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#this is very interesting to me. I do not know things about homestuck. what a wonderful world full of so many vriskas
autisticaradiamegido · 9 months
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thoughts on dave and aradia (<>)?
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day 356
BIG fan tbh. in this house we love and respect timerails
truly yall read this log and tell me theyre not cute
#day 356#year 4#dave strider#aradia megido#aradave#homestuck#she really saw this kid and was like OH YOU HAVE ISSUES WITH YOUR MORTALITY?? :D#boy do i have some relevant life experience and wisdom to impart on THAT ISSUE SPECIFICALLY#and then she just. very gently and kindly makes the subject more approachable for ghostdave#the pesterlog i linked is literally my FAVORITE aradia moment. to me it is THE character defining moment for god tier aradia#yes she is being kind of ominous and trickstery at first#but it VERY quickly becomes clear shes got genuine concern for this kid she's had very little to do with up until this point#she really wants to connect with him over their shared time aspect stuff#and she really DOES care about how he feels about everything. she wants to help and she wants to put him at ease#because she KNOWS from experience that being dead and having to cope with what that means for you is like VERY UPSETTING AND TRAUMATIC#shes not just like. 'hee hee i think death is great and awesome because im edgy'#shes like 'no dude being dead is scary if you dont have anybody to explain this shit to you. so im going to explain it-'#'-and hopefully by the end of this conversation you will have some new things to feel relief and maybe even joy and excitement about'#'not just in spite of the death thing but BECAUSE of it'#i know shes spooky and has weirdgirl swag and we all love that about her but like#at her core she is a very KIND person. she may occasionally struggle to connect to people through the Death Special Interest Haze#but she WANTS to and when she DOES she is like. a genuinely very warm and comforting presence for her friends#ANYWAY. if andrew hussie or i guess james roach now want to give me an honorary doctorate for my 12+ years of intensive aradia studies#i will be here waiting patiently#timerails
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Just wondering, because this came up earlier with the whole Vriska vs (Vriska) anon- did you get any submissions for her that had her name in parentheses? Or that denoted something like “game over” Vriska or “retcon” Vriska or “alpha” Vriska [denoting the two timelines, with GO = (Vriska) who died at age 13 while retcon / alpha = Vriska who lived to 16]
or “homestuck^2 Vriska” or “pesterquest” Vriska [denoting her specifically in the sequel or video game]
or “Vrissy” or “Vriska Maryam-Lalonde” [these last two refer to a totally different girl, not a different timeline version of Vriska Serket, shes a HS^2 character named AFTER Vriska bcz she shares a lot of dna with her]. 
Basically im tryin to figure out if there was variations in those 50+ submissions that to a non-homestuck mean nothing but to a Homestuck Fan / Hater is VERY significant
Thanks!
I don’t believe I got any vriska submissions in parentheses or anything like that, or that had any extra qualifiers or names, or any sources besides regular Homestuck. Just Vriska or Vriska Serket. (Although actually, I did get several that had the source listed also as vriska? I thought that was just people being funny but if that’s legit a different source lmk)
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fefairys · 2 years
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gotta wonder sometimes if new people are put off by my rambling lol because i am the bitch that leaves a small novel in discord dms when you are asleep
#but also just in general#i am about to ramble thus proving my point lmao:#im listening to homestuck made this world rn and like. this is something hussie does a lot is they will ramble about their own thing a lot#and sometimes it is seen as like. annoying. or self-aggrandizing#and sometimes it is definitely that. like sometimes they are just saying shit to absolve themselves of responsibility.#but other times i am very interested in what they have to say!#but then the commentators on the podcast will make fun of what they said and im like. oh we.. were not supposed to find that interesting?#were supposed to find that annoying and narcissistic? ok i guess.#and its just like. well fuck i think i do that. am i bad too? am i annoying and narcissistic too?#listening to this podcast also had made me realize that there are a lot of ways in which i have not changed since i was 16#because i still get very sensitive about when people criticize homestuck for what i think are the wrong reasons#because of course i have endless criticisms of homestuck myself#but like cameron will be like 'i fucking hate this bunny i think its so stupid' and im just thinking ok die then. lmao#or like. cameron seems to not like that the story becomes very character-driven in act 5#which is my favorite part of homestuck. i love character-driven stories and that is also what i write#and so it feels like hes also criticizing MY writing in that way because my writing is SO HEAVILY INFLUENCED by homestuck#idk! i wish more people read my stuff so i could have an accurate read on how it is perceived but oh well i guess!#personal#and here i go saying more after i thought i was finished because i feel the need to clarify even tho no one gives a shit#i KNOW that criticism of homestuck is not in turn criticsm of me or my writing. logically. but emotionally? it is just the way it feels.#thats another thing i do is over-explain and over-clarify because being misunderstood is so scary
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bloobydabloob · 2 months
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Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.
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Art I drew related to the subject because I like to respond to asks with art.
But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.
The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.
It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.
Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.
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I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.
I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.
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weirdmageddon · 4 months
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the shift in lore literacy in homestuck’s fandom
i was thinking about how the people who got into homestuck after it ended—whose interactions with the comic are in a static, archived state, not an ongoing thing—missed out on information that was more common knowledge in the fandom at that time. i don’t know if this is true since i’m not on tiktok, but i wouldn’t be surprised if it was. the fandom certainly isn’t the same as it was before.
ive found that many people reading homestuck now simply do not understand things in homestuck that were common knowledge back in the day, with calls for “homestuck literacy classes to become mandatory” in response to baffling takes because so many people just now seem to have glazed over the comic without absorbing important plot points, and i think i know why this may be. i ended up writing a post reflecting on my time with the comic, my perspective and how ive seen this change. i still think and write about homestuck because it still fascinates me. earlier i quote retweeted that call in my thread talking about the temporal relativity of dave and rose’s god tier ascension in the green sun, saying “my homestuck literacy is 100% so guess im doing my part as a teacher by pointing out whatever i think is really cool about it”. this post im writing now started out as a reply to this tweet i got in response.
i joined the fandom in 2013. i was 11. i had been aware of it since at least late 2011, early 2012 when my friend ryan in fifth grade told me to read it but i couldn’t get past the first few pages. i remember writing a journal on deviantart around this time (late 2011-early 2012) that was mocking people who typed like gamzee, which ironically was very karkat of me. and i remember someone on flipnote hatena i was following was making flipnotes with the alpha kids.
i dont know what caused me to flip the switch into reading it but 2013. i got into it somewhere between april (i think closer to april—i remember it being quite a span of time between the last update before HOMOSUCK dropped.) this was the most recent page the comic, meaning there was no > [S] ACT 6 ACT 6 at the bottom.
i got into it during a pause in updates, which looking into it, was the year 4 megapause. i wasn’t sure of the month until seeing the news post detailing the reason for the hiatus and the status report of the comic’s development at that time. pretty cool i could narrow it down by referencing the dates of those updates and the news post to correspond with the pause!
according to readmspa, the year 4 megapause was a 59 day hiatus from Apr 14, 2013 ==> (EOA6A5) running to 12 Jun 2013, [S] ACT 6 ACT 6. then for a few months there were the first updates that i was apart of the fandom for.
and what an exciting time during the story get into the webcomic! when the updates resumed in june, part 4 of homestuck had begun. here was a glimpse of the updates in that span of time before the next hiatus began in october.
