#you get uhhhhhhhh

[sad-leon]

I've been spoiled by so many of my friends writing long, intricate, lovely stories that I try to go back to reading 1k-5k oneshots and they're just not hitting the spot

I love these fics with all my heart but anything over 10k is not a bed time story* unless I wanna be up for many hours sndbdkdbdkdb

*this does not apply to fics I've reread enough times to have mosty memorized by now

[s-sextape]

i am writing an accidental haiku to attract haiku bot

[kittycatcorner]

shows up to give you the coffinchain challenge

Please be more careful when you cross the road You’re a perfect arrangement of rickety bones

Stray cats.

Peter had always likened the apprentices to a group of stray cats, in his mind.

At first it was out of distaste. They were a nuisance; a band of drifters slinking around the alleyways, catching their quarries unaware. The quick, sharp jab of a hypodermic needle might as well have been the efficient killing bite that a cat might deliver to the throat of its prey. They worked in the shadows, occupying all of those lonely abandoned buildings and reworking them for a new, twisted purpose. 

Then, begrudgingly, he’d found himself wrapped up in Mark Hoffman. Chasing him, hunting him, hellbent on bringing him to justice, then on killing him, then on understanding him, then…

Well, Peter didn’t know what he was doing now. 

All he knew was that sitting in his apartment, in varying states of composure, were three of Jigsaw’s disciples. 

Dr. Gordon sat on his couch, eyes trained down as his hands worked on bandaging a fresh wound on the arm of his younger accomplice. Stanheight sat quietly and allowed for the medical attention with little fight. Hoffman himself sat on the floor, back leaned against the couch close to the other two. 

Peter remained standing, trying not to buckle at the absurdity of his situation. In true stray-animal nature, he had made the mistake of allowing Hoffman into his home once, twice, thrice, and now he’d come back with friends. 

‘Don’t feed the strays’, indeed. 

Accept that he did know the other two, at this point. The polite Dr. Gordon was well-spoken and direct; Peter had found him infuriating in the beginning. He was a hard man to interrogate and an even harder man to intimidate, as level and unflinching as he was. Unlike Peter, he never seemed to let his anger get the best of him, and he seemed to know that. Dr. Gordon was a man who always seemed very aware of how much more control he had in the conversation. It was enviable. 

Then there was Adam Faulkner-Stanheight. Mouthful of a name. It was strange enough for Peter to wrap his head around the fact that the kid was alive, let alone working with Jigsaw. He was angry- had more rage in his scrawny little body than what felt possible. Stupid and impulsive, Peter had found him annoying. Just a petulant adolescent who had gotten himself into bigger trouble than he yet realized. 

They’ve come a long way since then. Both apprentices had grown on him, maybe because they reminded him of himself in their amalgamate qualities. The cold, callous bluntness of the doctor. The white-hot temper of the kid. The way he had never seen the former so gentle nor the latter so complacent until now, as they patched themselves together on his bloodied furniture. 

Peter had been reluctant to welcome them all inside. It was bad enough to shelter one serial killer, but now three? It reminded him that everything he’s been doing as of late is against what he once stood for. Fuck, it would solve a hell of a lot of his own problems if he didn't care. If he’d let them all rot, make them regret thinking that Peter would risk his own hide just because he's been friendly with them. Dr. Gordon and Stanheight had seemed to understand this too. Their expressions had been apprehensive, looking ready to flee like the animals they were. Peter wonders how long ago he would have given chase. 

Hoffman had spoken, then. 

“I didn’t-” His voice was shot and exhausted. “I didn’t know where else to go, Strahm.” 

And just like that, Peter took them in. Those words were all it took. Hoffman limped inside on a bad leg and described some sort of police-raid, premature. John Kramer and Amanda Young hadn’t even been there, so it had just been the trio, and they were forced to flee. Unable to go far on foot in their current state, Hoffman had brought his injured companions here. To Peter. 

Why did that make something strange stir within him? 

The three of them were soaked to the bone from the rain. Peter watched Hoffman sluggishly attempt to remain alert, but every so often his head would lull and come to rest against the soft thigh of Dr. Gordon. If the doctor noticed it, he didn't say a word as he continued to diligently work. He looked tired. Stanheight was putting on the best brave face he could manage, but Peter’s keen eyes caught his shoulders trembling, only eased when Gordon’s hand came to rest on one and rubbed gently. They all looked so tired. 

Unable to watch any longer, Peter finally broke the silence. 

“So why are you still doing this?” It took everything in him to not fidget idly as he spoke, brows furrowed at the three men. 

All eyes were on him quite suddenly, sharp as they regarded him. Three clever pairs of observant eyes that all screamed out ‘I know more than I’m letting on' to Peter. He held their gazes, muscled arms crossed over his chest. 

“You know what I’m talking about.” He scoffed, lip curling. “What’s the point of doing the old man's dirty work when he just lets things like this happen to you?” 

Silence.

Hoffman broke first. He laughed, eyes closing as he rested more fully against the couch. It was good-natured but ultimately dismissive. 

Dr. Gordon frowned at Peter, one brow quirked as if he had asked them something incredibly naive. Like he expected Peter to know already. 

Stanheight didn't react. Not outwardly, anyways. He only stared, something new and strange glittering in his eyes that Peter couldn't place.

“What,” Peter grit his teeth, an edge to his voice. Less of a question and more of a prompt. 

“Nothing, nothing. Apologies, Mr. Strahm.” Gordon sighed, turning his attention back to his handiwork. He appeared to nearly be done with the worst of Stanheight’s injuries now. “It’s just… not that simple.”

“Not exactly the kinda job you can put your two weeks in for.” Hoffman corroborated, a smirk tugging at his full lips. 

Peter felt his face burn hot, and he huffed in frustration. “You fucking- Don’t play dumb. Don’t act like it’s a stupid question. I’ll throw you back out onto the fucking curb.” He jabbed a finger at Hoffman in particular, who for his part did indeed shut his mouth. “You listening? Good. What I’m saying is that John Kramer is one demented old man. What is actually stopping you?” 

This time, the quiet was punctuated by Hoffman and Gordon exchanging an uncomfortable glance. After a moment, Hoffman shrugged and ran one hand through his damp, messy hair. “I’m sure you’re familiar with the concept of, uh, checks ‘n balances.” 

Peter raised an eyebrow skeptically. Hoffman continued. 

