#what a beautiful sequence

[wistful-wisterias]

[chaoticentropy]

[tathrin]

Hey, so do you ever stop to think about how the premise of Lord of the Rings being an in-universe book written by some of the characters who lived through that story means that they decided what parts and perspectives to use to tell that story...?

And when our authors weren't there to experience the events themselves, they have to rely on what they're told about them by the characters who were there, right...?

Okay so stop and think about the Glittering Caves.

We never actually go to the caves in the narrative. Tolkien LOVES describing nature and natural beauty, but we don't actually see the caves described "by him" the way we do other places. Obviously Gimli's words are Tolkien's, yes; but we only see the caves filtered through his words about them, after the fact.

When Gimli and Éomer and the other Rohirrim take refuge there, the narrative doesn't follow them. Obviously from a narrative standpoint this is to keep the focus narrow, and not to interrupt the battle-sequence with a long ode to the beauty of the caves, and to create tension in the reader who doesn't know if these characters are okay or not. Which all makes sense!

But think about it in terms of the book that was written in Middle-earth by the folk living there. Why DON'T we get to have a direct experience of those caves? Gimli obviously related several other parts of the story that none of the Hobbits were there to witness to them, and which were written into the books as Direct Events Happening In The Narrative (think of the Paths of the Dead scene, for one of the more visceral moments!). So why not the Glittering Caves?

Was it because they wanted to keep that narrative focus and tension, and so they didn't include his perspective on that part of the battle? Perhaps, that's certainly a possibility to consider.

But also consider: when we do hear about the Glittering Caves, what we hear is Gimli telling Legolas about the Glittering Caves. THAT is the part of that event that is considered of importance to include in the book: not Gimli's actual experience when he was in them, but rather the part where he relates that experience TO Legolas.

And I kind of just THOUGHT about that today.

And went HUH.

[elitadream]

"You've been hurting so much, and for so long… Please, let me soothe your pain."

-

There was a scenario I had imagined in which Mario would suffer emotional trauma and keep it to himself to the point of becoming depressed, growing more distant and avoiding others as a result. He would so desperately want for his loved ones to be at peace that he would rather endure unbearable misery in silence than speak on it; not knowing just how tired he really is and how badly he needs to be comforted.

So when Peach would finally -and ever so gently- confront him on the matter, his walls would crumble almost immediately, and he would break down in front of her. Anguish and exhaustion slowly giving way to healing. ❤️‍🩹

[aujbabeyy]

fully sobbing at this sequence. this was a wonderful break from the story, a little moment to recognize the beauty of life.

[seventh-fantasy]

美人舞如莲花旋 a beauty dances like a spiralling lotus flower [x]

li xiangyi/li lianhua + sword dances | 莲花楼 mysterious lotus casebook EP 9/34/40

[simplykorra]

beatrice + never letting go

[ink-a]

What’s going on

#SummertimeBonanza

[madamescarlette]

Also in the current cinema environment that is very much oriented towards filmmakers who love to shine the light on the act of filmmaking, it's weirdly such a comfort to see The Fall Guy is made by someone who loves movies themselves!

[queenlucythevaliant]

Northern Lights

.

I heard a voice that cried, “Balder the Beautiful is dead, is dead!” 

.

Who knows what to call the lonely exhilaration of gazing out into a bright Northern sky? Who can name it? 

Jill could.

It was the same feeling that came to her at the teetering edge of a cliff at the end of the world. The same feeling as when she said her goodbyes to Puddleglum and Scrubb before they freed the prince. It was the same feeling that engulfed her now, sitting in the professor’s library with a volume of poetry before her. 

.

The wild northern wastes were well named: utterly wild, perfectly desolate, and terribly Northern. 

It was lonely there and often cold, but the sky was an endless whorl of gales and gray clouds. The stones were indigo under the pale winter sunlight, and at sunset they glowed a soft gold, as though lit from within. The gorges and moors lay before her, and Jill loved them for their vastness and their distance. Little grew in that country, but that which did was full of vigor. The grass was short and coarse. Every tree was victorious. 

On a still, deep breathing winter night, Jill lay on her back beneath a covering sky. It seemed beautiful to her, rich and strong and glorious. Her eyes drank in the breadth of it until her tears began to blind her. Yet even then, she still couldn’t look away.

