#using a real example for this

[shittysawtraps]

having anxiety is a lot like having an imaginary jigsaw in your brain. hello amanda your friend was a little annoyed when you made that joke about them being bad at texting back. please grovel yourself in front of your friend until they decide to forgive you. like fuck off cunt.

[littlemizzlinguistics]

Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"

[bacchuschucklefuck]

truly this one's just for me. I can do what I want foreverrr

[abd-illustrates]

Sorry to bother you. I wanted to ask if you were willing to give advice on how to avoid the 'Friends Who Never Hang' tropes? Because I'm hesitant to make more main characters because I'm not sure if I can make their bond close between all of them and you seem to have a grip on the Heartless gang's relationship. Thanks.

I had to google what that trope meant haha - but that's a rlly interesting question!

At least for me and my storytelling preferences, I think my stance would be that there's actually no need to worry about making a close bond between *all* of your main characters at all!

It's a bit hard to articulate, and I'm definitely thinking from more of a manga mindset so bear with me lol -- but trying to make sure that everyone on your main cast all get along with everyone else on the main cast, and feeling the need to give a 'proper' spotlight to every possible combination of characters to convince your audience that 'they really are all friends with a close bond, see how they all hang out!?' Can run the risk of looking like this:

and leave your story feeling bland/stagnant as you kinda slog through unnecessary scenes between characters just for the sake of proving that they do all interact an adequate amount.

Whereas - (again, at least in my experience) - building a group primarily around their ties to your Main-main character(s) like this:

is a method that leaves much more room for you as a writer to both focus on the character that's specifically meant to be at the forefront, while also making it easier to explore which other combos could then actually be fun to give more screen time to in order to *build up* those close bonds, rather than worrying about the end result and just trying to make everybody get along right from the get-go!

(Also! Don't feel like if you start out with a bunch of varied colorful connections that they all have to be turned into bright green friendly bonds by story's end! Making some characters a bit closer over time but still not besties is a-ok! They can unite for a common goal but still get on each others nerves forever! There are no rules! Be cringe, be free!)

[marlenacantswim]

underutilized aspect of lassiter's running "i'd rather..." line of dialog is the ability to drop absolutely buckwild pieces of lore with it.

as an example: "i'd rather get stuck in an elevator with Al Gore." his gaze grows distant. "...again."

[bvckbiter]

fandom talks too little about hylla and reyna. reyna killed her father when she thought he'd killed hylla. hylla dragged them out of puerto rico and found them sanctuary and employment on circe's island AND became one of circe's favorites. then when they got captured by blackbeard hylla also got them out of that situation by out-pirating literal immortal pirates. then in a span of three years, they split up, found their own ways to the amazons and cj, and became the leaders of their respective factions. when hylla's queenship was being threatened by otrera in son, she plotted a counter-coup and defeated an amazon queen who couldn't die two nights in a row in one-on-one combat, THEN led her cavalry to camp jupiter. (ik this woman slept like a corpse for a week afterwards). hylla used reyna as an absolutely ruthless bait-and-switch to capture orion, and all reyna said in response to that was, "bet." reyna carries insurmountable amounts of both guilt and gratitude towards her sister. even though they havent seen each other in a while, hylla still drops everything and does everything in her power to save her baby sister when she knows reyna needs her.

[khaoala]

fadel! take it back! you're my boyfriend!

DUNK NATACHAI as STYLE SATTAWAT episode 7 of THE HEART KILLERS

[footlongdingledong]

ongame idea: "cartoons in the real world" type horror game like batim or dandys world or whaetever the fuck other mascot cartoon youtube game Except its irl cartoons in like the who framed roger rabbit way so they still function on wacky cartoon rules they also just happen to be evil and want to kill you. cartoonishly

[proselles]

What I don't get is why news outlets and Netflix are trying to convince us that arcane was expensive to make. 250 million usd for both seasons they said, and obviously that's a lot of money, but they make the mistake of comparing it to big budget movies like Tangled. So you're telling me that I got an animated masterpiece that combines multiple different art styles fantastic voice acting and creative and passionate writing, that's 6-7 hours LONGER than major animated movies, and its the same fucking price?? And you're expecting me to agree with the corporations outlook, that it's too expensive? Yes, tangled is considered one of the most expensive animated movies, but arcane is like FOUR Tangleds. Many other 3D animated movies fall within the 160 million mark, but again, they're hours shorter than arcane was. I think the prices are comparable. I believe in saw someone (on reddit maybe?) divide the cost down to minutes of screen time for each show or movie and it becomes really obvious. I'm also pretty sure that many of these movie budgets do not include marketing in their overall expenses; arcane does.

