#they're both mentioned at least

[poisonousquinzel]

idk yall, something about members of the Batfam calling her Dr. Quinzel while she's in recovery just gets me

-

Batman: Gotham Adventures #10

Writer: Ty Templeton Pencils: Rick Burchett Inks: Terry Beatty Letters: Tim Harkins Colors: Lee Loughridge Editor: Darren Vincenzo

[canisalbus]

Sorry but we were speaking about history in a part of one of my classes and when the Vatican came on. I had to draw the sad dog man.

Machete is now immortalized in my class notes. It’s in spanish by the way, which is kind of funnily appropriate considering latin is very close to spanish.

.

[sysig]

Utterly Defeated (Patreon)

[lieutenantselnia]

Because my new f/os made me wonder about this ...

If you have an f/o who's not usually referred to by their first name, but instead their last name, a nickname, or something like a title or honorific, how to you refer to them? This can apply both to how they are addressed in-universe in their source material and/or how they are commonly referred to in the fandom.

[piningpercussionist]

Howdy, Pine! Can we get three headcanons for all your favorite Scott Pilgrim characters? :-)

Oh absolutely!!!! Lemme think for a minute...

((FUTURE FUTURE ME: I LITERALLY JUST PROCESSED YOU SAID THREE HEADCANONS IM SO SORRY--- YOU WILL UNDERSTAND 😭))

Okay I had a whole thing here, but we're gonna try this again but slightly more Hinged-- forcing myself to format so things don't get out of hand again. I will HAPPILY elaborate, though!!

((Whoop this is future me. This post is going to be so long if I dont do this, so I'm going to put this all under the cut! I'll try to remember to come back up here with the characters I talk about- alternative, should I not do that, maybe check the tags! I'll try to only tag the people I'm directly talking about))

KIM PINE

sexuality: very likely canonically Bi, I am a very big fan of her being a comp. het. lesbian, though (I get this both from my read of the comics/her character and just me Injecting myself into my favorite characters ✌️)

pronouns: she/her usually, but I think she'd be very open and vibe with they/them (me injecting myself again, but also she's just chill like that. I think she prefers if strangers use they/them for her, and her friends or partners use she/her. I'm undecided if she prefers her partners call her their girlfriend or their partner, though.)

Characters I think she has feelings for: RAMONA FLOWERS, Lisa Miller, (MAYBE Scott Pilgrim, still)

Elaboration on that:

I honestly think I can just. Point at some comic panels for Ramona. And the goat thing again. They make me Unhinged that's how canon that is.

Lisa!!! My beloved!!! I think she had a tiny crush on her in high school and had no idea that it was a crush until way later in life- maybe shortly after seeing her again, actually. But like. She's so obviously smiley and happy when she's around, I really can't help but read it that way! She, at the very least, gets an extreme mood boost in her presence, so she really likes having her around.

Scott Pilgrim.... *scrubbing at my face* okay. Okay. So, I have a couple different reads on her feelings for Scott, they're kind of complicated for me to dismantle. Especially since I haven't started my reread of book 6 (I've been giving my thumbs a break, which I am currently prolonging but I have been DYING for someone to ask me to talk about this series.) I'm going to go with my more canon read and leave it at that I think, because it's already becoming this text wall.

Scott was really important to her, I think. She's this aloof, sullen, bitchy girl and she knows it- and then this dorky idiot walks into her life and they really hit it off! They date, they have really sweet, private moments together- it's everything to her. It's someone loving her in spite of the hard shell she initially puts out, and managing to reach her soft, easily bruised heart in ways no one had before. But then he left so abruptly, and that heart was crushed under the weight of her own ribcage. I think she carried that hurt with her every day from that point- I don't imagine her having a particularly roaring love life after that. I think she kept that hurt bottled, and it made any relationships she DID attempt fall apart. It's a wound she's been nursing for way, way too long, and I think she knows that- that's why she wants so badly to forget about it. But then she goes to Toronto and runs into Scott again at the lowest point in his life, and she can't get herself to step away, because this is the only person who ever claimed to love her in a way she felt. I think her decision to stay was sort of... detrimental to her moving on. If she'd detatched herself and stepped back, maybe she could have moved on eventually- she could have worked on herself, or maybe lucked out and found someone who could get through those walls without a sledgehammer, and she would have been better for it. But that's not what happens. She stayed, and I think the longer she stayed the harder it became to keep herself completely shielding from him, because he's still that same goofy guy at his core- he's just a bit worse than she remembered him being. But damn near everything he does throughout the comics just continues to crush her until she HAS to leave- he can apologize, and she can accept it for the version of him she loved, but he's not enough to convince her to stay anymore. I'm going to cut my canon analysis there until I reread their next scene, rather than just continuing incase my thoughts have slightly changed, but like... man... they hurt me in a very unique way. If it was anyone other than Scott, it'd be tragic. (Maybe it still is, maybe that's the Kim Bitterness talking)

For a brief touch on my less canon take, with Kim being a lesbian: I think Scott would have been better placed in her life as a best friend than a partner, but when you're young, and honestly even when you're not all that young, emotional distinction like that can be so, so confusing. So all of the hurt remains very genuine, because she does love him, just not the way she thought she did.

((Because I do love the trans!fem Scott HC as well, I will say. I feel like it would be really, really funny for Kim to realize she's into women and be like "wow sure dodged round two of the Scott Pilgrim bullet" and then one day Scott shows up having started her transition and is like "Oh hey Kimmy!! I'm a lesbian AND a girl, like you now!!!" And Kim just. Crushes her drink or something in her hand like "oh no... oh no she's attractive again... FUCK FUCK FUCK." Obviously a lot more nuanced than that, though. I should probably clarify that I started answering this ask almost IMMEDIATELY after waking up and also BEFORE I've taken more pain meds. If this post has been or starts to become very scattered again, that's why lol.))

Bonus consideration: Hollie. I can dig her having a crush on Hollie, but I feel like it faded a little living with her, and then shattered entirely after the Jason Kim situation. Even an overwhelming attraction to women ain't savin that one, chief. That's just too severe a betrayal.

