amongst men and towards children and family and all sorts."

and then there's the way hc talks about changing things which comes across as so suspicious, too, imo. especially when there is every other cast member to compare him to. because the way the rest of the cast has talked about this is that they all very consistently say that the whole process is very collaborative and that lauren is very much willing to hear them out about their thoughts and concerns and that it really feels like a team effort and that everyone is working together. and meanwhile the vibes that hc gives off is either "me vs the world (ie the writers)" or "but there's nothing that i can really do to change anything and it's all on the writers~" either way, his attitude very much comes off like all bad decisions are the writers' fault but meanwhile any good decision was due to him and him alone (or maybe the rest of the cast, but definitely not the writers.) like, weird af to play it off that way especially since every other cast member didn't seem to have any problems and they all gave credit where credit was due ie to lauren and the writers.

in conclusion, it'd be one thing if hc had just taken the l and admitted that he is the one who fucked up geralt's characterization in s1 and so he sought to rectify that in s2. but yeah, he doesn't really do that. instead he lies over, like, 50 times to create this narrative of him pushing for book accuracy as if that's somehow in opposition to lauren and the writers and as if they didn't originally write geralt book accurately in the first place and as if he played no role in the lack of book accuracy at all. and then that there's also him pushing this subtle (or not so subtle) narrative about how the women were taking a more central role as opposed to the men and that's somehow unlike the books and something purely due to lauren's vision, too? even though women have always played a central role in the books to the point where ciri is the main character of the main series? and that he's directly linked this narrative he's pushing to reading comments on reddit? (and that he also has a history, since s1, of trying to cater to game stans?) yeah, i just don't see how this doesn't add up to him trying to manipulate the media and audience — especially the worst parts of the fanbase — against the writers and the show and onto his side.

(also just one last thing i'd like to note as i find it super weird that when hc was asked about giving freya any advice, he immediately shut down the notion that he would ever do anything like that and he would never offer her any unsolicited advice and he would only ever give her any if she came to him first. like, there are literally s1 and s2 interviews where freya talks about hc giving her advice. i mean, maybe she did come to him in the first place, idk. but the immediacy in which he shut down the idea that he would ever do anything like that as if offering someone younger than you advice and being a mentor to them is wrong… weird. sus, even. like, why are you scrambling to cover your ass for something that's not even bad and, also, why are you lying about it by omission in the very least.)

[trainsinanime]

The following post is intended to be seen as levity and joking, not salt.

Chloé this, Chloé that, "Redemption started?", "Redemption interrupted?", "Redemption cancelled?". The discussion is getting old. What I haven't seen enough yet is how the show did Sabrina really dirty, by giving her the worst thing of all: A conscience.

The early parts of the show toyed a lot with how exactly Chloé and her relation to Sabrina works, which was clearly not well established when the first episode came out (hell, they didn't even seem to know who Max and Kim were yet, they only had their character models). Sabrina's deal is easy enough in the abstract, but difficult to pin down in the early episodes: Is she more meek or mean? More of a victim or more of a bully? Does she share Chloé's values whole-heartedly, opportunistically, or is she pressured into it? Does she have scruples or is she just a coward? Those are all elements in her character to some extent, but the exact mixture did not really solidify until she got an episode to shine and be away from Chloé, in Evilstrator.

That episode did the fairly obvious plot of Marinette going, "you can stand up to your bully instead of doing their homework for them!", and then showed us how Sabrina reacted. And the reaction was: Sabrina is every bit as unhinged as Chloé, just in completely different ways, and their dysfunctional relationship might just be the only one in which either of them can function.

This choice is not fully unproblematic, but ultimately okay in my book. I think die-hard Sabrina stans might call this character assassination, but I don't think there are any die-hard Sabrina stans. I feel like I should become one just to even out the numbers. Anyway, the choice clearly telegraphs that the show is not interested in long-running redemption arcs, which, you know, fair enough, it is designed for six-year-old French kids after all. (Yes, season 2 and 3 looked rather different here, but that's later)

The show did not exactly use Sabrina consistently after that, but for a while, they leaned into it. Early Sabrina was often mean, materialistic, codependent (I don't actually know what that word means I'm just guessing) and toxic in her own way. She broke into Marinette's room, helped steal Marinette's designs, lie and cheat for Chloé.

