#what/who else should i add

[static-scribblez]

i swear tiktok mfs will call any music that they dont like "'bunny hat alt kid, being named arson and wearing bad thick eyeliner' music"

[inkskinned]

not to romanticize my mental issues but sometimes having adhd is very useful because today during a meeting that could have been an email i kept thinking about crabs wearing small tophats and having little dancing parties and how they'd sound in tap shoes.

and when my boss was like "raquel what do you think?"

i was like "well, i think the others have made good points about this, of course, and i'd be happy to circle around later on it, but i'd love to take a moment and resonate with this before offering my own suggestion. i want to hear what others think before anticipating the client's needs."

and then i went back to not listening but this time it was imagining snails that joust.

[clownsuu]

Hey I have a question but are you the original creator for mafia mob au or is someone else cause I think I stumble in a TikTok creater and they made a mafia wally au. Both arts are amazing but I was just curious to know.

I think I know who you may be talking about! There is basically two “mafia” aus lol, theirs and mine- our aus are completely separate from each other and from what I know, have no affiliation with each other whatsoever besides coincidence of universe

[mishy-mashy]

I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.

Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.

(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)

Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."

He remembers Jirou and thinks, The braying howls of the weak...

He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.

AFO saw Yoichi in Mineta.

These scenes are near-identical to each other.

Mineta and Yoichi (at that time) are both much smaller than the normal person at their age

They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice

Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)

The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.

Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.

AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.

Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks

AFO even stole Hawks' Quirk during this time.

He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.

He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.

And this let Mineta play his part, and remind AFO of Yoichi.

"A putrid, festering Quirk Factor."

That sounds like Yoichi, AFO.

".. such garbage."

Hey hey hey, what did Yoichi throw at him when they were kids?

A discarded can. Garbage.

This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].

Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.

Even though this time, Mineta [Yoichi] offered to take that place of suffering.

Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.

Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.

Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.

Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.

Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.

Reiterating something from OP's post that I reblogged this from;

"The reminder of his brother made him uncomfortable, so he hurried away."

AFO didn't want to hurt Yoichi again.

[autismsupersoldier]

i made a cover for my gender playlist* and i think it came out pretty nice

current tracklist under cut, though i will be expanding it and welcome suggestions!

*a playlist that i think encapsulates what i want my gender to be :-)

🪩

Stayin Alive by Bee Gees

You Should Be Dancing by Bee Gees

Hot Cop by Village People

Love Machine by Wham!

Take on Me by a-ha

Down Under by Men At Work

Working for the Weekend by Loverboy

👢

Big Iron by Marty Robbins

The Devil Wears a Suit and Tie by Colter Wall

Sleeping on the Blacktop by Colter Wall

God's Gonna Cut You Down by Johnny Cash

Daddy Sang Bass by Johnny Cash

Folsom Prison Blues by Johnny Cash

Sixteen Tons by Johnny Cash

[problemnyatic]

You have to choose love. I'm sorry, I know. I know it hurts. I know you're upset, you deserve to be outraged. Your pain is real and deeply unjust. But you have to. You have to choose love.

There's too much hurt in the world. Too much bitterness. The powerful have built an inconciecable machine that turns all human suffering into unimaginable wealth, and it us hurting all of us. It has taught us to hurt each other.

We can't let it continue. We can't keep lashing out at each other. We can't keep making enemies of our siblings in pain. We have to choose love. We have to.

We have to forgive each other. Not entirely, we don't have to forget our pain, but we have to forgive enough to see each other as more alike than separate. We have to forgive each other for being taught to cause hurt.

I'm not your enemy. You aren't mine. There are people poisoning our planet en masse, killing our mother earth, erasing whole cultures, stripping human rights to keep us disempowered. We can't let ourselves become each other's enemies, even when we hurt each other.

Your pain is real. You deserve better. We all do. But we'll only achieve better if we save our ire for the real bigger fish. We can't keep fighting over the details, we all already agree on the most important part: we deserve better.

Language will always be muddy, we won't all speak the same meaning into the same words. We're gonna step on each other's toes, hurt each other deeply, even when we mean to be gentle. We're going to make mistakes along the way, we'll be misguided. But we have to forgive. We have to choose love.