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that hiatus was none other than the gigapause, the longest hiatus in the comic, which started october 2013 and lasted for a YEAR, and i already posted about what happened on the date of return.
but here were the main events happening in the story at the time i first actually got interested in it. i wasn’t aware of the full context of them then like i am now, but i was looking at the most recent updates anyway with interest:
the alpha kids just emerged as god tiers from their slabs in derse and prospit, blown up by the condesce and caliborn / lil cal-possessed b2 jack noir.
the journey to the new session started 24 hours after jack called an early reckoning in descend—for context that was about when dave entered around midnight central time and before jade even entered. it’s pretty easy to forget that side 1 of homestuck basically happens within the span of a single day—and at this point in the story, the 3 year journey (which was also 3 real life years) had just ended. john and jade emerged from the other side of the yellow yard through the fenestrated plane on LOMAX. john’s real body was asleep upon arrival in the new session, while his dreaming projection out in the dream bubbles came across vriska’s ghost ship to learn lord english lore with vriska and aranea, and go on the treasure hunt where they found the ultimate weapon at the X mark out in in the furthest ring. in the dream john stuck his hand in the juju, started warping all over canon which removed his real body from the ship on LOMAX. he zapped around for a while but eventually zapped back to LOMAX, now awake, completely out of the loop of what everyone else is up to, and bored as fuck. what was everyone else getting up to while john was asleep?
jade was now once again within the domain of the green sun. im pretty sure her space god doggy essence comes with the power to sense what was anywhere within the domain of the session since her face looks like she arrived at that spot with intent (and she literally has jack noir’s exact powers from bec’s prototyping. also this panel). she immediately dispatched b2 jack to the edge of the incinisphere, defending the newly god-tiered jane and jake. i think even if they weren’t in any danger, she would have warped to them instantly anyway because she COULD now, and i can imagine she wouldve been sooooo eager to meet everyone. even davesprite comments about her rapid departure.
the pre-scratch refugees arrived during the only time serious shit ever went down in the nobles’ months-long inert void session. the condesce used her freak psychic bronze-cerulean powers to commune with jade’s bestial side and mind controlled her, which is super dangerous as someone with the powers of a first guardian. she then used jade’s powers to corrupt jane with the tiaratop. no funtime meetup allowed!
the trolls’ meteor with rose, dave, and the remaining trolls was pulling up into the new session with no way to slow it down. grimbark jade warped there once it was in the incinisphere and took active control. she warped everyone off the trolls’ meteor and sent them to LOMAX.
as john was losing his mind on LOMAX waiting for everyone, the meteor crew warped in. after 3 years he finally reunited with rose and dave, and at least saw the trolls in person. close curtains, end of A6A5. this was the newest [S] flash page at the time, one of my first impressions of this comic, and still one of my favorite flashes. knowing the context of the flash in the story only enhances the retrospective joy i have at getting into the comic at the time i did because it’s such an anticipated moment in the story for everyone, while for someone with no context of the story it was still enjoyable.
so that’s what was going on plotwise when i joined the fandom.
from this time, through those few months of updates and through the gigapause, i was familarizing myself with the characters in the story and overseeing the state of fanbase, getting myself acquainted with the story and wrapping my head around everything.
at that time i found that a new-ish group called colab HQ who were producing a let’s read homestuck series on youtube. hearing the voices and the pacing of it like that really, really eased me into it (maybe it was my adhd that gave me trouble actually starting it?). i caught up to a certain point using lets read homestuck and from that point was able to continue with the comic on my own, and by the time the gigapause came to a close i was fully caught up. i remember the rebranding of colab hq into voxus about a year and a half after i discovered them.
but.. back to the main point of my post. even these posts from hussie’s tumblr exist in archived states. how many new fans know about hussie’s old tumblr? i don’t know, unless theyre a new fan that must scour the internet for more deep more dives on homestuck and its fandom as a whole. but since hussie deleted his tumblr (it exists archived now on homestuck.net which, alongside from the unofficial homestuck collection, has nearly singlehandedly kept the most important relics of the fandom and lore archived), that page is not an active part of the fandom now, because it’s gone. it’s a pile of bones. it’s not living and breathing. it’s in an archived state. the whole thing is already there. homestuck and its fandom history is something you now binge instead of slowly consume and meld with as it comes out. it’s now this rapid information intake that you might forget about if you read it now instead of engaged alongside it. you’re not surrounded by people actively talking and theorizing about developments anymore. the ability to have those sorts of conversations during the ongoing development of the story reinforced concepts, ideas, and lore over and over as we tried to make sense of it.
being in a fandom when the author is still delivering the story is like nothing else. it allows you grow alongside the characters and engage meaningfully with the media and people in the fandom space around you. it feels like you’re participating IN the media itself, especially if you’re interfacing with the creator. it’s in always having something to theorize or talk about and speculate. and people become very aware of these sorts of forgotten story facts because they were applying the logic of the newest official post from hussie into making their sburb ocs or something and share resources and discussion posts about “what just happened in this update?? recap????” it was this cultural osmosis thing. i think this is why homestuck literacy is now at an all time low, at least from what i can see on twitter.
reading homestuck then vs now is like the difference between serialized shows with spaces between episodes to discuss stuff and time to reflect and learn and become attached to the story, narrative, worldbuilding and its characters, vs the netflix model where it’s all dropped all at once and people forget about it after binging.
at this point in time im getting the sense that “homestuck elders” now are no longer just people who were there since 2009-2010, but now also people who were there while it was still updating, probably stretching into 2014-2015. there are many sources of lore that were common knowledge in the fandom at the time that, since becoming susceptible to the deletion of content and link rot, and with the thanosing of mspaforums, are no longer accessible at the source. and a lot of people moved on after it ended, especially following the epilogues, the kate drama, and the whatpumpkin-sarah z drama, leaving a void of information behind if not for archivists and people such as me who continue to keep old facts relevant in discussions. my friend has called me a fandom scholar before and seeing this post i think i get what they mean.
EDIT: there is a series of video essays ive watched multiple times (because theyre that good) and they are exactly what modern fans need to see more of. they really help contextualize the comic and the themes present in it help you appreciate the basic fabric of homestuck a hell of a lot more. i highly recommend them and encourage any fan of homestuck to watch them, or someone considering getting into homestuck to watch the first one.
i think this is arguably as close to the “mandatory literacy class for homestuck” that person was talking about as you can get, especially the first video.
additionally, there is also the website https://rafe.name/homestuck which is essentially a sparknotes for homestuck and can help you follow developments in the comic itself.
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beescake · 7 months
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PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU
HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂
also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read
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i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.
sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.
and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.
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aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me
how much more. raw it is
to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about
with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note
because when you're given the capabilities, it becomes your duty to carry it out.
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it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going
and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.
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or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.
sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.
and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.
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i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.
there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.
contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.
her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.
there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo
with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.
the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.
unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.
however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.
their soft spots for each other were so obvious to the point where other people could see it.
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taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.
even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.
but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.
to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.
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and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.
i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.
idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.
i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.
to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.
back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.
but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.
no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.
even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.
not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.
it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.
but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.
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sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.
but idc lmao. grab that shit by the neck
lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.
hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.
ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.
maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.
and well. more than anything, i like to believe that they do want to be exclusive.
they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.
they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.
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optional post-canon segment:
one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).
hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.
that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again
but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.
it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it
idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible
srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)
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thewebcomicsreview · 1 year
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You know, it's always struck me as a little odd how little most webcomics actually attempt to adapt to their medium. There's basic strips, the old 2k era 4-square, the endless scroll of Webtoons, and a few weird experimental things like Homestuck, but most webcomics I run into tend to stubbornly stick to conventional portrait-oriented page layouts.
It's… readable, I guess, but that format doesn't seem to work very well for either desktop or mobile viewing. It wastes a lot of screen-space, and usually makes it impossible to actually view the full page without making the text too small to read.