And then that was basically it. The show mostly forgot about her. She was an appendage to Chloé, usually frightened and a bit incompetent, but not much more. When Chloé showed signs of a bit of a hint of a redemption arc, Sabrina was not part of it. When Chloé gained a sister for, I actually don't know (I still maintain that "replacement bee" makes no sense for anything but selling merch), and there were hints that this might be relevant to her story, Sabrina wasn't there.

What did happen in the moments we saw Sabrina was that Sabrina got more meek, more scared of Chloé, and less mean. There were no more hints of her playing superheroes with Chloé and being at least somewhat of a friend, and also none of the meanness of Miraculer, one of the worst Akuma names in the show. Instead she was now in a closet doing Chloé's homework.

As she becomes less effective, she becomes more sympathetic, with some moments e.g. in the New York special, until she finally becomes Miss Hound. At this point we have basically the exact same thing that Evilstrator rejected: Sabrina is really just an oppressed underling who is too scared to tell Chloé to stop, instead of someone with at least some of her own ideas that happen to overlap with Chloé's in all the worst ways.

This all comes to a head in confrontation, when Sabrina's defining character trait is suddenly, out of nowhere, that as a police officer's daughter, she hates lying and stealing and hates that Chloé makes her do it. Since when!? Sabrina, weren't you around for Darkblade!?

Sabrina breaks off her friendship with Chloé and is now officially a good girl. And that sucks.

Old Sabrina had a certain edge to her. She made sense as an Akuma threat on her own, and even as a threat to Chloé as Vanisher and Miraculer. Now, she's only an Akuma effectively when Chloé tells her to, and she stopped listening to Chloé anyway. Her personality is now strictly: A good girl. Not like Chloé.

Ironically, in her emancipation, she has lost almost everything that made her unique, and become entirely defined by Chloé in every way. She's her own person, but with barely any personality traits except "not like Chloé anymore". No hobbies, no meaningful relationships with anyone, she's just there, and nice now I guess.

There are so much more interesting things you could have done with a mean Sabrina, which we know for sure because the show already did some.

But that's really part of a wider issue: When people talk about Chloé, they mostly forget Sabrina, and Sabrina isn't interesting enough to stand on her own. The ideas of a Chloé redemption throughout season 2, 3 and in some form 4 focused on Chloé's relationship with Ladybug, Marinette, a bit Adrien, Audrey, and a bit Zoé. Chloé's super-duper villain arc in season 5 focused on her relationship with Lila. Sabrina, who has been here from day one, who has the longest and most complex relationship with Chloé out of any character, is not a part of it at all.

I think that sucks. I think Sabrina has more potential, but in particular I think Chloé is more interesting if we include Sabrina in the discussion as well. Their relationship is something deeply weird and unique, and any Chloé redemption that brushes it off leaves a lot of very tasty crumbs on the table. It sucks that it ended like that. Yes, Sabrina is now redeemed, but as a result of that, she's boring, and isn't that much worse than being evil?

In short: We should all write more Chloé/Sabrina fanfics.

[infinityroom]

Seconding the thank you!! I hope everything goes well with your projects!

What was the plan for the second Grian?

Were there any characters you had planned to introduce that didn't appear yet?

Were the endermites ultimately good or bad or neither?

Is there an explanation of how the room worked or what it was or how it got there or was there anyone behind it intentionally etc?

Was there an ending planned and what was it?

I love this story, and the format is so cool, secrets hidden in transparent images and galactic to be translated, and I love your art style!! Even though it won't continue, I'm so glad I found this!!

I hope all goes well too! Thank you for following the story! I'm gonna try to make as much sense as possible, but i might end up rabling, I had many things planned. -Elytra Grian was the character you were influencing the most because he was alone with only you to interact with at the beginning. There was a pattern with the Grian's, since he always was the one to make the room there were always a few more of him running around (the reason why I compared him to fireflies in that post I once made comparing all the characters to mobs, there's many of him but you wouldn't see them in the bright light of the room). If he was alone his main goal would always be "find help and get out", if he was with someone his main goal would always be "I need to fix this, I need to get my friends out of here". You can see that way of thinking in our "main" Grian. But Elytra Grian, thanks to the interactions with the asks and then Tango, was gonna behave a lot more like a cornered animal at that point, he wouldn't trust help from anyone, he would only attempt to follow the endermite because it promised an exit.

