Ok but the reason shows or movies like the facts of life, boy meets world, dead poets society, etc. All resonated with tweens so much is because they talked about real, serious issues, and didn't talk down to us, the audience, the kids.
Likewise, the reason shows "aren't the same these days" and feel.. empty or without the same cultural impact, is because they aren't actually addressing the same problem kids face no matter what decade we're in. They think all kids have a closet packed with brand clothing, shiny toys and completely personalized rooms with three different wall paints and stairs in their room. They think a lower class kid still has the latest phone and trendy clothes, but just has a single mom who works. Kids complain which they always do, but they are told their complaints are valid instead of proving to them how they're wrong. They've lost touch.
I can't express enough how much the children of today and tomorrow need a show that is modern and inclusive, tween and teen friendly, and serious. A sit com should be serious issues with humor to fall back on. Not empty jokes with five minutes of a "lesson" to be learned. Give the characters happy endings, fine, but show them real repercussions for their actions. Telling ten years olds they can behave like spoiled kids and be validated by their parents is only causing ten year old kids to feel they can behave that way. Hmmm I wonder what the connection could be
We need a show(s) with kids growing up and figuring themselves out in the modern age, but realistically I beg of you. Disney shows are doing nobody any favors. Show kids of darker skin tones as important characters, not just stereotypes. Show kids exploring romantic identities in more than the traditional way and make !! It !! Clear !!! No more subtext. If you can't say that a boy is blushing over going on a date to the mall with another boy then don't fucking bother. "Queerbaiting" is out. Queerness being a NORMAL thing in tv, nobody making it a big deal, is the only way it will become a normal thing in our own society. So that girl likes girls. Is she a decent person? What's her character like? Etc.
Show real issues. Show the kids working through them and understanding them, even applying them to conveniently related situations. Show them getting into trouble and having adults they can rely on to be serious and loving, not indulgent and borderline negligent.
If there must be relationships, listen to the audience! Chandler and Monica worked for a reason. But also, sometimes the Cory and Topanga, Ross and Rachel, storyline isn't the most important. Yes they're the main characters in their story, but in a show about a group, they're only two people. The Shawn and Angela, Chandler and Monica stories worked even though the writers didn't care as much about them, cough shangela cough. And sometimes you don't need a comic relief character you dump scene fillers on. A character everyone just bullies or calls/thinks them dumb. It's not necessary. They can have meaningful plots too if you actually put in the work and keep all your charts organized
The point of all of this is, if it ever reaches someone who writes for tv, those shows impacted us so much as 10, 11, 12 year olds and we didn't even realize. There's an opening for meaningful, daring, unique and "ahead of it's time" tv. because that's what it'll be the whole time. People will drag their feet and maybe the ratings or social media reviews will be on both ends of the spectrum but it's worth it when we think about how much the characters affect us and our own dreams for the future. I don't need high school or middle school stories anymore, but that doesn't mean kids don't.
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can we talk about percy uncovering luke’s true intentions and luke coming clean about wanting to recruit percy as a powerful ally and percy obviously refusing despite sympathizing with the cause because he’s just better than that leading to them dueling, with luke about to strike percy down when annabeth’s blade, the one luke gifted her, the same cursed blade that’ll reap his soul 3 years from now, sealed with the promise of family and new beginnings, knocking into backbiter in luke’s hands, and luke turning to stare at her with the most heartbroken, torn expression on his face and annabeth staring him down with more venom than any pit scorpion could’ve had.
can we talk about annabeth standing in the clearing watching the only man she loves, someone who made a promise to protect her and always have her back, someone she’s known for 5 years, looming over a boy she met mere weeks ago, someone who, despite a godly rivalry getting in the way of their initial friendship, fought for her and saved her and chose her over himself time and time again…can we talk about how the defiance in her gaze made it very clear to luke that the person he’s closest to would choose percy over him every time
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Thinking about how Hermes intentionally wasted Percy and Annabeths time in the casino hoping to change Lukes’ fate. And how everything Hermes has done since finding out about Lukes future will be in service of delaying/changing his fate. He said Poseidon warned him that no matter how much he tried to help, he would just make things worse. Yet he is still trying to help Luke. Still trying to make things right. But Luke has already chosen his path. Pure Greek tragedy
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