#writing asl

[ofoceansandtombsanew]

pov garp doesn't get why dadan thinks the kids need to see a therapist

[neptunym]

weirdos

[snails-and-tangerines]

Love Luffy's adverse childhood experiences TM 'cause they really do be ranging

No parents, interesting relationship with grandfather (only known relative at the time)

Raised as a feral village child and then by actual criminals in a cabin in the woods and THEN he lived in a treehouse with two ten year old boys with no adult supervisors to make sure they don't literally perish (this is a seven year old, for those unaware)

Fighting grown men who happen to be Seasoned Criminals on the regular with these two ten year olds

Uhhhh he got mauled by a bear that one time

He nearly drowned several times

He almost got eaten alive by a Sea King, and he witnessed Shanks getting his arm eaten to save him

Nearly being murdered several times by grown adults (and Ace)

Falling down several cliffs. If I remember right he was pushed at least once (???)

Several hours of very literal torture in a row and then nearly getting murdered (again). He was possibly also aware that the residents of Grey Terminal could hear his several hours of screaming and that they didn't do anything about it

Speaking of the residents of Grey Terminal, some of 'em be murdering each other in broad daylight. I'm sure he's witnessed this at least a few times

Being swallowed whole by a crocodile

Surviving genocide by fire. Which he was also tricked into helping start

One brother got murdered

The other brother was at least slightly suicidal even if he never acted on it

It's implied that there were periods where Luffy didn't have the best food security. I'd also argue that after Garp took him out of the village, even when he had enough food to get full, he only really ate meat and rice, which is like, not enough nutrients? I hope Makino brought vegetables when she visited like frfr

[I'm sure I'm missing things, but the list is extensive as it is]

He stabbed himself in the face once for clout, does that count?

Like. As a Psych major???? This is just fascinating. It's a case study too wild to ever see in a textbook, at least in my experience, but the way these things play into his character has always seemed so realistic to me. Props to Oda ig. I doubt that he knew all of Luff's childhood from the beginning and yet he's such a consistent character

[albaqae]

@ ALL RISE FANS THAT MAKE COMICS & STORIES

So I’ve noticed that in this fandom it’s common to include Deaf/ASL-using-characters into stories, which is honestly AMAZING and makes me SO HAPPY TO SEE, but many of us aren’t deaf we rely on resources, therefore:

My ASL teacher gave us this website cause it’s updates constantly (ASL evolves lots) and it’s a lot more accurate and reliable than just google :))

To work it- type the word, and a word bank will pull up, click on the term u want and a video/description of the sign and word will appear!!!

It’s rlly simple and has most words and if it doesn’t it’s bc it’s finger spelled probs!!!!

If u want more in-depth good grammar, search up “five parameters ASL”, “glossing in ASL” and watch a few videos to see “how sentence structure differs in ASL”

As always, remember it’s ok to make mistakes/notice a mistake, just be mindful and kind :D most of us aren’t out for malice and if someone is it’ll probs be very obv 😭

Happy Creating!!

Edit: A THANK U SO MUCH FOR THE REBLOGS :)) if anyone ever needs any help drop a comment or look at other reblogs!! There’s lot of other resources/tips there!!!

[benevolenterrancy]

au where Li Yu teaches Prince Jing modern CSL, based on @skygemspeaks's au over here because after seeing how eagerly Li Yu takes to teaching him pinyin in bk4 I think they both deserve it!

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[blackjackkent]

Can we say my Harper responsibilities to maintain balance start *tomorrow*? Hm... no.

Bonus:

/cc @astreamofstars and @springagainafter, my fellow Jaheira-lovers. <3

[taro-pdf]

Humans are Space Orcs: Disability in Aliens and Humans

All language is Universal Interplanetary Language unless otherwise specified. Written like a play.

[Kell, human, in the staff break room of a planet-sized spacecraft where they work as a technician. An alien walks in and jumps. Kell doesn't notice.]

