#working distance
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chattingwithmodels · 3 months ago
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The World Up Close
A Detailed Exploration of Macro Photography Macro photography, a captivating genre within the broader field of image capture, invites viewers to explore the intricate details of subjects often missed by the unaided eye.1 By magnifying the minute, this photographic technique reveals hidden textures, patterns, and structures, transforming the ordinary into the extraordinary. It represents a…
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the-eye-care-advocate · 1 year ago
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Static Retinoscopy 101
Check out our latest article on the art of retinoscopy and test your knowledge in the skill activity included at the end! Only retinoscopy pros get 100%!
Static retinoscopy is a technique used to objectively measure the refractive error of the eye. This post looks at the basics of retinoscopy and provides a learning activity at the end to test your understanding and knowledge. This article is intended to supplement the information from university lectures and professional training and assumes a minimum of a novice understanding of retinoscopy…
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pvtpunsart · 2 months ago
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Splinter and Leo go to an escape room and Splinter surprises Leo by having booked a MAGIC-THEMED ESCAPE ROOM. Leo is DELIGHTED.
Leo has a blast solving all the puzzles and doing stage magic and they solve the room with a minute remaining and get to take fun selfies of WINNING
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menzelrobovision-blog · 2 years ago
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Choosing the Right Machine Vision Lens: A Comprehensive Guide
Machine vision technology has rapidly evolved, and selecting the appropriate lens for your application is now more critical than ever. With the wide variety of lenses available, choosing the right one can be a daunting task. However, by considering a few key factors, you can make an informed decision that will significantly impact the performance and image quality of your machine vision system. In this comprehensive guide, we will delve into the various aspects of selecting the perfect machine vision lens to meet your specific needs.
Fixed, Varifocal, or Zoom:
The first decision to make when choosing a machine vision lens is whether you need a fixed, varifocal, or zoom lens. Each of these options has its own set of advantages and is suited for different applications.
Fixed Lenses: Fixed lenses are an excellent choice when you have a consistent working distance and require sharp, high-quality images. These lenses have a fixed focal length, meaning they do not offer the flexibility to adjust the zoom or focus. If your application involves stationary objects or a controlled environment where the working distance remains constant, a fixed lens is a cost-effective and reliable choice.
Varifocal Lenses: Varifocal lenses are designed for situations where the subject is in motion or may require frequent refocusing. These lenses offer the flexibility to adjust the focal length and focus, making them ideal for applications that involve objects at varying distances. Varifocal lenses can save time and effort by allowing you to adapt to changing conditions without replacing the lens.
Zoom Lenses: Zoom lenses are the most versatile of the three options. They can adapt to distant subjects by changing the focal length, providing you with the ability to zoom in or out as needed. This adaptability is particularly valuable in applications where the working distance is not constant, or when you need to capture fine details in both nearby and faraway subjects. While zoom lenses offer flexibility, they are typically larger and more complex, which can result in a higher cost.
Focal Length and Focus:
The focal length of a machine vision lens plays a crucial role in determining the field of view (FOV) and the magnification of the image. Understanding how to choose the right focal length is essential for capturing the desired image.
Field of View (FOV): The focal length directly affects the FOV. A longer focal length will provide a narrower FOV, which means the lens will capture a smaller area with greater detail. Conversely, a shorter focal length lens will result in a broader FOV, allowing you to capture a larger area but with less magnification. When selecting the focal length, consider the size of the objects or areas you need to capture in your application.
Magnification: In addition to FOV, the focal length also determines the magnification of the image. Longer focal lengths result in greater magnification, making them suitable for applications where fine details are essential. Shorter focal lengths, on the other hand, provide lower magnification but are ideal for applications where capturing a larger area is a priority.
To choose the right focal length for your machine vision lens, you need to have a clear understanding of your application's requirements and objectives. Analyze the size and details of the objects you are inspecting to determine the optimal focal length for your specific case.