“Information is power, etcetera. Kramer keeps basically everything on a need-to-know basis. Including, I dunno, who you’re workin’ with half the time. Hell,” He rolled his eyes, and lazily raised a hand behind his head to pat Gordon’s arm. The doctor made an annoyed noise in response, shifting away from him. “He only told me about these lovebirds when he needed help lookin’ after ‘em.” 

“I’m still mad about missing out on a trip to Mexico.” Stanheight quipped. His voice was softer than normal, but Peter supposed it was a good sign that he was speaking at all. He wasn’t used to the younger man being so quiet. 

Gordon straightened up a moment later, gently patting down the new bandages and brushing some of the hair from Stanheight’s face. “There you go.” He sighed. The warmth in his tone was so palpable that Peter had the distinct feeling it wasn’t meant for his ears. Despite being in his own apartment, he somehow felt he was intruding. “Get comfortable, alright?” 

Peter watched as Stanheight pulled himself to his feet, stopping short just a little ways away from him with an awkward shuffle. Gordon patted his thigh and spoke his next words like they took all of his energy to say. 

“Your turn.” He didn’t even bother to look at Hoffman. The detective grinned anyways, wasting no time in clamoring up into Gordon’s personal space and slinging his leg across the man’s lap. Gordon shook his head disdainfully, but carefully began rolling back Hoffman’s torn pant leg anyways. 

Peter guessed he wasn’t the only one that Hoffman lived to irritate.

“Christ, Mark.” Gordon sucked in a sharp breath, and Peter’s shoulders stiffened as he took a step forward to look. His stomach sank despite himself; from where he was standing Hoffman’s calf looked like a bloody mess. Peter’s a man who’s seen more gore in his line of work than anyone should hope to see in their lifetime, and yet here he is, staring in alarm. It was unlike him, and woefully he could only attribute his own uneasiness to the owner of the calf. 

As if he could read his mind, Hoffman looked up towards Peter. “Hey, it’s just-” He winced, hissing in pain as Gordon began to clean the wound. “It’s no big deal- no bullet inside. Just grazed me.” 

“You were shot?” Peter balked.

“Grazed,” Hoffman corrected. 

Peter pinched the bridge of his nose in a quick-rising frustration. Hoffman was impossible. 

“Don’t be an idiot.” Gordon’s voice was little more than a growl as he spoke through gritted teeth. “You took an unnecessary risk. Do you think I enjoy patching you back together? Honestly, if I didn't know any better I’d assume you were trying to get your sorry self killed.” 

Dr. Gordon’s tone left the detective bristling. “Don’t tell me how to do my job.” He scoffed. “Hell, I don’t bother you when you’re workin’ in the sickbay. Why don't you just- fuck!” 

Hoffman yelped at the unceremonious splash of disinfectant. Gordon gave him the sort of well-practiced fake smile that only a doctor could.

“My bad,” he murmured, unapologetic. 

Peter decided he’d seen enough. He turned on his heel and walked into the kitchen, telling himself that he was just stepping aside to get ice in case the doctor needed some. He knew it wasn't the truth, though; he scolded himself quietly as he leaned against the wall and ran a hand through his graying hair. 

The truth was that he couldn't keep standing there, staring at Hoffman’s leg injury. 

It’s ironic, because it feels like not too long ago that Peter would have done anything to put a bullet in Hoffman. Now the thought makes him feel… queasy. And a bit confused. 

Peter found himself comparing the apprentices to strays again.

He couldn’t get the image of roadkill splattered on the side of the highway out of his head. 

From what he knew of John Kramer and his cult, the apprentices were expendable parts. It doesn't even sound like they can trust each other half the time. One wrong move or fatal mistake would be all it took. Peter wasn't even sure how long it would take him to know something had happened. 

His thoughts were interrupted by footsteps so quiet that he knew exactly who they belonged to before turning around. Stanheight stood at the entryway of his bare-bones kitchen, watching him. He’s probably spent the least amount of time alone with him. 

“What is it?” Peter’s frown deepened.

The kid didn't answer immediately, instead coming to lean against the wall beside him. He was quiet for a moment, and then shrugged. 

“Wanted to check on you, I guess.” He answered simply. 

“Check on me? In what way do I need checking on?” Raising a brow, Peter gestured towards the living room. “Look at you three, for fuck’s sake.” 

Stanheight held his hands up defensively. “Hey, hey, I just- I get it, alright?”

Peter didn't know what that meant. He stared down at the shorter man, scowl ever-present, silently prodding him to elaborate. Stanheight’s expression was… almost sympathetic, but his eyes had that same strange look from before: the one that Peter couldn't place. 

The kid was easy to underestimate, Peter knew it from his file and from his current involvement. He wasn't about to make that mistake with him. 

“Sucks, doesn't it?” Stanheight finally said. He was muttering now, glancing once over his shoulder to ensure they were still alone. “One thing to know what they're doing and another to see them come back with blood and bits of their skin hanging off.”

Peter felt his stomach turn. “No,” he lied. “If Hoffman’s gonna be reckless and get himself killed then so be it.” 

“No matter what you or anyone else thinks, I’m not stupid.” Stanheight laughed dryly. “You don't gotta lie to me, okay? I’m on team Peter here.” 

“Are we forgetting that you’re one of ‘them’ too?” Peter steeled his gaze, unamused. 

Stanheight grimaced. “I mean- kind of. Not really.”

“‘Not really?’ What’s that mean?” 

“I- like- like I’m with them but I’m not one of them. Old Johnny-boy has never and will never give a shit about me. Not exactly in the running to be his heir or whatever the others think will happen.” Stanheight huffed, rolling his eyes as he explained. “Pretty sure he wouldn't even notice if I went missing if it weren't for the pictures ‘n schedules I go and get for him.”

Peter is quiet for a moment. 

“Why stick around?” He asked softly, already knowing the answer. 

The kid just snorted in lieu of answering, and the two fell into silence once more for a couple of seconds. 

“Glad that Mark has you.” Stanheight suddenly murmured, thoughtful. 

“He does not ‘have me’.” 

“Maybe you can knock some sense into him.” 

Peter scoffed, looking elsewhere. “You’re frustrating, you know that?”

“I’ve been told.” Stanheight laughed, “I’m not kidding, though. It always freaks me out how Mark gets when he’s like…” 

Raising a brow, Peter waited for him to sort out his thoughts. 

“Like, when he gets hurt, right? He just- just runs off. Or he’ll go and get hammered on the other side of town and when we find him he’s a mess.” 

