#when your cast is full of queer and disabled and diverse people

[yourplasticpal]

Ok, but... this is the show that it is. Mark me as on Con O'Neill watch until season 3, same as I was on Nathan Foad watch. If Buttons is a bird, nothing is impossible.

If Izzy comes back as an animal too, what are we thinking? Literal unicorn?

[summerlinenss]

here’s the thing.

if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.

and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.

ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.

it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.

it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.

besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.

on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.

this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.

[dropoutconfessions]

it really bugs me when people say dropout doesn't have representation or "enough" representation. there's lots of women, poc, queer people, trans people, trans women, drag queens, neurodivergent people, stutters and (afaik one) physically disabled person just counting who shows up on screen, let alone the rest of the crew. they give every demographic a voice, a job, the ability to take risks with shows and to come up with ideas and to do something they love all at a relatively cheap subscription price with multiple weekly uploads. yes there could be more but you could be saying that forever. i'm not saying to sit down and shut up and not fight for representation, but some of the language people use really makes it seem like they're arguing that dropout has little to no rep which is just false. dropout shouldn't hire just to tick diversity boxes, the cast doesn't owe you their coming out or diagnoses. a lot of the cast are very open about their identity, sexuality and disabilities/illnesses/struggles and 90% of every single episode of any show on dropout is filled to the brim with queer people and characters. they know their audience is full of queer people. they've created a safe space both online and in real life at an affordable price and they're letting queer people experiment and take risks and do what they love. some of yous need respect. yes sam is a cis white man but what ever happened to "cis white people need to uplift the voices of the marginalised" and mismag is good, actually because jkr doesn't own the genre but we're at a place where it's good to talk about her when creating stories in said genre using a public platform. which they do. the show's both parodying hp and its own deep narrative about dismantling oppression and segregation through community, connections and love and both of these themes are about combating jkr's influence and rhetoric. you don't know who wrote mismag or who they spoke to or who they love, and a trans person literally plays in it and their character QUITE LITERALLY transitions their identity to something that was always there but they were hiding away in an effort to fit in and look cool, which is very trans of them to do. playing with the wizard boarding school genre should be un-terfed and that's the point of mismag and tumblr people shoot first and ask questions later media literacy is a sisyphusian task you need to constantly learn and check and re-check and adjust and learn you don't just "have it" because you can think past surface level on your favourite shows. context matters sometimes and this is one of those times.

anyway sorry for the rant reading this blog's posts make my blood vessels burst

-

[the-official-account]

Do you love detective stories but hate cops?

Do you love gay detective stories and hate capitalism?

Like disabled main characters who's disability actually comes up?

Like characters of color but not in the mood for stories on racism?

Tempted by the thought of romance at ages of 30+?

Does the idea of stories so queer you'll hesitate before calling any character a "man" or a "woman" make you think "Ah, yes pronoun shenanigans, just like my discord used to make"

And you into an abundance of strong, diverse female and nonbinary characters?

Do you fight for women's wrongs?

I know rep-only recommendations can be annoying, but I'm trying to grab your attention to promote some Indie media. Luckily, though, this post isn't rep-only!

To read my full reccomendation and review of Three of Hearts, click below. ♦️♥️♣️♠️

And if you aren't in the mood for a new thing right now, consider reblogging! Maybe even ping a friend who might be into this! You love supporting queer indie creators!

Note: I am not involved with the making of the show or the game space Kings. I just really like this podcast.

The story

♠️♣️♥️♦️Three of Hearts♦️♥️♣️♠️ centers on two paragovernmental agents in a fantasy, post-war, queernormative 1950s.

Roughly 20 years before the opening, a set of heroes purged magic from the world to turn the tide of the war. But scraps of this thaumaturgic energy still remain. S.U.I.T.S (securing unpredictable injurious thaumaturgic situations) is an agency founded to deal with everything left behind.

When two of the longest standing employees at S.U.I.T.S, Agent Vellum and Agent Felspar, are called onto a new case involving stone crops and a missing person, Felspar isn't surprised (Though Vellum, who's injury had him doing desk work most of his career, is). Things devolve quickly when the Agents realize this case comes from Felspar's home town of Cloven heart, an idyllic magical village that prefers to handle justice on it's own.

Answers yield only more questions, as the Agents realize almost everyone in town has something to hide, and Felspar isn't the only one whose past keeps catching up to him:

How much magic is still around? What's Vellum got sloshing around in there that people think is so juicy? What is Diamond, elven pop star and queer icon, doing in such a small town? Just how big is this case, and how can the Agents balance their legal responsibility, with promises they've made to Cloven Heart?

WHEN. WILL. THEY. JUST. KISS?

(if you're skeptical about central romances, I get it! See notes on aro/aceness and platonic relationships in the rep section for more info)

The combination of magic and newfangled war tech — think telegrams and radios — is somehow just as charming as a rotating cast of characters who will each stake their claim on your heart, but betrayal is imminent and mistrust is rife. The story strikes a wonderful balance between slice of life goodness, and edge-of-your-seat high drama, culminating In a show I highly recommend.

But are they just reskinned cops: my answer has got to be no. While they are technically law enforcement, the main two are entering a commune-like space, where that isn't so welcome. It's a situation they treat with caution and respect. The classic cop-plot of "Should I make myself judge, jury, and executioner because The Bad Guy™ deserves punishment" just isn't a problem. The justice system isn't perfect, in our world or the show's, and the story acknowledges that. But in a social, cultural way, they don't act like cops. They DO act like detectives. But the rules they choose to break and the ones they choose to follow will hopefully satisfy my fellow cop-haters who crave a good mystery

The format

♠️♣️♥️♦️Three of Hearts♦️♥️♣️♠️ is an Indie actual play — this is not DnD, hear me out — podcast in the game Space Kings. All the tension of dice rolls, without drawn out combat or clunkiness, it's a breeze of story-forward listening, even if you've never listened to actually play podcasts before!

If you've tried dnd actual plays, and haven't like the flow of them, I would recommend trying this. A few encounters that may feel random (though they're not) get the story kicked off at a fast pace, but it quickly settles into a story with a tight plot, great pacing, and impactful character development.

The use of a playing card deck to see the outcomes of risky actions means that no matter what happens, success or failure, the tension keeps rising. And the hosts do a wonderful job of explaining mechanics in the show, so it never interrupts the listening experience.

Actual-play connessuires who want to primarily see people playing a game might not be satisfied, as bonuses are given liberally, and I would describe the podcast as more story focused than game focused, But the risks are ALWAYS real, sometimes (often) with thrilling, shocking outcomes.

Also concerned AP listeners should know there's some chaos magic involved! I was surprised when it first came up, and doubtful about how it might affect the story, but it ended up weaving into the rest of the plot really well, and I feel neither like it had no affect, nor like it shook up everything the party was building in an unsatisfying way. Personally I would have preferred to go in knowing it was there, but I also don't think it's major enough to belong in the main synopsis. Now you know, though!

The hosts make a real effort to blend stats and story, and I think the pull it off wonderfully without spending too much time on mechanics. If you want to see that though, session 0 and other details are on the Patreon (where you get the same content no matter how much you pay, at a minimum of a dollar a month).

The pod has all the lighthearted fun and banter of a "friends around the table" show, but never once have I had that "oh my god, I'm not a part of your inside joke, shut up and play!" Feeling.

I think it's a delight for AP and non-AP fans alike.

The episodes: roughly 45- 75 minutes long, with a midtro and some post-end music scenes, so listen through the end music, or check that there isn't extra content by seeing how close the play head is when the end music starts. It's not too long and quite pleasant in my opinion! The midtros always come at a nice moment to step back from the story, and are not too long and not irritating. I enjoyed listening to them! At some point, a midtro starts getting reused, and I was slightly disappointed I wasn't hearing new jokes every episode, but it's a small thing. I skip the repetitive ones with my 30 seconds forward button, and while I haven't timed the Intro, that's worked really well for me. I don't have to fiddle with my play head to make sure I don't skip forward too far. Super convient.

Trigger warnings: the show is pretty lighthearted! Listeners sensitive non-graphic mentions of needles, blood, and/or guns might want to skip on this one, but most episodes don't get heavy. The few that do have pre episodes notes that warn you things get dark, how they get dark, and how to skip the darkest bits. Personally, I listened through them and enjoyed those parts a lot! But if that's not your thing, I agree with the warning that they're very skippable, and I think trigger-sensitive listeners will be pleased. As an indie pod, there are no fan made, super specific lists of triggers. However, my DMs are always open if you have particular concerns, and I'll answer to the best of my ability.

I try to emphasize the balance between lightheartedness and drama, but if you mental health is sensitive to grim & dark media, i think this one is pretty safe. Please always exercise caution! But I'd describe 30♥️s as emotionally restful.

Transcripts: transcripts are in the works, but do not currently exist. Three of Hearts is a non-scripted show, so those are also unavailable

The rep

Don't you hate when someone raves about rep and you go in expecting something good and get like. One dog-boy described as having "chocolate colored skin"? Or when people make a "watch for rep" post and then mention like. Gay and maybe trans people and that's it, even when shows DO have disability and POC rep? Yeah that's not me. Here's the spoiler free rundown, race is at the bottom because I get into more detail with it, not because it isn't important:

Edit: For more on some of these topics from a hosts perspective, see the reblogged addition by @/citrusandsalt

MLM characters: Main characters, one confirmed bi the other unknown

Wlw characters: Reoccurring side characters (present or mentioned in every episode I think) Married. Orientation unspecified.

Enby love: LOTS. It's actually hard to really categorize mlm and wlw stuff because almost every character is nonbinary. Anyways— it's VERY queer

Women: I...I don't know exactly which characters are women 😂. But there are many feminine characters, and they're badass as fuck. Some are compassionate, some are cold, some are chaotic, most are a mix! The two main characters are...masculine...(I say with much hesitation) but you will not feel robbed for your woman-ly content.

Non-traditional family structures: All of the families in the story, pretty much, are non-traditional. Adoption is super common. (You want some wlw who just KEEP adopting kids? You got em) Found family is a MASSIVE force in the story. Also, It's a post-war story.........which is to say almost everyone's parents are dead.

Edit: an MC had poly parents, which may not be obvious but is true!

Polyamory: to my knowledge so far, there are polyam characters, and it is definitely present in the world! But no poly relationships in the forefront. I am about 2/3 through the current episodes, so there may be a present polyamorous relationship later, but also if I confirmed it that would be a spoiler. This may be that "playing it by ear" thing that happens with ttrpgs. I wouldn't listen for the hope of polyamory alone, but I don't tell you it's not there/won't happen.

Trans characters: almost all of them. Might think "oh there are only a few!" And you are wrong. You are so wrong.

