kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings
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I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim
Secret origins 80 page giant, ID in alt
(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)
Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:
Robin (1993) #4, ID in alt
Straight up the progression here goes:
The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting
Robin (1993) #4, ID in alt
Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.
Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)
Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)
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Returning the Favor
Sterek | 5k | T
Stiles pays a nighttime visit to his boyfriend in secret, or so he thinks. Unfortunately, the Hale family has keener ears than he realizes.
It’s late when Derek hears the noise at the side of the house. A creak of siding that cuts through the backdrop of cricket song. Just one lone sound, but there’s something cautious about it. Probing.
He lowers the book he’s reading, but no other sounds follow. Derek has been lying sprawled across his bed, drowsy and warm and comfortable, sweatpant-clad legs resting against the wall—but now that he’s conscious of the sound, his focus sharpening, he thinks he’s been hearing quiet noises grow nearer for some time without quite comprehending them. A wild animal outside, maybe, creeping slowly around the foundation of the house. Something large enough that the mulch in the flower bed crunches beneath its weight.
It’s not often that a solitary animal grows bold enough to venture this close to a werewolf pack—the scent always scares them off first. They don’t even get raccoons out here, especially not with the cold this time of year. It could always be their cousin Warren, who’s always thought it funny to startle his relatives with unexpected visits in the dead of night. Or any one of the nasty things in Uncle Peter’s wild stories, supernatural things that creep into the house come dark.
Derek glances at the window, book still resting on his chest, but the house is still.
Maybe it’s gone. That’s just as well: he’s too comfortable to drag himself over to the window to look.
And then another sound comes, an unmistakable creak. Heavy weight settling into place.
Downstairs, his mother sighs. “What was that?” she demands, her voice faint with distance. She and his dad are likely out on the porch swing at this time of evening, even though it’s nearly winter, lunatics that they are. “If Laura and Cora are at it again—”
“I’m sure they aren’t, Tal,” Derek’s father replies, sounding amused. “You put the fear of god in them.”
Mom scoffs. “If we have to repair another door, it’s coming out of their pockets.”
“Not everything is my fault, Mom,” Cora mutters pointedly from down the hall. There’s heavy metal coming from the vicinity of Laura’s bedroom, just low enough to be blasting from her headphones, and she doesn’t pipe up to defend herself.
The thing hasn’t gone away. Metal squeaks a moment later, and then the scrabbling returns, punctuated by a thump and a muffled grunt.
Annoyed, Derek tosses the book aside and clambers to his feet, crossing over to the window. When he hoists up the sash, letting the night chill waft in, he peers down into the dark and finds that the source is worse than anything he could have imagined.
It’s his boyfriend, scaling the side of the house like some deranged cat burglar.
Stiles is hanging onto the drainpipe, having managed to hoist himself several feet off the ground. He’s leaning against the metal awning over the kitchen window, one foot atop the shutter and the other scrabbling for purchase against the siding. At the clatter of Derek’s opening window, he looks up, startled, and nearly loses his balance.
“What are you doing here?” Derek hisses.
“Just returning the favor.” With a moment to catch himself against the awning, Stiles gets his bearing and grins. “What? Don’t make that face. C’mon, you can show up at all hours of the night, but turnabout isn’t fair play?”
With that, he sticks his tongue between his teeth, which he sometimes does unconsciously when something demands his full attention. And the perilous task of climbing should get his full attention, given how often he stumbles when both of his feet are on the ground. God, Derek is about to witness his idiot boyfriend fall to his death or something.
Stiles heaves himself mostly onto the awning, clawing for purchase with a grunt. When he reaches for the window, he loses his grip, nearly sliding backward onto the grass; in a flash of panic, Derek grabs him by his shirt and yanks him forward.
“Are you trying to get yourself killed?” he demands, aware of their volume and even more aware of their audience.
The awning rattles as Stiles draws up his long legs to slip inside the window feet first, ducking under the sash. He’s panting a little as he pulls himself upright, though he bats his eyes sweetly in the face of Derek’s scowl. “Oh, please. I knew you’d catch me. ‘My hero,’ and all that.”
“Should have let you fall and die,” Derek retorts, shutting the window.
“Probably. Oh man, that was so athletic. Sometimes, I amaze myself.”
Derek doesn’t have anything smart to say to that. He’s only half paying attention, too busy bracing for the discussion sure to follow.
He and Stiles may as well have stomped up and down the stairs blowing air horns as far as the rest of the house goes. Everyone will have heard. Derek is absolutely sure because you can hear a pin drop, like no one’s even moving, like everyone’s waiting with bated breath—either gleeful or judgmental or both—to hear what comes next. Even Laura’s deafening headphones have gone silent. Fuck.
Worst of all…Stiles doesn’t know any of this. He doesn’t yet know about the secret the Hale family hides, or how keenly they can hear, or that every word he says will be seized up and cheerfully dissected and gossiped about in real time.
Read the rest on AO3
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So I originally wrote this back in August when this release was fresh and then!!! APPARENTLY!!! just COMPLETELY forgot to post it!! so you get it now, three months late.
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Some of the dialogue from the Guardian Tower has been living rent free in my head and now I want to yell about it because it’s SO GOOD for background lore
Okay, so, on the first floor, Mindi tells us this:
I really like this because it helps illustrate one of the logistical problems of the Rose. Like, even if you took away everything else that makes them bad (which, admittedly, is most of the organisation and its purpose), the fact that they tend to, by default, present themselves as the only option and drive out competition is bad. On paper, a force of people trained in combat against magical threats, with reasonably easy access to that training, which has garrisons stationed across the land, is actually a pretty good solution to the whole Recurring Evil Magical Threats thing. We know this because the guardians and the paladins and the dragonslayers exist! They do this! The Rose seems to make membership easier to access but, frankly, I suspect that is in part because their training is less thorough.
And when the Rose show up and drive those other groups out (like they’ve done with the Guardians), they don’t actually improve anything. Best case scenario, everything is exactly the way it was before. More likely, things would get worse, because the people with active experience defending a particular area have been driven away and now the Rose members have to play catch-up
(A good example of how on paper a group like the Rose could help an area is Book 3 Amityvale. The local Guardians were long gone, so the Rose were able to help without doing that extra damage and made Amityvale a safer place to live....... but that’s specifically for the human inhabitants. Plus, we know they’re affecting the magic of the area - Amaris’s moon has started having phases - and that’s! probably not good! Also see: Raven having to flee for her own safety after getting bitten by a werewolf. Even where they are ostensibly doing the most good, the Rose are still an active danger to many, even their own in the wrong circumstances)
And, meanwhile, on the ground floor...
......further proof that the Rose actively try to drive competition out of the area. Falconreach has repeatedly made it clear that they want nothing to do with the Rose and they keep picking fights with the patrols.
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