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badnewswhatsleft · 7 months

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2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.

#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS #fall out boy #pete wentz #patrick stump #andy hurley #joe trohman #time capsule #read the charts #ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS #i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3 #patrick's comments about the mythologising of fob lore is so interesting #listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level #the way they talk about neal avron is sooo funny #imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny #i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((

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bengals-barnesbabe · 2 months

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Pairing: Joe Burrow x Singer!FemReader

Summary: From the LSU Tigers to the Cincinnati Bengals, their friendship never faded. Their feelings, however, grew stronger and even more oblivious. So obviously this was the job for Venus’ closest friends. Or will 3 years of dancing around each other crash down in 3 days?

Chapter 17: Operation Tiger

#Track9 Masterlist

Warnings: men with feelings, lots of feelings, all the feels, foul language, oblivious characters, angst with a happy ending.

A/N: ITS OUT! I DID IT and now I'm never reading it again, but y'all enjoy. If there are some grammar errors blame Grammarly (we got into a fight at 4 am). Also I edited this while having a dumb allergic reaction to my cat.

Word Count: 5.6k

Part Six 🖤

Friendships are a beautiful thing. Friend groups should be cherished for what they’re worth. These groups are rare, not because they’re hard to make but because they’re hard to keep. All friend groups have rules to keep the status quo for everyone involved. Team Shiesty even had some before they were ever known as Team Shiesty. An unspoken rule that they shared with all other friend groups was:

No one in the group should date anyone else in said group.

Fortunately for them that rule had yet to be broken.

Unfortunately for them two of their founding members had fallen for each other before the group could fully assemble. Which leads us to Operation Tiger. Our quarterback and Venus had been dancing around each other for far too long so the Atlanta natives of the group took it amongst themselves to create a new rule.

If your best friend is hopelessly in love and extremely oblivious to her suitor’s feelings for her, you HAVE TO INTERVENE.

˚₊‧ʚ♡ɞ‎‧₊˚

“If there’s one thing I don't miss about Atlanta, it's that damn traffic.” Venus lays back in her seat as the calmness of the suburbs settles in around her. Joe sat beside her in the driver’s seat, one hand on the wheel and the other tapping the hood as they came to a traffic light. He can’t help but smile at the look of pure boredom on the girl's face.

“I don’t understand why you wanted to drive 2 hours through awful traffic when you could've just hired a driver.”

“Some of us like driving, you know. Plus it wasn’t that bad.” He shrugged as she pointed out the entrance to her parents' subdivision.

“Yea yea, take your next 2 lefts then the first right and we’ll be at the house.” He nodded, following the directions through the never-ending neighborhood.

“I remember absolutely hating it when we moved here. Part of that was just because I was in middle school, so I hated just about everything.”

“You think we would’ve been friends back then if we somehow went to the same school?” He asked jokingly before taking the last right.

“Honestly J? Maybe? I was an emo chorus girl, but I wasn’t really afraid to talk to anyone if I needed to. I was also kinda nerdy so there’s that.” She shrugged. Soon they reached the cul de sac next to her house and he parked at the end of the driveway.

“Well I was the nerdy jock going through a very awkward puberty stage, so you would have never talked to me. You were probably too cool for me.” He smirked.

Venus playfully smacked his arm and shook her head, “I don't know what Mars told you, but I was not cool, I just talked to people.” Looking up at the light maroon house before her, the hidden anxiety about Joe meeting her parents crept its way back to her mind.

‘But you were just friends, so it wasn’t that big of a deal, right?’

“You okay?” A shiver made its way up her spine before turning to the baby blue-eyed blond. “Take as long as you need, but I’m pretty sure someone saw us pull in.” He smiled. Blinding.

She attempted to match his expression, “I’m good. Just mentally preparing for the drama film that we’re about to walk into.”

Joe chuckled while pulling the key from the ignition and softly caressing her fidgeting hand. “Let’s go make you the main character then.” She let out a jittery laugh and attempted to shake the nerves off, but her fingers tangled with a loose string of her shirt. ‘Maybe this set wasn’t the best idea.’