The Knives Situation: Oh Boy. So in the original answer for this I had a whole thing done up, lemme try to condense it. Basically, I think Kim woke up the next morning HORRIFIED by what she'd done. Like, dry heaving in the bathroom horrified. And this likely really hurt Knives's feelings, should she see! Which Kim would feel horrible about. I'm undecided on if she just runs from the situation before Knives can wake up, or if they have a sort of agrument/one-sided rant on Kim's part afterward where she just really tries to hammer home for Knives how not okay it was for them to do that- for HER to do that, given their ages and inherent power imbalance. In the event that this discussion happens, Knives absorbed none of it, and probably leaves that conversation a little wounded. I think it would proceed to play back in her mind when she and Stephen are talking at one of Julie's parties later on, though, and she'd probably approach Kim after that to thank her for being a reasonable adult about that, unlike how some of her friends had been. Once that understanding is reached, I think they could be good friends, although Kim probably teases her for how she started to dress like her after they first met.

Silly little things: If anyone's familiar with Night in the Woods, do you know the part where Mae's like "that's not drums... that's a computer..."? I feel like that has Kim energy. To me.

Also I think Kim sucks at Rockband- I know that releases like, way afterward or something so far as comic timeline goes, but bare with me, okay? It's my silly little headcanons! Anyway, she'd suck really, really bad on the drums, since so far as I can recall, they don't REALLY correspond with the music. If her friends force her to play, she demands either the mic or the bass, because "fuck you Scott, you try playing their stupid fucking drums." He proceeds to play flawlessly, much to her chagrin. She fairs better on the bass, but only a bit better than the drums, since her fingers aren't quite used to the movements.

Kim didn't think she liked cats for a while, mostly because she was only ever around them fleetingly, and generally in the homes of people who should have been cleaning their litter boxes more regularly. After hanging around Ramona's house more, though, she discovers she really love them! She feels a sort of kinship watching how they actually behave, and I think Gideon ends up warming to Kim very quickly, which probably helps with the very quick turnaround on her opinion. I think it'd be funny if sometimes, when Kim's over, Scott will try to beckon Gideon over to him for cuddles or affection, and the cat will just. Stare at him entirely unimpressed before jumping up into Kim's lap with exaggerated purring and chin rubbing before curling up for a "nap." Kim was in awe the first time this happened, and Ramona finds it ceaselessly amusing every time it happens. ((Funny additonal scenario: once after this happened Scott was whining to Ramona, who was coming to join them on the couch, looking generally very sad/cute/pathetic, and overcome with a sort of playful evil, Ramona proceeded to sit by and cuddle up to Kim as well. Kim immediately froze up and went bright red and wide eyed, Scott's jaw probably dropped before he dove into a theatrical, exaggerated spewl about the betrayal of it all, and Ramona just got to blissfully enjoy Kim cuddles while giggling at both of their reactions and petting Gideon.))

Conversely, I don't know how Kim feels about dogs. Like, I don't think she hates them or anything like that, but maybe they fill her with a sense of pity, for their associations with unwavering loyalty. Something about that specifically runs too close to things she considers about herself, at times, maybe. Idk, just kinda spit ballin here.

I think she does like rats! And mice. Idk. They're cute little guys and I like them, let me have this--

Oh man... just Kim's section is so long. And I have other characters to get to,,, buckle up I guess--- I mean, I did start with My Girl, so maybe the others will be shorter?

((This is future future me again... this is where I actually went back and processed the ask properly :') I have no words to describe my current emotional state beyond that I am trying really hard not to burst into a little fit of laughter at myself and wake my roommate--))

Three! Three headcanons!! I can do this (restraintrestraintrestraint)

Okay! Let's try being Normal About Media- and just as a note, they aren't really in any particular order, beyond Kim being the first because she IS legitimately my favorite, I think. Idk she's very Me.

Ramona Flowers

1. She doesn't really do labels, for things like her idenity; she does think pride flags are pretty, though. Scott got her a bi flag once and she decided to keep it and hang it in her room for this exact reason, though she did explain to him that she doesn't really consider herself anything but herself- Ramona Flowers. He's very understanding about that, although a little confused in the typical Scott manner! They eventually come around to just considering it being his flag, when he comes to terms with himself (yeah, spoilers, I HC him as bi)

2. Her hair actually does have magic properties to it that prevent it from getting absolutely butchered by all the bleaching she does- she doesn't know how or why, though. Maybe it's less magic and more to do with the supplies themselves? Unlike Scott, she's not as meticulous when it comes to reading the status effect labels on things she uses or consumes.

3. Of her former partners, I think she does have genuine lingering feelings for Roxie. So far as the comics/movie go, she simply repressed the hell out of them and plays the Deny Deny Deny! game, but so far as the show goes, I think she's come to terms with the fact that she still loves her, but horrifically fumbled her- she doesn't want to hurt Roxie like that again, so she's unlikely to ever try things again between them, I think. Not unless Roxie was the initiator, and even then, it'd take some coaxing.

Bonus 4. She absolutely has feelings for Kim. I feel like maybe further into their relationship she'd 100% ask Scott like "hey... you know your really hot friend Kim?" and proceed to discuss with him if being in a polyamorous relationship is something he could get behind. Maybe it'd happen after a period of time with Kim living with them too, or something.

Roxie Richter

1. She gets ALL the girls- all of them. She's an unholy TERROR for men where she lives, because she is notorious for giving women the night of their lives and making them never look back so far as dating men goes. Now, I don't think she deliberately breaks up people or goes after "straight" girls or anything, but it's probably something that's happened on accident before, so she's A Menace. I will say that she might deliberately swoop in and woo a girl she knows is taken if it's extremely clear that their relationship is just Not Right- like if she's seeing clear signs of abuse, or something. She isn't intending to get with these girls when she does this, but she is fully intending to get them out of shitty situations. She's even turned girls down after their (ex) boyfriends have stormed off in a huff, simply out of respect for them- she'll try to give them advice, and if they're adamant in trying New Venues, she might play matchmaker where she can, but she isn't really comfortable sleeping with them after doing stuff like that- to her, it feels gross, maybe even exploitative.

