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book-o-scams · 3 years

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Ed, Edd n Eddy Series Bible (1996) -Analysis-

You can all finally read/download Ed, Edd n Eddy's official Series Bible right here! Thanks again to Chuckletons for sharing this with me and to Joey/Kongiscool0518 for sharing it in the first place, the Holy Grail of lost Ed, Edd n Eddy trivia!

One of the first posts I made for this blog was the Series Bible page. It was a composite of every source we had ever seen reference the series bible so far-- storyboarders in interviews, CN's old character guides, and the biggest source, an old CN UK posting about the show. Well, I figure now that we have the official source, I better update the old page (so everyone knows it's out of date), and make this new Series Bible post using the official source! Not much new information, but I was intrigued to finally learn the true phrasings of some things we had only heard paraphrased, as well as at least one detail from the movie that I couldn't believe came up this early in conception...

Unfortunately, Tumblr has apparently updated its post system to only let me add 10 images? Gonna try and only use images for what I need since you can read the actual document above, I guess I'll transcribe it too for easier reference and so we don't ever lose some archive of this.

Quickly, let's review what a series bible is:

A series bible is how creators pitch shows to networks. They can be called “pitch bibles” as well. Bibles do not usually get posted publicly, because they are initially under a strict Non-Disclosure Agreement by the network; also the creator may simply not wish to share it because it reflects the earliest stages of development.

The pitch materials typically include early concepts for characters, locations and episodes. Sometimes it exposes secrets, in this case, Ed and Eddy’s home lives, and sometimes the stuff in it is completely abandoned because it’s so early in production, in this case, casual references to school and adults.

Alright, everybody, it's time to gather 'round and read the Ed, Edd n Eddy Bible!

THE YEAR IS 1996.

YOUR NAME IS LINDA SIMENSKY. YOU WORK AT CARTOON NETWORK. A FRIEND OF YOURS, DANNY ANTONUCCI, IS WRAPPING UP A SHOW ON MTV. YOU GET THIS FAX.

Linda Simensky immediately fell in love with this concept because as a child, she was best friends with 2 other Lindas for seemingly no reason other than the shared name.

I love how Danny decided last second to pencil in the correct names over each Ed, since they're arranged out of title-order.

"They're friends because they have the same name."

-the Logline for the series.

Fun fact: one storyboard artist for the movie observed that the movie is essentially all about challenging the series' original notion that the Eds are friends ONLY because of their name.

"A Danny Antonucci Cartuna"

-the label Danny used to use under announcements of new productions.

PAGE 1:

Ed, Edd n Eddy

They're best friends because they have the same name.

A gag laden, beat generated CARTOON bumper car ride of 3 misfit youths on a cul-de-sac in the suburbs of America.

Through summer vacation, part-time jobs, or just hang'n out at the corner mail box, they want to belong....but CAN'T.

From home chores, helping neighbors or eating jaw breakers, they want to fit in...but CAN'T.

Ed is into "B" monster movies, model kits and is quick to break out into rashes.

Lots of luck...

Edd is into chemistry, biology and prone to crushes.

Later...

Eddy is into pranks, is stylish and flaunts himself to the world.

Ya Right...

Ed, Edd n Eddy is a show about confusion and contradiction, that awkward part of youth, pimples, big feet, oily hair and... girls???.

Puberty is unforgiving.

I was fascinated by the lack of art on this page, it makes the pitch feel very focused. AKA logo in the corner, the title logo again up top, then the logline appears again below.

I really love the breakdown of Danny's vision of the show. "Gag-laden, beat-generated, CARTOON bumper ride." Very accurate, and I think "beat-generated" is the phrase that interests me the most. I typically think of "animation beats" as sort of a give-in-- technically all things fit a rhythm, so all stories are essentially just a montage of beats. But this does make me realize how important the strength of the beats and their rhythm are to the pacing of a cartoon and making you feel like "that was a good one." I feel like the "seasonal rot" viewers feel over the course of a show, and the way that perception differs from person to person, depends on the type of beats you want. Even though I am very into the experimental beats of a show in its later seasons, I can definitely see how season 1's beats are more typically appealing to a wide-audience, and how important a focus on that is to the longevity of a show.

I found it really interesting how the scams are initially conceived of here as "summer jobs." It adds to the sense that adults were originally meant to be present. Honestly a little surprised nobody with access to this bible had ever thought to mention that-- scams are not referenced ANYWHERE. Their image in the Series Bible is that they have summer jobs and help neighbors, which is certainly a much cleaner reputation than the Eds ended up with in the show. Makes me realize though, were some of the early scams, like Ed's Hive Bee Gone and their newspaper routes, supposed to be leaning into this early idea of them with almost legit jobs for unseen adults?

I was very amused by the repeated phrase that the Eds simply CAN'T fit in.

Loved to finally see the official phrasing for the confirmation that Peach Creek is in America. Not much different than I was led to believe, but still nice to have the true quote.

Also love Eddy being described as "stylish and flaunting himself to the world." The bold-print reactions to each micro-description is a cute idea too, I truly wonder who we were meant to picture saying those things in reaction. Each Ed? Kevin?

The "corner mail box" is an oddly specific phrase-- the Eds do hang around mailboxes throughout the series, especially seasons 1-3, and I believe the canon map does have a corner mailbox, but the idea that the Eds hang out at one specific mailbox went the way of Bro's supposed secret treehouses.

PAGE 2:

Ed, Edd n Eddy

Show Description

Gag laden. True cartoon style, inventive, non parody, fast paced, stretch and squash

Beat driven. (even when characters stop they hold with a bounce cycle. Adults never bounce. Music can play important part, not just fill.) But not a musical.

Cartoon surrealism. (viewers see the show as Ed, Edd n Eddy would, less important things tend to blend into the background, while objects of Ed, Edd n Eddy's desires are focused. Premise driven.)

The school year's over, (yeah!!!!) and the long HOT summer vacation begins (gulp). What to do?

Stuck on a cul-de-sac in the suburbs of America is the last place you want to spend summer break, especially when you find life confusing and contradicting.

Ed, Edd n Eddy is about friendship, and serves to remind us that they're no "good ole days," just smelly runners.

You can tackle anything, when your with your pals.

Their days are spent, for knowledge, acceptance and some cash for jaw breakers. Armed with pimples, big feet and oily hair the three amigos trek into the unknown.

Ed, Edd n Eddy are dying to be grown-ups, but they're kids, and attack adulthood as only kids would. Simple situations turn into a manic rollercoaster ride. (Don't forget your barf bag).

They just want to belong, and they're willing to pull off any insane stunt to prove it. First they need to figure out what it is they want to belong to.

Found it interesting that on this page, the show's logo is replaced with the title written in a jumbled font. Seems like the font from the show's end credits.

Hehe, the continued reactions to the descriptions. Allow me to be Double D for a moment and point out the increased use of parentheticals on this page, as well as one wrong "your".

I love Danny's insight that season 1 is framed by the context of how hyped everyone still is just to be out of school, but also the sense of pressure to make use of their break.

I really appreciate Danny getting further into the details of his summary of the show's style on the previous page. It only makes sense that he had this much of a vision that early.

A second confirmation of the cul-de-sac being in America! I'm also really into the repeated focus on the Eds finding the world "contradicting." I always loved how EEnE's inexplicable cartoon antics supported that sense that the Eds are highly aware of contradictions in both societal things and the actual characters.

WOW, so I'm fascinated by this dual reveal. Before the wiggling outlines, which Danny usually calls a "boiling line" and describes as a tribute to wiggling inking in early animation, the series bible instead refers to him wanting the characters to do the iconic Fleischer "bounce," which is a much more commonly recognized rubberhose animation technique. Very interesting that Danny decided not to stick to that. Did it feel too out of place? Or was the overseas team not willing to animate a weight-shifting for every single held pose? Haha, guess I can see why boiling was an easier compromise. I wonder if he had any other ideas for how to make it more of a 1930s cartoon.

The other reveal to me here is that the movie's choice, that adults don't always wiggle in the show, was an idea from the very beginning! I guess I can better understand now why it's just too difficult to communicate a stylistic choice like that overseas-- no point making Bro not wiggle, that'd just create confusion.

Also, really disappointed that my wish for a musical is officially squashed in the series bible itself. That's a tragedy. The show's over, ya couldn't let me dream, Danny!? Conversely, I love Danny's forethought to say "non parody," I definitely noticed and appreciated EEnE's avoidance of derivative parody humor.

My spouse had to point out to me that Danny probably means sneakers here, lol. Canadianisms!

The comments about the Eds wanting to grow up but needing to figure out what they want to belong to are so great and relate to the movie so well. I've heard those comments before, but the correct phrasing was cool to see.

PAGE 3:

Ed, Edd n Eddy (image of Ed in right corner)

Character Description

Attention deficiency syndrome.

He has trouble...

He can't....um...

OK, he draws all day in class.

When Eddy gets a bright idea...Ed's in.

Ed is easily talked into doing Eddy's "hard work". He has great physical strength.

Ed's happiest with his Model kits and B-monster movies. He draws his knowledge from his movies.

Ed smells. Flies are attracted to him.

Ed has sayings for all situations

ED: "you can change your shirt, and Bingo was his name..."

Ed's perpetually a slave to his younger sister's whims and whines.

Ed may have to baby-sit his sister, or let her watch whatever she wants on TV, or let her dress him up in mom's clothes.

Ed breaks out in Rashes. He's allergic to practically everything, especially Guinea Pigs.

Ed's Mom xerox's his sketches and doodles for her therapist.

Ed's Dad hopes to pass on to his son, his knowledge on "pre-owned" auto sales.

Very cute bit wasting the space at the top of the page. Danny seems very invested in Ed's personality already. The old sources we used to have definitely tried to condense these down to simpler blurbs.

Weird how Danny wants to essentially diagnose Ed with ADHD here (phrasing it very poorly, but it was the 90s and... Canada?). I don't know enough on the subject to debate it, but I still gotta point out Ed's canonical cracked skull!

Interested in the comment about Ed being most allergic to Guinea Pigs. I don't think that animal was ever even mentioned in the show. Eddy mentioned an old gerbil once....

Neat to finally have the real phrasing of the official word on Ed's parents! I saw someone comment earlier that this seems to be hinting Ed's Dad is selling stolen cars. I've never thought to question the legality of his apparent second-hand-car dealership (I imagined he works with Eddy's dad, who has received a legitimate award for his salesmanship), but those quotation marks are certainly making Mr. Ed's practices questionable! Best case scenario, Danny meant that more like italics or something, but maybe Ed's dad IS up to no good...

PAGES 4 & 5 (Ed's turn sheet and expression sheet)

PAGE 6:

Ed, Edd n Eddy (image of Edd in right corner)

Character Description

Edd

is really smart.

is really quiet.

Edd is unnaturally-- polite.

Edd hasn't been allowed to take gym ever since the Dodge ball incident. He's been excused to free study time in the library.

Edd doesn't like it when people touch his things.

EDD: "You may enter in my room, but don't touch my Lego robot. Thank you."

Edd's learning to play Peddle steel guitar. (his Mom makes him)

Edd's prone to "crushes". Girls in School, in his neighborhood, TV, anatomy books. He mails "true loves" his socks.

Edd is always ready for action, even though he can calculate the implications.

Edd constantly mumbles.

No one ever sees Edd's parents. They both work nights. They communicate to their son solely through Post-it notes. Edd's not allowed to touch anything in the house while they're gone. Anything.

Interesting how Danny slightly differentiates the barely-used space at the top here from Ed's description, to characterize Edd as more quiet and mumbly, adding an awkward "--" mid-sentence, perhaps to create the impression that Edd halts to choose words carefully.

Everything on this page feels familiar, from the character guides and other old sources. The most interesting thing to me here is that Edd's Mom forcing him to practice Pedal Steel Guitar is established this early, don't think I knew that, but I had noticed that it existed in his room from ep 1.

I love how the explanation in the beginning for why Edd goes along with their dumb schemes even though he's smart is basically just "he's always ready for action." ?!? I guess in a way???

That weirdly phrased Edd quote amuses me because it references Lego, just like the original concept background for his room before somebody nixed the copyright-namedrop.

Edd's prone to crushes thing has been reaffirmed over and over in character bios even though it really doesn't come up outside of the cupid magic in HPH and the pilot-episode heart eyes at Sarah that are barely canon. Still, I've always loved the truly disturbing statement that he mails "his true loves his socks" and how that managed to make it into canon with a comic book example, a cel animation example and a digital era example.

PAGES 7 & 8 (Edd's turn sheet and expression sheet)

PAGE 9:

Ed, Edd n Eddy (image of Eddy in right corner)

Character Description

Eddy

Exhibitionist.

Megalomaniac. (quote from his report card)

Eddy is the unofficial leader of the trio.

He's always got a plan, a stunt or a weird noise.

Eddy's the "class clown". He loves showing off. He loves being the centre of attention-- no matter how stupid the reason is.

Eddy is the only kid in his grade to have been expelled for aw hole week from school. It was his turn to set up the video for science class. He switched "Our Friend Yeast", for a video he "borrowed" from his parent's room.

Before Eddy's brother went....away, he enlightened Eddy with the "legends" of the neighbourhood. Eddy knows where all the abandoned tree houses are, which sewer pipers are safe to spelunk, and the secret recipe for the "El Mongo Stink Bomb" (it's been in the family for years).

He is the one who is most able to pretend that he knows it all... and doesn't care what anyone else thinks about him.

His genes are working the fastest.

Eddy's Dad is constantly concerned that Eddy may grow up to be a ...figure skater.

Eddy's Mom never believes his little darling was involved in such a heinous act.

Funny choice that Eddy's wasted-top-space is just two one-word descriptions, and allegedly lazily swiped from his negative report card.

Wow, we knew the report card quote and the "Our Friend Yeast" story from the UK show guide, but now we also know Ed's page says that Ed draws in class, and now I realize that Ed and Eddy have series bible school blurbs to match Edd's classic dodgeball incident blurb. Anyway, it's great that Eddy's showed his entire school some sort of sex video his parents have.

Very interested that the phrasing for the Bro/El Mongo Stink Bomb blurb even seems to suggest it's a family recipe. Eddy's Dad did have prankster stuff in his closet in JJJ... did Bro learn his prankster ways from Dad?? The neighborhood's secret tree houses have come up in other descriptions (at best, I'd say this could be related to that creepy shack the Eds found in the woods), but I think it's new info that Eddy personally learned the sewer routes from Bro. Interesting...

Thankfully, I had already heard about the Bible's awkward reference to Eddy being the most pubescent as "his genes are working the fastest," lmao.

Once again the Double D in me comes out to point out that the description of Eddy's Mom seems to switch to the Dad's pronouns.

PAGES 10 & 11 (Eddy's turn sheet and expression sheet)

PAGES 12-14 (Sarah, Jimmy, Rolf, Jonny, Nazz, and Kevin lineup of all 6, then 2 zoomed in lineups of the first 3 kids and last 3 kids)

(Funfact: the kids' designs were allegedly freelanced to an outside studio, hence why their refined later-season designs are so different from these lizardy starting places, lmao)

PAGE 15: (images of Sarah and Jimmy next to their blurbs)

SARAH

Ed's baby Sister.

It's her way or the Highway.

She has everything done for her, if NOT she'll "make" them do it.

She can be quick to judge.

Whinney.

A tatrum for every occasion.

More than a handful for Ed...or Edd and Eddy.

Thinks Edd is kinda cute.

Wants Eddy to MOVE...to another planet.

JIMMY

Sarah's best friend

He is always playing with girls, boys are just too tough.

He is accident prone, when ever we see him he has a different affliction, ie: band-aids, patches, casts, lumps...etc.

He is very clean.

The Ed's frighten him, "They're such brutes".

I'm surprised how much of the UK guide was accurate to what was really in the bible for them! Also surprised Danny misspelled "whiney" and "tantrum," one right after the other. Is this how Sarah spells them? ...Sorry, Danny, I yam what I yam.

PAGE 16: (images of Rolf and Jonny next to their blurbs)

ROLF

First generation of a landed immigrant family.

Nationality not important.

He's proud of his heritage.

He has peculiar traditions and/or customs.

He eats "weird" things.

He has hair on his back..... "yuck".

He confuses the Ed's to no end.

He confuses the other kids to no end.

JONNY 2x4

He is a wanderer and very inquisitive

From early morning to supper time, he is always outside playing, with his buddy, "Plank".

"Plank" is a wooden board that Jonny drew a face on with a crayon.

Jonny has wonderful conversations with Plank. ...Plank is a piece of wood.

Jonny makes himself very "accessible" to the Ed's.

Found it interesting that Rolf's bio is less clearly phrased than the UK bio set it up to be-- there they made it sound more like he mixes up who the Eds/kids are, here it's unclear whether it means that or (more likely) just means the obvious statement that everyone finds him confusing. If it's that, what a lame hollow bio Rolf got. This kid's based on you Danny, show some of that personal side!

Always loved Jonny's description, his life sounds so cute. Playing outside literally all day. Interesting to have it confirmed that Jonny drew Plank's face, I preferred to think the Eds drew him and sold him to Jonny, but whatever.

"Accessible" has always been an important vague description of Jonny to me. It really only applies to how chummy they could be with him in season 1, but it still sorta applies to his personality throughout the series as well.

