Bruce is actually really attractive, and I have enough reasoning to make a list
He's:
Tall (. Tall enough to hit his head on the vault doorframe)
Long-legged
Has a straight nose bridge
Has high cheekbones (more noticeable in 2nd pic below)
Has a strong jawline
Sharp eyes, but they aren't small (plus eyebags if you're into that)
Overall, he has strong, attractive facial features
Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)
Even has a thick, muscly neck
He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)
(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-
-and in the panels where we first get his name dropped, he's got those shoulder blades too-)
The one time we see him smile, and he actually has a scary one
Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute
Other than the physical appearance stuff, he also:
Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)
Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO
Put up with Kudo's experimenting and testing over Yoichi's transferable Factor
Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.
Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.
Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?
Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor
He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.
Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.
These two made their choices based on what they valued and saw the Factor needed.
Is logical, analytical, and calm.
He tried advising Midoriya on their Abilities in One For All, especially his own.
Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).
Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.
We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.
Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya
While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.
Bruce was also the one to start talking, while Kudo just kept quiet.
He actually communicates a lot
When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.
(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])
When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.
He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".
Is strong-willed and loyal.
He followed Kudo, even to death, carrying on the cause he started until it ended with him.
Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.
AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.
Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.
Not only is Bruce attractive, but he's got good character. THE END.
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Minami Anon x3 but so real………. Yeah idk how old he's meant to be but he very much gives me like 21-30 35 at oldest age range vibes. Which I think/agree is a factor in Why He Is Like That. I know its technically noncanon but i also think a lot about the implications of Minami once never drinking but then when he discovered fire breathing he started drinking 24/7 from this one scene w Majima in dead souls like hmmmmmmm….. wonder what’s going on there buddy…….. something you'd like to share with the class Minami about how you perceive yourself/any potential wants for attention. Anyways it’s okay if the you sound untranslatable I understand and also relate to that feeling of 24/7 thinking i come across as incomprehensible 💖 no pressure to do so but I would personally love to read that Saejima teacher ramble and how it affects Minami etc etc also
ohhh man it's canon. if we're taking rggo's scraps as having some relevancy then dead souls absolutely is canon. and more importantly, its canon TO ME (takes consecutive puffs of my copium inhaler)
yeah i had this at the ready. yeah. i tear my shirt open and it has "the line from dead souls where Majima outs Minami as a fucking square" tattooed across my chest. not the line itself but those exact words. i cannot describe how his charm shot thru the fucking roof to me when i heard he used to be completely straight edge!! what a fucking dork!! come here i'm giving you a wedgie boy
and then the ehhhh half-subjective half-objective tragedy of him succumbing to a vice to the point of functional alcoholism (or currently functional aud as some folks call it, which is unfortunate naming conventions for those who use australian currency) implying he's been a "pretty good drinker" for an extended amount of time. and the kicker is majima totally could not care less. there's no evidence to Him Specifically being the one who got Minami to drink but it's absolutely regular Family practice, if the boy wants to fit in with the Majimagumi he needs to top up!
hc shit-i-made-up territory but i LIKE to believe that Majima personally influenced him this way during whatever limited time they had in direct contact with each other (cause while you COULD have their dynamic between a twat who signed up + the twat who runs the business and nothing more its not as fun. a little too parasocial methinks) but this is 99% due to me finding a song that makes me imagine the perfect sequence for this (dont get me.started on Majimagumi songs. i like to delude myself into thinking i'll animate to one of them eventually). also considering the kind of man Majima was during Shimano-servant-era i feel like it wouldnt be too out of character. he's not a malicious person but by god he does stupid shit and hurts people so much in so many horrific ways he could not care less about putting some highschool level peer-pressure shit on the new recruit just because he's Bored. what's one more hurt person in the grand scheme of things.
Alllso... getting back on track..? WHY was Minami straight edge in the first place. it could be any reason under the sun but the way it's worded here really sounds like it took a lot of willpower to break his resolve to just have a sip, just tryyyyyyy it, yadda yadda. if Minami is as punk as i totally project unto him to be, then he'd be no stranger to lives lived in excess..... i could not tell you for certain that Straight-Edge was a Punk Thing in pre-2010 Japan whatsoever. an attitude, sure, but i'm talking music scene shit........ however, gigs involve lots of booze at the bare minimum regardless of country. 'tis just the way of life. and 'tis a plausible outlet for WHY he seemed to have such a strong unwillingness to drink....
you know, outside of other stuff like experiences with friends and family. those can work too. those are considerably more sad and personal... those can work alongside gig culture shit. i dont have anything explicitly outlined but its definitely something i'd like to write for him... make up a little backstory so i can maybe explore some themes that RGG wouldn't touch with a ten foot pole, like addiction. it interests me a lot and getting it somewhat RIGHT interests me a lot. i know for sure RGG would fuck it up LMAO
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Headcanons for being Johnny Lawrence’s daughter
Johnny Lawrence x daughter!reader
warnings: alcohol, underage drinking, classic johnny sexism <3
a/n: WHAT! ME write a fic thats not gn, i know. im shocked too but its just bc i feel johnny is so gender-stereotypey that doing this gn wouldn’t work very well but very open to a son!r or nb!r if anyone is interested (bc seriously. johnny cannot help but bring up genders). also i just want to say that a lot of this (not all!) honestly reminds me of or are actual things that have happened w my dad bc johnny is literally my dad if my dad was like 8 years older i think also i wrote this all in one sitting ALSO NO COBRA KAI SEASON 6 SPOILERS
prompt:
GIRL DAD!