Aperture and Lighting:
The relationship between aperture and lighting is critical for achieving the desired depth of field and image quality in machine vision applications.
Aperture: The aperture of a lens controls the amount of light that enters the camera sensor. It is typically represented by an f-number (e.g., f/2.8). A smaller f-number indicates a wider aperture, allowing more light to enter, while a larger f-number means a narrower aperture, which restricts the amount of light. Selecting the right aperture is essential to achieve the desired depth of field.
Depth of Field (DOF): The depth of field is the range within which objects appear acceptably sharp in an image. It is influenced by the aperture size, with wider apertures producing a shallower DOF and narrower apertures providing a deeper DOF. The choice of aperture depends on your application's requirements. If you need to capture fine details in a specific focal plane, a narrow aperture might be suitable. For situations where multiple objects at varying distances must be in focus, a wider aperture may be preferable.
Consider the lighting conditions of your environment, the specific requirements of your application, and the depth of field you need to achieve when selecting the aperture for your machine vision lens.
Resolution and Accuracy:
When it comes to machine vision, resolution and accuracy are paramount. To ensure the best results, you must find a lens that offers the highest resolution for your subject or operation. Consider various factors, including image clarity, application demands, available options, and cost-benefit analysis.
Resolution: Resolution refers to the lens's ability to capture fine details in an image. Higher resolution lenses produce sharper and more detailed images, which can be crucial for applications that require precision, such as quality control and measurements.
Application: The specific application of your machine vision system will dictate the level of resolution required. If you are inspecting small electronic components, you will need a lens with exceptional resolution to detect defects. On the other hand, if your application involves monitoring large industrial processes, a lower resolution lens may suffice.
Cost-Benefit Analysis: While higher resolution lenses offer superior image quality, they can be more expensive. Therefore, it's essential to perform a cost-benefit analysis to determine the optimal balance between resolution and cost for your application.
By carefully considering these factors, you can select a machine vision lens that provides the resolution and accuracy required for your specific needs.
Working Distance:
Selecting the correct working distance is crucial when choosing a machine vision lens. Designers calculate the needed working distance using various factors, including focal length, the length of the inspected object, sensor size, and the size of the objects being observed.
Focal Length and Working Distance: The focal length of the lens plays a significant role in determining the working distance. A longer focal length results in a greater working distance, while a shorter focal length is associated with a shorter working distance. To ensure that the lens can effectively capture the desired field of view, it is essential to match the focal length to the working distance required for your application.
Object Size: Another factor to consider is the size of the objects you are inspecting. If your application involves large objects, you may need a lens with a longer working distance to maintain a suitable field of view.
By carefully calculating the working distance based on the focal length, object size, and other parameters, you can ensure that the lens you choose is perfectly suited to your application's requirements.
Sensor Compatibility:
Different sensors require different lenses, and it's crucial to select a lens that is compatible with your camera's sensor type and size. Sensor compatibility directly affects the image quality and the lens's ability to cover the desired field of view.
Sensor Size: The size of the camera sensor influences the field of view. Smaller pixel sensors require higher resolution lenses to achieve better image quality, as they capture more detail in a smaller area. In contrast, larger sensors require larger lenses to cover the same field of view.
Sensor Type: The type of sensor, whether it's a CCD or CMOS sensor, also plays a role in sensor compatibility. Different sensors have varying sensitivity to light and may require adjustments in the lens to optimize image quality.
When selecting a machine vision lens, consider the sensor size and type of your camera to ensure that the lens can effectively cover the desired field of view and produce high-quality images. Matching the lens to the sensor is essential for achieving the best results in your machine vision application.
Camera, Mount, and Location:
Compatibility with your camera and its physical location is another critical aspect of choosing the right machine vision lens. Ensuring that the lens aligns with the camera's sensor type and mount is essential for seamless integration.
Camera Sensor Type: Confirm that the lens is compatible with the sensor type of your camera, whether it's a CCD or CMOS sensor. Mismatched sensors and lenses can result in reduced image quality and potential compatibility issues.