Neopronoun users: yup! To my knowledge, minor characters. A handful who use at least he/she/they or they/them and may also use neos in a manner im forgetting

Plurality: no system characters yet, but the creators are friendly, I asked ;)

Platonic relationships: YES. As an aro person who hates so many romance tropes this one gets my stamp of approval. There's no real jealousy drama, exes who communicate and are supportive, and romance doesn't kill friendships. There's a central sibling relationship and non-familial platonic ones that have conflict, drama, resolutions, and a deeply satisfying significance in the story. If you don't like romance at all, this one might not be for you. If you just don't like stories exclusively about romance, I think you'll enjoy this. Genre wise, I'd definitely describe three of hearts as a mystery primarily with a strong romantic subplot, not a romance itself, and that comes through in player and character's additives and priorities.

Aro/ace characters: none confirmed yet to my knowledge. Romance is very central, sex is joked about on occasion but it isn't at the forefront of the story at all. There are many, single characters who are thriving.

Edit: Actually! There is one character who discusses demiromanticism in cannon that I forgot, and another confirmed out of cannon character who is ace. Both are non-main major characters!

Age diversity: the youngest characters in the show are older to middling teens, and the oldest are in their 400s. Okay but the oldest in human terms are roughly 60-70. The most common age range, and the ones the central characters are in, is 30-40. The second most common is that 60-70, then some ~40-50 folks here and there, with people in their 20s being probably the rarest (no named ones off the top of my head?) And there are a small number of teens. This is not a story about youth and youthful beauty. Generally, the older a character becomes the most bad ass/spooky powerful they are, and older characters are very involved in the plot.

Mental illness and neurodivergency: to my knowledge so far no characters are in cannon confirmed to have a specific mental illness or ND, though I wouldn't be surprised if it was part of a character or the main characters, and just hadn't come up. Listeners with cluster b or "scary" disorders, or with conditions that may cause them to lash out, will find satisfaction with how compassionately the narrative treats werefolk. To say more encounters spoilers. I would also say that depression, while the word isn't used and it is not central to the story, is present as a narrative force, and also treated wisely and with compassion. Still, as is usually for a good story, all of these bitches need therapy.

Disability: LOTS. There's a lot of "different, not broken" themes that disabled listeners are likely to love, but both of the main characters are disabled! One is a cane user, the other experiences migraines. These have a genuine, pressing, mechanical impact on the story. It's COMES UP. It's a real joy. For a magical world, there is no magical healing! Or there is, but it isn't a perfect solution, which in my opinion is just a magical version of real healing, though yours may differ! Also, there is a minor, reoccurring character who's a wheelchair user, and I think he's really fun.

Disfigurement: Excuse me if I am not prepared with the most sensitive way to speak about this, but I'm doing my best! There is a character with no eyes or nose, who is central and lovely. To my knowledge, there are no amputee characters or characters with limb differences (of the wheelchair user I'm not sure if it's specified whether or not he has legs). There is a character of questionable morality who has significant facial and bodily disfigurement. In as few spoilers as possible: this was not injury or genetic related. The disfigurement is treated with a firm compassion, and does not exist as a "this character is evil" signal. It's a long arc, but I imagine people who relate will be satisfied, though I cannot speak for anyone.

Characters of color: many! The main two are Hispanic and Asian. Terms like "dark skinned" are used for characters, but in the fantasy world race doesn't exactly translate, and I wouldn't call it "important" in this story. Read more about race below:

Fantasy racism: sort of! The word "race" is used to mean "humanoid species" and I know some folks don't like that? None of these fantasy races are oppressed, but specific people (Magic versus non-magic people) have conflict about that aspect of their identity, and policing is a related concern. I would place the allegory more in the space of transness and disability/neurodivergency if pressed to choose, but it doesn't feel like it's trying to tell a story about real-world oppression, primarily. I have more complicated thoughts on exactly what I'm trying to communicate here, but they involved some spoilers. DM me for more info!

Hosts/creator identity: out of three hosts, two are white, one is not! They are very queer, and disability is also...a thing! These are real life people, so I'm not going to get into detail, but check out their twitters plugged in the show for more on how they self-identify.

Okay but are they racist: Real talk! As a black person who thinks I keep my ears sharp, I would say no! Not at all! This is one of those situations where I was like "YOU'RE WHITE?" And shocked about it, (if you listened to TSCOSI, same vibe) which is a very good thing in my books. The hosts are open and sensitive, and I have no complaints, however, this is just one perspective! This isn't coincidental, race is an active consideration in how the story is told — just not a central theme.

Edit: One of the hosts, Essay (@/citrusandsalts) discussed more on hosts identities in a reblog! If this concerns you, and you want less of me walking on eggshells about other people's identities, read her addition too!

Edit 2: Jordan, the GM also has commented additions!

Minor but worth mentioning: A minor character has a name with what I believe is the Nahuatl "tl" sound in it, which is not pronounced correctly. It's a really hard sound! I can't really do it! But if that really irritates you this might not be the podcast for you.

People who might be interested in this post, as always let me know if you don't want to be pinged (I rarely ever do this) and it won't happen again: @citrusandsalt @fyeahaudiodrama @boombox-fuckboy

[nanowrimo]

How to Avoid Token Representation

What's the difference between token representation and authentic representation? NaNo Participant Nayantara discusses token representation and how to avoid doing it in your own writing! The smart Asian character. The sassy Black character. The Gay Best Friend.

Too many stories written today that supposedly have “diverse” casts fall prey to “token representation”: a symbolic effort towards inclusion that gives the appearance of equality, without actually exploring diverse narratives.

Recently in the publishing industry, readers have been calling for more representation within their novels, whether it is the LGBTQ+ community, racially and ethnically diverse readers, people with disabilities, or other marginalised groups of people, and many authors have responded with this easy-way-out tokenism — leaving readers unsatisfied and indignant.

So, what exactly is the difference between token diversity and real representation?

Essentially, tokenism includes a character that checks boxes titled “diversity” in face and name, but does not acknowledge their lived experience.

For example, Cho Chang in the Harry Potter series and Lane Kim in Gilmore Girlsare reduced to harmful stereotypes of their characters (both their names and characteristics) without acknowledging the diverse experiences that East Asian people have. Their Asianness becomes their entire character, yet at the same time, that same Asianness is entirely misunderstood.

In contrast, the recent Oscar-winning film Everything Everywhere All At Once stars East Asian characters whose lives are affected by their race and background. However, they are fully fleshed out characters regardless of it.

As actor, Anna Leong Brophy, said in an interview, she enjoys it when her “Asianness complements a role, but is not the full role.” Real representation acknowledges how someone’s lived experience as a person of colour, queer person, woman, or member of another marginalised community affects their life — but they have genuine feelings, thoughts, and characteristics far beyond simply their race or identity.

The terms “Black dude dies first” and “Bury your gays” are also commonly associated with token representation. Quite self-explanatory, they are tropes in which the cast’s “diverse” characters are killed early, to save the writer from having to explore or acknowledge their experiences.

Not only is this lazy writing that erases diverse narratives, it also creates the subconscious belief that marginalised groups of people have no place in these stories or in commercialised publishing in general. Everyone deserves representation, whether or not the cis-het (cisgender-heterosexual) white reader can relate to the character’s specific cultural experience.

What counts as good representation, then?

Good representation involves any story that includes a diverse cast and follows each of their story lines fully, allowing them to be well-rounded characters that contain depth and get adequate development.

My personal favourite example of this is Leigh Bardugo’s Six of Crows duology, where her cast of six main characters includes Black and Brown people, bisexual and gay people, people from different countries and religions, and people recovering from trauma — all of whom have their own, carefully constructed character arcs that acknowledge their identity, but also give them substance and characteristics far beyond that.

However, this is not to say every story has to be as international — The Poppy War trilogy by R.F. Kuang has a solely East Asian coded cast due to its setting. But even within this, her characters are from different ethnic, religious, and social backgrounds, and each have their own, carefully-constructed character arc extending far beyond their identity on paper.

As you begin writing for Camp NaNoWriMo, ask yourself the following three questions:

Is my cast truly representing the diverse types of people who exist in this world (either real or imagined)?

Are each of these characters individuals beyond simply their ethnicity, sexuality, gender, disability, etc?

Do each of these characters have a fully fleshed out character arc?

You don’t have to be an author from a marginalised or minority background to write characters with diverse experiences. Just make sure to approach each character with empathy and respect, and devote adequate time to research (or to world building, if you’re a fantasy author!)

Good luck, and I know that you are going to absolutely smash your writing goals next month!

Nayantara is an 18 year old student, green tea connoisseur, bookworm, Spotify-playlist-maker, dancer, and writer hoping to study economics and political science at university next year — and hopefully find some time to work on her many unfinished novels in the meantime! Follow her on Instagram @ moonlitsunflowerbooks.

Photo by Ketut Subiyanto from Pexels

[kaylinalexanderbooks]

WIP Questionnaire

Thanks @buffythevampirelover for the tag! This game looks fun!

Rules: answer as few or as many as you'd like!

1. What was the first part of your wip that you created?

TSP: Lexi was! TSP started out as a school project, and we had to create a character sheet for our first person narrator! That was "Alexia" who is now just "Lexi" (but her full name is still Alexia).

SOTL: The concept! "School for fairy tale characters" was basically it. I got discouraged a bit when I found out this concept already existed, but that didn't mean I couldn't do my own take!

2. If your story was a TV show, what would the theme song/intro be?

My favorite types of intros for TV shows are original theme songs or very catchy instrumental music. 30-60 seconds is a good length. I'd hope that for TSP and SOTL. Hope this isn't a cop-out.

3. Who are your favourite characters you've made? Why?

TSP: My favorite characters to write for are Lexi, Gwen, Akash, Robbie, and Carmen. Lexi because the arc I gave her is an exaggerated version of something that speaks a lot to me. Gwen because I wasn't expecting her to be as interesting as she ended up being planned to be. Robbie and Akash because of how funny and sweet their dynamic is. Yes, I love them separately, but they're a package set. Carmen because she's just so damn interesting I love studying her under a microscope.

SOTL: I am barely into writing it, but it's Jack at the moment. Shocker, he has three chapters while Tierney and Úrsula have one each! But the reason is that he is average at everything, but he doesn't let that get him down! He's funny and relatable and a dork.

4. What other pieces of media do you think would share a fan base for your story?

TSP: Hm, good question. The only thing coming to mind right now is Young Justice (the cartoon). Starts out with this fun group of kids, becomes extremely dark. Ensemble cast. Sneaking around. Superpowers. Fight scenes. Drama.

SOTL: Insert fairy tale retelling here.

5. What has been your biggest struggle with your wip?

TSP: Juggling everything. The world building, I guess. Making all the characters distinct was something I struggled at for a while, but I'm getting much better at it. Trying to figure out how the world works is challenging, but I am having fun. But juggling all the moving parts to make it cohesive is a challenge.

