#this has too much information

[vaguely-concerned]

one of my favorite garak mannerisms is whenever someone says something to him he clearly finds completely wild and his eyes briefly widen like

before he reacts properly. when someone tells you something SO fucking stupid that you momentarily turn into a muppet

[omegawott]

hi im reading homestuck for the first time and im witnessing the silliest robot ever made

[strangersteddierthings]

The Conversation

Final Part of The Interview [Part One] [Part Two] [Ao3]

Steve finishes putting on his boots, shoves a beanie on his head, and grabs his thermos of coffee before heading outside. Robin had texted when they left Pendleton so they should be arriving soon, and he wants to make sure the dogs stay clear of the driveway, and also finish some of the chores he is being lazy about. The mountain air is cold in February, and the snow is deep, but it's still warm for a winter day in Eastern Oregon.

His childhood house had been at the edge of a little forest. His current home is tucked away in the woods, trees for miles, and the nearest neighbor farther still than that. He's lived a lot of places, been able to see the whole of America almost, and in the process, he's learned that he'll always be a small-town boy. The real revelation is how at home he feels in this two-bedroom cabin sequestered away from any town at all. Sure, he's got to drive a little over half an hour to get to the nearest grocery store, but he's learned he likes that.

He's got 1600 acres of woods all to himself and the dogs. He's owned this property for almost four years, but recent events made him finally move out here. Originally, he'd bought it to make it as another flip project, but something in his gut told him to make it a vacation home / safe haven for his family instead. Robin, mainly, as a getaway from the LA life and overwhelming spotlight she'd started to face as her music career took off. He might be turning it into his permanent home and base of operations, but everyone knows they're still welcome.

Anyway, the day might be warm for winter, but the night won't be, so Steve sets his thermos on the top of the wooden railing of the porch and heads down the steps to the woodshed. The plan in the summer is to update the cabin, which includes adding central air and a good heating system, but until then, portable heaters are in the bedrooms and the wood stove gets the rest of the cabin. There's also plans to start the construction on the guest house. It's going to be a busy summer.

He replenishes the woodpile on the porch from the woodshed and debates chopping more but decides against it. That can be a tomorrow chore. Next is cleaning up the snow paths he's made previously. Doesn't want anyone falling on their ass on the way to the house, no matter how funny that'll be to watch. As usual, Pancake makes the task difficult because she wants to play with the snow shovel. Melody cries until he throws snow into the air by the shovel full for her to play in. Chowder, old man that he is, supervises from the porch, front paws hanging just off the top step.

It's rough going but he manages to complete the few chores, even with two dogs underfoot.

Steve is on the front porch, forearms holding his weight as he leans against the railing, thermos of coffee between his hands, taking in the afternoon sun and enjoying the silence when Dustin's work truck slides into the driveway. Almost literally, given the foot and a half of snow still on the ground. The driveway is long, okay. Steve's doesn't have enough time in his day to keep up with salting it all.

It'll be strange to see Eddie after all these years. He still can't believe Robin got him to come. When he'd asked how she did it, she brushed him off with an it's not important.

Speaking of Robin, she's the first person out of the truck, sliding out of the passenger seat and then cursing when she drops right into the snow. She shoots an accusatory look towards the cabin, and therefore Steve, like he placed the snow there himself, when the fault is Dustin, who has left the driver side with plenty of room between the truck and the snowbank.

Dustin gets out of the truck and Steve faintly hears him say this side, man, less snow before pushing his door closed and turning to brace himself as Pancake and Melody rush from the porch to circle like sharks, barely restraining themselves from jumping up. Chowder follows after slowly, taking his sweet time getting to Robin, his favorite human. Steve can't even be jealous about that because Robin is his favorite human, too.

The back driver side door opens, and he watches as Eddie Munson all but falls out of the truck. It's the least graceful anyone's looked getting out of the back of the truck and that's counting Chowder and his old man hips. Seeing Eddie again is- well, it's a lot of emotions all at once, but they're are all overshadowed at the moment by how Eddie looks... well, bad. His hair is longer than Steve's ever seen it, a little longer than mid-back length, but it looks like it hasn't seen a proper hair brush in a couple of days. Even from this distance Steve can see the bags under his eyes. He looks like he hasn't slept in days.

He pushes himself off the railing and meanders down the two steps, waiting for them to notice he's waiting. Robin trudges out of the snow berm and to the front of the truck, where Chowder is waiting patiently for his pets and kisses. Dustin has managed to get Melody to stop hopping in front of him so she can get her side scratches, and Pancake has realized there is a new, third person with a set of hands currently not petting her, and is circling Eddie, waiting for him to reach down and pet her but he just stands completely still, heading tracking her in her circles.

"She's friendly, I promise," Steve calls out, which makes Eddie's head snap up to look for the source of the voice. Well, everyone looks, but Eddie looks like he's seeing a ghost, which. Fair. Steve kind of feels the same way.

