#unrelated to that

[is-skizzleman-on-hermitcraft]

20 February 2024

today’s clip is brought to you by: can’t ever have too many crafting tables

[unexpectedbrickattack]

Now hold on a gosh-diddly-darn minute, I noticed the entire time talking about a tipsy Peppino no one thought to ask this but what about tipsy GUS? I mean we saw him a li'l tipsy in the fastfood saloon escape, can I hear your thoughts about that/him please? Have they ever gotten tipsy together?

(I just like the mental image of the two alone, just being real giggly with each other (Gus just says "hey" and Peppi starts giggling which sets Gus off giggling) and being sappy goofs with each other <3)

HEEHEE u are so right and i am so sorry for withholding this information from the masses 😭

My homebrew for gnomes is that they are simultaneously hardy folk (able to eat virtually anything and immune to most poisonous creatures) AND extremely intolerant of alcohol. Theres no reason for that, i just like it alot :)

So Gus would be an extreme lightweight 😭 its SO bad; he cant speak clearly at all, he cant walk straight, he has the Worst hangovers and he wont remember anything from the previous night. The line between ‘pleasantly buzzed’ and ‘blackout drunk’ is so thin that Gus doesnt even try social drinking. If he MUST drink, it will be in the comfort of his own barebones apartment 😭 at least, until Peppino started hanging out with vigilante and his crew.

Gustavo LIKES drinking! Its just hard to find a good balance, and THATS bc he simply doesnt know how alcohol works. Peppino is like:

“Look ‘ere. All of these have a number somewhere on the bottle. Or a percentage. Lower the number, the better it is for you.”

Gustavo is like !!! Oh!!! That is very helpful! What would you recommend for me then?

“Probably…2-5%. 5-10 proof. Small 'a numbers.”

Gustavo nods, interested. He points at a bottle he recognizes from the last time he came here and got shitfaced. “That one up there; do you know how ‘a strong that one is? Or should i ask the bartender?”

Peppino squints at the company label. “45%.”

“Oh!” That makes sense. “Well what do you usually drink?”

“70%.”

“Oh!”

Peppino recommends some of the LIGHT light wines, the ones that barely have a hint of anything. Theyre sweet (which Gustavo loves so very very much) and for the first time in a very long time, he Stays buzzed instead of immediately faceplanting into being blackout drunk.

Hes very. Playful. Is what Peppino would describe a tipsy Gustavo. He hesitates to use the term ‘flirty’ because that is not whats happening. But hes like. Clearly entertaining some gruff looking men like five times his size as they ramble drunkenly about random shit like ‘waow….thasso cool…and then what happened???’

Its funny at first bc Gustavo is so fucking TINY that all you can see of him, in the group of men as they yapyapyap about some inane shit that Gustavo wont even remember, is his tiny little tail 😭 It is less funny, however, when Peppino catches himself rambling about work and Gustavo is like (ears perked; tail swaying) ‘mmhmm. wrow…thats ‘a kinda nice…what else did you do??’ Peppino is like *buffering* (‘something is happening right now that will need to be addressed at a later time. Do not forget DO NOT FORGET. URGENT!!!!’)

Otherwise Gustavo is just a silly guy. Vigilante will make a joke and he laughs so low and deep that he sounds downright villainous 😭 Peppino will point out something stupid on the TV and like hours later Gus is like ‘…heeeuehuuueee…..do u remember [insert stupid reference] and Peppino will giggle. Peppinos affinity for throwing around ilus are met with Gustavo going ‘😊😊😊😊😊😊😊😊😊😊😊😊’ with absolutely no way to even pretend to mask it.

Gustavo has fun being out in the saloon but he really enjoys drinking in Peppinos house. Its not nearly as loud as the saloon and theres usually homecooked foods like breads and soups (Because Peppino stress-cooks ALL the time). Brick gets to stay indoors instead of waiting outside the saloon, so Gustavo gets to mess with his soft fur contentedly. He just gets to be cozy; its quite nice 😊

[godsamael]

Just woke up from a dream where a trial was held in the style of a cringy cutesy anime roleplay chatroom. Like the lawyers and judge were doing it too

[lorereadsclassics7]

So we watched Dracula II: Ascension

Ok I think I am loving this movie series. There is not so much as C of cannon in them past some motifs in the first one but they're fun.

