#truly a ramble

[discordantwritings]

Sometimes I think about writing my self insert stories cause I have Deep Lore and some crazy slow burn but then I chicken out cause all my self inserts are probably too specific to be a reader insert and then idk how well oc x canon fic would go over,,, I mean everything I write is silly self indulgent so idk why I’m so hesitant on this but it’s different for some reason

[emeraldreverie]

ok maybe this is a question that won't go far, but i can't be the only one asking so maybe someone will see it, but

does anyone have a recommendation for a weekly medication container that is not Pill Only oriented? something like stacking trays even

now brain is flowing wishing i had a 3d printer and design skills to make this myself

[foldingfittedsheets]

Back in 2017 I signed up for one of the Cards Against Humanity sillies and did their Cards Against Humanity Saves America. Basically they were like fuck Tr*mp and his border wall and used the funds from the campaign to buy land and to make all 150,000 contributors part owners of said land across the US/Mexico border.

It was fun and silly and I got a little certificate.

Today I got an email that Elon Musk illegally annexed that land for SpaceX and that CAH are suing him over it. So possibly I’ll get like $100 if they manage to win a lawsuit and stick it to Musk. It’s like even more bang for my original buck.

[owlbelly]

so. i understand where the sentiment "listening to an audiobook is the same thing as reading the book" is coming from - i mean, yes, the bottom line is you are taking in the same words in what is possibly a more accessible (or maybe just more enjoyable) format for you! and i'm 100% in agreement that "book snobs" who say "no you didn't really read it" if you listened to the audiobook are full of shit. ofc you should engage with stories in whatever way works for you, there is no moral or intellectual superiority to reading words off a page vs. listening to them

but it also is different? an audiobook is a performance. choices a narrator makes about line readings can drastically influence the meaning of the lines. even just different voices, accents, etc. - there are creative choices being made by the person delivering the words to you, and that affects your experience of the story in a different way than if you were making those choices in your own head. it might even change the way you visualize what's going on!

this isn't a bad thing it's just An Actual Thing & i think it's worth talking about. it rubs me the wrong way when people act like accommodations (and for many people audiobooks are an accommodation) always result in a completely identical experience, or even that they should, & if you suggest that people accessing media in different ways are having different experiences it's somehow ableist

anyway on rare occasions i really enjoy audiobooks but mostly they are much less accessible to me than words on a page (i need to be able to reread, flip back and forth, go at my own pace) & i also just really strongly prefer to encounter a text on my own before hearing someone else's performance of it, if possible! again i don't think it's "better" to read a physical book i just think it is a Distinct form of experiencing a story & acting like the two things are entirely the same is sort of doing a disservice to both

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.

[insufferablemod]

actually checking out pesterquest for the first time and

lmaooo nailed it B)

[imaybeabear]

Anna Williams did not run through miles of forest nor face off with an infected with literally only a switchblade and sheer desperation all while fucking IN LABOR, then cut her daughter's umbilical cord with her own hands, clean her up, name her, love her, and hold her for hours even as she knew and felt that she was dying, prepared to stab herself with that same switchblade to save her baby, then beg her lifelong friend to take her girl somewhere safe where she could grow up happy and protected only for Marlene to fuckin sacrifice that girl, that baby she swore to her dying friend to take care of, for a shoddy at best chance to save an already irrevocably shattered world. Both the Williams ladies deserved better than that.

[elven-child]

I know many people say you had to be USAmerican for this, but honestly nothing. NOTHING compares to waking up on November 6th, 2020. eight months into the pandemic. wondering if three days later they finally have the election results in the usa because they will affect your country too whether you like it or not. not even bothering to check the news sites because tumblr will talk about it anyway and the results will be the first thing you see. opening tumblr barely awake. and instead of the election the first thing you see, somehow - but also of course it had to happen this way - is destiel going fucking canon overnight

[candycatfalls]

Insane how ford said to bill "if I'm still alive you must want something from me" when he woke up in the penthouse, as if bill hadnt been keeping him alive and carting him around as his little gold trophy wife for 3 days

[deeply-unserious-fellow]

Vox has terrible taste in men. Like between Alastor, a canabalistic serial killer with the worst haircut I've ever seen who is both aroace & so emotionally constipated and egotistical that he can't even FRIENDZONE you because that'd be showing weakness, and Valentino, a fucking serial abuser/rapist who is so fucking stupid and bull-headed that you have to scream in his face to make him listen and even then only understands what you're trying to tell him after you've gone through a step by step process of the most basic ideas, that man can NOT catch a break dear god-

His taste in women is pretty good tho Velvette's great :)

[melonsharks]

MORE TRANSFEM DIPPER!!! SHE IS MY LIFEBLOOD 😭😭😭😭😭

(ur art style is so nice btw)

dipper pines and the art of repression

notes below the cut for funsies haha.

its kind of interesting to me to watch gravity falls with the lens of transfem dipper because when you watch it like that, its like. shes trying SO hard to push it down. it kind of reads like shes trying to convince not just everybody else, but HERSELF that shes a boy. like the idea that anybody could even think shes a girl is terrifying to her (this kid really does read as trans in any direction LMFAO i love dipper) but like. why transfem? right… full hc territory here, please be nice to me.