I know this is preachy, I know this is vague, I know this is corny. I know. I'm just.. scared. I'm terrified. Every day I see so many like-minded people on here who would sooner tell one another to kill themselves than agree to fight for our common causes because of deeply held presumptions of character built on superficial things. I see people declaring anyone who finds joy in the wrong things, the wrong labels, to be as good as an abuser, as the very people who've put the boot on our necks in the first place.

I see so many people see the state of our world, the abysmal status quo, and respond by pouring a deep righteous passion into delineating who of us is a worthy enough aly and who is effectively a walking incarnation of their ideological enemy.

We'll never be able to achieve the unity we need to take our rights back if we're so quick to make teams and choose sides. I know, I know that a lot of these things actually matter, I'm not trying to dismiss the significance of any of these things.

What I'm saying is that, despite these conflicts, we need to swallow our differences and choose to love each other enough to focus not on the ways in which we are divided, but on our unity in oppression. Every LGBT person is threatened by any of us having our rights taken, we are a family. Every internet user, proship, antiship, vanilla, kinky, artist, lurker, all of us are threatened by attacks on privacy, by the advancement of censorship of any kind.

We can sort out our grudges when there's time. But I can't help but think too much is too dire for us to let ourselves choose to fight each other as enemies when we're all in such similar need of better.

We need humility in the face of error. We need to let go of the fear of being wrong, of having believed the wrong things, fought for the wrong causes, of having hurt other people. We need to release our guilt, for no amount of it will ever heal a wound inflicted, reverse an error made. We need to see even our enemies as human, even the worst of us as human. We need to remember that we, and others, can always make a choice.

Everything is so, so goddamn scary. It's hard to know what to believe, and who to trust, and who and what and where is safe. And I think that the answer has to be love. We have to love recklessly, we have to be kind no matter what. We have to trust ourselves to change, to be capable of change, of being accepted for changing, we have to trust each other to mean well, to accept us when we try to improve. We have to give second chances, we have to seek the humanity behind each other's actions, and seek to connect with it.

I love you. I want to make a better world with you. Even if we believe different things, I want your life to be easy. I want food in your fridge, I want joy to be an old friend you can always count on being in your daily life. I want rest for you. I want sleep to come easy, I want you to feel safe. I want you warm in the cold, and cool in the heat. I love you.

[kawaiichibiart]

I can't find it (although chances are I never posted it :/), but to this day I think about the post where I share possibility of past akuma victims just, remembering everything. All of them remember.

All. Of. Them.

And, it just sets off this series of support systems.

Individual and group therapy is something that is set up for those who need it.

August's mom starts a forum after her son starts remembering his time as an akuma, and it leads to more parents speaking up about their children, very young children, having nightmares and needing to sleep with their parents or older siblings because their memories as an akuma is hitting them hard.

People who work call off in order to process what's going on.

School gets cancelled for a brief period (like maybe a week or two) of time, some students stay home for longer.

Friends support each other whenever the memories get too intense.

We see so much support and love between everyone who remembers and is remembering...

...but then we have Adrien.

Adrien who can't bring himself to look for support. Adrien who feels like he shouldn't get help.

Everyone who's been akumatized is remembering what they did, what happened, and people can back up what's happened with clear evidence (articles, blogs/vlogs, clips from past livestreams or news reports, etc.) but he doesn't have that.

Chat Blanc's timeline is gone and Ephemeral's was reversed. There is no existing evidence that he's been akumatized. No one remembers he was akumatized, except for Marinette.

Marinette, who's Ladybug.

Ladybug, who's kept things from him. His akumatization, the fact she must of planned on having him reveal his identity just to not tell him hers (and she must of planned on having Viperion in on it, too, which makes it worse).

The girl he no longer knows if he can trust.

He doesn't have anyone who can support him. He doesn't want to say anything in case people thing he's making it all up.

After all, can he prove Chat Noir got akumatized, killed everyone in Paris, maybe even France, split the moon in half and almost killed Ladybug again? Could he prove he was Ephemeral and helped his father win (and God, if that isn't just another peachy thing to find out)? That Ladybug lost her Miraculous because he couldn't break out of his father's control?

He's remembering killing the people he loves and finding his mother (fuck, his mom is under his house) and not being able to resist the akuma and the world ending and being alone surrounded by water and just the continuous thought of "I killed them...it's all my fault..."