At that, Peter’s shoulders went rigid. He was aware of Mark’s habits, his unhealthy coping mechanism. He hadn't thought about who else might know, how deeply it might run. He hadn't thought about how often Mark must be alone. 

When he looked back at Stanheight, he realized the kid was staring at him intently. There was concern in his expression, but also something fierce. 

“John’s really messed him up. Worse than he was before all of this.” His voice was low, almost cautious. “All of them. Lawrence, Mark, Mandy, none of them deserve this. You know that, right?”

Peter’s mouth felt dry. “I…” 

Straightening up again, Stanheight stepped closer to Peter. Before he could see it coming, a smaller hand took his own and held it, inspecting it. “I think Mark needs you.” He said, “maybe all of us do. So you gotta take care of yourself too.” 

Something confused seemed to bloom in his chest then, an uncertain warmth that he could feel rise up to his face. He opened his mouth to speak, but closed it again when he couldn't decide on anything to say. 

“Just think about it, ‘kay?” Stanheight let go of his hand again and started to leave the kitchen, pausing for just a moment to look back at him. “Oh, one more thing.” 

“What is it?” Peter’s voice was hoarse. 

Stanheight gave him a grin that didn't meet his eyes. “Welcome to the family.” 

Then he was gone, Peter’s protest to that statement dying on his lips, and Peter was left to think on everything he said. 

Hoffman needing him. Hoffman hiding himself away in dark corners to nurse his wounds. Improperly set bones and too much bandage. 

Stray cats.

Peter’s family used to have cats. His sister’s cat had been an old, white, raggedy thing that she named Alfredo. When Alfredo passed away, he had hidden under the bed and refused to come out. Peter thinks he remembers reading somewhere that pets do that on purpose, so their humans don't have to see them die, but it's been years and his animal knowledge is limited. 

Peter wondered how hard it is to socialize a stray cat. To reintroduce it to domesticity. 

He stepped out of the kitchen, lingering at the entryway, and watched the apprentices from where he stood. Gordon seemed to have finished with Hoffman’s leg, speaking to him in a quieter tone than before. To his surprise, Hoffman looked like he was listening. Stanheight was on the couch with them now, leaning his head onto Gordon’s shoulder. 

Peter found that he wished he could freeze this moment with the three of them in it. The bubble of safety that was his living room felt far away from everything Jigsaw. Maybe they were always meant to be here, on soft furniture, and not crouching amongst rusted pipes and jagged metal. 

Tamed. Domesticated. 

He sighed through his nose and walked around the couch, three sets of clever eyes on him again as he caught their attention. Now that he was there, he could see that Dr. Gordon had just begun to wrap up Hoffman’s leg and he silently motioned to ask for the gauze, kneeling down between them.

Understanding the gesture, Gordon handed it over, smiling at Peter warmly enough to raise his body temperature by a degree. 

“Strahm-” Hoffman started, bewildered, but Peter simply began wrapping his leg neatly. 

“Shut up.” He grunted. “Let me help you, stupid.”

[abbey-abdominal]

Smth smth personality swap!ragapom so Raggs hyperventilates and pops a stitch every time Pomni looks directly at her and Pomni is chill actually

[bunnieswithknives]

What's inanimate insanity? Should I watch it?

God no. Absolutely not.

[soupmanspeaks]

the topic of Helpy makes me go insane /pos like I have this headcanon that William/Springtrap just, DESPISED Helpy because William took heaps of pride from the Funtime line of Animatronics, he saw it as his son's crude mocking of HIS creations, when in reality its just Michaelangelo S Afton trying to use humor to once again cope with the horrors™️ Like I've probably said this here before but I headcanon that Helpy found his way into the PizzaPlex's marketing is because after the FNAF6 fire he just was under the rubble remarkably preserved or something and instead of going into the RockStarRow Museum, the FazExecs had dollar signs in their eyes and were like "yeah, that one will make us bank, ong" Ive also probably said this (bad memory sozzz) but a headcanon to go in tandem with that headcanon, is that Glamfreddy sighs in resignation whenever he passes by one of those Helpy monitors (he wasn't paid royaltys <//3 ) AND LIKE I GOTTA KNOW WHAT (glam)MIKE WOULD THINK OF THE ENTITY THAT IS SATAN DISGUISING HIMSELF AS AN AGENT OF LIGHT (Helpi) WOULD HE FEEL SAD? ANGRY? AT THE MIMIC? THE COMPANY?! please the topic of helpy is so interesting PLEAs-

[silver-grasp]

Loooove rereading books when I've forgotten 90% of the plot, I had straight-up forgotten the "Miss Stapleton" twist in Hound of the Baskervilles but I was also like. Almost exactly on the right track in my interpretation of Mr Stapleton's behavior lol

[smallpapers]

Dialog by @emeraldpedro

[wazzappp]

One fun little idea I love to pull off the shelf every once and a while: mutant Lisa with ice powers

[illidan]

it occurred to me not everyone might know the reference im making when i keep calling my remix character the "hot pink bitch named breakfast" so... here. perceive breakfast.

[cozylittleartblog]

Just wanted to mention this to someone who does art and get their opinion on it:

Sometimes I see some artists do redraws of their old artworks or characters and think "Wow, uh... their older art looks better." Sometimes it's only mildly better, but other times it's vastly better. Like the Upgrade, Go Back! meme.

I understand that art skills are supposed to develop and change, hopefully for the better, but sometimes it just feels like they got... worse? Somehow? Idk. Maybe it's because they were copying another artist's style while finding their own, and it's their own style that doesn't vibe with me? Just curious what your thoughts are about this.

Also, your art has consistently been great, so this isn't directed at you.

I do see this on occasion yeah! usually (in my experience anyway) its because people take a sharp turn towards a stylization that either isn't to your or most people's tastes, or that they don't understand or are still developing. switching up how you stylize your art is like starting over in a sense, you're changing from what you have practice with and that's always going to cause you to revert some as you have to re-learn things you understood in your previous style. i had a pretty big style shift in 2014 when i took up the basis for how my art looks now, and i remember feeling like some of the stuff i was drawing might have looked better if i was using my older style instead. that's something artists just have to push through and figure out, and they'll likely come out of it a better artist than they were before. constructive critiques are a good way for them to figure out why their art might not be as "good" as it used to be, if they're open for those.

art is not always a linear journey, and i would also say things like passion and motivation have a part in it too. feeling inspired sparks you to make something the best it can be, if you're not feeling it (and esp if that feeling lasts for a long time) it'll leave you making decisions you otherwise would not have let fly, and that can result in worse art. and some of it is just personal preference! it's not that their art is better or worse, it's just different now, and maybe that doesn't vibe with you the same way their old stuff did. and that's fine 👍

(thank you! :3 i admittedly struggle a bit with Not Feeling It sometimes like i just described, so it's nice to know people still enjoy what i make when that feeling hits.)

