#you don't owe anyone canon

[ludcake]

sometimes i think some of you need to throw up your hands and just go do some asoiaf discord oc rp in private. it's fine. nobody will shame you for it. you can have your cool au and your weird characters and your unique dynamics and your personal headcanons. not everything that comes from asoiaf needs to be canon. you're not forced to stay to canon. go have some fun. go write a weird dragongender targaryen or a fucked up bolton. you're not a slave to canon you don't need to rage against it daenaera velaryon isn't re-

[trentcrimminallybeautiful]

you know if we do accept the last epilogue-esque sequence as a sort of dream/wish of ted's and therefore not necessarily canon, very funny if we then simply go "yeah, trent's book is called 'the lasso way' actually. he didn't change that. nope."

[antiquarianfics]

Accidental pt. 2

What happens when you accidentally kidnap the exact man you were looking for?

pairing: mob!bucky x reader

warning(s): canon level violence, kidnapping, profanity

a/n: the comments on the last pt. were so affirming, omg. thanks, guys. anyway, here's a second part. ig the same idea stands: if this does well, maybe i'll do a pt. 3?

part 1

»»———-———-———-———-———-———-———-««

"You're looking for a man by the name of Barnes, James Barnes. He's the owner of the bar you took me from, and he's the head of the Barnes Family. He'll have the answers you're looking for."

"Where can I find him?"

The man grins, a dashing smile.

“I’m right here, Doll.”

—

Somehow, against your instincts, you manage not to take a step back. You keep your feet planted in front of the man, eye twitching a little, jaw clenching.

“You’re James Barnes?” You say, voice devoid of any real emotion.

“Disappointed? Looking for someone less handsome?” He shoots you a cheeky grin.

You scoff. “More like I wasn’t expecting to kidnap a mob boss.”

James laughs, a genuine laugh. “No, I bet you weren’t. However, I do have to say, I’m impressed. Not just anyone can take me by surprise.”

“How long?” You ask, ignoring his praise.

“What?” He raises an eyebrow.

“How long until your men come looking for you? I expected more time, but with you being in charge…” You trail off.

“Ah, yes.” He glances down at the very expensive watch on his wrist. “Well, if it’s 11 now, I’d say… ah. 7 hours before anyone notices.”

You raise an eyebrow. “That long? Really? Are you sure you’re important?”

He grins at you, a dashing grin. You shake your head slightly. You shouldn’t be thinking about his smile right now--you shouldn't be teasing him.

“Very. But my people know not to bother me at night. What I do on my own time is my business. You’re in the clear as long as I show up on time to my meeting. If I’m not there... Well, then people begin to worry.”

You let out an involuntary laugh. “In the clear? You're telling me I’m going to get away with kidnapping you? Actually, don't answer that. You're baiting me, and distracting me. I need answers. Back to my sister. Where is she?"

"I was wondering if you'd forgotten about that."

"Answer the question," you say, stepping forward and putting your knife back up against his throat. It seems to do the trick.

James' face grows serious, as if the man in front of you was no longer playing around with you and had switched into his regular business persona.

"She's alive."

You let out a relieved breath. Alive is something. Alive is good.

"Where are you keeping her?"

"Well, doll, I can't just tell you that."

"Sure you can," you say, repeating your words from earlier.

He smirks, "Why don't you just take the knife away from my throat first? I'm precious goods."

You roll your eyes at him, but you pull the knife away. You hold the knife up to him as if to say I will pull this out again and set it down on the table a few feet away, and as you turn around, you pull a chair from the same table up to James, placing it right in front of him. You sit, an expectant look upon your face.

"Look, doll, why don't you just go ahead and untie me now that you've put that knife away, and we can have a friendly talk about this?" He asks.

You scoff, yet again. This man, you think, is insufferable.

"Try again, pretty boy."

"So you think I'm pretty?" He smirks.

"I think you're annoying, and I think you know where my sister is. So, how about you stop wasting my time and tell me what I want to know?"

He sighs dramatically and lets his head roll to the side as if he's bored before lifting it to look you directly in the eye.

"Like I said before, she owed me something she couldn't repay."

"What's that?"

"That information's gonna cost you, sweetheart."

"You're in no position to be negotiating right now," you say indignantly.

"Sure I am. Don't forget I'm the most powerful man in Brooklyn."

"Don't forget you're tied up and I have a gun."

"You wouldn't shoot me."

"Fucking try me, doll."

He laughs, a real, genuine laugh. "Agree to my terms, sweetheart, and I'll tell you anything you want to know."

You huff. "What are your terms?"

"'Atta girl!" He exclaims cheerily.

You grab your pistol from its holster at your side and aim it at the man in front of you, resting the gun on your thigh. He glances down at it before raising his gaze back up to you. He clears his throat, but something tells you it's not because he is nervous.

"Go on a date with me."

Your eyebrows shoot up. He's joking, you think. A date?

"A date?"

"A date."

"You want to go on a date with the woman who knocked you out, dragged you to an unknown location, tied you up, is demanding information from you, and is currently pointing a gun at you?"

"Yes."

"Why?"

"I have my reasons."

"How do I know you won't just kill me when I show up?"

"Because that wouldn't be very gentleman like of me. My mama raised me better."

"You're a mob boss. You extort and kill people for a living."

He shrugs. "Well, what do you say? Do we have a deal?"

"No," you say.

"No?" He asks, confused.

"I have my own conditions." James tilts his head slightly as a signal to go on.

"You've already confirmed that my sister is alive which confirms you have her locked up somewhere. You will let her go and forgive her debt for whatever the hell it is that she owes you. Do that and once she is safely at home and I've laid eyes on her, you can have that date. Do we have a deal?"

James is staring at you, and as much as you hate it, you can't read him. Your heart is pounding, and you're hoping, praying even, that you've not pushed too far.

"Deal."

You blink once, twice before it registers that he has accepted the deal. Damn, you think, he really wants that date.

"Have her home by... What time was your meeting again? 7? Have her home safely by 7 tomorrow," you say, standing up from where you sat in front of him. You begin to move around the basement, picking up your things that you had brought with you in the whole kidnapping ordeal. Once you've collected your things, you start walking towards the stairs to leave. "If she isn't there, the deal's off."

"You're just going to leave me here?" James asks, pulling at his arm restraints.

You look over your shoulder at him and smile at him. "You're a mob boss, doll, I'm sure you'll get out of there in time." Then, with that, you ascend the stairs.

»»———-———-———-———-———-———-———-««

@cjand10 @vicmc624 @mostlymarvelgirl @livingoutsidethetardis

[certifiedcodbabygirl]

I'm 100% a Gaz girl. No doubt. I absolutely love him and his character.

What I don't like is how people write him most of the time. Idk what it is about the COD fandom but most of the writers give him like no personality. They chalk it up to:

-He's sugary sweet

-He never argues

-He's never angry

-He eats pussy like a god (that one's true to be fair)

-And he's hella submissive

And don't get me wrong, a few of those can be alright, but that's all I really ever see. Not to say anyone owes us writing, these are just my opinions and observations. I love all my fellow writers.

I'm just saying that it's okay to write him as pissed off. It's okay to write him as sarcastic and a lil hotheaded. It's okay to write him as someone who can lead and get shit done. Because all of those things have been shown in his character! I know a lot of people can't afford the actual games, but I highly suggest you at least go watch gameplays. His character is so much more than him being sweet. He's a guy with layers. Just like Ghost. Just like Soap. And just like Price.

I've seen maybe 3 fics where he's shown canonically and I love seeing those. Like I said, write what you want to write, I just wanna share my opinion. I think if I've noticed it, others might have too. And don't get me wrong, I love seeing him as a sweet guy and levelheaded guy when needed, but he can also not be. Let him have layers like every person does. Let him have flaws.

