#this has ZERO back up to it

[phantom-fleetways]

Feeling insane. Flickies are actually an invasive species within Sonic's world. Who have the ability to harness Chaos Energy. Making them basically super important to Eggman. Hence why in the modern Era we see very little to almost no animals in the majority of the games.

So birds aren't real at all in Sonic, huh? First the Aliens, now the Interdimentional birds. How is Mobius even functioning anymore???

[angelbitezzz]

yknow that thing where becoming obsessed with a character makes you a better artist? i am feeling it tonight boys

[suja-janee]

I wonder who these two totally random people in disguise are?

[sciderman]

ever kissed in zero-g?

day 2 of @spideytorchweek - space!

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[sammygender]

i’ve never been as angry on behalf of a character as i am for sam winchester

[scrawlingskribbles]

[ *peeks ever-so-cautiously out from the rock I've been living under & wordlessly chucks This out at your feet before scuttling back into the darkness once more* ]

...man isn't it just absolutely wild when a rogue art demon suddenly possesses your body out of the blue one day and decides to necromance the ancient bones of a couple of multiple-years-old askbox requests & synthesize them into a fully actualized Something™ that they never would have even come close to being all those years before? Yeah? You know what I mean? ...........................No? x'3c well,,, anyways—

(they're secret-dating at the time of this scene so that's why they're sneaking around in the woods like this, in case anyone was wondering lol)

[seaweedstarshine]

[just after having helped River make a getaway from a heist of an astatine lace shawl — the rarest substance in the universe — without her even needing to ask beyond a simple “hello sweetie” scrawl in the sky] [Eleventh Doctor] “I can see its worth — but Alice is right! What’s so special about a lace shawl?” [River] “Ah, well, lace, you see, is the traditional gift for a thirteenth wedding anniversary…” [Eleventh Doctor] “Wedding anniversary? Whose wedding anniversary?” [River] “Spoilers…!” *winks* [Thirteenth Doctor, reminiscing] “I love River.”

HAPPY THIRTEENTH WEDDING ANNIVERSARY TO THE DOCTOR AND RIVER SONG!

Sources: Diary of River Song: The Furies, Diary of River Song: The Lady in the Lake, The Day of the Moon, Doctor Who Magazine Special Edition #33, The Wedding of River Song, The Big Bang, The Angels Take Manhattan, The Many Lives of Doctor Who: Without a Paddle, The Time of the Doctor, Forest of the Dead, Let's Kill Hitler, Diary of River Song: The Wife of River Song, Eleventh Doctor Year Two: Physician Heal Thyself, A Good Man Goes to War, Eleventh Doctor Chronicles: Broken Hearts, The Husbands of River Song, Doctor Who Confidential: When Time Froze

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[perfectthewayyouare]

buddie will never go canon this, they'll never make eddie gay that, we've been let down before, yes yes i agree but

[pineapplefulfillseveryneed]

Sparks tour 2023

[azu1as]

HI TINN ITS ME PITTY 🙇‍♀️🙇‍♀️

i was wondering if youre still open for prompts… and if u are can you write about pbss somehow tranported to current mount hua, and everyone is confused af and just watches pbss and divine dragon interact (and maybe argue) with each other

PITTY HELLO ♥✨♥✨♥ yes i'm always open to prompts !!! im literally rotating rotmhs in my head 24/7

this first half was actually born from another prompt by mei on discord but I want to build on it, so dumping it here 👍 HAHAHA

»—————————–✄

The Plum Blossom Sword Saint lets out a ragged breath, his vision rapidly fading. His sword falls from his hand and soon after his body follows.

"...Mount Hua..." he mumbles, aware that the only thing left that awaited him was the cold claim of death.

He dies. And in the next second, he blinks up to a clear sky, the dead bodies that surrounded him gone.

%%%

Dawn had barely broken when an incessant banging against Mount Hua's gates and shouting started and broke the tranquil silence, rousing several disciples.

"OPEN UP!" Someone barks out from the other side. "Fuck. Fuck. Shit. Open this gate right now!!"

Un Am frowns at the lack of manners and respect being shown by the source of the shouting. He reaches the gate and pulls it open. It takes Un Am a bit of effort to ensure that his voice sounded cordial, "Hello, we aren't accepting any visitors this ear—"

Un Am cuts himself off as he takes note of the state of the man in front of him. The man's robes and face were crusted with dried blood despite a lack of any visible injury. That is, if one ignore his lack of an arm.

It still didn't explain the amount of blood he had on his body that was free from any wounds and visible scars.

The man's eyes were bloodshot and trembling. Un Am, even from afar, could tell that there was something deeply wrong with this man. He seemed unconscious of the way he emanated a manic aura; there was a charged sort of energy surrounded him that made an instinctive part of Un Am grip his sword handle in response.

The most notable and unexplainable part of the man, however, was the blood-stained plum blossom embroidered on his chest.

"Who...?" Un Am finds himself unable to react to the man's speed and freezes in place as the man grabs him by the lapels of his robe. He pulls Un Am towards himself and grits out,

"What. Happened. To. My Sect."

