You probably get this all the time, and I don't know why I only thought about this now, but I'm suddenly fascinated by the idea of a government employee who knows about the Upside Down that has been tasked with keeping an eye on Eddie's TikTok page and just constantly being so frustrated
I never get this but I have thought about it at length!!! Lol.
I just picture one overworked and underpaid agent being tasked with the whole *hand waving* Hawkins Situation.
There used to a time when the Hawkins Project was a coveted position given to the best agents with the highest clearance, but now… Now all the gates to the other world have been closed. There’s been no activity in three decades. Brenner’s dead. The Russians defuncted their projects. The girl – Eleven or Jane, or whatever – hasn’t blown anything up since the nineties.
The Hawkins job is a babysitting job with CIA-level clearance, and it’s just… it was supposed to be a cakewalk but. There’s just… there are so many of them.
And for a while, they were spread all over the country.
One of them is a US Senator now and she called the head of the FBI ‘a bitch’ and ‘a coward’ on a hot mic last week, and maybe.
Maybe for the sake of national security and their own sanity, maybe this agent pulled a few strings and dotted a few more I’s than they’re authorized to just to get Lucas Sinclair, Maxine Mayfield-Sinclair, Dustin Henderson, Nancy Wheeler, and Robin Buckley back in Chicago.
Maybe they did that. There’s no paper trail, but maybe they did.
It’s easier to keep track of a ‘party’ of people if most of them are in the same state.
This Party – as they fondly call themselves – barely qualified as a threat anymore. They are barely a concern at this point. Only a few of them are considered dangerous enough to require anything more than the occasional check-in. Those people being Jane Hopper, James ‘Jim’ Hopper, Nancy Wheeler, Murray Bauman, and – much to this agent’s annoyance – Edward Munson.
Eddie wouldn’t be a cause for concern if he wasn’t so goddamn loud. He is in no way a threat to national security but the CIA doesn’t love when people allude to a defuncted Cold War project that resulted in an inter-dimensional serial killer murdering a bunch of small town high school students.
This agent does not believe that Eddie Munson knows what an NDA is or that he signed one.
It is one thing to write songs about demon bats and hell spilling into small town Americana or to make your album cover resemble the charred remains of Henry Creel’s disfigured body (‘yeah’ the agent thinks, ‘you’re not that slick, Munson’) but it is something else to announce to your millions of TikTok followers that you got rabies in a hell dimension.
This agent does not have enough pull to persuade Congress to outright ban TikTok and actually thinks that a TikTok ban would be an overreach of government control, but damn if it would not have made their life easier. Though they fear that Munson would just go to YouTube and the idea of longer content makes them shiver.
And by the way, this agent expected better from Steven Harrington!
This agent liked Steve! He was one of their favorites!!
Steve didn’t make waves. He lived a quiet life, paid his taxes, and barely had a social media presence. He was an absolute dream to be monitoring until Eddie downloaded that cursed clock app.
Steve was never viewed on the same threat level as Jane Hopper or Murray Bauman, but he was a closely monitored subject due to his long-term injuries and his time spent in the alternate dimension and the Russian bunker under Starcourt Mall. Despite close monitoring, there is no note in his file of any digression until Eddie started shoving Tiktok in his face.
This agent sits in their office at the CIA’s Chicago location.
In the basement, at the end of a long dusty corridor, beneath a buzzing fluorescent light, they get a notification on their computer. It’s from Tiktok, and this agent breathes in slowly. They rub at the forming headache between their brows and names it Eddie Munson.
They click the notification, waits a second for the shitty wifi to bring them to the app, and watches as Steve Harrington says, “Technically we’re time travelers.”
And they sigh.
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A sentence in Casey’s book impressed me, even though he didn't name anyone explicitly
“Maybe someone who could put on the charm when they need it regardless of sincerity could have turned the situation around but I don’t have that skill.”