Show what makes him tick. Show what makes him lose his cool. Show what makes him calm down. Show what it takes for him to maintain his cool. Show his "what the fuck is wrong with you" reactions.

We all know he eats pussy good tho. That I will never disagree with.

[pretty-little-mind33]

Tangerine x fem!reader

Summary: Tangerine protects you at a fundraiser and then Lemon learns about the two of you - Epilogue to Don't Blame Me

Genre: Fluff

Warnings: heavy make-out scene, swearing, canon like violence, attacking, mentions of blood and death, slapping, sexual innuendos, protective!Tangerine, jokingly implied daddy kink

~ thank you for requesting @j23r23 ily! this was fun to write! ~

TANGERINE MASTERLIST

Tangerine's hand grips your hair so firmly, his lips crashing into yours as he holds you close with his other hand. He's pressed you up against the wall of this empty corridor, your lips already bruised black and blue from the intensity of his kisses. You try and catch your breath to try and remind him Lemon is waiting inside.

"Tan," you mumble as his kisses trail down your neck, and you gasp, "This fundraiser is important for us. You're supposed to be m-mingling—ah—" you moan and your hands pull at his curls as his tongue explores your mouth as if it doesn't already know every crevice. 

"If you didn' want me kissing ya, you shouldn't av dressed like this," Tangerine groans, his hands gripping your hip as your navy blue dress bunches around your waist and the slit exposes your skin.

"I fuckin' hate these fuckin' events, you know that better than anyone, but you're making it so much sweeter," he growls and his teeth pull at your lip after he speaks and you squeal and press your palm on his chest, pushing him away. 

"Ow," you hold your hand over your mouth. 

Tangerine's hands find your cheeks and with obvious care, he examines your lip. When he finds no injury to fuss over, he kisses your forehead and mumbles, "'M sorry, my love."

You melt, all your anger disappearing as your shoulders relax. 

"Can we just go inside and do our jobs? Lemon is gonna kill us," you sigh and absentmindedly run your hands over the buttons of Tangerine's vest. 

"Bull," Tangerine chuckles and runs his thumb over the sides of your mouth, "Lemon's most likely too busy bothering some poor sucker over Thomas facts, bless 'im," he looks down and takes your purse, fishing out your lipstick and handing it to you, "Might wanna freshen up, darlin'. You look like a downright mess," he smiles and creates some distance between you. 

You frown. You take out your pocket mirror and angle it to see how smudged your crimson lipstick is. Your eyes snap up and see that Tangerine's lips have taken most of your lipstick and he looks just as sinful as you do. 

You turn the mirror around and deadpan, "So do you, dimwit."

He shrugs and just wipes the side of his mouth as he looks to the side. It doesn't help much, but he doesn't seem to care.

Tangerine barely looks like he's listening, his attention suddenly pulled elsewhere. You turn the mirror back around and then fumble with your lipstick as you try and reapply the color, grumbling, "Lem's right, you're such a fucking Gordon. Never fucking listening to me."  

However, you weren't expecting Tangerine's hand to suddenly close around mouth, the gesture surprising you so much you drop the mirror and it shatters on the ground near your heels. You prepared to shout at him, because what the fuck, when the look into your boyfriend's eyes, however, makes your blood runs cold.

"Something isn't right," he mutters, his hold on you unwavering, "I know those guys. They're not supposed to be here." Tangerine's voice sounds stern as he looks back towards the ballroom where the fundraiser is being held and the music is faint.

Abruptly, a loud gunshot is heard and screams follow as you gap and your hands fly to your ears. Tangerine seems unphased by the sound and without warning, he holds your forearm and pulls you down the hall in the opposite direction from the chaos now ensuing in the other room.

"Lemon," you exclaim breathlessly. Only, Tangerine isn't listening as he practically drags you to some smaller room of the building and pushes you inside.

The door closes shut before you can even process what he'd done and you slam your palms onto the splintered wood, shouting, "Hey!? Tangerine, what the fuck?" 

"I'll be back for you," you barely hear him over the gunshots and screams, and then nothing for a moment until it all resumes, and your shouting is drowned out by shouts of pain and fear. Your mind is racing as you look around the small, cramped, maintenance closet he'd basically forced you into.

Tears blur your vision but you try to find something to pick at the lock or however Tangerine had locked this goddamn door.

You continue to hear screams and gunshots. Your hands start to hurt as you use the pin in your hair to pick the lock instead. It's useless for a while and you slam your palm on the door in frustration.

What if something had happened to them? Why did he push you away? You could have helped them like you always do!

Finally, after what seems like forever, you hear the gunshots cease and it's replaced by sirens. You shove open the door with your shoulder, choking on a sob as you look around. You see bodies and blood everywhere and you feel weak as you walk towards the stairs and the exit.

You're too scared to scream out in case whoever was shooting is still around. 

Everyone is crowded in the street, some are injured in their sparkling dresses and fancy suits. Ambulance and police are parked all around and you know every assassin and criminal there is grateful for the cover of the charity.

You stumble into the crowd, desperately looking for two familiar faces, and when you hear an all too familiar rough voice snap out an insult, you snap your head around.

"Ya gotta let me back inside, you bastards! Do ya hear me? Someone is still in there! I gotta get 'er," Tangerine snarls and attempts to stand from the sidewalk where three exhausted-looking cops are trying to calm him down. He's bloodied and messy, and his eyes look wild. He's pissed. His arm is in a sling and Lemon is holding an ice-pack to his forehead as he grumbles to himself. 

You let out a breath and without thinking you find yourself running towards them as fast as your stupid heels can take you. Your mascara stains your cheeks and the stickiness prickles your skin as you choke on a sob when Tangerine sees you.

He stands up, his eyes now wide with pure shock and relief. The three officers look confused but move to the side when they see you approaching. 

The situation then becomes ever more awkward for them when you wrap your arms around Tangerine's neck and kiss him, pressing yourself into him to have him close. You ignore what a mess he's in or the way he squirms away because of his hurt arm. In fact, when you pull away you look him dead in the eyes and lift your hand to slap him. 

"Bloody hell—" Lemon stands beside his brother, his eyes wider than you've ever seen them.

At the same time, one of the officers grabs your arms and pulls you away from Tangerine, "Miss, you can't—"

"Don't touch her," Tangerine snarls harshly and with his good hand, he pushes the officer away from you and stares at him. "We're good here," he says with such authority they don't argue and leave you three alone.

"I cannot believe you locked me in a closet?!" you hiss and reach up to touch Tangerine's cheek, running your thumb over a bruise you think you made with your ring. Oops. "You nutter," you say.

"You kissed him," Lemon says again. 

"I had to, Peach, I couldn't have those dangerous fuckers hurting you!" Tangerine says calmly, unphased by your slap, and looks to the building and all the chaos, "I don' even know what they wanted from all of us—I mean, what sane person would put a hit on a bunch of assassins and hitmen?" His voice is softer as he thinks aloud. 

You slap his chest to pull his attention to you again. "I'm so mad at you! You could have died!"

"You kissed him," Lemon repeats, staring at the both of you as if he's in a trance. Then, he shakes his head and puts in between you and Tangerine, his arms outstretched on either side of him. "Will you fucks just shut up for one goddamn second?!" he glares at his brother and then looks at you, "You kissed him!?"

You bite your lip, the situation sinking in.

Shit.  

"She's done much more than that," Tangerine says, his tone smug.

"Tan!?"

"What?!" Lemon snaps his head to look at his brother. 

Realization dawns on him as he looks between his two favorite people and a look of disgust soon graces his features, "Gross! You've been hooking up? Seriously?!"

