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thenewrises · 4 months

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a welcome home prattle from my mind

so I've been on the Welcome Home train since last year but I never delved into theories about the website. mostly I've just searched from the side, talked to friends who also enjoyed it, and watched videos on it such as Night Mind. but! with the recent updates, I have to say I have sooooo many thoughts and ideas about it. with horror being my favorite genre and loving when I have the ability to research a website full of secrets, it was only a matter of time before I dived in.

so! if you're interested, here are some thoughts I have about the update and maybe some interesting theories.

also! some of these ideas are thanks to the many theories I've read here on tumblr as well as watched when Night Mind released his vod. also including findings as well!

Welcome Home belongs to the lovely @partycoffin! if you are new to this site, please read the credits page where you can find warnings!

stick around and get comfy, this is a long one.

so there is no perfect order this will all go in, so I will label what I will discuss in bold and then go from there.

Voice Warps

something that we are not strangers to is many audio recordings and their voice warps. from the last update, anytime someone tried talking to or about Wally, their voice would contort and the tape would end. this time, we received more vocal content (shoutout to the VAs they are incredible) and there was one in particular that me and many others caught on. Wally is known not to know much about emotions or how to express them. from my knowledge after many hours perusing Clown's blog, Wally is somewhat of a blank slate. learning as the show moves.

in the audio recording "Homewarming Storybook Record", during the end of this tape in the last two or so minutes, Wally says that he's sad and doesn't know why.

starting at 18:16, after Barnaby explains why he may be sad, Wally gets... frustrated. upset. he says in a clearly perturbed voice "...how can that be?" the audio warps during this time, almost as if his entire environment around him changed just by his own emotions.

why is this? we know Wally is somewhat the center of this puppet universe, and the moment he expresses a negative emotion, it's almost like the worlds stability was tilted.

as long as he is his normal and happy self, the world seems fine and at peace. yet, the moment he expresses his despair, it's like a switch flipped. it's only when Barnaby explains what the meaning of Housewarming is, which reassures Wally, that he returns to his happy and now relieved self.

Frank and Julie (TW: Homophobia)

this will be a much more sensitive topic to discuss, and as someone who is LGBT+ myself, it is not always a fun thing to research. but, I think this plays a super important role in the overall story of Welcome Home and my theories for the future.

another new edit I discovered, as well as something I've learned reading on the site and listening to audios, is the push for Frank to play a straight role. of course, this is the 70s we're talking about. the Stonewall Riots had only just happened in 1969, and homosexuality was still noted as a mental disorder. when the DSM-I was released, homosexuality was labelled as a sociopathic disorder until 1974. the idea of an LGBT+ relationship in a children's show would be unheard of.

with us knowing Eddie and Frank are romantically involved, that makes this all the more heartbreaking to know. Frank playing off his feelings by calling Eddie "Mr. Dear." Frank playing all the straight male roles alongside Julie. Sally calling Julie and Frank's costumes "a couples costume."

I find this such an interesting thing to include because not only is it eerily accurate to the timeframe, it also makes me think.

these are puppets. fictional and unthinking puppets. costumes you could even say. a person who creates the so-called fictional world of Welcome Home can control the narrative however they please because these aren't real people! of course they can be whatever you want! so... why did they create this relationship for Eddie and Frank? could it be someone within the Playfellow studio wanted to bring more positive awareness to the topic? were the actors who voiced (in this fictional world) the characters romantically involved?

or... are these puppets alive? they have their own emotions, thoughts, opinions. we know Wally is a sentient being, I mean, he literally would talk to us through the website. he reaches out to us through links, videos, audios, and even phone calls. so, does that mean EVERYONE is sentient?

in the audio "Eddie's Big Lift Storybook Record", we even hear Frank say to Eddie, "you always did work so hard." so, did they know each other in a past life? is this representative of the real life in story (fictional) voice actors?

we'll discuss this more later.