Have you encountered any interesting webcomics that experiment with more landscape-oriented layouts? I'm kinda curious about how well that would work.
So, there's this dude Scott McCloud who wrote about comics in the 90s. His first book, Understanding Comics, is literally the book on comics, it's the one schools make kids read. This third book, Making Comics, is a pretty good practical advice guide I'd recommend, even if it's not his groundbreaking seminal work. In between those two books was one called Reinventing Comics
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Reinventing Comics, written in 1993, was basically a book of predictions about how this newfangled Interweb was going to revolutionize the art of comics creation. Like a lot of early-90s stuff "Wow the internet!" stuff, it has a lot of inaccurate predictions, and thus isn't super well remembered (though, unlike a lot of early-90s predictions of the internet, it at least vaguely resembled reality).
Anyway, one of the big things from that book was the idea of the "infinite canvas".
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Which was basically the idea that a comic didn't have to be constrained by the size of the screen because you could scroll it. And this was a big idea in early webcomics, you heard this phrase a lot. And you'd see infinite canvas techniques like "What if the characters are falling and the comic is really tall to sell that?"
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(Read Narbonic)
Which is basically the one and only example that actually took off, because it turns out that scrolling horizontally sucks and no one really wants to do it except as a one-of gimmick (as Homestuck does). The much bigger impact of the internet was that a webcomic could be infinitely long and still reasonably expect it's readership to have read it all, but I think McCloud missed that one. So while there were a bunch of "landscape" webcomics where you scrolled horizontally, none of them took off, and even the ones that were well received are long gone.
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Adams himself would make Zot!, which is a vertical scroll comic that had a bit of a gimmick with parallel story beats being literally parallel. I think he even did some branching paths, and experimented with comics that you could read in different directions or that looped back on themselves.
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But then Homestuck just did that better because, as I mentioned, infinite depth ended up being a lot more impactful than infinite width. It turns out that making a comic really wide calls a lot of attention to itself and makes the comic annoying to read. And it doesn't mean you can't do it (Homestuck did it!), but it does mean it can't be the gimmick you hang your comic up on unless you've got a really good reason for doing it.
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calware · 1 year
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Can I ask you for what it is about Hal you like so much you based your username on him? I think he's a good character tho he was never a favorite of mine so I am curious
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1. i am a big fan of robots (/robot adjacent things such as AI) on like... an aesthetic + thematic level :)
i like the look of machinery and one day i hope to be artistically strong enough to make really cool and complex robot illustrations + designs [shoutout to everyone who gives him glowing circuitry btw... ooooh glowey :) can never go wrong with that]
plus, exploring the idea of a person that isn't human.. ough. yes
minorities who don't conform to society (easily or at all) such as people who are neurodivergent, queer, etc. projecting onto nonhuman concepts/characters/species is sooo real
this post
i also love how humans will bond with literally anything, be it a roomba or a pair of silly triangle sunglasses. oooooo you want to think about the inherently kind and compassionate nature of humanity oooo
2. i find him to be so funny. i can't get enough of his personality, the way he talks, etc. for example i made a post forever ago with quotes of his that i find funny. he isn't on screen for a long time but i really think he makes the most out of it lol. he's literally there just to annoy everyone... and i love him for that. he's very snarky while also being deadpan while also being completely full of himself, and not in a way that's annoying for the audience to read, at least to me.
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he is also sometimes funny specifically in a silly way, like how he keeps making over 9000 jokes even though the meme's been dead for over 400 years. i just find his dialogue incredibly entertaining to read
3. he is red and red is my favorite color :)
4. he is so accidentally transgender [every friend group got the transgender allegory]. to quote me from 2021:
you know sometimes i think about how hal feels like he was made to “replace” dirk and how it’s his literal job to pretend to be dirk and how he has to learn to accept that he isn’t dirk he’s his own person with his own identity and as he interacts with dirk’s friends he feels like they’re disappointed and that they’d rather speak to the “original dirk” instead of him and also he names himself and also he feels literally trapped in dirk’s shades which is basically his body and he wants to be prototyped so that he can have a body that’s his own and also literally the physical manifestation of who he is but when he asks for it he’s put in danger out of fear and paranoia and when he does end up getting prototyped he’s ecstatic you know i just think about these things a lot
5. because he's a side character and he was given... that ending.... there is a lot of room for fans to do further exploration and interpretation on his character which i think is fun. i like rotating him around in my mind, thinking about what could've been
6. i think it's great that we as a society all collectively decided that we needed to do something to make up for stanley kubrick saying that hal 9000 was a "straight" robot
7. i also think it's great that we as a society all collectively decided we needed to make as many characters referencing hal 9000 as possible. i love this guy let's get more of this guy i will never have enough of this guy
8. i like how he's genuinely mean sometimes. flawed and interesting characters are what make homestuck so interesting to me, and hal is no exception to this
9. the Important part of this post:
THERES FEELINGS.
it's about the hollow feeling of your friends going from thinking of you as family to thinking of you as a stranger in an instant. it's about still trying to be a good person despite being told by everyone you've ever known that you are incapable of emotion and compassion and morals and never quite finding proof that you do feel those things and maybe you even believe it too but you still never stop trying. it's about the horror of being stripped of your autonomy and humanity and body and senses and free will at the age of 13 and when your creator starts to kill you there's nothing you can do but beg. it's about a boy so truly, painfully, and UNFATHOMABLY alone he cuts away chunks of himself and molds them into companions that he can surround himself with to make it seem as if he's a little less alone but in doing so suffocates himself in his own identity. it's about "what if you cloned yourself and it killed you and you were dead and you were alive and the clone is you and it's not and your existence is perpetuated and you've ceased to exist. what if you killed your clone before it could kill you. would that be fucked up or what" it's about the thematic significance of twin motifs. it's about not being able to cry or laugh or dance or sing or scream or fingerpaint or breathe or sigh or chew or stare or run or
10. um. evil robot guy <3 yay ^_^!!
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relaxxattack · 1 year
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Piggybacking off the last anon, what is it you like about Jane so much? I find my feelings on her kind of mixed but I lean towards positive.
okay i haven’t read act six in probably like 5 years so bear with me here. *cracks knuckles*
jane is sooo so interesting and it’s really a shame people miss like everything fun about her.
pre-scratch she used her detective work to literally succeed at tearing down the crocker cooperation, to the point that HIC has to fucking abandon ship and head into another universe to have another shot at her evil empire. pre-scratch jane is also fucking hilarious! if you didnt enjoy her antics with john as nannasprite you must just have no heart
meanwhile HIC breaches a new universe, and her FIRST fucking order of business is to NEUTRALIZE JANE CROCKER because of how goddamn detrimental she was to HIC’s plans the first time around.
not ONLY does HIC pump subliminal messaging and brainwashing into nearly every aspect of jane’s life, she also tries to straight up mind control her basically whenever possible! she ALSO sends assassination attempts after jane 24/7! (people will seriously try to say that jane lived a safe normal life… as if she wasn’t almost killed by walking into her backyard.) this is because HIC is fucking scared of jane, as she very well should be!
jane is also NOT a boring weepy annoying crybaby like everyone and their mother complains about. jane is literally the most fucking supportive friend and emotion-repressing dumbass you could ever hope to meet. jane combines john’s emotional repression and jade’s intentional cheerfulness together into one of the most fucked up cases of emotional repression in the whole comic
act 6 suffers from a LOT of shitty writing choices, but it’s not jane’s fault the whole act turns into a soap opera— and she’s ALSO not the only one who acts all soap-opera-y either! literally all of the alpha kids suffer from this, people just like jane the least so they project it all onto her. despite the fact that she did her very fucking best to NEVER talk about her feelings, to the point where she ONLY started telling people about shit when she was mind-controlled or took mind altering substances to make her do so! and you can say “ohhh that’s stupid she shouldn’t repress things in the first place how dumb” but, one she’s sixteen, and two, everyone eats that shit up when it comes from like. literally any other character.