Slowly her door was pulled open revealing Joe there with his hand out. Venus took a deep breath and let her friend guide her towards the door. Before either of them could knock or ring the bell, the door was yanked open by a girl with shoulder-length locs.

“Fucking finally! Come here.” Venus squeals as her best friend crushes her in her arms. A fruity but earthy perfume and castor oil fill her senses, images of the days when they walked around the mall complaining about their parents and school teachers flashed in her mind.

“I missed you so much babes.” They break away to wipe away the stray tears that had been shed.

She cupped and smushed Venus’ cheeks with her hands. “I missed you more, you’ve been held hostage by Louisiana long enough. I almost forgot how short you were.” Venus gasped and punched her in the arm.

“I take all of it back, I hate you.” She smirked.

Mars smiled while rubbing her arm, “damn, I forgot how hard you hit.”

“Can y’all move away from the door, so I can see this bitch?” A voice pleaded from behind them.

Mars rolled her eyes then moved over so the curly haired Latina could have a turn. “RiRi.”

“Oh good, you still look how we left you.” She smirked before pulling her old roommate into a hug.

“I’m going to try and not take offense to that because I’m excited to see you.”

“What? It’s nice to know that Louisiana or anyone else didn't change you.” She says, eyeing the man behind her.

“Yea speaking of height, can we address the giraffe in the room?” Mars winks, tipping her head like an imaginary hat.

Joe chuckled then ran his hand through his hair. “Guys, this is Joe. Joey, these are my best friends in the entire world, Riana and Mars.”

“Hey, you can call me Joey if you want. It’s really nice to meet you.” He smiles and awkwardly waves.

“Ohhh I see the appeal now. You’re the silent awkward athlete who likes to surprise people with his abilities.” Mars points out.

“Really? I can see some fuckboy tendencies from here.” Riana replied.

Venus was dumbfounded, “you just met- can yall bitches be nice, damn?”

They shared the same smirk before properly introducing themselves to the quarterback, then winked at their friend before retreating into the kitchen.

“I’m sorry about-

Before she could finish her dad walked into the room. His eyes went to hers, Joe’s then right back to hers with a smirk, he shook his head and grabbed a jacket from the coat rack beside him. Oh fun.

“Y/n, my daughta! Who have you brought into my kingdom today man?” A loud off-key Jamaican accent fills the air as he pulls on an Atlanta Falcons bomber jacket.

Joe stifles a laugh as Venus’ face deadpans. “Joe, this is my father- don't take him seriously. Dad please.”

The man raised a brow and smirked. “I know not of what I’ve done to earn this treatment oh! This man of anotha tribe threatens my position, I must take charge.”

Venus leans back with her arms crossed. “Did you and Malik watch Black Panther again? Cause your M’Baku impression isn’t any better, probably because you were raised in New York and not Wakanda.”

Her father shrugs and pulls her into a hug. “Maybe I just wanted to embarrass you in front of your new boyfriend, you know show him who’s boss around here.” He winks in Joe’s direction.

As he kisses her head, she pulls away and thumps him on the back of his. “Well, you’ve succeeded- with the first part! Everyone knows I’m the real boss around here.”

The old man snorts. “Yes, yes I know. She’s been bossing me around since she learned to walk, so I’m excited for someone else to take that place.” Making his daughter roll her eyes as he winks again.

“She does have a nook for making sure things go her way.” Joe chuckled.

Venus whirls around a smacks his arm. “You two are not supposed to be ganging up on me, you’re not even supposed to like each other right now.”

Joe rubs his arm feigning an injury. “I can’t even play anymore, I should see a doctor.”

While her dad punches the air. “Yes, finally a win for my Falcons. I’ve been waiting for this day for so long. I’d like to thank my wife for agreeing to go on that date with me, my daughter for injuring her star quarterback boyfriend-

Venus gapes at the dramatic men, then shakes her head and walks away. “I can not believe this is happening, he’s not even my boyfriend. How do I find these ridiculous people?”