"Hello, Dingus," Robin calls as she stands from her crouched position, where she's been cuddling Chowder. As soon as she stands, he starts making his way back to the porch. "I have delivered one Edward Keaton Munson. You are not allowed to ask anything of me for, at minimum, a year."

"Steve! Why didn't you tell me you knew the Eddie Munson?" Dustin shouts.

Robin is scoffing, clearly offended. "Am I not famous enough for you Henderson!?"

"Get back to me when you've run a 24-hour Dungeons and Dragons live stream for charity!" Dustin shoots back, then has to dodge Robin's half-hearted punch aimed for his arm.

Eddie stays silent, looking more pale than when he got out of the truck. Steve's a little concerned he's going to faint.

"You been living under a rock, Dustin?" Steve asks. "My knowing him is apparently the only thing on the internet currently."

Dustin puts his whole head into the eye roll. "You spend a month backpacking with your girlfriend in the southern hemisphere and you never get to hear the end of it. I told you I'd catch up on your drama after I catch up on my DnD Live Plays."

"You also missed me winning a Grammy, you know."

"I thought Steve's thing was more important?"

"You are impossible, Henderson."

"You guys going to argue in the snow all afternoon, or do you want to come inside?" Steve says then places his fingers in his mouth and whistles. Melody and Pancake dash for the front door, where Chowder is already waiting. Dustin, Robin, and a still eerily quiet Eddie fall into line to walk the trail to the porch Steve had cleared.

Steve jumps the steps, grabs his thermos, lets the dogs in, and then holds the door for everyone else. Robin and Dustin breeze past, but Eddie slows, eyes jumping around Steve's face as they just look at each other for a moment. Eddie opens, then closes, then opens, then closes his mouth.

"Hi," Steve offers up, shifting a foot to hold the door open so he can wave his fingers at Eddie.

Eddie swallows thickly, then whispers back, "hey."

"In the house, Eddie. Don't want to let too much cold in," Steve tilts his head towards the doorway.

"Oh, right, sorry," that kick starts Eddie again and he crosses the threshold, Steve close behind.

Robin and Dustin are currently occupying the bench just inside the door, taking off their shoes. Once Dustin has his boots off, he leaves the bench, heading to the kitchen. Eddie seems lost, just standing in the entryway, so Steve takes the spot Dustin just left and proceeds to undo the laces on his boots. He gets one boot done by the time Robin stands, wandering after Dustin once she's hung up her coat, scarf, and gloves. Eddie doesn't move still, so Steve pats the empty spot beside him.

"No shoes in the cabin. Dogs track in enough snow, don't need us doing it too," Steve says, then busies himself with his other boot.

He sees Eddie sit and begin to untie his- jesus, he's not even wearing boots. Just a black pair of sneakers. Eddie unties his shoes in silence, sitting rather stiffly next to Steve.

This quiet, obedient Eddie is not what he expected.

"You want something to drink?" Steve asks, once both of them are free of their shoes.

"No, thank you."

"Alright. Have a seat, then," he gestures towards the couch. The cabin door opens up directly into the living area, which Steve has set up as 3/4th a living room and 1/4th dining room, in that a small kitchen table is along the far wall. Beyond that wall is the kitchen, where Robin and Dustin are undoubtedly helping themselves to his coffee or hot chocolate.

Eddie shuffles off to sit on the edge of the couch, as close to the armrest as he can get. Now that Steve can see him closer, he can see he's added more piercing to his face than just the eyebrow ring he wore in high school. Snake bites, a septum piercing, and a second eyebrow ring next to the original. He's sure that if Eddie's hair wasn't covering his ears, he'd see more metal there. Eddie had hung up the coat he'd been wearing but under that is a hoodie he didn't take off, so Steve can only guess if he ever got those tattoos he'd been planning in high school. His entire outfit is black, which just makes him look sickly in the cabin lighting.

Steve drops himself into the chair facing the couch. It's Melody's favorite chair to curl up in, but Steve thinks she'll forgive him for taking it. There's tension in the room, so he tries to break it. "You look like you've seen a ghost, dude."

Eddie makes a weird nose, almost a whimper or a whine, but before he can say anything, Robin rounds the wall, holding a mug of hot liquid and she says, "Oh, I'm sure he feels that he has. I didn't tell me we were coming to see you."

"Robin!" Steve is shocked.

"What? You said you wouldn't mind getting some closure, so I got him here. Does it matter how?" She takes a seat on the opposite end of the couch from Eddie, making a show of how comfortable she is in the space by sitting cross-legged and leaning back against the couch, in comparison to Eddie who is sitting up completely straight, barely on the couch with how close to the edge he's sitting.

"Yeah, it does! If he's not here voluntarily- if Eddie doesn't want to talk to me you can't-"

"I do," Eddie says. It grabs Steve and Robin's attention and Steve sees Eddie almost wilt under their twin stares. He clears his throat before continuing, "I mean, I would have come still, if she'd told me. I do want to talk to you. Apologize for.... for everything. So much I don't even know where to begin, or how."