Tangerine stares at his brother sternly, "No. I love her. We love each other."

Lemon looks even more appalled and he looks at you as if you've lost your mind, "You love this arsehole?" he asks. You feel warmth on your cheeks but you nod and see Tangerine's shoulders visibly relax when you admit to Lemon you love him too. "Thomas help me," Lemon mutters and holds his head as he slumps back down on the pavement, "You fuckers are givin' me a headache."

Tangerine rolls his eyes and pulls your attention back to him when he touches your arm and moves you away from Lemon. You look up at him, still incredibly angry but the touch of his calloused hand on your cheek weakens your anger. "Peach," he whispers and pulls you in as he kisses your forehead, "'M okay, see, 'm not dead," he tells you as if one of his arms isn't in a sling.

"I can take care of myself, you know—" you pout, but you let him hold you close. 

"I know. But ya have me now. You've always had me," Tangerine says and looks you in the eyes, "I wasn't thinking, okay? I was just scared of losing ya. Can ya forgive me?" 

He says it so softly you have no choice but to accept his demand and you nod. 

"Lucky me," Tangerine chuckles and then kisses your lips sweetly. You roll your eyes at him when he drapes his suit coat over your shoulders to keep you warm as you walk back to the car but you lean into him anyway. Lemon trails behind you both, pouting. 

When he catches up, he says, "No kissing in front of me, alright?!"

"No promises," Tangerine winks at you and nuzzles his chin in your hair.

"Ugh, Peach, dump this arsehole already!" Lemon sounds exasperated by you both and you laugh, deciding to add a little salt to the wound. 

"But Daddy, I love him," you fake a whine in a high-pitched voice, quoting one of Lemon's favorite movies. Lemon, although understanding the reference, looks absolutely horrified at this.

"Don't call me that!"

"Don't call him that," Tangerine deadpans at the same time as his brother and pulls you in closer. You giggle when his mustache tickles your ear as he jokes in a whisper that you can only call him that when the time is right.

Lemon loses his shit when he hears his brother and he immediately pretends to gag for the rest of the walk back to the car. 

[fantasywater]

These are the reasons Stolas Horseman still gets dragged for his infidelity even though the circus was supposed to FIX THAT.

This is for Stolas's Western Entergy interpretation and for the fans who agree with it:

Stolas is an adulterer.

No one gets to change the definition of a word just because they don't like it being said about their favorite character.

He's a domestic abuse survivor and an adulterer. Both are true. 

The reason Stolas still gets criticism is because of the execution of how it was written and the Octavia factor.

We were introduced to Stolas and Stella's dynamic with her being pissed that her husband of at least seventeen years cheated on her.

That anger is empathy-inducing to a lot of people because being cheated on, or knowing someone who has, is a relatable experience. It also looks extra disgusting on the one who stepped out when a family is involved.

Even her throwing things at him could be excused because of the context in which it was happening.  

There's a reason why temporary insanity is welcome in legal circles because it gives leeway to the perpetrator in that it asks the question would they have done this awful thing if it wasn't for an extreme mental break forcing them to? 

Stolas's infidelity was that mental break.

Trying to kill him can also fall comfortably under temporary insanity. 

Plus having our protagonists kill innocents as a job also takes the bite out of it. 

It also doesn't help that both Stolas and Stella's voice actors gave their own explanations that pretty much stated what I said above.

Even our first episode was about a cheated-on woman going to extremes, but she was shown in a sympathetic light despite it. 

Yet the very next episode shows the same issue, but because Stolas is a main character we are supposed to fall in line that the adulterer is whose side we should be on. 

Octavia having a mental breakdown(twice now) because of Stolas's infidelity is also not endearing him to the audience.

What he is doing to his child is the biggest reason why his remorseless, continuous, infidelity is not a take-back-my-power move.

The inciting incident for both Stella's recurrent violent anger and death "threats", as well as Octavia's mental breaks, is Stolas's cheating. Therefore what is happening to him now is a consequence of his own actions.

The writing in the problem. We were introduced to a wife and daughter showing anger in different ways because a spouse and father betrayed their family, and yet Viv still expects us to feel sympathetic to Stolas.

In reality, Stolas is the antagonist of Stella, Octavia, and Blitz.

That role was especially blatant in Loolooland.

As for Stella Viv tried to course correct by being heavy-handed in showing her as a cartoonish monster in The Circus. 

However, because of the initial execution of writing her as a scorned wife due to her remorseless, repeatedly cheating husband for a whole season, she has forever poisoned the well for Stolas and she has no one to blame for that but herself.

She is the one who wrote one of her supposedly sympathetic main characters doing Sexual Extortion(Blitz), Adultery(Stella), Mental Break/Child Neglect(Octavia), but then seems to have an issue when a nice chunk of the fandom still thinks only his victims deserve sympathy.

Nevertheless, since the Circus is in the canon now does Stolas owe Stella loyalty and remorse? No. 

However, Stolas is not just a husband. Octavia exists.

Therefore Octavia will always be the reason why his (continuous) infidelity was a selfish and vile act. 

That's also why what's going to happen to him in the leaks is on him.

His karma warranty is up.

The problem is that the karma Viv gives is an illusion because she still wants you to feel sorry for Stolas. That's why there's always a sturdy flavor of demonization in the narrative toward anyone he's harmed to facilitate that.

However, considering the nature of his crimes his comeuppance is deserved, but she still writes like it's not and expects the audience to fall in line.

She also did the same thing with Blitz's issues with him.

So it's a pattern, and it exists because a fujoshi is writing this story. 

It's a failure in the execution when the author's intent and the audience's takeaway is this broken.

[art-appreciation-dog]

Reminder: You can draw and write things that can't exist in real life.

You can draw a dog in space if you want to, and you don't owe anyone an explanation for why it's in space or how it can survive without a space suit.

You can draw perspective that doesn't make sense. Your art is allowed to defy reality and canon. You can change chronological rules, write crossovers that break spacetime, and make AUs that don't make sense without having to explain how or why. You can draw characters in nonsensical scenerios, doing things they'd never do and saying things they'd never say, and you don't have to apologize or justify yourself. You can draw heroes being unusually angsty and irredeemable villains being soft and cuddly with NO regard for whether it would "actually ever happen in the story"

You can do that if you want. You are allowed to.

[beevean]

Continuing my quest on finding good Charlastor content and I keep having Thoughts :)

because most of said content was, understandably, made between the pilot and the beginning of the actual show. And it's not only noticeable by the insistence of having Charlie and Alastor bond through dancing (since in the pilot that's the scene where the two seem to be having genuinely fun with each other), but also because the "creepiest" works (for lack of a better term) do indeed paint Alastor as Charlie's puppeteer, as the one who will push her to the dark side and unlock her demonic potential.

Part of this is still canon. There's all the heavy handed manipulations in ep. 5 where he presents himself as a better father figure than Lucifer and as the only one Charlie should love and trust; and also... well, the everything in the scene in ep. 7 where he finally manages to strike a deal with her lmao.

(you sure are unusually touchy with her :^) )

And this damning line:

Yes, Alastor desperately wants to have a hold on Charlie's mind if not heart. Even after he admitted in the pilot that he doesn't believe in her cause, he wants her to see him as a trusty mentor. And while the pilot is outdated in certain aspects, I can almost see traces of this... possessiveness? in the way he kept pushing Vaggie away: he clearly doesn't like anyone threatening his authority, and in that moment, Vaggie and her mistrust were an obstacle in his objective to ingratiate himself with the Princess of Hell.