He's alone, moreso than he normally is. He shows to school and photoshoots looking dead. He slowly stops talking to his friends, eventually stops showing up to school (Nathalie informing them that he's unwell, since that's what he told her) and eventually leaving Paris to find someone he can talk to because his memories won't leave him alone.

No one knows where he went. No one knows where Chat Noir went. Both of them just, vanished. No one knows why. They can't come up with a reason for him to run.

Nino thinks he's runaway after finally having had enough of how Gabriel treats him, and he took advantage of everyone remembering their akumatizations to leave.

Lila thinks he didn't run away and instead was shipped off to who knows where in case Hawkmoth/Shadowmoth/Monarch sends out an akuma and he he can target past victims who have this new found guilt, she'd just hate it if she got turned back into Volpina or Chameleon and target him :(

Some people think Chat Noir is running away from his responsibilities. Some think he ran away to get real training, maybe an extra weapon in case he needs it.

Meanwhile, Marinette is having a crisis, because if everyone is remembering what happened while they were akumatized....but the time line got erased. Chat Noir couldn't possibly... he'd find a way to leave his Miraculous with her, right? Maybe he wanted to prove he could still be a reliable hero? Maybe she's looking too deep into it (look deeper, honey, you hit the nail on the head, keep hitting it and be a better partner).

I honestly don't know where Adrien would go, part of me wants to say London, because if he could vent to anyone who might possibly believe him, it could be to Felix. Part of me wants him to literally still be in Paris/France, just with a new found ability to wield shadows and be able to hide in them without being noticed. And yet another part of me wants him to run to an entire different continent and leave everything behind.

Just, it's one of the worst ways he can find out what secrets are/were kept from him, and he's not able to say anything because:

He can't know anybody's secret ID, despite it being important he does in case he has to get help on the off chance Ladybug can't (she's captured, she's affected by the akuma's powers, etc.). Look what happened when he found out who Ladybug was. Death on the one hand and his father winning on the other.

Ladybug likely had to go through so much in order to defeat Chat Blanc, why would she want to hear his POV about it? The damage was reversed. He should be happy everyone is still alive alive again after he killed them.

Ladybug is the Guardian, of course she had to know his secret identity. Right? Maybe if she didn't hand out the miraculous, Fu would have and he'd know everyone's secret ID. But she's the Guardian now, so it has to be important for her to know who holds what Miraculous.

He should have known his father was the villain this whole time. Wow, you lived with the villain and didn't suspect him at all? You could have saved time by taking them time to look further into things, but no.

He got akumatized twice and the second time he just handed his miraculous over. It doesn't matter that he wasn't in control, maybe this is a sign he doesn't deserve a miraculous, let alone one of the two most powerful.

[blitz0hno]

Me pondering: kids are capable of going through and understanding complex problems and their feelings should be taken seriously when it counts.

Me practically: who are all these annoying fucking kids in the milgram fandom and why are they posting the worst takes and most irrelevant bullshit I've ever seen ever???

I think these are valid to coexist.

[front-facing-pokemon]

[lethalhoopla]

Okay so while everyone's making killer theories and observations about the teasers we have for Dreadwolf on top of piecing together more and more of the lore and imagery from Inquisition and 2 and even Origins, I just needed to put this observation of my own down as well.

So, the final, incomplete, Solas mural in the rotunda, right?

Clearly, the dragon slayed with the sword, and a.... beast, of some sort. I've seen it referred to as a wolf, a dragon in and of itself, and just some representation of the Inquisition itself.... maybe.

But that's always not quite fit for me. It seems odd that Solas, who is beyond skilled at painting and iconography/symbology, would make something so…. hard to parse. And granted- this was clearly roughed out in a rush, to put it lightly. He's left at this point, the mural forever unfinished.

But in Tevinter Nights, it's described specifically (as written by Lukas Kristjanson):

"The eighth and final panel of the fresco, meant to commemorate the battle against the blighted magister Corypheus, was unfinished. It showed only rough shapes, outlines...."

"... The story was well known- the Elder One, the false god Corypheus, had torn a hole in the sky to steal power from the heavens. He couldn't be killed until his blighted dragon was dead, and the Herald, the Inquisitor, had somehow countered with a dragon of their own. And there was a dragon on the panel, with an Inquisition blade in its neck. But according to the story, both creatures had fallen first, leaving the final victory to the Inquisitor.

