indulging in some zolu, enjoying it even (im still trying to get past ep 10 life has been unbearable)
their ship dynamic is really cool, i love soul crushing devotion paired with matching each other's freak
(also friendly reminder my commissions are open soooooo haha soooo.....)
lately I've been not enjoying writing in English and onestamente mi passa tra la minchia se non mi capisci pk, fra, parlo 4 lingue, impara l'italiano e help me out you know???
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Rudely criticizing storyline choices of a FANFICTION that you are reading for FREE is bonkers, you should be grateful people are even writing fanfictions for you to not be bored while we wait for the new season!
really get a grip on yourselves, stop being rude and go outside to look at nature and chew some rocks when you feel like sending hate asks to the authors of a fanfiction just because it's not your personal taste
That is so freaking pointless and mean just to be mean, it's not constructive criticism and I hope you people doing this are extremely young and that's why you're acting like everything is owed to you but newsflash that's not the case
fanfictions are not in the same realm of a book that's being published for you to spend money on it so leaving mean af reviews is not justifiable in any way and sending them directly to the author in ANONYMOUS ( because YOU KNOW YOU'RE ACTING LIKE AN ASSHOLE and you are ashamed to say the same in the same way with your name attached to it because you know people would avoid your mean ass if they knew.) is making you look like even more of a loser.
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Ivan: He didn’t come home again last night.
Oscar: Well.. he ain’t gonna be cheating on you, is he?
Ivan: I dunno…
Oscar: C’mon, he can barely strike up a conversation with a tree. Who’s he gonna be cheating on you with?
Ivan: A lumberjack?
Oscar: Pfha-.. right.
Byrd: Daddy look! I’m a dancerina!
Oscar: An amazing one at that! He wants a tutu...
Ivan: Wren too?
Oscar: [cackles] God, no.. she’d probably clog the shitter with it.
Ivan: He can have one of Pixie’s-.. I’ll bring it next time.
Oscar: Alright.
Ivan: I gotta drop Jude off, anyway…
Oscar: Try not to stress about it, eh?
Ivan: Jude, Jessie, or Bruno?
Oscar: All of it, man.. I dunno.
[Ivan snorted, rolling his eyes at Oscar and ruffling Byrd’s hair as he headed outside to fetch Jude]
...
[Robin idly twirled a daisy between his fingertips, his and Jude’s legs sprawled beside each other as they lay in the long grass]
Robin: It might not be so bad; you’ll probably make loads of new friends n’ stuff.
Jude: Maybe, but I wanted us to go to big school together.
Robin: Why, so I could sit around not talking to you?
[Jude scoffed a half-hearted laugh]
Jude: I’d still prefer-…
Ivan: Jude!
Jude: Gotta go! See you next week.
Robin: You’re not sticking around for the weekend?
Jude: Mom n’ Gavin are having some sorta party they want me there for on Saturday.
Robin: Sucks to be you.
Ivan: How y’doin’, bud.. enjoyin’ the treehouse?
Robin: Uh-huh.
Jude: No grown-ups allowed though!
Ivan: Rude.
[Ivan chuckled as he threw his arms around Robin and squeezed him farewell; he gave the best bear hugs]
Ivan: I’m gonna bring y’brother a tutu next time, fancy one?
Robin: I’m good, thanks.
Ivan: How ‘bout you?
Jude: Only if it’s blue.
Ivan: I’ll see what I can do.
Robin: You’re both poets-…
Jude: And we didn’t know it!