[ziracona]

Playing OWB, I always knock out lobotomites because they're victims, instead of kill them. Which sucks, because I only have boxing tape on me. It ain't easy :'-) but I've had several weird what must be glitch encounters with ones that are marked hostile but quit attacking now, and my experiences got me thinking about story stuff in OWB, so a little piece from the POV of a lobotomite experiencing my Courier 6. Which is a very interesting and fragmented pov to write, but I liked doing something very different.

-

-

I see something leaving the big house.

They come one by one usually, the ones not like us. They hurt us. Always.

Everything here hurts.

So, we kill them. We stop them.

One of us makes a sound in his throat, nods towards the shape. We’re all alert with the sound, turn to look. Take out weapons.

I draw my gun. My fingers know the trigger. Know the barrel like it’s another finger. I aim at the shape. It walks towards us and pauses at the top of the stairs, sees us see it. Takes a step back.

Good. Maybe an easy fight for us then.

The man who pointed the figure out charges, drawing his spear. Another of us runs with him, saturnite fist ready. I stay back behind, and shoot.

I hit it. I see my bullet clip the shoulder. The thing cries out and falls back a step. Somehow, not hurt bad. Armor, I guess. We don’t have it. I have the dress they give at a hospital. I don’t remember what I had before.

It makes me angry, so I walk closer, keep shooting.

My companions reach it, and I see them fighting. I see the figure has a gun on their hip, a spear at their back. But, they don’t draw the gun. No bullets maybe? They hit, bare fists. Pound, pound, pound. Crack, crack, crack.

Cuts open up on them, along their face and body, their back, their hands. They jam something into their side and fall back a step, and I see cuts close like magic. They’re afraid though. Eyes big. Surely, just fists against us, we must win.

But we don’t. It fights fast, hard, and above all, with stamina. It won’t go down. Heals itself again and again somehow, and hits and hits until the leader goes down. I feel a pang of fear. The second goes down a few seconds later, a fast upper-cut from this things. Then it turns to me.

I feel real fear. But. Surely. I must win, against this? A human. Wrapped fists. Nothing else.

It meets my eyes, and I see determination. It rushes me.

Panic. I fire, I fire, I fire. I know I hit it. A bullet even grazes its head. But then it’s on me, and a fist finds my face.

Pain. Hurts, bad. I lose strength from it. I keep trying to shoot, and I hit it, even so close, but it hits me too. Crack, Crack, Crack.

I feel myself breaking down. It gets me in the head, and I’m gone.

I think ‘I have died?’

Fear.

Then I’m gone.

Only. I’m…not?

I…wake up.

Not sure when. …Later. It’s gone now.

I sit up, head aches, confused. Why? Must have thought I was dead, I guess. But, I reach for my gun. It’s gone. Stolen. But everything else is here. My cloth I wear, my head strap I can’t get off, the lighter I picked up. And…an apple?

Confused more, I feel it in the gown pocket, take it out.

Fresh. Fresh apple. Smells…good? I take a bite, because I am hungry. It tastes good too.

Amazing. Usually all I eat is meat from something killed, or maybe old spoils found. Stale chip, can of beans, or if very lucky, these cakes of falling apart breads with sugars in tiny boxes. This is fresh, like it’s not old at all. Pretty, bright red.

I eat it all. Around me, I see the other two get up too. Alive. One takes out a pear. Confused too. I think about fighting him for the pear, but I haven’t finished my apple, and he eats the pear by the time I do. The other has an apple too. We eat. We move on.

-

I see the human again, same day maybe. Later. Far away from the big dome now. It’s leaving one of the smaller houses, full of horrible things. I see it from a distance and don’t know it’s the same one. Just hear fighting. I’m with different members of the group, and they run off. I follow. We see the figure fighting off the snakedogs. It has a big fist, like a saturnite fist, but bigger. It’s punching off their heads. I don’t recognize it. Just the saturnite fist weapon, and that it isn’t one of us. I draw my gun, and start shooting. The other two rush in, hoping to get to it while some of the snakedogs are up, so it will be more overwhelmed.

It sees us coming. I watch its head snap up. See panic through the visor I can’t take off. It hurries to turn, punch a snakedog. The head comes off. Last one. Turns to face the others of my group as they reach it, and I see it let go of the fist. Drop the big, powerful thing on the ground, and swing an empty fist at the one of us with a flaming sword.

Then I recognize it. I think ‘So strange. Lost its good weapon?’ and I remember. I remember, from this morning, and I see it closer and see it has the same long blue coat on, red hat.

I am not mad by the armor this time. I am confused. Curious. Still nervous too. Have to kill it before it kills us. I shoot, watching, to see how it heals. See if it can walk off bullets more. See if it keeps hitting.

It does. Keeps taking out little white…things. Like scissors. Some of me thinks ‘that’s a heal’ but what that means? I don’t know. It is a heal though. Makes flaming knife cuts go away. Good for it, because it takes punishment I couldn’t believe. Hits back with little wrapped fists. Crack, crack, crack. Hit, hit, hit. I hear, I see. I watch my people go down.

I hesitate as it turns, bloody, and rushes me again, breathing hard. I remember to keep firing. It knocks the gun out of my hand and I look down in surprise. Blink. It hits me. I hit back. Panic now. Remember it will kill me. Hit, hit, hit, but it hits harder. I go out.

I think, ‘I died.’

But, I wake up. Again. Before me, the other two are already up. Starting to stand, and looking for weapons gone now. I look for my new gun, sad. Know the thing took it again. It did. But there’s an apple. Fresh. My pocket, again. Pink apple this time. I hold it and smell it. Think ‘where it gets the apples?’ And eat it.

So good. Even better than red apple.

The others have things too. The knife companion takes out a drink. Fights a while before biting off the cap, and drinks it. I am very jealous. Almost jump him for it. Too busy thinking. Other has apple too.

I think hard.

Wonder.