˚₊· ͟͟͞͞➳❥

After meeting the rest of Y/n’s family, Joe was finally able to shake some tension off his shoulders. For the past few days, all he could think about was this moment. Football he could practice, he knew the expectations on that field. But this, meeting the parents of the woman written all over his heart, was anxiety-inducing. No amount of preparation could prepare him for how it will all eventually go down. He hoped they’d be overjoyed and give him their blessing and by the way it’s going, he’s more than hopeful for this outcome.

The plan leading up today today was she would catch a flight to Cincinnati Thursday night and then fly to Atlanta together the next evening. Nowhere in the plan did it say that Y/n could show up Tuesday night completely unprovoked and surprise him after he got back from practice.

Even though they had been friends for years, he had never been so nervous to be around her for those 3 days. He tried to remain as calm and normal as possible; they joked around, cooked together, and shared the same bed as they normally would.

Joe wasn't a total idiot, he knew their relationship was tiptoeing along the lines of something more. But after a year of helplessly pursuing her in college, he thought it’d be better if they were just friends. Eventually, he gave up on that idea altogether because, with the feelings he was harboring for her and Ja’Marr’s constant need to nag him about how dumb the situation was, the only one that needed convincing was her.

But this weekend was what he was playing the long game for, it’s his final chance to come clean about how he truly felt. And he hoped those feelings were reciprocated or the entire weekend would be a bust. And he definitely wouldn’t be playing the best tomorrow.

As soon as she left the room the temperature felt like it had been dialed to 100, Joe had never wished he had his headband so badly without being in the middle of a grueling practice. Her father gestured to the white couch behind him and they took a seat.

“Your home is beautiful.” Joe starts as he’s trying to conceal his nervousness, but the constant wiping of his palms on his jeans tells another story.

“Thank you, I assume Y/n told you that she hated it when we first got it.” Her dad chuckled trying to lighten the air.

“Oh yeah, the whole moody middle school bit too.” He could only imagine what she was thinking about this interaction and how wrong it would be when it was revealed.

“If someone had told me that kids didn’t like moving so close to their school, then maybe we wouldn't be here. But that’s not what I want to talk about and I doubt you’re here to hear about how much I don’t know my daughter.” The older man smirked.

“How’d you guess? But yeah, there’s something I felt would be best to talk about in person, if that’s okay with you, sir?” The quarterback clasps his hands together and straightens his spine.

“I thought so. How long have you been in love with her?” Joe’s eyes widen and his mouth dries as the gentleman relaxes his stance.

“F- shit sorry, wasn't expecting you to- wow um how did you know?”

The dad lets out a dry chuckle, “I’ve been in your spot before. I know what a hopeless man in love looks like and you didn’t take an eye off of her until she was completely out of your sight.”

“She seems to be the only one that hasn’t noticed it, but as cheesy as it sounds I don’t remember a time when I wasn’t in love with her. I’ve never been one to believe in myths like ‘love at first sight,’ but there’s no other way to describe it. I transferred to LSU for a fresh start, I just wanted to play football then when life finally started working out in my favor, she walked in. She’s funny, beautiful, smart, talented- the whole package. I’m kinda glad we didn’t date back then, I know it was only two years ago but I wasn’t ready for a woman like her.” He smiles fondly as the memories of them flash through his mind.

“And what about now, do you think you’re ready to start a relationship with my daughter that could potentially last a lifetime?” For the first time, Joe looks your father in his eyes with no fear or anxiety.

“Sir you don’t understand, I mean you do, but I’ve pictured Y/n as my future since we met. I grew up pretty well off, but I wanted to put in the work doing something I love so I could provide what I had for my future family. After a year in the league, there’s only one thing missing from my life, and it’s her. I mean I spent 3 days with her just in the house and I felt like I could do that for the rest of my life. I’ve known that she’s the one for me since we met, now all I need to do is finally tell her that.”