Alien, under their breath: what the fuck since when did we have a human on board?? I thought we employed fynta as security…

[Kell turns around and sees them. They wave. The alien stares. Kell puts down their cup and types something on their watch.]

Kell (text to speech, aka TTS): hey, what's up? can I help you?

Alien, under breath: jfdklas;jdjdfls what am I supposed to say to a human???

Kell (TTS): Kell, human, they/them, I've been on board three orbits and I haven't hurt anyone yet. I you can relax.

Alien: Um, Neka, sateen, he/him. And you relax can as well. Human voices aren't harmful to my species.

Kell (TTS): kind of you to offer, but I don't speak, and I can't hear either. My glasses are transcribing your words for me.

Neka aka alien: Oh neat!

[Kell looks at him in suprise.]

Neka: I mean, a lot of my species is deaf. Our world's pretty loud, and hearing is a recessive gene. My parents sent me up for adoption when they realized I wouldn't be able to do anything on-planet because the noise literally hurts, but at least they did't operate to "fix" me.

Kell (TTS): My parents tried to "fix" my hearing but it didn't work out. I can speak with my hands though. [signs in ASL, then types] like that. It's one of the human sign languages.

Neka: WHAT I speak a sign too! [signs in Sateen] You probably don't know that one, but I can do a bit of Universal Traders' Sign as well. it cool I have something in common with one of the scariest species in galaxy!

Kell (traders' sign): Nice to meet you. I promise not all humans are the fighting machines we are said to be.

Neka (traders'): It's been to long since I spoke anything close to my first language. um... you're the first human i've see off a security team and not holding weapons... can you tell me about like everything about humans? I've heard so much.

Kell (traders'): Of course! A lot of it is exaggerated, but there's always some humans who live up to the stories. Let me tell you about them.

[sunn-kist]

new fandom rule. no one is allowed to headcanon a character as being fluent in ASL unless you are familiar with and can explain the significance of a) the Milan Conference of 1880 b) the DPN movement.

[where-does-the-heart-lie]

Hello hello! i have been working with a super cool writer, @ohboyhowdybuckaroo, on an ASL God AU fic for the past several months and the first chapter is finally out! Give it a read if youre interested in wacky shenanigans, and tasteful mysteries~

Here's some of the art i made for it. The designs for the characters and some moments of the fic :)

i hope you guys enjoy!!!

[buff-muffin]

I remember seeing this guy talk about raising his sons and it kind of made me think of a modern AU Dadan and how I think she would also use one of the methods this guy mentioned. I don't remember the guy who posted or how long ago it was before it resurfaced in my brain, but essentially. he knew his boys needed to rough house, get out the energy of being well behaved all day so he bough a few gym mats and punching dummy's and threw these kids (lightly) around. Which, in of its self, is an amazing thing to give a small boy? a place to be rough and tumble and loud, an outlet for the exhaustion of the day and a place where they could actually practice their strength.

Now the ASL brothers are by no means as gentle and really they're fighting with teeth and claws regardless. but I love the mental image of like. After hours of these boys fighting every second of the day. who gets the first bath, who gets the bigger sandwich, who has to sit middle in the car, who gets the good snack or the last serving or the shower or the top bunk. or whatever other reason they decide to have a BRAWL IN THE FUCKING LIVING ROOM. Dadan finally gave in. going round back of an gymnasium she manages to score some old worn out tumble mats. drags them out to the shed and says "this is where you fight. not in the bedroom. not in my kitchen. not at school. here. and the only rule is you cant cause enough physical injury to have CPS called in my ass again."

now when an adult gives you a round about way to let you beat your siblings ass? you're gonna take it. and the collection grew, second hand boxing gloves, pool noodles cardboard shields and the dangerous stay piece of bamboo. they had their battle arena and would run home to settle a fight from hours before. And also gave Dadan a reason to kick them out of the actual fucking house when they got too rowdy over mario kart.