you always kinda just gravitated toward living with your dad
“y/n, i’m so proud of you. i never have to worry about you. you can take care of yourself. robby on the other hand, i worry about him. i think girls are just more self sufficient” -johnny, a little drunk
“thanks dad” -you, also a little drunk (hes a “cool dad”)
he was the type of parent that “prefers that if you’re gonna do something stupid at least do it while he’s around” aka underage drinking
whenever he stays out late you fall asleep in his bed. and lock him out
“y/n! open the door!” -johnny, banging on the door
“no! your bed is more comfortable” -you
he thought it was sweet honestly but he did want to sleep in his bed
sort of like a lesson not to come home late all drunk and gross
he was VERY against letting you drive his car
“dad, i need my license!” -you
“no woman is getting behind the wheel of my firebird” -johnny
“why do you have to make it about women? i’ll fight you” -you
“you’ll lose that fight” -johnny
“oh, so you’d fight a teenage girl? wow, real classy, dad” -you
“no, but i’d fight my teenage daughter. i brought you into this world and i’ll take you out” -johnny
you honestly had a great sense of humor with johnny, but you’d check him if he said anything too messed up
“dad, it’s not the 80’s anymore, you can’t say that” -you
“dont tell me what i can and cant say! the 80’s were awesome, i wish it was the 80’s again” -johnny
“so i’ve heard” -you
he helped you with your homework as a kid until like, 2nd grade when multiplication and division got involved
he did teach you karate growing up! but mostly the basics, for self defense purposes
“hey, never let any guy try to impress you with his karate skills. he’s probably a douche” -johnny, pausing “i sure was”
late night movie marathons (70s/80s classics for sure)
he took care of you during your first hangover (high school parties, ya know)
“didn’t i teach you better than to mix liquors” -johnny
“ugghhhh” -you
yes, you have heard about daniel larusso. enough said LMAO
robby and you had a kind of sweet but distant relationship
occasional check-in texts
robby: are you doing okay with dad? he’s actually buying food and shit?
you: yeah! he’s fine right now, how’s mom? new stepdad yet? is he rich?
robby: mom’s not going anywhere she’d find a rich guy, but keep dreaming
you wear a lot of your dad’s old t-shirts. usually band tee’s
oh and he made sure you got into the “right music”
he used to drive you around in the firebird when you were a SMALL CHILD (front seat, no car seat!) and blast his old cassettes
for YEARS he’d pull the “who is this” “what song is this” game with the reasoning:
“if you wear a band shirt and some asshole asks you to name three songs, i want you to name ten” -johnny
listen. you were still “daddy’s girl” or whatever used to be a cute little saying and is now ruined but whatever
“dad, can i have twenty bucks?” -you
“for what” -johnny
“for fun. pleaseeee” -you
*johnny pulls out his wallet and gives you $40*
could he afford it? no. can he say no? also no.
the absolute fear he felt when you got your first period
“it’s fine, i can call mom” -you
“no, it’s not fine! i’ve had girlfriends before, i got this. stay here, i’ll be back” -johnny
he went to the store and bought the most random assortment of period products and pain meds and snacks and a heating pad
A for effort
when the diaz family moved in across from you guys, miguel took one look at you and johnny said:
“stay away from my daughter”
when the karate fuss got started you tried to keep your distance but sooner or later you joined the dojo and proved to your dad just how “badass” you could be
“take notes everyone, y/n’s gonna be the next all valley champ!” -johnny
taglist: @ravenmoore14 // @retvenkos // @sweetheartlizzie07 // @an4aaa // @summersimmerus // @xoxobabydolls // @sapphireplums // @petersgroupie // @ravenhood2792 // @evilcr0ne // @thedarkqueenofavalon // @elenavampire21 // @elemental-of-magic //
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can we have rafe try to grovel ?? :((((( shy reader deserves better !!! <3 https://www.tumblr.com/erwinsvow/751213087399510016/what-if-rafe-ever-hit-shy-reader-from-built-up?source=share
he will grovel!! side note i dont know how i feel about this its just for the sweet anon who wanted part two
the moment rafe shuts the door and traps you in the room, between his body and the wall, you know some part of you has just broken that you'll never fully be able to fix.
everything in your body tells you to look up at rafe and do something. slap him back, push him away, turn around and storm out of the room and try to at least show him you're just as mad as he is—but none of that actually happens.
hot tears keep spilling down your cheeks, and you stay frozen like that for what feels like forever, staring at the floor of rafe's bedroom. the sound of rafe's heavy breaths fills the space, though you can barely detect it over the way your heart is pounding in your ears.
you want to leave. but you don't know where you even would go. before the events of the last hour, there was no where you wanted to be more than wherever rafe was. and now, staring at the floor instead of up at the boy who you had gladly given your heart to only for him to snap it in half with his bare hands and deliver it back, you stay frozen, waiting for rafe. you are always waiting for rafe.