The old man smiles as a few tears streak down his face, he wipes them away and then holds out his hand to the young quarterback. Joe takes his hand and gets pulled into a tight hug. “There’s nothing that makes me happier than when someone shows the same love and devotion to my little girl that I’ve been trying to show her for years. As long as you promise to keep a smile on her face and love in her heart, you have all the blessings in the world from me. Thank you, Joe.”

They let go with permanent grins on their faces. “No need for that, I’d do anything for her.”

“Good. That’s all I’ve ever wanted.”

“So, you think she believes that we’ve been talking about ‘ball this whole time?” Joe joked.

“As long as she stayed out of this room, 100 percent. She’s clueless when it comes to it, so we could make up a term and she’d be convinced.” The men share a laugh before a head pops out of the kitchen.

“Hey, you guys hungry? Food’s ready. Let’s eat everyone!” Her mom announces.

˚₊· ͟͟͞͞➳❥

As the food is going around the table, Venus sneaks off to grab her purse. By the time everyone is settled, she clears her throat and stands next to her father.

“So, I have something to tell you guys. No, I’m not pregnant, dating, engaged, married, or dying; before you start to conjure up some random assumptions.” She glared at Malik, her younger brother, who was holding in a laugh.

“First, I just want to thank everyone for coming. I know the last 2 years apart were hard but ‘time makes the heart grow fonder’ says some random dead guy.” Most of the table chuckles. “But seriously, I’m glad all my best friends could meet and hopefully talk about how much of an amazing person I am.”

“Venus keep talking and I’ll tell him all about how amazing you were in high school.” Mars smiles as the girl’s eyes slightly widen.

“Okay, as most of you should know, there’s this little game happening tomorrow. Nothing big or fancy, and I definitely didn’t bring one of the players to dinner, but I digress.” She shrugs extremely unbothered, causing her father and the quarterback to snort.

“Since I now hold the title of Assistant Physician Technician at Baton Rouge Clinic, I still have no money thanks to my glorious student loans. But y’all should still thank me for becoming best friends with some random football guys because everyone will be attending their first NFL game tomorrow night.” She cheesed fanning herself with their game day tickets.

Joe smirked as she sat down after handing over the passes. “Wow, and you said they were dramatic.”

“Did you or did you not say that I was gonna be the main character when we walked in? I’m just doing your expectations justice.” Joe shook his head and draped his arm over her chair while pulling her a bit closer with his leg.

After dinner, all the women, except Venus per her mom’s request, help clean up the table and take the leftovers to the kitchen.

“I don’t understand why we can’t drag Y/n over here to help.” Riana scoffs.

Amina, Venus’s mom, shushes her and pulls the two girls into the empty dining room. “I’m having Malik distract her so we can talk about what is going on between my daughter and that footballer.”

The girls share the same knowing and scheming expression. “We may have an idea about that.” Mars starts.

“Yes, and what is it?” Amina crosses her arms.

Riana glances into the living room to make sure no one is eavesdropping, “ok they really are just friends right now, but we know that they have really strong feelings for each other. I came up with a plan to finally get V to do something about the tension and I’m very proud of it.” She smiles.

Mars rolls her eyes and rubs her temples. “Her plan is absolutely ridiculous, but we know it’s going to work because we’ve been friends long enough to know what makes that girl tick. So it involves his ex, a woman she hated more than anything when they were dating.”

The African mother nods but sucks her teeth, “why hasn’t she told me anything?”

“Cause you’re scary. Ow-” Mars elbows Riana before butting in.

“She didn’t even want to tell us until we kinda forced it out of her. She doesn’t want to let herself revel in it for too long because she doesn't want to get her heart broken again.” She stretches the truth just a bit, the older woman did not need to know how their relationship actually worked.

“That makes sense, ok go back out there.” The girls let out a much-needed breath as they were dismissed. “Wait, what do you mean again!”

Back in the living room, your brother is sitting on your dad’s armchair flipping through a photo album dedicated to your childhood. The three-seater next to him is now occupied by your mom and friends, while you and Joe are sharing a two-seater on the other side of the armchair. After learning the truth about you, your mom takes special notice of the fact that you’re sitting with your legs across Joe’s lap and one of his palms wrapped around your ankle.