I also noticed that Alastor is willing to make deals that don't require owning a soul: he cares about being the one in control even if he doesn't gain anything material. He struck a little "deal" with Vaggie just to do things his way, and he struck a more serious (but still not soul-binding) deal with Charlie so that she could owe him one favor. Alastor very much cares about having the upper hand in any situation, even the smallest one.

But then ep. 8 came along. And we get the confirmation that Alastor is bound by a deal. He hates it. It "clips his wings". He clearly blames this deal for limiting his freedom and causing him to nearly die for the sake of his "friends".

Alastor may be more of a puppet than Charlie is, at the moment.

And if the theory that this deal is what is forcing Alastor to protect the hotel... Charlie may be the one holding the strings, without even knowing it. While Charlie is not the one who directly owns Alastor's soul, she might have power over him.

It doesn't help that Alastor, as much of a self-serving liar he is, really seems to like Charlie...

(He doesn't need to offer her his precious mic that seems to be the source of most of his power. She already owes him a favor, and was shown comfortable enough to talk to him about her personal issues. This is Alastor showing his trust in Charlie.)

(again, he doesn't need to say this to Rosie, who clearly thinks the world of him)

(yes, this is about the entire hotel. But my point still stands that it's more earnest than anything we usually see from him)

So now we have a puppet in the hands of an unknowing, kind puppeteer that he actually be mildly fond of... and he wants out of every constraint possible because he wants to pull the strings, damn it all! And he will do anything to gain mental leverage on the one he's been forced to serve!

And I think this is what makes the dynamic even more interesting than a straightforward "manipulator/victim" :)

[ronance4everbrainrot]

Some even even more little descendants incorrect quotes with mostly Glassheart/CharmingHeart

(and other ships)

Chad: Adulting is hard.

Chad: How do I quit?

Chloe: Time travel.

Red: Die.

(sheesh. Also CHAD! HIII)

---

Chad: So you’re dating Chloe?

Red: What? No! I’m just buying them an accessory since they have terrible fashion sense.

Chad: That’s literally a wedding ring.

(To be fair. Maybe they don't have wedding rings in wonderland, and Red is genuinely just buying her accessories. But not because Chloe doesn't have style. She just wants to give Chloe stuff.)

---

Cinderella: Red, when’s your birthday?

Red: Why? So you can look up my natal chart? So you can figure out my weaknesses? So you can destroy me?

Chloe: …So we know when to wish you a happy birthday.

+

Chloe: You have some serious intimacy issues

(canon)

---

Chloe: You know, I really wish you’d just admit you made a mistake sometimes.

Chad, stirring their coffee: I prefer it with salt.

(he would never admit he's wrong. He'd just word his way around it)

---

Chloe: How stupid do you think I am?!

Dizzy: You really want an honest answer to that?

(Chloe is oblivious to her attraction to Red. Their fighting is actually flirting)

---

Chad: If you don't stop talking, I'm going to jump out of that window.

Chloe: ...We're on the ground floor.

Chad: I know but I want a dramatic exit.

(Go off drama king ✨)

---

Chad: Ow!

Dizzy: What’s wrong?

Chad: I have this weird pain right above my eyebrow.

Dizzy: It’s called a stress headache. I got my first one when I was four.

(canon. Also oof)

---

Computer: Please enter a password.

Chad: *types in Chloe*

Computer: Your password is too weak.

Chad: How fucking DARE YOU-

(Slay big brother. He knows what's up)

---

Audrey: Hey!

Chad: What do you want?

Audrey: Remember what we were talking about yesterday?

Chad: Nope.

(Yes king. Stand your ground. keep away from her)

---

Audrey: I'm not mean. Name one mean thing I’ve ever done.

Chad: When we were younger, you convinced me eggs weren't real.

Audrey: They're not.

Chad: Haha, very funny.

Audrey: I'm serious. Didn't you hear?

Chad: No... what happened?

Audrey: ...Why would you fall for this again-

(I think that's what they were talking about. And he's mad)

---

*The gang's thoughts on stabbing*

Audrey: Would never stab anyone.

Chloe: Would stab someone in retaliation.

Dizzy: Yells "I won't hesitate, bitch!" first.

Celia: Would stab without warning.

Red: Would stab as a warning.

+

Chad: It depends, I guess

(the charming siblings +cousin and their girlfriends)

---

Chloe, singing: I don’t want a lot for Christmas, there is just one thing I need—

Red: A family.

Audrey: A better love life.

Celia: Mental stability.

Dizzy: Money

Chad: *clueless* Bagels?

(... yeah-)

---

Chloe: Go to hell!

Red: Where do you think I come from?

(Wonderland basically is Hell with The Queen of Hearts)

---

Dizzy: You got a date yet Celia?

Celia: No...

Dizzy: Well you do now! Get your ass up and hold my hand!

(Slay ✨🙏. Which I had that confidence)

---

Dizzy: Hey Chloe, wanna third wheel on my date with Celia tomorrow?

Chloe: Sure.

Dizzy: Red! Wanna third wheel on my date with Celia tomorrow?

Red: ..sure, I gues-

Dizzy: Great! I've always wanted to go on a double date!

Red & Chloe: ...

Chloe: Dizzy...

(You'll thank her later, Chloe.)

---

Dizzy: I honestly feel like some of our conversations here are almost word-for-word accurate to the generator.

Celia: Yup.

Red: Maybe the generator is watching us.

Chloe: Wouldn't that imply this conversation will be added?

Dizzy: ...

Dizzy: Wait—

(Oh no. They found out! Got to run!)

---

Hope you liked it!

I ship Chad and Audrey as Exes

Also I want Chad and Chloe interactions in the next movie. Would love it if Dizzy was also there.

Anyway

Byeeee

[starwarsanthropology]

Canon genders the clones, both individually and collectively, pretty aggressively. They're men, brothers, boys, sirs. Omega is notable for being the "female" clone, to the point where she's not recognized as a clone in a meaningful way.

But the clones grew up without gendered social groups! Despite how clones are gendered by external factors, gender is functionally a nonentity in their lives until they meet civilians, and civilians do a load of other weird shit anyway.

So why do they still use gendered language?

My argument is that feminine language isn't used as a gendered form of address, but as a form of address that reflects a specific kind of power dynamic and relationship between parties.

Given the structure of the clone army, the only people a vast majority of young clones interact with who could insist on being called ma'am are exclusively kaminoans.

The kaminoans view clones not as autonomous subjects, but as property. They have and expect complete control over their lives and actions. Incidentally, the female kaminoans we see (such as Nala Se) tend to demonstrate an even more proprietary perspectives on the clones.

You can question a sir, like your superiors or trainers, at your discretion, but you can't question a ma'am. A sir is someone who has power over you, but is somewhat responsible for you. The have personal accountability to you in some way. Sirs are responsible for men under them. A ma'am is someone whose power over you is absolute, an authority without accountability, who is not beholden to you but that you must obey. You are tool or a number to a ma'am.

And when you bring clones out into the wider galaxy, I'm not sure anyone would figure it out that quickly.

Say you're a new jedi general. You meet your men, and they address you as "ma'am". Maybe you correct and move on, figuring that they've grown up surrounded by thousands of identical men and aren't great at guessing genders based on social and appearance cues. Scuttlebutt has your forms of address spread through the men by the end of the day, and you don't think about it again.

The clones, on the other hand, take this correction as he/him jedi stating that they want to work with them and suppourt them despite having so much power over them, which fits with both what they know of the jedi and, most often, their leadership style.

She/her jedi (see Shaak Ti especially!), clones maybe treat a little more as absolute authorities. This gendered divide in behavior gets met with, "hm, maybe they're just not used to women." For many jedi, they eventually switch to calling them sir as well, especially as they build rapport.