SOTL: What is plot?!! Also battling my ambition to do every fairy tale ever. I'm gonna have to make a lot of background characters that will get their own side stories separate from the main series to get all that I want. I probably will do that.

6. Are there any animals in your story? Talk about them!

TSP: Yep! Alium has a lot of fantasy creatures, animal hybrids, and fun things I just made up. Custos the dragon is the only truly prominent one right now. He's a blue fire dragon and is adorable. I also have kitsunes. Animal hybrids include unibison, ferretsnakes, cowyotes, beaverducks. Things I made up include the elemental foxes and blue hedgehogs.

SOTL: Hofiwi is an anthropomorphic bear! She was cursed to be anthropomorphic, this is not a normal thing in this world. I love her and she's just planned at the moment. Can't wait to do more.

7. How do your characters get around? (ex: trains, horses, cars, dragons, etc.)

TSP: Hovercrafts, dragons, teleporting, trains, and some other power-based travel

SOTL: I'm still figuring this out no one has gone anywhere yet. Dragons or carriages would be cool. Maybe I can mix them with something modern to fit the setting.

8. What part of your wip are you working on rn?

TSP: World building! Specifically the power database since that will be the backbone for everything.

SOTL: Reading fairy tales... I need to do that more

9. What aspects (tropes, maybe?) of your wip do you think will draw people in?

TSP: Powers, diverse cast, queer/disability rep

SOTL: same as TSP but fairy tales!

10. What are your hopes for your wip?

If I see one (1) fanart between either my life will be complete.

This was fun!

Softly tagging @mk-writes-stuff @jezifster @blind-the-winds @little-peril-stories @sleepywriter00 @mysticstarlightduck @sarahlizziewrites @writernopal @gottestod-writes + anyone who wants to join!

TSP intro

TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites - giving a slightly harder nudge than usual cause I really want to see what y'all have to say! Still optional obviously

Blanks below the cut!

1. What was the first part of your wip that you created?

2. If your story was a TV show, what would the theme song/intro be?

3. Who are your favourite characters you've made? Why?

4. What other pieces of media do you think would share a fan base for your story?

5. What has been your biggest struggle with your wip?

6. Are there any animals in your story? Talk about them!

7. How do your characters get around? (ex: trains, horses, cars, dragons, etc.)

8. What part of your wip are you working on rn?

9. What aspects (tropes, maybe?) of your wip do you think will draw people in?

10. What are your hopes for your wip?

[the-splorts-eye]

Do you love detective stories but hate cops?

Do you love gay detective stories and hate capitalism?

Like disabled main characters who's disability actually comes up?

Like characters of color but not in the mood for stories on racism?

Tempted by the thought of romance at ages of 30+?

Does the idea of stories so queer you'll hesitate before calling any character a "man" or a "woman" make you think "Ah, yes pronoun shenanigans, just like my discord used to make"

And you into an abundance of strong, diverse female and nonbinary characters?

Do you fight for women's wrongs?

I know rep-only recommendations can be annoying, but I'm trying to grab your attention to promote some indie media. Luckily, though, this post isn't rep-only!

To read my full recommendation and review of Three of Hearts, click below. ♦️♥️♣️♠️

And if you aren't in the mood for a new thing right now, consider reblogging! Maybe even ping a friend who might be into this! You love supporting queer indie creators, right?

The story

♠️♣️♥️♦️Three of Hearts♦️♥️♣️♠️ centers on two paragovernmental agents in a fantasy, post-war, queernormative 1950s.

Roughly 20 years before the opening, a set of heroes purged magic from the world to turn the tide of the war. But scraps of this thaumaturgic energy still remain. S.U.I.T.S (securing unpredictable injurious thaumaturgic situations) is an agency founded to deal with everything left behind.

When two of the longest standing employees at S.U.I.T.S, Agent Vellum and Agent Felspar, are called onto a new case involving stone crops and a missing person, Felspar isn't surprised (Though Vellum, who's injury had him doing desk work most of his career, is). Things devolve quickly when the Agents realize this case comes from Felspar's home town of Cloven heart, an idyllic magical village that prefers to handle justice on it's own.

Answers yield only more questions, as the Agents realize almost everyone in town has something to hide, and Felspar isn't the only one whose past keeps catching up to him:

How much magic is still around? What's Vellum got sloshing around in there that people think is so juicy? What is Diamond, elven pop star and queer icon, doing in such a small town? Just how big is this case, and how can the Agents balance their legal responsibility, with promises they've made to Cloven Heart?

WHEN. WILL. THEY. JUST. KISS?

(if you're skeptical about central romances, I get it! See notes on aro/aceness and platonic relationships in the rep section for more info)

The combination of magic and newfangled war tech — think telegrams and radios — is somehow just as charming as a rotating cast of characters who will each stake their claim on your heart, but betrayal is imminent and mistrust is rife. The story strikes a wonderful balance between slice of life goodness, and edge-of-your-seat high drama, culminating In a show I highly recommend.

But are they just reskinned cops: my answer has got to be no. While they are technically law enforcement, the main two are entering a commune-like space, where that isn't so welcome. It's a situation they treat with caution and respect. The classic cop-plot of "Should I make myself judge, jury, and executioner because The Bad Guy™ deserves punishment" just isn't a problem. The justice system isn't perfect, in our world or the show's, and the story acknowledges that. But in a social, cultural way, they don't act like cops. They DO act like detectives. But the rules they choose to break and the ones they choose to follow will hopefully satisfy my fellow cop-haters who crave a good mystery

mid post note: I am not involved with the making of the show or the game space Kings. I just really like this podcast. Also, if you are seeing this text you are looking at a copy of the original posted on an unused sideblog so that I can keep the notes separate from my naturally spreading original without looking like a bot, and not get blaze notification spam.the references to "look in the notes for more" won't work for you. Yes, I spent my own money on this.

The format

♠️♣️♥️♦️Three of Hearts♦️♥️♣️♠️ is an Indie actual play — this is not DnD, hear me out — podcast in the game Space Kings. All the tension of dice rolls, without drawn out combat or clunkiness, it's a breeze of story-forward listening, even if you've never listened to actually play podcasts before!

If you've tried dnd actual plays, and haven't like the flow of them, I would recommend trying this. A few encounters that may feel random (though they're not) get the story kicked off at a fast pace, but it quickly settles into a story with a tight plot, great pacing, and impactful character development.

The use of a playing card deck to see the outcomes of risky actions means that no matter what happens, success or failure, the tension keeps rising, because there are only so many successes in the deck before you shuffle. The hosts do a wonderful job of explaining mechanics in the show, so it never interrupts the listening experience.

Actual-play connessuires who want to primarily see people playing a game might not be satisfied, as bonuses are given liberally, and I would describe the podcast as more story focused than game focused, But the risks are ALWAYS real, sometimes (often) with thrilling, shocking outcomes.

Also concerned AP listeners should know there's some chaos magic involved! I was surprised when it first came up, and doubtful about how it might affect the story, but it ended up weaving into the rest of the plot really well, and I feel neither like it had no affect, nor like it shook up everything the party was building in an unsatisfying way. Personally I would have preferred to go in knowing it was there, but I also don't think it's major enough to belong in the main synopsis. Now you know, though!

The hosts make a real effort to blend stats and story, and I think the pull it off wonderfully without spending too much time on mechanics. If you want to see that though, session 0 and other crunchy details are on the Patreon (where you get the same content no matter how much you pay, at a minimum of a dollar a month).

The pod has all the lighthearted fun and banter of a "friends around the table" show, but never once have I had that "oh my god, I'm not a part of your inside joke, shut up and play!" Feeling.

EDIT: i did not know "friends around the table" was the name of another podcast. no hate to them I'm sure they're lovely, this was just the use of a phrase.

I think it's a delight for AP and non-AP fans alike.

The episodes: roughly 45- 75 minutes long, with a midtro and some post-end music scenes, so listen through the end music, or check that there isn't extra content by seeing how close the play head is when the end music starts. It's not too long and quite pleasant in my opinion! The midtros always come at a nice moment to step back from the story, and are not too long and not irritating. I enjoyed listening to them! At some point, a midtro starts getting reused, and I was slightly disappointed I wasn't hearing new jokes every episode, but it's a small thing. I skip the repetitive ones with my 30 seconds forward button, and while I haven't timed the Intro, that's worked really well for me. I don't have to fiddle with my play head to make sure I don't skip forward too far. Super convenient.

Trigger warnings: the show is pretty lighthearted! Listeners sensitive non-graphic mentions of needles, blood, and/or guns might want to skip on this one, but most episodes don't get heavy. The few that do have pre-episode notes that warn you things get dark, how they get dark, and how to skip the darkest bits. Personally, I listened through them and enjoyed those parts a lot! But if that's not your thing, I agree with the warning that they're very skippable, and I think trigger-sensitive listeners will be pleased. As an indie pod, there are no fan made, super specific lists of triggers.

I'm trying to emphasize the balance between lightheartedness and drama, but if your mental health is sensitive to grim & dark media, i think this one is pretty safe. Please always exercise caution! But I'd describe 3o♥️s as emotionally restful.

Transcripts: transcripts are in the works, but do not currently exist except for episodes 1 and 2. Three of Hearts is a non-scripted show, so those are also unavailable. Some of the money given to the show will be used to hire a queer disabled transcriptionist! So if you listen and love it, consider sending cash their way. All transcripts are on patreon for free.

The rep

Don't you hate when someone raves about rep and you go in expecting something good and get like. One dog-boy described as having "chocolate colored skin"? Or when people make a "watch for rep" post and then mention like. Gay and maybe trans people and that's it, even when shows DO have disability and POC rep? Yeah that's not me. Here's the spoiler free rundown, race is at the bottom because I get into more detail with it, not because it isn't important:

Edit: For more on some of these topics from a hosts perspective, see the reblogged addition by @/citrusandsalt

MLM characters: Main characters, one confirmed bi the other unknown

Wlw characters: Reoccurring side characters (present or mentioned in every episode I think) Married. Orientation unspecified.

Enby love: LOTS. It's actually hard to really categorize mlm and wlw stuff because almost every character is nonbinary. Anyways— it's VERY queer

Women: I...I don't know exactly which characters are women 😂. But there are many feminine characters, and they're badass as fuck. Some are compassionate, some are cold, some are chaotic, most are a mix! The two main characters are...masculine...(I say with much hesitation) but you will not feel robbed for your woman-ly content.

Non-traditional family structures: All of the families in the story, pretty much, are non-traditional. Adoption is super common. (You want some wlw who just KEEP adopting kids? You got em) Found family is a MASSIVE force in the story. Also, It's a post-war story.........which is to say almost everyone's parents are dead.