PAGE 17: (images of Nazz and Kevin next to their blurbs)

NAZZ

She's cool, calm and assertive.

She is the most matured of the kids, or so she thinks.

She's into make-up and fashion magazines and Boys.

Sarah thinks she's awesome, wants to be just like her when she grows up.

When she enters a scene, all activity stops... boys freeze, they sweat, their hearts beat faster and faster. They lose their ability to talk. When she leaves, they recover and conclude it was something They ate.

She thinks the Ed's are funny.

KEVIN

He is cynical and sarcastic.

He thinks he knows the "routine". That's because he watches "60 Minutes".

It got a big laugh out of me that Kevin's description is only 2 sentences long. Nazz even has a more detailed character description from inception than Kevin. Love this for them.

Who's the Eds' rival? Well, he's cynical, sarcastic and he watches 60 Minutes, doesn't that tell you enough!?

I love the "mature... or so she thinks" remark about Nazz, a grounded flaw for her to have, being a little overcommitted to being mature like Eddy. It also perhaps suggests naiveté that makes it a little more reasonable that they didn't notice they were dumbing her down at the end of the series, but I do think the movie version of her better reflects the Bible's concept.

PAGE 18:

The Other Neighborhood Kids

Lineup of May, Lee and Marie.

The Kanker Sisters

These gals are tough. They bother, bully, provoke and bewilder everyone.

They live in a motor home park on the other side of the Cul-de-sac. The other kids have never been there.

They are proud of their Tammy Faye Baker memorabilia.

Their project "Cooking with Ketchup" closed down their school for a whole week.

No one likes them, especially the Eds.

They are determined to marry the Eds. They want them to do their dishes.

Amused that the Kankers are essentially being labeled backgrounds characters here, the role they mostly fell into in season 5. "Other" neighborhood kids...

I love that the Kankers have a school blurb to match each of the Eds', and that theirs has similar destructive-intentions to Eddy's video premiere story.

I believe all of this was all known from the UK guide as well, but still, neat stuff!

PAGES 19 & 20 (zoomed in Kanker lineup and their height chart with the Eds)

PAGES 21 & 22 (early promo art that used to be on CN's old Eds webpage, the art of the Eds eating jawbreakers at the end of ep 1 with the overhead text "Ed, Edd n Eddy love JAWBREAKERS!!!", and the art of the Eds all running with overhead text "Ed, Edd n Eddy see something shiny...."Jiggers." That weird "jiggers" statement at the end was normally edited out and I don't know what it means. Looked it up and it seems to be Chinook jargon (like when Ed said he was "skookum at X's and O's") usually said in the same sense as "CHEESE IT!")

PAGES 23+:

The rest of the pages in that bible download are from a 2004 storyboard test. The storyboard sample "It's Raining Eds," which we've seen some submitted samples of before, interpretations with Ed attempting to fly or chew gum and Edd making radioactive gum, I was surprised to find out the outline is just the original outline for the opening sequence to season 3's 'For Your Eds Only', seemingly Jonny was not written into the original outline (or was excised for easier testing purposes) but Kevin's brief cameo was. Now I wonder if they knew this would be used for a test when they wrote it, and if they would've come up with a less random way to include him if weren't forced to be a concise bit for testing's sake. (Your limit is typically 40 storyboard pages in my experience.)

I also noticed that in the included background references, the anonymous adult neighbor house next door to Ed's is officially just referred to as a "generic house."

My analysis ends here, but be sure to download that sometime and enjoy all the raw storyboard sketches at the end of the document!

#ed edd n eddy #series bible #aka cartoon inc #aka cartoon #discovery #eene news

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spacedikut · 4 years

Text

“i want to love someone and be loved” ; spencer reid - part 2

pairing: spencer reid (criminal minds) x f!reader

summary: spencer decides it’s time to tell you, but he needs some help. 3887 words. part 1

a/n: THIS is the longest fic ive ever written but im actually kinda proud of how it turned out? i hope this is a good sequel :)

Spencer chickens out of telling you the next day.

He avoids you all weekend, actually. You resisted texting him the day after Rossi’s because you assumed he’d be busy – with his big plan involving a girl that isn’t you. You’re not bitter – but Sunday comes around and you message him not long after you wake up and six hours later there’s no response.

Twelve hours later - there’s no response.

Monday, you don’t have time to say hello to anyone – there’s a case waiting for you, somewhere in Florida.

Reid avoids your eyes. His body language tells you something is wrong, so you assume whoever he confessed to didn’t reciprocate (they’re insane) and he’s dealing with it. So you don’t press.

Spencer pretends to sleep the entire jet ride. He’s avoiding everyone, not just you.

He spent the whole weekend beating himself up. He drove to your apartment on Saturday, sat outside for so long a neighbour knocked on his window and asked if he was lost, but couldn’t bring himself to step foot out of his car.

So he locked himself in his room, away from you and your loveliness and away from his phone because he knew you texted him and he knew you’d send some soft message about being there for him if he needs anything and he didn’t need to be reminded of how beautiful and out of reach you are.

Derek seemed to be waiting for him Monday morning, arms crossed as he held a cup of coffee. It was weird seeing him in before Spencer.

“How’d it go?” He immediately asked.

“How’d what go?” Spencer mumbles, flinging his bag on the floor by his desk. He slumps in his seat.

Derek raises a dark eyebrow, “You know what, pretty boy. You had a big thing? Big plan?”

“Didn’t work out.”

It doesn’t take a profiler to realise Spencer is very clearly saying leave me alone. Leave it alone.

Derek isn’t one to leave it alone. Especially when it comes to Spencer.

He sighs and moves a little closer to Spencer’s desk, just in case someone overhears them.

“What happened?”

“That’s exactly it,” Spencer slams open a file, “Nothing happened.”

“And why did nothing happen?”

“Because I’m an idiot that can’t even tell a girl how I feel.”

“Whoa- hey!”

Derek spins Spencer’s chair so they’re face to face. Derek takes one look in Spencer’s eyes and knows what’s going on – he got too into his head and backed out at the last minute.

“You’re not an idiot. Why didn’t you do it?”

Spencer shrugs, “I got to her apartment. I had flowers, too. I don’t know.”

Derek’s evidently concerned – Spencer’s beaten up over this, over whoever this girl is, and he deserves the chance to experience love. Spencer deserves a lot more than he himself thinks he does.

“You seemed really excited, man. You can still do it. Just cause you try once and it doesn’t work out doesn’t mean you can’t ever try again.”

Spencer stares off into the distance, accidentally ignoring Derek as his thoughts slip out of his mouth, “Yeah, it probably wouldn’t have worked anyway – I was stupid to think I could get someone like her.”

“Hey, no.” Derek nudges Spencer’s shoulder so he looks at him again, “Don’t talk like that. You’re one hell of a guy, Reid. All you gotta do is get that confidence that you had Friday night back, and you’re all set. Don’t be so hard on yourself.”

Spencer gives a feeble nod. Derek moves back to his desk, knowing he isn’t convinced, but he isn’t done yet.

+++

Later, in Florida, Spencer’s making a coffee in the precinct’s kitchen after waiting twenty minutes for you to leave. Luck’s on his side, for once, and you’ve been working non-stop with Prentiss going crime scene to crime scene so he hasn’t had to actively avoid you. You smile at him every chance you get, though, and it distracts him.

Someone clears their throat behind him. It’s Penelope, whom Spencer didn’t realise was invited on this case.

She looks guilty. Spencer recognises that face; the face she has when she’s done something she shouldn’t have or knows something she isn’t really supposed to. Given current circumstances, Spencer bets it’s the latter reason.

“Morgan told me something he shouldn’t have.”

Bingo.

He leans against the kitchen counter, stirring his coffee absentmindedly.

“What did he tell you?” He asks, feigning tranquillity. Inside he’s screaming non-stop.

She’s got her hands clasped together in front of her, almost innocently, and fiddles with her fingers, “He told me you needed assistance in the love department.” Before he can object, she continues, “And I am willing to do anything if it means our resident weirdo-slash-genius falls in love and gets to experience some much needed cuteness.”

There’s no point in lying to her. There’s also no point in being mad that Morgan told her about his situation – they’re kind of a package deal. And, who knows, Garcia might be able to help.

“So…” She sways, trying (and failing) to appear nonchalant, “Who’s the lucky lady?”

Spencer shuffles on the spot, scuffing his shoes against the floor. He debates whether he should tell her, since, you know, you’re in the next room over, but Spencer worries that Garcia is so good at her job she’d somehow find out through hacking Spencer’s phone, or maybe somehow hacking his dreams. His subconscious. He’s terrified of Garcia and her abilities.

“You can tell me.” She insists, “I’m much better at keeping secrets than Morgan.”

Spencer turns away from her, she steps closer, and he mumbles your name.

“What?”

“Y/N.”

“WHAT?!”

Spencer spins, hands coming up to tell Garcia to shut up and Garcia immediately covers her mouth in both shock and hopefully so she doesn’t shout again.

“Since when?!” She screeches. “How could I not have known?! Oh God, almighty Doctor Reid, I feel like I’ve failed you by not realising earlier.”

Her enthusiasm makes him smile, for the first time in far too long. Garcia has that power – this innate skill to comfort those around her and make them feel special, make them smile when the world feels like its collapsing.

“Let me help!” She requests.

Spencer’s clearly hesitant. He knows it’s a bad idea.

“Please!” She begs, “I just- I have so many ideas of how you can go about this. Let me brainstorm, get back to you, and if I’m too over-the-top you can tell me no and we’ll pretend it never happened!”

He takes a deep breath. Yes, Garcia is the definition of over-the-top, but that’s one of his favourite things about her. It’s your favourite thing, too. And he did tell Morgan he had big plans. Anything involving Garcia is a big plan with big payoff.

“This is between us.”

“I’ll take it to the grave. Unless you realise how amazing my ideas are and use one to tell Y/N how you feel and then years later I get to commend myself during my maid of honour speech at your wedding.”

She looks ecstatic, hands now together under her jaw as her eyes twinkle. Spencer can’t help but laugh at her eagerness.

+++

The next day, the team returns to Quantico after a semi-successful case. The general mood is good and Morgan invites everyone out for drinks – Spencer declines, but you have your first full conversation since last Friday.

“C’mon, Spence,” Your head rests against the jet seat and you blink sleepily at him, “I feel like I haven’t spoken to you for years!”

Spencer gives you a small smile, “I promised my mom I’d call her tonight. Sorry, Y/N.”

You nod in understanding, “Will you tell her I say hi?”

“Of course. She loves you.”

You grin at eachother, immediately lost in your own world. You’ve missed him more than you realised, and you have no idea what’s going through his head, but you’re happy that you’ve had this – a Spencer Reid smile that makes you feel at home and on top of the world simultaneously.

Spencer has to tear his eyes away before he blurts something stupid, like she’s not the only one that loves you.

+++

“Spencer!” Garcia greets, Cheshire cat grin on her face. “I need to see you in my dungeon, please. Immediately.”

Spencer drops the file he’s holding. Unfortunately, Penelope’s request caught the attention of the whole team.

“What business do you have in the villain’s lair, Reid?” Derek asks. You’ve looked up from your computer, Emily smirking and leaning back in her chair in expectation.

“Uh…”

“Important nerd business. Go away.” Garcia says, eyes narrow as she tugs Spencer’s hand. He’s whisked away from any further questioning, leaving the befuddled team behind.

He isn’t sure what to expect when he stumbles into Penelope’s second home, but the display in front of him explains why he overheard a conversation about missing evidence boards earlier. Penelope’s obviously been using the new printer in her cave to her advantage – there’s at least twenty different pictures printed out on one board titled “date ideas”, then the board on the right has a picture of Spencer and you in the centre with a perfectly drawn heart around it. Under and around that is a mixture of love quotes, including song lyrics and quotes directly from romantic movies. He notices “The Parliament of Fowls” on there – Garcia remembers that he mentioned it’s considered the first Valentines poem?

“Whoa,” Is all he can say.

“I know it’s a little intense,” Garcia squirms, “But! I started scrolling through Pinterest and couldn’t stop. I don’t know what came over me, maybe some type of love deity, but I started thinking about you and Y/N in a classic love film in, like, black and white and I…”

She’s out of breath from animatedly explaining.

Spencer laughs through his nose, almost a scoff, but he’s impressed. He shouldn’t have expected anything else from the Penelope Garcia.

As Spencer wanders towards the first board, Garcia follows him like a shadow, “My personal favourite is-“ She points to a picture of chocolate fondue with faceless people in very little clothing, “-this one.”

Spencer awkwardly clears his throat when he begins to think of you and him like that.

“A little much for your declaration of love, though, I get it,” Garcia nods.

He scans the board – heart speeding up when he moves from idea to idea and picturing you and him in each one. He can’t help but think no, that one would be good for our anniversary – ah, she’d love to do that one for her birthday.

“What’re you thinking?” Garcia asks quietly. She knows his brain is whirring like her computer drive, so she approaches him gently.

“This one.” He says. “Where should we do it?”

Garcia grins behind him. The one he’s referring to shows a dinner table set up outside, brown wooded table with white wooden chairs opposite eachother. There’s flowers at the centre, a bottle of wine already poured in each glass in front of a basket of cookies, and the area around is shrouded by shrubbery, fairy lights hanging delicately from every-which-way.

It’s perfect. You love fairy lights, Spencer loves cookies, and the set-up looks private enough for Spencer to feel confident when he empties his heart and soul to you.

“The roof.” Garcia says wistfully.

“We have access to that?”

“Yes.” They both know they don’t. “Leave it to me. Oh… one more thing.” She adds, hesitantly, “Can Morgan help? I’m a lot of things, including emotionally strong and your love guru, but physically I’m gonna need some assistance.”

Spencer doesn’t even need to agree – Morgan’s gonna involve himself no matter what.

+++

Five o’clock is quickly approaching and you’re slumped over your desk, lost in your work. You need to be lost in it, because ever since Garcia released Spencer from her office right after lunch he’s been sneaking glances at you (he’s not sneaky) and has made several attempts to approach you but decided against it, sharply turning and pretending he meant to go another way instead.

You are beyond confused. You assume it’s to do with the girl he’s been trying to get over – you hope he’s been trying to build the confidence to tell you exactly what happened and maybe, you really hope, he’ll invite you over for the weekend so you can slip back into your old routine.

“Psst.”

You assume they’re not trying to get your attention, so you don’t move.

“Psst!”

You still don’t move.

“Y/N!”

Your head snaps up to Spencer leaning over the divider between your desks. He looks alarmed – which is odd, given he’s the one who called you – and he opens and closes his mouth a few times before he finally speaks.

“Are you busy tonight?” He sits back and, if he wasn’t so goddamn tall, all you’d be able to see would be his eyes. His added height means you can see his eyes and his nose. You wanna kiss it.

You smile – this is an olive branch, “I am completely available for whatever it is you might need.”

You sound incredibly eager, which you are. You miss him.

His cheeks move upwards, a smile, “Can I talk to you, later, on the roof? Uh-“ He clears his throat, “-I need to tell you something.”

You raise an eyebrow, “You’re not gonna push me off, right?”

“No,” He laughs.

“Promise me.”

Now he guffaws, “I would never, Y/N!”

“Promise me, Reid!”

“Alright, alright! I promise!” He’s jokingly raising his hands in a form of surrender.

You give him another smile and turn back to your work. You feel at ease, now, thinking he’s finally gonna tell you what happened on the weekend – finally you’ll be able to help him and go back to normal.

Spencer, on the other hand, is the exact opposite of ease. He’s about to pour his heart out to you.

He takes a deep breath and looks back to his computer, which is open on a tab titled “How to Tell Someone You Like Them.”

Step 3: Be Confident.

Spencer opens a new tab and searches, “How to be confident.”

+++

Garcia hacks into Spencer’s computer to open a document and type that the roof is ready. She wishes him luck, tells him she loves him, and calls dibs on being the godmother of your future children. As if she doesn’t have enough godchildren as it is.

He clears his throat and your head snaps towards him. You’ve been done for a while, playing Tetris on your phone, waiting for Spencer to take you to the roof where he swears he won’t kill you – you’re not entirely convinced.

“Um-“ He scratches his neck, “You ready to go?”

You nod and give him a weak smile in hopes it gives him some type of reassurance.

“Whatever happened, it’s okay, Spence.”

All he does is nod in return, gathering his coat and bag. He doesn’t really register what you say, or he would’ve been very confused.

You follow him up to the roof. The elevator ride is silent and Spencer is jittery; his hands twitch and tap against his legs, he’s bouncing on his toes and he keeps looking at you through the corner of his eye. You’ve taken several deep breaths to calm your racing heart – you hate heights, and this is the closest you’ve been to Spencer in a week. This will be the longest conversation you’ve had with him in a week, too.

The second the doors open, Spencer leaps in front of you.

“Wait!”

You jump back in surprise, “What? Are you okay?”

“I’m fine. Completely fine. Just… when we get there, let me explain first, okay? Before you say anything.” He’s pleading, as if you’ve already told him no. You look at him with furrowed brows and mumble an ‘okay’.

You’re visibly confused as you trek up the flight of stairs to the roof. Spencer pushes open the fire door and the first thing you notice is how bright the roof is – you always assumed it’d be dark, little light, especially at night like this.

