Thinking about Robin and Sunday's halos.
About how Robin's halo isn't a closed circle, but more like a branch forming a circular shape, where the start and stem don't touch. It's also uneven in shape and splits into three flowers, like it's allowed to grow freely, unobstructed. Something about Robin having left Penacony and having escaped the confines of her cage, being able to flourish. About her being able to let people in, and connect to them.
Meanwhile Sunday stayed behind to be the head of the Oak family and conform to the strict role that's expected of him, and his halo is a perfectly symmetrical shape that's practically fully closed off. It's sharp, almost more like a crown of thorns than a halo. And it almost doesn't have any openings to let anything, or anyone, in easily. It actively discourages getting close to it.
And then if you want to get sappy about, which I will - Sunday doesn't let anyone in, with that almost completely sealed, thorny halo of his... But there's an opening in Robin's halo, and so it can fit around Sunday's. Something about him always being able to find solace in her, because there's room for him in her (halo) heart always, by design.
Anyway I'm not normal about them.
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In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.
Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.
Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.
And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.
And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.
All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.
Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.
The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?
The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.
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part one
In the days it takes you to heal from your injuries, Luffy comes to your bedroom to sleep next to you every night. He does try, the night after the first, to sleep in his own bedroom but he can't. Usually sleep comes easy to him, especially after a long day of adventure but not now. He closes his eyes, trying to think of your wounds healing, your soft breathing, your warm hand holding his, but he can't fall asleep. He huffs in irritation and rises from his bed, sulking across the ship to knock on your bedroom door and opening it slowly. You put down your book, you were also struggling to sleep, and open the covers for him. You smile at each other as he excitedly hops into your bed.
And so it becomes routine for you two. Even as your injuries heal completely, as the sunsets and the crew walks off to their separate bedrooms, Luffy follows you into yours and you let him. It becomes normal to roll over in the middle of the night and snuggle into his warm body, to wake up in the morning with his arm wrapped around you, to feel him pull you closer in his sleep, to giggle at his sleep-talking, to hear your name in his mumblings. You offer to let him keep his toothbrush and some clothes in your room, he accepts.
Sleeping together becomes so routine that you have trouble sleeping without him. There were times when you two would be separated by a foe that Luffy challenged and each night you would stay awake staring at his side of the bed, worry clouding your mind and making it impossible to sleep and eventually when Luffy defeated the foe, he would be covered in bandages and it was your turn to listen to his soft, even breathing as he slept. There were times when you be working late into the night and he would come find you, curling up on the floor next to you to sleep in your presence until you eventually finish and drag him back to your bed so you can both sleep comfortably. There were times when you would get angry at him for putting the crew in danger with his recklessness and you'd slammed your bedroom door in his face and toss and turn, your anger at him turning into desperation for him to just come to bed already, eventually you get up to find him and as you open your bedroom door, Luffy's sleeping frame falls on your legs. He'd been sleeping against your door. Smiling you pull his rubbery body into bed and cuddle up next to him, his heartbeat your lullaby. He smiles in his sleep and his arms come up around you. Whenever he's missing his hat or sandals, you find them by your bed.
This new routine of you and your captain sleeping together left your other crewmates with their mouths on the floor several times. They still hadn't gotten used to you two waving goodnight and walking into the same bedroom. When they would ask, you tried to explain but there really wasn't anything to explain. You and their captain couldn't sleep unless you slept together. That's all, why do they always stare at you in such surprise when you say that? Their shocked faces didn't discourage you both into cuddling up to each other at night, finding relaxation, warmth, safety, and comfort in each others arms. What was once your space becomes "our bedroom", "our closet", "our bathroom".
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my princess nonsense is being encouraged watch ouyt imabout to be eneaabled
OK WHATF ATHAT'S SO CUTE I HAD TO MAKE IT
i know realistically there's little to no chance that rei DOESN'T know how to work heels π€£
BUT IMAGINE.....ING.... YAKUMO GENTLY GUIDING REI IN HEELS, WEEKS BEFORE THE BIG GALA
AND HAVING NONE OF HIS NORMAL FEAR OF PHYSICAL TOUCH BC HIS [TEACHER MODE] IS OVERRIDING HIS INSECURITY
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to be completely honest, I don't want macdennis in this finale at all. i want den's plot to stay his own. i want the gang to understand just how much they rely on dennis, and how the pressure is finally wearing him down. dennis' inability to escape these high expectations from all of them. of the responsibility that he hates so much. this has been a part of his plotlines for years, and now he can't even take a day trip to the beach without the gang calling him for dumb shit. he's expected to be there to help the gang whenever they need him, but will they be there to help him?
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
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some postgame doodles for pride month
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zomg... the girls! Sketched out! And a few characters I never showed designs for! haha! I keep thinking about the beach, so this is their swimwear.
I hope to make a full fledged drawing for all of them soon~ then the guys~~
Some newbies are: Aura (blue!) Katya (Gold!) and more of Verra (Green!) We'll eventually see more about them as I draw more things and doodles.
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every Led Zeppelin concert needs a Bonzo Cam
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Peter Parker if he got bit by a radioactive sword β’οΈπ’βοΈ
if I had a nickel for every time I made a Spider-Man au based off a video game, I'd have three nickels, which isn't a lot but it's concerning that it's happened three times. This au is the spidey/final fantasy vii mashup, where Peter becomes the Unreliable Narrator
anyway someone pretty please write this au for me <333 I'll pay you <3333333
bg variants under the cut
the BIGGEST dilemma(s) was figuring out if I should
A) keep the eyes in my art style (no colours, just the highlight), bc ngl it makes him seem more babey (pic 1),,, or
B) add the mako-glow to the eyes so i could be lore-accurate.... also I spent a lot of time!! on colouring in those pixels!!!!! dammit!!!!!!!!! (pic 2) and
C) OF COURSE i was struggling to choose between the white and red backgrounds!!!!! evil me!!!!!!! making difficult creative decisions!!!!!!
i will,,,, try to draw the other peeps as well (mj as tifa and gwen as aerith ,,, mmm yesss esysey yes ssss) but i fear the monkey brain has already died........ i will try tho,,,,,,,,,,
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morning toddheads
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