Edit: an MC had poly parents, which may not be obvious but is true!

Polyamory: to my knowledge so far, there are polyam characters, and it is definitely present in the world! But no poly relationships in the forefront. I am about 2/3 through the current episodes, so there may be a present polyamorous relationship later, but also if I confirmed it that would be a spoiler. This may be that "playing it by ear" thing that happens with ttrpgs. I wouldn't listen for the hope of polyamory alone, but I don't tell you it's not there/won't happen.

Trans characters: almost all of them. Might think "oh there are only a few!" And you are wrong. You are so wrong.

Neopronoun users: yup! To my knowledge, minor characters. A handful who use at least he/she/they or they/them and may also use neos in a manner im forgetting

Plurality: no system characters yet, but the creators are friendly, I asked ;)

Aro/ace characters: none confirmed yet to my knowledge. Romance is very central, sex is joked about on occasion but it isn't at the forefront of the story at all. There are many, single characters who are thriving.

Edit: Actually! There is one character who discusses demiromanticism in cannon that I forgot, and another confirmed out of cannon character who is ace. Both are non-main major characters!

Platonic relationships: YES. As an aro person who hates so many romance tropes this one gets my stamp of approval. There's no real jealousy drama, exes who communicate and are supportive, and romance doesn't kill friendships. There's a central sibling relationship and non-familial platonic ones that have conflict, drama, resolutions, and a deeply satisfying significance in the story. If you don't like romance at all, this one might not be for you. If you just don't like stories exclusively about romance, I think you'll enjoy this. Genre wise, I'd definitely describe three of hearts as a mystery primarily with a strong romantic subplot, not a romance itself, and that comes through in player and character's additives and priorities.

Age diversity: the youngest characters in the show are older to middling teens, and the oldest are in their 400s. Okay but the oldest in human terms are roughly 60-70. The most common age range, and the ones the central characters are in, is 30-40. The second most common is that 60-70, then some ~40-50 folks here and there, with people in their 20s being probably the rarest (no named ones off the top of my head?) And there are a small number of teens. This is not a story about youth and youthful beauty. Generally, the older a character becomes the most bad ass/spooky powerful they are, and older characters are very involved in the plot.

Mental illness and neurodivergency: to my knowledge so far no characters are in cannon confirmed to have a specific mental illness or ND, though I wouldn't be surprised if it was part of a character or the main characters, and just hadn't come up. Listeners with cluster b or "scary" disorders, or with conditions that may cause them to lash out, will find satisfaction with how compassionately the narrative treats werefolk. To say more encounters spoilers. I would also say that depression, while the word isn't used and it is not central to the story, is present as a narrative force, and also treated wisely and with compassion. Still, as is usually for a good story, all of these bitches need therapy.

Disability: LOTS. There's a lot of "different, not broken" themes that disabled listeners are likely to love, but both of the main characters are disabled! One is a cane user, the other experiences migraines. These have a genuine, pressing, mechanical impact on the story. It's COMES UP. It's a real joy. For a magical world, there is no magical healing! Or there is, but it isn't a perfect solution, which in my opinion is just a magical version of real healing, though yours may differ! Also, there is a minor, reoccurring character who's a wheelchair user, and I think he's really fun.

Disfigurement: Excuse me if I am not prepared with the most sensitive way to speak about this, but I'm doing my best! There is a character with no eyes or nose, who is central and lovely. To my knowledge, there are no amputee characters or characters with limb differences (of the wheelchair user I'm not sure if it's specified whether or not he has legs). There is a character of questionable morality who has significant facial and bodily disfigurement. In as few spoilers as possible: this was not injury or genetic related. The disfigurement is treated with a firm compassion, and does not exist as a "this character is evil" signal. It's a long arc, but I imagine people who relate will be satisfied, though I cannot speak for anyone.

Characters of color: many! The main two are Hispanic and Asian. Terms like "dark skinned" are used for characters, but in the fantasy world race doesn't exactly translate, and I wouldn't call it "important" in this story. Read more about race below:

Fantasy racism: sort of! The word "race" is used to mean "humanoid species" and I know some folks don't like that? None of these fantasy races are oppressed, but specific people (Magic versus non-magic people) have conflict about that aspect of their identity, and policing is a related concern. I would place the allegory more in the space of transness and disability/neurodivergency if pressed to choose, but it doesn't feel like it's trying to tell a story about real-world oppression, primarily. I have more complicated thoughts on exactly what I'm trying to communicate here, but they involved some spoilers. DM me for more info!

Hosts/creator identity: out of three hosts, two are white, one is not! They are very queer, and disability is also...a thing! These are real life people, so I'm not going to get into detail, but check out their twitters plugged in the show for more on how they self-identify.

Edit: One of the hosts, Essay (@/citrusandsalts) discussed more on hosts identities in a reblog! If this concerns you, and you want less of me walking on eggshells about other people's identities, read her addition too!

Edit 2: Jordan, the GM also has commented additions!

Okay but are they racist: Real talk! As a black person who thinks I keep my ears sharp, I would say no! Not at all! This is one of those situations where I was like "YOU'RE WHITE?" And shocked about it, (if you listened to TSCOSI, same vibe) which is a very good thing in my books. The hosts are open and sensitive, and I have no complaints, however, this is just one perspective! This isn't coincidental, race is an active consideration in how the story is told — just not a central theme.

Minor but worth mentioning: A minor character has a name with what I believe is the Nahuatl "tl" sound in it, which is not pronounced correctly. It's a really hard sound! And I, op, can't really do it! But if that really irritates you this might not be the podcast for you.

[thousandyearphantombunker]

(vent)

TOH fandom feels this need to 'stick it' to other kids shows and show them how TOH 'did it correctly' but they don't understand what shows like Amphibia's SVTFOE and SU etc etc were going for. And the whole 'the show was cancelled excuse' drives me freaking insane! I grew up watching Spectacular spider man, x men evolution and GLtas and those shows got screwed over so badly- but they used their time efficiently to establish stories and characters etc so no you can absolutely can give everyone in your cast good character and relationship development establish important plot points and elements and villains within a short amount of time.

SVTFOE went through awful seasonal rot yes but it knew how to balance highschool drama with adventures amazingly (also it's mix of random xd humor and dark comedy was done a lot better imo) Amphibia despite its flaws is a very well done fantasy story (and has some great diversity in it and more subtle allegorical stuff surrounding being a foreigner and oppression- it's not the most deep show ever but it absolutely has depth) and im gonna say it Steven Universe while not a masterpiece by any means (it does share most of TOH's flaws) is just objectively better than TOH. Especially when it comes to diversity! More diverse body types, more diverse personalities (not everyone is lovably dorky- steven is a crybaby soft boy who matures into a charismatic leader, amethyst is a rambunctious tough bruiser, pearl is an intellectual insecure knight whose lost her cause and garnet is a stoic cool leader etc) and has jewish and south east asian rep and while no one talks about it Amethyst is good disabled rep (she's got the alien equivalent of dwarfism, the alien equivalent of a developmental disability and she has an arc surrounding how she views these aspects of herself) it handles mental illness very well and yet it has this horrible reputation as being super racist and inappropriate to show to kids- which is an opinion people are allowed to have about this show especially if they are black or poc or whatever- I'm not gonna call their opinions BS there are some good points they make about the whole 'angry black woman' stereotype but as a Puerto Rican girl with autism wasn't allowed to make any mildly negative comments about TOH and how it handled neurodivergence or how I didn't even register Luz as afro latina without fans saying I was full of shit and just completely media illiterate- the human zoo in su was depicted as bad but made one or two off color jokes and therefore the show is irredeemably evil- okay then but now you can't fucking harass me over saying TOH had some instances where the disabled rep fell apart a bit (i wouldn't even say that the show is over all ableist or godawful it just had moments that could've been handled better) but um no I'm not allowed to say that apparently- if you get to call my complaints bullshit because your a 'queer poc' then i as another queer poc gets to complain about the show you think is untouchable (i won't cause that's really mean and you have legitimate points) the logic this fandom uses to justify being an asshole to others drives me up a wall. SVTFOE handled revisionist history and colonialism better. Steven Universe had actual fucking diversity. Amphibia had actual layers and complexity that gets totally ignored. But no all shows have to have super blunt representation, and pretty art styles with flashy animation and we must shame all people who have even the most tame criticisms of TOH. The owl house isn't a horrible show but it has its flaws and people who complain about them bring up valid points and since some of you seem so up in arms needing bringing up race guess what? White people also get to call out TOH's flaws. So many kids shows get disregarded as having no depth or being stupid and I hate that TOH fandom also gets in on that nonsense.

Your show is cool we get it now stop fucking putting other kids media down. I'm not gonna say you should be thanking Steven universe or adventure time or gravity falls for laying down the groundwork so TOH can exist you get to criticize these shows but maybe don't get shocked and call everyone who says something you dislike media illiterate and say our complaints are BS? Cause we can easily say the same to you-by your logic I can say all your complaints are full of shit and harass you over liking the collector because of how he treated king, by your logic I get to call you racist and homophobic etc - which we can agree is a bullshit thing to say right? And also it's just mean. You can complain that Steven Universe getting cancelled isn't an excuse for its shit writing in some episodes (I agree with that) just also be aware that Im holding toh to that same standard. You can complain that SVTFOE had an ending you hate because of how ooc and pointless so much of it was- agreed but I get to say the same shit about toh

TOH is not immune to the criticisms you lob at other shows and screaming media iliteracy at the top of your lungs doesn't shut down arguments as well as you think it does

[kuja-kujaku]

I am so so so so tired. Of people who do not live in the Deep South telling me that it’s our fault that we’re in the situations we’re in. You don’t understand. You won’t understand. We’ve been screaming for help for years and telling you about the absolute injustice for so long but the response is always “just vote.”

Just vote. Sure. Just vote when we’re regularly prevented from doing so. Just vote when our districts and regulations are changed on a whim, when we aren’t even provided enough ballots to vote with, when we’re denied everything from basic public transportation to drinking water to basic human decency.

Sure. The problem must just be because we aren’t voting. This state is not “old white boomers.”

This state is diverse. It is full of cultures and traditions from many parts of the world. It is full of PoC who do not deserve to be written off by your cowardly logic, bc every time I see the argument that we should be ejected from the USA or whatever the bullshit moral high ground line of the day is, it makes me absolutely insane. It is dehumanizing to speak of us like this. We are not cattle to be left to slaughter, and assuming we’re all straight old white republicans while refusing to look at the racism and fascism and hate in your own states is just closing your eyes and ears and playing pretend. We’re easy targets because we’re poor and uneducated, and not by our own doing. It’s easy to sit there and throw stones at us because the people in charge, who take our money and close our hospitals and ruin our schools and pay their way into office, keep us this way on purpose. And you are not better or smarter or any more upstanding of a citizen than us for bullying us over the internet or calling for our deaths.

