This week on Curse of Strahd!
The party:
Is horrible with children! I’m starting to think my friends should not be allowed anywhere near kids. Who the fuck asks a 9-year-old if they believe in a higher power apropos of nothing?
Impressed Victor Vallakovich! I’m not sure this is a good thing, because I personally detest Victor. But he’s now decided the party dhampir is Interesting and Worthy of his Attention, with similar opinions about Ireena and the artificer.
Nearly killed an orphan! They cured his wounds after he got knocked down to 1 hp.
Nearly killed my sister’s character after she got possessed by a demon! The demon is still in her. She’s also a Ravenloft DM, of a different domain of dread. we hemmed and hawed over the possession description for a little while in a private thread before deciding this was the most interesting outcome. They’re trying to figure out how to move her 300-pound-seven-foot-tall goliath character.
They’re thinking of taking him to the (unconsecrated) church, since... well, it’s that or like. the currently-empty-except-for-a-corpse orphanage or like. Wachterhaus. which would not be great since Victor wants to be part of this now. Especially since the party has like four magic users and he could learn shit.
Strahd and Ludmilla have plans to potentially delay the party (or send them out of town) until the Feast of St Andral. If they’re wrapped up in trying to de-possess my sister, though, they have to work a lot less hard.
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thoughts on jaehaerys ?
fire and blood making him unambiguously goddamn terrible sure was a play. Between making his mother reconcile with her terrible second husband who hated her and sending her back to storm’s end (resulting in her violent and gendered death), inventing the doctrine of exceptionalism so that he could marry his 12 year old sister (which eventually resulted in the downfall of house targaryen), exiling his MUCH cooler older sister to Harrenhal so she wouldn’t have a claim (resulting in her death that damn curse got her) passing over daenerys for his son against his wife’s wishes, making his wife carry 13 of his children against her wishes, forcing his terrified likely neurodivergent 13 year old daughter to get married against her will (resulting in her violent death), exiling his 16 year old daughter to another continent for having premarital sex and saying sex work is where she belongs, forcing his other 16 year old daughter to get married to an old man thousands of miles away from her home (resulting in her death), locking his final teenage daughter away from public view during her pregnancy and miscarriage (resulting in her death) and passing over Rhaenys for Viserys (resulting in the dance of the dragons, which caused the downfall of house targaryen), Jaehaerys was a MENACE to each and every woman in his life and ultimately laid the seeds for the cataclysm that would swallow his whole family forever. he is the WORST but is not criticized in-text like other kind of bad kings. i need more characters in the main series to come out as jaehaerys haters
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.
Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need.
They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.
anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
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Oh yeah, Angel Dust has a sister, her name's Molly, there are a bunch of speed drawings with her.
Anon I think you are the only fan of Molly as I have not sent her be mentioned outside of 2017.
Genuinely thought that Molly was like Niffty/Vaggie situationship because I had NO fucking clue what stance Molly even was outside of just looking at a distant glance over definitely not realizing that was what happened to the past 'Angel Dust Drag'..... The fact that it personifies into a woman that is barely mentioned [much like angel representing or doing drag in the first place], turned into fucking THIS????
I cant even begin to comprehend.... She speaks for herself honestly. You can tell that viv genuinely did not give a fuck about the implications here or the lazy design that is 'Hmm angel dust but pink girly'
I feel like she just became cut content considering there hasn't ever been a mention about angels' family besides his Arackniss
Kinda weird how angel is more focused and put down upon in the spotlight more with Valentino and less with his 1930s mobster Italian spider persona :/ Even attempting to make a different womanly character known as the sister of angel dust, she is still tied down to him and has nothing besides this rainbow vomit old design.
How could I not be confused over angels' stance on dragging while VIV can't even fucking make characters up for him without retconning over herself!
You want this mess of a character design to be made but not Baxter???? I'm baffled. Thanks for bringing this horrid 'writing' decision to my notice. Since viv doesn't give a single lick of sense about Molly I too did not realize that Molly was supposed to be the hyper feminized pink eyesore that was SUPPOSED to be Angel's DRAG PERFORMING CARICATURE???
Your ask has the exact same amount of punch as telling me that Blitz has a sister, they are underwritten to be one of the same since they're women obviously Viv just doesn't like writing women ! :/
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