-

I see it again, going to find a new gun. On my way out, I hear guns, and I follow, careful. Haven’t got new gun for me yet. Very hard like that to stay alive.

But, there it is. Blue coat, bright red hat. Tall. I see it shooting snake dogs again. Shooting the skeletons in the suits that help us sometimes. A dog with robot legs jumps it, and it punches that one. Interesting. I am curious.

Once it leaves, I sneak up, look at the dog.

No apples…

I keep following.

I see some of us attack it soon. Another group. I think about helping, but, I want apples. I don’t want to get hit again, though. So, this is my idea.

It hits them, like it hit me. It gets hurt, bad, doing it. But keeps healing. Keeps hitting. And, it wins.

After, it breathes hard. I hear it talking to itself. Sounds like a woman, maybe. Not close enough to hear it well. It spotted me once, so I’m careful now. Still no new gun, you know? Got to be careful.

I sneak little closer though. Watch.

It puts its big saturnite but bigger fist back on, wipes blood off forehead. Walks over to the unconscious bodies it fought, and I see it take their guns, their spears. Leaves bugglegum, leaves a drink, leaves a pear. An apple.

After trading food for gun or knife, it goes on. Once it’s gone on enough, I sneak over. I pick up the stuff it left. I take the gum and put it in my gown pocket. I eat the pear. I open the drink and it hurts my teeth, but it’s worth it. So good! A part of me tastes it, and I want to..cry?

Confused, I stop walking. Look down at it. Drink a little more.

I think ‘sarsaparilla,’ but, I don’t know what sarsaparilla is. Something in me very desperate asks me to know, but I don’t remember. It’s a brown word, and a sweet word. Spicy. A tree? I try, but I know I am wrong. I sit, hold the drink. Drink it slow between two rocks, hidden safe in a shadow. Hold sarsaparilla. There is a word on the bottle. Can’t read it, but I trace it with finger. Think. Girl on the bottle—picture. I almost remember something, but…

It hurts too much. Can’t. Put head in hands, breathe. Pain goes away. I keep drinking. In head, I see a picture of a tree that isn’t there. I sit beneath it in my head. I drink this in my head too, but a different one. It’s a good feeling, but, sad.

I don’t understand why.

Tree smells. Like…sarsaparilla? Brain says ‘pine.’ Not sarsaparilla. But I can’t remember ‘pine.’ Good word. Green word.

I get up.

I keep the apple. I hold it in pocket, and take out to smell. But don’t eat. Saving it. Save the bottle too, to smell. Smells like sarsaparilla and thinking about green pine words.

I chew the gun thoughtful, and try to find blue coat again.

I find her pretty slow this time. So fast! Unbelievable. All the way across the empty, she is sneaking. I run into her—almost for real. See her slide against a wall and hold breath when I almost step on her. I don’t want punched unconscious again. Too much hurt, even for apple. Besides. I have apple. If she sees it, what if she doesn’t leave new one too? So I pretend not to see. Keep walking.

Mutter, like she did alone.

She buys it.

Very proud, I walk around a ways, then sneak back.

Hah!

Worked. Very, very well. She is sneaking off towards the big robots. NO clue I sneak after!

Hmmm…Big robots…

I am nervous. Those will shoot me. I got new gun off a box, but not great gun. Big robots sometimes shoot missiles. Besides, she won’t leave apple on big robots, so nothing to get.

Still, I follow. Too interested now.

I see her checking out already dead robot, poking at stuff. Hm. Closer, I see her wipe forehead, and past bangs, she has head marks almost like mine. But, not one of us… We would be able to tell. Can always tell.  And, she doesn’t act like…? Must be wrong?

Hm.

Some of us hear her poking around. I pull back, and watch her fight in fascination. Some of the big robots hear the commotion as she hits my people off her, and they come running too. Uh-oh, I think, because they will shoot right through us. To surprise, I see her panic too. She looks ‘uh-oh’ at them, and shoves one of us off her. She snags gun off her shoulder, big, long rifle, and shoots a robot. It falls, but two more come. I see one of us take bullets from it and stumble back. She sees too, runs towards the shot man, and moves between him and robot. I see her get shot. She takes it like she does, and shoots the robot twice. It falls. One left. But she pauses, to look back at the man. He’s alive. Confused. And hitting her with his saturnite fist. She grimaces, falls forward, misses a shot at robot, and ignores him. Shoots robot. All three of my kind attacking her are still up, and one shoots her, knocks off aim.

Uh-oh, I think, more worry in the uh-oh. She is not doing as well.

Still, she ignores the man shooting her. Takes shot at robot, using free hand to block a hit from the spear the last member of their group has. Robot goes down this time.

Bloody and relieved, she turns, frantically starts hitting them. Amazed, I watch. She takes down all three.

Bloody, barely able to stand, she huffs. Grabs a chunk of broken concrete, and slides to ground against it. Sits there, tilts head back.

“This is the worst,” she says mournful.

Tired, she raises her wrist. What I thought was another, broken saturnite fist is on her left arm. She raises it. Taps it. I hear sound come out of it. Songing.

I remember…this sound.

Been…I think a long time.

Woman’s voice, but not her, plays from the arm. Says words my ears don’t know anymore. But, says not many words. I like that. Same words keep being said. ‘Night.’ ‘Your.’ ‘We.’ ‘Where.’ ‘When.’ ‘Begin.’

I don’t remember ‘night.’ Don’t remember ‘begin.’ Don’t remember…’when, where.’ I remember ‘we.’ We is…me, plus someone else. Me and someone.

I am proud; I remember.

I never remember.

But I know ‘We.’

She has no we though, unless it is the woman with song in her wrist. Many of us, just one of her.

I listen to the song too. She sings with it, quiet, just a few words. Just the last words, holding the last one long, much longer than the song. She turns off the thing on her wrist, but holds the song word. Then sighs, lets it go.

Stands alone, looks at the bodies.

Odd expression on her face. I wonder with a strange chest feeling, from where I hide in shadows, if she will get angry and crush them under her feet.

She does not.

Takes their weapons, slower than before, wincing as she stoops. Leaves a drink, leaves a cake box, leaves an apple.

-

I follow her for the next two days.

Sometimes, I lose her. She will go in a building, and I will not do that. Too many monsters. She maybe can be shot 400 times. I die if shot 400 times. I do not want a plant to eat me. I do not want to be explosion’d by robot.

Sometimes, she is just so fast, I lose her.