But here, unfinished, was the outline of a beast that stood over both dragon and sword. This was not the battle, or the victory. This was after. And the beast was not a dragon. The outline alone might have allowed that assumption, but now, filling with black and red, it was something other. The creature was reptilian, but also canine. The snout was blunted and toothy, but edges came to a point in houndlike ears. [.....] revealing scales and tail, and paws with talons. It looked like two figures painted on either side of a pane of glass, then viewed together, their forms confused. A wolf that had absorbed a dragon, and now stood crooked over all."

Now, without getting too deep into spoilers for that short story (I really recommend it, and the rest of Tevinter Nights!), the depiction could be warped by what happens in the story (and is unfolding in that scene). But due to the reason it's warped, what 'colors' it, I think that the depiction is still accurate (it just becomes a bit more Spicy, let's say). I think that what Solas was starting was a creature like that - a wolf, that absorbed a dragon.

Of course, the question then is what that means.

As lore's revealed over the series, dragons aren't just associated with Archdemons, or even with the potential legends of qunari 'origins' (as dragonkin). Dragons are also specifically associated with the Evanuris - from the fact that only those as powerful as might-as-well-be-god mages could shapeshift into dragons, to their personal symbolism, to hints that different archdemons might be connected to each one (their numbers match, for one...)

Was it Solas leaving some hint as to who, what he was, then? The Dreadwolf, but also the Trickster God? Perhaps how despite simply attempting to free/help his people (he speaks of the loyal, steadfast wolf in the game more than once, wise and wonderful), he was elevated to the status of legend and god (dragonhood)? Was it symbolizing the blended might of the Inquisition, both protector Wolf and godlike Dragon? Some blend thereof, or extrapolation beyond?

Fuel for thought, for sure. But beyond that... the silhouette kept reminding me of something.

It took me a little too long to realize - it wasn't until I was idly staring at the Steam startup image for it while waiting for Origin to hurry up and connect that it hit me.

It's.... it's right there on the box/start screen.

It's... way, way closer to the creature Solas had begun to depict than what we've seen in dragon silhouettes in the past. And I get it- even as I write this, I hesitate, because I mean, the whole silhouette included has wings, right?

(sidenote, but major props to whoever designed this piece, the details are so good, including the fade/fireball/comets shooting off the 'wings' to look like support bones for wing webbing)

That's why I hadn't really thought about it before. But when that hit me, I went back to look at dragon silhouettes in previous games, and I mean-

That's the usual Origin one - and yeah, that's.... way more narrow a snout, though of course you're still getting that dragon spine spike along the neck. The neck itself is far more narrow, too, and its teeth more needlelike.

Okay, what about DA2?

Alright, now we've got some framing that is like DAI. (also, more props for the designers, and the silhouettes of Kirkwall friends/foes, hot damn).

But that face - the dragon's face. I keep catching on it. DA has a really great track record of being pretty specific about its silhouettes, symbols, and general representations, at least where it matters.

The dragon-made-by-silhouette in the Inquisition cover art is significantly blunted in its snout, the neck much broader, shortened in horn (or ear), and even the angle of horn (ear??) is different from past dragon iconography.

I dunno. I definitely don't think it's unreasonable to leave it at artistic representation/liberty, it just ended up a bit rounded, whatever. But where I get less inclined to leave it at that is when coming back to this final incomplete mural panel.

... It's all of it. The down-rounded snout, the way the teeth are depicted, the horn-ears, the spikes-that-could-be-fur, the obviously shorter and wider neck, the over-exaggerated sternum bone that strikes as dragon (/reptilian) before you think it could also be wolf rib cage-

It's.... close. Awfully, curiously close. At the very least, the Inquisition splash art feels like it could be the middle step between dragon and this. The splash is dragon, but wolflike - this is wolf, but dragonlike.

........... now, why the heck does this matter? Well, maybe it doesn't to most people, haha. But I'm an imagery and lore-reference obsessed nerd, and Dragon Age really does go hard with it's laid lore and hints of the future. So I can't help but ask-

Is the mural really depicting the Inquisition Defeating Corypheus?

... even the Tevinter Nights story, the way it's phrased casts some murkiness.

"The story was well known...." ".... This was not the battle, or the victory. This was after."