Previous // Next
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unfortunately I have opinions about the ascendant astarion ending and I have been holding back from saying it. but it's a problem that applies to the whole game and it's been annoying me
what's actually weird about the ascendant "romance" scene is that the writer considers it a tempting option for the player. They wrote it to be bad, but they also think it's a fun and sexy option. Same goes for the haarlep scene which they also wrote that way because they find it sexy. Except finding this sexually appealing entirely hinges on the idea that the player is a submissive. So RIP to a scene that the rest of us could have found sexy because the lead narrative designer was a submissive. lmao
In this game you can have a scene where you have to kneel for a male character. But you can never have a male character do the same for you. (Halsin doesn't count. It's a vanilla scene, he is not submissive there and we are not even asking/telling him to kneel down) You don't get such options, not even if you play a drow female! RIP the number one reason for playing drow female to be honest. lol You can kneel and fully submit to ascendant astarion or fully submit to mizora or fully submit to haarlep or submit to lae'zel or submit to minthara. you can get whipped by abdirak or you can tell him "touch me and lose a hand" he even responds positively to this remark and yet the possibility to flip the dynamic doesn't exist. There is never an option where a male character truly submits to the player. RIP to a scene that would have been the opposite of the traditional dynamic. the potential that existed but they never used the opportunity
By the way, how interesting that Lae'zel is dominant but she is a woman so ofc you get the option to tell her “no you will submit to me”. You never get such switch options with any of the male characters... Obviously it's not ascendant where they could have made that an option. My point is that it's NEVER an option among so many male characters.
It's a cool idea that the bad ending in a romance means "I saw this character as a sex object" except it falls apart when the scene is very sexually unappealing to anyone who is more dominant leaning. If I see a character as a sex object then I would place them in sexual situations which are appealing to me. so the message doesn't quite work. because there isn't anything that I can selfishly choose for myself just because I like it and I find it sexy.
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ear
The ears are definitely the part of the head that I've been dreading the most, because I've always struggled to make them work. I was never 100% satisfied with the ear results on past heads, so this time I'm trying a different method. It's based on TinnatuPaws's ear patterns, not actually printing and using any of them directly because I wanted that front border to have a slightly different shape, but taking the general method/idea. Took a couple hours to put together a working pattern because I only had a vague idea of what I was doing, and I guess the final look is pretty similar to TinnatuPaws's canine ear design anyways so perhaps it would've been easier to just use that one directly but w/e too late now. I think it turned out pretty alright, but of course the real test will come once I actually put fur on it.
These ears also probably look a tad on the large side for a standard housecat--that was intentional; I'm a bit worried about this head base being a bit too small compared to the other parts of the suit so I'm gonna try compensating by exaggerating the ears, head floof, and cheek floofs a bit. This base already has proportionally very large eyes so I think I can get away with it. Fingers crossed!
I did try on my previous head with the new body the other day to get a better idea of the size ratio and it looked alright, though while the base for my previous head is similar in size to this new one, I do think it might be sliiiiiightly larger overall, even accounting for the fact that it has fur and this one doesn't yet. Hopefully the difference won't be all that significant and I won't be walking around with a comically tiny head, but as with the ear method, the real test won't be till I actually fur it. So....we shall see.
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Stranger ramblings because I am a broken man - this is literally just about the fact dbb and gpt sing each part of this lol
I wrote this half asleep so please excuse any over explaining or whatever, I'm copin w exam season and i needed enough context for it to make sense to whatever unfortunate member of my family i decided to throw it at
Drumbot Brian is cast away, killed by the people he wanted only to help. Called a witch for his abilities and mechanical prowess when he used his machines to revive a priest. His work clashed with the religion of where he had landed and was strictly a last resort to the townsfolk. After saving the priest from breaching the veil of death a mob was gathered, determined to put an end to this man who played God. They fired him into the cold of space using his own machinery.
Brian is benevolent, moral; he does only what he believes to be right. However, he is never allowed full control of his own situation. He was near completely stripped of his humanity by Dr Carmilla, his moral trajectory can be changed at the flip of a literal switch. He only wants to help, he only wants to love and be loved back. He knows that when people learn about that aspect of his mechanism and what he can and will do when the change is made there is a risk of them manipulating it - him - to their benefit.
