“Ooh!” Scott squeaks out of surprise when he feels the cold, wet nose on the back of his leg. He looks down and chuckles at the large wolf looking up at him. “Hey buddy. What’s up?”
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
Sometimes you watch a show and you're like: wow, they had a serious show bible for this. And you just know it's treated like the holy grail it is by everyone involved, that it's laminated, that it's got annotations, footnotes, color coordination, a section for foreshadowing, callbacks, foils and parallels, that an eye blink doesn't get blunk without it matching that character's arc for the season and the show overall.
And sometimes you watch a show and you know that show had a pamphlet, one with, say, the word TEEN written on the front, WOLF on the back and just [TBD] splatted inside, probably with (abs?) scrawled on the bottom somewhere. And someone put their gum in it around the start of the fourth season.
[2023] TOP 20 PODCASTS ON AO3 FOUND IN FANDOMS > OTHER MEDIA
To make this ranking, all series titles in Other Media were copy-pasted to Google Sheets, rearranged according to number of fanworks, and then manually filtered since not all podcasts were marked as such.
The numbers under each rank indicate how much they rose/fell in the rankings based on last year's (Oct. 24, 2023) rankings, which can be found here. The gray numbers in parenthesis indicate how much fanworks it gained since last year.
The data for this year and last year's rankings were taken while logged in, so lcoked fanworks are included in the count.
A few web series like Critical Role and Dimensions 20 released audio-only versions of their works too, but I left them out since they were listed was a web series on ao3 and more known as one too.
Cabin Pressure has also been left off the list this time since its podcast format was only released in 2019, years after it aired on the radio.
All nonfiction podcasts have also been excluded (Not that there were many), because with RPFs, it’s hard to tell if the fic in question is just based on the podcast or because of the things the person has done outside of it. Last year, I accidentally included The Misfits in the list since I didn't realize from its description that it was nonfiction.
The Two Princes (Podcast) ranks 21st in the rankings this year, and actually ranked 20th last year when the rankings are adjusted to exclude Cabin Pressure and The Misfits.
The College Tapes is actually a spinoff of The Bright Sessions.
Thanks for understanding and hopefully I didn’t mess up anywhere! 🙏
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
I think personally we should draw them as adults getting to fully indulge in their teen fashion aspirations. (see second image) Callies outfit was inspired by paint splotches and embroidery as if she made her outfit herself :) A true artist!
Third is my updated readings. I say "readings" because i believe theres textual evidence for these and its how i interpreted them from my read throughs. (Only jake has the autism symbol because hes the most explicitly disabled coded in text but all of them to me are neurodivergent)
The gender labels are used loosely bc i think each of them has an incredibly unique journey/relationship with their gender that cant be encapsulated in a small set of words, and i do not think any of them would actually fully use labels either.
I am just using these to simplify down my thoughts into something easily digestible LOL MY THOUGHTS ON THEM AND THEIR PARALLELS + MIRRORS + INVERSIONS ARE SUPER COMPLEX i think about them Genuinely Literally Every Day of my Life. theyd have to be saved for a different time </3 but ya alpha kids trans 4EVER howd hussie cram THIS AMOUNT of queerness into these guys.. will never know
the best thing about jon and sam's friendship is that aside from their core shared identity of being alienated within a classist patriarchal society, they have Nothing in common. sam spends the whole first jon chapter of acok nerding out over the sociopolitical signifance of a bunch of old maps and jon's response is "litcherally why does it matter as long as the rivers are in the same place, you sweet fool" they're like the medieval equivalent of nerd who likes lotr and jock who likes evanescence forming a deep affection on the basis of no one else understanding them.