.... With dragons representing the Evanuris, perhaps.... is this instead a note, a hint, left depicting Solas' intent? To slay the dragon, the true dragons, what remains of the Evanuris after he tears down the Veil - because it would not only cause chaos, but also release them from the prison he'd made via the creation of the Veil?

Is the dragon-wolf not the Inquisition, but Solas, or rather - more importantly - Fen'Harel?

The shape of the maw, the way the ears point back, the trailing scruff/magic along the neck 'spine'....

Even the way the rips are traced, and the paw is drawn-

Hmmm.

Hmmmmmmmmm.

... I think it's depicting more than Corypheus' defeat.

But too, there's two other elements that keep rolling around in my mind with all this-

) "... On the mural, all Messere would say is, 'Skyhold is [their] fortress' (meaning of course the Inquisitor). 'These are [their] actions.' "

If these are their actions........ how does the potential for this image to be depicting the downfall of elven gods play into the picture (literally)...?

And thus, the second thought:

2. ) On that very same splash image for Inquisition, the silhouette of the dragon (with hints of wolf) is made via the energy of the Mark coming off the Inquisitor's hand. The dragon-ish creature is of the Inquisitor's making.

The creature is what the Inquisitor has made. Their actions. The mural, a depiction thereof; their choices, their efforts, their impact.

Their impact - a changed Solas... or, perhaps, one all the more committed to his cause. Fen'Harel, or a wolf-dragon hybrid, roaring at a slain dragon, sword of the Inquisition buried deep.

Trespasser, revealing just how much further Solas' network of spies and agents has expanded through the Inquisition. And whether through friendship/love or rivalry/antagonism, Solas coming away from it with his determination redoubled, his mission certain.

Whether it was intended to depict the effect of the Inquisitor on things they don't yet grasp, or their affect on him and his intent to bear out his mission........... I think this mural's about a lot, lot more than just the defeat of Corypheus.

[stackedbirds]

ok so!!!

my sibling, having finished mdzs, started reading tgcf and

they found this epic quote

"He really wanted to hang a sign on his back saying, ‘Ascension is not as good as collecting scraps’ and promote it in the mortal world."

about xl

and in my opinion

he deserves it.

[toasteriino]

Hey there, Junior.

[justablah56]

recently drew a new pfp for my aro sideblog and I'm deciding to post it on here bcs I can <3

anyways Aether self portrait bcs why not 👍

[organised-disaster]

You did WHAt

Netflix, what do you think the point of downloading the show was????

Me: I like this show, I'll just download it so I can rewatch it without service.

Netflix: mm no bestie so sorry girlypop can't let that happen queen really sorry pookie

[ch3shire-rabbit]

Something I wrote based off of something that’s not canon in my Kirby interp’s timeline anymore

——————

It has been years— no, millennia since the last of his family and friends had succumbed to old age and faded away. His once strong wings are now patchy and bony. His horns were chipped and worn—practically crumbling away—and was missing its golden glow. The bright fuchsia hue of his body had faded into a sickly pink, his bones the weakest they’ve ever been. Galacta Knight had lived far longer than he should have. Impossibly longer. He knows. 

The butterfly reaper watches him approach as he limps towards it. Its ghostly white eyes offer nothing but an unreadable stare. For not the first time, Galacta pleads to it.

“Please let me die,” he rasps, “I am very tired. The ones I loved and befriended are long gone. With too much time, I’ve lost my sense of purpose. I’ve lost everything.”

A hint of betrayal flashed in his company’s eyes, but dissolved as quickly as it came.

“Then wend and maketh yourself new friends,” Morpho Knight stated, it’s tone of voice eerily calm. Anger bubbled at the back of Galacta’s throat.

“There’s nothing left!” he groans. Long ago had he lost his ability to yell.

He grabs Morpho’s gloved paw with urgency. It’s wings twitch, and mirror the drooped posture of Galacta’s.

“Por favor,” Galacta pleads. “Déjame morir.”

Morpho’s glow dims ever so slightly. Something flickers behind it’s eyes. Frustration? Exasperation? … Sadness?

“It is not thy timeth yet,” Morpho only says.

It recoils from Galacta’s hands as if it were burned. Ignoring the whimper from said knight, it morphs into a butterfly and flutters away. It’s glow disappears into the darkness.