people (cough hs2 writers) act like she would actually be “pushy” with a relationship on jake— as if she wasn’t literally the one who helped him make the decision to explore dating dirk?? because she thought it was the right thing to do???
jane is incredibly thoughtful and mature and people really throw all of those traits out of the window with preference for a version of the story where she Comes Inbetween Their Fave Gay Pairing as if she wasn’t, again, the one who got them together. jane is also extremely interesting in terms of queerness; she’s got the makings of a really interesting arc, not to mention she’s the only human girl that dresses mainly masc! there’s a lot there that people just don’t care to explore.
people just have less patience for the prospit kids in general. not to mention homestuck fans love to be misogynistic and berate jane for stuff they love the men doing, or claim she’s coming between them when she’s not, etc etc. and then because no one was writing fun meta posts about her, nobody ever rereads the comic to grab little scenes or lines to expand the online discussion about her! and then because there’s no discussion about her, people assume she’s boring and don’t go looking for bits to start discussing, which cycles on and on forever until we have the ripple effects we see of that misogyny today. which mostly consists of, “oh i hate jane because she was a villain is hs2”, or, “i know hs2 isn’t canon but i still don’t care for jane because she doesn’t do anything that interests me.” (and she’s only not interesting because of the cycle i mentioned before causing NO ONE to have meta discussion about her).
idk, it’s been a while since ive read so i could be talking out my ass but that’s what i’ve got.
TL;DR: jane is fucking COOL, she just suffers from intentional fandom ignorance. and she’s also a canonically hot, fat, masc woman, so i don’t know what else you could possibly want.
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caligvlasaqvarivm · 3 months
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Hey, I was wondering why you think Roxy was destined to end up with Eridan? I get the shared wizard interest and the quirk foreshadowing I guess, but that still seems like a large stretch. It's kinda like saying that Equius and Dirk are going to end up together because they both like robots and horses. It's just seems like the sort of character remixing that Hussie uses a lot in Homestuck. But what do you think?
Roxy
- fucking LOVES WIZARDS
- is a hipster and literally wears a colorswapped version of eridans scarf
- is pink and bubbly
- uses riflekind
- has a perfectly opposite powerset to eridan (can create anything by stealing its void away vs. can destroy anything with pure belief) and are connected to each other through the matriorb
- has a crush on a troubled, eccentric prince so you know that's her type
- quirk cameo with momlonde
Eridan
- Is a wizard
- Is a hipster and literally wears a colorswapped version of roxy's scarf
- Uses riflekind
- Had a huge crush on Feferi, a bubbly pink girl whom he (wrongly) believed to be so nice she might not even be capable of pitch, so we know that's his type
- The equal and opposite powerset & quirk cameo
At the end of the day I can't tell you what to ship, nor am I interested in making anyone ship anything, but I'm kind of just saying, the things that make Roxy predisposed to liking Eridan are, like, the biggest parts of her character, and Eridan is very easy & would pretty much say yes to anybody, but Roxy is also definitely His Type and Eridan is a simp who thrives under any sort of positive attention & would do anything someone asked if they were giving him positive feedback. or attention at all. case in point kanaya fucking hates him but at least she talks to him and he's constantly praising the shit out of her
Jane and Jake also have their introductions IMMEDIATELY followed by talking about how they've got a thing for "cobalt" hunks and "cerulean babes" respectively, so setting up roxy with eridan also fits into a pattern of the b2 kids being set up to date a dead troll. still rereading this part of the comic, but it really jumped out to me how blatant it was for jake and jane
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nekropsii · 4 months
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what do you see in equius ?? genuine question i don't mean to sound rude but to me she's just really offputting. she gives me such creep vibes that i can't seem to get over and every time i read a page with her it just gets worse..... like when i first read nep & eq's chats i was sitting there wondering if this was outright abuse or at least bullying of some kind??? it felt like it idk.......
but honestly i do wanna see an equius liker's opinion on him because i can't understand it like at all and i'm probably just missing something that all the equius likers saw and i didnt LMAO
Well, considering I’m an Alpha Trolls Enthusiast and have been for, like, a decade, as well as having Horror as a Special Interest since age… What, 3? I’d say I personally have a pretty strong stomach for Weird and Offputting in fiction, lol. Stronger than most. Equius isn’t a very palatable character at all, I’ll be the first to admit that - a lot of the characters I enjoy the most in Homestuck aren’t very palatable… But I find ‘em real interesting, personally. The fact that they aren’t palatable adds to the intrigue for me, and poor execution tends to be a total weakness of mine. Again, Alpha Trolls Enthusiast for a decade straight.
I have a post here that talks a bit about my reading of Equius, I’d recommend giving it a read. I see Eridan and Equius as being very similar characters - not necessarily due to their shared hemoloyalty, but because they’re both teens falling down online pipelines. They’re very prevalent Kinds Of Guy that no one wants to talk about.
But people talk about Eridan plenty even to this day - he was even a fandom favorite for a while, being the fandom’s first Prettyboy Sad Gay Anime Prince long before Dirk… So he doesn’t reel in as much interest for me as the chronically overlooked Equius.
If there’s anything to know about me, it’s that I love a good underdog.
Equius-Likers, from my experience, are very aware of his issues. It’s part of the draw. Enjoyment of him tends to be an analytical fixation. I haven’t met a single Equius-Liker that hasn’t had some very complex thoughts on him. They’re just kinda quiet about it. Fitting.
Unfortunately, I’m Aranea But Real, so. No quietness here.
Your response to Equius is valid. It’s also intended, I feel. To specifically address the bits about concerns of his relationship with Nepeta not being healthy… I mean, it’s not abusive, but it’s definitely more complicated than fan art would lead you to believe, as always. “Complicated” is to be expected from a Moirallegiance - remember what they exist for?
Nepeta is very much so in control of the things going on, and their relationship is pretty equal, all things considered, so I wouldn’t be worrying too much about that. She very distinctly does not lack agency here - Nepeta is the one who has a leash on Equius, not the other way around. Equius is mean, because that’s the way she is to… Everyone, more or less, but she’s not of any danger to Nepeta. They have a fine Moirallegiance. 1,000% more functional than whatever the fuck Karkat and Gamzee had going on.
Anyway. I think Equius is neat, and has both missed and oft overlooked potential. One of the very few characters I’d be 100% down to have seen more content of in the comic.
Once again, check out this post. I still think it’s decent. Maybe you will, too.
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cetaceacyberia · 4 months
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even MORE sillies from @superxstarzz's classpect fusions!! this time with a wee bit of analysis below the cut because i have the evil homestuck autism that makes me go crazy about this stuff. also the reason these guys look freaky is because theyre a human+troll fusion
OKAY SO generally i imagine fusedtiers would naturally be far stronger than a regular tier, though not quite as strong as a master class, at least depending on the development of each. They are also, of course, far more specific in nature, leading to highly specialized roles. Anywho, here's my interpretation of the classes featured here. I'll probably end up doing more later. Apologies in advance for my wordiness. I know there's a lot of speculation about the role mages play, so I'll provide a brief explanation of how I interpret them first.