Wait.

There’s fairy lights… everywhere. You’re pretty sure this isn’t the norm for the FBI roof.

Spencer is equally as awed at what he sees before him - it’s exactly the photo he saw in Garcia’s cave brought to life, but he’s too distracted by you to fully appreciate it. You look like a child on Christmas; eyes wide, pupils blown, mouth slightly agape. You’re gorgeous.

“What…is this, Spence?” You wonder, noticing the set table, fingers grazing the roses that sit in a vase in the middle. They’re fresh and smell wonderful.

He stands a little behind you, fiddling with his hands, and clears his throat, “Would you like to take a seat?”

You do. When he finally sits, he pours you a glass of wine and you immediately take an anxious sip. Although Rossi is a big fan of wine, you rarely take interest in it only when Spencer’s involved. You’ve come to associate wine with him – a smile peeks out from your glass as you stare at the man opposite you.

“I need to get something off my chest. But there’s cookies, if you want one,” He picks one up from his plate, breaking it in half and giving it to you. He’s stalling, but you seem to take the bait and bite into it.

“Are these from the bakery two blocks away?”

“Yeah,” He replies, but he isn’t really paying attention. He doesn’t know where to begin.

You wait patiently for him to open up. You’re still unsure of what to make of all of this – the beautiful setting, the wine, the flowers, the lights. God, the lights are dazzling in the Virginia night sky. You need context, and you need it now.

“Spence-“

“Listen.”

“Oh.”

“Sorry, I just…” He trails off, “I need to say what I need to say before I back out again.”

You fold your hands in your lap. You’re ready for whatever’s to come.

“Do you know how long we’ve known eachother?” He asks. His head tilts like a puppy.

“Nearly five years. Our friendaversary is coming up, you know.”

You realise, then, that this must be a celebration for that – that explains the… typically romantic setting. Before you can open your mouth to ask if that what’s this is, Spencer speaks.

“Four years, three-hundred and sixty days. That’s how long we’ve known eachother.”

“If we were dating, we would’ve been my longest relationship the second we passed a year.”

You don’t know why you said it, but it flusters him. He has to pause to take a breath and collect his thoughts.

“I’ve been in love with you for four years and three hundred and fifty-eight days, Y/N.”

It’s silent as you process and he figures out how to continue.

“I knew you were special when you were introduced to us. Hotch already had such a soft spot for you, and you had this way about you that made us all fall in love instantly. I remember Garcia did a background check the second she found out your name and she said you remind her of me and I… that freaked me out, to be honest. I thought you’d try to replace me.” He huffs a laugh, but can’t bring himself to look you in the eye, “I realised I was in love with you when you drunkenly defended me. Do you remember that?” His eyes flicker to yours for half a second – you’re wide-eyed, “You’d known me for two days at that point, but we’d already done a case together so we were celebrating. And these guys at the bar were whispering about me, acting like I couldn’t hear them, and the second you realised what was happening you stood up, stormed towards them and gave them a piece of your mind. It was incredible.

“You barely knew me, at least personally, but you thought so highly of me you scolded a group of drunk bodybuilders without a second thought. You made them apologise – it was hysterical watching someone half their size force them into submission like that – and when you were done you asked if I wanted to leave and go get ice cream. We couldn’t, cause you vomited on the way there, but I knew in that moment I loved you and I feel so hard, so quickly, I didn’t know what to do. And you never… you never indicated you thought of me as anything other than a friend so I didn’t try. Then you dated Greg who, in my opinion, sucked on his best days, and you encouraged me to date Abigail and I…”

He’s run out of breath and of things to say.

“I just love you, Y/N. I’m in love with you.” He adds, “I hope that’s okay.”

He finally looks at you, then. You’re just staring and he panics when he can’t make out what you’re feeling. He’s always been able to read you, you’ve always hated the saying that eyes are the windows to the soul because your eyes are always your tell, but now they’re… glassy.

You’re crying.

“Spencer…” You gasp, throat tight.

“It’s okay.” Spencer gives a tight-lipped smile. He knows what’s coming. He should’ve expected it. He has been expecting it.

“I love you too, Spence.”

Spencer chokes on air. He takes a gulp of wine.

You give him a teary smile in disbelief, “I’ve always loved you, Spence. I thought you knew that – I thought that big brain of yours knew exactly how I felt and… you didn’t do anything about it so I thought you didn’t feel the same. Spencer…”

He slowly moves a hand to place it palm-up on the table. Immediately you place your hand in his, your grip tight as you lovingly stare at him. This feels unreal.

“I’m in love with you too, you idiot.” You half laugh, half cry, “If you’ve really loved me this long, we’ve wasted so much time! God, we’re both idiots.”

Spencer’s crying too, now, and he starts laughing with you.

You’re two idiots in love, sitting opposite eachother on the roof of your place of work in a dream-like surrounding filled with fairy lights and flowers, and you could’ve been doing this for years.

Spencer sniffles, looking at you through his wet eyelashes, “Would you like to be my girlfriend?”

“If I say yes, will I get more dates like this?” You tease.

“Well, Garcia has a whole evidence board of date ideas she stole from Pinterest. We have enough ideas to last a lifetime.” He giggles.

“Penny was in on this?!”

Spencer gives a heh, “This is all thanks to her, so yeah.”

“She’s always had our backs.”

“She’s also now going to be convinced she’s cupid.”

You laugh again, and can’t help yourself when you lean across the table, still gripping Spencer’s hand, and letting your lips fall on his. Spencer leans into you, lips moving against yours as you both try to suppress grins.

You pull back slightly, Spencer’s lips following you, and whisper, “I would love to be your girlfriend.”

He kisses you again. And again. And again, just cause he can.

Big plan, big payoff. You’re worth every little stress and more.

#spencer reid x reader #spencer reid fanfic #criminal minds x reader #criminal minds fanfic #mine #garcia is watching everything through the security cameras btw #you think she'd do all this and NOT watch her hard work flourish?#think AGAIN

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carryonmywaywardcaptain · 4 years

Text

Imagine...finding out there’s fanfic written about you--and even Charlie ships you with Dean

CarryOnCap’s Masterlist

Warnings: Fluff? Crack? A dramatic fanfic within a fanfic that I got carried away with haha.

A/N: This is kind of ridiculous, but I had fun with it! Also, I’ve never actually seen GoT but it seemed like a reasonable reference from what I’ve heard about it.

“Hey, look who I found!” Sam’s voice echoed through the War Room.

Dean glanced at you from across the table in the library, sharing your surprised expression as you both pushed your chairs away and stood.

“‘Sup, bitches?” Charlie grinned, making her way up the steps toward you.

“Hey! We were expecting you guys to come in through the main door. We’ve been keeping an ear out.”

Charlie stepped into your outstretched arms and pulled you into a tight hug. “It was a spur of the moment decision, but I decided to stick around a day or two longer than planned! Sam said I could go ahead and park in the garage.”

She let go of you and turned to give Dean a hug too. He smiled softly with a look that was uniquely reserved for her, cradling the back of her head while she pressed her cheek against his.

“Good to see you, Charlie. You know you’re always welcome to stay as long as you want.”

An involuntary smile crept onto your face as you watched them. You couldn’t help the way your heart swelled at the low rumble in his voice when he said her name. There was an undeniable protectiveness in his tone when he spoke to her--the sister he’d never wanted, as he affectionately called her.

When you shifted your attention to her, you noticed she was watching you. Before you could decipher the knowing glint in her eye, she suddenly twisted out of his arms and glanced back and forth between you and Dean. She began swinging her arms awkwardly before opting to cross them over her chest.

“You okay?” Dean asked, furrowing his brow.

“Yeah! Of course...Totes chill...cooler than a pack of peppermints.” She bobbed her head and flashed a nervous smile, twisting her hair around her finger as she struggled to act nonchalant. “It’s just that I remembered something. A story I read a while back--completely random. Totally unrelated to anything--I mean, now I’m starting to ramble. Hah! So how’ve you guys been? Still saving the world from evil sons-of-bitches?”

“Uh, yeah…” Sam answered, scrunching his eyebrows together. “We stay busy.”

“So what’s on the agenda tonight?” you piped up, changing the subject.

You were hoping to avoid swapping monster stories for a night. Charlie typically assumed the role of introducing you to popular and noteworthy fandoms during her visits to the bunker and, even if the boys weren’t as vocal, the three of you appreciated her knowledge of all things geeky and nerdy.

“I was thinking Marvel. Y/N, you’re obviously well-versed in the MCU because of your obsession with Steve Rogers--and, you know, clearly you’ve got a thing for the strong, righteous, self-sacrificing hero type. Dean, you could stand to branch out from the Batman references and, Sam, you’ve got this whole Thor kind of vibe going on.”

While Sam and Dean began teasing each other and arguing over “Batman versus Thor,” you gaped at Charlie, wondering what she’d meant by her remark about you having a “type.” You couldn’t help feeling like she was trying to insinuate something, but you shrugged it off and decided maybe it was all in your head.

***

After getting Charlie settled into one of the extra bedrooms, the four of you settled into the Dean Cave and agreed to start with the first Captain America movie.

Last Christmas, you and Sam had teamed up to surprise Dean with a couch for the Dean Cave. He had originally only had two La-Z-boy recliners and you’d found him fast asleep in the stiff old chairs on more than one occasion. Dean had been over the moon about the extra seating and the three of you had rearranged the furniture so the recliners were angled toward the tv on either side of the couch.

“Dibs on this side of the couch!” Charlie said, diving toward the furthest end from the door.

Although it was subtle, you knew there was still something off about the way Charlie studied all of you. There was definitely something on her mind she was trying to keep hidden from all of you.

“You know, we should probably have some snacks,” you said slowly. “Charlie, you want to come help me grab some stuff from the kitchen?”

“But I’m already comfy in my spot.” She frowned, wiggling her hips to make a point of sinking deeper into the spot she’d claimed on the couch. “Why don’t you have Dean help you?”

When you narrowed your eyes suspiciously, Sam cleared his throat. “Dean, why don’t I help you grab some snacks while Y/N and Charlie...catch up, er, whatever…”

You heard the boys leave the room and waited until their footsteps faded down the hall before you started interrogating her.

“Alright, Charlie--what the hell is going on with you?”

“I don’t know what you're talking about,” she muttered, scrolling through her phone.

“Bull. We lie for a living and I know there’s something you’re not telling us. So spill.”

“Fine,” she sighed. “Okay, so remember the Supernatural books by Carver Edlund?”

“Yeah…”

“The series obviously kind of had a cult following when it was in print, right? Well ever since the unpublished works got uploaded, the following has really taken off. Every once in a while a new one still pops up and the fans love them. And you’re in them now too!”

“I’m...what?”

“I mean it’s just insane and totally got sucked into it too. It’s brought on this whole new wave of fanfiction--”

“What’s fanfiction?” you cut in, struggling to keep up.

“It’s fiction made by the fans about the series. Sometimes they put themselves in the stories and write about working cases and fighting monsters with you guys--”

“Why would anyone want to pretend to do this crap with their lives?”

She stared at you for a moment and frowned. “Because you guys are heroes. I mean, yeah, there’s the whole depressing side of monsters and death and trauma and world-ending apocalypses--but you guys save people. You go on these exciting adventures of good versus evil and a lot of times you win. You save people. The fans really look up to all of you.”

Your gaze fell to the floor as you let her words sink in, but she didn’t give you long before she was rambling again.

“But that’s not even the best part! Everyone ships different OTPs--” she paused, noticing your puzzled expression “--uh, one true pairing… So everyone has a favorite couple they think are soulmates and belong together. There’s stories about Sam with Eileen or Jess, Dean with different people--you get the gist. Sometimes they even make up characters or do these ‘reader inserts’ and imagine themselves with the boys or you but, hands down, everyone’s favorite couple they want to end up together is you and Dean.”

“...what?”

Your eyes grew wide. It was hard enough to wrap your mind around the fact that strangers who didn’t know you were a real person were reading about your life, but learning they imagined you in different relationships? You’d never admit it out loud, but had it bad for Dean. And hearing you weren’t the only one that wanted the two of you together...

“I’ve gone deep into the fic and I can’t believe I didn’t see it sooner!” Charlie shook you from your thoughts. “You and Dean are perfect for each other. For serious. I usually stick to the fluffy stuff because, you know, your entire life is kind of angsty and I don’t like to read about you guys being in pain or, like, dying...again. Although I definitely have to admit I kind of stumbled into some of the smutty stuff and, wow, that was something else.”

You opened your mouth to ask more questions, but she kept rolling.

“Right, you probably don’t know what that means either. Fluff is the cute stuff that gives us all feels, angst is kind of just what it sounds like, and smut is, well...the sexy stuff.”

“You mean people out there in the world write about me and Dean…”

“Going at it like an episode of Game of Thrones? Oh yeah,” she responded, unlocking her phone. “Here. Here’s an example.”

Swallowing audibly, you took a seat next to her on the couch as she extended her phone toward you. Gnawing your bottom lip, you began reading the words on the screen:

Y/N took a deep breath, holding it in briefly before she exhaled and began walking toward Dean’s room. Ever since they returned from the hunt, Dean had hidden himself away in his room--no doubt blaming himself for everything that had gone wrong.

When she arrived at his door, she raised her hand to knock. She hesitated, almost retreating at the thought of him turning her away, but she had to try. She had to get through to him somehow.

She rapped her knuckles on the raw umber barrier and opened the door of Room 11 before he could tell her to go away.

She spotted him leaning over the sink, staring at his reflection in the medicine cabinet on the wall. His jade eyes flickered to where she stood in the doorway, their reflection somewhat distorted by cracks that spiderwebbed from where he had struck the mirror.

Her heart seemed to drop into her stomach as she imagined him lashing out, knowing he punched the mirror because he hated the reflection staring back at him. Knowing he always carried the weight of the world on his shoulders when he didn’t need to.

Y/N carefully shut the door and locked it behind her--the click of the deadbolt deafening in the silence. Her eyes never left Dean, who refused to turn and face her. She inched toward him, closing the distance until she could reach out and touch him. Gently placing her hand on his shoulder, she guided him to turn away from the mirror. Still, he refused to meet her eyes.

“Dean…” she breathed, voice barely above a whisper as she cupped his face in her hands. “It’s not your fault.”

He squeezed his eyes closed, face contorting with grief and guilt. The ghosts of his past refused to let him go, but she was determined to make him believe that he was worthy, no matter the cost.

Curling a finger beneath his chin, she tilted his head up, waiting patiently for him to meet her gaze. When his dark green orbs finally met hers, she was surprised to see that they were full of longing and desire. They flickered to her lips, making her breath tremble under the intensity of his gaze. Time seemed to slow until it froze altogether.

Anticipation hung heavy in the air as they both struggled against their desire to maintain the friendship they’d always had and the desperate need to finally cross that line. To succumb to the magnetic pull that had always been evident between the two of them.

Dean swallowed thickly before suddenly rushing forward, crashing his lips to Y/N’s as he pulled her into a searing kiss. He wrapped his strong arms around her, trapping her to his chest, afraid it was all a dream and she would soon disappear. But she gladly melted into his embrace, feeling like she was finally returning home, to a place she’d spent her life searching for.

A moan slipped past her lips as he walked her backward, pressing her up against the wall. She gasped, feeling his--

“The snacks have arrived!”

You jumped in surprise, a small gasp of surprise escaping as the boys appeared with armloads of snacks. Confusion and worry painted Dean’s face as he surveyed your flustered expression. Between his scrutinizing gaze and the content you’d practically been caught reading, your cheeks grew warm.

“Did I miss something?” Dean asked.

“Nope,” you responded much too quickly.

Charlie’s phone had fallen into your lap and, when she began cackling, you whipped your head in her direction and flung the phone at her thigh. You grimaced and the two of you had your own silent conversation as the boys spread the food across the bar Dean had built on the far wall.

“I was just telling Y/N how pumped I am about seeing my favorite OTP tonight,” she giggled.

“Your...what?”

Dean’s arm brushed yours as he plopped down on the other side of you. The accidental contact sent a wave of chills over your skin, making you shudder. You could feel his eyes on you again, but you refused to look at him.

“Oh, I’m so going down with this ship,” Charlie whispered under her breath before continuing in a louder voice. “Nothing--nevermind! Don’t mind me, just thinking out loud...”

“It says here an OTP means...one true pairing?” Your eyes grew wide as you looked to where Sam was reading his phone from where he sat in one of the recliners. “So, uh, ‘in the fandom realm, OTP refers to the coupling of characters--usually from the sci-fi or fantasy genres--by fans who think they make a great romantic duo and envision their lives together and share their imaginings with other fans.’”*

Charlie doubled over, beside herself with laughter. With your lips pressed into a firm line, you glanced at the boys to gauge their reactions. You knew there was no way they could possibly know what you and Charlie had been talking about, but that didn’t stop you from worrying about what Dean might think if he ever found out about the feelings you harbored for him.

“So...you’re looking forward to Cap and his girl in the movie? I’m so freaking confused,” Dean grumbled.

“Yeah…” Sam agreed, making his way to the tv. “I’m just, uh...I’m gonna start the movie now.”

“Good idea.” Charlie peered at you out of the corner of her eye. “Plenty of time to read and talk about all those ships later.”