But, she is very loud. Thankful for that. Never lose her for too long.

I eat a lot of delicious apples.

Always keep one on me, too, to look at. To smell.

If I find the drink that smells like green word ‘pine’ and the brown word thought ‘sarsaparilla,’ I drink it, and keep the bottle to smell, replace the last with it.

She does the same thing, always. Will kill snakedogs. Kill robots, kill suits with skeletons, kill scorpions, kill bugs. Kills robot dog if scared. Never kills us.

Don’t know why. Won’t, though. Always takes weapons, always knocks out with wrapped fists, always leaves a little gift.

I don’t know if the gift is trade, or maybe, I think, ‘sorry’? Can’t remember what it means, but it makes sense. It thinks in my head like ‘backing off’ a little maybe. It seems right?

I don’t know for sure. I keep following. Sometimes, if she thinks she is alone, she turns on the song. It is not always that song, but that song she hears the most. It’s the best, because the others are too fast with too much words. That one is slow, very few words, very short, and a word I know. I like to hear it.

A couple times, she spots me, and I have to run away. She doesn’t chase if I do, though, so no more punching. Good, because head still hurts a little from before. Girl punches hard…

Day two, late, she sees me and I run and she calls out. I keep running till I’m far, and check to see if she is watching. She is. Standing still, staring at me. I pause. She crouches, puts out her hands, palms to me. No weapon. I know her fists are weapons though. Very painful.

I watch still, interested. Look back. She calls again, soft. Motions towards herself.

I think she is trying to lure me back.

Too smart, I don’t do that. I keep running, hide.

Sneak back after a few minutes, from a side. Still, she is watching where I went, head tilted.

Strange look on her face. Sad and not sad at same time.

I think about that.

-

Third day.

I see her fight many things.

Robot scorpions (10), many of us (many), big robots (4), different kind of big robot (2), skeleton suits (forgot to count), green plant monster (2, very bad), snakedog (18 maybe).

Good day for me. Lots of food. Found a glowing drink. Maybe saw god after drinking it. Was funny again for a minute too.

Felt very happy.

I like following her. Very interesting to do. Different. I forgot about different. Different is not very safe, but is other things. Like full of food.

She is doing better. Avoids places with big robots mostly now. Sneaks more. Walks on the big pipes a lot, which makes harder to follow her because if I do, she sees me and have to hide. Still, I am better at following now too. Getting pretty skilled.

And then, she gets too close to us.

I don’t realize, because I watch her, not where she goes. But we get close to the cave. To home cave.

I don’t realize, until one of us runs past and sees me, and calls to me a sound I know. ‘Again!’ A call to fight. One of the words we remember.

I stand up automatic at the sound, then blink, see more and more of us. Not just from by me, from past too. Maybe eleven, twelve? So many. She was looking at a box, but hears us coming. Looks up and sees. Tries to run.

She can’t get past. Too many come in from the left side of the big rocks now, and there is nowhere up on the rocks to go. She doesn’t see how many are on my side yet. Starts trying to fight. We push her into a corner. I don’t realize I’ve followed until I’m at the edge of the group, watching up close as she punches one of us unconscious like before.

I am waiting for her to win and waiting for her to die. Different parts of memory both sure of outcome.

I feel nothing.

Just far far away.

Then I am shoved forward. I am close to her, watching. Right on her.

She is scared. Hits me. I fall back, surprised. Two jump her from behind with knives.

I see her heal herself, but too many of us from too many angles at once. We are winning for once.

She tries to push through and run.

Almost makes it, but one of us catches her on fire. Loses sight in the fire, loses footing. Falls. Snaps an ankle when she hits rock below. We go after her like a wave.

I think ‘she is going to die now,’ without anything beyond thought. Then I think ‘I can take all the apples off her if she dies.’

But. I don’t want them that way.

I am sure they will not taste so good if I take them off her pockets.

I am suddenly very frustrated.

If they kill her, the apples won’t be the same at all.

I push forward, push past.

They don’t fight me. We are all fighting her.

I see her struggling. Made it up to one foot. I see the gun at her hip. I see the bigger than a saturnite fist on her belt. I see the spear on her back. Still, she hits with fists. She got some of us, unconscious. But we are still five, and she is trying to heal as I get close.  Jams the little white thing into her side as I reach her. One of the others hits her so hard, he knocks it out of her side, and she cries out. Not a sound like the song. I realize she is about to go down.

She sees me.

I hit her.

She falls, covered in blood from guns and knives and bruises from fists.

I go down on top of her.

The others make sounds. Want to see what she has too. I growl at them and snap, and they back off. They are all hurt from her punches, but she only hit me once. I have my gun.

I look back down at her as they back away, lose their interest.

I try to remember death and unconscious, the way to tell. Heart tells. Heartbeat.

I pick her up from shoulders, put my ear to chest, listen. There is a sound. Brain doesn’t think heartbeat sound, but what other sound in chest is there? Doesn’t matter, I think, because sound is alive. Dead is quiet.

That seems sure to me, so, relieved, I pick up the blue coat woman, and put her over a shoulder.

We are by my home, so I turn. The others ignore me now. I claimed the body, it’s mine. We bring meat home. We bring findings. We bring anything we want.

I pass into the cave, past the graves we put outside, past some of the things we keep. Past a few of the others inside, with their own beds and memories, and special things like my apple and my bottle, but not as good.

Keep walking, far in. Find my little bed. Raised bed, like a table, but soft. I think it was for hospital once, like my cloth I wear. I tap the dolls I hung from the post by the bed. It’s nice to be home.

Set her body on the bed table. Put ear to the chest again to be sure, but it makes its not quite heartbeat sound.

Good, I think, You are alive.

That’s alright then. She will get back up and leave apples. We keep going like before. All will be good.

I felt nervous, but now I feel okay.

Still, after a few minutes, she is still quiet. I listen several times. Chest sound is going. The blood from cuts stopped, but she is not waking up fast.

With time, I get curious. Poke around a little. Don’t go through pockets, because I don’t want to know how many apples. But I remember the marks I saw once, and I push back her hair.

I am right. There are cuts around her head too. I feel for my own. Mine still hurt. She has them, like all of us, and I am excited, then confused. If…she is one of us, why can’t we tell? Why we kill her? Why she fights us? I’m not remembering. We can just tell, with each other, if they are us. She is not. Not sure how I know. But I don’t know why now.

She has our marks though, I think, confused again. Marks, but not us. Strange.