Of course they still got hurt. punches too hard, slamming into the concrete, a lost tooth a broken limb. But I truly think those memories of running to the shed to fight over who got the last slice of dessert at 9pm must be some of those boys favourites. Dadan considered it a slightly duller head ache

[azucar-skull]

The golden 4 of drawing ASL for comics

*I am not Deaf, CODA, or a licensed interpreter. That being said, I took all level classes and practice regularly. So while I can get a license...idk I just don't feel like it lol. I got a speech disorder so that's why I learned it.

That being said, I'm pretty sure I know what I'm doing--

1) Staging

Most comic artists are aware when you draw 2 people talking, you gotta stage it so that the last thing person A says flows into the first thing person B says. This staging makes the interaction feel more natural and lively.

Same rule applies to ASL. The last thing person A signs should flow into the first thing person B signs.

2) Grammar

ASL is its own language, not a word-by-word cipher! It has its own directs, styles, and grammar rules. Here's a chart:

So in that case, you must understand how an English sentence is written in ASL. And THEN determine what is the REAL last sign of person A and first sign of person B.

Much better!

3) Emphasis

Given the context, the same sentence can be said very differently. Usually we yell louder when the context is more urgent or exciting.

Same applies to ASL. Our signs become more expressive depending on the context. Don't forget that facial expressions play a role in grammar!

4) Style

Everyone 👏 signs 👏 differently! 👏 If you've met one Deaf person, you've met one Deaf person. Each ASL user has/will have their own unique style. Heck, there’s a thing called Black ASL which is derived of stylized signs used in Black Deaf culture.

Take the time to know your characters. Their personality, their culture, their environment, and how they learned ASL to begin with. These factors will help each of your characters stand out a bit more and make their signing fit their traits.

In the end, here's the improvement:

It doesn’t take much to do it right. We are blessed (and cursed) to have the internet where any information you need is at your fingertips, reference multiple sources too. Hope this helps!

Commissions // Ko-Fi Tip Jar // Top Surgery GoFundMe

[lifeinacartoon]

CREATING AUTHENTIC DEAF AND HARD OF HEARING CHARACTERS: A WRITER'S JOURNAL

Introduction

Creating authentic characters in your writing is essential for engaging storytelling, and this includes characters who are deaf or hard of hearing. To craft a character that accurately represents this community, it's crucial to do your research, gain a deep understanding of their experiences, and portray them with sensitivity and respect. In this journal, we'll explore how to write a deaf or hard-of-hearing character, including key information and preparation steps.

Understanding Deaf and Hard-of-Hearing Characters

Research: Start by researching deaf and hard-of-hearing individuals' experiences, challenges, and culture. Read books, articles, and personal stories, and watch documentaries or interviews featuring members of the Deaf community.

Consult with Experts: Reach out to members of the Deaf community or experts in Deaf studies to gain insights into their experiences. They can provide invaluable guidance and help you avoid common misconceptions.

Diversity Within the Community: Understand that the Deaf and hard-of-hearing communities are diverse. Some individuals communicate using sign language, while others rely on lip-reading, cochlear implants, or hearing aids. Be aware of these differences when creating your character.

Character Development

Backstory and Identity: Consider your character's background. Were they born deaf, or did they become deaf later in life? How do they identify within the Deaf community? Understanding their identity and experiences will shape their character.

Language and Communication: Decide how your character communicates. Are they fluent in sign language, or do they primarily rely on lip-reading and spoken language? Their communication style will influence their interactions with other characters.

Cultural Awareness: Explore the cultural aspects of the Deaf community. Understand the importance of Deaf culture, including its history, art, and values. Incorporate these elements into your character's life when relevant.

Writing Tips

Dialogue and Communication: When writing dialogue for a deaf or hard-of-hearing character, be mindful of their unique communication style. Use visual cues, body language, and facial expressions to convey emotions and context.

Access to Information: Consider the challenges your character may face in accessing information. This could involve issues with closed captioning, subtitles, or accommodations in educational or work settings.

Social Interactions: Depict social interactions realistically. Show how your character navigates conversations, group dynamics, and social events within their community and with hearing individuals.