Although you glared at her, trying to hide your amusement, nothing could deter the smug smile etched upon her face. As Sam turned the lights off and you settled in for another relaxing night with your favorite people, one thing was certain:

You were definitely going to have to take another look at that fanfiction.

CarryOnCap Crew (Forevers):

@abswritesfandoms @amanda-teaches @cosicas-cuquis @crist1216 @droidyouseek @emoryhemsworth @ericaprice2008 @flawless-disaster @janeyboo @jenn0755 @ksgeekgirl @maresmiley @memyselfandmaddox @notyourtypicalrose @randomparanoid @rynabarnesrogers @sandlee44 @scarletsoldierrr @shann-the-artist-moon @sheerioasteroidpanda @shynara51 @someday-when-you-leave-me @star-spangled-man-with-a-plan @thisismysecrethappyplace @torntaltos @waywardbaby @waywardrose13 @weebid @whimsicalrobots @wintersoldierbaby @wintersoldierissucharide @yesfanficsaremylife

Cap’s SPN Crew:

@adoptdontshoppets @akshi8278 @alexwinchester23 @chevyharvelle @deangirl7695 @dean-winchesters-bacon @fandomoniumflurry @pisces-cutie @supernaturalenchanted @superromijn @waywardnerd67 @x-waywardaf-x

#supernatural imagine #spn imagine #dean winchester imagine #supernatural reader insert #spn reader insert #dean winchester x reader #dean winchester x you #dean winchester x y/n #dean winchester fanfiction #dean winchester fic #dean winchester fluff #supernatural fluff #dean x read #dean x y/n

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florrickandassociates · 3 years

Text

TGF Thoughts: 5x10-- And the violence spread.

So, that’s it for season five. I’m still trying to sort out how I feel about the season as a whole and Wackner’s arc. I’m hopeful that writing this will help me decide.

This episode has a Previously, and it’s rather conventional. I’m guessing it’s here to bookend the season, with conveying information being only a secondary objective.

Did we see Rivi scream, “You’re done, Wacko, you’re done! Canceled! Canceled!” in the last episode or is that new to this previously? I feel like I absolutely would’ve had things to say about a) Wackner being called “Wacko,” which has been RIGHT THERE this whole time, and b) the use of “Canceled,” which is a thing Rivi would never say but is VERY thematic (you know, cancel culture and also Wackner having a TV show and also this being a TV show that’s wrapping up* Wackner’s arc).

* The way things end this episode, I’d say we’re done with Wackner. The Kings have said they aren’t sure about the plan for season six, so never say never, but I think that if we see Wackner again, it will be as part of a different arc.

I went back to 5x09 and while we do see the same shots of Rivi screaming, whatever he’s saying in 5x09 is in Spanish. So either he was saying this in Spanish or the dialogue here is totally new.

I’m a little sad that I knew in advance Robert King had directed this episode, because I want to know how long it would’ve taken me to guess. I’d like to think this first shot, of Diane flopping down on her bed in a very pretty floral print dress, then Kurt flopping down in the opposite direction, would’ve given it away. We usually don’t get shots that are both striking and kinda balanced unless RK’s directing.

This also has some big season three opener vibes—the scene where Diane turns to Kurt and says, “I’m happy,” thus jinxing the entire season.

Diane and Kurt are about to go on vacation, which means, of course, that Diane and Kurt are definitely not about to go on vacation. I’ve watched 12 seasons of this show; I know all the tricks!

If I didn’t get it from the initial staging of the opening shot, the camera panning to Diane and Kurt’s suitcases and then back would’ve been another clue that RK directed. He ALWAYS has the camera in motion.

I love that Diane’s travel outfit is a dress you could wear to a fancy party and a statement necklace. Of course it is.

And if I needed evidence that RK and MK wrote this episode (which I didn’t; it is a finale so I knew they wrote it), Diane quoting Waiting for Godot is a clue there.

I really should read Waiting for Godot, shouldn’t I?

“Wow. Educated and a good lay,” Kurt responds. I know that the political stuff between Diane and Kurt can get more than a little murky, but banter like this reminds me why they stay together and why politics never drive them apart. Also, it’s really nice to see Diane and Kurt have some fun banter that isn’t about politics.

And Diane making kissing noises and asking Kurt to meet her halfway! This just feels like I’m spying on someone’s private life and I love it. Not in a voyeuristic way, since this is actually a little uncomfortably private, but in a, “ah, yes, these do feel like real people” way. This is the kind of “a little goes a long way” character moment I always want more of, and Kings episodes ALWAYS include stuff like this.

And there it is. The phone rings as Diane and Kurt are about to start out for the airport. Diane thinks the call must be for Kurt, but it’s for her. It’s a very flustered Liz, informing her that STR Laurie’s execs are on their way to the office for a surprise visit.

If the Diane/Kurt scene didn’t tell me that Robert King directed, I almost certainly would’ve gotten it from the sudden cut to Liz, walking through the hallways and doing a million things at once with a ton of background noise. No one loves chaos the way Robert King loves chaos.

This episode STRONGLY reminds me of the Wife season five finale. It is equally chaotic and also spins a ton of plates. But, mostly, the similarity I see between the two episodes is that they are both extremely fun and captivating to watch because of how much momentum they have, but everything just feels slightly hollow and not exactly focused on the thing you want to see.

(Shout out to my friend Ryan, who messaged me the 5x22 comparison before I could message it to him!)

I decided I should rewatch the first few minutes of 5x22. I am now 15 minutes into 5x22 of Wife and 2 minutes into 5x10 of Fight. Oops.

Apparently, STR Laurie planned a surprise visit because they heard RL was dysfunctional. You don’t say!

I felt like 5x09 concluded with STR Laurie being won over by Allegra and the RL team, so this is a bit of a surprising place to start the episode. But, since Diane seems surprised too, I’ll allow it.

Now Liz and Diane have 90 minutes to agree on a financial plan! Kurt’s on the phone with the airline before Diane even hangs up with Liz.

Diane is determined not to lose out on her vacation and asks Kurt to change the flight to 8:00. “Kurt, we are going on this vacation if it kills me!” is a line I would worry was foreshadowing on basically any other show.

The RL/STRL PowerPoint template is pretty ugly. They want to call 2021 their best year yet, thanks to the deal between Rivi and Plum Meadow Farms we saw last week. Even though we saw champagne and signatures, the deal isn’t done yet because Plum Meadow can back out if Rivi goes to jail.

RK also loves close-ups more than any other director on the show; I do not love close-ups.

The Plum Meadow deal is such a big deal that for the quarter, they go from $45 million to $5 million without it. They should just not say numbers. I can believe it’s big enough to take them from a modest profit to being behind projections or whatever, but I can’t believe that they have $5 million in other business and $40 million on this one deal.

It seems that Rivi was arrested. I don’t think it is ever said in this episode why. I assume the arrest relates to his behavior in Wackner’s court, since there were police officers there, and I suppose that Rivi is a big enough deal the police would actually take him to real court, but are we not going to address the weirdness of Rivi being arrested in a fake court where his employees are being tried, then taken to a real court by the same people who just an episode ago were disillusioned with real court? This seems like a plot point.

Carmen on a frantic phone call in the backseat of a car feels very 7x22.

Who is James that Carmen has in her contacts!? And why does everyone always put Liz in their contacts as “Elizabeth Reddick” when everyone calls her Liz?

Carmen calls Marissa to go argue in Vinetta’s court since she’s on Rivi duty. Carmen doesn’t take Marissa’s job in Wackner’s court seriously and then notes that this instruction is coming straight from Liz, so Marissa falls in line.

Wackner’s case of the week is about rural Illinois wanting to form its own state separate from Chicago. There’s a farmer who feels like his tax money is only going to the big city and he wants it to stay in his community.

They’ve just now added stage lighting to the set of Wackner Rules, dunno why they wouldn’t have done that earlier!

I don’t know what standing you’d have to have to bring a case about wanting to divide the state in two to court, or if this is even something a court would or should decide, but, sure, Wackner and Cord, go for it. There are no rules!

This map splitting Illinois into two new states that Cord is holding is a dumb prop because Galena, where this farmer is from, is in the same section as Chicago. Do I pause every reference to Chicago on this show and then google information to see if the writers bothered to look it up or pretend they’ve ever set foot in Chicago? You know I do.

“Secession!” the audience screams. Does the audience of Wackner Rules really want to see this?

A Good Fight Short! And it really is short: “Stop this obsession with secession and breaking up the Union. It’s boring and it’s dumb, end of song.” I feel like that’s the thesis statement for this episode, or one of them (that this episode seems to have about ten thesis statements is kind of my problem with this episode, tbh). This episode is very much about danger of things becoming too fractured—the COTW, the copycat courts, the firm drama—and I feel like the writers come around to just saying no, this is enough, we need structure and consistency.

But more on that later. MUCH more on that later.

Marissa is swearing more because “the world has required it.” She notes this to Wackner as she calls him out on the secession case. Cord barges in.

Take a look at the employee of the month poster on the back of the door at 5:39. Then at 5:40, look at what’s in the box just to the right of the center of the screen: it’s an employee of the month poster with Wackner on it! Cute easter egg. (Would Marissa definitely notice this and have questions? Yes. Is this here as a cute easter egg for eagle-eyed fans? Almost certainly.)

“Insane is just one step away from reality if you get people to believe, and you know what makes people believe? TV.” Cord explains when Marissa asks how they can possibly be litigating this case. That’s thesis statements two and three, folks. The first is that if you get people to believe, then anything is possible, which sounds like a tagline for a Disney movie but is actually super dangerous; the second is that reality TV is a way to persuade people and change opinions.

So we’ve got: (1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. Let’s see if there are more.

(Yes, these theses do kind of add up to a whole—The rules don’t matter, so if you persuade people, through reality tv, you get factions of people believing their own sets of rules and facts—but what I'm interested in tracking throughout this episode is how well the writers actually bring these theses together.)

(And this is setting aside that key themes in previous episodes, that I think many of us were looking for resolution on, included outlining the flaws with the extant “real” justice system and exploring the role of prison in the justice system. From this episode, I don’t think the writers ever intended to really tackle either of those issues. That’s fine—I'm not sure that TGF has something to say about prison abolition and I don’t want a thought experiment where the writers actually try to fix the legal system—but feels a bit disjointed. I’ve said it before and I’ll say it again, but 5x08 and 5x09 needed to do a better, clearer job of setting up this finale. The key themes of Wackner’s arc were always present, but they needed to slowly narrow the scope so the resolution felt inevitable and clear. Instead, we spent time on things like parking spaces (when we could’ve had a real plot about how Wackner’s court gains legitimacy through violence, incarceration, and playing on people’s frustration with the real systems) and Del’s focus groups (when we could’ve instead done a plot about Wackner gaining fans who wanted to use his methods to do ill). Everything I just mentioned in the parentheticals is in the show! It’s not subtext! We see it all! We see Cord use violence and prisons to enforce Wackner’s rulings; we see the cops turn to Wackner out of frustration; we see that the people drawn to Wackner Rules and to Wackner’s court are increasingly sounding more and more like right-wing populists! I can’t be too hard on this arc because, again, all these ideas are there. I’m not coming up with them on my own!)

I’m just saying: this ending would’ve been a lot clearer and a lot more interesting had the writers focused on what I mentioned above instead of the distractions of the last two episodes.

Whew, that was a ramble. Hope you’re ready for more rambles.

On a similar note, I’d like to reiterate my problems with how the writers used Marissa after the private prison reveal. I don’t have much more to say than what I wrote last week, but it’s another example of the same problem. Marissa objecting to Wackner’s court because she notices what it’s becoming and how Cord plans to use it for political gain (two Illinoises (??) changes the Senate and the Electoral College...) always was going to be part of the endgame. Marissa only seriously objecting after the fourth or fifth line Wackner crosses feels bizarre.

Cord does NOT like that there is another court, and wants to protect Wackner’s IP. Wackner, as we saw last episode, does not feel threatened by the other court. In fact, he seems to be excited by it.

I love Liz questioning Diane’s outfit like it’s unprofessional. It’s a little low-cut and showy, but I don’t think unprofessional is the word I’d use for it.

Now they have 45 minutes to decide The Future Of The Firm and Diane wants to be considered a name partner. Oh, that debate is still raging?! Every time I think it’s done it comes back, which should probably be a sign to Diane that her options are to leave and start something new, jettison Madeline and the others, or step down. Staying on as name partner and calling it a black firm is just not an option.

“Diane, there is a split in the firm that...” Liz starts, before asking some associates to leave the room. Ha! The reveal Liz and Diane aren’t alone is a pretty fun touch.

“The Black equity partners don’t want to be in your work group,” Liz informs Diane. “Because they think they’ll be punished by this firm?” Diane asks. “No, that’s paranoia. We don’t punish here,” Liz responds. “Of course you do. My fracking client. My union client. The Black lawyers who work on those cases—they're considered traitors” Diane says. “Because those CEOs are racists,” Liz counters.

Lots going on here, and I’m not sure I understand it all. Why would the equity partners—who are partners—feel like they’re being punished by being in Diane’s work group? (And also what does a “work group” mean and why haven’t they talked about it in the past?) When Diane starts talking about the lawyers who staff her clients, she’s not talking about equity partners; she is talking about associates.

And people are giving associates shit for working on Diane’s clients whom they happen to be staffed on!? That’s sad, though believable.

“So what do we do? Only bring in clients who can pass the racial smell test?” Diane asks. I mean, actually, yes. IF the goal is to be a black firm and to have that designation mean something in moral terms rather than marketing terms, then yes.

“It’s okay if you’re a drug kingpin like Rivi, but it’s not okay if you want me as lead attorney?” Diane says. Also, yes. Diane makes good points here.

“Diane, this is not about you,” Liz counters. Um, sure, but it has to be about something, Liz. Unless you’re trying to build a firm you don’t control that makes 88% of its revenue from a drug dealer (40 million out of 45 million this quarter = 88%; I told you they shouldn’t give me numbers) but happens to have black people in charge, you have to grapple with this question. I don’t think anyone who’s fighting for the firm to be a black-led (not owned, bc STRL) business is the type of person who thinks that having a black-led firm that does all the same shit as any other firm is in itself a good thing, so you NEED to address your client list. Madeline is anti-Rivi, anti-Cord, anti-Wolfe-Coleman (the rapist guy), pro-social justice, and pro having a black led firm.

“I mean, why... why do white people personalize this?” Liz asks. “Oh, now I’m just a white person?” Diane responds. I... don’t know what to do with this! Liz is right that Diane is taking this personally; Diane is right that Liz needs to deal with the rest of the client list. But no one is saying the things that REALLY need to be said: That all their decisions are meaningless in the shadow of STRL, and that deciding to be a black led firm isn’t the end of the discussion if they haven’t decided what types of clients they want to have.

“What happened, Liz? Last year we were intent on an all-female-run law firm,” Diane starts. Oh, THIS AGAIN! Diane never learns, does she? She never seems to realize that no one she’s approached with this idea is NEARLY as in love with it as she is. She probably still wonders to herself why Alicia—who partnered with her at the end of season seven basically just because it was the easiest, most frictionless thing to do—didn't seem more committed to their firm.

“Diane, there is history here that we are trying to...” Liz says, but Diane cuts in to note that women (women like Diane Lockhart!) have history too! In fact, she’s spent “35 years fighting gender discrimination to get to this position.” “And we have spent 400 years fighting racial discrimination to try and, you know...” Liz starts, before cutting herself off to get back to the ticking clock.

Sigh. Just talk about the actual thing instead of talking around the thing, guys. Diane is obviously deserving of A name partnership, in the abstract. This is an undeniable fact. And while Diane is definitely making this about herself rather than the big picture, I don’t think Liz trying to trump Diane’s 35 year career with the history of black people is going to win her any arguments? Like, just say what you mean and say it clearly. What Liz, I think, wants to express is that Diane’s individual accomplishments aren’t the issue here and everyone thinks she’s deserving (though Liz suggested Diane was not deserving a few episodes ago, which I didn’t understand then and don’t understand now). The problem is that Diane is trying to fight a battle that’s about something much larger than herself with, “but I'm a good lawyer!”

And that’s KIND OF what Liz is saying here, if I add all her sentences up and read between the lines, but, again, why not just say it?

“Alright, now we have 43 minutes to fix race relations, gender relations. STR Laurie’s gonna fire our asses, and you know it,” Liz says. I am curious what that would look like. Wouldn’t that just mean that STRL wouldn’t control them anymore? I’m sure being fired would be bad and all, but wouldn’t it free them from the contract they wanted out of last year?

“Let’s split the firm down the middle. I hire half the lawyers, you hire the other half,” Diane suggests. What does this mean? Why are you hiring your employees? Huh?

“You hire the white associates, and I hire the black associates?” Liz confirms. This seems like a very bad idea that would make things a lot worse and open them up to lawsuits! I also still do not know what they’re even talking about. And I don’t know why Allegra isn’t a part of this conversation.