“But you’re all old racists” look at the fucking data for your own state. Racism is rampant and endemic in this country. Do something about your own problems and then come talk to me, because we’re not your scapegoat. You don’t get to sweep those problems under the rug and pretend there aren’t literal N*zis stomping the streets in other states. I’m not saying there aren’t racists here, because we do have our problems, but you look at where these facists are marching openly. Ohio. Oregon. Manhattan. DC. Washington. I could go on. My point is that they are everywhere and you are not special.

And, frankly, saying we should all die or be cast out as a state is fucking racist. Look me in the face and tell me that the 40% of this entire state that isn’t white deserves to die or be cut off from the world because of our politicians.

Look me in the eyes and tell me those of us who are queer or neurodivergent or otherwise disabled deserve to die because you think we’re all old white republicans.

Do not fucking tell me to vote. Do not tell me I am the problem. The problem is systemic, and has been, and we have been stripped of our power to change it at every turn. Do something about it or get the fuck out of our faces.

[the-dragongirl]

Hello tumblr. I have returned from a long period of inactivity, because I must bring the good word to the corner of the Star Wars fandom that used to be my main fannish home: there is a new era of Star Wars canon that was made just for our taste. It is called the High Republic.

WHAT IS THE HIGH REPUBLIC?

The High Republic is an giant multi-media project being carried out by the Lucasfilm story group to create a brand new era of Star Wars canon. It is set a few hundred years before the prequel era (so, a long time after the Old Republic era), in a period of peace and stability within the Republic. It currently includes several English language adult novels, a YA novel, two serialized comics, a manga, some short stories, and some short video blurbs published on facebook and youtube. A TV show for Disney+ has also been announced, but is a few years off. This project is unique in Star Wars, in that all of the different parts are being written together by one writing team, and are coordinated to tell a cohesive story. Also, what has been announced is just the beginning – they have stated that there will be three different sections of the High Republic, and everything we have had announced so far is just part one. As a note: this is an era for which there was NO pre-existing canon in Legends, so it is totally new territory.

OKAY, THAT’S NICE, BUT WHY SHOULD I BOTHER TO CHECK IT OUT?

There are SO many reasons why the High Republic is worth your time to explore. I will try to outline some of them here below the cut (without any significant spoilers).

IT IS A LOVE LETTER TO THE JEDI

This is the era for everyone who loves the Jedi and wants to understand how they got to the point they did in the prequel era. It shows Jedi at their best: saving people, working together, being completely in tune with the Force (in so many beautiful and original ways), demonstrating creativity and flexibility and being rewarded for it, actually thinking through the ethics of things like the mind trick, and DEALING with their emotions rather than repressing them. It shows us how the rigid Jedi culture was saw in the prequels was a corruption of something that was originally healthy and uplifting. Jedi in this era are allowed to be flawed, and to grow, and have a community that supports them in doing so. This is the Jedi culture so many of us created as fix it fic for the prequel era, but made canon.

IT IS AN ERA OF HOPE

There are some serious problems in the High Republic Era. Without spoilers, the era opens with a terrible humanitarian crisis, laid over the Republic equivalent of the New Deal from US history.  We see a lot of examples of people doing their best to be good to each other, and working for a more just and kind galaxy. They acknowledge that things are not perfect, but people from many different backgrounds (Jedi, politicians, farmers, pilots, business people) work together to try and make things better. I don’t know about you all, but with the darkness we see in the world today, I NEED some of that optimism in my escapist media. The High Republic provides that.

IT WILL GIVE YOU FEELINGS

The existing material so far is structured to really let you emotionally invest in the characters and their struggles. Unlike with many eras of Star Wars canon, characterization is not sacrificed for the sake of plot (though never fear, there is PLENTY of plot). That means there is huge scope for empathy. I’m not going to lie; I cried within the first three chapters of Light of the Jedi, as did several other people I know. It is POIGNANT in a way that feels truly genuine.

IT IS FUN

The writing team understands that, in the end, Star Wars is space fantasy. If your space fantasy is nothing but serious, gritty grimdark, it becomes pretentious and unbearable. So, for all that there is some heavy content in the High Republic (VERY heavy content – the Nihil should really have their own content warning), it has many moments of levity that keep it from taking itself too seriously. For example, the High Republic made Jedi bodice rippers canon. Also, characters like Geode exist (yes, that rock there is a CHARACTER). The result is something which honors the spirit of Star Wars, and keeps you engaged without being tedious or ridiculously depressing.

THE WRITING TEAM HAS DIVERSE PERSPECTIVES

The main writing team consists of five people: Justina Ireland, Claudia Gray, Charles Soule, Daniel José Older, and Cavan Scott. You will note that includes two people of color, two women, and one out Queer person (in fact, one of the writers is all three of those things). This is a far cry from the white-cis-straight-man-dominated writing teams we have seen in the past. And when they bring in other people to the project, they make a point of looking for perspectives that aren’t represented on their team – for example, the manga is being co-written between Justina Ireland and Japanese writer Shima Shinya, and Ireland has stated in interviews that Shinya is taking the lead on the writing.

IT VALUES MEANINGFUL REPRESENTATION

That diverse writing team means a cast that looks WAY more like the real world than any other era of Star Wars we’ve seen, in terms of representation. There are multiple characters of color, who are both heroes and central to the story. There are at least five canonical queer characters to date (a MLM couple, an Ace character, and two NB character).  [EDIT: Thank you @legok9​ for letting me know about the NB characters]. Among binary gendered characters, there is a very even balance of men and women. The writing team has also stated that they will be incorporating more representation of disability in the works to come. And the story is so much better for it – representation is included here BECAUSE it makes for more creative, believable, and original storytelling.

IT IS ACCESSIBLE

Because of the multiple formats, and the fact that it doesn’t rely on you knowing any prior lore, the High Republic offers many avenues to engage for people with all kinds of needs. Know nothing about Star Wars canon and feel intimidated about catching up? The canon is all new in this era anyway, so you’re fine. Can’t handle flashing lights? No problem – the little bit of video content that exists is totally free from the strobing effects that caused seizure and sensory issues. Need purely audio content? You can still have a full experience of the High Republic with the gorgeously sound-scaped audiobooks. Don’t have the attention span for books or long movies? Then the comics are your friend.

THERE IS SOMETHING FOR ALL

Between the books aimed towards adults and teens (and their respective audiobooks), the kids books, the comics, the manga, the short stories, AND the eventual TV show on Disney+, there is going to be content in the High Republic that suits most audiences. And that is just what has been announced so far – there is still more to come for phases II and III. This isn’t Star Wars written towards one group or demographic – it is Star Wars for everyone.

DID I MENTION THE FANCY JEDI UNIFORMS?

Because cosplayers and fanartists? This is the era for you. We are getting Jedi in silks with elaborate gold embroidery. Jedi with jewelry other decorative elements. Even the practical field uniforms have tooled and embossed leather. If you want to draw or make Jedi that have some of that that sweet LoTR-esque high fantasy aesthetic, the High Republic has your back. (Not going to lie – I am ALREADY imagining the time travel AUs. Put Obi-Wan in fancy clothes!)

OKAY, YOU’VE SOLD ME. WHERE SHOULD I START?

I strongly recommend everyone looking to get into the High Republic (who is old enough to be on Tumblr) start with Light of the Jedi by Charles Soule. I alternated between the physical book and the audio book, and found it delightful in both formats. After that, you have a lot of options. You can read or listen to the audio book of the YA novel A Test of Courage by Justina Ireland. You can check out the currently running Star Wars: The High Republic comic from Marvel, or the Star Wars: The High Republic Adventures comic from IDW. Or you can skip straight to Into the Dark by Claudia Gray. Honestly, there is no wrong order to try out most of the High Republic.

IN CONLUSION

The High Republic is Star Wars written for people who DON’T want Star Wars to be a good ‘ol boys club for salty white dudes who don’t want to see anything but more of Luke Skywalker. It offers broad representation, and optimistic narrative, and whole bunch of awesome Jedi content. If you are someone who fell in love with Jedi in the prequel era, the High Republic will give you more of what you loved. And if you are totally new to Star Wars? The High Republic is here for you too.

So, go check it. And then go write fic for it (please, there are only, like, 14 fics on AO3, I am dying).

[sylvanvixen]

@dungeonqueering​

It’s here and it’s amazing! I cannot overstate how hyped I am for this project! Exalted is a fantastic and beautiful setting and the design for Exalted Essence has been fabulous.

It’s an amazing mythic fantasy world drawing from myths, legends and pop culture from all across the world, actively choosing to focus on world building that diverges heavily from medieval western fantasy. Various stated locations include cultures inspired by mixes of various places and time periods including China, India, Venice, Athens, Baghdad and a heck of a lot more.

The system that we’ve seen so far is an amazing game that runs fast and straightforwardly, rewards cool descriptors, makes convictions and bonds between characters mechanically relevant and gives every character cool magical abilities that enhance their stats and an awesome battle aura that buffs their skills, it’s also not restrictive in it’s powers for the most part, a fighty type character can totally invest in the knowledge skill and all the cool powers associated with it. There’s full social mechanics engaging in romance or rivalry (or both!) and for downtime projects like running a kingdom, navigating a wilderness, crafting and magical rituals.

The design team for this game is awesome, they’ve been incredibly cool and open while talking with fans, they’ve put in deliberate effort to avoid cultural stereotypes in their work, the art for the game includes diverse, multicultural characters, a number of women doing awesome things and several disabled characters. The design team is also majority queer, several of them even run a podcast about queer women speaking about rpgs called Bonus Experience!

The character options for this game are really rad!

Characters play as mortal heroes who've been empowered by one of the major gods or other cosmic beings of the setting who are given the power to perform magical and mythical feats in a diverse fantasy setting. It's got 10 Exalted (basically classes) each with subtypes called Aspects or Castes (basically subclasses).

Solars: Heroes with conviction to change the world powered by the Sun god they're mythic heroes and kings of light and excellence, basically most of the Avengers, Hercules, Adora, classic 'protagonist' dudes.

Lunars: Heroes who stand outside society empowered by the Moon God/ess, they’re shapeshifting warriors, tricksters and witches, think Maui, Loki and Double Trouble, the more wild card characters, explicitly trans validating with a gender fluid patron.

Dragon Blooded: Heroes born of blessed family lines empowered by the elemental dragons, passionate and numerous, basically elemental samurai, think the Avatar, Romance of the Three Kingdoms, and most of the She-ra Princesses.