"Uhh, this feels like something personal," Dustin says from where he's standing with his own mug, hovering nearby. "Should I be here for this?"

Good question. Steve doesn't care if Robin and Dustin hear what they talk about, but Eddie might. "How about we just relax a bit. How was the drive?"

Eddie scrunches his face, a half confused expression on his face.

"Fine," Robin says at the same time Dustin says, "Tense as fuck."

"Those two things don't seem like they match," Steve says.

Dustin moves to plop himself on the couch in between Eddie and Robin, then quietly curses as his drink sloshes over the edge of the mug. He starts mopping at it with the sleeve of his shirt as he says, "Robin is a liar. The tension in the truck is going to linger that's how bad it was. I'll be feeling the tension every time I get in the rig. Clients will feel the tension when I pull up to their curbs!"

"It was not that bad!" Robin swats Dustin. Successfully this time, since there's no way for him to dodge unless he wants to spill his drink again.

Steve just laughs. "Robs, light of my life, mate of my soul, knowing you and your grudges, Dustin's probably going easy on the description of the tension here."

"Well, there wouldn't be tension if I was allowed to say what I want to say."

"Can we go, like, five minutes without your negativity?"

"My negativity!? I'm not negative, I'm rational and level-headed!"

"You are not sounding very level-headed right now."

Dustin chimes in, "Steve's right. Level-headed people don't have to shout that they're level-headed."

"What say you, Eds?" Steve asks, the old nickname slipping out. He doesn't have time to be embarrassed about it though.

Eddie stands quickly and flings his hands in the air, having reached an invisible limit Steve is unaware of, pacing about the living room as he basically shouts, "Why don't you hate me!? You should hate me! I hate me! I can't- why are you just sitting there, trying to have a-a decent conversation with me? You should be screaming at me! You should be mad! Why aren't you? My fuckin' song ruined your life!"

The silence in the living room is heavy following that, all eyes on Eddie. Even the dogs, who had been in various states of sleep, lift their heads and look in Eddie's direction.

He looks mortified by the out burst, and his face turns red. "I-I'm sorry. I- I'm just, I'm sorry. I need air."

They all watch silently as Eddie jams his shoes back on and goes out the front door without tying them or grabbing his coat.

Steve sighs, deep and annoyed. At Robin and himself. He looks to Robin and she looks shocked by Eddie's outburst. She was watching the door, but turns her head to meet Steve's eye, a small frown on her face.

"Well, it's not like he's going far," Dustin says. "You going after him?"

"I don't know if I should."

Dustin scoffs. "Don't be an idiot, of course you should. We drug that guy to the middle of nowhere to talk to you. He agreed to come to the middle of nowhere even though I could have been a hit man hired by Robin to off him in the woods and he didn't even complain. Didn't even question. I don't know what happened, but I think you two need talk it over."

Steve blinks at Dustin. "Since when did you get so wise?"

"I've always been wise. You just refuse to see it with your ageism. Go. Robin can fill me in on the beef, here in the toasty, cozy cabin, while you two chat in the cold, and freeze your asses off."

"I don't have ageism-"

"Wrong argument to be having, Steve!" Dustin interrupts. "And take another cup of coffee with you. Even if he doesn't drink it, dude doesn't have gloves either so y'know, warm the hands."

Steve does just that. Fills his other thermos with coffee, taking a chance by adding cream and sugar, before putting his boots, coat, and beanie back on. He throws Eddie's coat over his arm and tucks both thermos' against his body with that same arm so he can have a free hand to open the door.

Eddie isn't far. He's pacing back and forth in front of the truck, talking to himself.

Taking a deep breath to steel himself, Steve steps off the porch and makes his way to Eddie. "Hey."

The pacing stops and Eddie turns to look at Steve. They just look at each other as Steve approaches. Steve doesn't stop until he's close enough to reach out and touch before he shuffles the two thermos's to his other arm and extends the one with Eddie's coat on it out.

"Thank you," Eddie says, taking the coat and shoving himself into it quickly.

"Brought you coffee, too," Steve holds out one thermos and after a pause, Eddie takes it, too, then almost instantly brings his other hand up to cradle it, warming his fingers.

He looks up from the thermos and meets Steve's eye. "I am sorry, Steve. I'm sorry for how things ended between us, and for the song I wrote, and for-for not thinking about how people would be able to work out that you were the Steve from Hey Steve. You should hate me for that alone. I'm so sorry for everything that's happened because I didn't think of the consequences."

"I don't- I don't hate you man. Not... not anymore. Not for a long time."

"Well, you should!"

Steve frowns. He wants to argue because who is Eddie to tell him how he should feel? But that's not going to help anything. "When Robin called me. During her interview after the Grammy's and asked if she could tell the truth I never- I didn't know what she meant by the truth. But. Well, nothing she said was a lie, but it wasn't the full story."

Eddie stays silent, seemingly waiting for Steve to continue.