“I’m not saying it’s good. I’m just saying it’s what we’re left with. It's what we can agree on,” Diane says. I really wish I understood what “hire” meant in this context because I don’t understand why they have to split anything or why this has to be done now and I don’t understand why this would possibly be a good solution. Can you imagine the backlash when people realize all the white people report to Diane and all the black people to Liz and that people were taken off of the accounts they’ve worked on for years to accomplish this? And this must be something that the employees would know about eventually; otherwise they could just randomly assign half to Liz and half to Diane.

I’m sad Madeline isn’t in this episode because I feel like we needed to see more of her POV as well as the associate POV. I don’t really understand the divides at play within the firm or what the staff and other partners are asking for, but I suspect it isn’t this.

Hallucination Jesus is back, and at least there’s actually a point to him this time (he shows up when Jay is in Vinetta’s court and reminds Jay that Vinetta will rule based on her religious beliefs). I still dislike the hallucinations.

Jay advises Marissa, who is Jewish, to talk a lot about Jesus in her defense.

Charmaine Bingwa is really great as Carmen, and obviously she is not fluent in Spanish, but it’s so funny to me that the only time you can hear that she’s Australian is when she’s trying to say Oscar like she’s speaking Spanish.

"I know you’re hiding something when you speak English,” Rivi says to Carmen. Heh.

“Community court” is such a nice, unthreatening term for referring to Wackner and his copy cats. Thanks for that, Carmen!

It’s a smart plan to mention Jesus a lot, I guess, but Jay and Marissa both should’ve realized that Vinetta is too smart to tolerate obvious pandering. I’m a little surprised Jay doesn’t get up and argue since Marissa is, obviously, not familiar with the New Testament.

Marissa wins this round with facts and logic.

Why is the judge who was handling Rivi’s previous charge now in bond court? Make it make sense.

I like that Carmen calls out the ASA for swearing hahaha

Why... would this Matteo kid just casually mention he was holding a gun, omg.

In Vinetta’s court, you can be charged with murder and tried because... you had a gun and also there were murders at other times. Coolcoolcool no problems here.

Community courts for civil cases? Sure. That’s basically arbitration. Community courts for criminal cases? Bad, bad, bad idea.

Vinetta’s reasoning: “Those murders happened on our street, and the police haven’t convicted anyone because they don’t care. We care. This is self-defense. And how is it different from your court?” Aside from the whole imprisoning people in her basement thing, Vinetta’s not wrong. I almost brought this up last week but hesitated because I couldn’t remember the details enough to decide if I wanted to recommend it, but there’s a book I read a few years ago that seems relevant here: Ghettoside by Jill Leovy. Again, been a while so don’t take this as a wholehearted endorsement or anything, but from what I remember, the central issue at the heart of the book (it’s non-fiction) is that a poor black community (I think in LA?) doesn’t trust the police (in part) because the police don’t solve murders, and then with no way of getting justice through the court system, there’s more violence as a stand-in for justice. https://www.vox.com/2016/8/26/12631962/ghettoside-jill-leovy-black-crime

I’m not sure if that’s QUITE what Vinetta is saying but it seems similar, and it’s a decent point (though not a justification for her court). Why should she trust the system to improve her community when it’s ignored her community for years?

I like that the writers chose two very different, very understandable characters for their community courts. It’s easy to see why Wackner and Vinetta feel the need for alternative courts; it’s easy to see why others would trust them. This arc doesn’t really work unless there’s a legitimate frustration with existing systems...

Marissa calls Wackner’s court a “joke,” which she should understand by now isn’t the case. (Marissa’s smart; she knew it wasn’t a joke the second she saw David Cord get involved.)

Vinetta accuses Wackner of copying her court, which alarms Marissa. This isn’t addressed again, and I don’t know if it’s true! I could really go either way on this. On the one hand, I absolutely believe that Wackner saw/heard about it, liked it, and did it himself without thinking much of it—and if this is the case, then the ending where Vinetta gets in trouble for violating Wackner’s IP is a lot more of a gut punch. On the other hand, I don’t really feel like the seeds for this were planted. We see Wackner innovate a lot and try new things and he has an explanation for why he does everything—how much of that is Vinetta? And Vinetta clearly watches the show and likes it or she wouldn’t have recognized Marissa, so it’s a little hard for me to just believe her claim when literally all I know about her is she has a court that looks like Wackner’s and she is aware of and feels positively towards Wackner rules. Also, Wackner knows about Vinetta’s court (from Marissa) and sounded excited about it last episode. Sure, he didn’t necessarily know which one it was, exactly, but I assume if he’d copied the idea and then heard about a case involving people from the exact same community where he found the idea... his reaction would be different. So IDK. My reasons for doubting Vinetta’s claim are probably based a little too much in things I’m not meant to spend that much time paying attention to.

“I fucked up. It’s in the same court, but now it’s a murder case,” Marissa tells Diane. I do like hearing characters admit when they fucked up!

Diane hears that STRL is delayed, so she heads out to help Matteo. When she goes to change into her pantsuit, she finds that she’s grabbed Kurt’s bag by mistake. “Of course. That makes sense,” she reacts.

Diane pushes her flight to the next day, also telling Kurt, “And yes, for some reason, I took your suit instead of mine, so fuck it.” I love it when the characters feel like real people.

I am not sure why Kurt is getting to the office when Diane is leaving or why Kurt is there—to pick Diane up on the way to the airport, maybe?

Carter Schmidt walks into RL at the worst possible time, threating to blow up the Plum Meadow deal. Another 5x10 to Wife 5x22 similarity: he’s in both episodes.

Liz heads out to help Carmen with Rivi, and then STRL arrives. Oops.

Credits!

One thing about Wackner’s court that should definitely be a warning sign even though it seems noble: he ignores just about every warning sign, like this rowdy crowd screaming WE LOVE YOU WACKNER or the potential interests at play in a case about secession, because he thinks his fair judgement can overcome these obstacles. If the world worked that way, there’d be no need for his court in the first place.

Is anyone representing the State of Illinois in this trial? If not, then... how is it happening?

Dr. Goat, some dude who claims to have some hidden historical document about how Illinois is actually two states, is clearly making stuff up and yet Wackner indulges him and Cord. I feel about this the same way as I feel about the Devil’s Advocate: That Wackner would not allow this to go on for more than five seconds before calling bullshit and therefore there is no reason I should have to sit through it.

Why is some guy screaming, “No taxation without representation” like dude you absolutely have representation. But of course, I’m expecting him to be logical, and the point is that he is not.

Dr. Goat’s Latin phrases—shock!-- don’t actually translate into anything like what he said. Even though this information is verifiable by a quick google search, the crowd starts screaming “Liar!!!!” at Marissa. If only I could say this felt unrealistic.

Wackner asks Dr. Goat to bring in the document.

“You look like you’re heading to the beach,” Vinetta says to Diane, who looks like she’s heading somewhere but definitely not to the beach. Vinetta asks where Diane was headed on vacation. Diane says she’s headed to Lake Como, and unnecessarily clarifies that “It’s in Italy.” She assumes Vinetta doesn’t know that... but Vinetta does.

“So you’ve been there before?” Vinetta probes when Diane says it’s beautiful there. “Just once. We don’t get away often. We thought we’d splurge,” Diane says. Vinetta stares at her and smiles, and Diane hits her head on a basket that’s hanging in Vinetta’s kitchen. If I just write out the dialogue here, it sounds like a perfectly average conversation, but everything about this conversation is so charged: Diane is afraid to look like a wealthy white woman; Vinetta’s pleasantness is pretty clearly also a way of sizing up Diane.

Vinetta shows Diane pictures of neighborhood children and young adults killed as a consequence of gang violence. You can see she’s not trying to do anything other than help her community, even if her methods are highly questionable.

Diane argues that Matteo should be given over to the police; Vinetta disagrees: “The police haven’t arrested anyone for those murders, any of these. Since the BLM movement, they’ve pulled back from our streets. No one’s coming to help. That’s why I started this court. It’s not a joke to us.” Wait I’m sorry did Vinetta just blame lack of good detective work in black communities on... the BLM movement?!?!?! Is there any foundation to this!? Why can’t it just be that the police weren’t actually doing a good job of policing/finding justice and were being antagonistic towards the community instead of being helpful and no one trusted them?? That explanation is literally right there.

Jay suggests the Jesus strategy, again.

“It’s women! We could just move on, install men,” STRL guy says. I don’t know if he’s joking, but ugh. Also, what is RL if it has neither Diane nor Liz? A bunch of lawyers who will all promptly quit when they see their bosses get fired and a few opportunists?

Kurt is watching golf in Diane’s office, and the STRL people love it. Of course Kurt accidentally makes friends with them.

Court stuff happens. It’s not good for Rivi, and then Liz and Carmen come up with a theory: Plum Meadow is stalling the deal so they can find Rivi’s more stable second and make a deal with them instead.

Wackner giving Dr. Goat a single point on his stupid little board, for any reason related to his obviously fake totally unverified document, is dangerous. Why would you signal to a crowd that’s clearly not interested in fact that they have a point? That’s basically egging them on.

I know Wackner’s judgment is obviously not 100% sound—need I remind you of the PRIVATE PRISONS?-- but I thought it was more sound than this.

Wackner shows off his knowledge of paper and proves that Dr. Goat’s document is a fake. Why... did he just give Dr. Goat a point???

Or is he moving the point from Dr. Goat to Marissa?

Dr. Goat sounds like a fake name I would call a character in my recaps long past the point of anyone other than myself remembering the joke. (See: Mr. Elk)

“The truth is ugly. The only thing uglier is not pursuing it,” Wackner tells Marissa. How is taking on a case about very obvious falsehoods, funded by someone with a vested interest in the case, that gets people riled up, some noble pursuit of truth?

STRL and Kurt are now drinking and discussing hunting, while Diane’s arguing for Matteo in Vinetta’s living room. Vinetta is—as was always obvious, sorry Jay—far too smart to fall for this patronizing bullshit. She screams at Diane and plays back a recording (on a baby monitor) of Diane coaching Matteo to lie about his faith.

Soooooo yeah no you can’t do that, that is bad, recording conversations between lawyers and their clients is not good even if it leads to you exposing their schemes...

Then Vinetta places Diane under arrest, which obviously isn’t going to end well for Vinetta.

Liz and Carmen suggest a post-nup to Rivi to see if Isabel is planning on turning on him.

“I’m going to have to kill her,” Rivi says sadly. I don’t think Rivi will ever kill Isabel because we already did that with Bishop.

I’m going to assume that Diane chooses to stay in basement prison instead of calling one of the many, MANY, MANY people she could call to get her out/take down Vinetta because she doesn’t want the situation to be publicized or further deteriorate. That said, it’s really not clear why Diane just accepts being sentenced to basement prison with a cell phone.

Love the STRL man looking at that picture of Diane and HRC. They’ve gotten so much mileage out of that photo.

Wackner’s court has no rules, but at least since it has no rules, I can’t complain about how its rules make no sense!

What is this, debate practice?! Ugggghhhhh I can’t deal with this case for much longer.

Marissa takes a breath, then decides to pursue a strategy she knows could blow everything up.

“Then why care what Judge Wackner decides? Why should you defer to him? Why defer to anyone?” Cord says that’s the point—the people have decided to trust Wackner. “So if you don’t like this court’s decision, you’ll just start a new one?” Marissa asks. “I guess,” Cord concedes.

“So then why does this matter? This court?” “It matters only insofar as we continue to agree that it matters,” Cord says. “So if you don’t like Judge Wackner’s rulings, you can just ignore them and create a new court?”

Good point, Marissa. Good point. (Does this count as a thesis?)

“I’m guessing that I will like the way the judge decides,” Cord says. Well, that’s basically a threat.

Wackner takes a break and heads to chambers—without Marissa.

Kurt goes to visit Diane in basement jail. He’s granted a conjugal visit, which means Matteo gets moved up to the bedroom so Diane and Kurt can have some alone time.

Diane is staring at an image of Lake Como in her cell. I thought it was odd she brought a printout of her vacation destination with her, so I LOVED the line where she explains that Vinetta printed it out for her. COLD. (You know who also would’ve done this if they’d for some reason had a basement prison? Bree Van de Kamp. You know what show DID do a basement prison arc I’d rather forget? Desperate Housewives!)

I love how Diane responds to basement prison by making jokes non-stop.

“I thought the craziness would end with 2020,” Diane says. Nope.

Kurt brought alcohol; Diane brought pot gummies.

I love that Kurt has never had pot before. I was going to say that I bet Diane’s had a few experiences with recreational drugs when I remembered we had a whole damn season of Diane microdosing.

Christine and Gary’s acting and their chemistry really bring these basement prison scenes to life. The writing and directing are really sharp, but it’s the actors who make these scenes something special. You can tell Diane and Kurt love each other a lot. You can tell they’re disappointed about their vacation and exhausted by the chaos of the day. You can tell they’re in disbelief over this situation but also find it funny.

Didn’t Rivi and Isabel have an adult daughter who died of COVID a few episodes ago? Weird she isn’t mentioned in this scene. Maybe from a different marriage/relationship?

Isabel called the SA’s office because she thinks Rivi’s a threat? I think this is a power play.

Heh, Carmen saying, “Shut a black woman up!?” in disbelief in court. Love it.

Isabel instead flips her story and supports her husband and fights for his release. With no intervention from Plum Meadow, this gets the judge to free Rivi. I don’t really understand what’s happened here or why. I get the resolution, but I don’t get why Isabel called the SA or why this went away so quickly. I still don’t even get why Rivi’s been arrested.

Diane and Kurt put up Christmas lights for ambiance and talk about how they never go on vacation.

“I wanna see the pyramids on this coast!” drunk & high Kurt insists, hilariously. “I mean hemisphere. I like the Aztecs. They, they care about people.” I’m not going to transcribe the rest of the dialogue because it loses its magic when you’re not watching the scene.

After some fun banter about travel and movies, Diane changes the topic. “I should quit, shouldn’t I? That judge upstairs? She looked at me like I was the most entitled white bitch on the planet. And that’s the way they look at me at work.”

Kurt tries to say that’s not true, but Diane knows it is: “Yes they do. I’m the top Karen. And why do I care? I mean, I... I could find another firm. I could quit. I can’t impose my will on people who don’t want me.”

YES. I see a lot of debate over what the “right” thing to do is here. But I think we are long past “right” and “wrong.” At a certain point, this stops being about absolute moral truths. If Diane doesn’t have the respect of her partners and employees, that is a very real problem for the firm and for Diane. How can she continue to impose her will on a firm that doesn’t want her, all the while claiming to be an ally? (The back half of that sentence is the most important part.) Forget whether or not Diane “should” have to step down. Forget what’s “fair.” If the non-Diane leadership of RL thinks the firm should be a black firm, and the employees of RL think so too, and Diane just doubles down on her white feminism, she’s creating an even bigger problem for herself and ruining her reputation in the process.

Kurt stands up on the prison cot and warns Diane she might make a decision she’ll regret. This scene is so cute. Why can’t other shows do drug trips where the characters just act silly and have great chemistry? Why does it always have to be some profound meditation on death whenever characters get high?

“I think I like starting over. I like the chutes and ladders of life. I mean, I want the corner office, but then I wanna slip back to the beginning and fight for the corner office. I mean, I think maybe it’s better that I don’t get the top spot,” Diane says. LOVE to hear her admit this. I’m not sure I would’ve come to this conclusion on my own, and it sounds like it’s a bit more about how the writers like to write (you know, the “we love our characters to always be underdogs”) than Diane, but... you know what? I believe it. I fully believe it. Diane LOVES to fight, LOVES to feel like she’s in the right, LOVES power plays and to be making progress. She LOVES winning. The fact that she isn’t just choosing to retire right now, even though she’s past retirement age and has a great reputation, is in itself enough for me to believe that she would find it fun to repeatedly start over.

Plus, it’s a fun new direction for the show to take in season six, because they’ll get the same sense of conflict without the actual conflict. This season’s arc was firm drama and resulted in a firm name change... but it didn’t feel like a knock-off of Hitting the Fan. Diane trying to work her way back into power (I assume by becoming a better actual ally, otherwise doesn’t she just end up in the same exact situation?) should also provide conflict without being repetitive.

Hahahahahaha Kurt immediately reacting to this serious statement by being incredibly silly and horny and then Diane singing “I Touch Myself” to him, man, I love these two. I want to know the story behind this song choice.

Wackner emerges from his chambers. The score is tied. Wackner calls Cord corrupt and notes that they can’t just decide to call Downstate Illinois a new state based on his ruling. Now it’s thesis time!

“I was taken by Mr. Cord’s arguments of individualism. So much of our country has been built on people finding their own way, not being held back by bureaucracy. Yet, if we only follow individualism, that way lies chaos. And that was not the point of this court. Or at least not my point. Judgment for the defense. There will be no Downstate Illinois.”

“If we only follow individualism, that way lies chaos.” is probably the clearest of the many theses of this episode. To recap, we have:

(1) Factions are bad. (2) People are persuadable and the rules don’t actually matter. (3) Reality TV changes minds. (4) Institutions only exist when we collectively agree they exist (5) Individualism = chaos.

But let’s put a pin in this for now and let the chaos of individualism play out.

The crowd does not like Wackner’s decision, and decides that an appropriate way to express their displeasure is to make anti-Semitic remarks towards Marissa and then start throwing chairs. What nice people.