2. I actually don't know if this is meant to be canon or not, because it's noted alongside some of her sketches, but she's german/japanese in my eyes- but raised in the states. She knows English the best, and some German, but she doesn't really know much Japanese, much to her own agitation- she just struggles with it a lot, for whatever reason. She can kind of read some things, but if she tries to speak it she runs the risk of butchering the words. I personally further HC her dad as German and her mom as Japanese- dad by process of elimination, mom based loosely on how I read some of her and Ramona's conversations in the comics.

3. She is in fact whistling the tune in the show intending it to be from the Robin Hood movie- in fact, I think I'm going to HC it as one of her favorite animated films from childhood. (... do I HC her as a furry now?)

Lisa Miller

1. Disaster Bi! She's a bit of a Menace and she knows it; she likes to rile people up, but she can't really take what she dishes out. Like, if she'd done the kind of seductive teasing she does to Scott to Kim and received any sort of flirting back, her brain would shut down and she'd need to reboot. She doesn't know how to handle when someone else takes the reigns, which is why it was so easy and fun to play with Scott- he was too stunned/shy to play back, which she enjoys. Not to imply she doesn't enjoy having her brain melted a little, of course.

2. I think she makes it big after she heads to America! Or at least, bigger than she was. She sends her friends back in Toronto signed copies of movie posters and CDs and things when she can- she doesn't expect them to keep them, although she loves it when they do, but at least in Scott's case it's sort of a "incase of emergency, please sell" sort of situation. He does not, obviously. (Ramona probably does, though, both from admittedly petty lingering jealousy and because they just don't have room for all of it; Scott rarely seems to notice anyhow, and the money usually goes towards rent or random gifts for him anyhow)

3. I forget if everyone's sudden absence is noticed when they Poof briefly during the finalt episode of the show, but if it is I feel like Lisa starts to talk to Kyle, since he's in front of her, like "hey, what exactly happened there-" before looking out over everyone else who reappeared in their seats and noticing Scott is actually up there with them. She spends the rest of that night chatting up him and the league, and maybe even scores an in with Matthew for getting a foothold in her acting career!

Matthew Patel

1 . He absolutely has a dedicated cult following for his theatrical works, and it's warranted! He's genuinely good at what he does, and his passion is clear as day; any production is lucky to have him, and he knows it, which can kind of lead to butting heads behind the scenes. I feel like he might come across to his fellow performers as full of himself, especially given his proficiency with one man performances, but he truly is just deeply, deeply passionate about his work, and he wants to feel that passion with anyone he works with, too. He NEEDS his energy matched to feel like it's going to be a grand performance, and he simply doesn't notice how off-putting this can be for his coworkers as a result.

2. The demon hipster chicks have always been the visual age they are now, even when Matthew was a kid; he viewed them as older sisters growing up, and they're very protective of him perhaps as a result. At his current age, they're his best friends and personal body guards- they'll descend like rabid dogs on anyone that steps out of line around him, if he doesn't call them off. Sometimes it's a bit much for him, but they're usually pretty good about understanding when they do and don't need to interfere on his behalf.

3. Ya know I'm not sure if it's a HC I've seen at all but I could really vibe with trans!masc Matthew. I would love that for him, truly.

Scott Pilgrim

1. Look... I really love any trans!Scott headcanons. Like, any direction, I've said before; I genuinely have such a problem figuring out which version I enjoy best: he's trans!masc and has been all along, or trans!fem and Ramona eventually helps to crack that egg. But also, while I'm saying this, he is. So stupid. Not like maliciously stupid in this sense, absolutely not, but I feel like he's the kind of person to like. Run into someone from his past post their transition, with THEM coming up to HIM to be like "oh long time no see, Pilgrim," and then he would say something to the affect of "oh, you have the same last name as (DN)!!! Are you related? Kim, Kim!! Do you know if (DN) had any siblings?" while Kim and the other person just stare at him deadpan for a bit before bursting into laughter at his expense. He would then proceed to be really confused and just not get it, either until they explain it to him or like, he'd just suddenly sit up in a cold sweat later that night realizing what he did like "oh my GOD that WAS them, I said their dead name at them like seven times!! I am Going To Hell!!!" (And Ramona would just kind of blindly, lightly slap around in his general direction, like "honey you're not going to hell for basically affirming the effectiveness of their transition, go the fuck to sleep. They would've said something if it was a problem." Idk, that's just how he feels to me.)

2. When he has his own money for things, and space living with Ramona, he spends it on video games or video game related merch- it's probably a lot of patches and t-shirts, but I can see him starting to collect plushies, too! Like some of the really old kinda silly looking Sonic plushies, for example? If I had my Knuckles one on hand I'd use him as an example, but I think he's in storage somewhere :(

3. Gets into really heated arguments about video game mechanics and stat stuff where applicable; like, Ramona has to drag him away or else he will actively start fighting people kind of heated. He can hold chill conversations, but if he feels like he's being talked down to about a game that he's REALLY into, like Sonic Adventure (he has the director's cut!)

Wallace Wells

1. MENACE TO SOCIETY. He's comparable to Roxie in this way except he is so much worse (I say this affectionately <3) because he does just straight up, in canon, do things like steal Stacey's boyfriends! And that's his friend that he's doing that to! So I cannot IMAGINE what mischief he gets up to when he goes out drinking. He's probably ruined so many lives, naybe even marriages. What am I saying, maybe? Definitely. And he feels no remorse about this! In his eyes either your man was already gay or you needed to treat him better, sweetie; he HAS been rejected before, so clearly his charms can't ruin what ain't already broken.

2. While he does have feeling for Scott, which is basically canon I don't even want to hear it, he KNOWS better. Like, he'd been living with Scott for a while, so he knows if they were legitimately dating he probably would be even more sick of him than he already is. When they were still living together, though, there were times where he couldn't help but wonder if it would really be all that bad... right before Scott comes in and does or says something that just highlights for Wallace that he's making the Sane choice. Besides, Wallace is (and i hate using these terms but I straight up don't know what other words I could possibly use) a sugar baby; he can't keep up being both a sugar baby and Scott's effective sugar daddy (HATEHATEHATE THAT WORD) while ALSO paying rent. It doesn't really work out that well, especially with him having, at the time, such a shitty apartment to begin with.

