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HA EUN-GYEOL x ON EUNYU

twinkling watermelon [2023]

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US MENTIONED!!

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I've been staring at this gif for ages and it's so funny.

Maul is just showing off and does this completely unnecessary jump to back away, doesn't bother to use the Force to open the doors but throws something at the controls.

AND FUCKING OBI-WAN KENOBI CASUALLY WALKS UP TO HIM, SWINGING HIS LIGHTSABER LIKE "YEAH I'M GONNA FUCK YOU UP BITCH"

The longer I look at it the funnier it gets. He's just not impressed at all lmao

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This scientist crafts stunning visual art through chemistry.

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Mosquitoes actually are not replaceable in any ecosystem that naturally has them and that includes replacing them with any of the non biting species because these are the traits that make them so core to food webs:

Tiny

Can use every single pool of moisture to raise generations no matter how dirty and stagnant and low in oxygen

Can fly

Males get by on just sugars

Females take protein from larger animals to manufacture thousands more eggs

All these things combined allow thst ecosystem to make huge volumes of insects from conditions barren to most other macroscopic life. You might think there are other insects that seem to make huge massive swarms out of nothing but there's really nothing that hits all the same qualities *except other insects that also suck blood.*

It's the precise combo of being able to "prey" on things millions of times larger and breed in nothing but a few drops of filthy rainwater or the moisture in a rotten log. That's the most efficient combination for anything that size to multiply that rapidly where nothing else can even survive, except of course the things that can move in because they eat them :)

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SAM WILSON in THE FALCON AND THE WINTER SOLDIER Episode Four: The Whole World Is Watching (4/6)

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nothing pisses me off more than when i see a fic on ao3 talking about reach. "this ship isn't here but i added them for reach" "this fandom tag isn't necessary but i'm adding it for reach" "reposting for reach" STOP IT!!!! this is not tiktok this is not twitter this is an ARCHIVE this is not how it works!!!

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y'all it's about to get really fucking humid and hot

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characters going “we were lovers once”: eh, it’s okay i guess. it’s nice enough

characters going “we were friends once”: absolutely devastating. one hit knockout i’m gone

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good news i'm the most fuckable person at this vehicular manslaughter

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It's so funny how pple on all social media platforms are claiming that Oppenheimer isn't propaganda becos it criticizes the bomb, and Im just going, my dears you need to remember how propaganda works. Saying Oppenheimer couldnt possibly be propaganda becos it is critical of the bomb is like saying Brooklyn 99 can't be copaganda becos they had episodes that were critical of the cops. 😑😑😑

Im sick and tired of having to explain until I'm blue in the face that propaganda, particularly Hollywood propaganda, doesnt always have to take the form of obvious messages like "X is good!!" Or, "Y is bad!!" Anyways, here's a great tiktok that explains why Oppenheimer is propaganda:

Credit: @malihaness

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I adore this recent trend (if that's the right word) of letting an orchestra play classical music on a festival. It's magical to see thousands of festival-goers going absolutely wild on Beethoven. Mosh/circlepits, crowd surfing. It's wonderful to see the orchestra and the audience having the time of their lives.

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YOU ONLY HAVE ONE SHOT! My drawing of Zach and the claw machine from the latest Game Changer :)))

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Nooo i just saw a TikTok of someone calling their mom a hoarder cause she has a CD collection and going "i can play these faster on an app" and telling her to throw them away BITE BITE BITE BITE KILL KILL KILL KILL if someone said that to me i would rip them apart with my teeth i would burn them alive the violence that would take place would be unimaginable i would be an unleashed demon hungry for blood and meat. unimaginable horrors. death and destruction. killing. maiming. no one could survive that. it would be a nuclear apocalypse. leave the fucking CDs alone

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Rewatching Treasure Planet (great movie, watch it) made realize something about the way that stories convey information to their audiences. There's been a lot of discussion on the overuse of plot twists and how many stories prioritise surprising their audience over telling decent stories. However, if you instead reveal the "twist" to the audience before it becomes known to the characters, you can build tension and stakes. Treasure Planet comes right out and tells you that Long John Silver is the main villain almost immediately after his introduction (And even before he's introduced we're warned about a cyborg, so you'd have to be pretty dense to not put 2 and 2 together and realize he's a bad guy). So when the audience watches him and Jim bond and grow closer, it builds tension for when Jim finds out and it highlights the tragedy of their friendship, because we all know it's not going to end well. Then, after the truth is revealed, stakes are created because we want the friendship between Jim and Silver to be repaired, because we know it was real, but we don't know if can be after what Silver's done. And all of this would have been lost if Silver's true nature had been a cheap plot twist. The tragedy would be completely overshadowed by the surprise and betrayal, and any investment in their relationship would have been built on the false impression that Silver was a good guy.

Another good example of this is Titanic. Even if you were somehow ignorant of the ship's sinking, the film makes sure you know that it sank with its framing device of Old Rose telling her story to people salvaging the Titanic's wreak. And Titanic's plot structure could only possibly work if you know the ship is going to sink. I'm not just talking about building tension, tragedy, and stakes for the characters like with the above example, I mean that if you didn't know that the Titanic was going down walking into the film, the abrupt shift from romance to suspense-disaster would be an increadibly tough pill to swallow. But it works because we expect it. You don't walk into a film called Titanic without expecting the damn boat to sink.

However, the sad thing about both of these examples, is that despite all the benefits that came from telling the audience these things ahead of time, I think the main reason the creators didn't make them plot twists was because they couldn't have. Treasure Island is the single most influential piece of pirate media out there, and you'd have to have been living under a rock for over a century to not know the Titanic sank. So, the writers had to work around the fact that these important turning points in the narratives were common knowledge, and they wound creating incredible stories as a consequence.

I want to see more of this style of writing in stories where the writers aren't forced to do it. We've clearly seen that you can tell some really damn good stories by giving information to the audience before the characters learn it, and I just wish more works would do that instead of trying to surprise people with shocking twists.