#yeah definitely a ship

[ascesabo]

the great irony of early one piece antagonists believing zoro was the actual captain and using luffy as a puppet ... oda really threw us a bone and curb-stomped it right in our faces. yes, zoro could be a captain in his own right. yes, zoro could match luffy in strength. yes, zoro knows this perfectly well. and you know what? he chose luffy two years ago, and he will continue to choose luffy again and again. roronoa zoro, the pirate hunter, who followed a wannabe pirate with a nonexistent crew on a whim because luffy brought him his swords and made a half-assed attempt at a bargain. zoro, who made a vow to never lose again on both his and luffy's honor. zoro, who told luffy he'd make him commit harakiri if he got in the way of zoro's goal, only to turn around and be willing to sacrifice his dream if it means that luffy reaches his. zoro, who stood in place and took luffy's pain and told a warlord to take his head instead of luffy's, who got down on his knees before his supposed rival and begged mihawk to mentor him so that he could return strong enough to protect his captain. zoro, who has conqueror's haki- a natural born leader- but chooses to stay at the right hand of a man he has deemed greater than himself.

and the thing that luffy fears most? being alone. being rejected. being left behind. and what should have been his foil- the pirate hunter to his pirate king, the nonbeliever to his divine, the king of hell to his sun god- instead becomes his first and most devout follower; the one who demands to follow him to hell and back. oughhhggg i'm sick to my stomach

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[theminecraftbee]

Afterwards, they do a race. They don’t talk about it, but it’s there, between them still. Something settled between them. Cleo doesn’t know how to say it; they never know how to say things like this. Still, they need to, so they wait until Ren’s race is over and then hike through the jungle to go sit on top of Etho’s base and wait for him to show up as well.

He doesn’t. He’d gone to their base. Instead of just showing up for each other, they have to somewhat awkwardly coordinate over text which base to meet at. It forces everything to feel more real.

When they finally meet up, it’s in the shopping district, leaning against the button. A dangerous game in theory, but Cleo’s not fully convinced it can explode at this point, so.

Cleo breathes. They’re both quiet for a moment.

"Okay, so like, are we doing this?" Cleo says.

"I don’t really know, uh, what this is," Etho says, "but I… care about you. I think. So I think we’re doing that."

Cleo nods once. "You know I don’t fall in love, right? I’m not going to fall in love with you, I don’t do that. Might say something about loving you, but it’s not the same thing. Different sense of the word. It’s different, loving people and falling in love, got it? And I won’t do that second thing. I’m never going to do that second thing. I don’t--"

"Okay. I know," Etho says.

"Do you?" Cleo asks.

"I mean, not entirely, but I’m frankly surprised we’re having this conversation in the first place. I never expected you to be in love with me."

"But I’m not," Cleo says. "I’m attracted to you, and I love you as like, a companion and friend or whatever, but I’m not in love with you. I’m. Ugh. I wish I knew the right words. I just--I also don’t let go of things so if we’re doing this you’re going to have to get used to that real fast. Me not being in love with you but me not letting you go, both of those things."

"You're attracted to me? Aw, Cleo," Etho says.

"Don't be an ass," Cleo says.

"Sorry, sorry. It's just, geez, this is--a heavy conversation, huh?"

Cleo sighs. "We'll work on the deflection."

Etho rubs the back of his head and looks away. "Uh, in that case. If I'm maybe a little in love with you--"

"I can't--I can't reciprocate that, Etho," Cleo says, and their voice cracks as they do.

"I know," Etho says. "I just want to make sure it's okay, then."

"You can't help that, can you? Just like I can't help that I still sort of want to kill anyone who hurts you."

Etho seems to think about it for a while. Cleo resists the urge to fidget. She's a zombie. She shouldn't have the urge to fidget; she should be too dead for that. Besides, it's hardly like it's a secret she doesn't fall in love, exactly. It's just... it's only relevant sometimes. Feeling like, as she watches Etho and Bdubs dance around each other, she's on the outside looking in. She'd kill to hold their hands, to protect them, hell, even to kiss them--but that's different. She just can't summon the same emotion of... she doesn't know.