She felt bigger here in the wastes, like the landscape. Stronger, wider. The further she walked, the more she felt herself stretch out. One of these days, maybe, she would catch hold of herself at the edge and tug, and Jill Pole would open up clear as the Northern sky. 

.

And through the misty air passed the mournful cry of sunward sailing cranes.

.

The thing that surprised Jill most about the battle with the serpent was this: there wasn’t any yelling. Always, it seemed, whenever she read stories about people fighting with swords, the combatants would let loose some guttural yell before their blows fell. They would scream and writhe in pain as they died. They would shout instructions to their fellows, “Look out!” or “Hit him there!” But the whole affair with the serpent passed with very little noise. 

The poison-green coil constricted around the prince; he raised his arms and got clear, struck the serpent hard, and then Scrubb and Puddleglum dispatched the creature with heavy, hacking blows. The monster died writhing, but not screaming. And then it was over. 

The thing that surprised Jill most about the moments before battle was, of course, the noise. She could hear her own heartbeat in her ears. She couldn’t stop listening to her own breathing. Every footstep rang out like a gong, and any words exchanged rang with a kind of finality that made them sound louder than anything. 

“You are of high courage,” Rilian told her when it was over. 

Yet the thing in Jill’s chest just then didn’t feel like courage. It was a deep breath, a plunge, and a release. It was loud and quiet all at once, till she was standing, blinking in the night air as snowballs whizzed round her, and maybe that was something like courage after all. 

.

And now, there was a stirring in her chest as she reread the words on the page. Sing no more / O ye bards of the North / Of Vikings and of Jarls! / Of the days of the Eld / preserve the freedom only / nor the deeds of blood! 

She thought of grief. Of freedom. 

The lonely ache in her belly grew stronger. She felt herself uplifted into the huge regions of sky that were just beyond those cliffs, weightless as the breath beneath her buoyed her up, further, further…

.

When she saw Caspian up close, Jill thought that he looked like the sort of person who was meant to live in a castle. A silly thought, perhaps, since she knew he was a king– only she wasn’t thinking of Cair Paravel. No, Jill was picturing the ruins of an old British castle she’d visited once on holiday. She still remembered how the stonework had loomed over her, all towering arches and crumbling walls. That was where Caspian seemed to belong. He had an air of ancient tragedy about him. 

When Rilian disappeared, all things had wept but one. The serpent coiled beneath the earth and flicked its forked tongue, spewing poison. 

Now, the king half rose to bless his son. He whispered a few words as he caressed Rilian’s cheek, words meant only for those beloved ears. Jill saw Caspian’s lips move and wondered what a man like that could possibly say, when time ran so short. 

.

They laid him in his ship, with horse and harness, as on a funeral pyre. Odin placed a ring upon his finger, and whispered in his ear.

.

Jill furtively took Myths of the Northmen and held it up to the professor with a question in her eyes. She was still shy around him and Miss Plummer, though she wished she wasn’t. 

“Would you like to take that with you?”

“...Please.”

.

It takes a certain kind of person to be exhilarated by the heights. You’ve got to love vastness more than you fear falling. 

.

They walked to the train station with an autumn wind blowing hard, and though Jill couldn’t fathom why, she turned and saw Lucy grinning, fierce and joyful– grinning and reaching a hand out towards her friend.

Jill reached back and grabbed it. “What will you do, once we’re back in Narnia?” she asked. 

The wind blew harder. The feeling of anticipation grew and grew, until it felt so big that she couldn’t dream of containing it. And there was Lucy, holding Jill’s hand and laughing like it was easy.

.

Preserve the freedom only, not the deeds of blood!

.

The second time Jill went to Narnia, she found herself not at its edge, but at its end. 

The thing about the Norse apocalypse is: it feels believable. It doesn’t reach beyond earth’s horizon to pull down hope beyond hope. It’s only the kind of courage that hopeless humans have: you are going to die, so you might as well die bravely. 

They found the last king of Narnia bound to a tree. His eyes were faintly red from crying, and his wrists and ankles red from the coarseness of his fetters. 

In the Norse myths, Loki broke free of his fetters at the end of the world. He escaped to the helm of a ship made from the fingernails of the dead.

