#time will pass on with or without us

[99orphans]

you're f*cking insane?

i think not

for here i sit

insane

and unfucked

[lucabyte]

even dogs pass the mirror test

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[daftpatience]

im not big enough to use a plushy manu for him but i want yall to know if digit got plushified he'd be so good. he'd be palm pals esque with loose tummy of bean filling. ouggh

[clumsypuppy]

meow

[thatonecrazysidekick]

@sunfloweraro I'm sorry it took so long to respond to you on this post, but I needed to draw this before any further action could be taken.

Yippee, Ravio will get comfort!! My sanity is safe (for now). Hilda and Zelda appearances would be cool, and a Sheerow POV would be quite interesting indeed!! I wonder what that bird is thinking behind those blank little eyes...

[toytle]

a lot of comic art would benefit from sticking to the flatcolors

[lyxchen]

You know I really love how Squid Game pushes it's scenes so far that it makes you feel that sense of urgency and distress that the characters feel. It can easily happen that if a scene goes on for too long for the purpose of keeping you in suspense that it then gets boring or annoying. But that never happens in Squid Game. Some scenes are incredibly long, especially the games, I know I got so stressed out watching Dalgona for the first time because the scene just would not end. But that's exactly what the length of that scene is supposed to do for you. Often when you are feeling a lot of anxiety or are in a moment of intense stress everything around you can feel slower. Like time takes longer to pass. Especially when you have a time limit and still need to concentrate and not make any mistakes. And in my opinion Squid Game conveys that perfectly. The games, they drag on even though a game itself is often not that long. Red Light, Green Light has a timelimit of 5 minutes. That's so little!! But they make you feel every damn second of it while watching. I'm not sure if the actual scene was longer than 5 minutes, but it probably was. But they don't cut out stuff. Often when things happen over a span of time in shows and movies they don't add in parts where not much happens and just cut to the part that's interesting again. But in Squid Game because it is life or death and because of how anxiety can make you feel like time is passing slower every moment for the players feels so long and every moment is important. And that's what I really love in how they made the show. Because yes scenes may be going on for a long time. But they're showing you in the most realistic way possible how the players experience these moments. Add to that that there's almost no added in music like pop songs and in general there's not that much background music either. Because it would just take you out of the intensity of the scene, seperate you from the character's point of view. So a lot of scenes are very quiet in the way that every sound you hear is also a sound that a character inside the show is hearing too. Squid Game, just in the way it's made and filmed and in how long scenes take, is made to be so realistic and wants you to feel as closely as possible to what the characters themselves are feeling too. I really love this way of making a show

Btw I made this post because I realized that this doesn't just happen in the games but also outside of them. When Gi-hun is searching for the recruiter we get a montage of all of them searching, the days passing and Gi-hun ripping off pages from his calendar, but even here that montage takes longer than a montage to show the passage of time usually takes. Because it is long. They can't show us every day of Gi-hun just searching again and again but they can sure make us feel like we've just watched that. And you start out watching it thinking "oh they're gonna show us them finding him in like the next 30 second" but they don't. And there's one point where you think the montage is over but then it isn't. And you get frustrated watching it because "why can't they find the recruiter already?? This is taking so long" and that's Exactly how Gi-hun is feeling in that moment. They drag it out, they show you so much of everybody just searching and days passing and they Want you to be annoyed, because then you're really getting it. You're really getting how fucking long it took to find the Recruiter and what a painfully and annoyingly slow and exhausting process it was. And that's just another way that this show is so damn amazing!!! Because it's so fucking good at making you feel exactly what a character is feeling!! They're not just telling you "oh yeah this took long but they did it", no. They're Showing you exactly how long it took.

And suddenly we've arrived at one of my favorite story telling rules which is "show, don't tell" and I think Squid Game applies this rule really really well

(I have more rambly thoughts under the cut that have a little bit to do with this post but focus on another part of it. Also if the structure of this post feels weird that's probably because I had many different thoughts and just kinda put them where I felt they fit in best so idk, I have a hard time rereading stuff I've written so sorry if the flow of it feels off)

Tbh I think it might also be a little bit why the show appeals to so many people and why so many people go and participate in Squid Game the Challenge or that Mr Beast shit. With the way Squid Game is made and filmed to be so immersive it has the power to give the viewer that same rush of adrenaline that the players inside the show feel. But us viewers sit at home and we know we are safe and so we want more of that adrenaline. It's maybe kind of like Bungee Jumping. You get that rush, that thrill of "holy shit I'm Falling", but you know you're safe. You're doing something you would otherwise only experience right before death. And obviously that is what Squid Game the Challenge is like, because being in it you know if this was real, as in real the way it is real in the show, then you'd be very close to death at any given moment. But you're not. Because you don't die if you fail. But you still get that thrill because of that association with death without actually having to be afraid of it. And that's when it gets fun. And while I don't think that this was intended the show is partly also as popular as it is, Because just by watching it you get a little bit of that adrenaline that's fun for you because you know you're safe

Also another thought about the 'show, don't tell' point of it all. There's not that much talking happening in Squid Game. Like people obviously speak to each other but often there are also long periods of time where nobody is speaking at all. But that doesn't matter because this show is so good at showing us everything that is important without much words needed. I'm pretty sure you could watch it without sound or subtitles and still get most of the plot of it. And that's really impressive

[thatswhatsushesaid]

i think fandom spaces would become much more enjoyable across the board if people stopped flipping their pancakes over other fans enjoying characters that they don't like. or, god forbid, like them but in 'the wrong way.'