Maybe she is broken.

I can’t remember where we got marks. I try, and shudder. My head says ‘don’t look.’ It scares me. Like the answer will kill me if I look behind the corner to see it. I quit looking.

Instead, I trace the marks on her head.

She makes a sound of pain, and scrunches her face. Her eyes open. She blinks, squints, finds me above her. I tilt my head, forget to be scared of punches. Relieved it didn’t take so long to not be dead.

Behind me, I hear an angry hiss.

I turn, and to surprise, there is one of the others. He gets close, trying to look past me. Sees the girl, and snaps at me. Anger, alarm. Pushes past.

I realize to surprise he is going to grab her.

“No!” I hiss back. Grab his arm, drag him hard to the side and shove back.

He falls, and drags himself up, angry. Others hear, come towards us. See her, start to hiss and shout. Start to try to get her too. I swing at the first who comes, and hit hard with body of my gun.

“Stop you!” I warn in a growl.

She is MINE! Why are they -?!

They do not stop. They come again, try to get at her. Hiss, growl, call out. I shove one, hit another.

“Stop you!” I shout louder. Behind me, I hear the girl move. Look, and see her trying to sit up.

I worry she will hit me too.

A gun crack. I turn, see one of us with a rifle. Look back, worried, as I hear her cry. She is holding an arm. New, fresh blood. No, no, no! She was so close to dead. More hits, she dies! No more anything!

Enraged, I raise my own gun. She will not kill us. I will. I shoot him.

I hit.

The others attack me then.

I shoot, I hit, and I don’t remember. Something gets me, hard, in the head, then another.

I go down.

I think very angry, very sad, it is not fair. Can’t remember why this is cruel. It is not right though. It’s…it’s….

Gone then.

I am sure I am dead this time.

-

But, I wake.

I think, fuzzy, ‘maybe a new apple.’ Feel relief.

Everything hurt.

But, something is good too. …The ground is good. I used to know it. It feels familiar. Like I could sleep here forever maybe.

I try and open my eyes, because that seems okay.

It’s harder than I think. Eyes feel heavy, tired. Head is wrong…er, than usual. Not sure why. Everything is fuzzying, like I am dying from no water, but in a way that feels warm and good. Like dying, if I liked it.

There is light, and as eyes start to work, I see blue coat looking down at me.

I am not so worried, because I know she will just hit me and leave an apple if she notices I am not dead.

I decide that is okay. Watch, stunted, as she moves. She sees me see her then. Stops fiddling with this thing above me, and turns to face.

“Hey,” her voice is soft, like water when I am hot in the sun, cools me, “You’re okay. Just hold still, okay? I’m not gonna hurt you.”

I don’t know the words. I think ‘you’ maybe is me. But not the rest. It feels familiar though. She doesn’t talk like she will bite. I am too fuzzy to care. Just blink eyes heavy, watch her. Something is stuck in my arm I notice, and I wonder if that will hurt me, but it’s hard to feel worried. Hard to feel anything but fuzzy.

“Can’t you do anything?” she asks something behind her.

I don’t know those words. I thought ‘you’ was me. But, she is not looking now.

“Not without a brain,” comes a new voice.

I do feel panic then. She will hit and leave an apple. Anything else kills me.

I struggle to sit up so I can fight or run away.

 So hard to do, and that scares me more.

“No no!” she calls, and I know that word. Not a good one. “Hey, easy,” she says, catching me with her hands and trying to push me back down, “Just calm down.”

Her voice is soft, but I am very scared. I struggle back, trying to see the other voice. I see no one, and that is bad. Could be anywhere.

The blue coat lets go with one hand and taps the thing stuck in my arm quickly. I suddenly feel calmer, almost like I might throw up, but so fuzzy I want to shut my eyes. I try to struggle, but I forget why as the fuzziness gets heavier. After a few seconds, the blue coat’s hand lifts carefully off my chest. I can’t remember why I was getting up before, so I lay still. It seems better there.

“Look,” she says, glancing behind her again, “I will GET you a brain—the right one! But there has to be something in the meantime. He’s not brain dead! He doesn’t act routine. His pockets are full of stuff I’ve left behind. He’s been following me. They all keep keepsakes around. They’re not brain dead, not totally. The connection must at least be marginally existent for them!”

“I can’t help you without his brain,” says the same man voice before. Still, I see nobody. That seems worrying still, but not enough to move for now.

“What about you?” asks the blue coat in frustration, turning in another direction, “Switch—lights!” she adds, sounding excited, “Smart lights!”

“Oh, good idea sweetie!” comes another girl voice. Not the wrist voice, and not blue coat.

Lights switch on around me then, bright, blinding, and I squeeze my eyes shut.

And feel.

Oh my god.

Despair, and horror, revulsion, and agony, hate, terror. I am filled. I can’t speak. I can barely think and stay alive.

I remember. Things I can’t usually understand.

There was a robot. Arms and knives, whirring saws. I was held down, screaming. I remember the vices, the grips. I remember the scoop, ripping out my brain. Metal pieces screwed into my skull.

No, I think. Praying for the understanding to go away.

It stays. It plays and replays. I see other lobotomized people, I see memories of killing. Eating raw meat. Animal. Not a person anymore. Not anything.

I am shaking. I can almost remember. Half remember words, half remember feelings and thoughts. Half remember people. I know I loved them, but I can’t remember what they were, I can’t remember their faces. I see them, then forget them immediately.

I can’t remember my face. I can’t remember my name.

I remember the snapping of greymatter as my brain went out.

I remember things…I remember pieces of things.

I remember the pine tree and pine is a word, not the color green, but I can’t remember what it looked like anymore. Why I loved it.

I don’t know who I am.

“I…I’m already dead,” I whisper. I find words again, and those are them. I feel myself remember how to cry, and I do, because I feel too much despair and terror to keep inside. I have to get it out. I would eject it any way I can.

This is a person, above me. I know that now.

I see her. Try to ask for her to help me, but I don’t know how to fix me. I don’t know what to ask. I don’t know how to explain.

I try, to find the words. ‘My brain,’ I think, ‘please.’

But I can’t. I can’t find the words I think, not as words I can remember to speak. I know what happened, but human words are gone.

I’m dead. I’m a corpse.

“It’s okay,” says the blue coat woman. I see worry in her face. Her hand touches my shoulder.

I spasm with my shaking.

Terror in me, I realize the clarity I have can go away.