3. I feel like Wallace really enjoys his nightlife and getting to sleep around, so I'm unsure if this is something still in play while he's with Mobile, or if he respects Mobile enough to do away with that entirely. Like, different situations work for different relationships, so if Mobile is fine with it then maybe it's something that continues! But taking into account the sparks from the show, maybe he'd actually be really fine being exclusive with Mobile. Especially given how well their future selves seem to be doing. Idk! Basically the sum of this one is just that, if Wallace is exclusive with Mobile, he misses be a bit of a whore, but he's very happy where, and with who he is, now.

Envy Adams

1. She gives me vibes.. queer vibes... in some sort of direction.... idk if I'm fully behind her also being a comp. het lesbian or just labeling her a disaster bi, but I also get a vague sense of gender fuckery. It's entirely her name thing, probably, but I can see Envy being genderqueer.

2. She probably hunted Lynette down after that show- an arm was likely Not Enough to quite satisfy that rage. Especially since she didn't get the satisfaction of beating Todd more thoroughly herself, since Scott stepped in. Conversely, for the show canon, Wallace has a target on his back for the rest of her life, as far as she's concerned, even in a world where her feelings for Todd were just misunderstood- she considered him her best friend, and you don't get away with hurting her friends like that unless you're her.

3. I think I'd like to HC that some part of her regrets booting Scott from the band the way she did back in college? Maybe not immediately, or even soon, but I feel like sometimes she would think about him and their relationship as a whole and just feel bad, Idk. Like, she doesn't want to get back with him at all, but I could maybe see her offering to promote Shatterband (or Sex Bob-Omb, in the show,) or even play with him as a genuine apology instead of a coy trap somewhere down the line.

Knives Chau

1. Look... look I know I'm about to sound like a broken record... comp. het. lesbian or bi. HEAR ME OUT: her puppy dog love for Scott is really just that- something cute and innocent, but very intense, especially once he cuts her off in that honestly really brutal manner. Teenage heartbreak is messy- even if you feel like it was real, true love you had, you can often realize later in life that what you felt was just admiration, or something else innocuous like that. I think she reaffirms it to herself as a deep and true love because of how intense the pain of that breakup was, paired with everything that comes after, and I think the show really highlights that for me? Because in the show, with Scott out of the picture entirely, she's just a lot less intense about it. I think after playing music and hanging around his friends, she realizes she didn't really love him all that much, just thought he was a cool older guy and liked that he took an interest in her, even if she recognizes how wrong that was now. ((I probably have more articulate thoughts on this but I am really starting to feel the lack of pain meds so I need to get through this--))

2. Knives is really good at rhythm games and things like DDR or, when it's eventually released, Just Dance. Like, freakishly good. She picks them up just as well and just as quickly as she did her instruments.

3. With how quickly she picked up her instruments, she kinda gives me honor student vibes? Idk. I feel like it'd be a little stressful for her later on, because I do think her passionate drive for music makes her grades take a slight spin, but she just gives off that energy for me. Knives is a lot smarter than people give her credit for, I think, Idk.

... yes, I am very normal about media... spending 3 hours on 1 ask that offered me a lot more simplicity than I can apparently manage...

[variousqueerthings]

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

[stormyrainyday]

when katniss leaves for the hunger games and she's saying goodbye in the justice building, madge visits her which we know is how she got the mockingjay pin but ALSO

madge gives her a little kiss on the cheek and we know this isn't her normal behavior bc katniss is surprised and thinks to herself wow maybe we were friends all along. katniss calls it another unexpected gift.

I propose: madge has a schoolgirl crush on her just like Peeta did

[vargaslovinghours]

Fandom: Johnny the Homicidal Maniac (But really Vargas lol) Rating: Teen and up Warnings: No Archive Warnings Apply

What, exactly, did Scriabin take from Edgar when they separated?

My first multichapter fic for Vargas! :D Yay!

(Pls read Ch. 1 first - Ch. 2 is also recommended, but as long as you're caught up on the first, you're good to go!)

-----

Side B

What the fuck.

"It's, it's possible that if, maybe whatever happened earlier, whatever caused all that blood and for us to be knocked unconscious-"

What the fuck.

"-and if I suffered a head injury, then maybe-"

No. That's enough.

Scriabin pushed away from the closet door he'd defensively pressed himself up against and put his hands on Edgar's shoulders, which quieted him. He looked at him expectantly, with eyes that Scriabin somehow only just now realized were casually guarded, curious, uncertain in a way that denoted inexperience. That was so messed up, that was completely wrong. Edgar should've been on guard, absolutely, but only because he knew exactly what Scriabin was capable of. He really didn't want to look at him right now if this was what he was going to be seeing instead.

He spun him quickly and pushed him out the door before he could protest. He got one last look at those wide, confused eyes before he slammed the door behind him, bracing it shut with both hands for good measure.

What. The fuck. His head came forward, making a dull thud as his forehead connected with the door. He doesn't remember me? His fingers curled on the door. What does he mean he doesn't remember me?! How could he not know me?! One hand pushed through his hair; his scalp tingled and that was so weird, he felt it and it was so weird- We literally just- He literally just-! As if pulling him screaming into life wasn't bad enough, now he had decided to play some sick prank!

This can't be true. It's just like him to try and make jokes at the worst possible time, he has no tact.

There was a timid knock on the other side of the door. Scriabin jumped as it resonated through his skull, his elbow, pressed to the door with his hand buried in his hair, set his jaw. Then silence.

If he was really trying to get back in, clear things up, say he was only kidding, he'd actually try.

Nothing.

Scriabin's blood was ice as he went over it again. The way he'd said his name. The vacant look in his eyes as he said it, like his mouth knew its shape but none of the meaning. No fear, no realization, nothing that really felt like Edgar, just sound, just noise.

Maybe he really had-

Oh god. His knees gave out, and his arms had no practice at holding him upright, not yet. His hand slid down the door, his other hand guarding his head as his hair fluffed against the grain.

How could he do this

This is all his fault

Stupid, idiotic

He can't do this to me

I can't believe him

I can't believe this

How dare he leave me alone like this

Thoughts spiralling, and all he could do was hold himself down, press his fingers into the back of his neck, force his chest to his knees and maybe he wouldn't immolate under it all. He was shaking, from tension or fear he couldn't tell, his mind too hazardous and loud to cut through it all. He was shaking, dizzy, and if he moved, letting go would surely kill him.

He can't do this to me.