As the crowd goes totally 1/6 on Wackner’s court (thanks for pointing this out to me, Ryan—I cannot believe I didn’t make the connection myself!), the door slamming into the desk finally pays off since Marissa and Wackner are able to use it to keep the crowd from reaching them.

They immediately turn to the police, or they would, if they could get service. I’m sure it’s not a coincidence that as soon as things get bad, they want to involve the existing system.

Wackner Rules is, somehow, still taping in the midst of all the chaos. I don’t know if I think they’d air this, but someone certainly would. (I wonder if any of the cameras we see in these scenes are actually the cameras filming the other angles of the riot.)

Cord shakes his head and walks out, unharmed.

“You think they’ll kill us?” “I think they might,” Marissa and Wackner fret.

“My dad said the whole world would be a better place if everybody realized they were in the minority. ‘No matter where you are,’ he said, ‘Make sure you keep an eye on the exits, and make sure you’re closer to the exit than the Cossacks are to the entrance.’” Marissa says. Love Eli Gold coming through with thesis number 6 (and maybe thesis number 7).

“Your dad sounds a little paranoid,” Wackner says, correctly. Remember how I mentioned I accidentally wound up watching 5x22? Eli calls Alicia and responds to her hello with, “DISASTER!!!!” I miss him.

“He was, but he wasn’t wrong. He said, ‘Stay away from parades. They’re cute until they’re not. And don’t trust any pope who was Hitler Youth.” “What’s that law called?” “Godwin’s Law. My dad said anybody who argued for Godwin’s Law has never been near an actual crowd. Crowds love you, they hug you. Then they grab a gun and try to kill you.”

“Why? Why do they do that?” “I don’t know. Hate is fun. It’s clear-cut.”

I really like all of this. It is a little preachy, but it isn’t wrong and it’s self-aware. And, more importantly, it’s in character. I absolutely believe that Marissa would tell lots of stories about Eli in a moment of extreme stress. It’s nostalgic, probably comforting, and it also helps her feel like she’s on the right side with the right arguments. So, even backed into a corner, she’s still a winner: she has theory on her side.

Wackner speaks a foreign language (I do not know what language but I wish I did) and says, “A guy could get killed doing this,” which makes him and Marissa laugh as things crash around them.

Idk about you all, but I couldn’t really get myself to actually worry about their safety during this scene. Maybe Wackner’s, just a little, but I got the sense we were supposed to focus more on the chaos and destruction and monologuing than on the actual danger. That’s not to say the stakes didn’t feel high, but rather to say that this didn’t feel like an action sequence where you don’t know what’s going to happen next. The point was to watch the court fall and think about why it fell, not to worry about if Marissa would live.

Diane and Kurt are woken up by sirens and loud noises. The cops arrive and are shocked to find professionally dressed white people in a basement cell. They let Diane and Kurt out with compassion, but scream, “don’t you fucking move” to the people on the floor.

“It’s okay, they didn’t do anything,” Diane says. This is, as I theorized earlier, probably why Diane just sits there until her punishment blows over instead of escalating things.

If the cops weren’t there to free Diane, why were they there? Why, because they like David Cord and David Cord has gotten Chicago PD officers to protect Wackner’s IP.

If I had to say one thing in favor of Vinetta being the originator of the community court idea, it would be that it’s SUCH a gut punch to watch Diane and Kurt walk away from their bizarre little adventure as Vinetta gets arrested in the background, and it hits ten times as hard if Vinetta’s only being charged because some white guy is claiming IP that’s actually hers.

(I think Vinetta is probably, at this point, actually being arrested for imprisoning people illegally, but, still.)

“Pfft. Some judge,” one of the cops who adores Wackner says of Vinetta. Racist much?

Marissa and Wackner emerge from the backroom. “I think I better get back to work,” she says, meaning her RL job. "Me too,” Wackner says, grabbing a Copy Coop apron. He’s an employee of ten years.

I don’t think this lands as well as it’s meant to. I think the point is supposed to be that Wackner’s just some guy—not a billionaire, not an academic, not a judge, not a lawyer—with an idea. But it’s a little too neat. And it doesn’t explain how Wackner financed his court initially, nor does it explain why he has basically unlimited access to Copy Coop space and resources. I’d buy it if he were the OWNER of Copy Coop, but I have so many questions about him being an employee.

Diane tells Liz she’s actually going on vacation this time, and they laugh about how Kurt bonded with STRL.

“I want you and Allegra to be name partners. I’ll be an equity partner,” Diane says. “Why?” Liz asks. “Five years ago, when I hit rock bottom, this firm took me in. So I don’t like the idea of splitting this firm in two. And I can’t lead if no one will follow.” “And your clients?” “We’ll manage them together.” YES! I love this. I don’t love it because I necessarily think it had to go this way, but because it’s so refreshing to see Diane say that she actually is willing to take a step back because she cares about the firm and the people there more than she cares about being a name partner. This isn’t something we usually see. When we hear “this firm took x in” it’s usually being said incredulously against someone who’s decided to leave and steal clients (cough, Hitting the Fan, cough).

It’s been pretty clear for most of this arc that Diane and Liz like working together and they like their firm, but that no one (other than Diane, I guess) is willing to let RL lose its status as a black firm, and that the employees and equity partners weren’t going to be satisfied until Diane stepped down. Diane really had three options: Stay and piss everyone off and claim the whole firm for herself, quit and go somewhere else and totally abandon the good working dynamic she had, or step down and put her money where her mouth is.

Also yeah the clients were never actually going to be an issue! They were only an issue because Diane intentionally went about informing them she was stepping down in a way she knew would make them worry!

“I think I need to prove myself,” Diane says. I’m not sure that’s the key issue or that she can ever prove herself fully, but we’ll worry about that next year.

“I missed you,” Liz says. “I’m here,” Diane replies. “I know. Thank you,” Liz says.

Diane decides she’s going to move downstairs so Allegra can have her office. I think there’s another office on this floor, since she, Adrian and Liz all had offices. This feels a little bit like Diane’s in love with the idea of making things difficult for herself and maybe hasn’t fully grasped the point, but, you know, I’ll take it.

Diane tells Kurt her decision and he asks if it was the right thing to do. She says she doesn’t know—but she says it with a smile. Kurt notes he’s going hunting next month with the STRL folks and will put in a good word for her. Ah, yes, because STRL still controls all of this and all of this is moot! Thanks for the reminder Kurt! Diane says she wants in on the hunting trip. Of course.

And the elevator doors close. Remember how closing elevator doors was a motif earlier this season??? It’s back!

Then we get a little coda with Wackner Rules airing a new episode that’s just violence and destruction. This sequence seems to straddle the line between being there for thematic reasons for the viewers and there to show what happened in the show’s universe, but I think it’s main purpose is theme, so I will not go on a full rant questioning why Del would want to air this.

A white blonde lady in an apron watches the destruction of Wackner Rules. She looks concerned. “That was violet,” she says with dismay. And then we see she’s holding a guy in a jail cell in her kitchen.

And then we see other courts, as America the Beautiful plays. One’s in a garage debating kicking someone out of the neighborhood; another is across the street about the same case. There’s one in Oregon about secession. There’s one among Tiki Torch Nazis deciding only white people can own property. There’s (inexplicably) one about pronouns. There’s one with arm wrestling, one that happens while sky diving, and a bunch of others. It’s pretty ridiculous, and not necessarily in a good way. It feels at once like the natural extension of the Wackner Rules show and like an over the top parody you’d see on another show. Tiki Torch Nazis screaming “only white people can own property!” is the opposite of subtle writing. Tonally, this sequence feels more like the zany humor of Desperate Housewives or the insanity of BrainDead than anything TGF has done before (and TGF’s been plenty surreal), and it doesn’t quite work for me. It feels like it is trying to prove a point in the corniest, most on the nose way possible. It almost feels like it’s parodying its own plotlines.

On my first watch, this ending for Wackner left me stumped. I knew the writers were making an argument against individualism (Wackner’s speech + the repeated references to The Apprentice) and cults of personality. But I couldn’t figure out a real life analogue to Wackner’s court, and since this ending was so obviously trying to be About Something, that bugged me. Sure, that last sequence could be an argument against people making community courts, but WERE people making community courts? I didn’t see the urgency.

And then I talked to @mimeparadox. And as soon as he said that it was about factions and people playing by their own sets of rules beyond the justice system, it clicked. I’d been looking for Wackner’s plot to be a commentary on the legal system. It is much broader than that. It’s a commentary on the weakening of democratic systems (the Big Lie, etc.), more broadly, and Wackner and his common-sense approach are just a way to get liberal viewers to go along for the ride.

Now that I understand the point, or what I think is the point, I like this conclusion. Circumventing the system leads to chaos; that’s why we have institutions and bureaucracy, and I think the show is arguing that these institutions should still be respected despite their flaws. The many theses of this episode all come together to make this point (though the reality TV stuff is a little more tenuous and I'm a little shocked we got through all of this without any commentary on social media?): If we stop having a shared belief in institutions and instead follow individual leaders (whom we may learn about through reality TV), the rules will stop mattering and we’ll end up with a fractured country and widespread violence.

But, and maybe this is just about me being upset I missed both the obvious 1/6 parallels AND the point of the arc the first time through this episode (my defensive side feels the need to also note I first watched this episode at like 5 am when I was barely awake), I don’t know that I actually think this episode does a great job of driving its point home. There are SO many moving pieces to the Wackner plot and SO many references. There are so many threads we never return to from earlier in the season, and there’s so much that strains credulity (like Wackner taking Dr. Goat seriously for more than a split second). It’s pretty clear what the themes are—even though I’m saying I missed the point my first time through, I've hit on all these themes separately in past recaps and posts—but, I dunno, something about this episode just feels scattered. Maybe it’s all the moving pieces, maybe it’s all the moments where it sounds like the characters are voicing related ideas that don’t quite snap together to form one coherent picture, or maybe it’s that Wackner’s plot gets two endings (the actual ending + the coda) and it’s up to the viewer to put together how they relate.

I really don’t know. At the end of the day, I think there was a little too much going on with Wackner and that the writers needed to use the episodes between the private prison reveal and the finale to narrow—not broaden—the scope of what they were trying to do with Wackner. But I also think that what they were doing with Wackner was really, really smart and original. I don’t think I can overstate how impressed I am that the writers took an idea that sounded, frankly, awful when I first heard about it and turned it into something captivating and insightful that I was happy to spend nine weeks watching.

Overall, a few bad episodes aside, I thought season five was the strongest season of TGF yet. I haven’t seen this show be so focused in... well, maybe ever. Having two overarching plots that received consistent development and felt like they were happening in the same universe at the same time REALLY helps make season five feel like a coherent whole, and I can’t wait to rewatch it.

#tgf thoughts #the good fight

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exysexualmoron · 3 years

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HI! do you have any aftg fic rec??? i’ve just finished the series and i want to read more, but i’m so bad at searching fic

Oh yes! I do!

Now let me preface this by saying I joined the fandom like... A couple months ago (my Feb goodreads is AFTG x3 and my March TBR has been ignored for aftg fanfic).

Also! I'm obsessed with Andreil, so there's that.

First one that came to mind was Armies. It's AU. I loved it. It's great. Neil and Andrew meet later in life, shit went down differently. Andrew's darker and goth-er (?) gothier (?) and I just love it to the moon and back. Also my dream car is in this fic. 10/10 will read again.

I just finished Lessons in Cartography which is like... A 4th book? Also great??? Well written, chapters aren't too long. 10/10

Way down we go. This is the kind of fic I print and make a shitty little cover for and stick in my old middle school binder just to have a physical copy I can look back in 10 years and be like 'holy fuck'. Very few fanfics have had that honor, none of them in my most recent fandoms. Neil and Andrew meet earlier in this one. They're punk little shits and make you wanna stab them sometimes. It's pure genius. 100/10.

Murder Boyfriends. Dear Diary... Are we going to prom or to hell? It's a Heathers!AU and I am HERE for it. The 1989 movie is a classic I need in tape, blueray, dvd, digital, in whatever other media stuff will come in the future and this fic? It's just AFTG enough and Heathers enough that it doesn't feel ooc for either universe. It works. It insanely works. It's a 8/10. It could be longer. OH it has fanart too. UGH okay, 9.5/10. Still could be longer. Like 40 chapters long and I'd eat that shit up like McDonald's after going to the club.

lamb to the slaughter. This one isn't done yet but I like it. A bit less Andreil, more twinyards focused I guess. There's a third Minyard! Because of course! I love the concept of there just being Minyards separated at birth and this story delivers. It's still ongoing so no rating.

And I'll end it with 'Careful Hands'. Bruises and scars from your soulmate show up on your skin. Listen, I never read Soulmate AUs until this fandom. It never sat right with me. These two, for some reason, it actually works???? Idk why but it does. This one is heartbreaking but I mean... It's aftg.

(Shameless self promo check out my soulmate au Levels here).

Pretty sure Drake and Riko are their own TW is nearly every single one of these fics and also typical AFTG tws like non-con, rape, drake, riko, torture, violence, Lola, panic attacks, homophobic language.... And the list goes ON.

And I suppose that's it? From there you can always read whatever else the author has written and I promise you'll have fics for days!

Tagging you bc I have no idea how Tumblr asks work nowadays I'm from the olden days when you tagged the person in the tags

@whateverjustchillout

#ask #whateverjustchillout #aftg #aftg fic #Andreil #fic rec #all for the game

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fortheloveoffanfic · 3 years

Text

Behind Closed Doors

Keanu Reeves x OFC (Emma Mathers)

Masterlist Prologue

Warnings- Tiny, tiny bits of angst, but not a lot.

Chapter 1 The Pancake Disaster

2 Months later

The mattress dipped gently, though, it was a small body flinging itself on top of hers that awoke her, just past seven am. A tiny, though excitable voice shrieking, “Emma!” Right into her ear was enough to finish the job, and with a suppressed groan, she turned onto her back, careful not to let Matt fall off her, even if he’d really only be hitting the memory foam.

Groggily, Emma wiped the sleep out of her eyes, coming to her senses. Stretching and yawning, she found it hard not to return Matt’s little smile, "Good morning,” she smacked her lips, trying to wake herself up some more, totally not prepared for him to leap back into her lap, “What’s up kiddo?” It wasn’t like the twins hadn’t woken her early in the morning before, she’d been living with the Reeves’ for going on two months and she’d found that kids seemed to enjoy awaking with the sun. Though, it was odd for Matt to bound into her room with such urgency, with his teeth already brushed and without his sister.

“Daddy’s making pancakes,” he jumped up excitedly in her lap, and Emma had to hold him at the hips to ensure he didn’t toss himself off the bed by accident, “But he’s terrible at it!” Crawling out from the safety of her embrace, Matt crept to the edge of her bed, nearer to her side, jumping off and proceeding to tug on her hand encouragingly, “You need to come help him, or its gonna be a disaster!”

Chuckling quietly, Emma shook her head, running her free hand through her caramel highlighted hair, kicking off the sheets. Swinging her bare, tan legs out of bed, it was almost a struggle to keep up with Matt without stumbling over her fluffy slippers, “Slow down Matty, I still have to brush my teeth.”

“Ugh,” Matt pouted deeply, as if she’d just ended his world. Though, his expression perked up soon after and he let her hand go, “Okay! But you have to come soon, before daddy burns the kitchen down,” he made a few explosive noises gesturing wildly with his tiny arms, and Emma couldn’t help the splitting grin that painted her features. They’d come a long way since that first meeting; Matt had been the first to warm up to her, and now, there was very little that he didn’t want Emma around for. And Poppy, while it had taken her a couple weeks, she’d more or less broken out of her shell, probably finding it nice to have someone to do her hair and who’d let her paint their nails. By then, it went without saying that the children absolutely adored Emma, and she’d be lying if she said that she didn’t feel the same. Matt and Poppy had filled a void that Emma didn’t even know was there until they’d made her laugh. Time spent with them was incomparable, and every time she’d though she couldn’t be amazed by them, they'd do something so beautiful that she couldn’t help but adore them even more.

And then, there was Keanu. Like his children, he had a colorful personality, never ceasing to amaze her. Though, the affections she’d grown for him……they were different. In quiet moments, Emma had found that she’d lost an hour or two just thinking about him; how bright his smile was, how his deep, rumbling chuckle warmed her heart and how even the slightest of touches could make her stomach flutter, and when he was around, watching him with his kids was almost enough to make her heart burst. He wasn’t around very often, owning a successful company and being a movie sensation did eat up a lot of his time, but when Keanu was there, he was always putting out his best for those two.

“Emma!” Matt broke her thoughts, and Emma hadn’t realized that she’d just been lingering near the door of the adjoining bathroom. Her bedroom at Keanu’s house was near triple the one she grew up in back in Nevada, and the one in her old apartment might have been a matchbox compared to it. The room was beautifully decorated too, modern minimalism matching the rest of the house.

“Yeah,” she shook off her thoughts, “Sorry hun. Why don’t you go wait in the kitchen and I’ll be out in a few.” With a quick, purposeful nod, Matt ran out of the room, his light footsteps barely audible. Shaking her head, Emma just chortled softly at his behavior, eccentric, much like his father’s.