"Those first two years after our breakup were- I'm not going to lie, they were fucking awful. I think I received my first bit of hate mail the very same day Hey Steve released. It was harsh. All from the same person, but sent to my Facebook and my Twitter and Instagram. Guess they really wanted me to read it.

"And then, with each passing day, a new person, new message, just as awful. After three days I deleted Instagram and Twitter. Then I locked down Facebook but like- physical letters showed up at my house. I can't lie, it certainly felt like you'd ruined my life."

Eddie makes a wounded sound at that. "That's because I did! What I did was unforgivable and-"

"You don't get to decide for me if I forgive you or not!" Steve snaps. "I haven't actually said I did forgive you, did I? All I've said is I don't hate you."

That gets Eddie quiet again for a moment, then he says, "you ended up hospitalized because of me."

"Robin said I ended up hospitalized, and that's true, but it wasn't- It was more complicated that just being your, and your fans', fault. For people who were supposedly on 'your side' of our breakup, they used a lot of homophobic language. That's how my mom found out. The letters were easy enough to just get rid of because all the bad shit was on the inside, but someone sent a post card, and mom collected the mail that day. It's... I don't like talking about this."

"Then don't," Eddie is quick to say, "you don't have to explain anything to me, or make yourself relive these events. It's- you don't owe that to me."

"I think I need to. I wrote you a song, said I'd do it all again, and I meant that. I want you to understand why. Just. Just give me a minute."

Eddie nods and takes a sip of his coffee. He looks pleasantly surprised and takes bigger drink before his face falls into a frown as he stares down at the thermos and Steve has to look away. He turns and squeezes his eyes shut to continue. "Mom showed the postcard to my father, and he confronted me that evening. It was.... it didn't start off bad. He asked if it was true. That I was gay. I made a choice, then. I didn't have to; I could have lied. I could have told him I was straight and that I didn't understand what the postcard was saying, but I didn't.

"I knew how he felt about queer people, and I told him the truth anyway. I was bisexual. I thought it was a miracle that he didn't kick me out instantly. Instead, he calmly asked me if that meant I liked woman. I said it meant I liked more than just woman.

"Then he told me that didn't matter. That so long as I liked woman, I would be with a woman, and that we never had to speak of this again. And I told him no. He didn't get to decide that for me. He said that he would rather have a dead son than a faggot one. And I thought- I never- surely he was just meaning, like, metaphorically, right? Like, he'd disown me, kick me out or something so I scoffed and said- God, I was so stupid. I knew it wasn't safe, but I was so angry at him, I shouted 'dead or alive, I'm your faggot son so deal with it.' And he- he said 'dead it is' and he attacked me."

He hears Eddie suck in a breath, hears the crunch of snow in what could only be Eddie taking a step towards him but stopping after just one step. Steve doesn't know if he wants Eddie to close the distance and give him the hug he knows Eddie wants to do. Steve doesn't know if he'd welcome the embrace or not. He sucks in his own shaky breath, and continues, "He almost beat me to death that night. The only reason he didn't was because mom dialed 911," Steve turns around, looks at Eddie and sees the tears falling down his own face reflected on Eddie. "As far as I know, dad's still serving time for his attempted murder, so like, at least I don't have to worry about him. And mom... I don't even know what to think of that.

"She called 911, didn't want to see me die, I guess, but also couldn't have a gay son. She sold the house, and everything in it, while I was still in the hospital, and just... disappeared. Robin's family took me in. She told that story during the interview, you knoe, but I wasn't even at the house when that guy with the gun showed up. I was meeting with a lawyer.

"She-Mom was- I don't know what she was trying to do but she gave me the family business. The whole company! It felt like she was trying to buy my forgiveness, except she didn't ask for it and still hasn't contacted me. It's like... she felt guilty about what happened but hated me at the same time. Felt she needed to do something to alleviate her guilt? Or maybe she just wanted to cut herself free of the whole Harrington name; free herself from me and my father. I don't think I'll ever get closure for that one."

Steve quits talking, needs to take another moment. He'd already rambled on about more than he meant to but talking to Eddie had always done that to him. Afterall, before they dated, they'd been friends. He sips at his coffee, not knowing what else to say.

"Jesus, Stevie, I'm so sorry. I didn't know- It's no excuse but I'm just so sorry."

He doesn't think Eddie knows he called him Stevie, but it's nice to hear. "So, see, it wasn't your fault. Your song set things into motion, for sure, so it's nice to hear an apology, but like, if anyone is the bad guy in this situation, it's Richard Harrington."

"But Robin said she just had to help you move to here. That you still get hate mail, and doxxed. That's on me. I saw your list of addresses, Steve! You've had to move, like, eight times a year!"

Steve can't help the cackle that springs from him. He surprises himself with the laugh, and Eddie, too, if his wide eyes and eyebrows hidden behind his bangs are any indication. "I- yeah, I move a lot. And yes, this most recent move was because of a brick with Hey Steve scratched into it broke my living room window, but like, I've only had to move because of harassment like, four times, if I'm counting the whole mom-selling-the-house thing."