He breathed. And breathed. And swallowed. Eyes closed, heart pounding, sure. Confusion and dismay, whatever. Pain. Fine. So be it.

This isn't like me. A hand untethered from his vice grip in his hair, and he stayed attached to the floor. It connected with the carpet below him and became a new lifeline. He pushed up and away into a limp sit, arms already burning slightly from holding himself up after all that. He shook his head mildly. This isn't who I'm going to be in life. His body, this fear response be damned, he was in control now.

Regroup. Let's- a mental pause, barely a quarter of a second long as he turned the word in his head. Let's pretend it's all true- what does that mean?

He flopped over, leaned upright with his back against the door, heels of his fists pushed down into the carpet to scootch closer. Moving was so awkward still, very unfitting.

He was acting normal. Well, Edgar's baseline for "normal" had changed considerably, so maybe put an asterisk on that. Not that he was ever normal to begin with, but normal-for-Edgar, -ish. That means he has to have some memory.

Scriabin held out a hand, arm slung over his knee, one finger held out. He had recognized his glasses. One. The apartment. Two. Which key to use. Three. He had said Todd's name. Four.

His stuff can be discounted, he's had all that for a while. Back down to one. The kid is a new fixture. Which means he remembers the last couple months at least. He shook his head and brought his hand up to comb through his hair. Well...it's fuzzy for me, so it probably is for him, too. Scriabin remembered everything in as much clarity as the last couple months allowed, there was no way Edgar would know more even if he had all his memories.

Speaking of which, Scriabin could remember everything. He flipped through; the last two months and bringing Todd in, Edgar's parting words to Johnny, his and Devi's conversation - he grit his teeth - and further back, everything along the way, all the way back. False dreams, shared childhoods, everything that was once Edgar's alone, he still remembered it. Nothing was out of place which made it all the more strange!

This is so fucking weird, if I remember everything, then why would he-

He stopped short. His purported purpose had been to replace Edgar. Take him over completely. If he bought into the conceit for a moment, just to play in the space... He was alive now. That was not as intended; it shouldn't even have been possible.

Did he...give me his memories? Like, all the way? Not just to borrow, to shape him, give him legitimacy - he was alive now. His own person. Separate, embodied, and whole. Was this the price of life?

That's stupid. But possible, he couldn't discount. If this - he brought his hands up and looked down at them, watched himself touch his own chest and felt it beneath his coat, shirt, the nerves firing as his slid his fingers up himself - if this was possible, then...

He continued for a moment, curious and reverant, all of him new and privately exciting, to exist and to touch, to feel, smell, see, all of it clear and fresh and penetrated deeply into his mind, as if a layer of film had been lifted from his senses. The moment passed as the memories, unbidden but important, cluttered in around him again.

There were still a lot of questions, and most of them couldn't be answered without Edgar, ugh. If getting anything out of him before had been like pulling teeth, he was very sobered to think about how it might be now. Depending on how much Edgar remembered, maybe he could start piecing things together.

Did he do it on purpose? Did he know this would happen? There's no way he would have been willing to if he had- But he couldn't ask him things like that. Even if he did remember, admitting something like that...

He was just spinning his wheels at this point. Better to gather what he could from the man himself. He looked up, preparing to stand.

Ah-

The room was still in something of a state.

Edgar would be annoying, or at least distracted by trying to pick up the clothes and uncarefully unpacked items strewn about the floor from Scriabin's very successful excavation of his old glasses. The clutter would have to go if he wanted his full attention.

He grumbled as he pushed off the door to pick up the first few things. First day of life and I'm already his maid. Figures. He's always needed me to clean up after him.

Silence.

Somehow it only just hit him. Thinking alone in the late hours, planning things behind Edgar's back, it was nothing new. But a barb unsunk into his mental flesh was left out in the wide emptiness, poised to stab whoever happened upon it next, and he was the only one here.

He felt very small all of a sudden, and he didn't like it at all.

His eyes blankly scanned the room, looking for nothing, until they settled on the toy at Edgar's bedside. His toy.

He dropped the items he'd bundled into his arms and made his way over. He picked up the small simulacrum, turned it over in his hands once, and stared at it.

He wouldn't know this. Not really. He brushed a thumb up and over the little mouth, the contours of its small face. Retroactively, I've never been this at all.

I'm no one to him.

Does this mean we can start over? The thought struck him like lightning, freezing his heart in his chest. He was fixed solid, staring down at the small figure in his hands.

Before he could even think, he'd already thrown it through the open closet door, landing noisily in the box he'd dug through with a clatter. He grabbed up the fallen clothes and items and stuffed them back in the box, burying the toy in mundane detritus, then closed the cardboard flaps and slammed the door of the closet for good measure.

His breath was laboured and he glared, like wishing it gone would make the closet itself disappear.

Answers. He needed answers, more than anything.

He ripped the door open, and there was Edgar who looked up, staring dumbly back at him and carrying the clothes he'd shed earlier over his arm. Something in his mind clicked over, and he didn't think about it.

"Alright," he caught his breath for half a second, "what do you remember?"

Edgar just kept on staring, mouth open, eyes unconfident behind weak glasses. Scriabin huffed irritably, I don't have time for this, and moved towards him, arm outstretched.

"Come on." Edgar gave a small startled sound behind him as he grabbed his collar and dragged him through the doorway. He threw him across the room, not bothering to watch his arc as he closed the door behind him. The bed was that way, he'd be fine.

When he turned back, Edgar had managed to catch himself, though already halfway on the bed. Scriabin stood with his back to the door, feet planted and he crossed his arms. No more speculating around impossibilities, tangible and present as they might be, it was time for a proper interrogation. It was at least preferable to-

Edgar made a face at him and scooted back, offering a seat next to him on the bed. Equal footing briefly flashed through his mind and while he wouldn't consider it ideal, nothing today was really going his way. He sighed, then made his way over and sat across from Edgar, who was eyeing him with a certain degree of caution. At least the feeling was mutual.

"Spill." He re-crossed his arms and leaned towards Edgar. "What do you know?"

Edgar hesitated, apparently thinking, his hands laced and fingers agitatedly if quietly rubbing the backs of his hands.

"I want to verify some things first."

