I really like this shot! The Remaster is a game changer even if you are not interested in No Return. Between the Skins and Lost Levels, there are so many cool Photomode opportunities. I was starting to get to the end of my rope with creativity in Photomode, but this has absolutely renewed my interest!
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tysm the weekly light for giving me motivation to draw LMAO
a lil messy but thats ok. it was a lot of fun so thats all that matters haha (I LOVE RENDERING AND DO THE LIGHTING AND ALL THAT SHIT ITS SO FUN) rip mothy gilbert also had too much fun ig lmao
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Why Solomon doesn't like the ocean?
(Honestly, surprised that the answer Is behind an event Devilgram. Feels like something you would put in the Main Story, or at least on a card in a permanent gacha)
... He was prisioner in the ocean :( It makes me sad that everyone considers him so dangerous that they feel the need to trap him... Reminds me of the story about Solomon & Nightbringer in S2... Solomon Magic Is really destructive...
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Yea ok but if that really is the Summer Maiden behind them and she’s just a kid and they put these two in charge of training and guiding her
The mother who abandoned her own child and killed the prior Spring Maiden both out of fear and the sibling who was loyal to the wrong person until it was almost too late and was unable to save her baby sister… I’m sure they’re coping fine with that responsibility
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Come lets all manifest tome in the halloween art together
[ID: A screenshot of Tome from mob psycho offering her hand. Her eyes have been slightly edited so that she's looking at the camera /END ID]
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in this essay i will explain how orv uses the often overused and memed upon theory that everything in a whimsical fictional universe is actually just a dream in order to portray a fascinating narrative of childhood trauma, mental illness, and the need for escapism in a late-capitalist, post-internet world
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Like, yeahh Jack can be versatile (after all, he has produced OOTW, LWYMMD, Illicit Affairs, and Gold Rush, and these songs are quite different from each other sonically), but I don't think him and Taylor are really pushing each other anymore. After all, a good chunk of TTPD could've gone on Midnights (Fortnight, TTPD, ICDIWABH, MBOBHF, Down Bad) and Midnights itself sounds like a mix of 1989's and Rep's productions. And idk when his work with another artist (Sabrina's Please 3x) sounds like it could've gone on one of Taylor's latest releases (Midnights or the 1989 TV vault), it's a little concerning...
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