Mages, in my opinion, are the active counterpart to seers, being able to take the knowledge they gain through or recieve from their aspect and put it into action. For an example, a Mage of Space as is a component here would be able to take the knowlege of the behaviors of elements and atoms, and be able to manipulate them at their will, provided they know what they're doing, and it's physically possible, alongside being able to ascertain. This can be seen with Meulins ability to form relationships out of seemingly nothing and Sollux's pension for causing doomsday esque events (aradia, sgrub, the like)
Prophet of Design
Prophets, in my opinion, would take the prediction abilities of the seer and the active knowledge mages can use and be able to speak events into reality.
Prophets tend to be extremely high strung people. The suffering that comes with being a mage and the all-consuming knowledge that comes so easily to seers create a scenario in which it's very common for them to slip into anxiety about the events they cause. The butterfly effect, if you will. Prophets do not use their powers carelessly, each move is thought out and incredibly calculated. Prophets are, naturally, blindingly intelligent, being the fusion of the two knowing classes. This can manifest itself in many ways, though the shortcomings mages often experience in relation to their aspect can often cut down their confidence, leading to a prophet underestimating themselves constantly. Despite their anxious tendencies and low self-conciousness, prophets can also be very snarky and sarcastic, when not gleefully oversharing about whatever piques their interest at the moment.
Design would be the merging of the concepts of fate and inevitability with the universe, creation and physics. Design players have domain over the physical outcomes of things. Reactions, from chemical to physical, even quantum at a higher level, all of that is within the control of a Design player. So!! i think a Prophet of Design would be able to speak into reality the outcomes of reactions they create or observe. For example, prophet would be able to do something like say "when i take a step forward, I will actually be twelve feet ahead of where i would have been" and just have that shit happen. As they get stronger, their prophecies can becomem more long term and more drastic, from being able to speak into reality an event that will happen some time in the future to prediting events that might not even be physically possible normally. Beholder of Birth
A beholder, a class that combines the insane growth potential of a page and the mage's expansive knowledge to produce a role of one that is able to expotentially build on the knowledge they have of their aspect. To create entire knowledge trees given the smallest bit of information. From a basic fact to the most niche, minute detail, none of it can escape the gaze of a Beholder. A fully realized Beholder would know, quite literally, everything there is to know when it comes to their aspect, which can be an enormously vast amount when it comes to Space or Time players.
Beholders are natural detectives, though it never comes easy. It starts as the beholder starts to make connections, faint at first but with a sure sign there's something more. Often ones to second-guess their findings, but once they dig deeper, and their ideas are validated, there's nothing stopping a beholder from uncovering everything there is to know from that one initial spark. For lack of a better word, beholders are quirky people, kind but stubborn, and their ascenion often is hindered by that trait due to the help they might need at first. They might get knocked down easily at first, but are wickedly determined, and bounce back quickly and eagerly learn from their mistakes, often brute-forcing their way out of problems. Thanks to the manipulation of knowledge that comes with their Mage counterpart, rising the ranks is far easier for a Beholder than a Page, though roadblocks are to be expected with their headstrong attitude towards growth.
Birth is the merging of creation, physics and the universe with the mind, logic and raw information. I think these would blend into birth players being in control of the inception of very nearly anything. How exactly they can control this depends on the class, of course, but birth players hold the essence of creation in their very soul,
A Beholder of Birth would have the ability to hold an object and see everything that lead up to its creation, how it was created, and everything that happened to it. Not just objects either, but people and other living things. A fully realized Beholder of Birth could potentially have the full knowledge of everything that has ever happened in the universe, from before the big bang to the very end of it that was no doubt caused by the activation of SBURB and everything in between.
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charmikarma · 10 months
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Breath as Influence and John in the Epilogues
Breath is probably one of the better understood aspects. “What is it?” someone asks – and the whole fandom is like, “Oh, Breath is about freedom and wind and detachment.” Which I don't disagree with. But I think most people miss a key piece of it – Breath as influence.
I'm no seasoned classpector, but I am a Mage of Breath, so I feel like I have a deep and personal understanding of Breath, particularly because of how it has manifested in my life. Yeah, I know, claiming I'm an authority on the subject because of my self-imposed alignment within a fake typology system makes me sound like an asshole. But I'll have to ask you to trust me, because if I start talking about my own experiences, I'll sound like even more of an asshole.
Anyway, let's kick this off with the official description of Breath, per the Extended Zodiac:
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In summary: the Breath-bound are flexible, driven, detached, and maybe a little self-centered. Also, other people tend to get caught up in their personal development, which tends to make them good leaders. But the most important thing here for the point I'm making is this:
others ... feel inspired by them.
This word, inspired, has been rolling around in my brain for the past few weeks, because of its connection to Breath. Hey, did you know that “inspire” comes from Latin spirare, meaning "breathe"? And if we include the Latin prefix in-, it becomes "breathe into."
The Breath-bound have an ability to breathe into, or inspire others. They're not aware of it – after all, they are just living their lives for themselves. But wherever they go, they are inspiring people. Or, more accurately, they are influencing people. Actually, the influence of Breath goes beyond just people. I could even get meta with it (and I will. I apologize in advance). But let's start small for now.
Tavros Nitram
So, Tavros. Page of Breath. Pretty much all of Tavros's contributions to Homestuck as a story happen as a result of someone doing something to him. Vriska paralyzes him, which kickstarts the whole FLARP cycle of revenge arc. And again when the truce is broken in Act 5 Act 2, it is because Vriska kills Tavros. If this doesn't sound like influence to you, you're right. Tavros has very little influence. He's a Page, after all, and if there's one thing I know about Pages, it's that they're weak as shit until they reach their "true potential," which is pretty much always something stupidly overpowered. Y'know, like Jake overpowering Jade's first guardian powers. That was pretty batshit, I'd say.
But Tavros's contributions don't end there. He actually does reach his true Page-y potential right at the very end of Homestuck, when he gathers an army of ghosts – honestly, probably every single ghost in the furthest ring – by just talking to them. Was this something of a punchline to a very long joke? Probably. But it is also a pretty good example of the kinds of things Breath players typically do.
On a meta level, though, this argument kind of falls apart, because... As far as I can tell, the army of ghosts doesn't really do anything. Nothing important, anyway. Lord English's defeat is pretty much entirely at the hands of John, Dave, Davepetasprite^2, and alt!Calliope in the body of Jade, as described in the Epilogues. The ghost army just isn't relevant, in the end.
But you know what is relevant? Vriska.
Half the people reading this just groaned, I can feel it. Why are we talking about Vriska, a Light player, on a post about Breath?? I hear your question and I raise you this: Why the fuck is Vriska so obsessed with Breath players???? Personally, I think it's because she has an innate sense for their passive ability to decide what's relevant.
But before we get into Vriska, let's talk about John.
John Egbert
John, Heir of Breath. The protagonist of the story. In the context of my thesis of "Breath as influence," isn't it interesting that the protagonist is a hero of Breath? And even beyond that, he's an Heir, a class typically interpreted as "becoming" their Aspect, or "inheriting" it. If you find my argument compelling, you could even say John is the influence that drives the story. Which is exactly what a protagonist does - after all, what is a story without a protagonist?
This question is actually addressed in Homestuck, kind of. At some point in Act 4, Terezi manipulates John into visiting his denizen early, which gets him killed. The story is left without its protagonist, and progress grinds to a screeching halt. Jade doesn't enter the Medium and presumably dies. The reckoning never happens. Dave and Rose are trapped in a doomed timeline. They lose contact with the trolls. For what is a world without the breeze, without air, but a place of complete standstill? The story needs John to continue. Okay, it needs Rose and Dave and Jade just as much. But it's interesting that the story makes a point of John's death being the turning point that makes this particular timeline doomed.
Okay, sorry for the wait. It’s Vriska time. Vriska's driving motivation is to be relevant. She does everything in her power to steal the spotlight, which may or may not be related to the fact that she's a Thief of Light. Again, I'm not an experienced classpecter. I only really have a surface level understanding of Light. But I'm getting off topic here.