The last king of Narnia fell forward onto the ground when Eustace cut his bonds. Jill crouched down beside him and watched as he rubbed feeling back into his legs. He wasn’t so much older than her, she thought. Jill was sixteen years old; the last king of Narnia could not be older than twenty-two. 

In the myths, the gods were ancient, hewn from the bodies of giants old as the earth. 

Jill put out a hand and helped the last king of Narnia to his feet. Not for the last time, she shivered. Something deep inside her (deeper than her chest, than her heart, than the marrow of her bones, deep as her soul, deeper) was singing an elegy and she didn’t know why, or how, or where it had come from. The king clutching her hand, who could have been her older brother, would have no heir.

Yet when he asked, “Will you come with me?” Jill could only smile. 

“Of course,” she said. “It’s you we’ve come to help.”

.

And the voice forever cried, "Balder the Beautiful is dead, is dead!"

.

“This really is Narnia at last,” murmured Jill. The springtime wood had little in common with the wintry lands she had traveled the last time she was here– but it awakened the same feelings of Northernness in her chest. 

Their party may as well have been the only people in the world, for how isolated their little wooden path seemed. Yet it wasn’t lonely, really, cocooned in all that green with the wind in the leaves and the primroses nodding and blue of the sky peeking through above. 

Jewel told stories about what ordinary life was like when there was peace here. As he spoke, Jill could almost hear the trees' voices speaking out of the living past, whispering, stay, stay. She was caught up to a great height, looking down across a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance. 

“Oh Jewel–” Jill said with a dreamy sigh, “wouldn’t it be lovely if Narnia just went on and on– like what you say it has been?”

She needn’t be a queen, as Susan and Lucy had been, but Jill would’ve liked to stay. She would've liked it all to stay, if it could. She might have been a woodmaid in a place like this: with the turn of the seasons, the swaying trees, swords into plowshares. Oh, if only she could stay!

Ahead, the last king of Narnia was softly singing a marching song. Jill tilted her head back and let warm shafts of sun caress her face. 

.

I saw the pallid corpse of the dead sun borne through the Northern sky.

.

“So,” said the last king of Narnia, “Narnia is no more.”

He tried to send them back. Jill shook her head. It was very loud and very quiet. “No, no, no, we won’t. I don’t care what you say. We’re going to stick by you whatever happens, aren’t we Eustace?”

They couldn’t go back anyway. Neither would they flee, not south across the mountains nor North into the great wide wastes. No, they would stay. They slept in a holly grove on the edge of ruin, waiting for the bonfires to light.

Jill slept fitfully, but in between she dreamed. She was high up in the air, buffeted by clouds and pierced by shafts of silver sunlight. 

.

They all died, in the myths. Jill knew that. It seemed beautiful and brave when she read it in her book, tucked away safe in the Professor’s library. It was terrifying now– and yet it was beautiful and brave still.

The dogs came bounding up, every one of them, running up to the king and his men with their tails wagging. One of them leapt at Jill and licked her face, tongue roughly lapping up the sweat and tears that had dried on her cheeks. 

“Show us how to help, show us how, how, how!” the dogs were barking, almost ebullient in their enthusiasm. Jill bit back a sob. How lovely, she thought. How terribly beautiful. How dreadfully brave. 

.

So perish the old Gods!

.

The white rock gleamed like a moon in the darkness when Jill finally reached it. She ran back to it alone, her hands shaking, while her friends stayed forward with their gleaming swords and Jewel’s indigo horn.

The while rock gleamed like the moon. Jill’s first shot flew wide and landed in the soft grass. But she had another arrow on her string the next instant. It was speed that mattered, not aim. Speed, and turning aside when she cried, so as not to drip tears on her bowstring.

The white rock gleamed. In the myths, a wolf devoured the moon. Peter’s wolf, slain many thousand years ago in this world, opened his jaw wide and darkness fell over everything.

Her next arrow found its mark. After that, she lost track. She pulled, and she prayed that her hands kept still another minute. 

The unique thing–maybe the appealing thing–about the Norse myths, was that they told men to serve gods who were admittedly fighting with their backs to the wall and would certainly be defeated in the end. Jill let loose another arrow, felt the white rock at her back, and she knew that the clawing fear–beauty–bravery deep in her gut was the same feeling that she felt on the heights. The same feeling, but a different face. You’ve got to love vastness more than you fear falling. 

.