-she doesn’t like her deadname (its traditionally a masculine name, as far as i know 😭) so she goes by the nickname that as given to her because of her birthmark…

-she gets made fun of OFTEN for not being manly enough even throughout the show and so she associates femininity with Bad Thing To Be. so she CANT be a girl because being a girl would be a BAD THING FOR HER TO BE. shes 12 years old yk so like. this deep, deeeep repression sets in.

and so:

-she overcompensates. shes not just going to be manly, but shes going to be SO manly that nobody is going to make fun of her for it again. sometimes to the point where she feels like she cant even really be herself.

i feel like she doesn’t even really realize it in canon,,, its probably post-canon. but the realization would hit her SO hard. like a truck. and it would be so scary at first but then its not, then she feels Right and it feels GOOD and shes so happy and her family would love her and accept her so much and whatever WHATEVERRRR.

anyways, i was just rewatching gf and this was really making the rounds in my head the more i watched, because its kind of how i experienced being trans myself (and im transmasc so LOL) like. just repressing the thing i thought was bad and overcompensating like crazy, until i realized… that its not a bad thing to be. other people making you feel bad about it doesnt MEAN its bad. and then that realization that your identity not being what you thought it was doesn’t mean you change as a person. you’ve always just been you. but it feels better. it feels real.

[ohbother2]

OKAY SO-

Alastor lost his cool and flipped his shit immensely when Lucifer showed up - why would that be? and why wedge himself between Lucifer and Charlie? Why would he react so viscerally when his literal main-competitor for retaining his rank and respect is Vox, and Vox openly antagonises him first, trying to drag Alastor's reputation through the mud in his broadcasts

Alastor remains cool, calm, collected, and in doing so completely surpasses Vox's attempts

in many ways, Alastor is unflappable. Always smiling, always a step ahead, always the most powerful and domineering in a room

and then- Lucifer shows up. This short statured, rosy-cheeked, rather pathetic excuse of a man

he waltzes in to the hotel, a fumbling over-excited mess, the least threatening a person could possibly look in hell, barely reaching Alastor's waist

and yet, he outranks Alastor, he could over-power him easily, he is the predator

and Alastor simply cannot handle that

Alastor may be furious that such a week-minded, emotionally unguarded man ranks so far above him with no way for Alastor to even attempt to gain the same status

so what does Lucifer lack? what is the one thing Alastor can have that he can't?

a relationship with Charlie

his anger is calculated, he finds what hurts Lucifer, he finds his weakness, he grips onto it with both claws, and he drags it in front of him, mocking the fact that, yeah, sure Lucifer may outrank him, but in his daughters mind? one of the few things Lucifer can't control? Alastor has the power, has the lead - in all manners of 'power' and 'influence' that Lucifer cannot control, Alastor makes sure he knows he is on top - he is Charlie's favourite, he succeeds where Lucifer has failed her

regardless of his motives, he has been there for Charlie, and Lucifer hasn't, and that's all that matters

but why does he have this deep-rooted need to prove himself? why can he not accept that he is still the second most powerful in that hotel?

his need for power, for dominance, for control is shown again when Husk confronts him in the hallway

'big talk for someone who's also on a leash'

this time, Alastor doesn't even bother targeting Husker's, insecurities, his weaknesses

he drags him down the hallway chained at his neck, teeth gnashing and positively enraged

there's no typical Alastor intelligence or cunning behind this action - it is pure unadulterated rage, it's a: I can kill you, and I will

killing husk would be useless - Alastor obviously has a purpose for him, that's why he's been kept alive and the other overlords haven't, killing him would get rid of any leverage Alastor had, it would get rid of Husk full stop

Alastor has been gone for 7 years, and now he's back, supporting a cause he doesn't believe, forced to wander around the hotel halls and haunting its residents instead of freely roaming Hell

Lilith has also been gone 7 years - and she isn't yet back

Alastor just so happens to appear at the hotel mere moments after Charlie tries to talk to Lilith, marching into the foyer and wedging himself into the project with a showman's flair

he is chained, he is chained to that infernal hotel where he doesn't belong - he cannot be redeemed, he doesn't want to be redeemed

he is chained to Lilith, and by extension he is chained to Charlie

and in his eyes, he is powerless, so utterly and infuriatingly at the mercy of those above him, and that simply won't do

so what can he do? what can a man, whose greatest desire is power, who's biggest insecurity is the power and status he wields over others, do to reclaim some semblance of that power? how can he usurp Lilith? how can be make this soul-bond beneficial to him?

