Tagged by @pumpking64 thank you so much!!
Share your wallpaper: It‘s THIS art by @neverland-in-space (not gonna put it here bc I don‘t wanna repost)
The last song you listened to: I have a playlist with my favourite songs from this years eurovision that‘s just on repeat the whole time so I‘m gonna put the six songs that are in it here: Cha Cha Cha by Käärijä (Finland), Queen of Kings by Alessandra (Norway), Promise by Voyager (Australia), Blood & Glitter by Lord Of The Lost (Germany), Who the Hell Is Edgar? by TEYA and SALENA (Austria), Carpe Diem by Joker Out (Slovenia). Cha Cha Cha and Queen of Kings are definitely the two I‘ve listened to the most tbh bc I keep putting them on repeat until I remember that I could listen to some of the other songs too.
Currently reading: Started rereading Good Omens for idk the sixth or seventh time now and spatort fics of course
Last Movie: Stereo. Please don‘t ask me what it was about it was some weird german movie I found in the depths of netflix, the only thing I know for sure is that there was a ghost that was played by Moritz Bleibtreu. The last movie I‘ve seen in the cinema was the new Guardians of the Galaxy which made me cry my eyes out.
Craving: Some coffee and for my schürk/ross wg fic to finish itself bc I can‘t find my motivation
What are you wearing right now: cargo-pants and a batman-shirt
How tall are you: 173 so pretty average haha
Piercings: Had earrings since I was six
Tattoos: None, but I wanna get one soon
Glasses? Contacts?: Nope
Last drink: Water. Stay hydrated guys!
Last show: ‚last‘ ist good, I‘m watching seven shows rn (and yes I‘m gonna elaborate on that): 1) Spatort, 2) Soko Leipzig, 3) Polizeiruf Swiecko (the sad gay german cop shows, no one should be surprised by this), 4) Magicians with some friends (how does this show have so much plot I still don‘t understand?!), 5) Dark (every time when I say „hey this would be a funny thing to reveal but actually please don‘t i don‘t want the situation to get worse“ that exact thing is revealed like in the next one to three episodes and by now I‘m just horrified by everything), 6) Mord mit Aussicht (my bestie pressured me for weeks until I gave in and honestly it‘s pretty entertaining and another german cop show), 7) Supernatural bc for some reason I thought that is a good idea
Last thing you ate: some bread for breakfast
Favourite colour: Purple and green :)
Current obsession: The already mentioned sad gay german cop shows
Unrelated obsession: Norse Mythology
Any pets: Nope, but my parents have two cats and I‘ve missed them every day since I moved out
Do you have a crush on anyone: Nope
Favourite fictional character: It‘s been Loki for years so I guess he deserves to be on here (not just the Marvel version but in general) and I guess currently it‘s Adam Schürk haha
The last place you traveled: Spent a week in a village near Burg (bei Magdeburg) last month :)
Tagging: @shadow-of-a-cloud @homoromoacecase @neverland-in-space @lyxchen @anotherobsessedfangirl @schuerk-wie-schurke @ancient-namess and anyone else who wants to do this :)
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Irondad fic ideas #102
When Flash first overhears Peter talking about the "Stark Internship," he rolls his eyes and thinks, "Of course he'd go with that excuse at Midtown School of Science and Technology."
Whatever. Flash knows the truth. He's seen the car that Parker gets picked up in, seen the body guard / chauffeur and the absolutely insane amount of discrete safety tech he always has on. Flash is convinced that the whole orphan thing is just a cover story and Peter secretly has parents at least as rich and influential as Flash's own.
Maybe they're politicians or the mob or something, and that's why all the secrecy. Honestly, Flash is doing him a favor by bullying him all the time for being an unimportant orphan. It's the perfect cover. Maybe he'll even drop the ridiculous Stark Industries lie and come up with a more believable backstory soon.
Then, one day Flash and Peter end up in a kidnapping situation.
The kidnappers take Flash's watch, but they leave some of Peter's tech since it's better hidden. As soon as they're alone, Flash expects Peter to hit that panic button and get them the hell out of there.
Only... he doesn't? Did Peter learn nothing from K&R training? Flash reaches over and hits the secret panic button 3 times immediately, no hesitation. Peter is shocked. Flash is like, "Oh come on, I obviously know your secret."
He's kind of curious and excited now to see who Peter's secret parents are, once the cops get them out of there.