“Oh look here’s a pic of Y/n trying to catch balloons while her pants are falling down.” Malik attempts to show J before you yank the book out of his hands.

“Ok, that’s enough, let’s put the album away now.”

“Hey we were getting to the best part, I was in the next frame.” He fake pouts.

The scowl painted on your face causes him to break out into another laughing fit. “I despise you.”

“Come on babe, it wasn't that bad,” Joey smirks, then looks down at his phone.

He just called me- which doesn't matter because you’re best friends duh.

“Shi- it’s almost 7, we gotta go. I have to meet with Taylor in like an hour.”

“Why so late?”

“Who’s Taylor?”

“Taylor Swift?”

“A meeting past 5 pm is a criminal offense.”

“Y’all are so unbelievably nosy.”

Joe throws his head back laughing. “I love your family, I don’t know why you didn't introduce us sooner.” Yea.. I definitely don't know.

“Zac Taylor’s his head coach. Remember there’s kind of a game tomorrow.”

“Yeah and I may have ditched a meeting so we could drive up here,” J says sheepishly, once he’s done dying of laughter.

During his fit of laughter, some of his hair flung out of place giving him a more shaggy look. “You didn’t have to come if it was gonna get you in trouble.” Forgetting where you are for a moment, you begin to fluff out the front of his blond locks, then rake your fingers through the rest before settling on the back of his neck.

His fond eyes meet yours. “I wanted to, plus you were just gonna make the trip yourself or end up ranting about not going while I’m trying to sleep?”

You squinted and shrugged. “Touché.”

“Wait, you’re sharing a hotel room?” Your brother’s voice breaks you out of your bubble. When you look up, everyone’s eyes are glued to you. You’re now hyper-aware of your hand that’s been gently scratching his neck, your legs that somehow always end up in his lap, and the cautious hold he has on them.

Removing yourself from his space, you begin to gather your stuff. “Um yeah, there was an empty spot that was already paid for and J offered me the bed.”

There were no prepaid rooms left.

“That’s very nice of you Joe.” Riana winked.

A deep flush crept up his face, “It was nothing, what are friends for.”

Mars beamed, “Exactly. He knows the real value of friendship. I mean look at him, breaking preset rules about boy-girl friendships.”

Your brows furrowed as you studied the two women. “Okay? We’re going to go now. Thank you for everything and I’ll see y'all tomorrow at the game.”

Your mother’s face brightened as you hugged then walked towards the door. Joe dapped up your dad and brother following your exit. “Thanks for the chat.” He smiled, then joined you in the rental.

“That went really well.” You relax buckling your seatbelt

“Mhmm, told you you were anxious for no reason. Shit I was worried for no reason.” Joe says as he puts the car in reverse.

“You were anxious, really?”

He nods. “Oh yeah, more than you think.”

“Huh, I couldn’t tell. Hey if this NFL thing doesn’t work out maybe you should try acting. Today’s performance was outstanding.” You chuckled.

“Yeah absolutely not, I can barely do commercials and they want me to ‘be myself’ or whatever that means.” He shakes his head as your laughter bellows.

The ride back to the hotel was peaceful, the roads were clear, and the sky filled with stars, it was the perfect night. Until Joe’s phone started buzzing every 5 seconds. He tried to ignore it by listening to cars zooming by, but whoever it was really wanted his attention.

He sighed. “Could you get that for me?”

“You’re very popular tonight.” You snorted, then picked up the phone. Your face dimmed as you read the series of ‘I miss you’ texts all coming from the same number. It was unknown but you could tell they weren’t from some random fling. Your gaze was locked on each message, you could bet money on who they were from. She used to be obsessed with the idea of him. He gave her a chance for a few months, she started changing him into someone else. He stopped hanging out with you as often and-

“Who is it?”

“If it’s Zac just tell him we’re on our way.” His words floated around unanswered.

“Y/n?”