“I feel in my bones,” said Poggin, “that we shall all, one by one, pass through that dark door before morning. I can think of a hundred deaths that I would rather have died.”

“It is indeed a grim door,” said Tirian. “It is more like a mouth.” 

“Oh, can’t we do anything to stop it,” said Jill. Better to be dashed to the ground than it was to be devoured. 

“Nay, fair friend,” said Jewel. “It may be for us the door to Aslan’s country and we sup at his table tonight.”

A hand tangled itself in her hair and started to pull. Jill braced herself hard, for a moment, until her strength gave out. She was standing on the edge of a high, Northern cliff. She took another step, and fell.

.

Perhaps when the moment comes, our bite will prove better than our howls. If not, we shall have to confess that two millennia of Christianity have not yet brought us to the level of the Stoics and Vikings. For the worst (according to the flesh) that a Christian need face is to die in Christ and rise in Christ; some were content to die, and not to rise, with Father Odin.

.

The world inside the stable was beautiful. It made Jill’s chest ache in all the loveliest ways. 

.

Build it again, O ye bards, fairer than before!

[mymarifae]

sunday was such a good character...

i don't want to call him a villain i feel like that oversimplifies everything he did. he was all compassion and love, just born from a deep-set pessimism. he wanted to make the world a better place but just didn't believe it to be kind enough for any other path

the philosophy tackled here was interesting... he's not wrong. the astral express crew + firefly weren't wrong either. how do you, in good conscience, set people free when you know they'll just march into an early grave or lose themselves in otherwise miserable situations? like. the problem with the baby bird. what are you supposed to do in that case? when you have the power to preserve and nurture at the cost of certain autonomy (but under your preservation and nurturing would the bird even know what it was missing?), or do you relinquish all that to let it go just to Die? truly. honestly. which of these options is the inhumane one?

...idk.

i don't have an answer here either.

you could always argue that sunday was wrong because the lives of Humans require more nuance but, ? do they? why does one life have more value than the other? sunday's perspective was literally that all lives have the same value, and that's why he was willing to do what he did. because he believed All should be comfortable and happy. safe. preserved.

idk it was just really interesting. it's a good thinkpiece. there's no right or wrong answer. it's just something you have to chew on while you examine your own perspective of the world

[namor-shuri]

*Deleted scene of Namor the moment he got wind of the Princess requesting to come to Talokan knowing he was about to act a whole fool and pull out all the stops*

- - - - o - o - o - o - o - o - o - O - o - o - o - o - o - o - o - - - -

*Cuts to everyone running around Talokan preparing what they rehearsed while a handmaiden goes over a checklist with Namor*

Namor: Did the designer finish the Princess’ outfits I requested?

Handmaiden: Yes, all of the beads have officially adorned her dress and are ready to go. The Princess of Wakanda will look like the goddess that she is.

Namor: You found my mother’s bracelet in storage, yet?

Handmaiden: We did and we were able to clean it without damaging her bracelet. It has barely been tarnished by the hands of time my king.

Namor: And everyone in the capital is looking busy and at their stations, ready to go?

Handmaiden: Of course, even the children are excited to be up past their bed time and are playing in the streets as we speak! Is there anything else I can do for you, K'uk'ulkan?

*Namor smirks to himself in the mirror as he touches his freshly trimmed beard and adjusts his outfit so that one nipple is out*

Namor: No, that is all. You have done well, my child. I will take it from here.

Original video

[suckishima]

im so glad i read the haikyuu manga

[nyxi-pixie]

Wheeler?? where u wheeling to? ur gay lover's house???

[monstrouscrew]

when i listened to Malevolent for the first time, i had a vision of the King somewhere in the second episode.

i started to relisten last night.

the vision came in the middle of the first one.

i don't know what triggers it, but i saw, and i haven't forgotten this time.

the homeplace has many faces.

soundtrack: play Eternal Return by Sunn O))) & Ulver, it has similar colours in my mind.

(ID in the alt text)

[weirdfishy]

ARE YOU SHITTING ME RN LOFNKDEFJRGDNMKLDSA,MFJKDNM THERES MORE CONFLICT WE JUST GOT SECOND PAIRING GET TOGETHER AND MAIN PAIRING NEAR-PERFECTION AND THERES MORE TROUBLE?????????? I WILL CRY AND NOT BC ITS FLUFFY