%%%

Baek Cheon was quickly ushered into the Sect Leader's residence the moment he returned with a few others from their last excursion to Xi'an.

"What's going on?" He asks.

Elder Un Geom, for a lack of a better word, looked harried. His face twists into a grimace. "It's a bit complicated..."

Baek Cheon doesn't know how he should feel about that response.

Surely, it couldn't be too terrible. After all, their sect was still standing and they did leave Chung Myung behind to stay on Mount Hua as he and the other chosen second-class disciples only had to deliver some goods and tokens to their subsect. Their youngest wouldn't let anything dangerous happen on his watch.

Baek Cheon tries to probe more information. "Before you pulled me away, Baek Sang mentioned something about a guest...?"

"We aren't quite sure of the specifics either, I'm afraid. But the man claims to be one of our ancestors from over a hundred years ago."

"An ancestor? Was he able to verify the claims?"

Un Geom nods. "I've never seen someone weild our plum blossom technique with as much power as he did."

If that was the case, then maybe their supposed ancestor could help them develop and improve their sword techniques even further by teaching them more about the skills that have been lost through time.

"Isn't that a good thing then?"

"It should be, but Chung Myung..."

Ah. Hearing those last three trailing words did not promise anything good.

When they finally opened the door to the Sect Leader's residence, they were greeted to the sight of a soulless Hyun Jong slumped against the wall, a freaked-out Yoon Jong who seemed to be torn between jumping into the fray and throwing himself out the window, and—

"WHY ARE YOU TRYING TO BEAT UP OUR ANCESTOR, YOU BRAT?!"

Their ancestor and Chung Myung pause in their positions as they both turned eerily similar pink gazes towards the two new entrants.

Chung Myung had the end of their ancestor's ponytail pulled towards him and scrunched up in his fists. His knee pressed against the older man's chest and neck while his jaw was unhinged as he was clearly attempting to bite the man's single arm.

Their ancestor in turn had his one hand closed around half of Chung Myung's face, trying to push him away. His legs were wrapped around Chung Myung's lower half in an inescapable hold and he seemed to have been gearing up for a headbutt before Baek Cheon and Un Geom interrupted them.

"You want me to call this brat my ancestor?!" Chung Myung shouts out as he renewed his attempts to bite the man by roughly grabbing onto the base of his ponytail.

"I'm one hundred years older than you!" Their ancestor grits out as he unashamedly bites Chung Myung's arm. "You disrespectful descendant! Back in my time—"

"'Back in my time', my ass!"

"You...!"

Off to the side, their current sect leader lets out a pitiful moan of mental pain. Baek Cheon would comfort him if he didn't feel the same amount of psychic damage as he watches his youngest sajil and ancestor continue their childish scuffle, rolling on the floor and uncaringly biting into each other like they were both five-year olds.

Later on, after tempers have cooled and everyone (read: Chung Myung and their ancestor) had managed to settle down into a tenuous truce, Hyun Jong turns a tired, but respectful nod towards the bruised man, "May we know this ancestor's identity?"

"Hm?" Said man absently rubs against the embroidered plum blossom on his new uniform. "Ah, I supposed you would know me as the Plum Blossom Sword Saint."

They would have expressed their shock and surpise, but they get easily distracted by Chung Myung's mocking scoff as he rolls his eyes in response.

[ineffablefool]

gahhhh the last few weeks I have been starving for fics or art where Aziraphale is clearly, legitimately fat (with adoring attention paid to his physical features which are associated with said fatness) and also clearly, legitimately loved ("desired" would be okay but oh give me cherished, give me treasured and held dear and, again, adored)

and I know that this is one of those things where I should just be the change I want to see in the world, but the last few weeks I have also been [flops face-first onto bed and doesn't move for 45 minutes], so clearly that is not happening

[koetjingwarrd]

You're my baby, say it to me...

[moregraceful]

It feels like getting pulled underwater—the sharp sideways tug, the slight drag of resistance, then falling, falling, till the waves close over his head. But Logan can breathe when he rights himself again, even if the light has a watery filter to it and the voices have a distant echo. // Sometimes Logan gets a glimpse of guys who've been long gone from the teal, clustered at the far end of the bench or sitting in the box across the ice. He heard Jason's voice in the hallway loud and clear, that infectious laugh. And he could have sworn he saw Raffi fucking Torres getting out of a car in the players' lot. Something tells him not to look up the rosters.

Commissioned @impmakesart to make a painting based on the Sharks' Cali Fin hype reel + the flip side by frausorge. Imp was amazing to work with and I could not be more emotional about this piece and so, so pleased with how it turned out!! 🙇🏻‍♂️🙇🏻‍♂️ Commission him here. Thank you Imp!

[stagefoureddiediaz]

So do we think maybe Buck golfing with Gerrard is something along the lines of Tommy giving advice to Buck to get to know him and play nice to make his life easier (or some such - because Tommy never actually had any hated directed at him from Gerrard so never actually experienced first hand what he was like in the same way Chim and Hen did).

Which Buck will do and find out a few things about his situationships (it’s technically unlabelled as a relationship so I’m not calling them boyfriends!) past behaviours and dots will start connecting all those red flags that Tommy is waving?!!