"What?"

Steve holds up a finger, adding a new one as he counts them out. "Mom sold house. Scary gun guy at Robin's. The year anniversary of your first album's release. I was still in Hawkins, figuring out what to do with all the money I'd, uhh, inherited I guess, so I was easy to find. And the most recent one. Not sure what inspired it this time. Usually, the hate mail resurges when you go on tour, but it's less and less every time. Anyway, none of those other moves are because of crazy fans."

Eddie blinks at him, a picture of confusion. "But I found a YouTube video and that guy- he showed all your old addresses. He said- I thought..."

"Well, there are a lot of addresses. But not because of your fans. I move for my job. Do you... did you even read the truck?" Steve gestures to Dustin's truck and Eddie steps around to see the printed H&H Project Flip and below that is their website.

Eddie looks back to Steve like that answers nothing. Which, fair, but it would answer a lot of questions if Eddie had looked up the website. "After that surge of anniversary hate, I knew I needed to get out of Hawkins. Robin was graduated, then, and headed to college. I decided I wanted to see more than just Hawkins. I followed Robin to college in Chicago, and uh, bought a house. A real fixer upper but that was fine. I had plenty of money to throw into it. On a whim I thought, what if I try to fix it. I had a lot of free time and if it ended up badly, I could afford to pay a professional to fix whatever I broke. I found that I loved doing that."

He's still just being looked at like he's not making sense.

Steve rolls his eyes, "I flip houses, dude. Me and Dustin. Harrington and Henderson Project Flip. I was in Chicago for three years, lots of addresses for that city. But then Robin pointed out there were a lot of states. That I should see all 50 of 'em by renovating a house in each. She'd moved in with her then-girlfriend by this time, so she said I should go. See the States at the least. So, I did. I find it easier to just live in the house I'm renovating, so I'm not paying mortgage and then rent somewhere else in the same city."

Eddie looks like he's had a rug pulled out from under him and he lets out a laugh that's a little hysterical.

"And moving so much has allowed me to meet so many amazing people, y'know? I got friends in all the states. So, like, yeah, you did ruin my life, but like, just my life from 18 to 20. So, yeah, I'd do it all again. Did you think I've been living in perpetual misery for the last ten years?"

"Robin certainly made it easy to assume that, so yeah!"

"I think she did that on purpose. To hurt you back."

"I deserve it," Eddie says. "I didn't even try to check in on you. Well, once, but when I couldn't find you on any socials I just. Gave up."

Steve shrugs. "I didn't reach out either. And if you'll remember, I broke up with you. Screamed in your face that we were over and went home."

"I don't know when, or even if, Corroded Coffin will tour again, but I swear to you, we'll never play or release Hey Steve again. And I'll release a statement, or go on camera, or something, and address this. I can't make it right, but I can make a change starting now, to do better and be better," Eddie says this while gripping his thermos to death.

"I believe you, and I forgive you."

Eddie nods grimly, then looks from Steve to the cabin, and back to Steve. "Do you think Robin will ever forgive me?"

"I don't know. You hurt her pretty badly, too. We were all best friends in school and when we broke up, you cut off Robin, too. And then, when she started to gain her own fame- I think when she first moved to LA, she thought you'd try to reach out. But you never did."

A silence falls over them, and Steve refuses to break it. He's done enough talking. They drink their coffees 'til they're empty before Eddie speaks.

"Where does this leave us?"

Steve thinks about it before answering. "You were my best friend before you were my boyfriend. You'd been in my life longer than you've been out of it. We don't have to be anything. We can have our closure and go our separate ways, if you'd prefer. But, I think I'd like another chance at being your friend."

"I can do friend," Eddie says slowly, like he's picking his words carefully. "I can. But, full transparency, I think I still love you."

It hurts to hear, after all the pain and the time, and it's a bittersweet kind of hurt. "I'll always love you, Eds. I meant it, you know, every word of the song. But I don't know if we can, or should, try again. We were so good until we weren't."

Tears spring from Eddie's eyes when Steve says he loves him, and they don't stop falling even as he's nodding along with everything Steve says. "No, I know. I know. I just, I needed you to know. Friend is, it's so fucking great. More than I ever expected, and certainly more than I dared hope."

"Come on. Let's go inside where it's warm and chat with Dustin and Robin like civilized people. I need a break from the heavy talk."

"Yeah. Me too. Thank you, Steve. For the chance."

Steve shrugs and shoots him a crooked grin. "Yeah, well, ruin this a second time and Robin will rip you to shreds on live TV, probably."

There's more to talk about. More hurts to heal and things to discuss, Steve knows. And maybe after all the talking, they'll learn they've changed too much to even be friends. But that'll be okay, because if that's how it goes, it'll be because they talked it out instead of screaming at each other in a living room.

If they've changed too much, this time, it'll end gently.

It doesn't stop Steve from letting a little bit of hope in. That this won't end, that they can find a way to be in each other's lives again.