Sally Knows Something Is Out There

this is not new, as this was from the Halloween update but I wanted to include it because I feel like it's a look into the horrors of the world.

in the audio "Happy Haunting to Boo and Yours! Storybook Record", the transcript down not catch this, but Sally goes on to explain that out in the night, something lurks and waits for prey. it crawls around at night, up walls, scratching and screeching. Sally made sure to mention to ask, "why don't we go out at night?"

with her being a star from the sky, I sometimes wonders if before coming to the neighborhood she had seen it. and if not that, she mentioned if you stay quiet and stick close to the windows you can hear it. it cannot enter homes, it eats bugs if it's starving. it seems to have eaten other "neighbors." what could "it" be? some kind of creature in the night? why is it hunting them down?

Away From Prying Eyes

from all the symbols scattered on the website and with the help of the decoder in the Merchandise tab, we end up unscrambling an address.

we discover the website https://www.awayfrompryingeyes.net/ . in this site, we get to peruse "W" and their findings. now I think I can speak for a lot of people that my initial reaction was this was Wally. of course, this was dismissed rather swiftly after realizing that 1. this person was contacted by Wally and 2. they work for the project.

one thing that caught my eye quickly was the fact that the curator of the initial website became "unwell" and no one knew why. they claimed they did not know what caused them to be so unwell, or why they "created that page."

my guess is they mean the new (or in general) Welcome Home website. the curator created the new one because of Wally's interaction with it. they are trying to keep him silent, push away any suspicion. just who might this curator be?

W explains how they became Paranoid (with a capital P) once they discovered the collection of crude drawings, texts, and videos. seems to show that they are understanding that this has gone from a simple project to a unnatural phenomena.

the phone call from Wally is him talking to You (the collective You he knows) and he seems to express loneliness. "everyone is so busy during Homewarming", and he explains how quiet it is. I think he finds You to be a way to not feel so alone, as he seems to be the only sentient puppet of the crew.

well... he used to be the only one.

Commercials For Cigarettes and Pills

in the commercials, we get an array of holiday-themed music and advertisements. of course, we'll talk about the Eddie snippets, but I found a lot of disturbance with some of these. Welcome Home is a children's show, and many of the advertisements reflect that! products like cereal, music, Wally Ball and Cup, and Mama Beagle's Barnyard Eggnog. and then it gets... odd.

adults of course can enjoy this show, but it targets a young demographic. we get a commercial for Hooplah, a cigarette brand. then a commercial for Remderem, a sleeping pill.

now, this is the 70s, so maybe this could be a poor judgement marketing goal. I would not be surprised if it was a ploy for more money, but I still just find it so interesting that a children's show would advertise these. even in the merchandise tab of the project website, there's a fake pipe that blows bubbles. it all feels highly inappropriate for a child to intake this kind of material.

well, who said Playfellow was a moral brand?

Eddie Becomes Fully Sentient

we watch in real time the moment that Eddie realizes who he is.

during the commercials video, we find Eddie Dear preparing for the holidays. he starts off with a conversation with Poppy, which moved into her saying he works too much. throughout the video, we have snippets of real-life felt puppet Eddie decorating a tree, wrapping gifts, and at one point he plays multiple solo rounds of Tik-Tac-Toe.

he is wondering why no one has come to him about delivering gifts. why has no one visited him? he gets so distressed that he even slams his felt hands on the table. why has no one come to see him?

Sally resolves this by saying they did it to give him a break (which is interesting to me seeing as she tends to not give him the time of day), and she brings him to the Homewarming party. so he's surrounded by the neighbors, and in a big chair (Wally's chair, in fact) with a single pea on a plate.

and then things get weird.

Eddie starts sweating, derealization sets in. he's shown alone, single pea on a plate in hand. Home is staring back at him, and a heartbeat can be heard along with Eddie's staggered breathing. is that Eddie's heart or... Home's?

everyone's voices are disappearing in the background, Eddie is in a panic. and then things get even weirder.

Eddie looks at his arms, and they're made of felt. he taps his fingers on the arm of chair, then grips it in fear.

then the frame switches, Sally brought Frank over (was she worried about him?) to let him know that yes, she watched Eddie in the Post Office all day. Eddie is looking at his hands and legs, which are no longer felt but illustrated again. Frank calls out for him, even by his first name, and Eddie didn't even know where he was. but finally just wanted to go home.

this was the moment, that I believe Eddie discovered that he was a puppet. and he was being watched.