Right so, Plot accuracy: 1/10, I mean, 'Dracula is in it' and that's the best I can say.

Plot itself: 7.5/10 could use more fight scenes and the plot itself was very location and setting contained, and it seemed that not a lot happened but still p fun to watch. I loved the priest guy. Bit sad none of the actors from the first one which makes this one seem like a stand alone but the priest guy made up for it. Cool dude.

Will say could not take Dracula so seriously w that hair and agree w friends that he really do be a Spike (Buffy) knock off lol.

Also the Daddy kink. That part was weirdly out of place but that's the 2000s for you I guess.

Still, p enjoyable watch and looking forward to the last one!

[phantomrose96]

I think we should have a turn of phrase for "I'm not in the right, but I AM annoyed with this situation, so I just need to go bitch to a friend about this before I suck it up and go do the right thing" because more and more I'm finding this is a critical element of functional adulthood.

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[kvetchinglyneurotic]

unstoppable force (desire to write) vs immovable object (tired)

[souldagger]

fun discovery from today's internet rabbit hole:

the first lesbian magazine published in the US, Vice Versa (1947-48), was entirely hand-typed by one Edythe Eyde (better known by her pen name Lisa Ben - yes, that IS an anagram for lesbian). she worked as a secretary with a ton of spare time on her hands, and her boss would tell her he didn't care what she was doing so long as she "looked busy"... so she decided to use her free time to type out copies of a home-made periodical for lesbians, writing most of the content - editorials, book/film reviews, poetry, short stories, and more - herself!

overall, the magazine ran for 9 issues, 16 hand-typed copies of which lisa would mail to friends (well, until one of them advised her she could be arrested for sending "obscene" materials) and distribute at lesbian bars :)

[cemeterygore]

thought the nausea was GONE finally but noo its returned

[1alchemistart]

dont got much to offer for The Holiday but have these sillies!

happy valentines day :D

[chamerionwrites]

Also, there is so much hand-wringing over the ethics of BDSM and while obviously it is worth taking care about ...sensation seeking is a thing. Many, many people enjoy eating habanero peppers and/or watching movies that make them cry. The conceptual leap from there to the idea that it's possible for sex to hurt good is a very short one, and sometimes it REALLY is as simple as that.

[hoshizoralone]

comm for a samus comic based on that one tony hawk tweet. this would happen to her.

[dinderbins]

This is my favorite character, Drugs. She's on some hideous cocktail of hallucinogens and is very gender.

[fonulyn]

since I've seen it talked about in several places recently:

if you are going to do a whump- or kink- or ANY-tober or other similar challenges please please please don't post them as one fic with 31 chapters unless it actually is one coherent fic. if they're 31 completely separate fics or ficlets then please just make a collection for them or just post them as separate fics. it doesn't matter if they're only 100 words or if you think they're too small or insignificant to post alone, they're not.

and why this?

because if you post all 31 of them in one fic the tagging is absolutely useless. if I look for things to read on ao3 I'm gonna look at the tags, and if the tags include something that's a dealbreaker for me, i won't even click on the fic. I might not even SEE the fic because I've filtered out the nope-tag! so I'm gonna lose out on reading 30 perfectly nice fics because of one fic that my nope-tag applied to.

ao3 is about archiving. it's about clear tagging and being informative. there is nothing informative about it if the tags in the fic apply to random chapters while others have nothing to do with it. it makes so much more sense to have each work as an individual fic with its own individual tags and warnings, so readers can make informed choices.

of course, you do you. I can't police what other people decide to do. but personally, I find it incredibly frustrating to weed through 31 chapters to find the ones I actually want to read. so I don't. I automatically scroll past all works posted like that. and I know some others do, too.

there is absolutely no shame in posting short things on ao3. there is no minimum word count. no one is going to look at you funny if you post a small ficlet on its own, I promise. it's just going to make some readers very happy when they can actually find the things they want to read.

so, please. at least consider the upsides of posting each work as their own fic.

signed, one very frustrated fandom grandma.

[pkmn-go-to-the-polls]

[spiralling-spires]

Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops