#what I’m annoyed about is the show itself and how it portrays the relationships

[arcades-n-academia]

Welcome to my rant about the movie of red, white and royal blue, this is not structured in any way whatsoever and I have a tendency to ramble so I hope you enjoy…

I was very excited about this movie because I freaking loved the book, but I guess what people say is true and the adaptation is never as great. It’s so annoying to have people who’ve never read the book rave about how good the movie is, they just don’t understand what they’re missing out on. I could not even finish the movie, if this impacts the objectivity of my review, well, it was never going to be objective anyway. I understand that you want to flesh Henry out so you added scenes from his point of view but that doesn’t mean you completely ruin Alex in turn. First off the actor, no offence to his person, seemed in the movie weirdly old which was uncomfortable, and Alex was portrayed like some jock that says ‘no homo’ to his ‘dudes’. Alex’s entire personality is completely different, and not only that but all his problems and struggles just, vanished, *poof*, gone, like he isn’t a very detailed character with layers and complexity. What happened to his struggle with accepting the fact that he is bisexual and in fact attracted to Henry, talking it out with Nora, running with his sister and trying to let go of all his pent up emotions. No apparently instead of that, instead of the existence of his sister who is very important to his character, we get this random dude called Miguel who he had sex with once who keeps trying to get back together with him. What was the entire point of that? Not only does it remove the entire internalized homophobia and denial and repression, it adds this unnecessary side plot that fails to make up for all that’s missing. Speaking of things that are missing what happened to Luna? He’s so important to the political plotline (which apparently also kicked the bucket because it sure wasn’t there in the 50% of the movie I saw) and he’s important to Alex to, someone he looks up to and wants to imitate because of their shared heritage and belief system. Alex cares so much about making a change, it makes you invested in stuff like whether Texas will turn blue or not, it’s for completely fictional party, in a country I’m not even from. What happened to that? What happened to everything?

Now let’s talk about Henry’s side of things, his personality changes heavily too. Because we read the book from Alex’s perspective we have certain misconceptions about Henry which needed to be in the movie too to actually show how much resentment they had for each other. We needed a long build up to them letting their grudges go and clearing up the miscommunication and slowly becoming friends and appreciating each other despite the differences in their personality. What we got instead was this: “he’s so hot” Nora and Beatrice about Henry and Alex respectively, both of them denying it vehemently clearly showing to the audience that it’s a lie, Alex getting jealous and drunk and confronting Henry, showing again that hate isn’t all he feels, weird too fast banter about *checks hand* the proper address for a prince of England? Alex looking apologetic about getting cake on Henry, the cake falling, end scene. This already establishes a different relationship and views of one another compared to the book, and after that we see, what? Henry calling Alex darling and Alex freaking out instead of the original scene, where Alex thought Henry was a pompous asshole. Them connecting over scones instead of Alex being incredulous that Henry has an actual personality. Weird insult compliments in an interview the interviewee reads as friendly banter. The hospital scene (which I’m thankful they didn’t mess up too bad) leading to immediate forgiveness from both sides and starting a friendship. You know how long it took you to thread this, that’s how long it took the movie to get them to this point, it’s much longer in the books. And the friendship stage itself is shown as just a montage of texting and talking and that one turkey scene and then suddenly it’s New Year’s Eve. And because they took June to the back and shot her pez likes Nora which means instead of Alex kissing Nora platonically like a fun tradition they do he’s apparently just kissing random people at parties too?

Lastly their dynamic in the movie, let’s talk about it. I don’t fucking know exactly how they butchered this but any and all romantic scene between them was so uncomfortable to watch. I don’t know if it’s because alex seemed like a 30-years-old, if he seemed too straight for it to be believable, if he just seemed like the type of person who couldn’t be sweet and romantic with anyone, regardless of gender, or if was just too flat a character, but there was a big problem. The only bearable scenes were the banter ones after they had become friends, that was the only thing that wasn’t unnatural and staged, even alex’s mom was weirdly unnatural and uncomfortable to watch in scenes. Actually both Alex and his mom in the movie made my incredibly uncomfortable, like voldemort hugging draco in the deathly hallows both they’re voldemort and we’re draco? Like the feeling when your neck is too exposed so you tilt you head back and shudder? Am I making any sense, I don’t know. I don’t even know how they achieved such a strong reaction. All I know is that insects crawling up my spine would feel better.

Anyways I’m sure I missed a bunch of stuff but this is my opinion I hoped you enjoyed reading.

[todayisawthewhxlewxrld]

HAI FRIEND

i’ve literally been obsessed w ur megumi smau since like chp. 14 or something LOLL,, i have this thing where i just psychoanalyze characters and ive been thinking a lot about yn like hm…

(THIS MIGHT BE A LUTTLE LONG BTW SO FEEL FREE TO JUST LIKE IGNORE THIS BUT I RLLY WANT TO TALK ABT HER)

like yn (to a lot of people) may be like a little intolerable but honestly i think the reason we have such a reaction to her personality like that is bc we see a little bit of ourselves in her if that makes sense…

PERSONALLY, I AM A YN DEFENDER FOR LIKE THATS MY HOMEGIRL.. like imagine you grew up in a world where soulmates are the basis of your romantic future. the sheer fact that that in itself already builds a sense of you either love your soulmate or hate them in someones head (considering that most of the time,, soulmates are portrayed as; first time you meet, you just know)

yn,, having met megumi long before you brain could have developed a coherent understanding of relationships, and lacking in the sense that when she met megumi,, she didn’t feel sparks like they said she would, obviously, she would categorize those feelings as hate. THATS WHY WHEN MEGUMI SAID “i dont think you really ever hated me either” HIT SO HARD FOR ME I WAS LIKE OH MY GOD…

BASICALLY WHAT IM GETTING AT is the fact that there is so much pressure already due to the fact that soulmates are said to be your other halves, so if you don’t like them, theres immense pressure and insecurity (hence yn’s hostility to the subject of her hating megumi because she has no comprehended idea of why she actually hates him) plus the fact that they met when they were kids and that probably affected the way she saw relationships in the first place EXPLAINS WHY SHE IS SO ADMENT ON BEING INDIFFERENT TO HIMMM

ok… another thing (sorry)..

AS MUCH as i love yn’s friend group,,, THEY LOWKEY PISS ME OFF THE SAME WAY YN PISSES ME OFF HELP..

OK SO,, obviously i’d also get pissed off if my friends get hostile bc i bring something up to want to understand them better, BUT at the same time, i would also have some sympathy 😢😢

LIKE,, their immediate response is to press harder, and try to solve the problem and if youre looking at texts like that thru yn’s eyes, it will prob lowkey feel like your feelings are being invalidated. yn is already confused, probably insecure about her love life, and now having to literally throw up her heart into her hands just for her friends to understand why they feel that way,, like she’s not gnna want to do that no matter how close they are (but maybe thats js me idk…) and then their immediate response to her not wanting to show that side of her is to get pissed off like i’d be mad and sad like yn too :(

i think those are all the points i was thinking sbt but if not im not gnna try to rmbr the rest bc this is alr super long.. BUT I HOPE U ENJOYED MY RANT AND I LOVE UR SMAU AND I LOVE U MUAH I HOPE U HAVE A GREAT DAY

I LOVE U I LOVE U I LOVE U

i absolutely ADOREEEE when people psychoanalyze the characters (mostly only when the analysis is correct tho LMFAOAO autism.) BECAUSE I DO THE SAME THINGGG i kinda have to when i’m doing plot heavy smaus like this to make sure everything fits n there’s the least amount of plot holes possible blah blah blah insert my annoying rambling on how i write

ANYWAY i loved ur analysis u r so amazing n so right ! like i get yn is annoying but lord have mercy so is everyone else that’s the POINTTTTT NO ONE HERE IS ACTUALLY IN THE WRONG OR BETTER THAN ANYONE ELSE. EVERYONE HAS THEIR REASONING FOR WHAT THEY DO OR DONT DO!!! ugh sorry okay i’m gonna shut up now i could talk about this forever i fear .

I LOVE UUUU HAVE A GREAT DAYYYY

[oktxvia]

Hi, I saw you reblog a post recently about Daisy Jones & the Six and I wanna say I love the show as well as the book but there were so many differences between them that disappointed me. Anyway, do you think Billy and Camila will get divorced in the last two episodes? I’ve noticed that in the interviews, Camila has her maiden name Alvarez instead of Billy’s last name. Also, in the show she seems threatened by Daisy and says that if Billy loves her then that is when this ends. And we know that Billy has been a bad husband to Camila in the past as he cheated on her and in the show he does end up kissing Daisy. I know this may be messed up but I hope Billy and Camila won’t get divorced and that they’ll be endgame. I want the last two episodes to show that their marriage gets better and Billy learns to be a much better husband and father. This seems to be happening in episode 8 of the series as there’s several cute scenes between them and she’s even telling him about her day when they’re in a hotel room. And I shipped them so hard when I was reading the book as Billy did try to be a good husband to Camila after he got sober. And as I’ve mentioned, the series already had so many changes from the book and I want the last two episodes to pretty much follow the book. That would mean Billy and Camila would stay together and their marriage improves since that happened in the book.

Hi anon, thank you for your question! I’ve been thinking about how they’re going to end the show as well the past few days and I agree with you. I also hope they’re staying true to the book as I was quite happy with how it ended. It felt realistic and true to the characters and I hope they don’t change it too much.

That being said, I don’t mind the changes of the source material too much so far, and I think overall they’ve done quite a good job portraying the ambiguity and complicatedness of the characters’ relationships, and how the people you’re attracted to and connect with aren’t necessarily people who are good for you. And how that in turn can lead to resentment and self hatred because it won’t work out the way you want to and no matter what decision you make, people will get hurt in the process. It’s just very much buried between the lines in the show, but I think that might also be due to the medium itself, I think written works tend to convey that a lot better in general.

As for the ending, Camila is by far my favorite character and she was always the guiding light for everyone and to have Billy actively stay and make the marriage work was such a nice change of the usual ~but they’re soulmates so they have to end up together trope~ that Billy x Daisy would represent. Billy and Camila staying together and working on their issues shows that people can change and that happiness can be found in stability and safety and that love requires more than just passion. I do hope the show decides to stick with that ending. And I think the interview parts so far point to that so I’m hopeful for now! The only thing that really annoys me is how the interviews seem to be set way earlier in the future than they were in the book. I read another post on here the other day of someone pointing out that that’s a mayor issue because the only reason everyone was able to reflect so well on everything that happened was because 20 years have passed when the interviews take place. Major paraphrasing here and the person explained it much better but I’ll reblog that post for you anon if you’re interested. So yeah tldr; let’s hope they let Camila and Billy stay together and don’t divert too much from the book!

[asortafairytale]

With all the hot takes going around about L/okius and S/ylki I’d like to add my own which is L/oki shouldn’t be “in love” with either of them bc they’ve all know each other for like two days. Thanks for coming to my Ted Talk

[suicidalslasher]

𝒖𝒏𝒍𝒆𝒂𝒔𝒉 𝒕𝒉𝒆 𝒃𝒆𝒂𝒔𝒕 ➤ 𝑱𝒂𝒔𝒐𝒏 𝑫.

Nothing but porn w/o a plot. There actually is a plot and if anybody is confused on the ending, I can explain but it’s more porn than anything.... so, here you go, you filthy animals. 

WARNINGS: choking, degradation, use of a gun (brief), a lot of dirty talk... of course. Oral, m on f / f on m. Fingering. Squirting. (brief.)

!! Female reader. Readers pronouns are she/her. !!

ps: if you enjoy my content and have a dollar or two to spare, here’s my ko-fi. 

“You don’t know me, but something terrible is going to happen. That boy you call your boyfriend isn't a man at all, in fact, he's a monster and he's only using you to kill you, for your blood to be on his hands, for him to be the cause of your death. He's twisted, that way.  He's not as nice as he portrays himself to be. If  I were you  — and once upon a time ago, I was in your shoes, I was you —  I'd get the hell out of that relationship and quickly."          Jason looked up from the letter his girlfriend,  (Y/N), had received in her locker. His lips are pressed together tightly into a white slash, his jaw clenched and in a sharp tone, he asks, "So.... what? You're going to break up with me over a  letter that a complete stranger put in your locker?" He sneered, grinding his teeth together before he stood up, moving the chair back as he does so. 

The piece of furniture loudly squeaks against the floor, making (Y/N) grimace and flinch at the obnoxious  noise. It's not the only thing in the room being annoying, though.    "No." (Y/N) answers,  giving an eyeroll in return to his question as she folds her arms across her chest.  "I want to see the monster you supposedly are, that's all." She adds.  "This isn't the first or even the second letter that says those words. There's been an endless amount and quite frankly, my beloved J.D, I'm suspicious  on what it exactly means."  "You believe the notes, do you?" He questions,  stepping closer to his girlfriend, eyebrow arched as he waits for her response.  "I do..... or I don't. That's up to you to decide for me. So, enlighten me, Jason, are you a monster in disguise or are you not and someone's simply playing a trick on not only me but the both of us?"  "What is it you're trying to do to me, (Y/N)?"  "Oh my God, fuck me like you hate me, fuck me like the monster that you supposedly are, according to the pieces of paper I receive every day.. I want to see whether or not it's true."  Jason is silent, as if he had gone mute. He was standing inches away from her face, doing - saying - nothing. Only... staring, like he was a starved predator and she was his only prey, his first feast of the day.  

Though, she knows the air conditioner isn't on, and neither are the windows open, (Y/N) shivers as if it were cold. But it was his eyes  that were frosty. His eyes were two lifeless pools of abyss-black, an ice-cold stare he was giving. Finally, he speaks for what feels like ages since he last talked, although it had only been a minute or two since he did, "I hate you. Despise you, actually.  Don't even know why we continue to have this fucking conversation. You're seriously so fucking annoying," He spat.  (Y/N) wasn't sure if he meant the words or not, either way, it did feel like a stab in the chest.  She purses her lips together and she goes to say something but before she could, his hand is wrapped around her throat and her back is pushed up against the wall.  "I should strangle you."  "Is that a promise?" She gasped out.  "Once I start, I might not be able to stop." He informs, clicking his tongue against the root of his mouth.  His grip, however, gets tighter and as fucked up as it may sound, (Y/N) grows wetter, she squeezes  her thighs tighter together and has to bite back a moan at the feeling of his hand around her throat. "I don't care what you do," (Y/N) replied truthfully, voice low and groggy, as if she had just woken up. "Just fuck me."  "My pleasure."  To her disappointment, Jason  drops his hand down at his side before gesturing to the floor with a motion of his finger.  "Get on your knees, this cock isn't going to suck itself."  (Y/N) is more than happy to oblige as she crashed to her knees,  quickly, undoing  his belt buckle and unbuttoning  his jeans.  In only a matter of seconds, he's got his pants and boxer briefs off, hanging down his ankles and his dick is being swallowed by his favorite cock-slut.  

Her eyes are fluttered shut as she tries to concentrate  on pleasing him. And as always, she's doing a great job at doing so. Then he remembers — this was a punishment and she deserved to be punished.  She wanted for him to unleash the beast, after all, right? So, he would be doing that.  Jason growls and grabs the back of her neck, fingers finding their way up to her hair as he then forces  her further down onto her cock, making her sputter and choke, a few drops of spit soaking his shaft as he face-fucks (Y/N)'s throat.   "Take it, slut. You wanted this, remember? Wanted to see the man behind the mask, well, here I am, baby, standing proudly right in front of you. Take my cock, choke on it like the filthy, little bitch you are. That's all you are, isn't it, sweetheart? You aren't important enough for me to keep around, according to the letters you get. Only keep you around so I can fuck you like the desperate whore you are. Is that what you want to hear? Huh?"  (Y/N)'s eyes are full of tears and she knows, without even looking in the mirror, her cheeks are stained with mascara and her lipstick is smudged, as her throat is getting pounded by the man above her, his grip on her hair is too tight, it's too much and yet not enough. 

She wants more — no, scratch that —  needs more.   "Desperate cock-hungry bitch, aren't you, baby? Starving for me to feed you my cock, to feed you my cum. You'll just open your legs to anyone, everyone, too, huh?  Especially me, even when you know exactly what I've done.... letters or no letters, you know the kind of person I am.. and yet, I'm the monster? You're no saint, either, miss (L/N).You're as crazy and as fucked up as I am."  (Y/N) nearly  (key-word there) makes a mess in her panties. And she hasn't touched herself at all yet, neither has Jason placed a finger yet on her.   

 Jason, on the other end, notices how her fingernails are digging themselves into his bare, naked thighs rougher than they had been previously. There's also more sweat pooling at the top of her forehead, too. He was making a complete mess out of her and was loving every single second of it.  "What is it, baby girl? You want to cum for me? Going to cum for me, untouched? Oh, so naughty, filthy little thing," He cooed, slowing down his movements as he continues to push his dick further down her throat, feeling more saliva spill out of her mouth and wetting his cock as he does so. 

 "Go on then, baby. Make a mess all in your panties. I know you can do it." And, well, yeah, just like that (Y/N) is coming, untouched, all while Jason does the same, feeding her his cum with a grunt of her name escaping his lips.   (Y/N) hums happily as she pulls back, wiping what remains on her cheeks onto her fingers, coating her digits with his  ejeculation and slips the juices into her mouth, making sure to poke her tongue out and give Jason a show — she wanted to prove how much of a slut she really was, and how desperate she was to have him bury his cock in her pussy. She needed the pain, wanted to feel it. She wanted it rough.   "So... what else do you have in plan?"  (Y/N) wonders, looking up at him with a smirk.   That little grin placed on her lips is quick to fall down into a worried frown when Jason pulls a gun out at her, pressing it against her skull.   "I could kill you since I got what  I needed." His voice was as devoid of life as an ossuary and his eyes were still soul-penetrating.  Not even a hint of a smile, not even a sign of amusement in the tone of voice. Surely, he wasn't being serious.... was he?  He presses the end of the gun to her mouth, making her lips part open as he presses  the gun inside.  "Could blow your brains out, right here, right now.... since that's all I'm going to do to you, anyways, right? I'll kill you eventually, why not now?"  Jason pulls the trigger.   

It's a blank.  Of fucking course it is.  "I'm only kidding," He said, chuckling lowly as he places the gun back into the pocket of his trench coat.    "You're a fucking dick." (Y/N) hisses, getting up on her feet and raising her hand up, slapping him on the cheek. "Don't scare me like that,"   "You're the one who was sucking my dick, first of all.... and you are also the one who wanted me to show you just how awful I could be... so, it's your fault." Jason said.   "Oh, shut up and kiss me already. 'm tired of this roleplay. Just want you inside me. Now."  "As you wish, your majesty." Jason laughs, bending forward as he picks his girlfriend up, throwing her over his shoulder and carries  her to his bedroom, kicking the door open with his foot. 

He then falls down onto the bed, letting his girlfriend fall on the mattress as well, (Y/N) squealing loudly as she tries to get comfortable and find a cozy spot along the mountain of pillows that rest against the headboard of the bed.  "Can I at least see if you're as sweet as you look?"  Jason asks,  licking his lips.   For obvious reasons, (Y/N) doesn't argue.  All she does is nod her head and lets a breathless pant out, answering with a, 'yes, please'.  She shimmies out of her pants, pulling her panties down as she strips out of both. Once they're off, she throws them elsewhere, not worried where they end up nor does she have time to worry about such things because the moment she's naked, Jason is pulling her legs apart and is quick to bury his face in her thighs.

 "Oh, God, fuck. Should've given me a warning, baby." She whines, fingers brushing through his hair as she tugs his black locks, pulling him closer, dragging his face closer to her cunt. "Need you so badly...." She murmurs, feeling the smile of her boyfriend's face against her heat. His tongue dances against her clit, flicking this way and that. He was always phenomenal with his mouth, more so his tongue than anything else. (Other than his dick, of course.)  (Okay, everything about J.D, other than his temper, was amazing.)  There were no words to describe it other than perfection and magical.  "Jason, baby..."  Hearing her pleas and knowing he's doing an excellent job, he continues, this time adding a finger and pushing it deep inside, earning a loud gasp to spill from (Y/N)'s lips. "Jason, fuck!"   She's wet, this much is obvious, but she's leaving a puddle not only on his face but beneath her. She'll have to wash the comforter later, she hopes she isn't leaving any stains behind either and can wash it out in time before it does leave an imprint.  

 These thoughts are replaced when Jason adds another finger, and she isn't so sure if he has two inside or three, all (Y/N) knows is it feels so fucking good and if he doesn't stop, she's going to cum soon. "S-Stop, Jason, please.... want to cum by your cock, wanna cum with you."   Jason doesn't stop, despite her cries. He's pushing her thighs down, holding her still as he continues to pump his fingers in and out, his tongue is everywhere and she feels so hot, feels as if every part of her body is on fire.  "Jason, Jason,"  (Y/N)'s moans come out like a broken record; only able to play the bit of his name on repeat, only able to speak his name and nothing else. "Jason, baby, oh.... I'm.... I'm going to cum!" And within a matter of seconds, that familiar sensation she had been feeling for the last few minutes in the pit of her stomach finally explodes and she's shooting her orgasm all over his fingers and on his face and... wait, did she- "You squirted, holy shit..." Jason pulls back, laughing as he wipes his face off of with his shirt. "That's a first. Just by my fingers too, fuck, baby girl.... can't even begin to imagine what you can do when I stuff my cock deep inside your cunt."  "Well, don't imagine then and just do it. Fuck me." Jason chuckles as he takes off the rest of his clothes.  Which wasn't much other than his coat and the shirt. (Y/N) giggles, not realizing that was all he had on. Nothing but his trenchcoat and a shirt underneath, his lower half being completely bare.  "What?" He asks, dropping the jacket and his shirt at the end of the bed before he's crawling up and over on (Y/N), wrapping her legs around him as he presses the tip of his cock at her entrance, teasing her for  a second or two.  "Nothing. Just waiting for you."  "Anything for my darling." With this, he presses his cock steadily at her entrance before he's leaning forward, pressing his chest on top of hers, Jason slides his cock deep within her walls at a slow pace before he's fully inside her, his own mouth parting open at the tightness that clenches around him. "Always so tight, (Y/N), fuck." "I'm not going to last long," She answers honestly.   Jason agreed, nodding his head rapidly as he moves, little by little, bit by bit. "Me, either, baby. You feel so good, always fucking so good."   "Jason...." (Y/N) mewls, feeling that sensation clouding over her once more, every thrust he gave sent a wave of electricity to shock her. Her orgasm would be stronger than the one she had a few seconds ago, this much she knew. 

 "Jason, baby, fuck.... you feel so good. Love feeling you inside me," She gasps, her feet were pointed like a dancer's, her toes curling and uncurling. Her pelvis rose from the bed as if seeking something in the air, Jason had to hold her down against the mattress, placing her hands above her head so she could remain still.  "Jason, please, I'm so close, I'm-" He cuts her off by pressing his lips onto hers. "Tell me you love me." He whispers, slowing the movements of his hips.  She laughs, pulling back and presses her face in the crook of his neck, playfully giving him a bite. "You're the one who lit the match and burned me earlier, telling me you hate me.... why should I say it first?" "Cause you and I  damn well know I don't hate you, I could never hate you, darling, so tell me you love me, please."  "I love you, Jason Dean, now cum inside me and fill me up like the desperate, cum slut I am. I wanna feel you."  Jason groans as he presses (Y/N) back against the pillows, leaving one hand off of her arm as he now cups her face, crashing his lips back against hers hungrily. "Cum with me, baby girl, cum with me."  (Y/N) musters a few curse words, letting them fall into Jason's open mouth as they kiss wildly and crazily, the type of kiss you'd only see in pornagraphic movies.   (What they were doing too, obviously, could be in a film as well.)  "I love you, I love you, I love you."  Jason groans and spills his seed, filling  (Y/N) up as he shoots his load deep inside her walls, moaning the same words she just said into the kiss. "Fuckin, goddamn..." He groans, pulling back as he falls next to her. "Never realized you were so naughty."  "Yes you do. That's why you started dating me, why you fell in love with me... shall I continue?"  "Correction: Didn't realize death was such a turn on for you."  "That's fair." (Y/N) answered with a giggle, grabbing Jason and cuddling up into his side, pressing a kiss to his chest.   "I've still got to thank Veronica for being part of this, giving me the roleplay idea and everything."  "Still don't understand why you're best friends with my ex," "She introduced us. If it weren't for her, I wouldn't be here; We wouldn't be together." "That's fair." He mocks her words, chuckling as he kisses the top of her head.  "Still, I'd never hurt you. You know this, right?" (Y/N) nods and hums, drawing tiny figures on Jason's chest with the tip of her finger.  "I know. Unless I ask for it." She jokes but she and Jason knew there were truth in her words.  "Filthy thing, you are (Y/N) (L/N)." "Yes.... but you love me, though, Jason Dean." "That I do." "And I love you."  "I love you too... although you fit the label; 'geek in the streets, freak in the sheets'  perfectly." He jokes. 

"Can't believe you squirted still and love being degraded as much as you do,  love being talked like your feelings aren't valuable... never expected this from you, missy."  "Says the one who killed others... you crazed bastard.  I knew what I was getting myself into when I got together with you, J.D. I'm not stupid."   "And see, that's why I love you. You love me and the monsters in my closet."  "Yeah, yeah, yeah. Shut up and kiss me, killer."  "Keep that attitude up and I'm gonna have to kill that pussy of yours." "Do it. I'm ready for a round two." (Y/N) replied with a smirk.  "Just can't get enough of this  cock, can you?" "Nope." "Truly are a cock slut." Jason replied with a 'tsk'  before he grabs (Y/N), placing her on top of him. "Ride me, baby girl. You already know what Daddy likes." "Don't have to tell me twice."

[wenellyb]

Anyhony hates your Sambucky ship, think about that for a minute.

Hi Anon,

I do not have the time for this right now.

What does what Anthony Mackie liking Sambucky or not have to do with anything???

Anthony liking or not liking Sambucky doesn't mean anything at all, he could ship Sam with another character (male or female), he could also not care about shipping at all (he doesn't) He his an actor, playing a character and he is entitled to whatever opinion he has about that character. What does have it to do with me shipping Sambucky? I'm asking you.

Why are you even sending me this, were you bored? I hope so because otherwise I'm worried about you and I'm genuinely worried that you might not understand the difference between fiction, television and reality.

Let me break it down to you:

Anthony is an actor playing a character

Sam Wilson is a fictional character played by Anthony. He doesn't exist.

Sambucky is a ship.

I choose to be extra annoying today so I'm also pulling up the definition of ship:"

"Ship: a romantic pairing between two characters in a fictional series, often one that is supported or portrayed by fans rather than depicted in the series itself."

Now that I broke it down for you, do you understand how irrelevant your ask is or do I need to explain it further?

By definition, ships are supported by fans and most of the time not relationship depicted in the show/movie, so it would make sense that a lot of actors playing characters involved in those ships would not "ship" it or consider it, because the relationship relies heavily on the fanbase not on the source material.

I don't know how old you are but you have to realize that fiction and reality are 2 different things, and if an actor doesn't like a ship, it doesn't make him a bad person or it doesn't mean that he hates the shippers just for shipping a ship in their own fandom corner. It just means that he is someone who has a different interpretation/understanding of a character or a script than some of the fans.

So let me translate your ask for you:

When you tell me "Anthony hates your Sambucky ship", in reality what you are telling me is: Anthony Mackie and you have a different interpretations of the relationship between 2 fictional characters.

And let me ask you again? Where is the problem with that?

Do you now realize howunconnected and useless your ask is yet or not?

Do you think everyone I hang out with ships Sambucky??? You can't expect me to hate people just because they don't like Sambucky right?? RIGHT?

And you can't expect me to stop a hobby that hurts literally nobody just because someone doesn't like it?

And even if Anthony hated Sambucky, I very much doubt he would hate me if he ever met me in person just because I ship Sambucky.

And why is that? It's because unlike you, we are both adults who understand the diffference between fictional people and real people.

They are fictional characters from a show, I have my own interpretation of their relationship but I respect other's people interpretation of the show too (As long as they're not racist or *ssholes about it, of course).

Finally, all of this is irrelevant because you are referring to an article that was intentionlly misleading and mixed up several parts of Anthony's answers to create drama and clickbait, by a journalist who has a history of framing Black Actors like Anthony, Ray Fisher and John Boyega in a bad lighting to create dramatic story. But if you listened to the podcast of the interview I would love to hear the part where he said that he "hated Sambucky".

And even if he had said that he didn't like romantic Sambucky, he would have every right to, because he's an actor, who's given a script and interprets the script, he doesn't have to like any characters, relationship or ships... This isn't how it works. Why are you guys always mixing up everything and spouting nonsense. Fiction is fiction!

I don't really know why you're sending me this and maybe you can explain further, but you need to relax a bit. Even if Anthony said he didn't like Sambucky (which he didn't, I insist on that), he would still be the great and talented actor that he is today and a phenomenal Captain America. And I would have no problem shipping Sambucky, because Sam and Bucky are fictional characters.

I can't believe you chose his birthday of all days to send this bullsh*t.

An actor not liking a ship isn't the end of the world, there are far worse things in life.

[fluffywolverine]

ok, i’ve gathered my thoughts (more or less) and decided to rank all sandman episodes. before i begin: i LOVE all of them, and putting them in the right order was very difficult. let’s go

i’m gonna sort them from the one i liked the least to my favourite one

- chapter three: dream a little dream of me - this is gonna be controversial, but i must say it. i’m not a fan of constantine, any version of them, that’s just not my type of character. having said that, i think jenna coleman did great job portraying this character! really loved her sass and relationship with dream. all in all, i was very happy, especially given that this issue was my least favourite when i read it;

- chapter one: sleep of the just - i was amazed with it when i watched in during the special screening, and i still love it! it starts the show really well, sets the events properly, shows us characters, and most importantly - the imprisoning scene looked so good! i had chills when they were chanting. additionally, presenting the corinthian that early was a great idea, everything made much more sense afterwards;

- chapter seven: doll’s house - i was surprised when they switched rose’s mother, miranda, with lyta, but it turned out to have much more sense! i liked their relationship and rose herself is much more interesting character here. also all the characters from the house, hal, barbie and ken, zelda and chantal were perfect;

- chapter eight: playing house - making jed the fake sandman? best choice ever. the corinthian being the one who actually saved him, not just giving him the ride was an interesting choice, as it showed a different side of him (i mean who would have guessed he would be so great with kids??). rose entering the dreams of her friends was done beautifully, they were just as weird as dreams can be;

chapter two: imperfect hosts - how on earth did they make me care so much about a character i’ve met like 2 minutes ago?? poor gregory :(((((( cain and abel are perfect, just like in the comics, and so are the kindly ones! i loved the visuals in this episode, especially dream’s journey and gathering what he needed;

chapter five: 24/7 - i was terrified when i thought i will be watching the diner episode, but it turned out rather tame, or at least tamer than the comic. up to some point i even thought to myself “huh, this is not so bad”, and then they started killing each other and themselves and i was like “ok i take it back”. anyway very good episode, quite faithful, with changes in the right places;

chapter ten: lost hearts - a finale that didn’t disappoint me was such a relief after all the mcu shows i’ve watched. they did a great job making everything right, not rushing anything and letting all the events end the best way possible. and i loved teasing another season with azazel and lucifer!

chapter four: a hope in hell - THE BATTLE. this was very difficult to portray, the comic versions never really spoke to me, but THIS?? the visuals, the creativity, the execution - everything was perfect. hell itself was done with so many details, it was scary, but not unnecessary ugly or evil. and gwendoline christie, oh my gosh. legend;

chapter nine: collectors - listen, i just adore the cereal convention. i loved this absurd concept in the comic and i love it in the show, the execution was flawless. besides that was the episode with the biggest amount of the corinthian, so i can’t not appreciate it;

chapter six: the sound of her wings - i cried through the entire half of the episode :’) death was so gentle, so kind, so understanding, so full of love for people and her annoying little brother. it might sound bizzare, but the episode about dying felt heart-warming and soothing. and then the episode was made even better with hob’s story. this is one of my favourite issues and the adaptation did it justice. the entire thing has a special place in my heart.

phew, what a ride. as you can see, i am very pleased with the entire show, it exceeded my (very high) expectations. can’t wait for season 2 (netflix, don’t you even dare cancel it)

[miraculouscontent]

where do i even begin

The focus in this episode is all over the place and also on none of the right things.

Let’s just start with the obvious: they didn’t even bother showing Alya's reaction to Marinette being Ladybug. We got nothing. Marinette revealing her identity to Alya is supposed to be a big deal, but the episode brushes it under the rug and even seems to lowkey blame Marinette for not telling Alya sooner, to the point where it outright lies and has Alya claim that Marinette’s secret was responsible for all of Alya’s Lady Wifi appearances.

It’s not like I’m surprised anymore when the show blames Marinette for like--anything, but the fact that this season seems to brag about its continuity by being on a firm timeline and then keeps going against continuity is really irritating.

And speaking of continuity, the Adrien pictures are back on the wall with absolutely no reason given. Narratively speaking, the show put them there so Alya would see them and think of bringing up Adrien to get Marinette to take a break, but the show can’t just do that if it wants to imply that it has continuity. Worse still is that this is the episode featuring “Charm Bug” (does her form have a name? I just call it Charm Bug and continue to do so), meaning that “Gang of Secrets” (where there were no Adrien pictures) has to take place before this and “Furious Fu” (where there are also no Adrien pictures) has to take place after.

At this point, they might as well just confirm that “destiny” is a real force and the ladybug miraculous is messing with Marinette’s room and twisting her emotions to make the love square endgame because--yeah, that’s all it is at this point.

The other thing is that Alya shoos Marinette away from her guardian duties so Marinette can go comfort Kagami (let’s be honest, the best part of the episode was Alya being like, “but what about Adrien?” and Marinette was basically like, “what about Adrien?”), which sounds great, but then it all goes back to Adrien, because of course it does.

Not only that, but the episode mocks Marinette for worrying about Kagami. Not only does Alya doubt Marinette’s concern, but Kagami isn’t at all affected by the break-up and isn’t even touched by Marinette’s worry.

The thing is, I get where Marinette’s coming from, because this is the Kagami who told Ladybug in “Heart Hunter” that she (Kagami) and Adrien were perfect for each other to the point where Kagami prioritized her potentially getting together with Adrien over her friendship with Marinette. Also keep in mind that Marinette is Kagami’s only friend, and it makes total sense that Marinette would expect Kagami to be devastated by the break-up.

But because it’s Miraculous, the show makes Marinette look like an idiot for being concerned for Kagami, as if saying, “Silly Marinette! Kagami’s not like you! Kagami is a strong independent woman!! You’re just so over-emotional and you were ridiculous for being sad about your own break-up! You should be more like her!”

I also don’t like it because it presents Kagami as this character who really does feel nothing due to the show not letting her. She was angry at Adrien, obviously, but she was also immensely upset and it made sense when she put so much effort in trying to get him to return her affections.

Buuuut no. Kagami is just annoyed by Marinette’s efforts to try and get her back together with Adrien (it’s not that her anger isn’t warranted, but that’s all they let her feel instead of any genuine sadness over the break-up).

And of course, there’s no mention about Marinette literally trying to help get Kagami back together with Adrien and how selfless that is on Marinette’s part. Obviously I don’t agree with Marinette disregarding Kagami’s feelings (I do hate though how the episode refused to have Kagami explain why Adrien upset her, which would help Marinette understand because she seems to think there’s a misunderstanding/Kagami doubting herself), but the episode refuses to acknowledge Marinette’s good intentions because it’s Marinette and because she’s supporting Adrimi and not the love square, so they’ll make her look as bad as possible. This led to the fandom talking about Marinette and her oBsEsSiOn with Adrien instead of saying UM HI YEAH MARINETTE IS DOING A “HEART HUNTER” 2.0??

(The show also does this consistently, by the way.)

Another thing the show won’t acknowledge is that what Marinette does with Kagami is extremely similar to what Alya does with Marinette. Alya has ignored Marinette’s agency, physically pushed her towards Adrien, and locked her in a room with Adrien no matter how many times Marinette has told her no and that she doesn’t want that.

But because it’s Marinette and because what she’s shipping is Adrimi (i.e: a ship that interferes with the love square), the episode absolutely tears her apart for it. If Alya’s meddling was treated the same way - where she’d be constantly put in the wrong and punished for it - I wouldn’t say a word about this, but we know that’s not the case from “Reflekdoll” (where Reflekta targeted Marinette and Rose of all people) and “The Puppeteer 2″ (hey, remember when Alya did all of that and then it was the museum staff who did nothing wrong who got the worst of Puppeteer’s wrath?).

And this isn’t even taking into consideration that, once again, Marinette has learned something from someone else because they were never called out or punished or learned (originally being Adrien/Bustier where she “learned” to trust Chloe and see where that got her???), and then she’s the one who gets the heat for it.

Might I also add how insulting it is that the episode before this had Marinette saying that she “didn’t want to focus on love,” and then immediately afterwards, Alya is pushing for Adrienette and the episode itself won’t let anyone shut up about Adrien?

Like, this is the episode where Marinette does guardian stuff, gets an upgrade in Charm Bug, and yet the episode hyperfocuses on Aaaaaadrien. He doesn’t even do anything; he’s just a black hole that inhales all available attention and magically pulls all the characters towards his general location.

Then the episode keeps breaking its own continuity as an excuse to make things more about Adrien and also more about the love square, like saying that Marinette carries her disguises everywhere when it’s really just an excuse for Marinette to conveniently have the umbrella so that they can recreate the umbrella scene (by the way, the line from Marinette about “recreating Kagami’s moment where she fell in love with Adrien” is both incredibly forced and incredibly obvious because we’ve never even seen how Kagami fell for Adrien).

And when you already know how the show goes, it all becomes so predictable, which is a huge problem. By the time you hear Marinette say that she “didn’t want to focus on love” last episode, you already know what’s going happen. This episode reaffirms Marinette’s crush on Adrien, which is weird because it’s not as if there was ever any doubt in the first place? The show didn’t even try to convince its audience that Marinette was actually trying to move on, which gives the scene no impact when it happens. We already know that Marinette isn’t really in denial (she’s not stupid) and is very likely saying that she’s not in love with Adrien because admitting it hasn’t gotten her anywhere and she’s repeating something to herself is an attempt to make it true (which is a common coping mechanism for people with self-esteem issues/anxiety), so the scene is just for shipping fuel.

We’ve seen future episodes that show that Marinette hasn’t made any actual progress, hence being another piece of evidence towards my theory that the show does it on purpose to get the Adrienette fans to freak out when anything happens even if it’s reversed in the end. It’s particularly frustrating because it denies Marinette of agency yet again, with her saying something and the show then going lol okay but what if--

It’s gross, and made more so by Kagami watching Marinette and Adrien from a distance and saying that they’re “made for each other.” I’ve talked many times before about how the show is too lazy to have actual chemistry between the love square so they’ll just have characters say that they’re meant to beeeeee, so I won’t go into that, but really, actually think about what Kagami’s saying here.

This is the guy that, in her eyes, abandoned her repeatedly on dates and lied in order to get away from her. She stated outright that Adrien had disappointed her to the point where all of her feelings for Adrien seemed to have completely disappeared and she didn’t even want to be friends with him anymore (at least for now).

Yet, the show had Kagami not only say that line, but told Marinette directly that Adrien was perfect for her. This means either one of two things, neither being good:

- the show intentionally had Marinette do all this so that Kagami would feel embarrassed for Adrien and thus fix all of Adrimi’s relationship problems without Adrien having to do any work to earn her trust back (notice how Adrien in this episode is an “extra good boy” this time around, probably even more than they usually try - keyword: try - to portray him)

- Kagami’s opinion on Adrien hasn’t changed at all and she’s essentially saying that Marinette belongs with this guy who has hurt Kagami, betrayed her trust, and will probably do the same to Marinette

And obviously the show doesn’t think about any of that. It just wants to push for the love square. The only reason there was any focus on Kagami at all was to have a reason to get Marinette to go to Kagami, for Kagami to get angry at Marinette because - as we all know - Marinette “has to mess up and learn in every episode,” so there’d be a reason to go to where Adrien was, and so Kagami could become the next local shipper for the love square.

Marinette didn’t even get to figure out the magical charms by herself; Rena Rouge gave her the answer. It was like the show saw her doing guardian work and shoved her out the door because the only thing she’s good for is being part of the love square. Alya gets seconds of time shown with her looking over the grimoire to figure out the trick, which makes the whole thing underwhelming and rushed when Rena comes up and tells Ladybug that it’s essentially “just been about her” the whole time, meaning it’s just the show yet again being like “see, Marinette? If you’d just figured this out bEfORe...” (note that the episode never tells Marinette that she’s unnecessarily guilting/blaming herself)

But yeah, despite the episode not giving Adrien anything to do, characters talk about him constantly, Marinette somehow doesn’t get the spotlight she needs despite getting a power-up form, and the episode feels the need to constantly railroad Marinette exactly where it wanted to go, not for her, but for the love square, which has always been about not her. It’s already bad when the episode itself is bad, but when it has so much to throw in and delivers on absolutely none of it, it just makes it all the more painful.

[mostlymovieswithmax]

Movies I watched in May

Sadly, I kind of skipped writing a post for April. It was a mad month with so much going on: lots of emails sent and lots of stress. I started a new job so I’m getting to grips with that... and even then, I still watched a bunch of movies. But this is about what I watched in May and, yeah… still a bunch. So if you’re looking to get into some other movies - possibly some you’ve thought about watching but didn’t know what they were like, or maybe like the look of something you’ve never heard of - then this may help! So here’s every film I watched from the 1st to the 31st of May 2021 Tenet (2020) - 8/10 This was my third time watching Christopher Nolan’s most Christopher Nolan movie ever and it makes no sense but I still love it. The spectacle of it all is truly like nothing I’ve ever seen. I had also watched it four days prior to this watch also, only this time I had enabled audio description for the visually impaired, thinking it would make it funny… It didn’t.

Nomadland (2020) - 6/10 Chloé Zhao’s new movie got a lot of awards attention. Everyone was hyped for this and when it got put out on Disney+ I was eager to see what all the fuss was about. Seeing these real nomads certainly gave the film an authenticity, along with McDormand’s ever-praisable acting. But generally I found it quite underwhelming and lacking a lot in its pacing. Nomadland surely has its moments of captivating cinematography and enticing commentary on the culture of these people, but it felt like it went on forever without any kind of forward direction or goal. The Prince of Egypt (1998) - 6/10 I reviewed this on my podcast, The Sunday Movie Marathon. For what it is, it’s pretty fun but nowhere near as good as some of the best DreamWorks movies.

Chinatown (1974) - 8/10 What a fantastic and wonderfully unpredictable mystery crime film! I regret to say I’ve not seen many Jack Nicholson performances but he steals the show. Despite Polanski’s infamy, it’d be a lie to claim this wasn’t truly masterful. Howl’s Moving Castle (2004) - 8/10 Admittedly I was half asleep as I curled up on the sofa to watch this again on a whim. I watched this with someone who demanded the dubbed version over the subtitled version and while I objected heavily, I knew I’d seen the movie before so it didn’t matter too much. That person also fell asleep about 20 minutes in, so how pointless an argument it was. Howl’s Moving Castle boasts superb animation, the likes of which I’ve only come to expect of Miyazaki. The story is so unique and the colours are absolutely gorgeous. This may not be my favourite from the legendary director but there’s no denying its splendour.

Bāhubali: The Beginning (2015) - 3/10 The next morning I watched some absolute trash. This crazy, over the top Indian movie is hilarious and I could perhaps recommend it if it weren’t so long. That being said, Bāhubali was not a dumpster fire; it has a lot of good-looking visual effects and it’s easy to see the ambition for this epic story, it just doesn’t come together. There’s fun to be had with how the main character is basically the strongest man in the world and yet still comes across as just a lucky dumbass, along with all the dancing that makes no sense but is still entertaining to watch. Seven Samurai (1954) - 10/10 If it wasn’t obvious already, Seven Samurai is a masterpiece. I reviewed this on The Sunday Movie Marathon podcast, so more thoughts can be found there. Red Road (2006) - 6/10 Another recommendation on episode 30 of the podcast. Red Road really captures the authentic British working class experience. Before Sunrise (1995) - 10/10 One of the best romances put to film. The first in Richard Linklater’s Before Trilogy is undoubtedly my favourite, despite its counterparts being almost equally as good. It tells the story of a young couple travelling through Europe, who happen to meet on a train and spend the day together. It is gloriously shot on location in Vienna and features some of the most interesting dialogue I’ve ever seen put to film. Heartbreakingly beautiful.

Tokyo Story (1953) - 9/10 This Japanese classic - along with being visually and sonically masterful - is a lot about appreciating the people in your life and taking the time to show them that you love them. It’s about knowing it’s never too late to rekindle old relationships if you truly want to, which is something I’ve been able to relate to in recent years. It broke my heart in two. Tokyo Story will make you want to call your mother. Before Sunset (2004) - 10/10 Almost a decade after Sunrise, Sunset carries a sombre yet relieving feeling. Again, the performances from Julie Delpy and Ethan Hawke take me away, evoking nostalgic feelings as they stroll through the contemporary Parisian streets. There is no regret in me for buying the Criterion blu-ray boxset for this trilogy. Before Midnight (2013) - 10/10 Here, Linklater cements this trilogy as one of the best in film history. It’s certainly not the ending I expected, yet it’s an ending I appreciate endlessly. Because it doesn’t really end. Midnight shows the troubling times of a strained relationship; one that has endured so long and despite initially feeling almost dreamlike in how idealistically that first encounter was portrayed, the cracks appear as the film forces you to come to terms with the fact that fairy-tale romances just don’t exist. Relationships require effort and sacrifice and sometimes the ones that truly work are those that endure through all the rough patches to emerge stronger. The Holy Mountain (1973) - 10/10 Jodorowsky’s masterpiece is absolute insanity. I talked more about it on The Sunday Movie Marathon podcast.

The Grand Budapest Hotel (2014) - 10/10 Another watch for Grand Budapest because I bought the Criterion blu-ray. As unalterably perfect as ever. Blue Jay (2016) - 6/10 Rather good up to a point. My co-hosts and I did not agree on how good this movie was, which is a discussion you can listen to on my podcast. Shadow and Bone: The Afterparty (2021) - 3/10 For what it’s worth, I really enjoyed the first season of Shadow and Bone, which is why I wanted to see what ‘The Afterparty’ was about. This could have been a lot better and much less annoying if all those terrible comedians weren’t hosting and telling bad jokes. I don’t want to see Fortune Feimster attempt to tell a joke about oiling her body as the cast of the show sit awkwardly in their homes over Zoom. If it had simply been a half hour, 45 minute chat with the cast and crew about how they made the show and their thoughts on it, a lot of embarrassment and time-wasting could have been spared. Wadjda (2012) - 6/10 Another recommendation discussed at length on The Sunday Movie Marathon. Wadjda was pretty interesting from a cultural perspective but largely familiar in terms of story structure.

Freddy Got Fingered (2001) - 2/10 A truly terrible movie with maybe one or two scenes that stop it from being a complete catastrophe. Tom Green tried to create something that almost holds a middle finger to everyone who watches it and to some that could be a fun experience, but to me it just came across as utterly irritating. It’s simply a bunch of scenes threaded together with an incredibly loose plot. He wears the skin of a dead deer, smacks a disabled woman over and over again on the legs to turn her on, and he swings a newborn baby around a hospital room by its umbilical cord (that part was actually pretty funny). I cannot believe I watched this again, although I think I repressed a lot of it since having seen it for the first time around five years ago. The Twilight Saga: Breaking Dawn - Part 1 - (2011) I have to say, these movies seem to get better with each instalment. They’re still not very good though. That being said, I’m amazed at how many times I’ve watched each of the Twilight movies at this point. This time around, I watched Breaking Dawn - Part 1 with a YMS commentary track on YouTube and that made the experience a lot more entertaining. Otherwise, this film is super dumb but pretty entertaining. I would recommend watching these movies with friends. Solaris (1972) - 8/10 Andrei Tarkovsky’s grand sci-fi epic about the emotional crises of a crew on the space station orbiting the fictional planet Solaris is much as strange and creepy as you might expect from the master Russian auter. I had wanted to watch this for a while so I bought the Criterion blu-ray and it’s just stunning. It’s clear to see the 2001: A Space Odyssey inspiration but Solaris is quite a different beast entirely. Jaws (1975) - 4/10 I really tried to get into this classic movie, but Jaws exhibits basically everything I don’t like about Steven Spielberg’s directing. For sure, the effects are crazily good but the story itself is poorly handled and largely uninteresting. It was just a massive slog to get through.

Darkman (1990) - 6/10 Sam Raimi’s superhero movie is so much fun, albeit massively stupid. Further discussion on Darkman can be found on episode 32 of The Sunday Movie Marathon podcast. Darkman II: The Return of Durant (1995) - 1/10 Abysmal. I forgot the movie as I watched it. This was part of a marathon my friends and I did for episode 32 of our podcast. Darkman III: Die Darkman Die (1996) - 1/10 Perhaps this trilogy is not so great after all. Only marginally better than Darkman II but still pretty terrible. More thoughts on episode 32 of my podcast. F For Fake (1973) - 8/10 Rewatching this proved to be a worthwhile decision. Albeit slightly boring, there’s no denying how crazy the story of this documentary about art forgers is. The standout however, is the director himself. Orson Welles makes a lot of this film about himself and how hot his girlfriend is and it is hilarious.

The Mitchells vs. The Machines (2021) - 4/10 More style over substance, Sony’s new animated adventure wants so much to be in trend with the current internet culture but it simply doesn’t understand what it’s emulating. There’s a nyan cat reference, for crying out loud. For every joke that works, there are about ten more that do not and were it not for the wonderful animation, it simply wouldn’t be getting so much praise. Taxi Driver (1976) - 10/10 The first movie I’ve seen in a cinema since 2020 and damn it was good to be back! I’ve already reviewed Taxi Driver in my March wrap-up but seeing it in the cinema was a real treat. Irreversible (2002) - 8/10 One of the most viscerally horrendous experiences I’ve ever had while watching a movie. I cannot believe a friend of mine gave me the DVD to watch. More thoughts on episode 32 of The Sunday Movie Marathon podcast. Don’t watch it with the family. The Golden Compass (2007) - 1/10 I had no recollection of this being as bad as it is. The Golden Compass is the definition of a factory mandated movie. Nothing it does on its own is worth any kind of merit. I would say, if you wanted an experience like what this tries to communicate, a better option by far is the BBC series, His Dark Materials. More of my thoughts can be found in the review I wrote on Letterboxd.

Antichrist (2009) - 8/10 Lars von Trier is nothing if not provocative and I can understand why someone would not like Antichrist, but I enjoyed it quite a lot. After watching it, I wrote a slightly disjointed summary of my interpretations of this highly metaphorical movie in the group chat, so fair warning for a bit of spoilers and graphic descriptions: It's like, the patriarchy, man! Oppression! Men are the rational thinkers with big brains and the women just cry and be emotional. So she's seen as crazy when she's smashing his cock and driving a drill through his leg to keep him weighted down. Like, how does he like it, ya know? So then she mutilates herself like she did with him and now they're both wounded, but the animals crowd around her (and the crow that he couldn't kill because it's Mother nature, not Father nature, duh). Then he kills her, even though she could've killed him loads of times but didn't. So it's like "haha big win for the man who was subjected to such horrific torture. Victory!" And then all the women with no faces come out of the woods because it's like a constant cycle. Manchester By The Sea (2016) - 6/10 Great performances in this super sad movie. I can’t say I got too much out of it though. Roar (1981) - 9/10 Watching Roar again was still as terrifying an experience as the first time. If you want to watch something that’s loose on plot with poor acting but with real big cats getting in the way of production and physically attacking people, look no further. This is the scariest movie I’ve ever seen because it’s all basically real. Cannot recommend it enough. Eyes Without A Face (1960) - 8/10 I’m glad I checked this old French movie out again. There’s a lot to marvel at in so many aspects, what with the premise itself - a mad surgeon taking the faces from unsuspecting women and transplanting them onto another - being incredibly unique for the time. Short, sweet and entertaining!

Se7en (1995) - 10/10 The first in a David Fincher marathon we did for The Sunday Movie Marathon, episode 33. Zodiac (2007) - 10/10 Second in the marathon, as it was getting late, we decided to watch half that evening and the last half on the following evening. Zodiac is a brilliant movie and you can hear more of my thoughts on the podcast (though I apologise; my audio is not the best in this episode). Gone Girl (2014) - 10/10 My favourite Fincher movie. More insights into this masterpiece in episode 33 of the podcast. Friends: The Reunion (2021) - 6/10 It was heartwarming to see the old actors for this great show together again. I talked about the Friends reunion film at length in episode 33 of my podcast.

Wolfwalkers (2020) - 10/10 I reviewed this in an earlier post but would like to reiterate just how wonderful Wolfwalkers is. If you get the chance, please see it in the cinema. I couldn’t stop crying from how beautiful it was. Raya and The Last Dragon (2021) - 6/10 After watching Wolfwalkers, I decided I didn’t want to go home. So I had lunch in town and booked a ticket for Disney’s Raya and The Last Dragon. A child was coughing directly behind me the entire time. Again, I reviewed this in an earlier post but generally it was decent but I have so many problems with the execution. The Princess Bride (1987) - 9/10 Clearly I underrated this the last time I watched it. The Princess Bride is warm and hilarious with some delightfully memorable characters. A real classic!

The Invisible Kid (1988) - 1/10 About as good as you’d expect a movie with that name to be, The Invisible Kid was a pick for The Sunday Movie Marathon podcast, the discussion for which you can listen to in episode 34. Babel (2006) - 9/10 The same night that I watched The Invisible Kid, I watched a masterful and dour drama from the director of Birdman and The Revenant. Babel calls back to an earlier movie of Iñárritu’s, called Amores Perros and as I was informed while we watched this for the podcast, it turns out Babel is part of a trilogy alongside the aforementioned film. More thoughts in episode 34 of the podcast. Snake Eyes (1998) - 1/10 After feeling thoroughly emotionally wiped out after Babel, we immediately watched another recommendation for the podcast: Snake Eyes, starring Nicolas Cage. This was a truly underwhelming experience and for more of a breakdown into what makes this movie so bad, you can listen to us talk about it on the podcast.

[shinidamachu]

If sunrise tried to emphasize the love triangle, they did a terrible job! 😂 Like you said, even with all the nuances, it was so clear to me at least that Inuyasha loved Kagome and felt incredible guilt over Kikyo. When I was watching the anime for the first time, my sister was like "oh yeah the love triangle is not really in the manga" and I'm like, "wait, there's a love triangle?" 😂 I just didn't get it. My love for the anime will never die though, that's just me.

This is the part where you all boo me because I confess that I'm not really against love triangles in general. I know it's overused, I know it can be frustrating and I understand if it's not for you. I, myself, have a couple of tropes I always try to avoid. But I never had a problem with love triangles.

It's the way they are portrayed and then solved that dictates if they did or did not work. And by "work" I don't mean "the couple I was rooting for became endgame." I mean "the love triangle was essential narratively and, as a result, who the characters ended up with made total sense with the story, developing and finishing their arcs in a way that feels organic rather than forced.”

In my opinion, the love triangle in Inuyasha felt flat because it wasn’t really necessary. It looked like its main purpose was to refrain Inuyasha and Kagome from being together romantically so they could milk the “will they, won’t they” suspense. And I get why. However, there were more substancial ways to do that.

We’re talking about an interracial pairing, from (literally) different worlds, in the middle of an universe saving journey. After a rocky start, they finally managed to become friends. Oh, and the girl is the reincarnation of the boy’s former lover. How aren’t these more than enough obstacles to keep them from pursuing a relationship?

Maybe Inuyasha wanted to protect Kagome from the consequences of dating a half demon. Maybe they didn’t want to start a relationship knowing their days were numbered, since they didn’t belong in each other’s era and would eventually have to part ways when the quest was over. Maybe the time wasn’t right because they had bigger priorities. Maybe they didn’t want to risk the friendship. Maybe they weren’t sure if Inuyasha was truly in love with Kagome or just projecting the feelings he once had for his deceased lover into her reincarnation. Maybe all of that. But each and every one of those reasons could have been explored without the love triangle. It wasn’t needed. 

Because ᴋɪᴋʏᴏ was essential to the story, but her ressurection wasn’t.

Now, if they were adamant about it even still, the least they could have done was to give ᴋɪᴋʏᴏ a fighting chance. If she had to come back, then Takahashi should have done it for real. No clay and graveyard soil body. Give me human, flesh and bones ᴋɪᴋʏᴏ. Give ɪɴᴜᴋɪᴋ an opportunity to truly try again, to sort out their issues, to actually be a “threat” to Inukag.

But with the way ᴋɪᴋʏᴏ was brought back, there were only two ways for ɪɴᴜᴋɪᴋ to happen. She either drags the main character back to hell with her like she first intended or they stay together even though she’s basically a walking doll and wasn’t supposed to be there. The audience knows neither one is really an viable option and therefore doesn’t expect it to happen, anyway. 

It was never a choice between Kagome and ᴋɪᴋʏᴏ. It was a choice between love and duty. Love and grief. Love and guilt. Guilt for not trusting ᴋɪᴋʏᴏ enough, for failing her. But also guilt for being happily in love with Kagome while ᴋɪᴋʏᴏ is all alone, feeling angry, miserable and betrayed. Kagome doesn’t understand that and jumps to conclusions. To her, it means Inuyasha still loves ᴋɪᴋʏᴏ. She feels hurt and we’re compelled to empathize with her pain, but her jealousy makes her biased.

Inuyasha and Kagome were always making progress, while Inuyasha and ᴋɪᴋʏᴏ froze in time. Even the major problems in the ɪɴᴜᴋɪᴋ relationship were “fixed” in Inukag. ᴋɪᴋʏᴏ wrongfully put an arrow through Inuyasha’s chest? Kagome was the one to pull it out. ᴋɪᴋʏᴏ didn’t trust Inuyasha enough? Kagome trusted him blindly. ᴋɪᴋʏᴏ suggested to get rid of Inuyasha’s demonic side? Kagome told and showed Inuyasha she liked him just the way he was. Inuyasha put ᴋɪᴋʏᴏ on a pedestal? With Kagome, he never had trouble acknowledging her flaws and loving her all the more for it.

I’m not saying Inukag is perfect. I’m saying they had their own issues because they had their own dynamic because Kagome is not ᴋɪᴋʏᴏ. The difference is that they worked very hard to solve them, while we never really saw ɪɴᴜᴋɪᴋ doing the same even though they desperately needed to. So Inukag had great development and a fleshed out relationship while ɪɴᴜᴋɪᴋ kept running in circles.

How many times did Inuyasha run off to be with ᴋɪᴋʏᴏ? And how many times did those meetings actually brought meaningful changes to the so called triangle? It was always the same: Inuyasha goes to ᴋɪᴋʏᴏ, Kagome gets hurt because of it, nothing substancial happens between Inuyasha and ᴋɪᴋʏᴏ, Inuyasha goes back to Kagome. Repeat. It gets old real fast and when we know that drill by heart it becomes boring at best and annoying at worst.

It doesn’t matter how many times they make other characters say that Inuyasha and ᴋɪᴋʏᴏ are in love or that Inuyasha wanted to protect ᴋɪᴋʏᴏ forever, when the narrative itself shows us a different story. There was nothing stopping Inuyasha from going to ᴋɪᴋʏᴏ and staying by her side, but he deliberately always chooses to go back to Kagome because she’s the one he’s truly in love with.

And so, not only it wouldn’t have made sense for ɪɴᴜᴋɪᴋ to end up together with the way their relationship was portrayed, but is unfair to ᴋɪᴋʏᴏ’s character to be used as a source of angst for the endgame couple, dragged into a love triangle that brings nothing to the table when she had great potential to be way more than that.

What did Inuyasha get out of it? Letting go of his guilt and grief to get closure? What did Kagome get out of it? Realization that she was her own person and had her own place inside his heart? I don’t see how the love triangle was imperative for any of that to happen. 

What did ᴋɪᴋʏᴏ get out of it? 10 seconds of being an ordinary woman in Inuyasha’s arms right before dying again? That’s why they dragged her out of her resting place? It was a beautiful scene and I understand the symbolism but it just didn’t feel worth it after everything she went through.

The thing she wanted the most in the world was to live as an ordinary woman. And since they brought her back, they should have granted her that even if it wasn’t with Inuyasha, instead of killing her off the second she finally got it.

[thinkingisadangerouspastime]

Hi, first off I ship Zutara and I come in peace. I was pointed your way by a friend when I asked for people who ship kataang who are nevertheless willing to hear different views. I have lurked on blog a week and finally got up my nerve to ask how you or any other Kataang can deny that the last part of book 3 was completely Zutara but then stopped abruptly with no buildup? You can finesse tone on text so I'm not being sarcastic or bitchy, it is a serious question (1/5)

In The Southern Raiders, Katara realizes she has been wrong about Zuko. In Ember Island Players, she realizes Aang is not as mature as she thought he was, and in the finale, Katara does not care a whit that Aang is gone. I am serious and as someone who is no Aang stan but likes him, I’m actually annoyed by how little anyone cared about his disappearance. It went from “Aang’s gone!” to “Okay whatever, let’s find Iroh so he can kill Ozai.” (2/5)

Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic. I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed. (4/5)

And then literally at the end, Mai shows up after Zuko not talking about her at all for six episodes and declares herself Zuko’s girlfriend. And Katara kisses Aang after being annoyed with and by him arguably since The Southern Raiders. I get that Kataang “won” and I’ve made peace with that, but ... I can’t understand why Kataang shippers are okay with such a crap story. I swear on my gmom [sic] if they’d done this for [Zvtara], I’d be mad as hell. So I don’t understand, I really don’t. (5/5)

As always, I shall begin with a disclaimer: anon, you do not have to agree with this post. No one has to agree with this post, as it is strictly my own thoughts on the subject matter raised here! As per usual, I will not be putting this in the main tags - much less the Zvtara tag! - because I have basic fandom decency, lmao. If you (the general you, not anon specifically) do disagree with this post, that is totally fine, I simply ask that you are polite in expressing your disagreement (if you choose to do so at all! no one is expected to, lmao. i promise).

Alright. Formalities are out of the way!

I’ll admit I giggled a little bit when you say you lurked on my blog for a week, because I’ve actually talked about this subject numerous times in the past! I just found it funny you hadn’t stumbled across any posts about it yet, lol. So, as a heads up, know that I will be providing several links in this post since - again - this subject and related subjects have been analyzed a multitude of times before. I highly recommend reading them all! Mostly because I don’t intend to spend forever restating what’s been said over and over and over lmaooo. I will provide the resources, but it is up to each individual to take advantage of them.

To begin: your ask actually contains a few logical fallacies, anon! I do not mean this as shade or to belittle you - I fall victim to this issue all the time myself. Anyone who writes analyses or participates in debates does! Humans are imperfect and often like to cut corners to reach a conclusion. It is nothing to be embarrassed or ashamed about because - as the existence of your ask in inbox indicates - you are willing to learn more. So kudos to you, my friend!

Alright. So what logical fallacies am I talking about here? (For the record: specific definitions of logical fallacies were taken from here.)

1. Hasty Generalization.

“A hasty generalization is a general statement without sufficient evidence to support it.” Numerous claims are made in this ask that I have absolutely no doubt you believe to be true, anon, but there really isn’t any concrete evidence to support it! I will go into more detail later, of course, but let’s quickly look at one example:

“In Ember Island Players, [Katara] realizes Aang is not as mature as she thought he was…”

For the time being, I will ask but one question: from the show itself, not fanon, how do you know this?

2. Causal Fallacy

Ah, this guy. My own worst enemy, tbh! “A causal fallacy is any logical breakdown when identifying a cause,” of which there are several types. “One causal fallacy is the false cause or non causa pro causa (‘not the-cause for a cause’) fallacy, which is when you conclude about a cause without enough evidence to do so.” In your ask, you claim:

“I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed.”

Again, for the time being, I will ask only one question: from the show itself, not fanon, what led you to believe this statement?

“Another kind of causal fallacy is the correlational fallacy also known as cum hoc ergo propter hoc (Lat., ‘with this therefore because of this’). This fallacy happens when you mistakenly interpret two things found together as being causally related.” In your ask, you claim:

“Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic.”

I will ask one question: from the show itself, not fanon, why would you believe these are indicative of romance? (Consider the context the show is situated in, too - e.g. the war, Katara being Azula’s only available match in skill, etc.)

The reason I bring up the issue of logical fallacies is again not at all to make you feel bad, anon!! You were simply trying to express your point to me and I greatly appreciate you taking the time to do so. See, your ask actually presents a larger fandom trend:

Misconstruing fanon as canon.

What you have offered to me, anon, are fanon conclusions. To clarify: there is absolutely nothing wrong with fanon. I adore fanon interpretations (an example I have used in the past is Kuzaang - like, I don’t care that there’s no canon basis! I do what I want lmao!), but a line has to be drawn between exploring fanon interpretations and expecting everyone to take that fanon as canon. Again, anon, this is not your fault! It is not any one person’s fault, lmao. It is an issue of fandom as a whole, and all of us fall victim to it.

With that in mind, I will break down the different components of your ask. I will also do my best to be brief - as aforementioned, I and others have analyzed this issue numerous times before, lmao. To avoid confusion, it would be best to read through each or at least most links as they are provided!

Firstly, there are two posts I have made in the past that almost directly answer your overarching question here in this ask. Please read them prior to continuing, as I will occasionally reference them:

This post explains how Zvtara was not built up from TSR/EIP-onwards, and how their supposed “canon enemies to lovers arc” is a completely fanon construction.

This post explains the issue of the “canon Zvtara” rhetoric from rabid zkers (and you, anon, are absolutely NOT one, in case you were worried).

Alrighty. With that out the way, let’s get into it!

“In The Southern Raiders, Katara realizes she has been wrong about Zuko.”

Gotta start by saying that TSR is not about Zuko. TSR is, first and foremost, about Katara. Katara does not realize she was wrong about Zuko, because here’s the truth - she wasn’t wrong about him. Zuko did horrible things to the Gaang. Katara was not wrong to hold him accountable for that. What Katara does realize is that holding such rage so close to her chest is bad for her. This rage was not solely anger against Zuko, either; it was of course about Yon Rha, too, but it was also anger towards Kya and Katara herself. Essentially, TSR is where Katara realizes she has to forgive herself. Zuko is only one part of her journey (similar to Aang’s role in the episode, if a different end of the spectrum).

This post explains how TSR was fundamentally about Katara.

Additional resources about TSR:

This post explains Aang’s comments to Katara in TSR and how Katara herself recognized their validity.

This post explains why both Aang and Zuko were important to Katara in TSR.

This post is an extensive breakdown of Aang and Katara’s relationship within TSR.

“In Ember Island Players, [Katara] realizes Aang is not as mature as she thought he was…”

You provide no context for this claim, so I’m going to work with the assumption this is about their reactions to the play itself and the infamous kiss!

There is something important we must keep in mind when discussing EIP: the play they watch is literally imperialist propaganda. It is meant to demean the entire Gaang, and indeed it does exactly that. You mention Katara and Aang specifically, so I will recap what I have explained before about their depictions in EIP: Katara, an indigenous woman, is hypersexualized and portrayed as overly emotional (and thus “irrational”). This reinforces the Fire Nation sentiment that women of the Water Tribes are less intelligent and less suited for “responsibility” than Fire Nation women. Aang, a pacifist and the sole survivor of genocide who is also canonly the male character most comfortable with femininity and spirituality, is portrayed as a flighty, airheaded woman (this is a well-known imperialist tactic meant to emasculate the target, seeing as masculinity was often equated with power in fascist regimes; thus, they effectively belittled Aang before the FN audience). This reinforces the Fire Nation sentiment that the Air Nomads were foolish, weak people who deserved to die.

In other words, of course Aang and Katara were upset about how they portrayed in the play. It is understandable that tensions would be running high and consequently that mistakes (we all know the one) would be made.

This post explains how EIP belittles each member of the Gaang (and why the play is not indicative of Zvtara).

This post talks specifically about EIP and their portrayal of Aang and Katara.

Now onto the kiss. As everyone knows and no one has ever disagreed with, Aang was wrong to kiss Katara. Point blank!

But what people do misunderstand is Katara and Aang’s feelings regarding the kiss. Given your above quote, I assume you believe Aang kissing Katara supposedly made her realize that Aang wasn’t as mature as she once thought. On the surface, this seems like a logical conclusion! But digging deeper reveals… well, there’s nothing that indicates this conclusion at all. Even jumping ahead to the finale, when Zuko has doubts over Aang’s return, Katara demonstrates her faith in Aang (although of course she’s nervous - I won’t deny the obvious, lmao) as she says, “Aang won’t lose. He’s gonna come back. He has to.”

In other words, nothing in canon suggests that Katara believes Aang is immature because of what happened in EIP. She still trusts in his return, as she did even before she knew him (and arguably is more confident in him now, given the 60~ episodes of them growing closer). Furthermore, when Aang does disappear, Katara doesn’t have an outburst about how “immature” it was for him to “run away again.” The viewers know Aang didn’t run away, of course (fans who insist he did are not worth arguing with, anon - they don’t understand the show, rip), but that is a luxury the rest of the Gaang is not afforded. And yet even though Aang has vanished off the face of the planet, Katara still believes he will save the world. If anything, that signifies the utmost confidence in his skill and maturity!

To go back to the kiss itself, this post explains the true source of Katara’s conflict in turning down Aang (hint: she says it herself in the episode! you know, the whole war going on) and why the EIP kiss did not sink Kataang’s relationship.

Additional sources about EIP:

This post explains how the EIP kiss was resolved through narrative parallels.

This post explains how the EIP kiss is so often blown out of proportion.

“… and in the finale, Katara does not care a whit that Aang is gone. I am serious and as someone who is no Aang stan but likes him, I’m actually annoyed by how little anyone cared about his disappearance. It went from ‘Aang’s gone!’ to ‘Okay whatever, let’s find Iroh so he can kill Ozai.’”

As I already touched upon, Katara didn’t need a soliloquy to emphasize her connection to Aang once he disappeared. She trusts that he will return. She says so herself. I guess I just don’t understand how you got from Point A, Katara has consistent faith in Aang, to Point B, Katara and the rest of the Gaang didn’t care about Aang’s disappearance. It’s honestly a bit more like Point A to Point Z, lmao! If you would like to expand on your logic here, I would love to hear more!!

There are a few specific aspects I want to note about your rationale, though. You argue the Gaang moves from ‘Aang disappeared’ to ‘let’s find Iroh,’ but the Gaang actually went from:

1. Aang disappeared!

2. They search the entire island for him.

3. Okay, they couldn’t find him, so they track down June and have her try to find Aang.

4. June says to them, “No, I mean he’s gone gone. He doesn’t exist.” (And she clarifies to Sokka that she doesn’t mean dead, either - she means Aang has totally blinked out of their world.)

5. Only after all of this do they decide to track down Iroh.

The Gaang cares immensely about the fact that Aang is gone, and you could actually argue they waste time by trying to track him down. They don’t give up until June essentially tells them that some Spirit World shenanigans were involved. Even if you don’t think they reached that specific conclusion, I have to ask: What else were they supposed to do? They were told Aang didn’t exist! How are they supposed to fix that?

Well, they can’t. So they do the next best thing: they find Iroh, the man who knows Ozai better than anyone and is also one of the most talented firebenders in the world. In my opinion, that’s a very logical step to take.

“Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic.”

I’ll be blunt here, lol: in my opinion, nothing of what you listed in your ask is inherently romantic.

Okay. I am going to assume you’ve read the first two posts I linked earlier (“Zvtara did not have an E-L arc” and “the ‘canon’ Zvtara of rabid zkers has issues”), because I do not intend to rehash everything they contain, lol. Consequently, I presume you realize by now that there was no canon romantic interest between Zuko and Katara.

And as I always say, just because there wasn’t a canon romance doesn’t mean people can’t take fanon routes! Of course they can! That’s the entire point of fanon! But fanon is not canon, and I am strictly referring to canon in my discussions.

You claim Katara was all over Zuko, which in itself I don’t think is an accurate assessment, because she doesn’t really do anything with Zuko outside the three points you bring up (other than the June gag, which I addressed in one of the aforementioned linked posts). So I’ll go ahead and break down each instance you provide!

1. “[Katara] was giving [Zuko] a pep talk about Iroh”

Katara asked Zuko if he was okay. She asked him if he was genuinely sorry. She reassures him that Iroh will forgive him. That’s… all. Not to diminish the significance of this conversation, but it’s not exactly an intimate, romantically-charged discussion (unless fanon-ized). But on that note, let’s tackle the canon significance of this moment!

Katara knows firsthand the challenge of forgiving Zuko. And she knows that Zuko understands how hard it was for her to forgive him (note: Katara’s anger was totally justified, and anyone who disagrees is probably a rabid Zuko stan lmao). She also recognizes that Zuko is terrified it will take Iroh the same struggle to forgive him that Katara went through. This scene is not related to romance at all. It’s about compassion. It’s about Katara and Zuko’s friendship having progressed, slowly but surely, to the point where she’s not afraid to extend empathy to him anymore (seeing as the first time, beneath Ba Sing Se, did not go so well; you know - Aang died and all). It’s about Zuko recognizing his own fallibility (and the audience recognizing how much he’s grown). He questions how he can even face his uncle after all he’s done to the man, which is a far cry from his entitled attitude in TSR, where he demanded to know why Katara didn’t trust him when everyone else had forgiven him.

To make this moment, this moment about Zuko’s relationship with his uncle who is all but a literal father to him, this moment of vulnerability, of guilt, of remorse, of growth, to claim this powerful moment is about a nonexistent romantic relationship? In my opinion, that is incredibly reductive to what this scene is supposed to signify. And again, there is nothing wrong with people exploring such a possibility in fanon, but in canon? Nah. It doesn’t track.

2. “[Katara] was going with [Zuko] to Azula”

Don’t forget that at first, Zuko planned to take on Azula alone. He doesn’t request Katara to accompany him until Iroh tells him that he’ll need help. As such, Zuko’s immediate agreement with Iroh is reflective of his personal growth (Book 1 and 2 Zuko would have argued and insisted he didn’t need any help). It also demonstrates, however, that Katara was not obsessively on Zuko’s mind. He doesn’t choose Katara until Iroh points out that Zuko will need assistance in taking Azula down. This means that Zuko’s choice of Katara to join him is a tactical decision, not an emotional one. And by all accounts, it’s a damn good decision! Zuko witnessed firsthand beneath Ba Sing Se a) how powerful Katara was (e.g. that wave after Aang died) and b) how Katara was the only one who could take on Azula*.

Of course, besides the fact that Katara was the only match for Azula, who else was Zuko going to choose? Sokka and Suki, while talented in their own right, were no competition for Azula. Toph, while the greatest earthbender in the world, was needed to metalbend the airships. Katara was the only (and the best!) option.

Also, on their trip to face Azula, the only thing they talk about within their three lines of canon conversation are Azula and Aang. Not exactly a romantic flight, lmao.

*Zuko never saw Aang fight Azula on the drill.

3. “[Katara] was healing [Zuko] and saying he saved her not the other way around”

Actually, this is what the transcript says:

Zuko: Thank you, Katara.

Katara: I think I’m the one who should be thanking you.

You’re right about how their lines refer to them saving each other, but you posit it as a romantic moment, when the lines are actually pretty straightforward. Zuko thanks Katara as she heals him from the partially-redirected lightning strike, and Katara thanks him for trying to redirect the lightning away from her and in doing so saving her life. In terms of canon, there’s nothing romantic about this, lol! (Which I talked about extensively in the E-L post, if you need to reference it again.) The reason being is that you have to take the show itself into context when you do analysis. If there was no canon romantic buildup between Zuko and Katara, why would these lines in canon (not fanon! fanon is free rein, lmao) be interpreted through a romantic lens?

Well, they wouldn’t be interpreted as such. Plain and simple.

“I genuinely don’t get why this isn’t seen as romantic.”

Because looking through a canon lens, they aren’t romantic. That’s all. You are of course welcome to view them as such through a fanon lens!! It’s just about recognizing the line between canon and fanon.

“I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed.”

I asked earlier what content in the show itself led you to believe. I have wracked my own mind, and I cannot think of anything that would point to this conclusion. Zuko was in Katara’s good graces for 5 episodes. That’s 8% of the show. Not exactly a lot of time for Zuko to start believing his life would be pointless if Katara was killed, is it?

This post explains the improbability of Zuko having a crush on Katara within canon.

This post explains how Zuko’s racism towards the Air Nomads in TSR and the finale is, well, exactly that - racism (and not a sign of a crush on Katara).

And, of course, as has been said a million times, Zuko taking the lightning for Katara out of romantic interest would completely undermine his redemption arc. Since it has been said over and over and over, I will be brief: Zuko taking the lightning is significant because it is a selfless act (one of his only in the series), and it directly parallels his selfish act of choosing not to intervene when Azula killed Aang with lightning beneath Ba Sing Se. This moment demonstrates Zuko’s growth, how he has learned to accept unconditional love from Iroh and the Gaang and Mai and even Ty Lee and sure, even from Appa and Momo, too. To make this moment of pure selflessness about a nonexistent romance? To force a fanon romance in replacement of canon redemption and canon platonic significance?

Such a decision speaks wonders about a person’s priorities, in my opinion, as well as how amatonormativity impacts them.

Furthermore, Zuko’s choice cements Katara’s position as his surrogate sibling, as she is Azula’s primary foil. Zuko chooses the sister who heals over the sister who harms. I won’t go too much into it here, because it has already been talked about extensively before! Thus, I offer you this post that explains how Zuko and Katara - in canon - are positioned as surrogate siblings as well as Azula’s role in this matter. I also offer this post that lays out through screencaps how Zuko and Katara - in canon - treat each other like family.

Additional sources about the final Agni Kai:

This post in part discusses fanon misinterpretation of the final Agni Kai and why such a lens is not true to canon relationships.

This post explains why the final Agni Kai is not intended to be romantic.

This post explains how the final Agni Kai is primarily about Azula and how reducing it to be a big Zvtara moment is detrimental to both her and to Zuko and Katara themselves.

“And then literally at the end, Mai shows up after Zuko not talking about her at all for six episodes and declares herself Zuko’s girlfriend.”

This point could probably get a post of its own, lol, but fortunately I and others have already written a few! I will link them below - first, however, I question your choice of “declares.” Technically, yes, Mai does say outright that it doesn’t hurt how the new Fire Lord is her boyfriend, but your phrasing implies Zuko resisted her proclamation. When… he doesn’t. In fact, he embraces it, asking if that means she doesn’t hate him anymore (read: he asks if they’re back on good terms again). Zuko clearly doesn’t have a problem with the girl he loves wanting to be with him again - so why do some parts of fandom so adamantly insist he does? (Not you, anon - I am referring to the rabid fanoners, lol.)

Also, regarding how Zuko hasn’t talked about Mai for six episodes, we’ve gotta be realistic with this assessment in terms of canon:

1. It was the crux of the war. They were either going to live or die. There was no time for romance at this point! Sokka and Suki weren’t professing their love on the battlefield, lmao, so it’s not exactly strange that Zuko didn’t bust into a monologue about how he missed Mai. I think they were just a little bit distracted by the possible end of the world, lol, and all that jazz.

2. Zuko probably thought Mai was dead. He knows what Azula is like. He knows his sister doesn’t have time for people who get in her way (Aang can testify to this, lmao). So can you blame him for not wanting to think about how the girl he loved had died (to his knowledge) to save him?

You gotta cut the kid some slack, lol. Anyways! Additional sources about Maiko:

This post breaks down the notion of Maiko and “deserve.”

This post rationalizes through a canon lens why Mai’s arrival at the palace surprised Zuko.

This post is the mother of Maiko metas, explaining in tremendous detail why their relationships works, is relevant to canon, and was well-implemented for what its role was.

“And Katara kisses Aang after being annoyed with and by him arguably since The Southern Raiders.”

What in canon has led you to the conclusion that Katara was annoyed with Aang? What specific moments from TSR to the finale made you think Katara was annoyed with Aang and remained annoyed with Aang? Are there any, or are you thinking about fanon interpretation? (Canon vs fanon strikes again!)

In TSR, Katara explicitly thanks Aang for understanding her perspective. Nothing there is indicative of annoyance (and as in the links provided earlier, she was not angry at Aang/Zuko/etc. so much as she was at herself. well, she was a little bit angry with Zuko, lmao). In EIP, Katara is understandably angry at Aang’s decision to kiss her, but Aang completely backs off, and we see in the part 1 of the finale that there are no hard feelings or weird tension between them. Katara in fact actively expresses concern for Aang after Zuko sporadically attacked him when she demands of the firebender, “What’s wrong with you? You could have hurt Aang!” Even when Aang and Katara do butt heads later in the episode as Aang tries to think of a way to defeat Ozai without killing him, Katara doesn’t stay frustrated. Like I said - when she and Zuko are flying to Azula, she demonstrates her unwavering faith in Aang through her belief that he will return. So… where is the annoyance that you feel was present?

With all this mind, i.e. looking strictly at canon, Katara wasn’t annoyed with Aang during this time. Thus, Katara kisses Aang because she loved him. Because he backed off and gave her the space she needed to make a decision about if she wanted to be with him (hence Katara being the one to initiate the kiss). Because the issue was never about if she reciprocated his feelings (they both knew they loved each other) but rather it had to do with the war. At the end of the finale, the war is over, and there is nothing that prevents them from being together. Simple.

This post explains how Katara’s feelings for Aang develop throughout the series (and were not neglected, as rabid zkers like to claim, for some reason? again - you are not one of them, anon).

This post also covers Katara’s interest in Aang throughout the series.

“I can’t understand why Kataang shippers are okay with such a crap story.”

I mean, you definitely don’t have to ship Kataang. It may not be your cup of tea, and that’s totally okay! But as the above links demonstrate, Kataang was a fantastic story. It was well-implemented into the narrative from Day 1. The soulmateism is unparalleled!

Also, it’s worth noting that A:TLA itself was essentially pre-written. The writers knew how the story would end from the get-go, including that the show would end with Kataang. A few Zvtara gags were thrown in to add a sense of “who will Katara choose?” drama as the show aired, but Zuko and Katara were never planned to end up together. One reason so many newer fans are fine with Kataang from the start is that there’s no tension of waiting a week for a new episode when you can watch all 61 episodes straight through on Netflix, lmao. It’s even more obvious now than when A:TLA was airing that Aang and Katara will end up together, if that makes sense. (Although I talked about this in the E-L post linked earlier, so you probably understand this point already, as it was explained in detail there!)

All of this is to say that Kataang is not a “crap story” in terms of writing (again, personal taste is a different matter) because it was woven in from the beginning and had powerful narrative significance! (Kataang represented numerous complementary components of the series, such as yin and yang, push and pull, air and water, Oma and Shu, etc.)

Now. If you really and truly want to understand why Kataang shippers like Kataang, anon, consider reading some Kataang fanfics or exploring some Kataang headcanons. I read fics involving Zvtara more regularly than you might think, lol, because… well, it’s just a ship. I understand the appeal of romantic Zvtara and I can actually appreciate it when it’s well-written! I’m sure if you’re willing to put in just a little legwork (you don’t need to go the whole mile, lmao - ‘tis just fandom), you’ll realize why people like Kataang, even if it isn’t exactly your thing. You have the range, anon!! You got this!

I hope I managed to answer your questions, my friend! As always, you do not have to agree with anything I have said here. It is totally fine if you and anyone else disagrees! Everything above is simply my own perspective on the matter. Thank you for taking the time to read my response and all the different links I provided! I hope it has expanded your understanding of the subject at hand!

[firelxdykatara]

gods, ok, apparently i’m not done.

atla fandom? we need to have a chat.

(....ok that made me sound pretentious as fuck. and maybe i am, but this needs to be said, cause i’m getting....real, real tired of a Certain Corner of this fandom and as a result, this is gonna be a discourse-heavy post so feel free to scroll past if that’s not your bag. as always, my salt posts all carry the catch-all #salt for ts tag, which you’re free to blacklist/filter at your leisure. i’m Very Annoyed at the moment, which will probably come through in the following post, so just. yknow. be prepared for that. or ignore it, that’s perfectly valid too.)

under a cut bc i do care for my followers and their sanity i swear lmao

there’s a real serious issue in this fandom with not understanding what queer terminology actually means or implies, especially when applied to a fictional narrative.

i’m specifically talking about ‘coding’, here. (if i were in a more meme-y mood, i might have said ‘the atla fandom found out about the term “gay-coding” and haven’t shut up since’.)

to the people who say ‘zuko is gay-coded’, i have this to say: you keep using that word. i do not think it means what you think it means. because he isn’t. i’m sorry, but he’s not! and the fact that this is such a prevalent claim in this fandom is distressing, bc it says to me that none of y’all know what gay-coding is or when and how to apply it! please, i’m begging you, go and look up these terms and what they mean and when they should be used before actually trying to plug them into your critical analysis, because when you misuse them and then call other people delusional for disagreeing with you it casts a pall over the entire fandom and is, i think, the root of some of the worst toxicity this fandom has to offer.

and the thing is, there are cases where gay-coding would apply--for instance, a couple series that are famous for queerbaiting their audience by coding their main characters as being attracted to one another (sometimes even despite their openly stated sexualities) come to mind, but those shows bare no similarities at all to atla and how zuko was written and portrayed! (and it would be funny, if it weren’t so obnoxious and infuriatingly wide-spread throughout the fandom, because the only queer couple we actually seen on-screen in either show wasn’t even queer-coded in any respect, and they’re canonically bi! [yes, i’m shading korrasami, or more accurately i’m shading bryke for refusing to give ka the build-up and development they deserved].)

this absolutely isn’t to say that headcanoning zuko as gay is a bad thing or invalid in any respect. (although the tendency for zukka shippers to do this specifically to keep zuko away from katara and/or invalidate his canon relationship/attraction to girls is more than a little eyebrow raising. especially since sokka is usually allowed to be bi, bc fans have no problem letting sukka stay in the background bc it’s no real threat, while jetko shippers are happy to have both boys be bi. [possibly bc katara is less a threat to jetko bc jetkotara is every bit as valid as any single ship between the three, but zukka can’t exactly let katara join in, and if the potential exists for zuko to be attracted to her then canon giving them the far deeper emotional bond becomes a threat to zukka’s existence? idk for sure--you be the judge.]) i prefer to hc zuko as bi (and always have, long before the atla renaissance), bc i don’t think zuko being attracted to boys is outside the realm of possibility, and it isn’t a threat to my ship since zuko&katara had a deep and emotional bond in canon that is very easy to develop further into something that becomes explicitly romantic--but the headcanon itself isn’t really the problem (although what it’s often in service to can be).

it’s the strange insistence that this is the only way to read his character, bc he was coded that way and so anyone who doesn’t see it must be too straight to understand--and i really shouldn’t have to say why and how that is so incredibly fucking insulting. (the ‘hetero lenses’ comment wasn’t cute when it came from bryke six years ago, and the same sentiment being repackaged and delivered by zukka shippers ain’t cute now.)

calling zuko gay-coded not only demonstrates ignorance as to what the term actually means, and how to usefully apply it in critical analysis, but also validates the frankly bullshit insertion of institutionalized homophobia in the world of atla where it was neither needed, nor wanted, nor ever hinted at in canon. as a queer woman i’m still infuriated by one fucking comic panel shoving institutionalized and systemic homophobia into a world where it was entirely unnecessary (and doing this in the first installment of the franchise showcasing a queer relationship??? making korra and asami worried about ‘coming out’ when they could have just gone on to have cute adventures together and tell people ‘hey we’re dating’ and have everyone else be ‘that’s awesome =DDD’ [because it is, in fact, possible to just have a world without homophobia i promise!!!!!] double yikes, i’m still pissed at bryke about it), and i doubly hate that ‘zuko is gay coded’ has become so widespread that ‘ozai hates him bc he’s gay’ has become a staple in that part of the fandom.

not only does making zuko gay and implying (or outright stating) that ozai hated and abused him because of it completely undermine zuko’s character arc by making his abuse about his sexuality rather than ozai’s toxic pride and anger at seeing himself reflected in his ‘weak’ son, but it comes very close to outright stating that abuse and trauma are inherently gay experiences, and they aren’t!!! they really aren’t, i promise!!!

abuse and trauma narratives exist outside of ‘my dad hates me because i’m gay’. and, quite frankly, there are MORE THAN ENOUGH queer trauma narratives out in the world. we do not need to start trying to retroactively make them canon in a series where they didn’t exist! if you’re gay and see yourself in zuko and project your own experiences on him, that’s understandable and valid. that does not make zuko gay-coded. and honestly, the insistence that he is makes very little sense to me, because you’re essentially trying to give the show credit for work you put into interpreting the characters! why would you want to do that? why not own your own headcanons and take credit for them, rather than insisting they are canon and everyone else is wrong for not seeing them??? like, i’ve said before that i’ve always headcanoned zuko (and katara) as bi, and even support it with my interpretations of evidence from the show, but the difference between ‘i think zuko is bi’ and ‘zuko is definitely gay-coded’ is that i know that bi zuko is my interpretation of canon, and that it is work i’m putting into the show that wasn’t actually intended by the creators/writers, no matter how much sexual tension i read into the jetko swordfight.

and like, zuko’s character arc doesn’t actually parallel a queer one all that well to begin with. it’s easy enough to do the work and twist it sideways just enough to make the general points fit, but the fact is, zuko’s arc is not one of self-discovery. it’s not one of coming to understand something fundamental about himself that he can’t change, that he was hated for, and coming out to his father in a dramatic confrontation where he shows that he understands himself and doesn’t need his father’s acceptance to be fulfilled.

zuko’s arc is actually one of trauma and healing. and those can (and often are--like i said, there are more than enough queer trauma narratives in the world, atla really doesn’t need to be one of them) be part of queer narratives, for sure! but they aren’t uniquely queer. and zuko’s confrontation with ozai during the eclipse doesn’t read like a ‘coming out’ at all. (yes, i’ve seen that post. yes, i rolled my eyes and moved on, bc unlike some people, i’m capable of not clowning on correctly tagged posts i disagree with.) zuko is specifically confronting ozai over his abuse, because his arc wasn’t about discovering anything fundamental about himself (and therefore realizing that ozai was hating him for something he couldn’t change)--it was about realizing that he was not at fault for the way his father treated him. it was also about realizing that the fire nation was broken and corrupt at its core, and that his father was an aspect of that he needed to break away from so that he could help the world begin to heal.

he says it himself:

Zuko: No, I've learned everything! And I've had to learn it on my own! Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the War was our way of sharing our greatness with the rest of the world. What an amazing lie that was. The people of the world are terrified by the Fire Nation. They don't see our greatness. They hate us! And we deserve it! We've created an era of fear in the world. And if we don't want the world to destroy itself, we need to replace it with an era of peace and kindness.

making this about zuko being gay and rejecting ozai’s homophobia, rather than zuko learning fundamental truths about the world and about his home and about how there was something deeply wrong with his nation that needed to be fixed in order for the world to heal (and, no, ‘homophobia’ is not the answer to ‘what is wrong with the fire nation’, i’m still fucking pissed at bryke about that), misses the entire point of his character arc. this is the culmination of zuko realizing that he should never have had to earn his father’s love, because that should have been unconditional from the start. this is zuko realizing that he was not at fault for his father’s abuse--that speaking out of turn in a war meeting in no way justified fighting a duel with a child.

is that first realization (that a parent’s love should be unconditional, and if it isn’t, then that is the parent’s fault and not the child’s) something that queer kids in homophobic households/families can relate to? of course it is. but it’s also something that every other abused kid, straight kids and even queer kids who were abused for other reasons before they even knew they were anything other than cishet, can relate to as well. in that respect, it is not a uniquely queer experience, nor is it a uniquely queer story, and zuko not being attracted to girls (which is what a lot of it seems to boil down to, at the end of the day--cutting down zuko’s potential ships so that only zukka and a few far more niche ships are left standing) is not necessary to his character arc. nor does it particularly make sense.

(and before anyone brings up his date with jin--a) he enjoyed it when she kissed him, and b) he was a traumatized, abused child going out on a first date. of course he was fucking awkward. have you ever met a teenage boy????)

anyway, uh, that was a lot of words, so have a tl;dr: zuko is not gay-coded. there is nothing uniquely gay (or even uniquely queer) about his character arc or characterization, and he was certainly not coded gay in an attempt to sneak a queer character past the censors. if anyone involved with atla was gonna try that, it would’ve been in lok, and as established, they didn’t even manage to queer-code the actual queer relationship before the last few minutes of the final episode. headcanoning zuko as gay is absolutely fine (though if it’s only done to keep him away from female characters he may otherwise be attracted to, that smells more like misogyny than anything else), but insisting that this reading is the only one that makes sense, and anyone who doesn’t agree must be straight (hello, queer woman here making this insanely long thinkpiece) is very much not.

ship what you like, but stop trying to invalidate other ships and other interpretations of characters just to make your ship seem more plausible. it’s really not a good look.

[ashdumpsterpile]

Ohmygod YES Susan Pevensie is awesome please talk to me about Susan i want to know everything you have to say

Literally THANK YOU for asking me this bc Susan Pevensie is a character I never get asked about and I have So Many Opinions.

I'm going to start by saying that Susan used to be my least favorite character in the series. This goes for the books and the movies. Some of it was for personal reasons--she reminds me of a couple of annoying ppl I know irl--but it was also bc I watched Prince Caspian which shoehorned her into a relationship with Caspian which I hated.

HOWEVER. I ended up rethinking this position after interacting with Susan fans and realizing that there are so many wonderful things to love about her!

(putting under the cut bc this got long)

Things Ash Loves About Susan Pevensie

Aight I'm not going to do a formal analysis yet on her, but instead rant about some of the unrelated things I adore about Susan Pevensie.

Susan the Archer

Look we all love archery here. I don't have anything more to say.

Okay, I actually do have more to say. I love the fact that Susan is a complete badass with the bow. You get the general impression that she's one of the royals in charge of public relations, traditions, foreign policy, etc. and yet she's the most competent archer in the series. One of the few things I liked about the movies is how they didn't downplay this. They actually let her be a badass and show off her skills.

Also the part where she kicks Trumpkin's ass was awesome.

Susan the Gentle

Susan being the most passive Pevensie was something I definitely underappreciated as a teenager. I think my non-ability to see past "I'm not like other girls" narrative and the combination of Susan being described as the most traditionally feminine woman in the Narnia series is what initially turned me off from her.

HOWEVER, now it's one of my favorite attributes! I love that Susan is a badass and the most beautiful woman in Narnia. She has hair down to her feet, every man and woman in the kingdom want to fuck her, and she's still a fucking badass who will not hesitate to kick your ass.

Susan the Sister

Most of my thoughts of Susan as an older sister mostly stem from my own personal headcanons, but she is an awesome sister to her siblings. She's Peter's voice of reason, Edmund's sass partner, and Lucy's big sister.

Susan the Mom-Friend

She is a literal mother-figure for Corin.

"[...] the most beautiful lady he had ever seen rose from her place and threw her arms round him and kissed him, saying: "Oh Corin, Corin, how could you? And thou and I such close friends ever since thy mother died. [...]"

-The Horse and His Boy, 33-34

Most everything I have to say about this ventures into headcanon territory, but I love the idea of Susan basically adopting Corin after his mom dies. The way she trusts Cor--who she thinks is Corin in this chapter--is really sweet and I wish we could've seen more of that relationship.

Susan the Flawed

Something I notice from the fandom is a lot of people who hate Susan tend to because of her flaws. On the other hand, most Susan stans like to wave away these flaws and blame C.S. Lewis for being misogynistic or Aslan for being a "cruel god" and ignore the fact that she is a deeply flawed person.

Susan gets something of a "reverse redemption arc" in The Chronicles of Narnia. This makes her not only a fascinating foil to Edmund--as both are analytical, logical people--but an interesting character by herself.

She starts out in TWW as very skeptical of Narnia and it's whole deal and also very condescending to Lucy throughout. She ultimately does admit that Lucy was right and does get on board with the whole prophecy at the same time Peter does, and ends the book being crowned "the Gentle Queen."

In The Horse and His Boy, she has a very interesting dynamic with Edmund and in even more interesting relationship with Rabadash. They don't even interact on-page with each other, but it's highly implied that she was interested in him when he was a guest in Narnia. His behavior obviously changed when she visited him in Tashbaan, but you have to wonder what their dynamic was like before for her to travel all the way to his home when relations between the countries were strained at best.

Prince Caspian is where the cracks start showing through. Susan has lived an entire life as an adult in Narnia, gets thrown back to England with her siblings, and is yet again in Narnia as a child. This book is what really emphasizes her one fatal flaw: convenience.

(Put a pin in that thought, I'll get back to it.)

Susan denies once again that Lucy saw something that the rest of them can't seen. She continues this narrative until every other sibling finally acknowledges Lucy in the right and only then does she apologize.

The last mention of Susan is in The Last Battle, where all of her flaws rise up against her in the worst way possible. I have a lot of controversial opinions on this that I'm going to address later, but I just want to say that Susan's reverse-redemption arc is something I actually like about her.

(There is also evidence that Susan does get a full redemption arc, just as Edmund and Eustace did, but C.S. Lewis was pretty much done with The Chronicles of Narnia at the point and instead encouraged fans to write their own version of how that went down.)

Okay, back to convenience being Susan's fatal flaw. So the one thing that comes up time and time again in the series is that Susan is very focused on material comforts. I believe it's implied that she's vain, and it's canonical that her own personal comfort spurs her to make decisions.

"[...] I really believed it was him — he, I mean — yesterday. When he warned us not to go down to the fir wood. And I really believed it was him tonight, when you woke us up. I mean, deep down inside. Or I could have, if I'd let myself. But I just wanted to get out of the woods and — and — oh, I don't know [...]"

Prince Caspian, 81

Prince Caspian has the strongest examples of Susan doing this, but certainly there's evidence elsewhere. There are a lot of fans who are distressed by this, claiming that Aslan and the others are too hard on her and shouldn't judge.

Honestly, I like that she's written with this flaw. Not only is it very relatable--(my own personal comfort and convenience is something I highly prioritize too)--but it humanizes a character who otherwise is ridiculously op and basically the Helen of Troy of the series. It may sound like I'm using this as an excuse to rant, but I really wouldn't have her any other way.

Susan As Portrayed by Anna Popplewell

Movie!Susan is a fucking delight.

She's sarcastic and badass and awesome and I could spend hours heaping praise on Anna's acting and her portrayal of Susan, but I can already tell that this post is going to be long so, I'll just stop here.

(10/10 want to be stabbed by her tho.)

Personal Headcanons

Let's talk about my fanon thoughts. I have many.

Susan is Aro

There's canonical evidence for this! Susan is a character who is heavily pursued by suitors everywhere, and even lets herself be courted by many of them, but chooses not to settle down. Even when she gets back to England and is described as only having interest in parties and material things, boys aren't mentioned.

I like to think that in The Horse in His Boy Susan was interested in Rabadash at first because he was a brilliant conversationalist. Nothing she says about him implies romantic interest, before and after she realizes the truth of his intentions.

Susan and Edmund Were Best Friends

This might be my love for The Horse and His Boy showing itself, but I think Susan and Edmund were thrown into circumstances where they interacted the most with each other.

Edmund is the ruler in charge of politics. Susan is the ruler in charge of Cair Paravel's public image. I imagine they spent time as ambassadors to other countries and planning royal functions.

They're also the most level-headed and logical out of their siblings, so they probably found a lot in common.

Susan Fancast

I literally just said I loved Anna's potrayal of Susan's (and I love what they gave us of older Susan too in LWW!), but I read the books in 2008 and my parents didn't let me see the movies bc I was like...nine years old and they thought it would be too scary.

So I had to headcanon my own interpretations.

Queen Susan the Gentle:

For some reason Merlin wasn't too scary for me to watch and I fell in love with Katie McGrath in like. Two episodes so. (On an unrelated note, I also fancast Bradley James as Peter at the time.)

Anyway, fanon Susan is basically Morgana Pendragon pre-evil arc. Sassy as hell, hot as fuck, and can kick your ass.

Unpopular Opinions

Yeah, feel free to skip this part if having controversial fandom opinions is a deal breaker for you.

The Problem With Susan Isn't Actually A Problem

I'm about to start so much discourse in the Narnia fandom, but C.S. Lewis's choices with her in The Last Battle weren't misogynistic. Bear in mind, I'm not saying that all of his writing choices in the series were A++ or excusing away certain racist/sexiest bits, but it's honestly baffling to me that people are so up in arms over Susan's exclusion in the final book.

So the part that everyone loses their shit over is as follows:

"My sister Susan," answered Peter shortly and gravely, "is no longer a friend of Narnia."

"Yes," said Eustace, "and whenever you've tried to get her to come and talk about Narnia or do anything about Narnia, she says 'What wonderful memories you have! Fancy your still thinking about all those funny games we used to play when we were children.'"

"Oh Susan!" said Jill, "she's interested in nothing now-a-days except nylons and lipstick and invitations. She always was a jolly sight too keen on being grown-up."

"Grown-up, indeed," said the Lady Polly. "I wish she would grow up. She wasted all her school time wanting to be the age she is now, and she'll waste all the rest of her life trying to stay that age. Her whole idea is to race on to the silliest time of one's life as quick as she can and then stop there as long as she can."

The Last Battle, 83-84

There's a lot to unpack here and I first want to say that everyone's opinion on this part, no matter how different than mine, is valid. I'm going to be quoting some other ppl's opinions on here and by no means am I bashing them. I just want to address my feelings on the matter and the best way to do that is to cite the thoughts of ppl who have opposing ideas.

Here are some arguments on Tumblr I've heard regarding "The Problem of Susan":

"How about we talk about what might have happened if Narnia hadn't deserted Susan? [...] What if we didn't tell Susan she had to go grow up in her own world and then shame and punish her for doing just that? She was told to walk away and she went. She did not try to stay a child all her life, wishing for something she had been told she couldn't have again."

"Narnia is filled with metaphors (often not very subtle ones) that are supposed to teach us how to be, and the most glaring one for any young girl to absorb is that it's okay to be a girl like Lucy, unthreatening and cheerful and valiant and faithful, but to be a girl like Susan gets you punished - in fact, you aren't just punished, you're destroyed."

"why do we call it ‘the problem’ where’s the problem about a young woman dealing with her trauma and choosing her own path, actively making the choice to keep living and to stay and to carve a life out in England when her siblings couldn’t? what is the problem about susan forgetting to somehow cope with what she’s experienced? why is it ‘the problem of susan’ that she recontextualised her faith?"

And then there's JK Rowling who said this:

There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She's become irreligious basically because she found sex. I have a big problem with that.

It's weird how I'm still finding new ways to hate JKR in the year 2021. Again, there is absolutely zero implication that Susan had sex when she came back to England. ZERO. Did she actually read the books? IDK. If someone shares this opinion pls reply with actual canonical evidence.

Back on topic, I'm a firm believer of death of the author and interpreting art via your own experiences. Which is why I'm also going to share my own interpretation by saying y'all are wrong.

Susan Pevensie was not abandoned by Narnia. She was not barred from Narnia because she is traditionally feminine or because she "owned her sexuality" (another opinion I didn't have time to condense down for this post) or because she recontextualized her faith or even because she deserved to be punished.

I also fail to see how Susan recontexualized her faith, as the entire point of it all is that she has none. Bringing this back to Susan's fatal flaw (personal convenience/material comforts), her prioritizing herself over her own faith is the reason she is "no longer a friend of Narnia." Not...whatever fanon y'all are imposing on her character.

Susan is not being punished for liking lipstick and looking pretty. Susan's not even being punished. Y'all read Neil Gaiman's The Problem of Susan and forgot it wasn't canon.

There are many reasons Susan is not in Aslan's Country (one of them being that she's not actually dead yet), but the main one has to do with this:

"[...] But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”

Voyage of the Dawn Treader, 215-216

Yeah, okay that's why Susan is no longer a friend of Narnia. The implication when the Pevensies are told that they can no longer enter Narnia is that they are to find Aslan in other places. Susan doesn't do this, instead choosing to focus her life on material things. It isn't the lipstick, it's that she only wants the lipstick.

Susan Had Sex In The Books

Oh and not in the context y'all are thinking. (Again, there are no implications that Susan was barred from Narnia for having sex or that she had sex when she came back to England.)

So there's actual canonical evidence that Susan and Rabadash had a sexual relationship. Sort of.

"What think you? We have been in this city fully three weeks. Have you yet settled in your mind whether you will marry this dark-faced lover of yours, this Prince Rabadash, or no?"

-The Horse and His Boy, 35

Edmund calls Rabadash her lover. Not her suitor. I don't know if the word had a different meaning in 1954, but it feels like C.S. Lewis is saying that they're fucking. I'm not really happy with the idea of Susan sleeping with an abuser, but really proud of her for Getting Some as a woman born in a time period where having premarital sex was a big no-no.

This also invalidates the weird opinion going on that Susan was barred from Narnia because she had sex.

Suspian Is The Worst

I haven't really talked about Movie!Susan much, but as long as we're talking unpopular opinions, it's worth noting that I hate Suspian. Some of it is the "Susan is Aro" headcanon screaming inside of me, but it's also the fact that it's written poorly, does nothing interesting for either character and generally comes across as awkward.

I feel like they were trying to make Prince Caspian sexy and relevant to teens. It came across as super heteronormative and unnecessary.

It also gets really really weird bc the next movie then gives Caspian and Edmund mad chemistry and we're all just like........ok.

Final Thoughts

Susan may not be my favorite character in the series, but she's grown on me over the years. I have many issues with fanon interpretations of her--which definately fueled some of my disdain for her initally--and I don't identify as a Susan Apologist.

I do however adore Susan and have many headcanons for her not mentioned here. I love reading fanfic, writing fanfic and meta, and generally having conversations about her and would love to talk more about it.

I welcome criticism (CONSTRUCTIVE) and conversation on all of my opinions and observations. Please drop into my inbox. <3

[nobodycallsmerae]

Hello, Hello!

Soo, a few days back, I had shared a post asking for some BBRae AU fanfiction recommendations, so, let's put the fact aside that it didn't really help... but now, I'm here to share some stories that I've read, and I recommend reading!

So, this list only consists of AU (Alternate Universe) stories where they aren't superheroes, so you can skip it if you want ^^

So... I won't rank them, because I think every story is amazing, (and I'm pretty easy to please,) so, I'm just assorting them as I keep collecting the links :) Also, I'll try my best to review the stories without giving away any spoilers...

Firstly, there are too many good fics to count, but here I am mentioning the ones which stood up in my mental folder. (Also, it only includes completed stories.)

This list includes all types of stories, high school, co-workers, roommates and all... the ratings are between T-M.

(Links lead to stories on Fanfiction.net.)

The Butterfly Effect -by Light NS | Rated M for semi-sexually explicit material and topics of depression and suicide.

This story definitely comes in my top-5 list blindly, and it deserves so much more! The story is about Gar and Raven, who are adults now... and let's just say there are far too many coincidences in this one! It's a lovely story with also a healthy amount of tension... because, I personally believe it can't be BBRae without some arguments *shruggs*. You should definitely check it out if you haven't already!!

Broken -by LightNS | Rated T

Oofff... okay, so this story is actually one of the first BBRae stories I've read and it's really close to my heart...

First of all, I want to say that the characters in this story are freakishly accurate. I mean, the personalities are on-point. In this story, the Titans are high schoolers, but this isn't exactly a high school romance kinda book. To be honest, this isn't exactly a romance book..(?) It's more like an action/thriller... And... it isn't heavily a BBRae book... I mean, yeah, it is based on those two characters, and Gar spends most of his time crushing on her... but, y'know, it's a book that shows both of them growing... and learning about each other -and themselves.

The writer does an amazing job to portray the character's feelings and personalities, and I'm sure her writing won't disappoint you.

The only drawback this story has is... well, it has a discontinued sequel named "Glass", so, it's kinda sad that, I mean, I've fallen in love with those characters... but, they don't really have a happy ending soo…

This writer is also on Tumblr, @lightns881 , so you can also visit her blog and support her!

By the way, there're also really great BBRae communities to be found on Fanfiction.net and you can check them out for more fun stuff to read. The ones I thoroughly recommend are:

"Best Of BBRae" which basically has all the goodness, IU and AU (but, it's a bit old so... you might not see newer fics there.); and

"Best Of BBRae AU's" which is a collection of one of the best AU stories.

Moving on...

Everything Has Changed -by Chibi 1309 | Rated M for Mature themes and language.

This story also comes in my beloved top-5 list!!

I don't really know what to say about this story without ruining it, but if you're on the lookout for an adult Titans BBRae fic, this is definitely your stop. Well, let me just say that, Gar and Rachel are best friends, a troupe I personally adore, and they live together in an apartment in Jump City.

This story has a lot... I mean, A LOT of feels, and the writer... *chef kiss* She really knows what she's doing. May it be the setting, the characters, the emotions... the author could deliver it wonderfully.

It also has a lot of other Titan members, so I like the fact that it also gives us an insight on what's going on in their lives too, rather than just Gar and Rachel.

Hands up in surrender, I won't say anything else, because I don't trust my mouth (or fingers), but this work is definitely a must read.

"Spy vs Spy" by Caitastrophe8499 | Rated M for mature themes, violence, and adult situations.

This... is a masterpiece people. You should definitely read it... like RIGHT NOW!

In this story, Gar and Rae are from rival agencies, Doom Patrol and Titans, and as fate has it, they're forced to work together. Neither of them are happy about it, because of each other's cocky and standoffish attitude and as both of them work best solo... and also... both of them hate each other... at first. This book, it includes lots of action, and if you knew me, you'll know that I am a sucker for crime and thriller. I mean, this story in itself is so great, it could be adapted into an ACTION MOVIE!! Or maybe a graphic novel to start with. :)

And what's best about it is, it doesn't only show two people romance each other, it shows a group of people working together to catch a deadly villain. I won't say much more to build suspense, but all I'll say is, it's entertaining, spicy, and the character dynamic fit perfectly with their relationship and situation, and if you haven't read it, WHAT ARE YOU DOING!! CHECK IT OUT NOW!! This will probably be one of the best recommendations of your life.

Assuming -by magisterquinn | Rated T

This is a feel good, light-hearted BBRae story that I very much enjoyed. So, basically, it's about Raven (or is it Rachel, I forget), and how the (dashingly handsome and) annoying employee won't leave her alone. She also gets a series of mail that sparks her interest, and I don't trust myself to say more without spoiling it.

Magisterquinn, the author, has an amazing collection of the BBRae (AU) stories they've written, "Chivalry Isn't Dead", "Making Mr.Right" (a must read) and "In Paris" to name a few, so, I definitely recommend checking out their profile for amazing and clever reads.

The Malchior Widow -by beautifulpurpleflame | Rated M

...this story...all I wanna say is... if you haven't read it, you're missing out on something wonderful in your fangirl(/boy) life.

This story is based on my favorite troupe, which is where all Gar wants is for Raven to open up to him. It's like, Raven is a reserved, "untouchable" person, and Gar, being Gar... feels an urge to talk to her. After many, many attempts, when Gar finally talks to her, his friends are like, "How'd you get her to talk?" or "How's she open up to you?" and the response is, "No one's ever even tried before."

"The Malchior Widow" goes at a satisfying, feel-good pace... and it's one hell of a journey. I mean, as the title suggests, Raven's a widow, and she isn't exactly open to the possibility of loving... or trusting someone else yet. It shows not only both of them falling in love... but also understanding, knowing, and learning to trust each other.

Another good AU story by Beautifulpurpleflame is "The Beach House", so you can also read that.

Honorary mention::

"How To Save Her Life" (Rated T) by "Beautifulpurpleflame"

If you're looking for a wholesome, toe-curling good, filled with feels, amazing, awesome, family Titans BBRae story... this book will give you everything... or any of Beautifulpurpleflame's stories really...

I mean, that girl... is a legend... Her stories are so great.. just... I'm speechless

Don't forget to check 'em out.

You can also follow this amazing writer on Tumblr, @beautifulpurpleflame , and show her some love and support.

Okay, another story... Now this may be considered cheating, as I'm only including completed stories... but I couldn't stop myself from not mentioning this story...

Nevermore Records -by LilyTimbers | Rated T

According to the author, only one chapter and an epilogue is left... so, I guess we could wave it off with a yellow flag?

I, myself, can't go on a single day without music. And the idea of my favorite team of superheroes... being a Rock Band..? Boy, ya' don't gotta tell me twice!

This is a slow burn story, which includes Gar in his mid-twenties, along with the other Titans (except Raven), being a part of a Rock Band, which plays gigs at different places just as a side hobby. But, as they have real talent, they get a once in a life-time chance to be an officially labeled band, they're ought to be super hit. Here, we also see some other Titans, which is a real sight for sore eyes sometimes... But, just being good doesn't mean that everything's out for them in a gold platter. The team itself faces lots of challenges which is, truth be told, really entertaining. And the fact that Gar's love interest is his own manager? Oooh... you're up for a real good ride...

I'll keep the rest of the reading to you... and believe me, the story is waaay better than my small review.

The author is also an amazing artist, and has many beautiful BBRae fanarts on her Tumblr profile @lilytimbers , so you can follow her for updates! (though tbh I think you already do... but I felt like saying it, soo...)

If you're also a sucker for musical band based BBRae story, don't forget to check out

Harmony -by Kid Walker | Rated M

Here, Raven joins a singing group which does covers, and quite willingly, she can't seem to keep her eyes off of their leader/director, Gar Logan... and looks like he can't either. It's an amazing story, and I believe you'll really enjoy reading it!

(The story itself is complete, just some extra bonus chapters that the Author posts are yet to be updated, so I guess this story qualifies.)

.

There is also a huge collection of amazing BBRae AU stories on Wattpad, too many to count, but here are two stories that I remember... and had a good time reading...

(On Wattpad only: (and only completed ones.))

High School -by anssoftball94

Soo... as you might've guessed from the title, here Gar and Rae are high schoolers. They live together with Rick (Dick/Robin), Kory and Vic in the Tower. I guess we could call it a slow burn, and what I enjoy is it also has the other Titans in a satisfying amount.

What I love about this story is that Gar and Rae don't just jump into a romantic relationship (like most teens do, I'm just sayin'!) and start a romance, no. In this story, first, they understand each other... and in a subtle manner, fall for each other. It's a really sweet and practical story, and I really enjoyed it... (even though I had to wait for the ending for decades!!)

Just one thing that makes this story a bit weird is that instead of "Gar" or "Garfield", Beast Boy is mentioned as "Logan" throughout the whole story... so... it was a bit... y'know? *shruggs*. But otherwise it's a must read.

A+ -by NikolaDabrowska

This story, to be honest, will definitely qualify as a cliché high school romance, "popular basketball kid falls for introverted bookworm nerd", but I really enjoyed reading it.

I mean like, you know what they say about Disney Classics, right? Even though we've read Beauty and The Beast or Snow White, we still like to watch the movies..? This story's like that.

Even though the troupe is kinda cliché, the story itself is executed in a very engaging manner, with interesting character dynamics and some original plots, so, I would definitely recommend reading it. (I, myself, have read it more than five times...)

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So, that was a list of the BBRae AU stories that I highly recommend! There are more amazing (and incomplete) stories out there to read, but these are just the ones I've thoroughly enjoyed (and remembered.)

Also, feel free to share your BBRae story, if you have written any, and I'll happily read and support your story!!

Happy Reading!

Quick endnote, if you've read this post till here, do me a favor and check out my stories too! ;)

On Fanfiction.net and Wattpad.

All of my stories are complete, instead of "Tease Is Just The Cover" on FF.net (which I don't think I'm gonna work on any time soon), so feel free to check 'em out!

Sorry for the advertising, but I also want an audience y'know?

THANK YOU! And I hope you have a good day/evening/night ahead!

[magicalyaku]

If I had a coin for every Middle grade book about queer characters and birds that I absolutely adored I had two coins. Which is actually a lot considering these specific themes! Why do they exist? Why are they good? (Can I please get more?) First Every Bird a Prince, now The Language of Seabirds. ♥ It’s so tender and beautiful and even among the drama, because it’s Middle grade, you can always be sure things will turn out well in the end ... /3

I also tremendously enjoyed Milo and Marcos at the End of the World. The writing, the story, right up my alley. One of the things I liked was how it portrayed religion vs. atheism without making one sound worse than the other. Next was Out of the Blue. I'm not really into picking favourite characters, but I loved Crest so much. I lent the book to my friend to read at the airport while we were on a short trip and she was like "This character is kinda annoying". Obviously, she is wrong, because they are The Best.

Unlike (probably an unpopular opinion) Julian from Cemetery Boys. To my own disappointment I did not like the book as much as I would have wanted. Julian is just too intense for my taste. Also, two days? Two days? Is it even possible to have a burning "I love you forever" kind of romance after just two days? This might just be my aroace insides speaking but I so didn't get it. I mean, he was a ghost, so no real body, no pheromones or whatever, just appearance and questionable personality. I could not imagine. I also don't see why they could not just have been friends. You can risk your life for your friends as well, you know. (The culture, magic and Maritza were pretty good though.) But I guess, it's the same reason why the boys in Right Where I Left You could not just stay friends. Like, I get it, you want to show that it's possible and give hope to kids in minorities or difficult sitiations, buuuut (deep sigh). I just don't like sayings like "see, I told you it had to happen sooner or later" just because a friendship is closer or more physical than what you're used to. It makes it sound like friendship isn't enough. For many people it isn't, yeah, but as a concept itself, it is. There no inherent need to take it further. I feel like I'm starting to sound like Téa/Anzu from Yugi-Oh with her friendship speeches, but I can't help it. D:

(Is it weird to read romance books and then whine because there was romance? Maybe. But it’s not like there’s a Platonic Relationships category in the bookstore ... Also with the right books I like reading about it, even though every so often I find myself being puzzled about the simple question “But how does is work?!” The more intense the characters get about it, usually the less I understand. I don’t think I’ll ever find the answer but maybe I can pick up some pieces of the puzzle.)

The final book this month was The Apocalypse of Elena Mendoza. I picked this up because I felt like revelling in my misery for a minute and previous SD Hutchinson end-of-the-world-books provided in that direction. Surprisingly Elena was much tougher than her male counterparts, which is a good thing really, because I loathe reading whiny heroines. It wasn't my favourite of the trio, but I appreciate its existence nonetheless. These books don't have an adventure or a big love story to tell, instead they just have ideas and thoughts all squished into a weird shape. And it's nice.

[immaturityofthomasastruc]

#10: Felix, Part Two: The Episode Itself

Here’s Part 1

So, uh... here's the thing. I was going to divide this post into three parts, but I had to cancel the third part where I analyze the stuff involving Astruc defending the episode on Twitter, specifically a certain scene that really showed off some serious double standards in regards to the way Adrien is being written, because Astruc deleted most of his tweets regarding the episode. I wonder why he did that? I thought he wanted to expose himself publicly and interact in a peaceful way.

So yeah, instead of a big three-parter, this is going to be a two-parter, and I apologize for that. I might be able to do a third part if anyone has any screenshots of some of the tweets Astruc made after “Felix” aired. If you did, I would really appreciate it, but if not, it's fine.

Either way, let's just get this over with, because I have SO MUCH to talk about. My friend, can your heart stand the shocking facts about Season 3, Episode 23 of Miraculous Ladybug, “Felix”?

So we start off with what Gabriel does for half of his scenes when he isn't Hawkmoth, monologuing to his (possibly) dead wife, Emilie about how Ladybug and Cat Noir's Miraculous will soon be his and all that crap. Sure, he's sent God knows how many Akumas after Ladybug and Cat Noir, and they've all failed miserably, but I'm positive he's getting close to his goal.

After he finishes cleaning his and Emilie's silver wedding rings that sadly don't allow them to transform into Ultraman Ace, Gabriel goes to check on Adrien, singing to a statue of Emilie (glad to see the apple doesn't fall too far from the tree), intending to tell him that he is Hawkmoth.

Gabriel: There is something important I have to talk to you about. I think about telling you every day, but I don't know how to find the right words.

Adrien: I think I already know, father.

Gabriel: But, how?

Adrien: I've noticed how close you and Nathalie have become. If she can make you happy again, then... as far as I'm concerned, she's already part of our family.

Yeah, apparently it's obvious that Gabriel and Nathalie are close or something, with how casually Adrien assumes they're planning on starting a relationship. I mean, it's not like Nathalie is close to Gabriel because she's his secretary or something like that.

Gabriel's response isn't any better, as he immediately jumps down Adrien's throat for daring to assume he might try to move on from his wife.

Gabriel: How could you possibly think such a thing?! Nobody could ever replace your mother! As long as she is still in our hearts, she lives on!

Even Adrien's face shows he's a little taken back by his father's brief outburst.

Part of me likes to assume that Plagg is trying to not break out into laughter at how crazy Gabriel sounds, while Nooroo is mentally questioning the sanity of his master.

Plagg: Wow! Your father's like a piece of tomme cheese, where the rind's so thick it's almost impossible to get inside the center.

Adrien: Don't be so hard on him, Plagg. It's been a year today since Mom... went away forever.

Oh my God, just say she DIED already! Why are so many kids' shows afraid to say the D-word? How can I cite an episode of Caillou of all shows as something that that actually talked about death to it's audience in a nuanced way?

It turns out that Adrien's aunt is visiting for the day, as it's the one-year anniversary of Emilie's “going away forever”. We also learn that the gene pool in Adrien's family is so shallow, a toddler could swim in it, because Emilie's sister looks exactly like her.

Even better, her name is Amelie. I bet the parents thought naming their kids Emilie and Amelie was hilarious for like three minutes.

And of course, she also brought her son, the asshole of the hour.

Someone cue the Imperial March.

So Felix is finally here, and of course, he looks just like Adrien. It's almost like the animators didn't want to create any new character models for this episode, so they thought nobody would notice if they just reused a few. Seriously, towards the end of the episode, we see Felix wearing the Cat Miraculous on his hand, and none of the animators noticed it.

So while Adrien is happy to see his cousin, Felix isn't. I'll talk more about it in a minute.

Amelie mentions that the wedding rings are actually heirlooms in her side of the family, so she naturally wants them back. Of course, Gabriel, being Gabriel, responds accordingly.

Gabriel: These rings are obviously very special to me.

Amelie: And they're very dear to me too, Gabriel. Those jewels have always been in the Graham de Vanily family, not the Agreste's.

Gabriel: We'll discuss it later.

“Yeah, yeah, these rings are priceless family heirlooms or whatever, but why can't you think about how important they are to me?”

Meanwhile, Marinette and her friends are planning on recording some messages for Adrien to cheer him up on this day, but Marinette isn't sure what to say before she decides to confess her love to him. I'm sure Adrien will get the message and return Marinette's feelings this episode... and Cliff Hanger will finally escape that cliff he's been hanging from for years.

Speaking of, Adrien and Felix are hanging out in the former's room where we learn that Felix's father passed away recently. We don't know how long, but with the way they talk about, it's clear the funeral wasn't too long ago. Keep this in mind.

So while Adrien leaves the room to get a chess board for the two to play a game of, Felix, for no reason, decides to search through Adrien's things and crush a piece of cheese that Plagg had been aging for two weeks. And here is the interaction that helps this episode go from mediocre to aggravating, just because of what they imply here.

Adrien: Listen, Plagg. Felix lost his dad not so long ago, he's probably not himself.

Plagg: I'm sorry, but there's just no excuse! You never touch my cheese, and yet, you just lost your mother not so long ago, right?

Yes. The show is actually implying that Adrien is better than Felix because Adrien isn't acting out because his mom “went away forever”. Keep in mind, we know that Felix just lost his father, while Adrien has had a year to cope. I'm not saying he can't be sad anymore, as everyone processes grief differently, but you can't set up Felix as a foil to Adrien just because they both lost a parent, as their situations are entirely different.

Oh, and when Plagg's statement upsets Adrien, it isn't because he's angry at Plagg for making the comparison, it's because he mentions Emilie. And this argument is never brought up again.

I still can't believe this episode is basically saying that even if you lose a loved one, that's no excuse to get emotional. This isn't just a horrible lesson to teach children, but it pisses me off on a more personal level. Why?

My grandfather died last year after a long battle with lung cancer.

He had been in and out of the hospital for a few years at this point, and part of me was relieved that he was finally free of the pain. I tried not to let it bother me, as I had already mentally prepared myself for the day he would die whenever he was readmitted to the hospital. But it was still painful to go through because he was so important to me. Instead of simply telling someone how I was feeling, I threw myself into my schoolwork in an effort to distract myself from actually confronting my emotions. After seeing A Beautiful Day in the Neighborhood, a movie where the main character made peace with his father on his deathbed with some encouragement from Mr. Rogers, it made me think about how unhealthy it was to bottle up my emotions, so I started to open up more about how I was feeling. When I told my mom (who was his daughter) about why I was so conflicted regarding his death, she said it was completely understandable, as she had been an emotional wreck as well. I also talked with my therapist about how this was affecting me mentally.

What does this have to do with the episode? I don't think Felix had access to this kind of emotional support when his dad died, or that he tried coping the same way I did initially.

And the worst part is that this could have been used to teach people a lesson on how to cope with losing a loved one. Maybe Adrien could have helped Felix find a healthier coping mechanism, or simply help him open up emotionally, teaching him that it's okay to be upset when someone close to you dies, but that you just need to be honest about your feelings.

But no, rather than portray Felix's actions as a troubled youth lashing out because he's angry at the cards the world dealt him, Felix does several awful things this episode for no other reason than because he's evil, even though he has a good reason to hate Adrien and Gabriel.

So the very next scene, we see Felix has stolen Adrien's phone and is going through the messages that Adrien's friends sent him, but not before insulting his crush on Ladybug. I'm not sure if that's supposed to reflect the fandom's criticism of Adrien's crush on Ladybug, but I wouldn't be surprised if it was.

Nino's Message: Hey, my dude! I'm not quite sure what to tell you, except that, you're my man, dude! And bros are always there for their guys!

Felix: (Mockingly) “Bros are always there--” blah, blah, blah! Moron.

Rose's Message: Unicorns have a saying: even when there's nothing but gray skies and rain, all it takes is one little sunbeam for a rainbow to appear!

Felix: Loser.

Max's Message: It's one hundred percent proven, you should feel fifty-two percent happier with a healthy dose of laughter. So Markov has uploaded a few jokes for you! Starting with--

Felix: Freak.

Chloe's Message: When my mother left for New York, I felt so sad. It felt like she was... (sighs) She came back, and I know how lucky I am. So, you can count on me, my Adrikins.

Felix: Chloe. Just as annoying as usual.

And that line right there is the only time Astruc actually liked writing Felix, as it gave him the chance to satisfy his need to insult Chloe.

And then when he sees Marinette's message, he deletes it because... hell if I know

Again, this scene could have worked if it was interpreted as Felix saying stuff that he wasn't dependent on others for support and that he could easily power through life on his own, but nope! Instead, he hates Adrien's friends and only deletes Marinette's message instead of all of them simply because he's evil, heart blacker than Don Cheadle.

Felix continues to show how awful he is by dressing up in Adrien's clothes and—Oh, son of a bitch, SERIOUSLY? This is the SEVENTH evil doppelganger plotline we've had in THREE SEASONS! You're telling me this isn't doing the same thing over and over again, Astruc?

Yeah, so Felix records some messages to send to his friends that, once again, could have worked if this episode was actually teaching a lesson about dealing with grief.

“Adrien's” Message:  First of all, thanks so much for all your messages, guys, really. Sending me messages on today of all days... (angrily) to remind me how sad I'm supposed to be feeling? Why, that's great! Really, Thanks a lot!

But because nobody ever considers how Felix is feeling, it's never acknowledged, because that would actually involve writing him with complexity.

Gabriel gets a message from Lila, who recently became one of his confidants to spy on Adrien, tells him about the fake message, and decides to use the negative emotions felt as an excuse to get rid of his in-laws. No, seriously.

Gabriel: All this disappointment might just help us get rid of our unwanted guests.

To be fair, I'd probably do the same thing just so I wouldn't have to talk to some of the people I hate at my job.

And so, Hawkmoth akumatizes Alya, Juleka, and Rose into the Punisher's Trio, who are basically just their previously akumatized forms Lady Wifi, Reflekta, and Princess Fragrance. Because why would you expect anyone to use an original character model for this episode?

All joking aside, this development raises several questions. First, why wasn't Nino one of the Punisher's akumatized? He's Adrien's best friend, so shouldn't be just as upset as everyone else? Hell, the whole reason he was akumatized into the Bubbler in Season 1 was just so he could throw Adrien a birthday party after Gabriel said no. Then there's the fact that Chloe could have also been akumatized because she's just as close as Adrien, which is another wasted opportunity here.

Second, why bring back Reflekta and Princess Fragrance of all villains? It doesn't even make sense when you consider their motifs are based off of the circumstances that led to them getting akumatized in their respective episodes. Juleka became Reflekta because of her anxiety over easily blending in, so she got the power to turn everyone into an exact copy of herself so they could understand the feeling. Rose became Princess Fragrance when Chloe destroyed her letter and perfume bottle dedicated to the prince of a foreign nation, so the perfume bottle was the basis of her powers. At least Lady Wifi makes sense as the akumatized object this episode is a tablet used to record the messages to Adrien, but Reflekta and Princess Fragrance have nothing to do with the plot of this episode, and just feel tacked on. If it was just Lady Wifi or the Bubbler, I'd get it, but this just doesn't work.

Third, what exactly is this show's obsession with Reflekta? We saw in Reflekta's first episode that her powers had a huge drawback as if either of the heroes is zapped by her, she can't get their Miraculous, like what we saw happened to Cat Noir. Yet, this is the second time this season that Hawkmoth had the bright idea to bring back Reflekta (even giving her a giant robot to amplify her powers). At least Lady Wifi and Princess Fragrance's powers worked together well (Lady Wifi could freeze someone in place, while Princess Fragrance can brainwash them with her perfume), but Reflekta just feels like the odd one out here.

Fourth, and most importantly, why did we only get to hear the line “At your service, Princess Fragrance!” A single time this episode?

So the Punishers head to Adrien's house to take their revenge, but see Felix, still dressed in Adrien's clothes, and are naturally confused. Adrien pretends to be Felix by running away while laughing evilly (so not too far off from how Astruc sees Felix), while the real Felix and Nathalie put up a good fight against the Punishers.

And then... here is the moment that shows just how skewed Astruc's view of Adrien really is.

Felix pretends to confess his love to Ladybug as Adrien, trying to force a kiss on him, making Ladybug punch him in the face by claiming that the real Adrien “would never be so pushy”.

BULL. SHIT.

Yes, Ladybug doesn't know that Adrien is actually Cat Noir, but it's clear that this scene is meant to solidify just how Felix is far worse than Adrien because according to Astruc, he would never do that.

But maybe I'm being too hard on him.

It's not like Adrien has ever forced himself onto Ladybug, right?

I mean, imagine if the show just ignored something like that.

All while trying to teach kids the importance of saying no when someone harasses them.

Can you imagine if someone was that oblivious to their own hypocrisy?

I'm not saying that the lesson is a bad one, but you can't call someone out for doing something bad, and then ignore one of your main characters doing the exact same thing!

Even in the context of the episode, the comparison doesn't work. We know that Felix is only doing this to make Adrien look bad, and has no romantic feelings towards Ladybug like Adrien does. Felix knows what he is doing is wrong, while Adrien doesn't. Whenever Cat Noir tries to kiss Ladybug, he is never aware that what he is doing is wrong, and while he is almost always stopped from kissing Ladybug for one reason or another.

Like when the episode tried to compare two different characters reacting to losing loved ones when there are different circumstances regarding them, the comparison DOESN'T WORK.

And to add insult to injury, Cat Noir shows up just to insult Felix by implying he doesn't have a lot of friends because of the way he acts, because why would he? After all, he's a complete loser that nobody would want to be friends with, and if you like him, you're an idiot for thinking so! At least, that's probably what Astruc was going for.

Ladybug summons her Lucky Charm, leading to a brief Mexican standoff, until Felix steals the tablet containing the Akuma, making a deal with Hawkmoth that he'll help out the Punishers as long as he gets the wedding rings. Do you hate Felix yet? Come on, do you hate him? WHY WON'T YOU HATE HIM, GODDAMN IT!?

This whole bit is completely pointless as Ladybug immediately finds a way to stop all four of them and de-evilize the Akuma.

And when it looks like Felix is actually apologizing for his actions this episode, it's naturally a ruse he put on to steal one of the wedding rings from Gabriel to give to his mom. Because why would Astruc even think of portraying him sympathetically, or at least have him learn a lesson?

So Felix stares out the window with an evil look in his eye (possibly foreshadowing another appearance), as Gabriel takes Emilie's wedding ring to wear for himself, and the episode mercifully ends.

It also means that I never have to watch this episode ever again.

Do you understand why it took so long for me to fully analyze this episode? Hell, it would have taken longer if Astruc didn't delete his tweets defending the kiss scene and how Cat Noir is totally a gentlemen unlike Satan, I mean Felix.

What else do I have to say about this episode that hasn’t already been said? Well, I do have one thing.

I’m not that big a fan of Felix.

I think he’s an okay character in fanfics, but I’m more indifferent to him and fanfics that ship him and Marinette together. I don’t know, maybe that’s because there are so many Felinette fanfics that are heavily seasoned with salt, or it could just be because I’m complete Love Square and Lukanette trash.

But just think about the fact that the scathing criticism of this episode was delivered by someone who isn’t that into Felix. That is how bad this episode is.

In addition to being an obvious mouthpiece for Astruc to yell at fans why they’re idiots for actually liking Felix, it does so by touching on delicate subject and trying to act like it’s easy to tell how Felix is worse than Adrien when the circumstances are nothing alike.

But the fact that Astruc takes a popular character just to portray him as a complete menace just to antagonize his fans is ridiculous, utterly ridiculous.