"kid, i-" you finally look up, through wet lashes and almost painful eyes fluttering slowly, and rafe stops talking the moment you do. you don't know why, but it doesn't take you long to figure it out. there's a mark on your cheek the size of his hand, probably an imprint from his ring too.
it's such a shame—you always loved that ring.
you snap out of your thoughts when rafe keeps talking, though there's still blooding rushing in your ears. he sounds muffled, his mouth moving and expression looking, you can only imagine, somewhat close to yours—sad and angry all blended together. you keep blinking slowly, listening but not really listening, waiting for him to finish so you can leave.
how stupid you must seem to him, and to yourself, you think pathetically. he just hit you, and you're waiting for him to finish, so you don't impolitely interrupt. you should drive straight from tannyhill to a therapist's office—though you think not even a licensed professional could help you figure out what exactly is wrong with you.
the thought makes you laugh, corners of your mouth turning up and a rush of air leaving your throat. half a laugh, half a sob. the gutting realization has just hit you—whatever was wrong with you, rafe was the only one in the world who seemed to understand you.
"baby?" rafe asks, and you actually snap out of it this time—looking up at your boyfriend, wondering if he knows you haven't heard a single thing he's said so far.
"i think i should go home," you reply, wondering where your keys are and where your wallet is. you don't keep track of these things anymore, usually since rafe drives you everywhere and pays for everything.
"okay. i'll bring you, just let me go get-"
"no, i-" you stop yourself—about to apologize again. everything running through your mind makes you choose your words carefully. "i'm gonna go home."
"you didn't drive here, kid. i picked you up, remember?" rafe looks back at you and you feel a fresh wave of tears take over. you hadn't remembered.
"oh."
"listen, kid, i'm so-"
"i'm going home," you repeat firmly, mostly to yourself. "i'll just-i'll walk."
"y'not walking. it's dark and-"
"rafe, stop." the way you say it, he actually listens. you don't sound like yourself, you can tell from the way he looks at you, rafe's face doused with concern and apprehension. you look away, turning to face the door. "i'll be fine. i need to go."
"c'mon, kid, don't go," he says, and every bone and muscle inside you wants to listen, to do what he says like you always do. you feel more hot tears coming up, stopping them seems impossible yet you know crying is useless. it already happened and the damage is already done.
you turn around from your position, knowing it's a mistake. rafe gets closer, his hands coming up to cup your cheeks. he holds your face like he always does, except there's one big difference—you flinch the moment he starts moving.
"baby," rafe says quietly, and everything in you stops for a moment. brain lagging, breath catching, even the tears stop for a second while you look up at your boyfriend. "i'm so sorry. i am so sorry. i fucked up, okay? i know i did, but please don't go."
"rafe, i can't stay," it comes out just as quietly, a notch above a whisper. "you hurt me." it comes out wrangled in a sob. rafe wipes away some of your fresh tears with his hands.
"i-i know. and i'm gonna regret it forever, but-" rafe stops, and you stop too. you chew on your lip nervously, realizing it's going to bleed from how much you're biting down. "can-can i at least bring you home? please?"
"okay," you give in-but you shouldn't have.
you don't even know how you're gonna explain the mark on your face to your parents, or why you're home so early when you said you were sleeping over. every movement feels exhausting—grabbing some of your things and walking down the stairs to getting into rafe's truck. the drive to your place isn't very long, only ten minutes, and you stare out the window the whole time. it feels like hours with the way rafe looks at you at each red light.
rafe pulls into your driveway and you look up at him expectantly, though you're not sure why.
"can you-can you turn the headlights off? i don't want them waking up," you say, after what feels like ages of silence.
rafe turns the lights off but doesn't say anything. it's not until you reach for the doorhandle that he does—it's almost muscle memory for him. he leans over you to pull the handle and open the door for you, but you flinch so hard when he moves that he can't even get the door. instead he looks back at you while you stare up at him. without any words, you both know what the other is thinking.
"goodnight, rafe," you say, your own hand on the door now.
"wait, kid," he says, and you stop your movement immediately. even in this situation, you can't help but listen. "can i see you tomorrow? please?"
"i don't think that's a good idea."
"c'mon. we-we have to talk about this. i can't just.. not see you. i'm gonna go crazy."
"i need to go rafe." the second you say it, you start feeling bad about it. it's so engrained in you—trying to avoid hurting rafe in any and every way possible, that the very idea of not giving him what he wants makes your chest ache painfully. "i.. i have to think about it."
he leans over, slowly this time so you don't get scared again, opening the door for you like he always does. you climb out, getting your bag and trying to pretend everything's fine until you get inside your room.
"good night, kid. i'll talk to you tomorrow."
without replying, you walk inside. rafe's truck stays in your driveway until you lock the door, and he doesn't drive away until minutes after.
surprisingly, you make it to your room before you start crying. and you don't stop crying until the sun comes up.
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