Scriabin snorted dismissively. Where had Edgar's overly-trusting nature gone? A serial killer, well he's an honoured guest, but Scriabin? He didn't even distrust him for the right reasons.

He gestured with an open hand, Go ahead, then tucked his arm back in.

"Todd's last name?"

Pfsh. At least it was proof enough that anything Edgar knew, Scriabin did as well. As expected.

"Casil. His stupid bear's called Shmee in case you forgot that too." Edgar shook his head. No he hadn't? If only he could just check!

"Do you know our phone number?" Obviously he did, so he rattled it off quickly, Edgar nodding in turn. He flipped his hair in time with the last digit, careful to keep his eyes covered. It was a bit of a timid attempt, being the first in this body, which was a minor blessing he supposed.

Edgar mulled over what he'd given him for a moment, then a moment longer, then a moment even longer. His eyes searched absently, gazing down into his own hand, his other on his chin, lightly thumbing his goatee. He was focused on names and numbers, but those were child's play compared to everything, everything Scriabin still wanted to know. It was frustrating on a visceral level, watching him struggle with such simple innocuous nothings while the most important person in his life was sitting right in front of him.

He was supposed to be the most important.

It was frustrating.

"You really don't remember anything, do you?" He didn't hide the sneer as it shaped his voice - odd the way his body just did that now, did things without him actively thinking them into being. Even things like the little waver that made its way in that he pushed back down and under. He was frustrated, angry, tired - any emotionality could be attributed to those, nothing else.

Edgar didn't answer, just kept his gaze locked to his face. That was almost worse. Watching him fumble through things, it wasn't fun, but at least he wasn't trying to pry. He could see him try to look past his bangs, and the fact that he didn't know better...

Scriabin looked away for a moment, then thought better of it. Best defense is a good offense.

He reached for Edgar's face, for those damn scars, ever-present reminders. Edgar shied away, not wanting to be touched suddenly by someone he didn't know. As if Scriabin had ever cared about that.

Well, things were different now. Maybe he didn't really want to touch him anyway. Not yet.

"Do you remember these...?" Instead he framed his face with his hands less than an inch from his skin, and even there he could feel the heat coming off him. Edgar reached for his face, looking away from Scriabin as he touched the angry red marks. He winced minutely, then glanced back at Scriabin, searching him, his expression guarded again. Scriabin could hear his own pulse in his ears.

"...Johnny?"

"Fuck." Fuck! "Of course you'd remember him but not me." God damn it! It wasn't right, it wasn't fair, just because Johnny came first by a hair's breadth, just because he wasn't in Edgar's head, with Edgar's fucked up little obsession with the murderous stick figure- It limited what he could get away with too, if he remembered that far back. Absolutely nothing was going in his favour.

"I'm sorry..." He sounded genuinely remorseful, and it stuck in his throat. Disgusting. "So you know Johnny, too."

"Unfortunately." Scriabin tucked his chin to his chest, arms crossed again in close proximity. This sucks. Edgar just kept rambling, unaware as ever. His excuses held this time at least, one point in his favour, no points for bringing his annoying habits with him despite everything.

"I don't think I've seen him for a couple months now? Everything's awfully..." He gave a vague gesture and Scriabin uncurled slightly. He was giving him room to contribute. He shook his head.

"You haven't."

"Have you?"

He returned to his tight coil of sulking. Not like he was keen to meet up and chat, but he couldn't explain why he hadn't had the opportunity to either.

"I remember he called, too."

"Ugh," barely above breath. Enough about Johnny! Again, Edgar continued obliviously.

"Although I don't really recall what we talked about, not for a while..."

Of course not. I took over for half of those.

He perked a bit, and Edgar focused more on him, patiently setting his hands in his lap.

"You know."

He could play this to his advantage. Give Johnny some well-deserved karmic justice for fucking him over so many times. It was almost better that Edgar didn't know - Scriabin had been trying to get him away from Johnny all this time, and if he really had forgotten everything, not just the moments when Scriabin took over but every moment they had shared, then that meant it coincided almost perfectly with his first meeting with Johnny. Blank spot after blank spot after blank spot, all lined up immediately after getting his face slashed.

He could work with that.

"It's probably trauma." Edgar startled and his hand shot to his temple, lightly touching his hair.

"Like, head trauma?" Scriabing almost laughed. Yeah, probably that too. But that wouldn't help his case.

"No." He leaned in, taking a more intimate, secretive tone. "Think about it. When did things start getting fuzzy?" If he was right on this - which of course he was, but not being able to verify, not being able to see that he was right, it was disconcerting - but if he was, Edgar's memories of Scriabin should start with that first fateful encounter, give or take. A bit of reframing here, a touch of implication there... It probably wasn't even an outright lie; if Edgar's memory were perfect after experiencing everything Johnny had put them through, that would be some kind of twisted miracle.

His only real concern was their "childhood" - how much had Scriabin pulled with him? Would that throw off his story? But that was so far back, there was no way Scriabin or Johnny could be implicated in that. As long as Edgar didn't bring it up before he thought his way around it...

Edgar stayed quiet for a long while. His eyes raced behind closed eyelids, searching, scanning, retracing - Scriabin could almost see the moments where he hesitated, stopped and went back, then starting recollecting again. He wished he could see it for real, watch him unfold himself, touch those memories again, hold up his own in contrast. Even just hear Edgar's thoughts as they went by, feel the emotions he felt. But he couldn't, so he just stared as unblinkingly as this new body would allow, just watched as Edgar went over everything on his own.

He finally opened his eyes, staring back into Scriabin's though he was sure they were still hidden. He felt naked and awkward and Edgar still hadn't said anything. If he could just see like he was supposed to, or if Edgar would just tell him, he wouldn't have to ask. I have to do everything around here.

"It was after you met him, wasn't it?"

"You think it's...mental trauma?" An unspoken 'yes.' Relief flooded him, and he pushed ahead.

"Edgar. He stabbed you." Edgar gripped his shoulder, his eyes closing again and he looked to be in pain. That was a very effective reminder at least. "Do you even know why?" He shook his head and spoke throught half-grit teeth.

"I must have made him mad, but I don't remember-" Of course not, I did that.