Sidereals: Heroes chosen by Fate, secret agents of heaven trying to create a better future with powers to forsee fate and obscure memory, like spy-thrillers with weird esoteric ninja powers, imagine if sailor moon was a spy/ninja show.

Getimians: Heroes who never were, heaven in Exalted is a bureaucracy and sometimes prophesied heroes end up edited out of destiny, returned by a rogue sidereal these heroes awoke in a world in which they were never born and their great deeds undone, now with funky quantum powers, like It's a Wonderful Life as an anime protagonist.

Alchemicals: Heroes born of metal, found in ancient tombs of the machine-titan, these heroic souls were reborn in bodies of magical metal and made to serve a community, able to incorporate magic item powers into their bodies, basically the Iron Giant meet every awesome sentient robot hero but in a fantasy setting

Liminals: Heroes born from death, resurrection doesn't work in Exalted but when someone tries you get a FMA situation where some new being is born in the body blessed by the OG death goddess with awesome ghost hunting powers and creepy body horror, think Frankenstein or FMA hommunculi, but with psychic powers and the ability to hunt ghosts in order to help protect the veil between life and death.

Abyssals: Heroes brought back from death, empowered by the ghost kings of the underworld these deathknights are empowered to become the lords of the underworld with spooky dark powers, very castlevania, vampire hunter D, and basically any gothic heavy metal album cover, not necessarily villains but it's an option.

Infernals: Heroes beaten down by the world order and empowered by the trapped titans to rebel against the world that hurt them, Punk rock kings of hell with their own final boss demon form and awesome alien powers, totally able to play a lot of villains, totally don't have to be evil, you could easily do Dante from DMC or Bayonetta.

Exigents: The exalted of any number of smaller gods and basically the homebrew Exalt, the example one is the champion of a Field God who gave up his power to empower the Strawmaiden who began cutting down an army of evil fairies like wheat. Has provided rules and guidelines for making your own exalted and their cool own powers, so you could be the champion of a god of rainbows, mice or libraries.

Exalted doesn't have proper 'race' options like D&D, if it's going to say something isn't human than it means it (Elves are called Raksha and they're vampiric chaos spirits given shape by dreams to look beautiful and terrifying for example) but you can totally play a 'mortal' with weird fantastic features; some people are beastmen so you could play a snakeperson or a catboy, some people carry the descent of spirits so you could play a character with the style of a tiefling, aasimar, genasi or weird fey character and some people just hung around faerie realms or sorcerers and were given strange mutations or powers

This game is just so damn cool. Check out the project, you can back it for 5$ and you’ll get access to the full rules text of the game, released in chunks throughout the kickstarter (Basically the full book, just without the editing, formatting and all the art) and if you like it you can bump up the pledge at any point afterwards, including after the project is over. It’s already funded several times over!

[stargazetheseries]

OPEN CASTING CALL FOR STARGAZE: “THE PILOT” EPISODE & TRAILER VISIT: https://stargazetheseries.com/casting-call/ FOR DETAILS OR READ BELOW: A Borken Creative Production Sept 27, 2021 STARGAZE is a queer campy sci-fi adventure short-form adventure series intended for OTT. Executive Producers: Jill Golick, Carrie Cutforth Director: Regan Latimer Writer: Carrie Cutforth Union: ACTRA TORONTO (NEW MEDIA) Shoot: The pilot will begin shooting for 5 to 6 days between October 25-Nov 17th, 2021 Location: Toronto STORYLINE: A disparate group of rookie oddballs join an elite squad commissioned to save the Queerverse (from itself) only to discover the STARGAZE program is a sham make-work initiative to keep the crew from rocking the boat by sending them out on a fool’s quest (led by two elder queer chaperones who despise each other). Think: A 2SLGBTQIA+ The Facts Of Life meets The Breakfast Club in space! *BIPOC STRONGLY ENCOURAGED TO APPLY **MUST BE 18+ TO SUBMIT EVEN IF CHARACTER IS LISTED AS YOUNGER THE STARTGAZE RECRUITS: SAF RON (she/her): Character is 20, cisgender woman, lesbian, open to all ethnicities; some physical comedy required. LEAD. Mad as hell and not going to take it anymore, Saf joins STARGAZE with high expectations. If the adults won’t save the day, she will… and finally get the credit she deserves! But can this lone wolf learn to connect with others, stop being a control freak, relax her unreasonably high expectations of others (and herself), and step into the leadership role for which she is destined? First, she’ll have to stop seeing anyone getting in her way as a mustache-twirling villain, learn to see her crewmates’ value, accept help, and open herself up vulnerably. Gets apoplectic when mad; Has a knack for creating very convoluted protest chants that no one can follow. WHIT SPRINKLES (he/him): Character is 19, cisgender man, gay, open to all ethnicities. Must be able to walk elegantly in high heels. LEAD. A social media influencer famous for his snarky and bitter ’reads,’ charismatic Whit has developed a parasocial relationship with his stans. Living life performing in the spotlight from a very young age, Whit has no idea who he really is, what his real interests are, or his beliefs outside of what his analytics tell him: “My fans are gonna love this!” Only joining STARGAZE under pressure from his stans, his inability to forge true intimate connections is exacerbated by his relationship with his mother/manager Mumsy Sprinkles, a talentless hack/narcissistic stage mother living her dreams through her kid. If Whit was a meme he would be: ‘Bitch, I dun give a fuck!’ But he does, indeed, give a fuck. ESSA T. HATCH (they/them): Character is 18, non-binary or agender, asexual, demiromantic, neurodivergent, open to all ethnicities. LEAD. Adorkable Essa is an introvert who doesn’t really ‘get’ people. The explorer among the crew with an engineering mind and a love of mapping places and spaces, they know every nook and cranny of the ship and are usually the first to forge ahead (i.e. wander off) on every expedition. Essa mostly wants to be left alone to their own devices because they actually prefer their own company (neurotypicals can be so exhausting!). This normally wouldn’t be such a problem except Essa was pressured to join STARGAZE to make friends and widen their social net out of parental concern (‘We won’t be around forever, Essa!’). Loves to knit, make Venn diagrams of relationships; speaks in emojis when emotionally drained. LEW D’SHUS (he/him): Character is 21, transgender man or transmasculine, pansexual, open to all ethnicities. LEAD. When babelicious Lew looks at you with his rapt attention and dreamy eyes, you feel like the only person in the ‘verse until his short attention span snaps away and he forgets you’re there. “Good vibes, only!” Lew will gladly give you your Tarot card reading, but not before taking the negative cards out first. With his strict ‘the universe is love, we are love,’ mantra, Lew never wants anyone to feel bad even when they are deadass wrong! His philosophy of

appeasement can cause conflict amongst the crew and his inability to take sides in crucial moments will often put them in danger. No, we cannot just hug everything out, Lew! CHRYSTRAH SNU (she/her): Character is 17 (must be 18+ to apply), cis-gender woman, identifies as ‘queer’ but just figuring it all out. LEAD. Chrystrah is a fresh-off-the-belt queer who has arrived with big expectations: ‘I’m here, I’m queer! Direct me to my spot on the rainbow carpet!’ The trauma of her homophobic upbringing has left Chrystrah without any real sense of self; her identity loosely held together like a fragile cracked egg. Any criticism, no matter how gentle, feels like an attack, causing Chrystrah to act abrasive, territorial, and defensive. She is always overcompensating in big bombastic ways because she feels so inadequate for not knowing the right words, behaviours, and codes. She is jealous of Saf (some might say obsessed) who does seem to get it all right. Fiercely loyal, Chrystrah is the first to run headlong into danger to save someone. She has a steep learning curve ahead. THE ELDER QUEER CHAPERONES: BAE TORGA (she/her): Character is late 30’s-early 40’s, cisgender woman, bisexual, bipolar, open to all ethnicities. PRINCIPAL. A war hero (or war criminal depending on who you ask), Bae sees STARGAZE as an opportunity to redeem herself in the eyes of former mentor and friend Oracle Cain. She is someone who struggles with self-loathing and self-doubt even though she’s spent her adulthood righting her past wrongs and reining in her bipolar disorder, which contributed to her past rash and reckless mistakes. Possessing a tough, gruff demeanor, Bae is outwardly sardonic but really a bleeding heart who holds back out of fear that any demonstration of affection and empathy will be seen as a commitment. ORACLE CAIN (she/her): Character is middle-aged or older, transgender woman, ambulatory wheelchair user or wheelchair user, open to all ethnicities. *Note, as this is sci-fi, younger than middle age may apply. PRINCIPAL. A founding figure of the Queerverse, Oracle has done her service, done her duty, and now she’s done. She wants a peaceful existence to guard her limited energy and manage her physical pain. Instead, she’s pulled out of retirement to command a ship full of bickering youths. She also has to contend with spoiled brat and former colleague Bae reminding her of the past that Oracle is trying hard to forget. But duty is duty and it’s not like complaining ever got her anywhere. Talking to Oracle can feel like playing a chess game where the aloof commander is always five steps ahead: you never quite know where you stand with her. ADDITIONAL CHARACTERS ELP WHIPP (they/them or xe/xem): Character is middle-aged or older, gender-fluid, open to all ethnicities. Leader of the coalition of non-profit planets (each with its own conflicting Gay Agenda) that rule the Queerverse, Elp Whipp is a career bureaucrat/bean-counter who often gets caught in the trappings of their own political web — meaning much of nothing ever gets accomplished and progress is never made. Elp will appear throughout the series in that ‘Dean of the school’ role, occasionally showing up to demand overdue reports, warn the crew that their funding is at risk, and generally throw a wrench in the works. CARDIGAN JACK (she/her): Character is 30s, cis-woman, lesbian, open to all ethnicities. Cardigan Jack is a ‘pussy-hat’ wearing neo-liberalist feminist with a pirate vibe. She is the ‘Live, Laugh, Love’ of TERFs, and Saf Ron’s nemesis. TO SUBMIT: Borken Creative is committed to diverse and inclusive casting. For every role, please submit qualified performers without regard to disability, race, age, colour, sexual orientation or gender identity, or any other basis prohibited by law, unless otherwise specifically indicated, subject to legitimate casting directives. DEADLINE: Oct 8, 2021 EMAIL: casting@stargazetheseries.com. SUBJECT LINE: Character(s) Role, Performer’s First and Last Name, pronouns. BODY OF EMAIL: Please provide contact info including phone number.

Please confirm you are 18 or over in the body of email if applying for a Stargaze recruit character. Submit headshot and resume as attachments to casting@stargazetheseries.com. Resume should be in a scannable text file format (such as .doc, .pdf, .txt). First round selects will be invited to submit either a video clip audition or zoom audition invite. Only successful candidates will be contacted.