In the bathroom, she made short work of quickly freshening up, deciding that she’d head out in her pajamas, an oversized cable knit sweater and a pair of shorts, and shower after she’d been covered in flour, batter, syrup and whatever else they’d decided to get into in the kitchen. Grabbing a hair tie off the counter, Emma maintained eye contact with her reflection on the awning mirror over the sink as she piled her hair into a messy bun at top her head, tendrils carelessly curtaining the sides of her face and the little diamond studs adorning her ears twinkling lowly. Free of the moisturizer she'd worn to bed, Emma dabbed a nearby hand towel below her eyes and on her cheeks, soaking up whatever water had remained after she’d rinsed her face, and finally, when she was finished, she headed out, intent on the kitchen downstairs.

Downstairs, Emma was almost stunned by what she’d walked into. The typically blindingly white and ever spotless kitchen was far different that it had ever been since she’d moved in. Clutter adorned the counter tops and the marble island, while there was a growing mountain of dishes in the deep farm sink. There was a spill on the floor too and all in all, the kitchen looked as if a small tornado had wreaked havoc on the room. And something was definitely burning. After the initial shock had passed, Emma rediscovered her voice, though her tone was still laced with an air of confusion, “What is happening in here?”

As if caught in the act of doing something insanely criminal, Matt, Poppy and Keanu all looked up at her from where they’d gathered around the island. Keanu was at the electric stove, a frying pan on one of the flat burners, while the twins were a safe distance away from the action, attempting to help by taking turns stirring the batter and both perched on the counter. Their printed pjs, Poppy’s with Disney princesses and Matt’s with race cars, were messed up with flour, and Keanu’s face was the same.

“We’re making you breakfast.” Surprisingly, it was Keanu who’d spoken up, looking bewildered and far out of his element. Then, smiling sheepishly, he cast his head down, “But I guess we’re just giving you more work, aren’t we?” He sighed, clearly embarrassed that his sweet gesture had gone awry, “I’m sorry-”

“No,” Emma blushed, she couldn’t believe that he’d thought of her, gone out of his way to try to make her breakfast for no foreseeable reason. “Its okay,” she reassured, cautiously approaching them, “I am so, so grateful that you thought of me, and tried to do something so sweet, really,” gently, she touched Matt and Poppy’s faces, quickly pecking them on the foreheads, “But maybe I could help too?” And by help, Emma actually meant take over so she could do some damage control and save Zelda, the housekeeper, the task of a huge clean up.

Before Keanu could oblige or protest, Poppy spoke up, telling the whole truth as children usually did, “It was daddy’s idea Emma! You should thank him!” She beamed, all but hopping onto Emma’s waist.

“I…..” Keanu stuttered, visible parts of his cheeks going tomato red, “I just- it’s just…..You know, you do so much for us. You’re up early every morning, making us breakfast. You take care of us, I just thought that we should do something nice for you,” he rambled on, avoiding her gaze. It was true though, while Emma had been hired to care for the children, preparing their meals, getting them ready for the day, watching them when they weren’t with their tutors and everything in between, she'd started picking up after him too. Tossing his laundry in with the kids' and making him meals so Zelda wouldn't have too. “Maybe we should have just taken you out,” he finally concluded with a quiet laugh, "Would have saved you the trouble of having to come in here and dealing with this disaster."

"Its okay," tentatively, Emma squeezed Keanu's surprisingly firm bicep reassuringly, and when he glanced at her, the moment feeling more intimate then she'd intended, her breath hitched. Still, her hand lingered, and Keanu didn't seem bothered enough to pull away. Emma held his gaze, her heart jumping after he turned a bit more, the space between them almost becoming mute and his chest close to her face, his stare penetrating. "Um," she cleared her throat quietly, knowing that the kids were watching and that their behavior was borderline inappropriate. They were too close, she was holding on for too long. But getting lost in his eyes seemed so much easier than letting go.

“It’s okay,” Emma repeated, trying to shake off the feeling that came with being in close proximity to her boss, “Why don’t I finish this, and you can……”

“Make coffee,” Keanu interjected when Emma trailed off, “And start cleaning up. I can do that without,” he gestured widely with his hands, the way Matt often did when he was flustered or excited, “Burning it.”

Smiling giddily at his erratic behavior, almost mesmerized by Keanu, Emma nodded stiffly, “That’s uh…..” Emma laughed breathlessly, vaguely aware of Matt striking up some harmless mischief off to their sides, but knowing that they only had a matter of minutes before……

A distressed scream erupted, followed by Poppy’s despondence, “Daddy! Emma! Matt put pancake batter in my hair.” When they turned, lo and behold, Poppy’s dark strands were streaked with the batter, some of it already on her pajamas and in her hands, while she was on the verge of tears.

“Matt!” Emma and Keanu scolded in unison, and immediately, she slipped past Keanu, scooping Poppy up on her hip, walking over the sink to start washing the sticky batter off before Poppy could really start crying. “Why’d you do that, Matty?” Keanu continued behind them, his stern side coming out. “You need to apologize to you sister,” he explained, lifting Matt off the counter, setting him on the floor, “We’re not supposed to pull mean pranks on each other, remember.”

“Yeah,” dejected, Matt dragged himself over to where Emma had just set Poppy down, parts of her hair still wet and a frown still painting her face. “I’m sorry Pop,” as she leaned on the sink Emma folded her arms, watching with a soft smile as the siblings made up, the sweet moment between them making her wish she had a sibling, and worse yet, making her want kids of her own. It wasn’t quite in the cards for her just yet though, Keanu paid well, but not that well, she lived in his house and it would be exceptionally hard to raise a kid when most of your time was spent taking care of someone else’s.

Still, for as long as it lasted, Emma could make do with doting on Matt and Poppy, feeling a swell of pride when they did something so magical that it reminded her of the purity of children, like when the two decided to hug it out, quickly forgetting how upset they both were. That was one of the greatest things about kids; they were so innocent that the notion of holding grudges was completely foreign to them. It was so…….untainted.

As he wiped down the counter, trying to clear a decent work station, Keanu found himself occasionally stealing glances at Emma, leant on the sink with her arms folded. She looked beautiful, almost ethereal, with her hair up in a bun, wispy honey hued strands curtaining her flawless features, oversized beige sweater guarding her perfect curves, and tiny shorts that boasted her smooth, tanned legs, the light sheen of lotion still present. Keanu thought that he'd ever met a woman quite so naturally stunning.

She's too young for you, was what the voice in the back of his mind protested, along with several other valid arguments. But for some reason, tearing his gaze away had continuously proven to be a trying task. Keanu didn't want to look away, as corrupted as it was, he wanted to hold Emma; trace his thumb over her pink, plump lips, feel her hot breath fan his cheek, know what it was like to have her satiny skin brush against his.

He wondered if she knew her effect, what it did to him when she swayed her hips as she walked, or gnawed on her lower lip between thoughts. Keanu wondered sometimes, how easy it would be in another situation, to have her all spread out under him. Or simply, to just have her company, listen to Emma talk about whatever she wanted, be the man she went to for the most intimate of reasons, a shoulder to cry on, when she wanted someone to make her laugh.

A crush.

That's what he might have called it twenty something odd years ago. But at his age, Keanu thought of it as more of a fantasy. A very cliché one at that; lusting over the nanny. Maybe if she wasn't the nanny………. Oh, but she was. The one that his children, the apples of his eyes, his pride and joy, the two best people in life, adored to death. Keanu wasn't sure if they knew it themselves, but he could tell; Poppy and Matt were growing affections for Emma that ran past likenesses, they loved her.

The relationship that Emma had grown to share with his children was one of the more unadulterated things that had fueled his ridiculous attraction to her. They adored her, and she them, and it was warming to see her laugh with them, care for them, the way a mother might. Still, there was so, so much more than Keanu liked; her laugh, that little half smile she’d offer him when they bumped into each other in passing, the way having her around felt. Like she made their home more complete, the one missing jigsaw piece that was so satisfying when it was slipped into place.

Hoping she wouldn’t notice his lingering stare, Keanu carried on with clean up, a grin ever present on his rugged features as Emma continued without much concern; getting the kids to help set the table without fuss and finishing the pancakes while she was at it. It felt so normal, so domestic, Keanu was usually so busy getting ready to leave that he was often left grabbing what she’d carved out the time to pack for him, kissing Matt and Poppy just as he left. But that Saturday morning, he got the chance to live almost the way he’d hoped to with Diane; the twins’ mother, before she walked out on them.

Before the painful memories could wash over him, Emma was calling everyone to sit for breakfast and Keanu once again sank into the present. Laughing when Matt and Poppy did something cute, smiling brightly when Emma doted on them and eventually, when it was over and they’d hurried off to the TV room, feeling a sense of giddiness that accompanied being alone with her. “Did you do this a lot when you were a kid?” Keanu probed as he and Emma finished up in the kitchen.

She was busy clearing the table, collecting the jug of orange juice to be returned to the fridge, “I guess,” Emma shrugged dismissively, her expression troubled, and Keanu was worried that his seemingly innocent question had struck a nerve, “My parents weren’t around a lot when I was a kid.” Swallowing thickly, she continued shuffling around the large kitchen, “Making ends meet wasn’t always easy for them, you know?” Gathering the plates, she moved over to the sink, “My mom stayed home to take care of me, and the house, and my dad worked two jobs. He worked really hard for us, and….”

“Em,” Keanu frowned, noting her tormented expression as she dumped leftovers from the children and packed the dishwasher, “If it's too hard to talk about, you don’t have to tell me. And I didn’t mean to upset you, if I’d known-”

“It’s not your fault,” she turned towards him, straightening up and smiling faintly so he could be reassured, “And it’s fine really. It's just hard to talk about, but I don’t mind telling you,” moistening her lips, “I was around six, when my dad died, he was at work; fell off a scaffolding and had a heart attack on the way to the hospital,” it was easy to tell how hard she was fighting the wave of emotion, the way she struggled to contain tears while biting her lower lip. But still, he was grateful that she felt comfortable enough to open up, it felt like they were closer. “After that, funeral expenses blew our savings, and my mom had to work. She hated leaving me with my grandmother, but she had to.”

Slumping his shoulders, Keanu yearned to reach out, pull her into a hug and let Emma know that she was always welcome to find comfort in him, but seeing her the way he did was already crossing so many lines, he didn’t think he could trust himself to take her into his arms. “That must have been hard,” he sympathized instead, “And you were just a kid.”

“Yeah,” she forced a watery smile, probably hoping to ease his worrying, “But life’s like that right? He left us way sooner than anyone would have liked, but I’m glad to have had him when I did. Both my parents, they taught me that sometimes you’ve gotta bust your ass for the good life, but that just makes it even better when you get it,” she sighed quietly, “I wish he could have been here for the big things, birthdays and graduations,” she sniffled, “But I’m thankful for what I did have, and I hope one day, I can be that kind of parent for someone else.”

“That’s beautiful,” Keanu hummed with a soft smile. It couldn’t have been easy growing up without her father, but Emma still seemed so content with what she’d gotten. Grief, it hurt people, it could change them too, and he knew that all too well, but Emma had been so young that it had shaped her instead. Molded her into the kind of person that was caring, kind and driven. Someone you wanted to trust and whose presence emanated warmth. “You-” Keanu leaned back, expecting to brace his hands on the counter, though swearing loudly when his left hand landed on the top of the stove. “What the fuck?”

In an instant, Emma was at his side, weaning Keanu’s hand out of his own grasp, hissing empathically at how the base of his palm had taken on an angry red tint, “Shit,” her hands were so soft and smooth, her touch soothing, “We need to get some ice on this,” when she moved away, grabbing a dish towel as she headed to the fridge, Keanu’s face fell further, already missing her touch. Though, when Emma returned, a couple blocks of ice wrapped up in the patterned fabric, pressing it to his hand as she held it up between them, Keanu’s eyes fell on her once again. With her head downcast, it was hard to decipher her expression, though, he could see her brows knitted in worry, “Does it hurt like this?”

When she glanced up briefly, their eyes meeting, Keanu stumbled on his words. He wasn’t expecting to be that close to her that morning, or, well, at any given point. He liked it though, maybe too much. “A little, but it's no big deal,” he shook his head slightly, his gruff voice low, “Thanks Em.”

“Of course,” she swirled it ice around a bit more, “You know, the kids love having their boo boos kissed,” Emma teased lightly, not thinking too much of it, “Think they get that from you?”

Chuckling quietly, Keanu replied, also without much of a protesting thought, “Maybe.” And just like that, the moment unfolded, so quickly that it felt completely natural, like her soft, supple lips were meant to touch him. They weren’t too warm on his skin, and could hardly be considered medicinal, but Keanu swore his hand felt ten times better when Emma pulled away, once again laying the ice on top of the burn. Simultaneously, they raised their heads, that time, their jaws slackened as their eyes met. “Em….” he groaned quietly, knowing that if he leaned in any closer they’d be no point of return, yet Keanu ached to. He wanted to kiss her, feel her mouth respond against his. But he couldn’t, and more importantly, he shouldn’t.

At the very last minute, right when Keanu swore that Emma was leaning up to meet him halfway, her pupils dilated, her breath slow and ragged and his chest just and inches away from hers, he rediscovered his self restraint, abruptly turning his head away. Clearing his throat, Keanu shoved his feelings down, irrationally disappointed when Emma stepped back, easily reading the shift of the moment, “Matt has swim practice today right?” It was honestly just a ploy to make professional conversation, change the topic so they wouldn’t need to have an uncomfortable conversation.

“Uh,” flustered, Emma seemed unsure of what to do with herself, and if Keanu wasn’t mistaken, there was a disappointed glint in her dark eyes, “Yeah, at three.” Gnawing on her lip, she fiddled with her fingers, “I should go see if his bag is ready, I can't remember if I packed it or not.” Keanu knew it was a lie; Emma didn’t forget things like that, and worst yet, he was almost sure that he’d hurt her. Yet, she didn’t give him a minute to apologize, or say anything really, hurrying out of the room with nothing more, leaving him tormented and feeling more guilty than ever.

*****

Tagging- @harrisongslimited @magnificentclodpiebanana @keandrews @greenmanalishi @rdjloverxxx @danceoftwowolves @planetkt @wheretheriversrunintothesea

#keanu reeves #keanu reeves fanfic #keanu reeves x reader #keanu reeves x ofc #fanfic #ff #fanfiction #nanny au

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tpwkxxangel · 4 years

Text

Side A: Track 1

//this is a continuation of a fanfiction that i am writing. if you haven’t read the prologue before this, please check it out or else this might not make sense. if you have any comments, let me know! here is the masterlist //

**************

June 2018

"Thank you Dallas!" Harry calls to the stadium full of fans. The cheers are loud and fill Harry's heart with love. It always amazes him how people sing his lyrics back to him. If someone told him 10 years ago that he would be playing a sold out arena, by himself, while touring his first debut album, he would think they were insane.

Every night, it takes a toll on him though. The energy in every venue and the laughs shared between him and his audience is so difficult to end. The endings are the worst part aren't they? This one is bittersweet.

Harry gives one last wave of his hand before walking off backstage. His breathing is a little labored due to him giving 110%.

"Another great show, Hersh! We should do something to celebrate!" his manager, Jeff, pats his back while handing him a towel. Harry gives a small appreciative smile before wiping off the sweat from his face. Jeff sighs knowing that this night won't be any different than the last month and a half. "Can you at least go out for one drink? You haven't been out in so long. We all miss you..."

Heartbreak can change you, and that's exactly what it did for Harry. He met Camille when he was in One Direction. She's a few years older than him, but no one could resist the Styles charm. After a few conversations at parties they both found themselves at, they started dating. Nothing was public of course, but the relationship was real none the less. Over the eight month relationship, Harry feel in love with the model. Towards the end, they both got really busy and couldn't devote as much time to the relationship as needed. There were other factors that made things difficult, so they decided to brake things off. Harry has never felt a pain like that in his life.

So he shut down.

He has always had big emotions that invade all of his senses, so when his love was taken away from him, he couldn't stand the brokenness he felt. He began to numb his pain with various methods, but nothing worked. He still feels all the pain he felt when he watched her drive away from his flat in London.

"I don't know man...I'm not feeling--"

"Up to it. Yeah, I know, but H. You are bottling up all of these feelings and that isn't healthy. I think a night out will be good for you. Have you called your therapist lately?"

His therapist lives in London, so when he is traveling, he usually calls in. It's nothing to be ashamed of. Think of it like paying for someone to spill your emotions to and they can't say anything about it.

Maybe Jeff is on to something. This bottling things up is tiring, so a night out may be fun.

"Fine. I'll go out as long as I'm back by two. We have to be on the road at nine and I'd like to get some rest before we leave."