This isnt even bringing live action tv shows into the equation; i dont think arcane even touches like the top thirty of those. And yet it's framed as such an expense!! Bitch its an incredibly successful tv show!! Ik Netflix is cheap as shit and has its own reputation to grapple with, but is the disdain for animation so much? Is it disdain for female lead action, for poc representation, for LGBT rep on screen? For the animation medium as a whole? I know the answer of course. But it's still very upsetting to acknowledge and think about.

Separately, arcane is absolutely crushing it. Ik act three is going to knock it out of the ballpark. Keep crushing corporate execs expectations please.

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[faunandfloraas]

fav skz // Sick as!

[mazzystar24]

Just saying if they wanted us to believe Bobby was dead they should’ve gone the traumatising buffy “the body” route 🙄🤚

[ceratedfish24]

Mumbo has been shaking the trust between Grian and Skizz since literally the first episode and no one has said anything. He kept telling Skizz that Grian was going to betray them. With the language he uses, he makes himself look like he’s on Skizz’s side. Then, he spends the whole 3rd session with Grian, telling him how they should leave Skizz or kill Skizz or let Skizz die. He says condescending things about Skizz like how he just “makes noises to his death”. Unusually, Grian isn’t even trying to spend time with Mumbo. Mumbo has mostly been following him around uninvited, trying to establish connection. He wants to make it seem like he’s the only one who’s there for Grian. However, when all three of them are together, Mumbo is usually complimenting Skizz, while Grian chastises Skizz. This makes Mumbo out to be the good guy, even though he was feeding Grian ideas about how bad Skizz is as a teammate. He even tells Grian that he’s the only friend Grian needs. This is a common manipulator behavior. The point is to isolate Grian, make Grian’s other friends look lesser than or antagonize them, and make Grian be the one to push them away so that Mumbo doesn’t seem at fault. It’s all about control. He wants to control Grian.

Do you see how that sounds CRAZY. This is how people talk about Scott and Pearl. Mumbo is just being silly with his friends, and Scott deserves that same space without being called the bad guy. I understand that you guys are talking about Scott’s character, but you’re forgetting that Scott is not actively trying to play a character. Do you know how much it sucks to have a silly competition with your friends only to have thousands of people overanalyze your every move and calling you the bad guy for teasing your friends? Do you understand that this is not an analysis of a character so much as of a real person in a competitive environment with a bunch of his friends who he trusts and understands the boundaries of and therefore may tease and chastise more as a joke because he trusts them not to take it the wrong way? Imagine messing around with your friends and everyone starts telling you specifically that you’re manipulating your friends when you tell them not to shout in a library. That’s how people are treating Scott for chastising Pearl and Impulse about antagonizing Gem and Joel. You’re all so forgiving when it’s not Scott, but once this one particular guy is in the hot seat it’s game over. Does it not feel targeted to you?

[bugtoast]

in the scenario where Mephone is friends with other object show hosts, do y'all think that he stays up at night trying to reassure himself that the other hosts are real?

[gonkaccino]

Season 4 hope/prediction: Deb's show is solid, zero issues, runs flawlessly with great ratings, but her personal life is completely eroding. We start with her discovering Marcus is leaving, and it culminates in DJ going into labor right before a taping. Deb chooses the show. When it's over, and she finally flies to Vegas, it's too late -- Aiden's not letting her in because he loves his wife too much to let DJ get into a shouting match with her mom right after giving birth, and instead takes the brunt of Deb's wrath, with her making excuses and talking about how they used her money for IVF, and anyway, DJ's fine, so who cares if she wasn't there? Kathy's in the room with DJ and the baby (DJ's the closest she has to a daughter, after all) and Deb leaves too furious to think about how badly she's hurt her family.

She heads back to her Vegas mansion -- empty, obviously, Josefina and the dogs would be in LA -- and pops open a bottle of wine. Alone. Completely alone. Can't call Marty, she has no friends, the closest she's got would be Kiki and wouldn't that be embarrassing, calling your poker dealer to talk about your feelings --

and then Ava's there. She got the news about DJ's labor, she got the story from Aiden (who was distraught, by the way, man's too much of a sweetheart for Vance drama), a spare key from Damian (happy to pawn that off on her, though if it isn't returned promptly he's taking legal action) and has arrived just in time to see the Deborah Vance having a breakdown the likes of which no one thought physically possible. Crying gives you wrinkles, you know. But Ava has to be here. She's the physical embodiment of a lesson Deb never truly learned: you don't have to like someone to love them.

In my imaginary fantasy land that I am concocting this would then subsequently lead into them fucking nasty but I understand that this may be a step too far for the surprisingly large number of very normal people who watch this show and would forgive JPL for not taking it that far. However I do believe they should fuck about it and let Ava take the reigns in their relationship while they see how many of Deb's bridges they can un-burn.

[simptasia]

LOST: Season One