Lens Mount: Different cameras use various lens mounts, such as C-mount or CS-mount. Ensure that your lens choice matches the camera's lens mount to facilitate easy installation. An incompatible mount can lead to alignment problems and may require additional adapters or adjustments.
Camera Location: Consider the physical location of the camera in your machine vision system. If the camera is difficult to access, you may want to opt for a lens with remote focus, iris, and zoom control capabilities. For instance, the LensConnect Series offers power and control through USB, allowing you to remotely adjust focus, zoom (in the case of varifocal lenses), and iris. This feature can simplify camera setup and maintenance, particularly in industrial or hard-to-reach environments.
Choosing a lens that seamlessly integrates with your camera and its location is essential for ensuring the optimal performance of your machine vision system.
Conclusion:
Selecting the right machine vision lens is a crucial decision that directly impacts the performance and image quality of your vision system. Before making your choice, consider the following key factors:
Fixed, Varifocal, or Zoom: Determine whether your application requires a fixed, varifocal, or zoom lens based on the working distance and subject characteristics.
Focal Length and Focus: Choose the focal length that aligns with your field of view and magnification requirements.
Aperture and Lighting: Select the appropriate aperture to achieve the desired depth of field and image quality based on your lighting conditions.
Resolution and Accuracy: Consider the application's demands and perform a cost-benefit analysis to determine the required resolution for your lens.
Working Distance: Calculate the working distance based on focal length, object size, and other factors to ensure the lens effectively captures the desired field of view.
Sensor Compatibility: Match the lens to your camera's sensor type and size to optimize image quality.
Camera, Mount, and Location: Ensure compatibility between the lens and your camera's sensor type, lens mount, and the camera's physical location.
By thoroughly evaluating these factors and understanding your specific application's needs, you can make an informed decision and select the best machine vision lens to achieve exceptional results in your machine vision system . Information flows from the lens first, so choosing the right lens is a fundamental step in the success of your machine vision project. To Know More About Machine Vision Lens Visit:http://mvrpl.com/index.html
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sunclown · 5 months ago
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Looking for comfort in odd places
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magdalunaa · 3 months ago
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saltedbirdcat · 16 days ago
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The way that the Wizard probably offered Elphaba everything from power to riches but it’s the chance to be with Glinda that breaks her iron resolve she’s so obvious and down bad 😭
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an-established-butt-dent · 11 months ago
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"What have they done to you,
Old friend."
Trapped in the fade, Solas comes face to face with the remnant of his spirit.
The Dread Wolf was his wisdom, mirror to his pride. In the wake of the wrathful Evanuris, it too, has succumbed to their taint.
Or, where I'm making wild plot speculations surrounding Solas trapped in the fade. while turning my brainrot into art pieces and gifs. I'M PACING MY ENCLOSURE. Looking for crumbs and scrabs of Veilguard. Please Bioware I'm begging, feed me. 😭
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starscream-is-my-wife · 2 months ago
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Thunderfire NSFW
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List of their crimes:
No lab coats
No eye protection
Holding a tube towards yourself
Everything Thundercracker is doing
(Stole @mechncheese ‘s science designs again, sorry couldn’t resist drawing this joke rq)
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sthilarions · 6 months ago
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During a case many years ago, a witch made a poppet (roughly equivalent to the popular conception of a “voodoo doll”) of Edwin. They defeated the witch soundly and got the poppet, but there’s no safe way to destroy it. The only place Edwin and Charles trust as safe enough to keep it is inside Charles’s backpack, where no one but Charles could possibly get to it.
Charles largely forgets about it, buried deep deep down in the bag, until Edwin is held captive, less than a year after their jaunt to Hell, and there’s absolutely no way to get to him until the portal opens again at the next full moon, and he’s going crazy with worry, imagining Edwin in all sorts of misery without Charles not even able to so much as comfort him. He’s digging mindlessly through the bag when he gets to the poppet, and, he realizes, there is this one thing he can do.