I find the single pea on a plate so interesting as this is the description:

"take care not to place them too close together"

why is Eddie being singled out? he was left out of many advertisements during this update, thought everyone forgot about him, and was even left out of the Homewarming story with Wally and Barnaby. they had stated they met every neighbor, but why not Eddie?

Will Eddie Be Removed?

unfortunate news seeing as he is my favorite character in the entire story (Wally and Sally a close second). I adore him, and I want nothing more than for him to remain. but I have a bad feeling he may be our first victim. he's being isolated, becoming paranoid, showing emotions that may not be seen as "neighborly."

I don't think it's any coincidence that this was an early drawing we received:

I believe Playfellow is removing Eddie, or attempting to. but for what reason? because of him and Frank? because he's not needed? that's what I'm hoping to learn more about in the next updates. because let's be frank (ha, get it?), it's not looking good for our favorite country mailman.

Ghost Thoughts and Theories

now it's time for me to ramble and yap your ear off because WOW this update was my favorite by far. I think this will happen every update honestly, but I thought it would be hard to beat the last update. this was incredible, from the animation, to the voice acting, to the crafts it was all wonderfully well done. I want every characters special item from the Homewarming wishlist!.

but now, what do I think could be happening? I have two very shaky ideas. I say shaky because these could be proven wrong easily, but if one or both is not then I can continue to build on it.

1. These friendly fellas reflect reality

so one thing I thought of is that maybe they are somehow reflecting reality. I mentioned before that maybe Eddie and Frank are their fictional voice actors (not the actual ones here in our reality!) who may be in a secret relationship. could those actors reflect their characters? are they getting rid of Eddie to represent them being torn apart?

but, this is a very meh theory. reason being that we have seen these puppets are capable of sentience. they may have their own souls, thoughts, and feeling that don't reflect a real life alive person from the 70s. but, wouldn't that be interesting?

2. Eddie's sentience was real, and his soul is about to be ripped away

there's an ongoing theory I've always juggled with in my head, the idea that these puppets have souls and a conscience. I'm genuinely led to believe this because of Wally himself. he has connected with us directly from his world. some kind of alternate reality away from hours. haunting that show.

would that mean the puppets were all real and alive people at one point? or are they completely new people all together? whatever the case, they are alive but not all of them may be aware they are in a show.

well, now Eddie is and he's in trouble.

although we aren't sure if Home truly is the villain in the story, we know that Home knows Eddie has "woken up." and he does not seem happy about it. if these puppets are alive, I fear that Eddie may be erased if he can't keep quiet. taken from the narrative for not playing his part. all he had to do was be the happy and clumsy mailman, but he had to go fall for Frank. he went and started to get frustrated and negative. he's never supposed to be the angry type, he's off script.

disfunctional.

so what's next for him?

if you made it to the end, I'm glad I could keep you around! I think this update really gets the brain gears going, lots of questions we'll get answered in the future. this story is getting better by the day, and I'm thrilled to see everything that happens in the future. and I'll get to write more posts like this!

I found everything so endearing as I do every episode, and this will be a groovy ride.

#2.5k words is crazy for a text post about a silly puppet show...#my little wally plush on my shelf smiling like Everything Is Fine #i also love that julie has lil toe beans #anyways eddie protectors stand up we gotta get him outta there #how dare the 70s be not gay friendly i will be outside your house in approximately two minutes playfellow #welcome home #welcome home arg #welcome home theory #wally darling #eddie dear #frank frankly #julie joyful #barnaby b beagle #poppy partridge #sally starlet #howdy pillar #partycoffin

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jinxed-sinner · 2 months

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Alright here's my full (possibly hot) take on redesigning Hazbin Hotel characters and making a video showcasing those redesigns while you criticize the official designs.

First and foremost, you are redesigning someone else's OCs. Hazbin Hotel is, in essence, a passion project for Viv. How she talks about it makes that incredibly clear to me. The only difference between Hazbin Hotel and, for example, the story I'm developing surrounding some of my D&D OCs is that Hazbin Hotel got picked up by a streaming service and is significantly more popular than most passsion projects get.