You broke out of your trance and looked over at the man driving before quickly turning your attention to the world outside the window, “it was nothing. Wrong number.”

The phone was placed on ‘do not disturb’ and forgotten about for the rest of the ride.

The atmosphere in the car didn’t change from that moment, a perfect silence was replaced with a frigid one. You spaced out for the remainder of the ride, not wanting to show how it affected you. Joe noticed the odd silence but dismissed it as fatigue from the long day. Which it was, that could never ruin the comfortableness of their surroundings.

The car finally pulled into the Hilton valet entrance around 10, you unbuckled yourself then sunk into the seat. The late hour meant you had to wait for someone to come outside, in the meantime you attempted to lose yourself in the night sky. The antsy feeling bubbling under your skin was beginning to eat away your patience. Joe, finally able to get a good look at you, watched the way your knees bounced, the way your hands were picking at themselves and the lack of attention towards him.

“Ok what’s wrong, you were fine all night until you saw my phone. So what’s bothering you?”

You scoffed, it’s just like guys to identify the problem not even realizing it was the problem. “It’s nothing, I’m fine.”

“Fine, if you aren’t going to talk then I will.” Your gaze was unwavering from the doors of the Hilton.

“Damn okay, look I feel like I’ve been trying to say this for the last two years, clearly I haven’t been very successful. Y/n I don’t like us being so far apart. I mean, location wise and relationship wise- yea. Fuck. Joe just do it.” Some part of you would’ve laughed at his inability to coherently express himself, but you couldn’t get past the irony.

“I really like you Y/n, I have for a long time and-

Shaking your head, you can’t help the words that start flying out, “bullshit. How can you say that when Megan or some random bitch is constantly blowing up your phone?”

“Megan? Y/n there’s nothing going on between us anymore, that ended over a year ago. You are the only woman I have feelings for, I don’t care about whoever’s in my DMs or calling me up.” As he went on the feelings of doubt still lingered.

“I somehow don’t believe that Joe, call me fucking insecure but if you wanted me to believe that you would’ve blocked the numbers. It’s like you wanted to know that they’ll always want you and you can go back whenever you want.” Your vision began to blur with unshed tears. You don’t believe the words falling from your lips, this has never been a problem between you. But this is more than just a fight with your best friend.

“I don’t know what I can do to convince you that you’re the only one I care about.” He huffed laying back in his seat. Then his eyes widen, “wait you wouldn’t feel this way if you didn’t also have feelings for me.” A bit of hope fills his chest.

“So what?” You finally meet his crystal blue eyes. “You clearly have other priorities, so let’s just leave it at that. I’m tired so let’s just talk tomorrow.” With that, you left the car and entered the hotel.

“Y/n! Wait!”

The next few minutes are a blur, the bellhop rushes past you to help with the bags as you hand the lady at the desk your ID. Once she hands you your key, you b-line to the elevator, not waiting for a second. By the time Joe gets to the desk, you’re already in the room.

The lady at the desk confirms his identity and reminds him of the meeting he has with Taylor, but all he can think about is how this night went so bad so fast. He takes the elevator to the 12th floor where both their room and the meeting are and enters the one cracked open while his bags are wheeled further down the hall.

“Well look who’s decided to grace us with his presence. You were supposed to be back over an hour ago.” His manager, Dan, presses.

Joe takes a seat at the opposite side of their round table and runs his fingers through his hair. “Shit happens, can we start now?”

Coach Taylor takes a note of his behavior and quickly runs through everything he needs to know. He lectures for a total of 20 minutes and answers questions for 10 before he runs out of material. The entire time Joe took the sloppiest notes of his life and couldn’t care less about what the chicken scratch said. “Well that’s it, any other comments, questions or concerns?”

“How do you make a girl listen to you?”

That raises the older mens’ attention just as quickly as when he walked in.

Zac speaks up first, “in my experience you need to have something to say that’s worth listening to.”

“I told her that I love her.”

Dan’s eyes widened. “Y/n?” The player nodded.