Preparation

Sensitivity Readers: Consider hiring sensitivity readers who are part of the Deaf or hard-of-hearing community to review your work and provide feedback. Their insights can help you avoid stereotypes and inaccuracies.

Learn Sign Language: If your character uses sign language, take the time to learn at least basic signs. This will not only enrich your writing but also demonstrate your commitment to accuracy.

Beta Readers: Seek feedback from a diverse group of beta readers who can assess the authenticity of your character and offer constructive criticism.

Engage with the Community: Attend Deaf community events, workshops, or online forums to immerse yourself in the culture and better understand the perspectives and experiences of deaf and hard-of-hearing individuals.

Creating a deaf or hard-of-hearing character that resonates with readers requires dedication, empathy, and thorough research. By following these steps and embracing the rich culture and diversity of the Deaf community, you can create a character that is not only authentic but also promotes understanding and inclusivity in your writing. In addition, when writing dialogue for your deaf or hard-of-hearing character, remember:

It's important to clarify why, when writing dialogue for a deaf character, you should continue to use structured English grammar and not sign language structured grammar.

Maintaining Structured English Grammar:

Readability: Writing in structured English grammar ensures that the text remains accessible and comprehensible to all readers, including those who may not be familiar with sign language or Deaf culture. It avoids potential confusion that could arise from using sign language grammar in written text.

Universal Understanding: English is a global language, and adhering to its grammar rules allows for a wider audience to understand and engage with your story. Sign language grammar varies between different sign languages, making it less universally applicable in written form.

Respect for the Medium: While sign language is a rich and expressive mode of communication, it is primarily a visual and gestural language. Attempting to replicate sign language grammar in written text can be cumbersome and may not fully capture the nuances of sign language communication.

Balance of Realism and Readability: Striking a balance between authenticity and readability is crucial in storytelling. Maintaining structured English grammar while depicting a deaf character's interactions helps convey the character's experience without compromising the reader's ability to follow the narrative.

As an illustration, consider the following text: Dialogues with Descriptive Sign Language:

Sarah greeted John with a warm smile, her hands moving gracefully as she signed, "Hi, how are you?"

John returned the greeting in sign language, his expressions mirroring his words. "I'm good, thanks. Did you see the new movie?"

Sarah's eyes lit up as she signed back enthusiastically, "Yes, I loved it!"

In summary, using structured English grammar when writing dialogue for a deaf character is a practical and respectful choice that ensures your writing remains inclusive and accessible to a broad audience while still authentically representing the character's identity and experiences.

Furthermore, it's essential to avoid creating a character who is overly perfect or one-dimensional. In real life, we understand that everyone has imperfections and complexities, regardless of whether they are deaf or hard of hearing. Therefore, it's entirely acceptable to depict your character as a villain with a hearing issue if that aligns with your storytelling goals.

[snails-and-tangerines]

Underrated One Piece Reveal (Marineford Spoilers)

I don't think I've ever heard anyone acknowledge how crazy of a reveal child Ace was.

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For over 400 chapters, aka for over 40 entire volumes, aka for around a decade in fact, Ace is known to readers as Luffy's cool (and better adjusted, perhaps) older brother. He's strong. He's more than slightly doting. He is a generally adorable man beloved by most people he encounters. Then he dies for Luffy, thanking him for loving him. Odd choice of words, but very touching

THEN

THEN you meet him as a kid and he is the angriest ten-year-old you think you've ever seen. His character introduction is literally that he spits in Luffy's face before even meeting him.

He then proceeds to shove Luffy off a cliff. His eyes are full of hate. He vibes at least slightly suicidal. "Do I deserve to be alive?"

He fights and beats up grown adult criminals on the regular. With a metal pipe. He is constantly annoyed by Luffy.

And then you learn how he got from that to how he was when we first met him. And like. The information is in such a good order throughout the series????

What's with One Piece and all of the information being in a weird order that's oddly perfect?