Personally if someone wanted to redesign my D&D OCs, I wouldn't mind it, in fact I'd probably think it was really cool that someone would want to redesign one of my OCs to be closer to their tastes in terms of what they like to draw. I would, however, be made incredibly uncomfortable if someone made a video redesigning them where they also pointed out everything they thought was wrong with the designs. I didn't design these specific D&D characters to be 1-to-1 accurate to their classes in D&D or to look professionally designed. I designed them how I wanted them to look for the story I'm telling because I don't plan to ever play them in a campaign. The main character Avlan is a paladin, and I can acknowledge that his design might not look exactly like a paladin. One of the tabaxi in the story (Ice) is a bard and the other (Spark) is a ranger, and I acknowledge that their classes might not come across well in their designs. The single tiefling I've designed for this story (Tragedy) is a cleric but might not come off as one in their design. But I specifically designed them to be easy for me to draw because I want to be able to tell this story through my art. Having someone say "oh, Avlan's armor isn't paladin enough!" or "Avlan's fur colors and patterns should be closer to a wild rabbit's because harengon shouldn't be based on domestic rabbit colors!" would fucking hurt (especially because I'm so attached to Avlan, but it would hurt just as much if similar comments were made about Ice, Spark, or Tragedy). I am so passionate about these characters and being told their designs are bad or wrong in some way would be like a stab in the heart, and it would still feel like a stab in the heart if this story ever got a massive fandom behind it. Giving Avlan more complex armor because you think it'd look cool or just want to see what it'd look like? Sure, if I could draw more complex armor I'd give him more complex armor too. Giving him more complex armor but also shitting on the armor I decide to draw him with? My motivation to draw him in his armor, potentially draw him period, would be dead for WEEKS.

Why is it suddenly okay just because someone's passion project was picked up by Amazon Prime? Why is it suddenly okay to be "fixing" someone's character designs just because the project has a much bigger budget than most artists get and is on a popular streaming service? It's not. I don't care if you're a professional character designer, or think a specific character would look better with certain traits, or just don't like the character designs.

Hazbin Hotel is still Vivienne Medrano's passion project, and redesigning her characters and making videos talking about everything you think is "wrong" with them is, honestly, disgusting. You can make videos explaining your choices in your redesigns without putting down the designs that already exist, whether you like them or not. Me thinking Lucifer looks better with his tail not restricted to his full demon form doesn't suddenly mean I don't like his official design, because I fucking love it. If you wouldn't do it to an artist whose passion project is just a webcomic here on Tumblr, don't fucking do it to an artist whose passion project got picked up for a cartoon by a big streaming service (or any company for that matter).

#hazbin hotel #vent #kinda #i just think it's a weird double standard #'yeah don't fix people's art! unless theyre working on a project that was picked up by a big company then it's fine to fix their art'#like???#why is that a mentality that exists?? they're still viv's characters #and you can still redesign them without shitting on the official designs #pretty much all of my redesign notes for hazbin hotel are 'how can i make this character easier and more fun for me to draw'#because i specialize in furry art. i don't usually draw humanoids lol #so giving vox some shark traits for example or making adam more birdlike would make them more fun for me to draw #why can't we redesign them based on that without saying 'i think it's weird that this decision was made for this character's design'#they're still viv's characters. they're still her designs. stop pointing out everything you think is wrong with them for fucks sake #we don't need to talk about hazbin's character designs. we don't need to 'fix' them #just say they aren't for you and move on. there's literally nothing inherently wrong with them #i also feel like not enough people actually do research into the historical contexts of some characters #and i think it'd be really fuckin cool to see people redesign characters more based on headcanons based on that than anything #look into how the mafia operated in new york in the early/mid 1900s for angel. look into radio hosts in the 1920s for alastor.#look into las vegas culture during husk's lifetime for husk. look into the culture surrounding tv hosts in the 1950s for vox.#LOOK INTO THE CULTURE OF THE ELIZABETHAN ERA FOR ZESTIAL.#(i just presented zestial ideas to anyone who wants them on a silver platter. you're welcome)#(also new headcanon that zestial was friends with shakespeare in life because why the fuck not)#(when the tags get wildly out of hand)

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