Free Falasteen Free Palestine
"I wish that I could do something bout bombs dropped on Gaza" hits hard
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i often get asks that are like 'how do you enjoy anything' and similarly have a lot of detractors on web site who call me, like, 'joyless', and i feel like that's kind of revealing about the way these people conceptualise criticism (& especially political criticism). like esp. when i say something like 'DOOM 2016's central conceit of a heroic ubermensch righteously massacring an infinite horde of subhuman invaders is fundamentally a reactionary fantasy' i think that people assume that means i played the whole game through gritted teeth or threw it down in disgust but nah i played that whole thing and had a great time. i just also made some mental notes and thought them through afterwards. i just find it weird so many people find those things to be in abject contradiction
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This. This scene.
It has has such a powerful hold on me.
The way his head is bowed, his shoulders burdened with so much grief and responsibility. Sitting in shadow—with naught but barrels, crates, a couple plants, and stone surrounding him.
A break from him being the leader, the shepherd, the councilor. This scene gives him a moment to just FEEL.
There is light just around the corner. Hope. Resolve. Resolution.
But, in this moment, Gandalf can experience those feelings of sadness and devastation.
To pause, after running around Middle Earth for so long.
The deep breath before the plunge.
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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