"Deal!"

~~~

The air was stuffy in the heated club. They were all in the VIP booth on the second level of one of the hottest clubs in Dallas. Harry was sipping on his drink trying to pass the time. Only 3 hours before he can leave. God, did he want to leave. The concert was tiring and the never ending heartache was causing his head and heart to throb.

He was about to excuse himself to go find the restroom when a golden dress caught his eye. He took a deep breath before opening his eyes again only to spot the girl again. She looked different than the last time he saw her. Her skin was tanner than before, sunkissed just right. Her blonde hair is curled to perfection and lips still red, but she now looks old enough to be in a club like this. Her green eyes are bright with laughter at one of the other girls she is with.

Why is she here? How is she here?

He first saw her in New York. Was she just visiting there? All the memories flood back to him, taking him back to the time where everything was more simple, a lighter time. The way her voice sent a shiver down his spine, the eye contact she made while dancing, the way she touched herself, luring him in. The mere thought of her still drives him crazy.

"Excuse me guys," he turns to his bandmates and manager, "I'm going to find the loo."

Harry makes his way over to the bar where he sees his mystery girl. He flags down the bartender and tells him to give her the order she got two years prior.

He should probably feel embarrassed that he remembers everything about that night regarding the mystery girl, but for the first time in a while, he feels like this is exactly where he is meant to be.

When she received the drink, her brows draw together in confusion before looking to where Harry was sitting. The smirk that made him curious all those years ago made an appearance on her red stained lips. She says something to her friends before downing the drink and making her way over to the brit.

He admired the way her hips moved as she walked. The dress she was wearing complimented her is so many ways. She wasn't a model, but she sure could be.

"Well if it isn't Harry. Long time no see," her voice coming out just as velvety and sweet as before. He's absolutely ecstatic that she remembers his name. That means she thought of him after their encounter like he did.

"Hello, love. Nice to see you again," he smirks back. This is the first time since his break up that he sort of feels like himself.

"You cut your hair," she says while reaching for his drink. Instead of throwing this one back, she just takes a sip, leaving a perfect lip print on the glass.

He nods in a daze, watching the way her tongue darts out, running across her bottom lip. "I was in a movie. Needed it cut," he swallows dryly.

Her eyebrow rose slightly but wasn't surprised. He gave off superstar energy. "Would I have seen it?"

"Depends," he takes his drink back, trying to recover from the dirty thoughts running through his mind, "Do you watch war movies?"

"I've seen a few," she giggles softly, not being able to picture the Brit as a fighter.

"I was in Dunkirk," Harry shrugs.

"I'll have to give it a watch," Harry nods slightly taking a sip of his drink, "especially if the cast is as handsome as you."

Harry chocks slightly not expecting her to be so forward. He chuckles nervously. "Well, I don't want to be the only reason you watch the movie. I'm only a small part of it."

She cocks her eye brow slightly at his tone. Is he being shy? That's different than last time.

Her smirk quickly turns into a more genuine smile as her hand makes it's way on his shoulder. "I actually enjoy action movies, so I have a feeling you being in it would just be a perk."

Harry feels his cheeks flood with color. He distracts himself from the beautiful girl that's starting to make him nervous by sipping his drink again. How was he so confident the last time he saw her? Probably because his heart wasn't broken and there was more alcohol in his system.

He might not be able to fix the first one, but he can fix the second one. He gets the bartenders attention before turning back to his company.

"So, what brings you to the city? The last time I saw you, you were in New York," he asks, not trying to sound invasive, but the question has been brewing in his mind since he saw her.

Her smile dropped slightly before recovering quickly. "I actually grew up here. I'm...visiting some family while I'm in town," she shrugs.

"Do you live in New York now?"

"Part time. I'm a graduate student at Columbia," she says the words as if they aren't impressive.

Harry's mouth falls open slightly. Her prick of a boyfriend was right. She is very smart. Speaking of him...

"What happened to your boyfriend?" he finds himself asking before he can stop himself. Thankfully, the bartender sets another drink next to his empty glass so Harry could hide the blush on his face. This isn't going as well as he wanted it to.

"Who?" her brows furrow in confusion before they smooth out in realization, "I don't even remember his name. You could say that I was just helping him out with an...issue he was having."

"That's very mysterious..." he trails off, remembering he still doesn't know her name.

She laughs at him. She wasn't telling him her name on purpose. One thing that anyone knows about her is that she LOVES games. They make life so much more fun, but for some reason she wanted to hear Harry say her name over and over again in his cute accent. Maybe she'll tell him by the end of the night.

"You can call me J. Everyone does."

He looks at her, and really observes her features. The way her strong cheekbones and jaw are a stark contrast to the softness of her eyes and plush lips. She is truly a beautiful creature, so he finds himself standing up from his stool by the bar and holding out a hand to her to ask something he should have two years ago.

"Would you like to dance with me, J?" he asks.

J smiles brightly in return and Harry's knees go weak. They make their way out to the dance floor as a rock song wraps up. As luck would have it, a very familiar song plays next. The irony was not lost on Harry. That fact that he wrote this song about the girl that is currently swaying her mesmerizing hips against his is so funny that he almost laughs. He gets too distracted by her subtle touches to notice the eyes on him.

From across the bar, Jeff watches his friend loosen up for the first time in two months and feels a pressure release off his chest. He was worried about Harry when him and Camille split. He knows how sensitive his friend can be. Harry leads with his emotions and goes all in. When everything went down, Jeff was the first one Harry called. His broken voice shattered Jeff's heart. It sucked since they were in the middle of the tour and Harry had little to no break in between. Harry is tough, but even his fans noticed him crying during one of his performances in Scotland.

Jeff looks back at the couple on the dance floor to find them laughing. This is a good thing. He will have one night with this girl, and then go back to touring.

Little did Jeff know, Harry wasn't planning to let this girl walk out of his life again. It had to be a sight. He was miserable and had no hope when she randomly showed up in his life again. There are such things a coincidences, but this felt like more than that.

Harry's hands find their way to the girls waist. She looks ups through her lashes at him. "You know, this is my song." He's starting to feel the alcohol in his system, so his words are slightly slurred.

Her laugh makes it's way to his ears and sends a goose bumps all over his body. "No, shit. Really?"

Harry just nods before taking a deep breath and belting out the lyrics. "She goes home to a cactus, in a black dress, she's such an actress, she's driving me crazy!" He's met with her beautiful laugh again. Maybe one day he'll have the courage to tell her who the song is about. They continue to dance for a few more songs before both of them need another drink.

"So, you are not only an actor, but a musician as well?" she hums into her whiskey.

Harry gets nervous again. "I wouldn't say an actor. It's just that one movie."

"One more than me," she giggles. Her lightly glossed over eyes let Harry know the alcohol is taking effect.

As he opens his mouth to speak again, one of J's friends from before comes up to her. She turns her head to hear what her friend says but never takes her eyes off Harry. With one nod of her head, her friend leaves.

"Do you need to leave?" Harry asks. He doesn't want her to leave again. He finally can breathe after two months of suffocating. He's finally out of his head. Maybe it's time to open himself up to new things and not be afraid of hearts getting broken. Camille moved on, so why can't he?

She shakes her head and he lets out a sigh of relief. "I'd rather stay here and talk to you. But they are leaving."

"I'll be sure to get you home," he smiles softly at her. There's the familiar flutter in his heart. It's crazy, honestly. He met this girl once two years ago, yet he is so infatuated with her. She makes his broken heart feel less lonely. He checks the watch on his wrist for the time. It's getting close to two in the morning. He wants to get out of here, but not be done with the night. He doesn't want to go back to his hotel and be lonely. He won't admit that to her though. "Would you like to get out of here?"

His eyes widen at what that sounds like. It's not like he doesn't want to be with her in that way. He was going to take her home two years ago. But, he's different than he was then. He just wants to talk to her in a place that doesn't drown out her gorgeous voice. He starts to correct himself, but she just laughs at him.

"I know what you meant, Harry. I actually have a car waiting for me outside. I know a place we can go if you'd like to come with me."

He nods quickly. "I just have to tell my friends. I'll be right back."

"I'll wait outside. Don't take too long," she smirks before kissing his cheek. She left a bit of lipstick, so she wipes it off before turning around towards the door.

Harry makes his way back to the VIP section with the biggest grin only to see Jeff quickly duck down. He was spying on him, but harry can't even find it in himself to care. He felt like he was floating in the sky towards this sunshine he so desperately needed. When he gets to the spot everyone is sitting at, all the conversations go quiet.

"I'm leaving. I know I have to be back at the hotel at nine to go to Houston. I have my phone on me. Please don't need me until then." Before he can turn around and follow his golden girl, Jeff speaks up.

"Are you sure about this Hersh?"

Harry smiles softly at his concern. "She's an old friend. I finally feel like I can breathe," he whispers the last part as everyone goes back to their conversations.

This is such a relief to his manager. Originally, he just wanted Harry to loosen up and have some fun again. He wasn't going to let him leave with anyone. That's not how you get over a relationship. For some odd reason, this girl seemed to help him more than any of his other friends have in two months.

"Okay. Be safe and text me if you need anything."

Harry nods and heads towards the door. When he walks out, he sees J leaning on a sleek black car talking to an older guy. When she sees him, her eyes light up. She seems so bright compared to how he has been feeling the past few weeks. It's a breath of fresh air, and he couldn't be more relieved to finally take a breath in.

J touches the mans arm before he walks to the drivers side and gets in. "I thought you might have changed your mind?"

"On you? Never," he chuckles while opening the door for her. They both get into the car and Harry starts to wonder why she has a driver? It didn't register in his mind until now. Before he has time to ask, she speaks.

"Stanley, to my hideout please," she speaks softly to the man. There is genuine affection in her voice and Harry can already tell this man is not just a driver to her. He nods and pulls out onto the streets. There are cars on the road, but not as many as a bigger city like New York.

"So, where are you taking me?" Harry breaks the comfortable silence of the car.

"It's a place I like to go when I'm in town," she answers honestly. She's not used to opening up to people, but with Harry it seems almost natural for her. "I travel a lot. When I come back home, things can get a bit crazy for me. I come from a family that expect a lot out of me, so it's nice to have a place to get away from everything."

"I understand the feeling of wanting to get away. In my line of work, there is a lot of pressure to act or be a certain way," he thinks back to his time in One Direction. He never wanted to be the cause of the band breaking up so he held himself to higher standards than the others. It wasn't all bad, but it hurt when his name was thrown around in the press.

"That's right. You're a Popstar," she giggles.

"Rockstar more like," he playfully scoffs.

She rolls her eyes at him with a smile adorning her cherry red lips. "I'll be the judge of that mister."

"Would you like to come to one of my concerts to see for yourself?" he asks partially joking.

She looks at him with her eyebrow raised. "Would you like me to come to one of your concerts?" In all honesty, she wasn't expecting to see him after tonight. Her life can be hectic so her friends are very limited. Harry seems like a nice guy that she wouldn't mind in her life for longer than tonight.

"Yes," he replies with no hesitation. Now that he thinks about it, he wants to see her in the audience singing along to his songs.

She smiles at him and he's back in her trance. She grabs his hand and gives it a squeeze before letting go. "Then I would love to see you perform. When were you thinking?"

"I'm on tour right now, so name a city," he says, "I have the Houston show in two days and then I head to Florida. After that, I believe I'll be in Georgia, Tennessee, and Pennsylvania."

"Wow, that's a lot of shows. I feel like I should have known you would be successful," she laughs, "I'm actually busy for the next week, and after that I'll be flying back to New York."

Harry thinks over his schedule. "Are you free on the 21st?"

She thinks for a moment. "Yes. I don't believe I have anything planned until the end of June."

"I have a show in New York that day if you'd like to come. I believe I'll be there the following day if that works better?."

"That sounds perfect!" she exclaims.

"Ma'am," Stanley interupts politely. "We are here."

"Thank you, Stanley." She turns to Harry with an intoxicating smile. "Let's go!"

J gets out quickly and makes her way to the back of the car. She pulls two blankets out of the trunk and a small bag. Harry gets out and looks around. They are at a small park. This isn't exactly where he thought she would 'hideout' when things got tough.

"A park?" he asks. He's not complaining. He'd could be at a landfill and be happy as long as he's with her.

"It's just a stop on the way. We have to do the rest by foot." He looks into her beautiful green eyes. That familiar warmth is spreading through him. He's scared of becoming more attached to this girl he barely knows, but where's the fun in being cautious?

"Lead the way, love," he gestures forward as she blushes at the pet name.

They both move to the trail that is lit up by lamps. There's a peaceful silence that falls on them. The sounds of crickets and the wind blowing is a stark difference between the roaring stadium a few hours ago. It's nice to feel this silence with her. He feels a hand slip into his. He looks down at their hands connected in shock. He doesn't know how he feels about it at first, but as her hand holds onto his, he loves this feeling. It's insane and strange but he's said it before, she drives him crazy. So, maybe him letting her take control is what is meant to happen. Loving her may be his antidote...

But, that's for another time.

She clears her throat, breaking him out of his thought. "So, where are you from?"

"I'm from a small town in England called Cheshire," he replies.

"Like the cat?" she asks curiously.

He booms out a laugh. "Yes, like the cat."

"What's it like there?" she asks. There's something in her tone that he can't quite decipher.

"It's very beautiful. I love England. Have you ever been?" he asks.

"Yes. I traveled with my parents when I was little. I haven't been in a while though. After I graduate, I plan on seeing more of the world," she says thinking of all the places she wished her parents took her to see. "What's the coolest place you've been to?"

"I love Brazil. It's lovely there. When I played in Rio, my band and I went sightseeing." he says. As a musician, you might get to travel the world, but you have a hard time actually seeing the cities you are in. When Harry was with One Direction, they would have to organize their sightseeing weeks in advance to prepare for the potential mobs.

"That sounds amazing!" she says. "Rio is on my bucket list." Before he can reply, she looks at the path and pulls on his hand to stop him. "We have to go off path from here."

He laughs nervously. "Are you taking me out into the woods at night to kill me?" Even though it's night time here, there are lamp post that light up the way.

"How did you know?" she replies seriously. He gulps before she bursts into laughter. "No, there is a place about 10 yards from here where I like to watch the sunrise. If you feel uncomfortable, we can just head back. I won't be offended." she says honestly.

He thinks about going back, but oddly enough, in the trees with her, he feels completely comfortable. He shakes his head. She smiles that sunshine smile before she leads him into the trees.

The wind starts to whistle, gliding through the trees in the night air.

"What is that?" Harry asks when her starts to see the trees clear.

"That's where I'm taking you," she smiles. They walk through the small gap in the cluster of bushes. Once they get through, she stops them both.

"This is..." Harry seems to be at a loss of words. They stand in silence for what feels like ten minutes. The clearing that they are in is relatively small. No bigger than a baseball diamond, but it is full of flowers. There are solar lanterns on the surrounding trees to light up the beautiful scenery. The reason they stand quietly is because that's the only way to hear the music in the wind. The trees surrounding the clearing are close together causing the wind to pick up speed and whistle a beautiful melody.

J slowly walks towards the middle of the field and lays the blanket she was holding down in an open spot of flowers. She pulls out two wine glasses and a book from the bag on her shoulder before sitting down. She looks at the Brit that hasn't moved since getting into the clearing.

Harry stands smiling down at his mystery girl without saying a word.

"What do you think?" she asks softly, not wanting to interrupt the breeze.

He slowly walks over to her and sits down. "I love it," he simply states.

A strand of hair falls in front of his eyes and before he can move it away himself, J's warm hand tucks it back in place. Her palm rests on his cheek and he leans into it. He feels so comfortable as her thumb caresses his cheek. He feels that familiar heat as her thumb travels down to his lips. A small gasp leaves him as her fingertips rub against his bottom lip.

She leans forward slightly, searching his gaze for any hesitation. He can't move. He closes his eyes, breathing in and breathing out. When he opens his eyes she is the only thing he can see.

When their lips touch, it's even better than he thought it would be. The world around him disappeared. The floating feeling is back. It's like she's waiting for him in the sky, pulling him towards her warmth. He parts his lips slightly and she leans against him more. She matches his feverish movements by moving her hand to his chest. He has no doubt that she can feel how fast his heart is beating. His hands move to her hips, pulling her on top of him slightly. He is still conscientious to the fact that she is still in her dress. He pulls the bottom of it down, to make sure everything is covered.

Always the gentleman.

They stay like that for a while before pulling back. Opening the wine, and diving into conversation. She pulls out a disposable camera while he's telling the story about the time he met his good friend when they punched Harry in the face instead of the person who deserved it. As he laughs, she takes the picture. The stars shine on his face and the lanterns light up his features. When he hears the click, he looks over at her curiously.

"Um," she looks down blushing, "I love taking pictures with disposable cameras. My life can be a little crazy, so taking one shot pictures helps me remember all the important things. I don't want to forget this night."

His heart stutters and picks up double time. "You are such an amazing person. I don't want to forget this night either." He pulls out his phone and tells her to smile. She grins so brightly that he officially doesn't believe she is real. She's an angel on this Earth.

They talk for hours before she reads him the book she brought while he lays back enjoying to musical wind and her voice. When she stops suddenly, he opens his eyes.

"The sun is coming up," she smiles at him. He looks at his watch again and realizes it's five-thirty in the morning. The time has flown by. As the sun starts to rise, she finally tells him her name.

"Janis Rogers," she whispers, "My name is Janis Rogers."

He looks over at her and smiles while he stretches out his hand, "Harry Styles." She matches his smile before taking his hand. He takes this opportunity to pull her onto his lap.

She giggles, but leans back into him. He feels her sigh into him. He puts his arms around her and feels a warmth fill his chest. He could get used to this feeling.

They sit and watch the sunrise above the trees, but he can't take his eyes off her. He takes this time to reflect on the last eight hours he has spent with the girl he thought he'd never see again. The sunlight hits her face and she closes her eyes. There's only one thing running through his mind...

She's so golden.

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