He is not at all prepared when Iron Man bursts through the door.
He's even less prepared when Tony Stark steps out of the suit and totally freaks out at Peter, hugging him and checking for injuries.
... maybe he's finally met Peter's secret parent after all.
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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Goo Goo Dolls - Fearless [Official Lyric Video] by Goo Goo Dolls
Another recent add to the list of songs that make me think of my Valicer In The Dark AU! Admittedly, I wasn't entirely sure why at first -- my brain just went "yes, this has the right vibes" one day. XD But after a few more listens, I've decided the lyrics DO fit the VITD crew rather well. Stuff like "Some days will be harder than others/so we gotta lean on each other" describes their dynamic well, while the pre-chorus "We're living in a world unfair/We're living in a world so scared" is an excellent description of Duskwall, and especially their adopted neighborhood of Six Towers (which is essentially a big old slum made out of abandoned rich people houses). And the chorus! Not only do you have to be fearless to be a scoundrel in Duskwall, it suits their own personal situations well -- conquering their personal demons and discovering how happy they can be together. :D Plus it's one of those songs where I can easily make up my own mental music video of the gang having adventures to the lyrics, so -- yeah. Good stuff all around, can recommend. :)
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With the popularity of Ted Lasso, I'm genuinely just so glad that we got such a phenomenal show that has made an impact on so many people, and of course now we've also gotten the first season of Shrinking, which also knocked it out of the park.
But I still mourn Whiskey Cavalier every time I watch an episode of either of those.
There hasn't been a whole lot of tv I've actually enjoyed in the past several years, and these three feel like an absolute trifecta, but WC feels like the holy ghost at this point because there is SO MUCH of it in Ted Lasso and Shrinking-- it's so many of the same writers/directors/producers, but they're also just so similar right to their foundations. All three interrogate tv tropes and relationships (of all kinds!!!!!) and mental health through comedy, and Ted Lasso and Whiskey Cavalier actually interrogate an entire genre. I'd say that WC is more on that side than Ted Lasso even is, because although they definitely interrogate some of the tropes of sports fiction (toxic masculinity, anyone?), WC actually parodies spy fiction while playing itself as straight.
It just makes me absolutely feral to think about what more of Whiskey Cav would have looked like. A second season? A third? The development of the show from the original(-ish, one of the drafts) pilot to what was actually filmed shows so much growth and an acknowledgement that they could really work with what they had-- it turned from a show about a guy (hence the name) to a show about an entire team. Frankie took the spot as the second main character with Will once they cast Lauren Cohan (I don't think that happened before she was cast but I may be wrong) and another character was completely rewritten into Jai when Vir Das was cast. They had an entire plan for how to flip the TV trope of the will-they-won't-they relationship to a how-will-they-make-it-work relationship!!!!!! It would have been so good!!!!!! The amount of character development we got in just one season was far above and beyond anything else I've seen besides Ted Lasso and Shrinking, and honestly I think more actually happened specifically because they didn't have the assurance of more seasons (good thing they didn't assume, I guess) to build on things like the Ted Lasso Method™ but they still managed to do it without rushing it.
Honestly I feel like I could make a venn diagram of how all three of these shows all overlap and it would be hilarious. Excellent theme songs by well known artists without it feeling cheap? ✅✅✅ Excellent episodic music by well known artists also without it feeling cheap? ✅✅✅ Really well executed character development for ALL of the characters? ✅✅✅ Interrogation of tv tropes? ✅✅✅ More specifically, hilariously camp villains who still manage to take advantage of tropes to work? ✅✅ Incredibly well developed character relationships OF ALL KINDS that don't all hinge on only one romantic relationship as the centerpoint of everything? ✅✅✅ Queer characters who don't exist for the butt of a joke or solely as token queer characters? ✅✅✅ Every line is delivered with perfect comedic (or dramatic) delivery and timing? ✅✅✅
Anyway, this has been a barely coherent and very meandering way of saying that the fact that ABC put the episodes out of order really screwed things up, but Whiskey Cav really hit its stride there with the second half of season one and absolutely nailed the vibe they'd been working towards with the foundational episodes that came before them, and I just get SO ANGRY when I watch Ted Lasso and Shrinking despite the fact that they're both so good and I enjoy them so much because it makes me think about just how good a second (and third, damn it) season of Whiskey Cavalier would have been.
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