[daily-hanamura]

[chiropteracupola]

having ocs will make you unprecedented levels of weird in the head on account of I NEED to draw floor plans of EVERYONE'S HOUSE so we can have INTERNAL CONSISTENCY on where the girl from inside my brain keeps her spinning bowl when she's not using it

[clumsypuppy]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[oregaymi]

.

[swordheld]

i believe we all are unspectacular, though

this feeling - it's yours, through and through. your experience is yours and you have earned every emotion you hold on to. in writing this, i don't mean to try to explain away how you're feeling; i only want to attempt to show you the inverse, the hidden light that shadows beyond every darkness.

sometimes there are moments where it all becomes too much and we fall into it, that long dark, and it takes us from ourselves, from some part of us that lives close to whatever we hold to the light of things. the hard part of this was never finding that awe, that spectacular beauty, but keeping it close enough to guide us out of the dark. it slips so easy through our fingers.

when that becomes so big it swallows all else: what if you think of the softest thing? of similarity, and kindness, and how it seems to be rooted down to the marrow of us.

we have existed for so long, so little. we are like giants, on our pebble of a celestial grain of sand. our lives are short and memories far shorter. and yet look at all that we do with it: look at how far it goes - each shining piece.

how could it be just unspectacular? couldn't it always, always have the possibility for more? i implore you to read through ada limón's full piece that this is pulled from, titled dead stars:

Out here, there’s a bowing even the trees are doing.                  Winter’s icy hand at the back of all of us. Black bark, slick yellow leaves, a kind of stillness that feels so mute it’s almost in another year. I am a hearth of spiders these days: a nest of trying. We point out the stars that make Orion as we take out        the trash, the rolling containers a song of suburban         thunder. It’s almost romantic as we adjust the waxy blue        recycling bin until you say, Man, we should really learn some new constellations. And it’s true. We keep forgetting about Antlia, Centaurus,        Draco, Lacerta, Hydra, Lyra, Lynx. But mostly we’re forgetting we’re dead stars too, my mouth        is full        of dust and I wish to reclaim the rising— to lean in the spotlight of streetlight with you, toward        what’s larger within us, toward how we were born. Look, we are not unspectacular things.        We’ve come this far, survived this much. What would happen if we decided to survive more? To love         harder? What if we stood up with our synapses and flesh and said,         No.      No, to the rising tides. Stood for the many mute mouths of the sea, of the land? What would happen if we used our bodies to bargain for the safety of others, for earth,                  if we declared a clean night, if we stopped being         terrified, if we launched our demands into the sky, made ourselves so         big people could point to us with the arrows they make in their         minds, rolling their trash bins out, after all of this is over?

poetry is lovely for so many reasons, but a personal favourite is that it can mean different things to different readers. this one, to me, means there is more here. as in: you are not the first, you are not alone in this ache, this heavy weight of life. the ground has shook with dance since before our feet, the wind has carried stories beyond our voice. it says there has been more here.

and that, in turn, says everything without so many words, doesn't it?

we try, and try, and give everything we have. we have been doing it since before language, since before breath. it is a history that says i need you to know that i tried. that i made it out, into the light of things.

nothing lasts forever. there is no such thing as permanence. everything washes away. there is rot and things collapse, forests fall, seasons change, and time moves on. but the same time  –  there is no such thing as separation. we are not exempt. we all share this changing. 

yes, loving the world is difficult. finding pieces of living, of being alive, that make it worth living is one of the most difficult of searches, but it's one of the most rewarding, as well as the only things truly worth anything. you need to find things to keep going for. you need to recognize your own spectacular things specific to you, because who else is going to do it? 

there is something strong in teaching yourself to hone that perspective. to hold everything else in rays of scattered sunlight through canopies - momentary joys so profound: a violin melody, art that breaks you alive, poetry you want to hold behind your teeth, the smell of cinnamon bread in the oven, because at the end of it: wouldn’t you want hope? wouldn’t you choose hope?

and poems like this, they ask: if you could, even just once more, dare to dream, dream anything, dream it all, each and every piece of light that could await you - wouldn't you?

and wouldn't you? wouldn't you.

[sysig]

Ah, if there are slots open still for requestober, and if you'd like to draw this one-- human RGB, and Hero's reaction to meeting him, please? Apologies if I misunderstood any of the rules and this isn't in line with them...

Day 22 - Nuh-uh! That's not a TV!

[windupaidoneus]

maybe a crazy thing to say but i do wish g'raha was a character that gets more personal exploration. like. how uniquely... odd... perhaps isolating it must feel, to have lived all these things yet only be the same 24 y/o you were when you walked into the tower to slumber. that surely must lead to identity issues of sorts. a fear of legitimacy regarding being who he even is. i wonder if there are times krile can't quite recognise him despite knowing full well it is him. i wonder if he notices