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[notesofarichlycolorednight]

hey @colalexander​! I hope you don’t mind but I saw your question on this post and wanted to answer it

I'm asking out of genuine curiosity, but is this still bad if other characters are being depicted as queer? Like, if people are depicting both the good and explicitly evil characters as queer, why does it make a difference if there's bad characters that are queer?

I was going to try and answer in the reply of the post but it’s a very complicated and nuanced question. so wanted to make it its own post so I could answer more comprehensively. some things are bolded for emphasis/for easier reading.

first, the answer cheshirecatboy gave is a small facet of it. you also hit on something in your initial question.

if you have a diverse cast of characters from all types of marginalized communities (queer, poc, disabled, etc.) then having some of them be antagonists/evil can be okay. but you can’t haphazardly slap labels on characters.

once you hc a character belonging to a marginalized community, you have to immediately watch how you think, approach, and talk about that character. one example is hc Jon as an (ambiguously) brown man, then turning around and calling him a rat is racist

and some hcs will always have negative connotations and should not be used, full stop. two examples:

1. hc anyone in the Keay-Delano family as Jewish and/or poc is racist and/or antisemitic for reasons detailed by gerrydelano here and here

2. as the post you originally commented on says, hc Elais as trans and/or gay is transphobic and/or homophobic bc it demonizes trans ppl and gay ppl, and reinforces negative stereotypes. not to mention, the actions that Elias has taken, what he’s done, speaks only of a privileged cishet white man raised in an age of colonialism and capitalism.

having the only characters whose races have been canonically confirmed to be poc as antagonists is racist (the Haan family, Annabelle, on some level Basira and Manuela) bc even though the fandom may hc the archival staff as poc, it has not been confirmed in canon.

when western/european media is created that isn’t visual and the characters aren’t described as having canon races, the characters are presumed to be white bc that is the social default. which is why it’s important to state, in canon, their races and make sure the only ones who are poc aren’t just the antagonists.

now replace “poc” with “queer” and/or “disabled,” etc.

so while, yes, you want to be careful when it comes to perpetuating negative stereotypes, there’s a lot more nuance to just slapping on any marginalized identity on a character. it becomes especially complicated and nuanced when you start hc someone as being part of multiple marginalized communities.

an quick example of this would be hc Tim as bi, moc, and an avatar for the desolation (i know this isn’t a marginalized community lol but you’ll see what I mean by complexities): 1) you have to be careful about the negative stereotypes surrounding bi people. 2) you have to be careful about oversexualizing a moc. 3) you have to understand that hc a man of color as an avatar of destruction is super racist.

i hope that makes sense and helps!

[garrettauthor]

Don’t write for money.

I don’t want to stir up shit with a specific person or point anyone to “go after” the person who said this.

But I saw a successful writer on Twitter today who said something to the effect that ONLY mega-successful writers say “Don’t write for money.”

I dropped some thoughts in my Discord and I’m repeating them here.

1. I know a metric fuckton of broke writers who say this.

I get the feeling this guy doesn’t hang out with many writers who aren’t already successful.

2. I say this. I have made, by most American standards and by any global standard, a pretty good amount of money as a writer.

3. I said this when I was broke too.

You can find a lot of wealthy or at least full-time writers who say this. You can look back at their history, if they have one, and find that most of them also said it when they were broke.

Pretending that every writer who “makes it” suddenly turns around and says “but it’s never been about the money” when most of them have said it THE WHOLE TIME is just dishonest.

4. One can hold the belief that you shouldn’t write FOR money and also that you are allowed to earn a living from your writing.

Humans and multitudes and all that.

5. There’s a whole lot of professions that I don’t want the people in to be working FOR money but which I also think should earn the practitioners a living income. This list of professions includes:

Virtually all of them.

Doctors should earn a living. I also don’t want them to be working FOR the money. That’s how you get American healthcare.

6. If your goal is “To make money,” writing is one of the worst possible professions. It’s easier “to make money” in so, so many other jobs.

If you’re a writer whose only goal is to make money, you’re crowding a space that yes, I do believe should be reserved for writers who want to make the world a better place, and who want to help people.

7. Writing FOR money is a dangerous philosophy that allows for so many abuses in the publishing industry.

White writers stealing the narratives of people of color because they know they can make a bigger profit from them than writers of color can. Cishet writers stealing queer narratives for the same reason. Disability, same thing.

(Note: my philosophy is that there’s a difference between stealing the narrative and having a diverse cast of characters.)

So, in conclusion:

Don’t write for money.

[rainwindandstars]

Queer book recommendations!

Here is my promised list of queer books! I’ve included a small plot summary, what I liked about the books, what kind of representation they have (queer, disability, POC etc.) and warnings for common triggers. If you want to know more about a specific book, feel free to ask me! The order is random and says nothing about how much I liked a book. All the links go to the books’ goodreads pages, unless it is available for free online, then the link goes to where you can find it. Some of the authors have tumblrs, I’ve added those as well in case you want to follow them (I might have missed some, though). I have included a few novellas/novelettes in this posts, but I will probably make an additional post for queer short stories. Shoot me an ask if you want to be notified when I have done so!

The Second Mango by Shira Glassman  @shiraglassman (Fantasy/Romance)

Young lesbian queen Shulamit is looking for a girlfriend with the help of her bodyguard Rivka (who is a woman pretending to be a man) and the bodyguard’s shapeshifting dragon/horse, when they learn about a sorcerer who is turning women into stone and decide to rescue them.

This book is the first of the Mangoverse books (there are three others and one short story collection) and I really liked all of them. While the characters’ queerness is obviously important to the plot (especially in book one and two), the plot isn’t just about that and the characters also have adventures that have nothing to with their orientation (in book three they get to solve a crime). These books are very fluffy, not overly serious in tone (but also not too silly), with happy endings for all the queer characters. Ideal when you just want to read something lighthearted. Most of the characters are Jewish and later books also have bi and trans characters. There is some homophobia in the setting, esp. in book two, but for the most part the queer characters don’t have to suffer for being queer.

Shira has also written a bunch of other books which I’ve heard are very good, but I haven’t read them.

To Stand In The Light by Kayla Bashe @kayla-bird (Fantasy/Romance)

Shadow, a nonbinary transfem superhero with a tragic past saves the life of Bean, another young superhero and they quickly become friends. While Bean goes to superhero school, Shadow is away on adventures, and when they come back after a few years, they both have developed feelings for each other, but are too insecure and too scared they are not good enough for each other to admit it. And then a supervillain shows up…

This book deals with some quite heavy themes like different kinds of trauma, mental illness and disability, but it’s never grim and I actually count it as another “feel-good” book, because it also has the different characters be wonderfully supportive of each other. The character interactions are definitely the focus of this book, the superhero part is mostly just a background for them. Besides queer main characters, this book also has a lot of other minority representation- Shadow has PTSD and chronic pain, Bean has ADHD and is a Korean transracial adoptee, and there are also otherwise disabled characters, characters if colour, one Jewish character and one DID system (there were probably more, but those are the ones I remember). IIRC, there is no homophobia in the setting and only one minor case of transphobia. Tbh, this book isn’t actually all that great from a purely literary point but for me the characters and themes more than made up for it.

Pantomime by Laura Lam @lauraroselam (Fantasy)

Gene is intersex and runs away from home when his parents want to force him to have surgery to make him “a normal girl”. He joins a circus disguised as a boy and calls himself Micah. While he’s getting used to his new life, he finds out that the circus has some bad secrets and also starts to have strange visions.

This book is the first in a fantastic trilogy and my summary there doesn’t do it justice at all. Pantomime starts out with relatively few magical elements, but book two and three have more of those. This trilogy is more plot driven than my first two recommendations, and it’s probably also the closest to your typical fantasy novels.

Micah is intersex and bigender, one of the other main characters is a gay man and there was also a minor trans women character. Micah’s has to deal with intersexism, mostly in book one, but otherwise the characters don’t suffer for being queer. TW for domestic violence.

This is easily one of the best books I’ve read lately, so go read it!

Aristotle And Dante Discover The Secrets of The Universe by Benjamin Sáenz (YA)

Ari and Dante are two very different teens who build an unlikely friendship that very slowly develops into romance. (I realise that this probably counts as a spoiler, but this book wouldn’t be on this list without that, so you would be able to guess it anyway.)

This is a beautifully written book, almost poetic. It doesn’t really have an overarching plot, it just tells us about the lives of these two boys and everything that includes. It’s not a romance book, and while romance does happen, it’s actually just a very small part of the book. I would have liked a bit more focus on the romantic relationship - the way it is the ending felt a bit incomplete to me, but there’s a sequel coming out, so hopefully that will help. Both Ari and Dante are Mexican-American. TW for violent homophobia and one very bad accident.

The Long Way To A Small, Angry Planet by Becky Chambers (Sci-fi)

A bunch of humans and aliens have adventures in space.

This is another fantastic book, that is both very well written and the kind of book that makes you feel good while reading it (when it doesn’t make you cry). It’s not as fluffy as some of the other books on this list, but while bad things happen it is, ultimately, still optimistic and never grim. The cast is a very diverse mix of humans and aliens, including aliens with a nonbinary gender, unusual family structures disabled characters. There is a f/f romance happening, but it’s only a subplot, so if you’re reading it only for the queerness you might be disappointed but this book is good enough it might even be worth reading if everyone was straight. ;)

Capricious: Gender Diverse Pronouns Edition - A.C.Buchanan (Editor, lots of different authors) (Sci-Fi/Fantasy)

This is a short story anthology in which all stories feature a major character who uses gender neutral pronouns, including singular they but also several different others like ze/hir, per/pers, e/eir etc. Some of the stories have pronouns/gender as a topic (like “Sandals full of Rainwater” by AE Prevost where a person from a culture that doesn’t have gender moves to a culture that has three genders and pronouns that change depending on both the speaker’s and the other person’s gender, or “Ad Astra Per Aspera" by Nino Cipri, in which the protagonist is pretty sure their gender “left me for someone else”.) while others are typical SFF short stories which just happen to have a nonbinary protagonist.

A few of the stories are really fantastic, but all of them are worth reading.

Two Boys Kissing by David Levithan (YA)

Craig and Harry want to break the world record for the longest kiss, Tariq was beaten up by homophobes, Neil and Peter are a happy couple, Avery (who’s trans) and Ryan are just starting a new relationship and Cooper suffers from crushing loneliness, stuck in the closet. This book tells these vaguely related stories about different gay teens, narrated by the ghosts of the gay men who died from AIDS.

This book is definitely an interesting read that contrasts the lives of gay people during the AIDS crisis with that of gay teens now, showing both how much things have improved but also how hard it can still be, not shying away from the darkest parts of queer lives. TW for violent homophobia, depression and suicide.

Documenting Light by E.E. Ottoman (Contemp./Romance)

Wyatt and Greyson try to find out who the two men in an old photograph are, while dealing with various difficulties in their lives. Romance happens.

