#this feels like common sense...

[oobbbear]

I want to post this here too because I’ve seen it happen a few times

Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[cringetism]

[glitterghost]

Correct me if I'm wrong, but I feel like there is a particular kind of sadness (or loneliness, if you will) that ace/aro folk feel.

[bumblydumbly]

i think that if kabru saw that “laios meeting falin for the first time” strip he’d be sobbing uncontrollably

[mementomoriwithacherryontop]

Thoughtful and heartfelt article written by Lacy Baugher about the cancellation of Dead Boy Detectives, and why the decision just doesn’t make sense for Netflix.

I could literally quote the whole thing. Instead, I’ll leave you with these three (lengthy) quotes and encourage you to read the article in its entirety. And you totally should. It’s worth the read.

Quotes Below:

“On paper, the Dead Boy Detectives has all the ingredients to succeed. Its cast is charming; its vibes are fun and accessible. It features a genuine connection to an established and successful genre property, but not one so deep that new viewers would find themselves overwhelmed by lore. Perhaps most importantly, it has so, so much heart.”

“The pieces were in place for the series to run multiple seasons with rich character dynamics between the core quartet and a template that allowed for all sorts of adventures for the living and the dead. If this had been a show introduced during the heyday of The CW, it probably would have run for the better part of a decade. Alas, that's almost never a possibility in today's streaming landscape. Even the most successful series tend to come with a built-in expiration date. (Five years, max.)

Netflix has something of a history when it comes to cutting promising genre shows off at the knees. In recent years it has unceremoniously dumped all sorts of series, from fantasy (Shadow and Bone, Warrior Nun), and supernatural (Lockwood and Co., First Kill, The Midnight Club) to sci-fi (The OA, 1899). Dead Boy Detectives is certainly joining a good company. But the fact that its main characters were part of the same universe as The Sandman makes the show's cancellation even more galling. What streamer doesn't want a franchise to call its own? The Sandman is still one of the most popular comic series ever, and Netflix is currently gearing up to drop the second season of its successful TV adaptation.”

“That Dead Boy Detectives wasn't given more time to build an audience — or a bigger promotional budget to let viewers know of its existence — feels particularly criminal because Sandman's second season would have almost certainly given the drama a needed awareness boost.”

[gildeddlily]

I actually need them to kiss so much

[mikashisus]

connections between venti and arlecchino that i found particularly interesting, a rambling 🗣️

ARLECCHINO STORY QUEST SPOILERS‼️‼️

(these r just some cool things i found kinda sus and interesting. this was for fun.)

1. first, my thoughts on clervie — specifically what she says in response to learning about mondstadt:

2. the similarities between arlecchino and venti regarding “freedom”:

venti fought for freedom that was earned, and eventually became the god of freedom shortly after he earned said freedom.

he also tested vennessa. he tested her by saying he could grant her freedom and waited to see if she would leave the cell with him, but she didn’t. she stayed and showed him how freedom was meant to be earned, not given. venti was more than satisfied with her answer and left.

venti has shown time and time again that he believes freedom is meant to be earned. at least, that’s how i see his character and his ideals.

now i want to bring up what arlecchino said towards the end of her story quest. i find it interesting how she also believes that freedom is meant to be earned, not given.

pretty interesting.

3. now for my own personal rant and theories:

“freedom” itself is always being mentioned in this game. it started in mondstadt, the nation embodying freedom. the god of freedom himself entered the fray and showed us what freedom truly meant.

liyue was “freed” from their own god, who saw it time to step down from his position as archon and left the task of ruling & protecting liyue to the humans.

wouldn’t say there’s much freedom in inazuma tbh. unless you count the people being “freed” from the vision hunt decree and the sakoku decree.

nahida being freed from the hands of the sages/akademiya.

furina being freed from her curse and the act she played out for 500 years.

i wonder if we’ll see any freedom in natlan too.

ANYWAYS, ALL THIS TO SAY (i didnt mean for this to become a venti rant, i have constant venti brainrot) — i believe that venti and freedom play an ENORMOUS part in the lore of the game and we haven’t seen anything yet.

i am a firm believer that venti is one of the most important characters in this game. bro has lore in literally every nation, maybe with the exception of fontaine (iirc, there hasn’t been anything in fontaine calling back to barbatos).

he even has lore in the chasm and enkanomiya, which says A LOT. i haven’t finished the remuria world quest yet, so idk if there’s any lore about him or istaroth sprinkled there too. tbh i wouldn’t be surprised if there was.

everything always comes full circle when it comes to venti. he’s everywhere, which is pretty cool to think about when you realize that he’s supposed to be the embodiment of the wind, which is everywhere all at once and can hear everything.

which brings me to my last point —

4. this voiceline from arlecchino about the wind.

hmmm.. 🤨

[jacquesthepigeon]

In a way, ML was doomed from S1 with how incompatible their episodic format and serious overarching plot are and I distinctly remember this being brought up to the crew early on. Logically, something would have to give: the episodic format in favor of consistent development of the serious overarching plot or the serious plot in favor of keeping the series lighthearted by making the villain exclusively comic relief and therefore better suited for the episodic model. Their response, which would become standard, was that they had the ability to pull it off well without compromising on either aspect and then actively (I apologize for misusing this term but it’s the only one that comes to mind) gaslighting the audience whenever they notice any failures in fulfilling promises the crew made. It’s funnier still to me that when they finally decided to wrap up the arc after 4 seasons of nothing of value happening, they did abandon the episodic format and it was still a disaster.

It just goes to show imo what happens when a creator severely overestimates their abilities, consistently enacts poor judgement throughout the entirety of the narrative’s development, and has an ego too inflated to make or even acknowledge any necessary corrections

The format they chose being inappropriate for the story they wanted to tell wasn’t the tragedy itself but rather a warning sign of the crew’s lack of ability and forethought to live up to their ambitions

I understand that working on such a grand scale series has it setbacks and limitations and unexpected things can happen to throw a wrench in your plans, but I also understand that adjusting to these things means having to give up on your original vision and rework it so that you can still tell an entertaining and satisfying story

Instead, it seems the crew was too stubborn and inflexible with their ideas that they did the bare minimum to accommodate for whatever came up and tried to brute force the story to happen their way even if it no longer made sense

[thesherrinfordfacility]

"they're not talking" right so for the first one or two eps, there's the possibility that even though they might be compelled to work as a team, they will still likely be really angry with each other, and act like strangers, or just simply like they cant stand each other. like yeah the unconditional love is unassailable and all, but the tragedy is that at the start of s3 they might actually end up treating each other - projecting that anger and guilt and longing - exactly as they were meant to since the beginning. we've never truly seen them be adversaries in anything but name, and the prospect that s3 might pose what would have happened if they'd never shared all those experiences - and fallen in love along the way - is utterly horrific

[relaxxattack]

every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh

OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...

i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.

you know... like every relationship.

like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.

i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?

no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.

*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.

[r3leee]

me now that the lucy gray x reader tag is starting to be filled with coryo and sejanus fics:

[rookmeo]

i have. severe braintrotr. this is my magnus opus. to me. smiles.

day 06: vintage (@hiddencircus)

rb + credit if using

[chirpsythismorning]

The way fans on the st sub are almost all in agreement Nancy ending up with neither Jon nor Steve wouldn’t be the worst thing in the world, and how they can even come up with a sleuth of reasons as to why, honestly pretty valid and fair reasons, but then are absolutely gobsmacked when fans merely speculate something along those lines for El is, quite something.

[larapaulussen]