I lose my sanity completely.

Terrified, I find motor control and reach a hand to her and grab her arm. “Help me.”

I find words. “Help me help me help me!” I beg. Find the arm with my other hand, cling to her. Try to drag myself up to her and hold on tighter, afraid now she will leave me to be dead again. That she will turn off whatever she turned on to raise me from my grave. “Please please please! Please help me! Help me! Help me! Help me! Help me, please, please, please help me! Please help! Help me!”

I am sobbing. She is answering me, but I don’t hear it past my wails for several tries.

“I’ll help you, it’s okay! I’m going to fix you—I’ll fix you! I’ll help you,” she calls back, and I don’t know the words.

I can only think ‘Help me’—don’t forget don’t forget the words oh please please don’t forget don’t lose them they’re the only words I know to save me. I keep using them. ‘Help me help me help me.’ I am trying to climb up her arms and dig my fingers into her spine so she can’t be rid of me. So I won’t die in the cracks of the ground I’ve been living in. Terrified like I can breathe fear and it is me.

Her arms go around me and she goes down onto the bed with me, wraps her legs and arms around me, buries my head against her chest. Lays her head on top of mine. Holds tight. I cling back. Shaking. Trying to grab more and more and more, until I realize I have grabbed her finally as solidly as I can. My hands still fidget. I plead and plead and plead until I lose my unused voice. I can only hear choked, awful whispers from my throat, but still I try. Finally, past my own dying begs, I hear her making sound back.

I begin to hear it slowly, very slowly, when I can’t hear me anymore.

She clings to me, holding strong, but not crushing. She is saying, “It’s okay.” She says. “You’re going to be okay. I will fix you. I will heal you. You aren’t dead. You’ll be alive again. I promise. It’ll be okay.”

‘Alive again.’

I hear that.

I think ‘again, that’s in the song.’

‘Begin again,’ I know the words now. The meaning.

I feel some kind of clarity. Comfort. Like the song was a promise too. Like the right words.

“Alive again,” I start trying to repeat. I can’t hear myself beyond a hiss anymore, but I try. I try, I try, I try.

She must hear it somehow. She says, “Yes, alive again. I’ll fix you. I promise. It’s okay. Calm down, okay? I can heal you.”

Heal.

I think of the little white…stimpacks, I almost remember. ‘Heal.’

I think of closed cuts.

Heal.

I try to shut my eyes. Try to not cry anymore.

So tired. Maybe I will die from the crying. I worry sincerely then that I might.

“There you go,” she whispers, and her grip loosens, “It’s okay.”

I panic. “No,” I beg, opening my eyes, shaking again, trying to find her face and pull her closer to me, “No don’t go Apple don’t go please!”

I am crying again. I see her face, surprised. Pain. She must be hurt too.

“Don’t put me back please,” I weep, “Don’t make me like I was please please! Do anything! Anything! Don’t break me again, please! Please don’t!”

I think she will cry.

“I won’t.” Her voice shakes.

I am too scared to believe her.

Trembling all along my body, I tug my head against her chest again and try to hold tight to make it hard for her to go. I can’t breathe slowly, and I can’t get enough breath in my lungs. It scares me too. I am afraid it means I am already dying again. So soon.

“No please,” I whimper, “Please Apple. Please. Don’t hurt me anymore. Don’t break me again. I’m sorry. Please. Don’t break me. Don’t kill me again. Please, I want to be a person. Don’t take me away. Don’t. Please don’t. Help me. Please, please. Please. Help.”

“Okay,” she promises, not moving anymore, “Okay.”

She stays a long time. I beg, and cry, and plead. She says words I remember and words I don’t and words I half know, voice soft like the bed, and sad, worried. Kind.

She holds on to me.

I am so exhausted from begging and crying and being a corpse, I lose consciousness finally, after hours.

I’m already dead.

I was the whole time. I just didn’t know it.

-

When I wake up again, I feel heavy. Stiffness like a corpse. I am sure that is what I am now. I am afraid to open my eyes and see it. I know she will be gone. Everything is gone.

But, I open my eyes.

She is still there.

I am curled up on her, clinging. She is quiet, watching me. Awake, and still there. She did not leave me.

“Hey,” she says softly. I stare. “How are you doing?”

I try hard to remember what that means. Makes my head ache to try.

But.

…’am I okay’. I turn the sound into words into meaning. Try to go the other way and turn meaning into words into sound.

“I am alive?” I check worriedly.

She nods. “Yes.”

I think. My voice cracks. “I can stay alive?”

“You will,” says Apple, “I promise.”

I cry again. Pull myself closer to her, worried. “You help me?” I ask when I can make words.

“Yes,” she promises, arms wrapping gently around me, “I’ll help. Don’t worry. We’ll fix you up. Like new. I’m really good at medicine; I’ll make sure you’re okay.”

I try to express gratefulness, but all the words I can think of are ‘We.’ That she called us ‘we’. Me, plus somebody else. Her, and me. Not alone now. Not alone.

“We?” I manage.

“Yes, we,” she agrees, “We’re together now. You’re not alone.”

I try to believe it. Try to calm down. “Two of us?” I suggest.

“Two of us,” she agrees, and there’s something important in her face.

[seenthisepisode]

woah truly nothing fucks you up like family

[sunset-bridge]

this time i'll grapple that god of fear and throw him into hell's fire

[flufflecat]

anyone else finding it really, really personally nauseating that the pjo show would remove gabes entire character and replace him with someone less abusive to make sally a Strong Female Character. like wow, im sure glad that youve proven that women who are abused are the REAL threat to feminism, and they should just try talking back more!! what a good message to send to abused kids. sorry, kid. i guess you just didnt argue hard enough and #Own your abuser into seeing how cool and strong you are. what do you mean that arguing with an abuser will only make them hurt you more? but look how snappy and cool and feminist sally is now!!! youre clearly just being abused wrong.

[antirepurp]

i love frontiers with my whole heart but it would have benefited so much from having the platforming be tied into the environment itself instead of placing assets all over the islands. i don't necessarily have problems with the assets either but i'd imagine they would've served their purpose better when used far more sparingly and probably have them tied further into the ancients' technology to emphasize their artificial nature. that probably would've made the exploration angle of the game more memorable as well by making the player concretely interact with the environmental storytelling at hand more often instead of giving them funny rails and springs and platforms that take the focus away from the environment around you in favor of delivering a more traditional platforming challenge where the island is just a backdrop