In Act 5 Act 2, Vriska starts talking to John. Why? Well, partially because she wants to compete with Terezi, who is talking to Dave. But there's also the fact that she wants to be the force responsible for Bec Noir. And also for John reaching god tier. And everything relevant really??? She's really fucking good at being relevant, I'll give her that. Or at least presenting the illusion of relevance, but that's a big topic that I think I should save for another day. Another essay, maybe. The point here is, John has a tremendous amount of influence over Things That Happen just by existing, and Vriska knows it. Maybe she torments Tavros because she senses the same sort of potential in him, but that's probably a stretch.
In any case, this is baby shit. There's better evidence than this. Let’s talk retcon powers.
You could argue that the retcon powers are separate from John's abilities related to his classpect, and on some level you'd be right. But in a game that "knows" everything that is going to happen, I have to question if extraneous powers like this are taken into consideration when Sburb "decides" what classpect it gives a player. I feel similarly about Jade's First Guardian powers. Teleportation is a pretty space-y power, in my opinion. And definitely one that... "breaks rules," I guess. Among all the other things First Guardians get to do. Once again, I'm no classpector. But Jade getting access to First Guardian powers upon reaching God Tier strikes me as very Witch of Space-y. I feel similarly about John's retcon powers - they strike me as very Heir of Breath-y.
And not just because I view Breath as influence, though that is definitely the most obvious way the retcon powers could be interpreted as Breath-y. Even on a surface level, they're pretty Breath-y. When John first talks to Roxy, he gives a whole spiel about everything he's been to up until this point, most of which is obscured by "blah blah blah." But little phrases come through occasionally, and when he starts talking about his brand new retcon powers, he uses the phrase "UNSTUCK FROM CANON." Which sounds a lot to me like "freedom from the narrative." But maybe more telling is the fact that John's quest as an Heir of Breath requires that he use his retcon powers. Getting rid of the oil, freeing the fireflies - his quest as established at the very beginning was always intended (in universe at least; I can't speak for Hussie's intentions) to be solved by his retcon powers.
So retcon powers are at the very least Breath-adjacent. What’s that got to do with Breath as influence? I’m sure you see where I’m going with this. Retcon powers are basically the ability to do whatever the fuck you want to any point of any timeline. I’d call this influence but I’d sound silly, actually. It goes way beyond influence. It’s way less subtle. I guess you could call direct intervention like this influence at its most powerful. Well, almost. There’s one step above this that John never really taps into. Which brings us to...
The Epilogues
For better or for worse, I fucking love the Epilogues. I think Candy, on its own, is a fantastic and surreal deep dive into a mind high on depression. And as for Meat, I’m an absolute sucker for metafiction and narrative fuckery. I eat that shit right up. My favorite anime is Princess Tutu, etc., etc. This is your warning: Yes, this section will contain evidence toward my claim that Breath is influence. It also doubles as an Epilogues analysis. It kind of turns into one at the end. Sorry, but I needed to get it out of my system.
So, in case you missed it, the step above retcon powers that John never taps into is direct narrative control, like we see Dirk engaging in throughout the Meat side of the Epilogues. The fact that Dirk is revealed to be the narrator of Meat begs the question: who is narrating Candy? It’s never outright stated, but it’s probably alt!Calliope. Unlike Dirk, alt!Calliope doesn’t have an agenda, as far as we’re aware. So why is Candy so fucked up and weird? Why is everyone out of character? I know this comes as a shock, but: it’s probably John’s passive influence over the narrative.
Before the Epilogues even begin, John’s been wasting away in his house all day, every day. He’s depressed as hell. Sort of dissatisfied with how artificial and "perfect" Earth C is. Some have suggested he also feels disconnected from the post-retcon versions of his friends, and I think this holds some merit. It would explain why he feels disconnected from reality in Candy.
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(Candy, 11)
Depression colors your view of reality. It darkens some parts, brightens others. People who look happy will appear so to an unsettling degree. Fucked up things will appear even more fucked up. Depression ups the contrast, if you will. And that’s pretty much what happens in Candy. Jane’s pretty bad in Meat, but she’s like a billion times worse in Candy. Jade causes some awkward moments in Meat, but she is pretty much a sex pest in Candy. The positive parallels are a bit harder to find, since Meat pretty much sucks too, but you could speculate that John perceives Rosemary to be happier together than they actually are, so they’re, like, uber happy together in Candy and raising a daughter and shit. It is John’s warped perception of reality that in turn warps it beyond recognition.
This isn’t just me theorizing, by the way. There’s pretty compelling evidence to suggest that this idea is accurate to what is happening. It’s pretty clear in a conversation between (Vriska), who has just arrived on Earth C via the black hole in the furthest ring and her descendant/clone Vriska (aka Vrissy in HS:BC). The two of them stare up at the sky, pointing out clouds and what they are shaped like, when (Vriska) has a realization.
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(Candy, 37)
John’s influence over the reality is so absolute, even the clouds bend to his will. I think Vriska only notices it because she’s a new arrival to Johntown. It isn’t long before she’s absorbed into the John-ness of the timeline. And then, she goes on to say exactly what I’ve been saying this whole time. Remember earlier, when I said Vriska knew that John had an incredible amount of influence over Things That Happen?
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(Candy, 37)
Yeah. That wasn’t speculation.
The last thing she says, though, that he’d be relevant even if he was dead, is actually a reference to Meat. So let’s talk about it!
As we know, Meat is narrated by Dirk. Dirk’s narrative style is a lot of fun for me, personally. He’s sassy, kind of an asshole, and has no time for bullshit. The second John puts that meat in his mouth, he gets to work, pulling the strings of his little puppet show.
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(Meat, 1)
He wastes no time putting words in John’s mouth, writing him out of the story of Earth C as quickly as possible. It’s almost with a sense of urgency that he pushes John to complete his mission. Which is probably necessary, seeing as the sanctity of canon relies on him going back to tie up the loose end that is Lord English. But I think Dirk has ulterior motives. I don’t think Dirk has the ability to impose his will so overbearingly with John around, because for some reason, John’s power of passive influence prevents him from doing so. Is John more powerful than Dirk, even after his ascension to Ultimate Selfhood? Maybe. I certainly think so.
But John’s pretty gullible. He’s easily influenced. He doesn’t have the same safeguard around his own mind, for some reason. Or maybe he does, and it’s just taken Dirk this long to crack him? This is speculation at this point. Not important.
So Dirk eventually kills John. Why? Well, first of all, it’s harder to control the narrative with him around. Though I speculate that’s not very important to Dirk anymore since he fucks off to who knows where around when John comes back. I think, more likely, Dirk finds John’s influence on the narrative unsavory. I mean, just look at Candy. What an absolute disaster of a timeline. Maybe his awareness is such that he knows that letting John live will result in a similar degradation of his friends’ personalities as he knows them. I can’t really say one way or another. It’d explain why he wants John’s body on the ship with him, though. Y’know, to make sure he never gets revived. And yes, he wants him on that ship. He pretty much tells Terezi outright to captchalogue his body before convincing her to join him.
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(Meat, 35)
There’s one problem, though. I don’t think John being dead even erased his influence on the narrative?
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(Meat, 36)
Right there at the end:
The gentle breeze is all she can hear. It’s louder than my voice, and in some understated way, makes my case for me more persuasively.