He pulls it out with a care he wouldn’t give to a Faberge egg, because this is the most precious thing in the world, in any world, and looks at it for a moment. Then he reaches out ever so gently and strokes its hair. He murmurs reassurances to it - it’s alright, I’m sorry, I love you. He sings lullabies, curls around it and hugs it against him so, so carefully, tilts his head down and presses kisses to its soft curl-covered head.
He doesn’t let the poppet go for even a moment on all the days until the full moon returns, even as he’s preparing for battle, preparing to absolutely fucking obliterate the bastards that are holding Edwin.
Just as the portal opens, he finally places the poppet back in his bag, in the safest, warmest corner. He hefts the arsenal in his arms and strapped to his back and floating around him and charges through.
He tears through the stronghold in minutes, and he does literally mean through - he’s left a trail of smoking rubble behind him where ghost-proof walls used to be - and finally, finally gets to Edwin, and -
“Ah, Charles, there you are. Not to worry, I’m quite alright. There has been some sort of force - “
Charles doesn’t even hear him as he wraps himself around Edwin, and his body follows the same motions it has for weeks now, stroking hair, pressing kisses, murmuring muffled you’re alright I love you you’re alright I’m sorry I love you I’m sorrys into Edwin’s hair, which is even softer in reality than on the poppet, and Edwin says -
“Ah. That was you.”
Charles can’t see or hear anything other than Edwin, at the moment, but he can’t not see Edwin, so he has a very clear view as Edwin reaches his arms out and, with a few words, takes control of all the magical weapons and orbs and so forth that have been trailing after Charles.
And he hears when Edwin says “Well, then, Charles, shall we depart?”
And he feels it when Edwin lifts him as effortlessly as he lifted the poppet, holding him so he can keep his nose buried against Edwin’s neck as Edwin blasts his way out.
And he definitely feels it when, a few very loud minutes later, they’re back in their office, and Edwin’s head turns to meet one of his kisses.
“It’s alright, Charles. I’m sorry I left you alone. I love you.”
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yankaze · 2 months ago
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i don't really know when i'm gonna finish this artwork... i think there's gonna be a lot of wips so we can see the details!!
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robo-dino-puppies · 6 months ago
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dragon age: the veilguard | neve gallus 2/?
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jyn-ehrso · 2 months ago
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Andor S02E05 "I Have Friends Everywhere"
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evercelle · 6 months ago
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2024 art summary! it sure has been a year
#ever makes art#i bsky tweeted a bit but it feels weird talking there still so ill do my usual rambling into tags here :)c#i burned out super bad in the middle of this year for months where it felt like i couldnt draw anything good no matter how hard i tried#and the harder i tried the worst it felt - to the degree that i legitimately thought i wasnt going to be able to draw anything again#which sounds SO dramatic i know i know. but feelings arent always rational!!! and so many others things were going wrong at the same time#so it was strange putting together this year's art summary and realizing Huh. i did still have paintings to put in every space#that fear/anxiety spiral seems even sillier and more meaningless now that i have distance and proof of how irrational it was...#...but in reflection i'd like to think of it as proof that even when you feel at your worse it's worth it to keep trying...!!#after the Black Hole of Nothing i've been working every day on never ending doujin and xv anthology and orv sketchzine and merch#i can't say that i feel my artistic skills have like. improved or anything... but the passion i feel for the stories i read and#the stories i want to tell is still there!! and the happiness from getting to put form to those feelings large or small is worth it too#anyway......... lotta words to say tho i haven't posted much anymore and socmed is imploding and the world is dark#thank you very much for staying with me another year. i am - as ever - always grateful
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bayazreza · 9 months ago
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Wind carrying messages, eventually.
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metamatronic · 5 months ago
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i love the idea of william actually being pretty decent at an american accent, but that, on occasion, he pronounces a word the british way with just. an american accent on top of it. i.e. matching the accent but still saying the syllables “mo-bye-uhl” instead of “mo-bull” for mobile.
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