As friends, or more.

[dailynakaharachuuya]

21. Musicians AU 22. Doctors/patients AU 23. Bakers AU 24. Beast AU

[very-lost-hobbit]

"US proxy war in Ukraine" Beating u with lead pipes

[sciderman]

I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain

Can't find it and feel kinda sad about it cuz I deeply related to it

i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)

really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!

undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.

i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.

people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.

peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.

it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."

so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.

people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.

autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.

[wellfine]

Hey I found ur art uncredited on tik Tok

https://vm.tiktok.com/ZMreQSnaw/

They said they "found it on Reddit" so they just decided to steal it and post it ig?? Ugh!!

Wow, that's a whole other repost to the one I thought it was going to be, lol. It's been reposted to TikTok once before, and I'm also not surprised this person got it from Reddit, where I doubt I was credited either.

At the end of the day I appreciate the heads up but there's nothing I can really do about it. The most helpful thing anyone can do is to leave comments on the reposts to provide credit,* because if artists ever try and comment then we pretty invariably get attacked. Don't be mean or aggressive, that just builds their animosity towards the artists, but I do think people respond positively to outside pressure to do the right thing 🤷

*Remember to make sure there's enough context - eg. something like "art by @ landegart on Twitter" is more searchable/useful than "artist is Landeg" to someone on TikTok who has no idea who I am haha

[butwhatifidothis]

Still baffled that Hopes so blatantly wrote Claude as the typical Evil Vaguely Middle Eastern Man set on destroying the Good White Nation for his Evil Vaguely Middle Eastern Nation that is often seen in fantasy settings - complete with him being seen as worse than a white woman who does many of the same evil deeds he does in-verse, even by his friends (should it be the bad ending route of SB) - and so many in the fandom were so eager to gobble that shit up. INSIST that "Clearly A Racist Stereotype" is LEAGUES better than "Subversion Of A Racist Stereotype" even. Like I don't think I'll ever get over how supremely fucked that is

[whetstonefires]

I think a part of the reason I feel so connected to JGY and XY is that I, too, think everyone is lying about what a good person they are. Sure, there may be a few genuinely good people, but those are in the minority and never claim the title.

I don't know about never; some people are pretty straightforward.

And in some ways the whole point of the concept of 'a good person' is that the feeling of losing the right to consider yourself one can impose instinctive recoil from doing wrong, in situations where you don't have the leisure of working your way through an ethics diagram and choosing the logically moral path before reacting to a situation. It has practical utility.

But that system can backfire pretty horribly too, in a lot of ways. It can be hijacked by definitions of 'good' that actually make you recoil from ethical acts because they're deviant. It can lead to disappearing up your own ass lmao.

And definitely the threshold for 'talking about how you're a good person' enough that it makes you suspect as either a) a liar or b) someone who values that self-image over objective reality and other people's wellbeing is. Not very high.

Jin Guangyao, ironically, is one of those people who's so performatively A Good Person in his public life that in retrospect it looks like a red flag. Which knowing this about himself in an ongoing fashion ofc just reinforces his own cynicism about everyone else lmao.

Even Lan Xichen, who I think he may see as a genuinely good person, he also sees as an easy mark who will reliably choose what is comfortable over what is 'right,' if you just structure the scenario to make that an easy choice that's easy for him to justify.

Xue Yang's bitterness is in many ways more exciting than Jin Guangyao's because he has a way more unusual relationship to reality, but it does share a lot of notes.

The role of deception in his psychology fascinates me because as far as I can tell he's as instinctively straightforward a person as Lan Wangji, albeit along quite different lines involving a total lack of impulse control, but has adopted 'deceit' as a weapon against the wicked world in the same way he has adopted 'murder.'

But when he feels someone is not merely lying but papering over bad behavior with principles they are not living up to he is livid.

People claiming to be better than him because they're 'good' when 'good' is a construct of privilege, is the underlying idea he's not equipped to articulate. Except he takes that and applies it to 'hitting me to interrupt my random murder of some guy who happened to be within arm's reach when I wanted to hurt someone.'

Which isn't like philosophically perfect, but the underlying problem he's actually reacting to is that he understands the social contract as a lie that has never protected him but seeks to control him, while protecting rich men it has no power to control.

Which it is fair to be mad about, but then his feeling is that since that's the nature of the world and all people, he is entitled to amass for himself the power to inflict hurt without consequences as much as he possibly can, and to use it against the vulnerable for fun, and no one is entitled to interfere.

Which brings him to a place where he is violently angry at anyone talking about trying to treat other people well as a value, because either they're a hypocrite and a liar or they threaten his entire system of rationalization for why he can be The Worst and still In The Right.

'Everyone is equally bad, actually' is like, an understandable take for anyone who's had cause to become embittered. Everyone is free to make whatever philosophical peace they can with the world and by and large there's no ethical weight to any such opinion, in itself.

But it's an ideological crutch people tend to wind up leaning on very heavily when they can't or don't want to take responsibility for their own behavior.