“And she didn’t believe you?” He nodded again.

“What happened before you said it?”

“Nothing, she was quiet the entire ride but something changed during the last 10 minutes. I got some spam texts from an unknown number and she got awkward. Then when we got here she brought it up again, but it didn’t make sense. She had no reason to be upset.” He huffed.

The older men looked at him amused. “What?”

“You’re an idiot.”

“Did you read what the messages said?”

He shrugged. “No, why would I?”

“I don’t know man, maybe because she read them and got upset.” Zac pondered.

“Give me your phone.” He hands over the device per his manager’s request. The man quickly goes through the messages before putting the phone back in his eye line. “Read it, aloud.”

“I miss you….. Why was she replying? She doesn’t compare….leeching off you…taking advantage. What the fuck?” His brows knitted.

“Now do you see why she was mad?” Dan smirked.

“Fuck, I need to fix this.” Joe gets up and marches towards the door. “Oh and thanks for the help. I’ve been saying that a lot today.”

By the time Joe enters the room, he’s got a full speech in his head that he's gone over several times and he’s prepared to unleash it immediately upon seeing you. Except there’s no trace of you in the room. Your bags are gone, your phone isn’t near a bed, neither of beds even look like they’ve been touched.

“Fuck, fuck, fuck. There’s no way I messed up for a third time.”

He starts pacing the room. This was supposed to be his chance, this was going to be the story he tells the grandkids. They were supposed to hear about their great love story and carry on his legacy. But instead he’s going to die that weird uncle that’s obsessed with cartoons and UFC.

He finally sits down in the chair next to your bed facing the downtown skyline replaying the day’s events in his head and completely ignoring the door next to his own.

˚₊· ͟͟͞͞➳❥

The second you got to the room all you wanted was a hot shower to help relieve some of the stress and tension from the car. It only took about 5 minutes for the young bellhop to come to the door, you gave him his tip, grabbed your duffle and went straight to the bathroom. You oiled your scalp then placed a shower cap over your hair and spent 30 minutes underneath the boiling water.

After doing your much needed self care routine, you left the bathroom steamy and with 40% less stress than before you started. You softly shut the door then turned around to see a figure sitting next to your bed.

“Joey?” He gets up and slowly turns around, the sight of his red eyes, tear stained cheeks and messy hair makes you crumble.

“Oh my god, what-

Before you could finish he takes a few long strides towards you and pulls you into him. “Baby what happened?”

“I can’t lose you again.” He croaked. “Y/n, it’s always been you. I love you more than anything. Nothing she said in those texts was true, I’d give you the world with everyone still on it. You’re my biggest supporter, you’re the only one that knows me on a deeper level than -fucking- myself. I don’t wanna go another minute without you knowing how much you mean to me, how much I fucking love you and how much I’d do anything just to make you smile. I’m sorry I waited so long to tell you. I just wanted it to be perfect, I wanted to have a story that would transcend galaxies. I-

“Joey!”

He finally stops and stares into your eyes. “I always loved how rich and glittery your eyes got when you’re in the light.”

What a goof.

You rolled those glittery eyes, pulled him down by his collar and crashed your lips against his. After the initial shock wears off, he returns it making you sink into his hold. His hands dig into the softness of your waist and your arms wrap around his neck with your fingers immediately finding their home scratching and running through his hair. His hands wander further down mapping every inch of your body before one softly grips the meat of your ass causing a ‘gasp’ to leave your lips giving him the opening to allow his tongue to explore more of your mouth. Your bodies rock together until your knees hit the edge of his bed and you fall into it without breaking apart your lips. He grabs a hold of your thighs and flips you over so you’re on top. A sharp tug at his roots releases a deep vibrating groan that causes flutters in your lower stomach.

“Joey.” A whine finally breaks you from the heat of his mouth. You open your eyes to his dazed eyes and smiling bruised lips. “Yea?”

“I love you too.”

.・。.・゜✭・.・✫・゜・。.

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A/N: As always: likes, comments and reblogs are appreciated and welcomed.