For Shaak Ti specifically, she is an absolute authority as the representative of the Jedi on Kamino, not just as a figurehead but as a decision maker and educator. Even as the clones grow to trust and love her, she's a relatively distant and all-powered figure. She has near total authority over them, and clones might ask for help or suppourt, but there's no social obligation for those requests to be met, she's just kind. It's compassion, not duty.

Senators, there's a good mix of different factors that make it confusing. "Senator" is always an acceptable form of address if you're not sure how'd they react, even if they should be ma'ams by default, but they're either trying to build rapport for some reason or genuinely want to work with you when they say to call them sir, regardless of the actual power dynamic at play. The she/her senators that respect the clones are in the same boat as Shaak Ti: Padme Amidala may care about clone rights, but I am still just one of hundreds to her and she has no personal accountability to me. Her position is such that she should not and cannot owe me anything. Same with Riyo Chuchi, Mon Mothma, etc. etc.

And a civilian that insists on being called ma'am or sir is going to be an asshole either way, and they technically have power over clones without personal accountability or responsibility for them. It works.

Finally, Palpatine.

He's a slimy rat fuck who pretends to be affable and kind, so of course he's going to laugh and say, "Oh, no, call me Sir!" when you call him ma'am. He is not personally accountable to you, and he does not care about you, but it helps his image and it helps him manipulate people to pretend, so of course he's making you use sir to build false intimacy despite the fact that he's the ma'am of ma'ams, both in power gaps and lack of accountability for his treatment of clones.

So having clones using sir vs ma'am not as a reflection of gender but as a reflection of power? Yeah, I think it works.

[wellofdean]

I read your post about Supernatural being queer somehow from season 1 and I have two questions.

1. Don't you think it straight-appropriates the word "queer" to say it just means "not normal"? That argument seems disingenuous to me, and a lot of us want representation, and to see that word applied to explicit depiction of queer sexuality, and it's a cheat that they don't. Queer studies did start as the study of queer sexualities and the experience of queer people.

2. Are you saying that the makers of Supernatural intended for it to be "flesh on queer bones"? Do you think they intentionally sat down to tell a queer story?

Those are good questions my anonymous friend. Thank you for asking. Here are my thoughts:

To answer your first question: no, I don't think it appropriates anything. Here's why: firstly, if we're talking about sexuality and gender, it's queer 101 that no one owes anyone a justification of their queerness, and not everyone who is queer is interested in labeling it or making it legible to you, and they have no obligation to do so, and not doing so doesn't make them any less queer. Furthermore, some people who are queer are not interested in sex, so what about them?

All of that together is why, for me, the entire queer project is much more deeply about non-compliance with hegemony, and specifically with hegemony around gender roles, sexuality and to put it under a big umbrella, patriarchy, than it is about who you fuck. Those things extend into so many other aspects of life that I think you can easily talk about "queering" a very wide range of topics, and possibly? ANY TOPIC.

You are responding to this post, I think, and in it, I made a choice to talk about family and hunting, and our heroes roles and characterizations in that, and did not talk about gender shenanigans or sexuality, because my point was that even before we get to anything to do with it, Sam and Dean are immersed in a queered world in a fundamental, structural way. That said, I assure you that if you go back into season 1 of Supernatural, you will find LOADS that could be said about gender and sexuality, too. As well as other things, and a particularly important area, as @ironworked pointed out in the tags, is blue collar/white collar class issues.

As I said, the depth of queerness in Supernatural is actually dizzying just in terms of the story's BONES to say nothing of how they flesh it out. Queerness is about deviation from the norm. It's about rebellion and disobedience against hegemonic systems for the sake of personal authenticity and love.

Think about Cas for a minute. Cas's whole story is that he rejects his role in a hegemonic heaven. He rebels for love, and that is pretty explicit as early as season 4 when he tells Dean "We're making it up as we go". Fellas, that is THE QUEEREST SHIT EVER even if he didn't do it for Dean, and like... HE DID IT FOR DEAN. Cas did not have to tell Dean he loved him for me to know it, and for Cas to be a deeply queered character. When he DID say it, I wasn't the least bit surprised he was in love with Dean, because seriously, we been knew. I was only surprised I got to have the immense pleasure of hearing him say it and looking at Dean's face while he took it in. Jesus. I will NEVER RECOVER.

This is my perspective on representation in Supernatural: It's excellent, and I relate to, and feel seen by it as a queer person. Nobody needs to get fucked on the maps table for me to do the math that this is a queer story. It is very, very, very thoroughgoingly canonically queer in so many ways, and not all of them are to do with sex. I think some fans will only allow it to be called queer if dudes make out in it. I am not one of those fans.

As to your second question, I think there is a wealth of evidence in the filmic oeuvre of Eric Kripke to suggest that as an artist and a writer, he is concerned or maybe even preoccupied with masculinity issues and issues around family, and around the way patriarchy fucks men up. So, yes. I think he knew what he was doing and he knew that queerness was part of the mix. For fucks sake, it's a family of men who hunt monsters. That is very fucking on the nose. Do I think he kicked off Supernatural in 2005 planning a 15 year operatic queer romance between Cas and Dean? No. I don't think anyone planned for it to go as long as it did, and it's a matter of record that some things were influenced by fan response, actors' chemistry, different writers and showrunners' preferences and etc. What I will say is that when they had a choice to "straighten shit out" or lean into the queerness, they fucking leaned in, nearly EVERY TIME. Like, it's pretty amazing how consistently they lean the fuck in.

I'll admit -- I wasn't watching it with those eyes the first time, and I didn't give it much real estate in my mind when I watched it as it aired from 2006 to the end, but the last three episodes reshaped it for me and made me angry, and also made me need to watch it all again, this time with an explicitly queer lens, and BOY HOWDY let me tell you this: the Supernatch rewatch journey is a wild and wonderful trip to Queertown. It is legit more difficult to argue that Dean is straight than it is to argue that he is queer. There is a full on CORNUCOPIA of story evidence to support that read and relatively little that convincingly counters it on the straight side, and that starts right at the beginning, when they bend pretty baby Dean over a police car in episode one, and he smirks insouciantly in his lip gloss. Do I think everyone involved knew how that looked? Sexy, submissive and a bit gay?

YES I DO.

[theeoriginals]

Idea: Reader is part of the scooby gang (an adult doing them a favour or something - pls not a teenager it makes me cringe) and Klaus catches her staring (because obviously) and is cocky and flirty and likes riling her up

i just like you | klaus mikaelson

author's note; this was so fun omfg i love him sm

warnings: honestly sort of grumpyxsunshine but somehow klaus is the sunshine here ? teasing, taunting, klaus is a flirty menace, reader is super in denial, implied that reader is a vampire hunter but it's not really important, also this exists in some sort of strange canon universe so don't read into it too much, fluff, making out, a steamy-ish scene at the end, but it doesn't get too graphic so don't worry! no use of y/n!

She doesn’t like owing people favors. She doesn’t like when other people owe her favors, either, but people seem to think that trading things off is the best way to live, and she’s hardly got the power to change something so universally accepted. 

She doesn’t like owing people favors, but in this case, it’s not something she can renegotiate. Alaric saved her life, and the least she could do is help him out with something. 

Her view on that changes very quickly when he looks at her and tells her they want her to make a deal with the devil. In fact, she’d rather Alaric had just let her die than ask her to do anything with or for Klaus Mikaelson. 

“I would quite literally rather die than do that, Ric,” She deadpans, givin him a completely unamused look that makes him grimace. 

“No, I know, I know,” He holds his hands up, a desperation to his pleading tone. “It’s a lot to ask of you, but no one else can deal with him like you do. They’d end up dead, or something,” 

“Why do you think I can deal with him any differently than you, or Damon, or something? I hate him just as much!” 