Which is an approach that Xue Yang, Jin Guangyao, and Su She all share, and which not only is shitty of them, it...traps them in a wheel of doubling down on their own worst impulses because rather than going 'that was bad and I shouldn't do it again' they've repeatedly invested all this energy into making what they did actually the correct thing, according to their interpretation of the context. Which means they're more likely to do it again.

(I think this is how Jin Guangyao became a serial killer, for example. He followed a doing-a-murder-impulse and then internally doubled down on how he had nothing to be ashamed of, so he was more likely to do it again, every time.

Wei Wuxian's strain of self-righteousness about his revenge was less...thorough than Jin Guangyao's, because he had the benefit of going after people on the opposite side of a war from him while Meng Yao's first known murder plot was against a shitty boss. But it probably didn't help him not try to solve army-shaped problems with mass murder, even after that stopped being allowed.)

If any of them had just like, zero moral sensibilities they would have created very different problems, and very possibly fewer of them. It's making a central goal of your operations 'self-vindication in your own internal narrative, created retroactively via reframing' rather than 'figuring out what I think I should do and trying to do that' that traps them in the self-reinforcing murder pissbaby vortex.

So if you look at it one way, these three villains are themselves perfect examples of how pursuit of the 'feeling of being good' (or at least 'not the bad guy') can make you worse.

Notably Wei Wuxian was also extremely sensitive to hypocrisy in his youth; it was the only part of Madam Yu's behavior he was ever shown objecting to. But he's sufficiently mellow and cynical from regret and burnout by the 'present' timespan after his resurrection to just get disgusted and alienated about it, rather than outraged.

He wasn't even all that mad at Xue Yang, though honestly that may be partly because he stopped entirely characterizing him as a person at some point during their interaction. Like, there's no point being angry at someone whose moral sensibilities operate exclusively on the plane of 'is this unfair to me' for manipulating and destroying people who were good to him, and then getting obsessed with his own self-pity about it. This is not a person who understands how not to be, metaphorically speaking, a cannibal.

And Wei Wuxian did know better and still got roughly the same result, so what business does he have getting angry?

Anyway yeah those two villains are both delightfully relatable if you sit down and put their perspectives together; they are clearly operating with the same basic suite of human needs and emotions as everybody else, without that being in itself particularly exculpatory, which is honestly refreshing. They've just got the most fantastically toxic interpersonal habits that knowing them counts as some level of Suffering A Curse.

Jin Guangyao and Xue Yang do both stand as scathing rebukes of the society that created them. But within the narrative, wherein they're people, the fact is that each of them had agency and one of the things they chose to do with it was develop rationales for why they were the most special little guy and everything was someone else's fault.

And their moral nihilisms, while also grounded in serious trauma, ping me as emotional masturbation of this variety.

[grapejuicegay]

That conversation between PatPran about their parents' reactions to the play and everything makes so much more sense to me. Ming isn't on social media and he doesn't really care about Pat's extracurriculars outside of rugby. He's not going to care what event Pat puts on or is involved in - he likely also doesn't have much room to say anything anymore. So Pat can give up his play for Pran, he can sacrifice that without it being an issue.

But Dissaya likes all of Pran's photos, is still a big part of Pran's life. She's okay with them acting together because it's just a play, it means nothing. She cares about all of Pran's achievements. She would care that he suddenly isn't putting up a play as his department event when he does so every year. She would care even more if engineering put on that play instead.

No wonder Pran is so anxious, no wonder he's on a mission for this permission. And if it fails once he's tried everything, he has an answer for Dissaya. Until then, he's an impenetrable (i'm trying very hard not to make the joke i want to make) ball of stress.

But you get Phupha intervening and giving them the signature with the condition that only PatPran can play the leads and Pran has a convenient reason. How he sells it, I'm not sure. Maybe just a simple "they're making us work together". Who they is, Dissaya doesn't need to know. But a lie with a hint of truth is always easier - especially when you're lying about so much already.

Pran is aware of how much Pat is sacrificing because that includes his relationship with his dad. Pran is aware that he still has a relationship with his mom. Pat is aware that him and his dad's relationship will never be the same whether he gets to be with Pran or not. Pat is aware that Pran is risking a lot in his relationship with his mom. They're both still scared.

And then you add in Pran-as-Phupha telling Pat-as-Tian "no one should use their whole life to repay anyone" and you have Pa tear up at that? Good god, the sheer amount of guilt these two families carry with them, that all three of these children are trying to work through.

This isn't Pat getting really into character and Pa getting really invested in the play they're putting on. This is their lives, each and every day. Everything around that is them trying their best to live for themselves, to not let that guilt take over their lives. Because that brings them right back here

Once again, I'm very happy that this is a little stopping point before ep 12. That we get to see them be happier. That as they get older and older, they get more and more freedom, they get to expand their world just the slightest bit more. They need it. And this is the reminder of how hard they worked for that happiness we see.

and also, this just made it clearer to me how much pran needed to go to singapore. just to get away from Dissaya. just to get to the point where he tells dissaya the big moments of his life when he comes back, when she's not tuned into everything. when she can hear pat sneak into pran's room the moment he's back and know that not only is she okay with it but after everything, there's nothing she could do even if she wasn't. they all need time but these kids also need space

[pixelatedraindrops]

RAINCODE COMIC DUB~🎙️

NEW PROJECT ALERT!