Martyn had almost gotten it, for all he didn't get anything else, in the end. Scott was never going to fall in love with her in the first place, for obvious reasons. Whatever attraction she and Pearl have going on, it's definitely not love.

But this...

"Okay," Etho says.

"That's it?" Cleo says.

"I mean, does it need to be anything else?" Etho says. "It's not like we can just... not do this. I think it's too late for that. Whatever 'this' is. I'm in love, and you aren't, but we'd both be pretty upset to lose this, right? So I'll... figure it out."

Cleo swallows. They feel small. "Will you? Do you understand?"

Etho shrugs. "I understand that it's you, and it's you that this happened with, not anyone else."

"Okay," Cleo says. "Okay."

"Is it okay if I kiss you? Just to try it, I mean. Not like, as a--this is a bad time, actually, I don't want to try to make any kissing we do romantic, I mean, you just told me this won't be romantic, I--"

"Yeah, sure, you can kiss me," Cleo says, and he leans in to kiss them. It's nice. A little soft for what they'd want, really, but nice. He leans back. He looks them in the eyes.

"I get it a little more now."

Cleo is baffled. "How? Kissing is just like, a thing we did? How does that have anything to do with any of the rest of this."

Etho laughs. "I definitely get it a little more now. What do you want to tell the others? I know they're definitely gossiping."

"Ugh. Can we just, like, not?" Cleo says. "I don't want to have to explain it."

"I'll just be confusing then, got it," Etho says, and Cleo can't help but laugh themselves.

"This is why you're my favorite," Cleo says, and they think maybe this will work out okay, after all.

[pepperpixel]

Scott pilgrim art dump!!!! I started working on these like a fucking month ago and just have not been able to finish them cuz life has been so fucking busy… but I FINALLY! I finally managed to finish them now!!! So behold!!!!!! My blorbos! My favs…. I rlly enjoyed every scene w these 3 they were adorable and awesome and cool…. I hope u guys enjoy my art of them even if it is super freaking late ghgh

[moondane-lovers]

Selfshippers who suffer from fatigue and/or chronic weaknesses: Your F/O’s will always understand and support you as best they can.

Selfshippers who are struggling with bed rotting, motivation or even getting up at all: Your F/O’s are here to root for you and to motivate you, but also to sit with you on the really bad days

Selfshippers who are too exhausted or burnt out to post or create: Your F/O’s AND fellow community members understand. Every day is a battle sometimes, but that’s not something that makes you lesser or unworthy of anything.

Your F/O’s will always stick by you, be it a long haul of chronic illness for your entire life, or a short lived set of troubles.

You are valid, loved, appreciated within this beautiful space and should never feel bad for the speed at which you interact with the world around you. Ever.

[marclef]

What does Peppino think of Noise's children? Does he like them?

at first Peppino wasn't too enthusiastic, like c'mon, NOISE of all people flaunting his little kiddos around him? he didn't care much for them.

until he was around them for all of about 10 seconds.

(he.... *AHEM* might've grown on the idea of kids a little bit.)

[chiscribbs]

So here's something a little off the beaten path from my normal uploads -

Last week was my best friend @koilada's birthday and I held a private art stream for her, during which I sketched some of her (our) favorite ships! Because fwenship💕 Ships and the works that they're from listed below, in order of appearance:

Elena and Mateo (Elena of Avalor)

Koen and Ludwika (OCs from one of our collaborative works)

Cass and Varian (Tangled the Series)*

*The Cassarian sketch is specifically in reference to a post-series spin-off that she and I have been writing together for some time now, which I might post more about in the future, we'll see.

It's been so long since I've attempted to draw most of these characters... My favorite thing in this entire set ended up being that Mateo, because I have not drawn him very much and I was fully anticipating him to come out looking so much worse than he did, LOL. (Side note: please forgive the missing hands, these were not meant to be finished pieces, just some relatively "quick" sketches)

[diesoonandsuffer]

sorry kirk and spock’s love for each other is written into the narrative. as if it’s my fault.