“Oh, well, that’s just not very nice of you, darling,” The man in question drawls, smirk audible in his voice as they look over to where he’s sitting on Alaric’s couch, looking like he practically lives there. She supposes he technically did, for a minute. “Hate is such a strong word.” 

She gives him a saccharine smile, tilting her head. “I’m so sorry, Klaus, did I hurt your feelings? I didn’t know that evil hybrids who kill anyone who breathes wrong could have feelings.” 

Klaus’s smirk only widens at her visible ire, and he props his chin up on his hand as he looks at her. “I have every feeling for you, sweetheart,” 

Her eyes momentarily widen to the size of dinner plates, and then she quickly schools her expression back into a flat glare, snapping her gaze away from him as she huffs unhappily. “You want me to deal with that all day, Alaric? By myself? I thought we were friends,” 

“We are friends,” He stresses, shooting Klaus a warning look that the Original dutifully ignores. “That’s why I’m asking you to do this. All you have to do is make the drive up to Whitmore and get the rest of Isobel’s stuff– we need to see if she has any information on the cure, or anything like that.” 

“Doesn’t Bonnie have that professor guy that was telling her a bunch of stuff? Can’t we just go to him?” 

“Damon doesn’t trust that guy,” Alaric says. “And before you ask, no, you can’t make Damon go. He and Klaus will kill each other if they’re in the same vehicle for that long.” 

“He’s right about that,” Klaus says, still happily in his place on the couch. “Damon’s got such a temper these days. Can’t even handle a joke anymore.” 

She scrunches her face up, giving him an incredulous look. “The only jokes you make are about the time you tried to kill Elena,” 

“How would we cope if we couldn’t make jokes about these sorts of things?” 

Her incredulity only deepens and she drags her gaze back to Alaric pointedly, earning an exhausted sigh from the teacher. “Klaus,” He starts, that same desperation still in his voice. “Can we all just play nice? For once we have something to be united about– could you possibly not jeopardize everyone’s lives again?” 

Klaus heaves a sigh, standing from the couch in a swift movement and crossing the short distance to where they stand. “Certainly. I’m nothing if not professional, you know this.” 

“Uh huh,” Alaric deadpans. “Can you be… professional enough to not provoke her into leaving you stranded somewhere, or something?” 

“I’m sure we can work something out,” The hybrid drops his gaze to hers, bright eyes alight with mischief. “So long as she stops pouting.” 

She huffs, dutifully not pouting. Narrowing her eyes, she offers a hand out to him, ignoring the amusement that sparks in his eyes at her formalness. “It’s for the greater good of all of us, right? I’m sure I can suffer through anything for that.” 

Klaus shakes her hand firmly, and she ignores the way it feels like he’s laughing at her. “I’m sure you can.” 

────── 

“I take it all back, I’m going to murder him, and then myself.” 

“Hello to you, too. I take it it’s going well?” Alaric’s voice comes through the speaker of her phone as she walks beside Klaus, ignoring the crowds of college students they’re pushing their way past to head to Isobel’s old office. 

“Oh, it’s going so well, besides the fact that our vehicle just broke down as soon as we got to Whitmore.” 

She can practically hear Alaric’s wince of sympathy through the phone. “Can’t Klaus just compel you another vehicle?” 

“You would think so, but I already tried that, and he said it wouldn’t be very cooperative of him to take advantage of people. He’s apparently all for the teamwork these days,” She shoots him a glare, face twisting into one of disdain when all he does is give her a wide smirk. “Alaric, I cannot be stranded here with him. It was one thing if it was a few hours, but I cannot survive any longer than that.” 

Alaric breathes out her name on an exasperated sigh, and she tries to ignore the slight pin prick of guilt that stabs at her because of it. “Have you called a mechanic or anything?” 

She bites the tip of her tongue roughly. “Yeah. They’re coming to tow it, and they said it’ll be like, tomorrow morning at the earliest before it’s done.” 

“Can you survive the night? For real? Or do you want me to drive up there and get you?” 

She nearly blurts out that she won’t survive, that he needs to come get her as soon as he leaves work, but she stops herself, eyes drifting to Klaus, who seems to be awaiting her answer as well. Sighing tiredly, she shakes her head, even though Alaric can’t see her. “I’ll be fine, I’m just being dramatic. Don’t worry about me, alright? I– Klaus and I will handle this. It’s no big deal, I promise.” 

“Are you sure?” 

“I’m positive,” She reassures, stopping at the steps that lead to Isobel’s office building. “I’ll text you later tonight after we’ve had some time to go through some of the stuff, okay?” 

“Okay. Thank you,” He sounds infinitely less stressed at her reassurances, and the guilt she’d been feeling dissipates easily. “I’ll talk to you later.” 

She echoes the goodbye and quickly pockets her phone again, immediately turning to Klaus to give him a glare that she can’t even really call a glare because of the complete and utter lack of any real heat behind it. Gesturing widely to the building before them, she sighs. “Let’s get this over with.” 

The office is devoid of any lingering students, and she wonders if it was done on purpose. The only person there besides her and Klaus is the girl at the desk, and she racks her brain for the girl’s name, because Alaric had told her earlier before they left. 

“Hi,” She starts, stepping in front of Klaus slightly as they approach the desk. “Alaric called earlier and said we’d be coming up to get some of Isobel’s research, I think?” 

The girl stands, a small smile on her face as she nods. “Of course. I’m Vanessa, I was Isobel’s intern.” 

Vanessa, she internally scolds herself for not remembering, before giving her name back in return. “And this is Klaus.” 

The Original offered a charming smile, and she saw some degree of recognition flutter in Vanessa’s eyes as her smile grew wider, equally charmed and awed. “Lovely to meet you, Vanessa,” 

“You’re Klaus Mikaelson, aren’t you?” She breathes out, shaking her head in disbelief as she leads them to Isobel’s private office. “Isobel was fascinated  with the story of the Originals, but there wasn’t ever enough information to figure out what was true and what wasn’t.” 

Klaus hums, practically preening under the attention. “Such are the consequences of living as long as I have. I can hardly remember what’s real and what’s not,” 

Vanessa’s face lights up with an idea, and she steps towards Klaus excitedly. “Would you mind if I asked you some questions? It would do our research a lot of good to have something new,” 

“Oh, well–” 

“We have a lot to do,” She quickly cuts in over their voices, offering a sharp smile to Vanessa. “But if we have time later, I’m sure he’d love to give you a tell-all interview.” 

Vanessa’s smile dims slightly but she nods, gesturing for them to go into the open office. “It’s all in there. Let me know if you need my help with anything.” 

“We will definitely do that,” She says, ignoring the twitch in her fingers as pushes Klaus into the office ahead of her. “Thank you so much!” 

She shuts the door firmly behind her and lets out a sharp sigh, her eyes fluttering open where she hadn’t even realized they’d shut. She finds Klaus staring at her, and immediately looks away, ducking past him to head for one of the packed boxes in the office, collecting dust. “What?” 

Klaus makes an amused little hum in the back of his throat. “Oh, nothing,”

“There’s clearly something,” 

“There is, but I don’t think you’d enjoy hearing it from me,” 

She halts her movements, hands falling limp on the file folders sorted neatly inside one box. Turning to look at him over her shoulder, she raises a brow. “What are you talking about?”

“I’m curious as to what Vanessa did to earn your disdain,” He says, shrugging lightly, keeping his voice purposefully aloof. 

She rolls her eyes, returning to pilfering through the box, skimming the labels on the file. “She was distracting you. We came here to do something, and we need to do it. That’s all.” 