"Your mind is trying to protect you." Not. But one of us has to with your inexhaustable deathwish. Scriabin reached out to touch him properly, but Edgar pulled away. He didn't follow, still not yet. Play up the pity. "He messed you up so bad," with a curl in his tone, an I told you so that barely made it to words even privately; how long had he been holding that in? "Surely you must've felt like you wanted, you needed to get away from him, that he wasn't good for you, that you-" He'd told him so many times, some it must have stuck, some of it had to have-

"Then-!" Edgar's eyes shot open, wide and desperate with an edge of disbelief. A strangled gasp escaped him, half-choking him as he tried to speak. "Then why can't I remember you?!"

He almost began rolling off the cuff, but really, he still didn't know for sure. And it definitely wasn't like he could tell the truth even if he wanted to; who, who hadn't lived it, would believe him? Edgar certainly wouldn't, not with his lack of imagination. He had to dress this up, weave a narrative that was plausible, had the perfect mix of truth and falsehood to stand up to scrutiny.

Huh. Ironic.

"I..." No. Some of this was Edgar's fault too. "We...argued."

"Argued?"

"I... Mng." He wanted to aim for some kind of levity, but his throat had tightened on him. He just wanted to tell this stupid inside joke and not have it affect him, not have it mean anything, and here he was getting emotional? He'd say it and fucking mean it. "It's not like I'm in your head, so-" spat out in a rush, there, he'd said it. Haha, isn't that so funny. He swallowed harshly, pushing down everything he felt into his stomach acid. He was in control. He was fine. This didn't shake him. "I can't know for sure," another humourless laugh inside, "but I was against your relationship with Johnny. Maybe you shut me out so you could keep seeing him with no pushback."

It certainly wasn't outside the realm of possibilities of what Edgar would do to avoid taking Scriabin's extremely basic advice about fraternizing with serial killers. How many times had he been ignored up to this point, only to culminate in the ultimate 'I don't know what you're talking about.' Pfeh. I bet he wishes he'd thought of this sooner. It did nothing for his painfully stuttered pulse.

"You know, I've been trying to convince you to stop going back to him for a while, but, well..." He waved his hand at Edgar's hand still death gripped into his shoulder, and Edgar averted his eyes guiltily. At least he showed some remorse. Better than his nigh constant apologia.

He stayed quiet a moment longer, and just before Scriabin made to fill the silence again, Edgar struck him with an intense look.

"What are you to me?" Ugh. Of course. There was not a single good answer for that. Even if he told him everything- no, especially if he told him everything, there was no way Edgar would believe him. But coming up with a convincing lie on the spot, when they were so clearly something to each other - even he needed time to come up with something workable. How could he have ever prepared for a situation like this? It was never meant to happen, so many things were never meant to happen!

He continued at Scriabin's silence. "You know Nny," Ugh! Even his awful nickname. "And Todd. And...me." He couldn't refute it, so he nodded tightly. "Do you live here?"

Technically he had, and technically he hadn't. Still, going forward, it would be easier to let Edgar assume that he did. It wasn't like he had anywhere else to go at the moment anyway.

"Yes."

"Are we..." He searched him, looked him over as much as he could and he wasn't subtle about it. If only Scriabin had his proper glasses, he'd let him look as much he wanted, behold his spectacle! As it was, he just felt self-conscious and it was very unbefitting. "...family?"

The baggage on that. He did not feel like opening that particular can of worms in either of their current states. He turned his head and flipped through any number of halfway decent ways to phrase it until he hit on something Edgar would remember. Better not to contradict for now.

"You told Johnny you have no family when you met."

"That's true..." Edgar blinked, processing. "Wait, did I tell you that?" Scriabin startled. Even after he'd accounted for his memory! Of course he had to pick his story apart now, he never knew when to leave well enough alone.

"When you-" No, he had to be involved. "When we bandaged your face."

Edgar mulled on that for a few seconds, taking on a thoughtful pose. "I only remember being alone."

"You don't remember me at all. What do you want from me?" He huffed.

"No, sorry, you're right."

"Thank you." He was right!

Where had Edgar expected him to be? There was something weird about how he'd said it. He filed the thought away for later.

"So, if you've been living here, where..." Edgar looked around the room, then back to Scriabin. "Where have you been sleeping? Todd's already on the couch..."

Scriabin couldn't help as a smile sprung to his face. If he was going to present him with such a perfect opportunity, well, he'd better take it. He even had the decency to look nervous in response! This was too good.

"Would you believe me if I said right here, in bed?" He again tucked his chin, playfully this time, his hair falling further in his eyes. Even through the dark tangles he could make out Edgar's face immediately bristling with heat.

Ooh. That's such a fetching shade on you, my dear.

"But-! I, I haven't been sleeping on the floor!" He was visibly sweating!

"Correct." His smile grew. This was too easy, and he needed an easy win right about now.

"W-" He leaned forward on his legs, though refused to get any closer. When he spoke it was a harsh whisper. "Why...?"

Scriabin shrugged easily, not bothering to reign in his smile in the least. "I mean, where else, right?" He leaned in since Edgar refused to, and oh. He was blushing all the way up to his scalp. Hilarious. "You certainly didn't seem to mind." He couldn't hold back the slightly musical tone or his eyebrows inclination to move on their own. His body knew what he was getting at, and he could see it only increased Edgar's fluster. All the better.

"Well I do now!" Edgar darted up and away, stumbling in his hasty retreat. "If you'll excuse me!" though he was already practically in the hallway by the time he said it. What a display, and Scriabin's laugh was loud and natural.

Finally, something positive. He'd managed to fumble his way through, not his best work in lying or manipulation, but he'd set some important groundwork. He'd gotten some answers, and he could start to shape some more believable stories around them.

The biggest hurdles were Johnny and Devi. As long as Edgar didn't meet with them too soon - or well, at all would be preferable, but he doubted he could just keep him locked up, as much as the idea appealed to him. There were so many things that were possible now, things that he had the ability to do, given the right circumstances... All of that in due time. For now he had a yarn to spin.

He listened as Edgar fumbled in the hall, the sheer sound of cloth being pulled and folded over an arm barely perceptable. Was he really going to try to sleep on what little was left over? Maybe he'd give up once he realized the pickings were thin and beg Scriabin to let him sleep with him. Hah.