[lesbianloser69]

It’s such a simple thing really, but “do you want me to be alive?” is one of, if not the saddest, things written in the entire world of one piece. Although, maybe thats just because of my soft spot for found family tropes (especially siblings lol)

Ace is just a small little boy here, a fragile thing compared to the character we all know. This is a harsh contrast compared to Ace in his adulthood, where he’s fueled by his ache to prove himself and prove that he’s more than his father. You never would have guessed the reality of his childhood, considering the cheery and almost comedic relief he can be at times.

I guess I kind of expected this, though. Aces hatred for himself and feeling that he doesn’t deserve to be alive was first hinted through his self deprecative jokes, before we ever knew about his past or who he was. I noticed this myself, that through the facade of sarcasm and cockiness there’s just a guy who feels like his life is a burden to all those around him. And what does it all come down to? His blood, the last name that he refuses to bear out of his hatred for the man who gave it its meaning.

Ace going by his mothers last name isn’t just a testimony for his respect and love for her, but also an act of defiance against his father. I don’t blame him lol, but it’s honestly heartbreaking that Ace has no idea that Roger did love him, and Ace died not knowing this.

The result of Rogers actions on the world though basically fucked Ace over for his entire life, and that was what made Roger selfish.. to go and cause a war and then have a son? It’s no surprise that Ace is seen as the child of the devil, because that’s exactly what Roger was seen as.. the devil.

So for all of Aces childhood he’s taught one thing: that his father was the devil, and that he is the child of that monster. That he doesn’t deserve to live, and what’s worse is he has to listen to strangers talk about murdering Rogers son, if he ever had one. He’s barely even lived to know anything, he’s just a baby, and he already believes what the ENTIRE world thinks of him, he’s hated and worthless and a burden. That’s so much for a 10 year old to have to carry alone, and it’s even sadder to see how this causes Ace to be shut off and cold to everyone he meets.

But of course he is.. hearing people talk about murdering him if he did exist (not directly him because no one knows Ace is Rogers son, except Garp and the mountain bandits. Besides, the world believed Roger having a son was a rumor anyway.) doesn’t make his hatred for anyone he meets that unsurprising. For all he knows, they want him dead too.

When Ace meets Luffy, he’s completely baffled that this boy he’s never met before wants to be his friend! How can someone WANT to be his friend? No ones ever been like that to Ace before, except for Sabo. Even after Ace pushes Luffy away, and makes it extremely obvious he hates him and doesn’t want Luffy near him, Luffy doesn’t give up. He’s urgently insistent on being Aces friend.

So…

“You feel better when you’re around me?”

“You need me?”

Ace is almost at a loss for words here. Luffy feels better around him, Luffy needs him. He’s wanted, he’s loved and he’s cared for, someone notices him for more than just a mistake, that is both beautiful and heartbreaking. And back to this panel:

The way ace nervously fidgets with his hands here (I believe he is, anyway) and his head is tilted downwards.. he’s clearly asking something that means everything to him.

“Do you want me to be alive?”

And little Luffy just instantly, without hesitation, says of course is soooo fucking cute and sweet and UGHHHH!!! Luffy is the first person to EVER say he WANTS (fr gotta emphasize on the want) Ace to be alive. This changed the trajectory of Aces life forever.

I guess I’ll stop here but there’s so much more I could talk about and say.. but Ace and Luffy are very special to me

my small babies☹️

[ouaw-facts-i-just-made-up]

The reason why Gricko says some words weirdly is because his native tongue is Goblin. Not common and he still struggles with it sometimes.

He learned a lot of it from books and major images. His mum and uncle Glorbo both speak very little common. Mostly some very basic phrases "Hello, my name is" "Where is the bathroom?" "I don't speak Common." "Sorry.". They didn't speak it to Gricko as a kid.

This is a true fact.

The classic and relatable issue of learning a word from a book and then mispronouncing it. Fuck "epitome" btw.

Anyway, learning a language is hard, especially when you are an adult and learning from outside sources. Shout out bilingual people thats impressive as shit.