This is why ‘Stranger’ is so utterly heartbreaking. Of course the story behind it is tragic:
A crane visits a man disguised as a woman and falls in love, they marry and live together happily. Over time though, the crane grows sick as it sells its feathers to support them both. One day everything changes, the man discovers the true nature of the crane. He says he cannot love her any further, that she has to leave, he cannot see through her deception. Heartbroken, it respects his wishes and leaves but as she goes it tells him “You are not worthy of loving a Crane.”
Now, in the song it is Brian and Tim singing the parts of Cranewife and husband; Brian playing the Cranewife. This is incredibly important to who he is as if you look at the folktale and compare it to Brian’s experience there are a great deal of similarities.
Brian wanted only to help the townsfolk with his gifts, the Cranewife only wanted to love and support the man he (it?) loved. Neither want to be alone, in fact: Brian makes a point to never sing or perform by himself, not singing at all during the retelling of his own tale. Both give up parts of themselves, to the severest degree, to help others and yet despite all of this they are rejected and cast off. Something changes. The truth about the Cranewife is discovered just as the extent of Brian’s abilities are and they are looked upon with nothing but disdain and fear.
Similarly, in ‘The Ignominious Demise of Dr Pilchard’, Drumbot seems particularly upset that their kidnapper hadn’t believed what he told him and accused him of lying. This was likely also to be the case when in ‘The Hanged Man Rusts’ Arthur and Gawain didn’t listen to him. Drumbot is an honest man, he takes it rather strongly when people cannot place trust in him or his word for he knows he is not a liar. He knows when people think they have been lied to they feel threatened, when they feel threatened they often don’t hesitate to hurt him.
When the Cranewife is discovered, it is accused of “spinning falsehoods into gold,” but repeats the phrase, “I meant no deceit”. It didn’t mean to lie, he didn’t want to lie. He was living truly but concealing a secret out of fear for that rejection. Not a misplaced fear though as we learn from the line, “In your place a monster I do see”.
This story is an anecdote, of course, but it sounds almost personal to Brian. As though this is what he himself has lived before or after becoming a mechanism. Even if it is not his own, him singing it feels almost like he is healing from the trauma that haunts him. Afterall, this is one of the last things we hear from him before his death. His death being something I believe to be a sign that he could face himself, his past, and give himself the chance to return to the biting cold that should have taken him aeons before.
Not only is it important that Drumbot Brian sang the part of the Cranewife, but also that Gunpowder Tim sang the part of the husband. Tim’s mechanism is his eyes after they got burnt away by a blast strong enough to annihilate the moon. Before this, however, he had been blinded more metaphorically. After the death of his close friend Bertie during the war waged by the Moon Kaiser he fell into a deep bloodlusting rage where quick and mad he carved through the Kaiser’s men. He was eventually captured by the Kaiser which led to the loss of his eyes and the introduction to his new ‘immortal’ life as a mechanism.
From this point on, near every character Tim has played has had some sort of issue with foresight, actual vision or a combination of the two. In ‘Ulysses Dies at Dawn’ he plays Oedipus who is not only blind after gouging out his own eyes but also failed to recognise the identities of his mother and father along with the Olympian’s plans to drive him off world. In ‘High Noon Over Camelot’ he plays Gawain, a hot headed young man with a blind hatred for the Ghouls. In ‘The Bifrost Incident’ he plays Loki whose own mind is hidden from her. In the song ‘Alice’ he plays Major Hare who is likely rather short sighted as he fails to notice a doormouse sat in the teapot he is sharing with opposing Major Hatter. In ‘Pieces’ he plays Osiris, changed and unreachable after being rebuilt by Isis. In ‘Twisted Threads’ he plays Arachne who cannot see the web Athena has caught her in. This trend persists in ‘Stranger’ where he plays the husband.
The man could not recognise the true nature of the Cranewife until it began to get weaker. When he found what he had thought he loved in a form he described as a “metal demon”, he was blinded by fear and betrayal. Unable to see the person he loved, he couldn’t listen to its begging for him to listen and understand.
Anyway they make me sick and I can't be normal about them :]
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