While he was out, Scriabin made his way over to the pajamas drawer. They were all old and soft, even just to his hand. They'd do for now, until he could get his own. It wasn't like he hadn't worn all this before anyway.

By the time he'd finished dressing, his clothes discarded on the opposite side of the bed to where Edgar had set up his little nest, Edgar had finally gotten himself a set of pajamas. He wondered for a moment if he'd dress with Scriabin in the room again, though maybe his intense stare drove him off. Who could say. He patted the bed with a wide grin when he returned and was dutifully ignored. He settled down to the side, and Scriabin laid on his arms to look down at him.

"Ugh, lame."

"I don't-"

"Yeah, whatever." He'd heard it all before. At least he could literally look down on him like this. He folded his hands and leaned just a bit further, looking him over. A desire he hadn't realized he had surfaced in the dark and quiet. "Give me your hand."

"Sorry?" Scriabin held out his hand expectantly.

"I used to hear your heart beat every day." Edgar looked at him incredulously, but Scriabin was unperturbed. "Let me hear it again."

He hesitated but eventually slowly offered his arm. "...Okay."

He pulled his arm up and placed his thumb against his wrist. He felt a strange mismatch - where he'd been expecting one heartbeat, there were two. He covered his surprise, near shock at the realization that of course he had his own body now, by pulling harder on Edgar's arm, directing him up to his ear.

"Wh-"

"Shh." Quietly. He had wanted this, wanted this body, this separation, this freedom for so long, and now... He spoke quietly, his voice betraying nothing. "I'm listening."

Edgar's pulse was erratic, but he hardly paid attention to it. His own fingers on Edgar's skin, warm and pliant, and Edgar's fingers twitching in his hair, he could feel it, he was trying not to touch him- This hesitation was killing him, every jerky movement away not from fear of what Scriabin could do to him, just uncertainty, like he was still a stranger- He pressed him harder to his head, and he could feel goosebumps under his fingers. He wanted to just hold him there until all the memories they'd shared poured back through him, into his blood, into his breath.

Where are you?

But he replied in that same uncertain, guarded tone that indicated he didn't know, not really.

"C...can I have my arm back now?"

He pushed him away. "Fine." Edgar curled his hand protectively against his chest, and he noticed he rubbed it slightly, he probably hadn't even realized.

He mumbled out a harried "Good night," and it was almost enough to make Scriabin smile. Almost. He could still affect him but this wasn't enough, it wasn't right.

He laid his head on the pillow, not bothering to pull his arm up over the side of the bed. If he twitched in the night and touched Edgar, well, that could mean anything. Maybe he was dreaming. Maybe he did it on purpose. Plausible deniability was one of his greatest assets.

As it was, he was just tired. Maybe he didn't pull it back because he hated the thought of sleeping alone, pushed out and forgotten, and hated it more that he was even thinking something like that. How pathetic. He didn't need anyone, especially not Edgar.

But he was tired. Not in his right mind.

Does this mean we can start over...?

The thought echoed and died, and he slept.

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[toasteaa]

Sorry. Wriothesley saying "easy there, swan song" to Eclair just made something click in my brain. Going to think for five hours.

[miodiodavinci]

the burnout is real lads . . . . .

[befuddled-calico-whump]

If each of your whumper ocs were to get whumped by another of your whumper ocs, who would be the most effective whumper for whom? (Assume they're all separate situations, so the answers don't affect each other.)

Mercury would probably be most affected by Peter, due to his general unpredictability and not having much reason behind anything besides "I'm bored". She enjoys structure, dammit.

Uriah... man, he wouldn't hold up against any of these guys lol. The Interrogator would probably be the worst. Just being brought to the brink of death over and over again, only to be healed and thrown back into the cycle.

Vic would be most affected by Mercury, hands down. Being dragged through bad memories and, once she's gotten enough practice, having his mind and memories altered, would be terrible for him due to how far out of his control it is.

The Interrogator... Probably also Mercury lol, for the same reason. They also wouldn't thrive with the Lex Treatment (borderline solitary confinement for a year, then forced to obey an arrogant twat)

Peter would probably have the hardest time with Vic. He's died plenty of times already, and in variously horrifying ways, so pain doesn't faze him too badly. But under Vic, he'd probably be constantly drugged/sedated (which he would hate), would probably be physically violated (hasn't experienced that before) and would be forced into a strict schedule/pattern of behavior (he hates having to follow rules or structure)

Greer is a tossup between Mercury and The Interrogator. Doubting his own memories would not be great, but neither would the repeated, unrelenting mutilation

[sysig]

The most fun you can have, barring the pain and torture (Patreon)

[beneaththeshadows]

I thought of doing something nice for this year's Valentine's Day, so here's a poll with rare pairings from F&B (I decided to choose a Targ/dragonrider and a non Targ/dragonrider, just to do the cliché "hold on me" pose). Whoever you people chose as the winner, I'll draw them on a little (romantic) dragon trip

[imabiscuitinthousandworlds]

every time a fic has michael use he/they instead of he/it i wail loudly at the screen. like even if you make it human why are my pronouns not good enough for it. piss off (<- sad)

[britneyshakespeare]

you know at the end of the day today i was chatting w some other paras. i was a special ed para for a seventh grader today that's what i did. and the last block for them is just learning center and it's chill and it's friday and some of the kids were making pizza and no one was really doing anything or stressed or bothered so the kids and the adults just have various little shooting-the-breeze sessions although im usually not that active in these bc Im Shy, And A Substitute so i feel very out of place a lot of the time. but anyway i had never really talked much w either of the paras i was with today and we struck up a conversation about some stuff and one of them says to me "you know just so you know i LOVE your hair" and she turns to the other para and she's like "isnt it gorgeous? dont you love her hair?"

and i kinda blushed and said thank you a couple of times and looked down bc that's what i do when i receive a sincere-sounding compliment unexpectedly. and then i chatted a little more before i kinda drifted out of the conversation and opened my book and after a page or two one of them asked me about what i was reading (it's Song of the Cell: An Exploration of Medicine and the New Human by Siddhartha Mukherjee if you were wondering and i started it a few days ago). so i told them a bit about it and started chatting again on the topic of reading and i guess i was just naturally smiling and the same one who complimented my hair said "look at those dimples. i just can't w you"