He totally gets that Valentino has endless charm, lol. I’m sure he felt it too when they hung out
yes!! this was about casey and his relationship to the fans wasn't it, and in a section of the book where he was talking about his rivalry with valentino, so hardly a stretch to say it was deliberately alluding to him. and of course casey talking about valentino's charm is not unrelated to how casey did seem to like valentino perfectly fine back in the day... how he said back in 2007 that he liked talking to valentino, that they generally talked about stuff other than racing, how valentino gets on with most guys in the paddock... though it's interesting (if not particularly surprising) how by the time the autobiography is written, casey portrays the early dynamic between the pair of them pretty dispassionately. just from the book you'd get the sense of someone who was coolly respectful of valentino until valentino started pissing him off, rather than someone who was... y'know, also a bit of a fan. somebody who got the valentino rossi appeal, shall we say. we all have our crosses to bear
which, I don't even think it was just about the racing. I doubt he ever wanted to emulate valentino in the same way jorge or marc might have wanted to do off the track, but stuff like calling him a "great competitor and a great sportsman"... that for years he'd been "dreaming to be like him"... that valentino and doohan were "the sort of people I wanted to become like"... I reckon that's a little more than simply respect for him as a rider, and I don't think casey back then would have said that stuff just because he knew it'll play well with the public. he found valentino exciting, like so many before and since have done - and still did so for the entirety of 2006 (he said more recently that he was even more impressed by valentino after that season, which is kinda noteworthy given that's the year valentino did, you know, lose the title). but then they became direct rivals, and. well
of course the "regardless of sincerity" in the quote is pretty pointed lol, like he does clearly see valentino as very two-faced and willing to spin a line regardless of whether it's true or not and also as someone happy to deceive others for his own gains. and his rhetoric has also changed just a wee bit since he published the autobiography on that count, where he more recently does stress how... well, he did learn from how valentino played the media! he learned how to get friendly with journalists! he learned how to play that game, of trying to win the public discourse! he might never have liked it, and he still probably would say like in the autobiography that this "charm" "regardless of sincerity" isn't something that he'll ever be as good at as valentino was. but he did dabble in the dark arts just a touch... I think one of the most interesting tensions of that rivalry is to what extent valentino forced casey out of his comfort zone both on- and off-track and ended up making casey adopt behaviours and attitudes he continued to find reprehensible. casey considers valentino 'selfish' both on- and off-track but to fight him both on- and off-track he became more selfish in turn... very dramatically compelling
anyway, here's casey chatting to fellow aussie jb when he's come to watch the podium celebrations after one of valentino's 2005 wins:
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Hello! 🧡 I'm curious how you balance viewing scripture as infallible while also not taking parts of it (Genesis in particular, to reference your recent post) literally. I've heard some people say that Genesis is meant to be a poetic version of creation and therefore not entirely truthful: sort of like a kids' story, how some details could be fudged without losing The Point. I get why God wouldn't give us all the details, and it's not like this is necessarily a core doctrine issue, but I guess what I'm asking is if scripture is infallible, why would it give an incorrect account?
Hey Anna! I'd love to talk about this! It's one of my favorite issues in the world, actually, so please be prepared for a whole lot of passion from me 😆
So the bottom line, like I said in my previous post, is that I believe that all Scripture is true and infallible, but that it ought not be read literalistically. This is not the same as saying that some Scripture is less true by virtue of using poetic language, nor that I believe that details have been fudged. For me (and others who interpret Scripture as I do), it comes down to analysis of Biblical language, style, and genre.
So okay, let me start by defining my terms:
History = A text detailing true events that actually happened. These accounts may use symbolic, metaphorical, or otherwise figurative language in the service of conveying these events. A history is also not necessarily complete in its detail or exact in its chronology unless the text itself makes those claims (ie it's possible for histories to backtrack and tell events again from another point of view; this is pretty common actually.)
Biblical figurative language can take a variety of forms depending on the genre of the text we're discussing, however in general it is used to express truths that cannot be expressed in other ways. I'm gonna quote Lewis again here, as I think his discussion of Biblical symbolism in Mere Christianity is really great and relevant. This is from book three, chapter 10 (Hope):
There is no need to be worried by facetious people who try to make the Christian hope of "Heaven" ridiculous by saying they do not want "to spend eternity playing harps." The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible. Musical instruments are mentioned because for many people (not all) music is the thing known in the present life which most strongly suggests ecstasy and infinity.
Crowns are mentioned to suggest the fact that those who are united with God in eternity share His splendour and power and joy. Gold is mentioned to suggest the timelessness of Heaven (gold does not rust) and the preciousness of it. People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.
Figurative language is used throughout the entire Bible. It's in discussions of heaven, like Jack illustrates here, but it's also frequently used in the Epistles ("I have been crucified with Christ") and, in the Gospels ("You must be born again.") It's heavily employed in the prophetic books, Psalms, and the wisdom literature (not even gonna pick an example, it's everywhere). It's used frequently throughout the Pentateuch (God "bore [the Israelites] up on eagle's wings"). It is used in Biblical histories ("[Samson's] soul was vexed to death"), though not to the extent that I believe it's used in Genesis 1-11. Sometimes the text telegraphs that figurative language is about to be used, but certainly not always.
None of these things are any less true than the things described in what we might call "plain" language. Rather, imagery is a tool that helps us understand the deeper truth of a thing; it "expresses the inexpressible" without causing us to doubt that the images are about something real. Sometimes, the language even tells us something that occured spiritually/from God's perspective, but which did not literally happen in the physical world (again, "I have been crucified with Christ.") I think it's clearly a mistake to conclude that the presence of figurative language means that the story is merely figurative or that it's incorrect.
So I read the Genesis 1-2 creation account as a largely figurative account of historical events, and I think it's written that way in order to convey God's perspective of creation. Certainly a human perspective on creation would be (a) theologically un-useful and (b) impossible for an ancient person to understand.