he can win Charlie over - he can replace her father in the process, he can mould her as he sees fit, he can play on her need to view the best in everyone, in the need to create friendships and her insatiable ability to care for those around her

he cannot get to Lilith, he cannot match Lucifer, but he can have Charlie

and he's nearly got her

and when he does? who's to say her naivety, her trust, the relationship he's intentionally crafted with her, leads her to strike a deal with him in a moment of need? when the angels attack, when the hotel begins to crumble, when heaven commands her to stop her efforts? why wouldn't she strike a deal, in her mind, he's as caring as a father figure, and a man who's been there since day one unlike either of her parents

she shakes his hand

he has her soul

he has Charlie, and he has Lilith, and he has Lucifer

there's nothing they can do, and isn't that really what power is? not raw-strength, not magic, not status, but the ability to control those who others may believe to be above your own station?

he's forced to the hotel, he's chained down and unable to grab for more power - if Lilith is preventing him from earning it himself, well, he can always just force her to give it to him

all it takes is one hand shake.

the cherry on top? he get's to show Lilith it's her own desire for him to be at the hotel that has allowed him to ensnare them all

[anthurak]

I will say, this exchange makes me feel pretty confident in the theory that Charlie is going to turn out to be a LOT more powerful than people, namely the sinners, give her credit for.

It's not that she can't command authority/put her foot down/literally atomize any sinner who's ever given her shit with a metaphorical snap of her fingers.

She simply doesn't WANT to.

...yet.

[screwpinecaprice]

Just a silly guy, with silly silly thoughts.

@glowweek Day 2

Casual | Surprise

A casual surprise?😬😬😬

[monabee-draws]

Dorian confessing his intention to return to Tevinter for good is so heartbreaking in the Tresspasser DLC. Because of course he does! It doesn't come out of nowhere, he tells the inquisitor as much before they even defeat Corypheus - he loves his home country and knows that he personally needs to be the one to fix it. Not any foreign power (including you and the Inquisition) but through internal change. And he's so blasé about it when he tells you, keeping his tone light, excited for his future work with Maevaris and the Lucerni! Of course, he didn't want you to find out like that but this is a good thing. He's happy! He's practically jovial!

And then you think about how familiar that tone of voice is. And remember his romance scene, and the nonchalant way he asks you if this whole relationship is just a one-time thing. And how he jokes and jibes with you in the bad-end future during In Hushed Whispers, to the point where Leliana calls him out on the obvious attempt at levity. Barring your brushes with his family, who elicit a kind of knee-jerk anger that cracks his usual mask, Dorian is very good at maintaining that emotional wall. So you listen as your heart breaks, as you consider how to respond to the lightness of him in this devastating moment, and you realise-

Dorian is terrified. The kind of scared where you can't really voice it, not in public, not even in private spaces when you aren't 100% in control. It's scary losing a parent, even one you're not quite reconciled with. To have to take his place and fill a role you've never fit, and somehow finally actually push forward with all the ideals you've been imagining to be so far away for many years. And to do all that on the opposite side of the world from the people who all made you finally believe it could be possible in the first place?

Dorian is so very used to being the brave one, the optimistically realistic one, that he can't possibly burden you - whose heart is breaking, whose Inquisition is failing, whose body is slowly killing them - with all of his own ugly fear. That wouldn't be very charming and dependable and Dorian of him, would it? More to the point, leaning on you would be both more burdensome to you and chafe against his own stubborn pride - not accepting favours is well-established during his romance-specific quest to retrieve his birthright. So instead of taking you aside somewhere quiet, consulting you about his final decision on the matter, and giving both of you the space to grieve, he...

Well he tells Varric. And Sera, and Bull, and Cole. Part of it is practice - how might they react? Part of it is in hope for advice on how to break the news. Varric and Bull are adept speakers. Cole's whole job is compassion. Even Sera's bluntness might help when you're chronically incapable of not sugarcoating things. But all it really does it make things worse, because its a distancing tactic. Nothing can truly prepare him for the crack in your voice, the sharp sting of your flinch and the perceived betrayal.

It's almost ironic, that his romantic lock-in asks you to decide if you're in for the long haul, when Dorian's entire arc is one that will inevitably draw him back to Tevinter. And specifically in such a way as to leave you. Because he does not want you tagging along (at least not now, not as the Inquisitor.) Dorian's fear in this moment is not fully centered on you, the man he loves, but there is certainly a part of him that is back in the Inquisitor's chambers on the opposite side of that question of 'do you want me to stay.'

Dorian Pavus' greatest fear is temptation, emblazoned on his tombstone in the Fade for all to see. And there you are, with your political power, ready to jump in and save the day once again on his behalf. And he's tempted. There you are with your familiarity and a space for him in the South that accepts him for who he is. And he's tempted.

There you are. Loving him. And well...

So he doesn't lower his voice to whisper to you, or hold you too close. He confesses in public where the crowds prohibit hysterics, he sips on precious wine, and he gifts you his sending stone. It is both distance and closeness all tied with a bow. A temptation that he can just about handle. Fear under wraps. Because if he lets you, you will - without even knowing - stop his entire life in its tracks. You represent everything he can never afford to lose to. And it is wretched how desperately he doesn't want to lose you.