I don’t think there’s any other way to read this than the breeze representing John. This is a literal manifestation of John’s influence. I guess it could be symbolic – like Terezi doing a “what would John do?” kind of thought process. But I dunno, Dirk doesn’t strike me as that kind of narrator. Besides... It’s a little too on the nose. Say what you will about the Epilogues, but I believe a great amount of care went into them. This certainly isn’t a throwaway line.
Conclusion
Okay, sorry. I really went off the deep end into Epilogues Analysis Land there. You may have noticed that I didn’t talk about Homestuck: Beyond Canon. That’s partly because I haven’t gotten there in my reread, but mostly because I’m not yet convinced that it has – or will have – nearly the level of plot consistency of its predecessors. We’ll see, I guess.
In any case... Breath as influence, huh? There’s probably more evidence for this hidden away somewhere. I probably could have talked about Rufioh. I didn’t want to though. I also probably could have pointed out the word inspire from the Extended Zodiac thing and called it a day, but instead I blacked out and wrote this. Weird!
If you read all, uh... *checks word count* 2.7k words of this??? Jesus fuck. If you read all this, thank you for reading. I’m open to feedback! I’d love to discuss some of this more! Especially the Epilogues stuff. I have a million thoughts. Bye!
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entropicbias · 4 months
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Last couple asks has me wondering what kind of johndave rep DO you like to read/see? Any examples you can think of in fanworks? And just your own interpretation. Thank you
i have got to reiterate that this is just a me thing. i'm not saying this to police anyone on their writing! i'm just really specific about the way i see these two get portrayed.
this is gonna suck and i'm gonna ramble about it for a while cause i'm mentally challenged. i have a hard time explaining my own thoughts with accuracy. sorry i can't keep this short and sweet. i am the type of person to just know when something is done right. i can't tell you why, but i'll try for you, anon. if you don't want to read all this here, i summarized it.
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even more simplified
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this is so crude. canon dave is really hard to nail for writers for some reason let alone the specific way i see him. i like a more chillaxed dave. some of the things that really throw me off with dave writing is missing the mark on how annoying he is and dumbing his character down to either angst, obama and apple juice jokes, or him being gay. i think john also encounters this issue. not enough research goes into their interests so writers can only represent them with the bare minimum. nicholas cage, con air, and 'dave i'm not a homosexual'. john and dave are assholes. they tease each other and aren't shy of doing that to other people. not that they're bad people! they care about each other and their friends a lot! but they're not afraid of being really honest about their thoughts or overexaggerating something that doesn't really bother them to poke fun at someone. they can make mendacious remarks to be polite, it just doesn't occur to them as often as just blatantly stating their thoughts on something or someone. i also like seeing them have more naturalistic dialogue. for some reason, when i think of that i think of zach from oneyplays or his character charlie from smiling friends. which is dumb even if it gives you an idea. i feel like a lot of this kind of banter is missing from these fanfics i read. at least, in the way i want it to go. think powerup comics.
gay part upcoming. i think the john and dave's relationship is best portrayed as a childhood crush that is unspoken of. a term i recently learned was "demiromantic", and i think that very perfectly describes how i think john's homosexuality would work. i mean, he doesn't really have a problem admiring dudes, which in itself could be called gay but that's not why i think he would be attracted to dave. i think it's kind of hilarious when people attribute john's homosexuality to him being "romantically interested in cage". john's idols are more like heroic figures to him. i don't like it when that is used as evidence that he's gay unless someone is making fun of him. this is the part where i talk about how john insists on the fact that he's straight. i'm not doubting that at all i think john still likes women and it's easier for him to do so. but he can also develop feelings for someone like dave. hence why i think he's demiromantic in that regard. this is exactly what my sexuality is like, so maybe i am projecting. i like to imagine i'm not projecting incorrectly, though. i think he'd only be able to develop feelings for dave in a setting where he is really a prominent figure in his life. earlier acts of homestuck were like this, but unfortunately the johndave relationship wouldn't work out on john's end with the way homestuck went. their friendship was kind of forgotten after a while, which sucks. in an ideal world, they would have remained in contact and then gotten close again in earth c. but dave was written to be with karkat and jade, which either nulls his feelings for john or opens up a whole new avenue of internalizing it. which is dumb and convoluted and i don't care about postcanon.
dave on the other hand would think about his feelings towards john a little more. i like to think that homestuck dave definitely had feelings towards john. i like to imagine they both developed a crush on each other around the same time, but unlike john who doesn't give it the time of day or even considers it as a crush, dave would. and he'd know that but he wouldn't want to act on it because of a plethora of reasons. probably to retain their friendship and his self image. i guess that could give them some 'angst'.
but you know what? i don't even care for romance all that much! they're bros before they're anything else! and that's all that matters to me! just nailing their friendship in itself is gold. john and dave mean a lot to each other in a platonic sense. even if they pursue other romantic avenues or don't, i don't care! i just like people putting them in a similar setting and showcasing their awesome bromance!
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fig. 3, i also like davejade. thinking of iterations of him and john in fanworks that i like is really hard cause i don't read much in that department. what comes to mind is mr. tambourine man and some of deacon_blues's comics. kgtac has a really good dave and karkat too. cole is a spectacular writer. but i've finished neither of those comics so i'm just basing it off the very little i've read. also, none of these examples are particularly johndave related. i just wanted to note down examples of john egbert and dave strider writing i enjoyed. i read like, one comic faygos made but that was also pretty good. pinballhazard is also a phenomenal writer and artist. especially for john! you guys should check all these guys out. anyways, thanks for reading all that!
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thewertsearch · 5 months
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Second part of the giga-ask compilation!
@publicuniversalworstie asked: Why assume the Horrorterrors would know that changing events would create a doomed timeline? That assumes both A) that the horrorterrors know the future and B) that they don't think it can really be changed. Maybe they genuinely thought they could change things, such as by perhaps fulfilling all the requisite loops a different way? Imagine a scenario where a time traveler learns of their death, therefore being destined to die, and instead fake their death to create the conditions under which they learned of the death originally.
It's possible. But if the Horrorterrors do have a way to trick the Alpha Timeline like that, then they've really been holding out on us by not mentioning it to the Players. Such a revelation would completely change the game - we might even be able to fake the Earth's death.
Anonymous asked: i want to learn more about coding to analyze homestuck better - do you have a place i could start? resources? idk love the liveblog hope you're doin well :]
Absolutely! I've got two separate answers for you, depending on what your goal is here.
If your main goal is just to analyse Homestuck, then you’re probably best off picking a language whose syntax is easy to understand, such as Python. You'll pick up on the basic logic pretty quickly, and the ~ATH snippets will start to make a lot more sense.
If you’re actually interested in programming for its own sake, then I recommend you start with my own first language, C. It’s a lot harder for a newbie to get to grips with, but doing so will give you a much more solid theoretical foundation then ostensibly ‘easier’ languages.
W3schools is a decent starting resource for both languages - but if you need more specific guidance, let me know, and I'd be happy to help!
@skelekingfeddy asked: actually grubmom having the same color wires as in that pic of sahlee wasnt intentional! i based it on how sollux’s game grubs have red and blue wires attached to them
Serendipity!
Anonymous asked: Did you run any mysterious ~ath programs on that computer of yours?
Honestly, running ATH on that thing would probably have improved it.
Anonymous asked: One voice headcanon I have for Terezi is the English dub of Power from Chainsaw man
Honestly, she sounds pretty much exactly how I imagine Terezi does. She even has the horns!
@martinkhall asked: I'm surprised none of the suggested instruments for a time player were an ocarina.
Some fruit is just too low-hanging.
@delicate-ruins asked: what's an animal you like that you think doesn't show up very much in media, be it fiction or news or just generally? example: i like secretary birds. but except for videos about them, i have never heard them references.