To expound on point (b) a little bit: even a modern person, with all the geological, paleontological, chemical, and genetic evidence that we have, simply cannot comprehend the expanse of what we call "deep time." Modern scientists must communicate these things in metaphors: they use 24-hour clocks in which each minute is thirty thousand years and football fields with geological epochs marked off at the various yard lines in order to try to express that which the human mind is fundamentally not equipped to grasp. The Bible should and must tell the story of creation from God's perspective, and to do that it must use figurative language.
Thus, "Days" are figurative days, but as such they convey greater truths about the way that creation appeared to God: it was gradual and periodic and God was patient, yet it did not seem to take eons to him. It was like a week of diligent work that produced good results.
Likewise, when the text says that God speaks light and land and life into existence, we can read that as a statement of God's incredible, beautiful power over creation. The moon likely formed in the "Big Splat," when another planet collided with proto-Earth and flung debris into space (I'm not even gonna touch the formation of the sun-- waaaaaay outside my wheelhouse). To God, these things were as simple as saying, "Let there be lights in the expanse of the heavens to separate the day from the night" and then making them. The complex natural processes involved were simple before the Almighty God.
Likewise, the billions of years that are took for life to evolve, from self-replicating auto-catalytic molecules to microbes to multicellular life that arose from endosymbiosis and horizontal gene transfer, and then all the way down the epochs of history: the beautiful Cambrian Explosion, trilobites and the first chordates, then Tiktaalik propping itself up in shallow water and its tetrapod descendants stepping onto land for the first time; those strange, fascinating club-moss forests of the Carboniferous, dinosaurs and archaeopteryx taking to the skies, the K-T extinction event and then mammals picking up the torch and growing larger, whales returning to the seas and their vestigial legs disappearing, life, life life... All of that, to God, was two days of creation in which he spoke and natural processes produced the glorious array of life that existed when Adam and Eve came to be. He had authority over all of it. He said "Let the earth bring forth living creatures," and it did! God made them as surely as if he had sculpted them from clay with his hands, as miraculously as if He had spoken a word and they had existed in a split-second.
It's all true! All truth is God's truth! Every word of Genesis is God's truth, not despite the fact that it's written using figurative language, but because it is. We can understand truths that science alone can't account for - that in all the vastness of protein sequence space, God formed rubisco and ATP synthase: not by random chance, but through loving providence using randomness as a tool. We can see deep time as God sees it, not as a yawning abyss that we can't begin to properly conceptualize, but as a week in the mind of our great God who transcends time.
(My concluding paragraph is going to be somewhat harsh toward YE Creationists, but it cuts to the core of why I feel so strongly about how we read Genesis. I'm going to put it under the cut so that no one has to read it unless they want to; I'm not trying to attack anyone. I hope you know that I say all these things out of a place of deep, deep love.)
Returning to what Jack said: "If [people] cannot understand books written for grown-ups, they should not talk about them." YE Creationists would have us read Genesis without allowing for any figurative language; they would disregard the scientific method in order to do so. To my thinking, if a creation in seven 24-hour days were the intended meaning of the text- if we were, like children, meant to take everything in it entirely literally- then God would be a liar, because then he would have created a world in which the speed of light and geologic strata and the fossil record and even the evidence of our own DNA and physiology are all lying to us about how we were created. I could not love such a God.
But because I, like Jack, like millions of other Christians, can read the text of Scripture and interpret the figurative language it uses, I can instead marvel at the wonder and glory of our Creator-God, to whom epochs are like days, who can speak natural processes into existence. Scripture is history and it's poetry and it's all true. All truth is God's truth.
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Things Happening between now and August:
end of grading period (oh boy are the kids in a panic because they missed very formative self discipline/responsibility-building years due to COVID)
academic competition (travel during a school day for the first time, also right before state testing so will I get side-eyed for not being in class?, still need to put in for the sub)
5th wedding anniversary (fancy dinner preparations almost complete- still need to make the nail appt and I think he still needs a tie)
state testing (yes, sure, force me to make the kids jump through a billion hoops because you’re scared about funding; that’s a great way to increase scores)
anniversary getaway weekend (don’t forget only the deposit has been paid; remember to leave enough money aside)
Haircut (routine but like don’t forget it exists with everything else going on)
friends’ wedding (my preparations about half complete but he probably hasn’t decided what he’s wearing at all, and hotel room still needed and I can’t finish my preparations until the other bits are handled)
Broadway show (popular, well-reviewed show that we not super familiar with but are looking forward to)
fun zoo event (alarm already set for ticket release time so they don’t sell out again on us, I think we both have appropriate clothes...)
end of year closeout + curriculum writing (somehow, the checkout process STILL makes me anxious)
Broadway show (that i’ve been DYING to see since it was first announced before COVID and then they had to cancel and now it’s finally coming)
Road Trip (first big road trip on our own, to see if we really want to move to another state, which is big enough, but we had to get our hotels and we still need a new cooler but we should wait for memorial day sales)
Friends Weekend! (2 friends visit for a weekend + all 4 of us meet up with another couple for a Broadway show with box seats! But also should we do an escape room again? what about the art museum- they’re having a special exhibit? or maybe we should see if there’s a glass blowing workshop that weekend...)
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