In my endless attempt to make this a multimedia experience the next main interaction with Elytra Grian would have been a small game. (Let me take the chance to thank my beloved @redstone-sun for Grian's sprite, they are amazing and I love them dearly and I'm so sad you all weren't able to play with their beautiful sprite)

With the game format you would have been fully in Grian's pov instead of interacting with him, being able to fully understand the endermite. Grian would answer the asks questions and speak with the endermite, Cassiopea. (All the endermites are named btw, Tango named each one. The plot relevant ones are Missy, the ear one. Yellow, the one Mumbo has. and Cassiopea.) The game would have had a fixed ending because I was planning on recording gameplay of it for people who wouldn't be able to play it for any reason and I didn't want people to miss out on the main story, but there would have been extra hidden bits for people who could play. Stories Cassiopea could share about previous events in the room and interaction with another Grian, one that had been stuck in the room for so long he'd been left mostly invisible and not really remembering anything anymore (a firefly that you can't see in the light).

The game would have ended with Elytra Grian entering his "egg arc" I like to call it. But I got explain the endermites for that.

-The Endermites are not malicious, but they are creatures born inside the room and become parasites to it to survive. When someone got bit by the endermite they entered their "egg arc" They could either become a parasite to the room or the endermite's meal they would steal from the room. The main requirement I had for that was, whether or not they listened to what the endermite said. Mumbo didn't listen, he shoved his endermite into a chest and pretended it didn't exist. Cassiopea would refer to him as "an egg that refused to hatch" (The reason why one of the old drawings of him had a cracked circle around him, it's his busted egg) . Tango did more than listen, he clung to the endermites with such desperation he became endermite number one. The various sets of powers Tango has are a mix of effects from being an endermite and being in the room for so long, turning invisible is something the room does, and being an endermite lets him control it and not disappear completely. Otherwise, he would just disappear at some point.

-I was never planning on fully explaining the room, but there was no one behind it. It was just an empty, hungry, space somewhere. Creating it left an echo of you behind, It slowly made the echo disappear, starting from the items, that's why having more items was good, there was more before it got to you. There were various effects to being digested by the room, again the most noticeable one would have been Grian since there were many of him, his disappearance would always begin with him being less scared, one of the last things that remain to him is always positive feelings. (The invisible Grian that Elytra Grian could meet in the game would be announced by Grian's actual laughter, I had a clip of it for that reason) Impulse meanwhile, in this story he was part wither! So the room digesting him was slowly taking away the human parts of him, leaving more and more wither. The two heads you guys could see were his wither heads starting to show up. They were gonna be two characters on their own almost, one interested in impulses' own survival, the other interested in actually harming anyone in sight.

-You would have meet the Iskalls soon, aka the meeting fanatics.

There used to be more iskalls, 2 more actually, created by iskall filming his fake meeting in Sahara. I decided to explain that as him entering the room multiple times to record the various bits. Unfortunately they died by False's hands at some point. Along them a Grian and Mumbo also died, by Tango's hand instead, making the remaining Iskalls decide to hide away inside the "walls". The walls were just a separate room they created with all the resources they had, they were just about to build the main building of sahara so they entered the room with full inventories, lots shulkers of bone blocks and many other things among them a few maps of the room to disguise the exterior of it. The room ended up being a meeting room, because "as long as they don't leave the meeting they are safe". They obviously do not like neither False or Tango, but while False actively would hunt them down, Tango doesn't want to bother them. He's already hurt them enough.

There was supposed to be an event before meeting them when reaching the walls. Grian and Mumbo would find "the cemetery" they made left for the other iskalls, Grian and Mumbo. Said cemetery would simply be 2 pickaxes, a sword and a trident left in the ground. The trident being named "Fork of Friendship" would let Grian know that there was another Mumbo at some point. Mumbo wouldn't realize, because he ended up in the room before ever receiving the fork of friendship. The cemetery would then be part of the banner for the blog, just for the extra pain.

-You already kinda met False, but you were gonna see the full mess she is. Absolutely feral, traumatized creature she is.

She had the misfortune of meeting Tango at a really bad time. She ended up almost being completely eaten by the endermites on the spot. The effects of the room plus what happened convinced her that her only way out was to win the war, because that's what it is, is it not? just part of that war? everything will be fine just as long as she wins! Tango feels bad for what he did to her. They are complicated.

She was going to completely break down at the sight of impulse and cling to him for dear life. He would be the only one she recognized as an ally for the first time in years. - For the ending, I'm not sure. I needed to see where you guys would take them. But I would have done my best to get some peace for the characters. They all deserved somewhere soft to land.