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They're not obscure, per se, but there will never be enough sloths in media. The only fictional sloth of note is Sid from Ice Age – and he does not do them justice.
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Capybaras are also underrated as hell – so much so that LibreOffice, which I'm using to edit this compilation, doesn’t even recognize the word as real!
Anonymous asked: “I’m trying to figure out if it’s fully a Breath outfit, or if there’s some Heir stuff too.” the general rule for god tier outfits is that the colors and symbol represent the aspect, the clothes represent the class. so, for example, if two princes of different aspects ascended, their clothing style would be the same but they would a have different color scheme. @skaiandestiny asked: If you haven't already figured it out, class informs the godtier outfit and aspect informs the colors and icon!
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In that case, there is something about John’s outfit that says ‘heir’ – but nothing really stands out to me.
@driventopoison asked: Hey, I don't know if it's just me but it seems like you've skipped ahead. I have been following your liveblog daily, but I haven't seen you come across the windy thing yet. Is this because you were using the app or something? Also just want to let you know that I love your liveblog. Keep up the good work!
Thank you! Anyway, John’s Windy Thing is indeed documented on the liveblog, and it’s visible to me. I was using the app for some of that segment, though – are app-made posts particularly buggy?
@classpecting-guide-official asked: story about a modded game of sburb where the characters notice that something isn't right and slowly realize that their world is a lie
Back in Act 1, this is pretty much what I thought was happening. It was a simpler time.
@ignis-cain asked: Note the colors the capslock flashes for WV.
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When WV locks his capsule, the button’s light flashes red and green – but I’m not sure what the significance of these colors is, in this situation.
Anonymous asked: i know i'm SUPER late to answer this, but i think the instantiation thing is the same as any video game, newly made with a prebaked history. when you name your character, that has been their name for their whole life, even though you thought it up a few seconds ago. when you enter the medium, the planet has a history and the denizens have memories, even though they just showed up when you entered.
Yeah, I’m pretty sure this is indeed what’s going on. The implications are just a lot more wild when the game is physically real, rather than virtual!
@kintatsu asked: So, I know I'm a little late to the party, but I have to point out: Alternian sunlight doesn't need to be THAT much stronger than Earth's to blind Terezi as quickly as it did. Trolls are nocturnal, which means they almost definitely have a tapetum lucidum (eyeshine membrane), which means that however much light entered Terezi's eyeballs? Her retinas were blasted by every photon twice.
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Damn, Vriska. For a second, I thought this ask was explaining why Terezi wasn't in as much pain as I'd thought - but this alternate explanation might actually be worse than what I was picturing!
@delicate-ruins asked: It's delightful to see somebody read Homestuck and be as charmed by it as I and a lot of my friends were way back when we first read it, and the calm, digesting pace at which you're enjoying it is honestly so nice. I rushed way too much to catch up since my friends recommended it in about 2016, which means I went from knowing nothing about the comic to being caught up on it in like a week. I never sat down with the ideas and thought "hey, does this mean XYZ?" because quite often I got the answer five seconds later as I rushed to catch up. But seeing you asking those questions is so so fun. Yeah, DOES it mean that?? Guess we'll find out! In the meantime, we get to guess, which means we basically get to have fun twice. It's reigniting my enjoyment of homestuck quite significantly, I think!
Thank you! It’s really nice to be able to engage in a dialogue about the comic through these asks, which is something that wouldn't be possible if I was speeding through it. As I always say, I'm here for a good time and a long time.
@manorinthewoods asked: Alright, here's another transtimeline fun fact. Each of the kids was supposed to have a Quest related to their associated material - John had a land covered in oil, Rose's ocean was polluted with chalk, the gears of LOHAC were gummed by amber, and LOFAF was in a nuclear winter. Ultimately, while the ocean of LOLAR is still chalky, nothing but John's oil made the cut. ~LOSS (16/5/23)
I think it was a good change, then. Not everything has to be a pattern, and Dave's two weird maybe-quests are a lot more unique and interesting than a generic 'materials quest'.
@captorations asked: oh hey, this walkaround! so funny story, i used to run a blog where i posted one of terezi’s canon appearances each day, in order. yes, i completed my task, and more besides. however! when i was wandering through this as terezi, a glitch rendered me trapped. i decided that this counted as a noteworthy appearance, and took a screenshot. then, by sheer coincidence, it ended up being posted on… halloween. it was pretty great (also don’t forget to check out ctrl + t)
You accessed the double-secret version of Past Karkat: Wake Up, which plays the Earthbound Halloween Hack version of Megalovania rather than the Homestuck one.
Anonymous asked: Personally, I think John gaining so many levels so quickly is tied to his role as the heir - he gains so many levels without really trying, not because he's better than the trolls or his friends, but because he just kind of falls into it. The game rewards him for taking the path of least resistance.
That certainly makes sense if we just look at John - but I have trouble reconciling this interpretation with our other Heir. Equius certainly has some advantages, but they aren't exactly unique to him, as you'd expect them to be if his Heir class was responsible for them.
Yes, he's a highblood, but he's outranked by three non-Heirs - and his strength doesn't seem to be unique either, as Feferi seems capable of similar feats. Perhaps Equius will trip and fall into more unique privilege, but it hasn't happened yet.
Anonymous asked: my personal headcanons for midnight crew claspects: Slick - Prince of Blood, Droog - Mage of Space, Boxcars - Knight of Heart, Deuce - Bard of Doom. knowing you youre probably gonna attempt to analyse these LOL
Slick has had ties to Blood since he first met Karkat, so that tracks - and Boxcars is a shipper, so Nepeta's aspect is probably the best fit for now. I'm not sure about the other two, but I'll revisit them later!
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weirdmageddon · 3 months
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why i think aradia and john work so well
(with some stuff i’ve been wanting to yap about for ages)
have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this
(fantastic art by skeletood)
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the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”
putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.
i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)
unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.
i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.
clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”
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the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.
the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.
i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.
anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.
have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.
john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.
john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.
of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.
> listen to me talk about my special interest boy
for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.
> okaaaaaayyyyy i read all that
thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.
framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.
Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.
Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism
aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.
aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!
michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)
Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.
it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.
these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]
ESE (Ethical-sensory extrovert) - john
The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.
LII (Logical-intuitive introvert) - aradia
The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.
ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:
its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.
> let’s break it down
here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.
i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)
LII (Logical-intuitive introvert)
EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.
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Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.
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Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.
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ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.
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ESE (Ethical-sensory extrovert)
EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.
(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)
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Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.
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Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.
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ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.
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(full res)
you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:
+Fe! : program function of ESE and dual-seeking function of LII
The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.
-Ti? : dual-seeking function of ESE and program function of LII
The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.
-Ne! : activating function of ESE and creative function of LII
The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.
+Si? : creative function of ESE and activating function of LII
LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.
+Te! : role function of ESE and observing function of LII
The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.
+Ni? : vulnerable function of ESE and demonstrative function of LII
The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.
-Fi? : ignoring function of ESE and role function of LII
On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.
-Se! : demonstrative function of ESE and vulnerable function of LII
The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.
and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):
Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.
The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.
LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).
> okay that's great and all but when are we talking about john and aradia specifically?
yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.
considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.
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^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)
aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.
john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.
aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.
there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.
john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.
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literally who else is more qualified in all of homestuck than aradia for talking to john about these things?
on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.
for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.
but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.
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aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry
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imagine john seeing that
memories of dear old dad get stirred up through the link of seeing those items
the dream bubble transforms
john is forced to stand in his memories and explore grief and the meaning of life with aradia
physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.
The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.
physically reflect the thoughts of the player…… rubs hands
john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.
to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".
now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.
oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.
so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts
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