Story takes place at the start of Chapter 4 (MINOR SPOILERS)

Comic Title drawn by Kazin (as well as the whole comic)

Here's the Dub! Vocals and Editing done by me 🎙️📑 Enjoy!!

Further Rambling Below

Hehe I bet you all didn't think voice acting was among my list of hidden hobbies/talents didja? (I’m just full of surprises x3) Well... I can only hope that I delivered well enough here. (please feel free to laugh at my attempted Yakou voice… LMAO)

So this is yet another collab project that @kazinsblog and I did together. The story is based on a kokowendy ch4 canon divergent skit that I made way back last fall. When Kazin saw it, she wanted to make it into a full comic. I didn't protest (I never do LOL) but then I wanted to try something.

I've never attempted a solo dub of a comic before, and honestly I didn't think I would with RainCode due to a majority of the characters being male. Sadly with my naturally high voice I can only do so much with attempting male voices. I usually only do female or child character voices.

But since Kurumi is the lead role of this story, and has the most lines, I decided to give it a try. I do love Kurumi (she's my best girl) so I hope I did her justice here. I like to think I did her voice fairly well. I struggled a bit with the guys (and Halara) but I think my Yuma is decent enough... x'D (plus it was really fun making him sound tired and out of breath :3)

I do enjoy Kokowendy as a ship, though I'm not a huge shipper. But these two are just too cute... ;w; So I think a scenario like this suits them both. Plus it gives Kurumi a chance to be reliable and try to help her beloved hero in his time of need <3 Honestly it can even be seen as platonic. Its very tame (the only small hint is that Yuma blushes at some point, but that's it)

I had a lot of fun doing this!! I got the voices and editing done in only 3 days, so it’s definitely not a long lasting project. (on my end anyway) But I still think it’s a pretty big project with all of the work both of us did. Editing the video was probably the most fun part for me >w< I knew exactly what BGM and sound effects I wanted months in advance c: I only hope I did the editing style of it right. Comic dubs are very peculiar in the way they’re done… 💦 (also no I’m not putting this on YouTube, this is a tumblr exclusive ONLY! And I give NOBODY permission to re-upload it without my consent!)

I’m not sure if I'm the first that's attempted a RC comic dub before, but if I am, then I am very happy c: Idk if I'll do another full one though. Like I said too many of the characters are male... x'D This may be a one time thing for me here. But if I were to do one, I figured why not on a comic that was made specifically for me? c: (ty again kazin!💕)

Anyway I'm done yapping now, I hope you all enjoy! 💜 Feel free to let me know what you think or which role you enjoyed from me the most! (tho I think the answer is obvious lol)

[shikai-the-storyteller]

Bro so much is happening but I'm still stuck on how kind everyone is being to Arin, but that bit with Pac and Phil refusing to fight Arin and lying down when the guards say "the last one standing wins" is going to live in my heart forever.

[lotus-pear]

collecting bsd mutuals like pokemon rn lmao

[blorbosinmyheadcentral]

Really curious to know where in the heck people got this "Caine is an old man" thing from

[captain-lovelace]

one thing that having fish and looking up fish advice online has showed me very tangibly is that if you love something but you know nothing about it and don’t learn you will hurt or kill it in trying to do something good for it. So many people over-feed their fish to death because their fish “look hungry”, or prevent their tank from cycling fully because they’re doing 100% water changes every week and end up with fish dying of ammonia or nitrite spikes, or love their pet fish but have no clue that it’s actually going to grow up to be a foot long and will need a much larger tank, etc etc etc. And obviously a good many of these are neglect or poor assumptions about fish as pets and most could be solved with looking shit up, but there are always some cases where the person in question loved the fish but was woefully misinformed, or panicked, or thought they were much more prepared than they were, or any number of things, and they’re devastated by the fact that they’ve hurt something they care deeply about. Often, though, I see these cited as either cases of “loving them too much” or “not loving them enough” or with a veil of “anyone who really loved this animal wouldn’t do this to it” and I think that’s… incomplete? Because the problem isn’t how someone feels or whether they care, the problem is how much work they put in to finding and filling the gaps in their knowledge. The problem isn’t loving something too much or not enough because the love isn’t relevant. Someone can NOT love their fish and take amazing care of them, and someone who loves their fish desperately can be a TERRIBLE fish keeper. I don’t know how generally applicable this is as a theory or even a metaphor but I do think the problem of knowledge vs emotion does extend further than fish.

[sashimiyas]

i know this may just be my indulgence. but i do think osamu and iwaizumi would get along so well