This is a very short book (novella?) that describes the slowly developing romance between Wyatt, a closeted nonbinary person, and Greyson, a trans man who was cut off by most of his family after coming out. It’s not as lighthearted as the other romance books on this list, but it’s still optimistic and I really liked it. TW for transphobia.

Freya Snow series by L.C. Mawson @lcmawson (YA/Urban Fantasy)

After Freya finds out about her magical heritage, and learns to use her magic, she gets into various adventures, starting when some demons show up to kill her.

This is a series with currently ten books, with a total of 13 planned, and there are two spin of series with other main characters. These books have several queer characters (Freya is bi), which does come up often, but the focus is more on the action. There are several autistic characters (Freya is one of them), one deaf character and one character in a wheelchair, also several POC. I don’t remember how much homophobia there was in the setting, so if there was any, it wasn’t much.

These books aren’t literary masterpieces, so don’t expect too much, but they are still enjoyable to read. The first one is free, so you can give it a try to see if you like it.

All that also goes for the spinoff books.

Love/Hate by L.C.Mawson (YA/Sci-Fi/Romance)

Emotion-fueled superheros protect the last few existing cities from monsters. Claire just got chosen as the new aspect of Love, but she’s in love with the aspect of Hate - which is a very bad combination.

There are currently four books in this series, I don’t know how many more are planned. Like the Freya Snow books, they have a lot of diversity but especially in later books the focus is on the action. There are again several autistic characters, including Claire, and several queer characters including a trans women and an agender character. Most of the cast are POC. There is no homophobia or transphobia in the setting.

Like the Freya snow books, these aren’t super great but still a fun read (though I don’t like how the third book ended and where the plot is heading, but that is just my preference. I also haven’t read the fourth book yet.)

Every Heart A Doorway by Seanan McGuire @seananmcguire(Fantasy/Mystery)

What happens with the children that were pulled in other worlds when they come back? Nancy is one of them, and she gets sent to the Home for Wayward Children where she finally meets others like her, who understand her wish to return to her other world. But then a gruesome murder happens and it’s up to Nancy and her new friends to find out who did it.

I absolutely loved the premise of this book, the characters and the first half of the story - it is really beautifully written-, but I really didn’t like the mystery stuff- it changed the tone of the story completely in a way that just didn’t work for me. (You’ve probably noticed by now that I prefer fluffy stories and this one turned from fluffy to grim very quickly.) So if you don’t mind that, you might like this book, I know a lot of people do, that’s why I’m including it on this list. Nancy is asexual, and one of the other major characters is a trans boy. There was probably more diversity that I’m forgetting because I didn’t reread the book and it wasn’t the focus of the book. There were mentions of transphobia, but no cases during the story. TW for murder, gore etc. (It probably wasn’t as bad as I make it sound, I was just really upset when I finished the book so I’m remembering more of the negatives.)

Iwunen Interstellar Investigations by Bogi Takács (Sci-Fi/Fantasy)

Ranai and Mirun, two autistic nonbinary people solve magical crimes in space. There are a lot of cupcakes. The prequel season shows how Ranai and Mirun met and includes some political intrigue. The first (current) season deals with health issues Mirun is having and mysterious accidents.

This is a web serial (updates once per week) which I totally fell in love with when I found it last week. That description makes it sound more silly than it is- it’s another story where a lot of bad things happen but that still feels good to read. It has some very interesting worldbuilding. The majority of characters are nonbinary, autistic and POC. Mirun and Ranai are also both demisexual and Mirun is physically disabled. The book also has some nonsexual kinky elements. There are mentions of discrimination against trans and neurodiverse people, but nothing of that actually happens in the story. TW for lots of medical stuff and major injuries.

Bogi Takács has also written several short stories that also feature queer main characters and which are also worth reading.

A Portrait of the Desert in Personages of Power by Rose Lemberg (Fantasy)

I’m just going to copy the description on goodreads: “This is a Birdverse novella told from the viewpoint of the Old Royal, who is a bigender trans person. A queer, kinky survivor and exile who struggles with his ethics meets the ancient bigender ruler of the vast Burri desert...they hit it off. This has many trans/non-binary people, advanced discussions of consent and sadistic desire, mythic grandeur, non-gratuitous engagement with trauma, a giant flaming bird, and the magical history of Birdverse. CWs for kink, edgeplay, and discussions of trauma.” Both of the main characters are POC (I think), and I think also not neurotypical. Also, additional TW for brief cases of transphobia that gets called out in-story.

This is a novella, also available as an (amazing) podcast, and I really loved it. It is a very kinky story, but it is all non-sexual kink, there is no genital sex happening. I also wouldn’t classify it as erotica, because I think it wasn’t primarily written to be hot, it’s more about exploring the complex emotions of the characters, trust and about discussions of consent. And I think this worked out really, really great. All in all, if you aren’t completely squicked out or triggered by kink, I definitely recommend this.

Geometries of Belonging by Rose Lemberg (Fantasy)

Mind-healer Parét is asked to cure an autistic teenager- who really, really doesn’t want to be cured. At the same time, he’s getting entangled in political intrigue concerning his partner (who happens to be the Raker from A Portrait…, but many years later).

I absolutely adore this novelette, and I think I reread it about three times in the first week after I found it. It has the strong focus on the characters  and relationships and the slower pace that I like in stories, and it just really stayed with me. I think it dealt really well with the topic of a potential cure for autism (the author is autistic themselves). I also liked how it portrayed both a very queerphobic society and one where trans/queer people and polyamory are completely accepted. This story deals with some difficult topics, and it’s not a fluffy story, but it’s not grim or depressing in any way. (If this was posted on AO3, it might be labelled Hurt/Comfort). There are several queer characters, autistic and mentally ill characters and some POC. The MC is in a D/s relationship, but it’s not as graphic as in A Portrait… TW for ableism, transphobia, homophobia, parental abuse, suicidal ideation.

[problemsofabooknerd]

Recommendations: Queer POC by Queer POC

Pride Day 9!

Check out the intro to my Pride project here.

There’s a tendency to represent our community in media as particularly white. I mean, white cis gays spent years being the only kind of queer people we saw in movies and shows, and they still often dominate our conversation and the way we’re seen in the media at large. So, today I thought I would talk about some books about queer people of color written by queer people of color. Diversify who you are reading, and who you are supporting this month!

Books I’ve already talked about in other posts this month:

Juliet Takes a Breath by Gabby Rivera (goodreads, amazon)

I talked about this in my post on books with a large LGBTQIA+ cast of characters, so check that out. This one is about Juliet, Puerto Rican lesbian from the Bronx who gets the chance to be an intern for her favorite author in Portland. It’s about intersectional feminism, queer women of color, and it’s excellent. 

Wild Beauty by Anna-Marie McLemore (goodreads, amazon)

I mentioned this one in my LGBTQIA+ SFF post, because Anna-Marie McLemore writes about queer POC in magical realism. That’s very much her type of novel, and I’m deeply here for it. This one follows a family of women who live in and tend magical gardens, while also living with a curse that should one of them fall in love too deeply, their lovers will disappear. Most of the characters in this book are queer Latinx folks, and it’s wonderful.

Anger is a Gift by Mark Oshiro (goodreads, amazon)

A novel about queer teens of color standing up for themselves and their rights when their school starts to treat them like prisoners. There are basically no allocishet white characters in the entire book, and plus it features a main character who deals with anxiety, and a side character who is disabled. You can learn more about the book and the author in my video here!

Not Your Sidekick by C.B. Lee (goodreads, amazon)

Shockingly, it is only the 9th of the month and this is already the third time I’m talking about the Sidekick Squad series. (It’s actually not remotely shocking shhhh). Like I’ve been saying, this is a super fun, upbeat, and adorable superhero series about queer teens of color kicking ass, fighting a corrupt government, and falling for each other. The first book is about a Chinese-Vietnamese bisexual girl, the second book about a black trans boy, and there are more to come!

Other Books I super recommend:

The Color Purple by Alice Walker (goodreads, amazon)

One of my all-time favorite books right here, wow. This is a sweeping historical fiction novel following a black woman named Celie in the south in the early 1900s. It’s about her being separated from her beloved sister, being forced to marry an abusive older man, and also eventually finding her own sense of self and her power. She is also a lesbian and has a relationship with another black woman, and it is absolutely gorgeous. I cannot hype this enough. 

Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Saenz (goodreads, amazon)

Another bit of historical fiction! So, many of you already know about the beauty that is Ari and Dante, but I’m going to mention it anyway. This one follows two Mexican-American boys (named Aristotle and Dante) in Texas in the 1980s. They meet each other one day and both find that they are odd, trying to figure out where they fit in the world, and have a deep connection. This is an in-depth look at how Ari and Dante discover and discuss their sexuality, their heritage, and their relationships to their family. It’s excellent. 

Power & Magic: The Queer Witch Comics Anthology edited by Joamette Gil (goodreads, amazon)

I adore witches, and I adore queer content. This is... this is everything to me. This is a collection of comics by woman-aligned POC creating stories about queer witches who are also all POC. It’s magical, takes on so many issues, and the mix of styles and stories is really excellent. This also has tons of rep for disabled mcs, and mcs with mental illness. Plus there is now another collection called Immortal Souls!

Noteworthy by Riley Redgate (goodreads, amazon)

Jordan is Chinese-American, her family is poor, she’s bisexual, and she’s trying to make it as a singer at the prestigious performing arts school she attends on scholarship. But when her alto voice keeps her from getting any of the parts she wants in the musical theater department, she decides she has to prove herself by disguising herself as a boy and auditioning for the well-known men’s acapella choir on campus. This is a super charming book that I think actually handles the gender issues of cross dressing super well, plus it features a character coming to terms with her sexuality and how she sees herself, while being surrounded by a group of lovable boys. 

Funny Boy by Shyam Selvadurai (goodreads, amazon)

A tougher read, and one I don’t talk about quite as much. This is deeply, deeply inspired by the author’s own experience growing up gay in the 1970s and 80s in Sri Lanka. While it discusses Arjie, the main character, coming to terms with his sexuality, this is also very much a novel about him understanding the tumultuous political divide that was happening in Sri Lanka at the time. Arjie lives an incredibly divided life, and this novel does a beautiful job covering all of it.

I also have a few more books on my TBR that fit this theme, such as Life is Wonderful People Are Terrific by Meliza Banales, When the Moon Was Our by Anna-Marie McLemore, They Both Die at the End by Adam Silvera, and The Summer We Got Free by Mia McKenzie.  And that’s all I’m going to talk about for now! I hope this list helps make your TBR a bit more diverse, and be sure to leave me some recommendations in a reply or a message. Plus, check back tomorrow for a full written review of Juliet Takes a Breath!