He makes that irritating noise again, and she pauses once more, this time turning to face him fully. “What? What is so funny about that? Might I remind you, we need to learn about this cure for you just as much as anyone else.” 

He smirks, picking up a box from the floor and putting it on the table in front of him. “Of course. But only if you admit you were jealous,”

She feels the blood in her veins freeze as she stares at him, and she knows there’s a dawning look of horror growing on her face. “Excuse me?” 

“Just admit that you were jealous of that poor girl in there, and I will do as much research as you want me to. It’s very simple.” 

“Jealous,” She echoes, her voice faint the longer she looks at him. “You think that I was jealous because some college kid was treating you like you were the lead singer in her favorite boy band?” 

“Maybe not her favorite boy band, but certainly her favorite Original,” He corrects, grinning deviously. 

“I wasn’t jealous!” She yells somewhat hysterically, face twisting as her pulse races. “I– I have no reason to be jealous, I would never be jealous, I’m not– I’m not jealous! Just– shut up!” 

She waves a hand in his direction, ignoring the warmth in her chest that stings like embarrassment. “Just– shut up, and– and leave me alone! Do what we came here to do,” 

Klaus holds his hands up in surrender, still smiling like the cat that got the cream. “Whatever you say,” 

────── 

They’ve booked a hotel for the night, despite the fact that she’d sooner sleep on the street than stay in a hotel with Klaus Mikaelson. But he graciously offered to pay for it, and she was determined to pretend like their conversation earlier had never happened and that meant acting like absolutely nothing was wrong. 

It meant letting him order them room service, and sitting quietly while they ate. It meant letting him tease and taunt her like he normally did, and working overtime to give him the normal reactions she would have– a glare here and there, a not-so-nice name everywhere else. 

Except now it felt like it was all wrong. It felt like she was being even more obvious than before. All because he called her out. Because he was right. 

Just out of sheer principle, she couldn’t ever tell him that. The last thing he needed was that particular ego boost, from her of all people. 

Their relationship has always been antagonistic, but Klaus has never been nearly as harsh as she has. And now that she’s spent the last six hours thinking about every single interaction they’ve ever had, she feels somewhat stupid for not even letting herself contemplate the idea that she could one day be jealous over Klaus Mikaelson. 

But even in that same vein, she understands why it never crossed her mind until he pointed it out. It was non-negotiable, having any sort of relationship like that with Klaus. She’d been friends with Alaric since he first met Isobel, she couldn’t just go and sleep with the guy who killed his girlfriend, let alone have feelings for him. 

The thought alone made her stomach swirl with guilt, but she was determined to not let Klaus in on any of her inner turmoil, considering he’d get some insane satisfaction out of the fact that it’s all his fault. 

By the time they make their way to the private bedroom in the ridiculously grand hotel room Klaus had gotten them for the night, it doesn’t really register in her mind that they not only don’t have any sort of pajamas due to the fact that this wasn’t supposed to be an overnight trip, but the only bedroom in the suite has one bed. 

It doesn’t register in her mind until she’s already in bed, resigned to the fact that she’ll be sleeping in her t-shirt and underwear, and Klaus makes his way over to the bed like it’s no big deal. 

“Hey, hey, what the hell are you doing?” 

He raises a brow at her, gesturing to the bed. “Going to bed. We’ve got an early morning ahead of us if you have any chance of making it back to Mystic Falls alive.” 

She rolls her eyes at his taunting recollection of her complaints, and she holds up a hand, keeping the blankets tucked carefully around her hips as she sits up. “Why wouldn’t you get a room with two beds?” 

“Because it’s one night, darling,” He drawls, signature smirk twitching on his lips. “But if you have some particular feeling that would make sharing a bed with me uncomfortable, then I–”

“No!” She cuts him off, feeling like she was just backed into a corner. “No issue. Just– keep your hands to yourself.” 

He winks at her, and she ignores the way it makes her heart race. “Wouldn’t dream of it,” 

She shuffles back down into the bed and turns onto her side away from him, suddenly too conscious of the fact that she doesn’t have any pants on, and that if someone had told her this morning she’d be pantsless, in bed with Klaus Mikaelson, she probably would’ve punched them and then spent the rest of her life dreaming about it. 

It’s only slightly humiliating. 

Once Klaus is settled in the bed, presumably undressed to the same degree she is if the shuffling she’d heard a minute ago was anything to go by, he turns the lamp off, encasing them in darkness. 

After too long, her hip starts to ache the longer she lays on her side, and she knows there’s no chance she’ll fall asleep with it throbbing like it is, so she resigns herself to the fact that she’s going to have to move. 

Careful of her spacial awareness, she turns onto her back, and then onto her other side, unable to stop her eyes from landing on the shadows of Klaus’s profile. 

She lets out a small breath, shakier than normal, and clutches her hand against the pillow beneath her head. 

“You’re staring,” 

She groans quietly. “I am not,” 

“You know, I don’t know if I should be honored or not that you don’t act like this with anyone else.” 

She squeezes the pillow again, brows furrowing on her forehead. Her curiosity piqued, despite her best interests. “What do you mean?” 

“Well, you’re horrifically antagonistic on a good day, and downright murderous on a bad one. But you don’t ever lose your temper with anyone else like you do with me,” He observes, voice unintentionally quiet in the privacy of the darkness. If she didn’t know any better, she’d even say it was laced with fondness. 

Pressing her face into her pillow briefly to try and collect herself, she lets her eyes trace the curve of his nose, and his prominent cupid’s bow, backlit by the moon shining in the window. She wonders what he looks like beneath a full moon. She wonders if his eyes shine that burning yellow-gold color the entire night. 

“You do it on purpose,” She mutters, trying to keep her tone from sounding as childish as it does in her head. “I’m not stupid, Klaus. You like riling me up.” 

She hears more than sees his head turn towards her, but she feels the burn of his eyes on her face like the summer sun. 

“Did you ever consider that I just like when you talk to me?” He asks, sounding entirely more vulnerable than she ever thought he was capable of being. 

Her breath stutters on an exhale, and she knows he can hear the way his words make her entire body trip up. Despite being unable to truly meet his eyes in the dark, she searches for them anyway, seeking out the truth that may lie in them. 

He murmurs her name, soft and sweet between the sheets wrapped around them, and she can’t stop herself from pushing forward into his space, draping herself across his chest as she presses their lips together. 

She’s instantly satisfied to hear the shocked noise that spills from his lips, but it’s the last coherent thought she can form once he mirrors her utter desperation. 

He steals the breath from her lungs, barely letting her gasp between his greedy kisses, his hands pulling her further into him, leaving her practically on top of him. 

His hands slide up the fabric of her shirt, grabbing at the bare skin there, groaning at the feel of her moving beneath his touch. 

“Klaus,” She gasps out, panting at the spit-slick sounds of their lips together in the quiet of the hotel room. “Klaus, I have to–” 

She forcibly pulls herself away from him, unable to even blame him for the way she let herself get so caught up as she catches her breath, looking down from where she’s propped above him. 

They fall silent, matching each other’s frantic but slowing breaths as their spilled-over tension finally seems to simmer out. 

A huff of a laugh comes from beneath her and she frowns slightly, looking at him. “What?” 

His hands clench where they’re still gripping her waist, and she visibly shivers at the rough touch. “You were jealous, weren’t you?” 

She instinctively slaps a hand against his bare shoulder, wondering how she hadn’t noticed he’d taken his shirt off when he got into bed. “You are such a dick,” She shakes her head, but she’s already leaning back in to kiss him again despite herself. 

Klaus is quick to meet her halfway, craning his neck up to kiss her again, and she lets out a sudden yelp as he flips them around, pressing her into the mattress beneath him. “Let me make it up to you,” 

She’s nodding before he even finishes speaking, and she thinks, tells herself, that she can’t be faulted for how quickly she forgives him after that.