[oldtvandcomics]

Not to contribute to a Discourse, but I keep seeing the "should we ship Alastor or not" thing, and. Like most other things, it lacks nuance.

It is true, many people don't understand how to write him in a relationship without it feeling very weird and very out of character. But this is also true about most popular ships? The voices of the characters are not right, and they keep acting in a way that is too sweet, too romantic, and the actual dynamic that made that ship interesting in the first place is missing. "He would not fucking say that" is such a popular phrase for a reason.

In Alastor's case, his asexuality is one of the major things that fanfic authors get wrong. Another is his moral grayness, his difficulties expressing (or even noticing) his emotions, and, at least in the Alastor/Lucifer ship (which is what I have been reading) the antagonism of the canon relationship and how they would navigate it with their absurd fight for dominance. And yes, these are definitely problems.

But, as someone who has been bingeing these fics faster than the tag is moving, these are only some of the fics.

And every popular ship has got a lot of bad writing in it.

The good fics, despite being shippy and more often than not, smutty, all acknowledge Alastor's asexuality in some way. It depends on that author, how, but I have seen him confused about this new situation, participating in sex for his own reasons like manipulation and enjoying having control, I have seen what in other fics would be sexual desire replaced with hunger for blood, hunger for power, or desire for closeness, I have seen asexual and aspec authors use him to talk about their own experiences with being sexualized against their will, or to explore what they would and would not be comfortable with doing. I have seen Alastor look for and find ways around his discomforts, using magic and staying clothed and making sure that he is in control.

So I don't know. Are people being weird about him? Heck yes. But I feel like fics, even shippy and smutty ones about Alastor are also doing some actual good, representation-wise. I can only speak for myself, but I can say for certain that watching a powerful, asexual character navigate his way around sexuality has filled a need in me that I didn't even realize that I had.

I'm really not wanting to start any fights here, just, you know. Different angle to look at this from.

[greenvillainredemption]

One thing I love about mutant mayhem is that Leo has a crush on an April who’s not conventionally attractive. It almost feels like, because of the turtles’ isolated upbringing* he hasn’t been influenced by the popular western beauty ideals and just thinks this ordinary human is beautiful! And I think that’s really cool! Because she is!

*though they’ve clearly been exposed to celebrities and other pop culture so ?? idk lol

[intotheelliwoods]

AH for real! Hell theres friends I know who are scared to even post their cool stuff to begin with- its so sad that a community was created where a good chunk of the artists are too scared to even make their work public :( (or even announce a patreon for it)

Ha it also took more guts than I would like to admit to make that last post, but hey look! FMA meme redraw!

I have no worries of hate though, after all I am just posting for myself and my friends! Whom would love to help me fight my battles o7

---

Yeah ofc!! <3 Dont expect any hate or judgement from me alright??

[nompunhere]

does anyone want this galaxy-ish tum I doodled in a magma session like 2-3 months ago and never posted

(definitely wasn't inspired by a Character from a Media or anything haha whaaaaaat nooooo)

———————————-

DNI NSFW blogs, blogs that focus only on hard and/or fatal vore, weight gain blogs, proshippers, TERFs, ace exclusionists, etc.

[woffles-4-waffles]

*clears throat* It has come to my attention that I never posted this.

[pepperpixel]

“put me on a pedestal and i’ll only disappoint you

tell me i’m exceptional, and i promise to exploit you

gimme all your money, and i’ll make some origami honey!

i think you’re a joke!!! …but i don’t find you very

fuuuuuuu~nyyy”

More tagr art!!! Assorted stuff this time! Featuring some cute chibi stuff. Some solo gaz’s, a lil uhhh. Comic of an altercation.. and a very belated Halloween pic I started drawing last Halloween and didnt finish lol. Also featuring lyrics from pedestrian at best cuz that song rllly rlly fits my ver of tak lol.

[lackluster-draws]

Something something... meat grape... something something

[kiteou]

E…Even more….