[deyisacherry]

i can't just stand people judging how others like to draw or see Sun and Moon (canon fnaf)

yeah they don't look like the canon ones, yeah people like to think about them being loving with a human, yeah people like to make AU's of them being any creature more than just robots

that's. literally. fandom NORMAL AND NICE BEHAVIOR. they're not attacking you to make you draw them in a different style, they're not forcing you to feel romantic attraction to them or making them feel attraction for a human, they're not forcing you to do AU's

you don't like the designs? the styles people use to draw them? you don't like the AU's?

then make your own content instead of judging others and literally showing their art or mocking their style saying that you don't like it

that literally makes you look really bad cause none of them have done anything wrong to deserve that

what's supposed to be a nice and safe thing for a lot ppl turns out to be bad cause someone just hates that they're not canon accurate? boo hoo

gatekeeping sun and moon while being mean is just dumb and immature.

they do not belong to anyone and we DON'T OWE ANYTHING TO ANYONE, so we'll keep drawing them however the heck we want.

[lifeisabiscuit]

It will never not bother me how people are like Elain doesn't owe Lucien anything, she doesn't want him, he should take a hint, leave her alone and stop stalking her (even though he moved to the human lands and only comes when requested and doesnt even see her everytime hes there or at solstice where he kindly brings gifts for her and Feyre and she barely acknowledges it. Like, no girl the gifts don't make him entitled to your affections but aren't you supposed to be the kind sister? He hasn't done anything wrong). Even in canon, Feyre barely tries to meddle in their relationship (or lack thereof) and even questions why not give Elain and Azriel a bond instead. They never clear up that he was not the reason they were taken (and neither was Tamlin but of course they would let them keep blaming him instead of taking responsibility for their part), they just dangle her in front of him to make him compliant and keep doing things for them (sounds a lot like what they did to his brother with Nesta).

But then, when Nesta clearly makes it known she wants nothing to do with Cassian (like Elain has about Lucien), they let him follow her around and lock her in a house with him. Don't even get me started on the bonus chapter where he cornered a human woman and asked about her virginity. No matter what Nesta wanted, Cassian wanted Nesta so they had to be together, ignoring every thing she's said and every sign she's made that she wanted him to leave her alone. No, let's lock them up together instead and force proximity. I don't care if deep deep down she wanted him too, she told him to leave her alone. He found glee in locking her up with him where she could not go anywhere without him. And so many people think this is romantic and goals? They think Nesta deserved to have her wants ignored because Cassian wanted her.

I don't believe the problem was that Nesta was sleeping around, but because she wasn't sleeping with Cassian and he was throwing a pity party. Because as soon as she started sleeping with him even though that was another of her vices, all of a sudden no one had an issue with it.

Like, it seems like just another way to punish Lucien for 'not helping Feyre' against a high lord (something everyone excuses Cassian from because Rhys is his high lord) and punish Nesta for being a child "letting" her sister hunt (even though Feyre made her mom a promise and was never going to listen to Nesta whether she told her not to anyways).

Cassian didn't even really want Nesta more than physically, they had to break her to make her more what he wanted and then he never even said he loved her. He wanted a mate, Nesta wanted Cassian. And the thing is, I don't even have a preferred Elain ship, I just want Lucien to stop being toyed with. But I don't think Lucien even wants a mate, so I could see him actually falling for Elain for who she is, not just her beauty. If anyone would give him a chance. Like, even if she still wants to break the bond, at least talk to him.

I dunno, The double standard between how people treat the sisters is annoying.

[sevsbestfriend]

I usually write fics here but I just wanna rant rn.

Sometimes I got to old posts and stuff, either to get new ideas or just see what the fuck is going on with the other side of the fandom.

The people coming to James defense or crazy, like on one hand they are like 'oh he was only human, he grew as a person otherwise how would lily love him?'

We literally have cannon confirmation that the fucking prat didn't stop hexing people, he just learned to hide it better. Sirius and Remus confirmed this when they called Severus a 'special case'. I don't give a shit about them saying he attacked first, you better believe I am attacking first if I come across a guy who has stripped me naked in public when I didn't do shit to him. (Or the other guy who tried to get me killed by bloody werewolf) Like wtf are you even talking about at that point???

Also, Harry comes across a detention report of them hexing another student in their 7th year. So uhm...yeah.

Then they are like 'oh Severus hates him so his memories are biased'

Did you morons even read the books?? Pensive memories are unbiased, any manipulation is extremely apparent as we saw in Slughorns case. So NO they aren't biased that extremely uncomfortable read of SWM? it's fucking canon in its truest sense.

Also, how in the ever living hippogryph does a guy who strips people naked for fun change so much that he becomes head boy??

It's pretty simple, he doesn't. He learns to hide it better and given the fact that this person has always been given the benefit of the doubt, it is very easy for them to their nature.

Dude had a map that showed him everyone's real time location and an invisibility cloak, he could damn well harass anyone in isolated corners of the castle if he wished. Which is exactly what he did.

Also, these people love to claim how 'lily only approved of him cause he changed.'

To that I say, Who the fuck is Lily?? Mother Teresa??

How is she the ultimate decider of what is good and bad and at the same time, completely right in dating someone who stripped another student makes after a year (or 2) of the event??

Don't get me wrong, she doesn't owe Severus anything, really, but seriously this is just ridiculous. Like if I was a woman, I would be genuinely terrified of someone like that, especially when they got away with no real consequences what so ever.

James was a prick with a very good PR team for friends and teachers. That's really it, it is often said that good looking people can get away with a lot of things and James is just a prime example of that.

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Also...BRAVE?? Dude had 2 cheat items and the advantage of a Pureblood upbringing and was still too PUSSY to face Severus alone. Yeah..what a real Gryphindor that one. Scrams bravery to you doesn't it? He did this all the way till 17, so yeah he definitely was super important in the order right??

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Dumbledore invested quite a bit in the Marauders with his blatant favoritism and letting a werewolf in the school risking his own position as a headmaster.

And...they all turned to be bloody useless. With only James being useful because of his participation in the birth of Harry Potter.

Sirius in his madness derailed a murder investigation for a fucking decade.

Remus, I genuinely can't remember anything substantial Remus did, except for letting someone he believed was a murderer into Hogwarts and never telling Dumbledore that they were Animagus to begin with.

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Seriously, the most useful person in the war had to literally beg on his knees for the man to use him. Even fate was like, for fucks sake, just give this guy a chance already.

[olderthannetfic]

Ok serious question. Western media, why are people so upset when the main fandompairing is two white guys? I get that it can be annoying, especially when there are some cool poc characters. BUT, why do you care who people wanna see fuck? It's a bit like the F/F thing, isn't it? I mean, nobody owes you to ship certain characters. White people don't owe it, and POC people don't either. It's shipping, we already established that with F/F, people ship what they feel like. Why people ship something? Who cares. The final result is always going to be that people can't be browbeat into liking your favorite ship.

I def know it's annoying when your fave ship gets ignored in favor of a ship that feels more boring or safe, but again, nobody owes anyone anything. You're not going to get anywhere by complaining about it either.

--

Charitably, I think a lot of people believe that pointing out a trend will make those shippers consider other ships in the future, which I suppose might occasionally be true... but what tends to happen is that most of the shippers are just taking their cues from canon, so when Leverage comes along, they'll ship the geek like they always do, but most of the time, they'll ship two white guys.

Uncharitably, a lot of people feel like if they can't be happy, no one else should be either.

And then there are the people who treat fic like another media stream comparable to subscribing to another streaming service. They're entirely reader-centric in their analysis.